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Richmond
Songs like
Richmond
by
Ernest East
Based on a tempo of (+/- 10%) and a similar genre
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Chance McCoy & The Appalachian String Band
Jimmy Johnson
135 bpm • A Maj • 03:13 • -8.34db
12% Popularity • 59% Danceability • 86% Energy • 27% Liveness
88% Instrumentalness • 96% Positiveness
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Herschel Sizemore
Loar's Waltz
135 bpm • A# Maj • 03:20 • -12.88db
9% Popularity • 52% Danceability • 22% Energy • 10% Liveness
87% Instrumentalness • 54% Positiveness
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Hazel Dickens
Gabriel's Call
135 bpm • F Maj • 02:16 • -10.49db
10% Popularity • 50% Danceability • 40% Energy • 9% Liveness
0% Instrumentalness • 63% Positiveness
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Sam McGee
Go On, Nora Lee
135 bpm • D Maj • 03:09 • -9.8db
7% Popularity • 68% Danceability • 52% Energy • 18% Liveness
74% Instrumentalness • 95% Positiveness
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Joe Isaacs
Cry, Cry Darlin'
135 bpm • F Maj • 03:01 • -4.65db
7% Popularity • 50% Danceability • 55% Energy • 32% Liveness
0% Instrumentalness • 50% Positiveness
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Sami Braman
Duck House
135 bpm • G Maj • 02:17 • -10.2db
9% Popularity • 44% Danceability • 66% Energy • 9% Liveness
89% Instrumentalness • 96% Positiveness
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small void
down in the holler
136 bpm • G Maj • 01:54 • -9.26db
11% Popularity • 38% Danceability • 67% Energy • 38% Liveness
80% Instrumentalness • 90% Positiveness
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Ashley MacIsaac
The Green Fields Of Glentown
134 bpm • F Maj • 00:59 • -12.43db
9% Popularity • 32% Danceability • 36% Energy • 20% Liveness
82% Instrumentalness • 96% Positiveness
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Dillard Chandler
Gastony Song
134 bpm • F# Maj • 01:35 • -20.78db
7% Popularity • 70% Danceability • 2% Energy • 32% Liveness
0% Instrumentalness • 42% Positiveness
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Norman Edmonds
Kingdom Come
136 bpm • G# Maj • 02:06 • -12db
11% Popularity • 48% Danceability • 8% Energy • 9% Liveness
15% Instrumentalness • 40% Positiveness
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The Country Gentleman
Legend of the Brown Mountain Light
134 bpm • A Maj • 02:36 • -11.29db
16% Popularity • 50% Danceability • 55% Energy • 95% Liveness
1% Instrumentalness • 49% Positiveness
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Reeltime Travellers
Kiss Me Quick Papas Coming
134 bpm • E Maj • 03:13 • -7.71db
8% Popularity • 55% Danceability • 61% Energy • 33% Liveness
87% Instrumentalness • 73% Positiveness
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Erik Darling
Banjo Tune
136 bpm • G Maj • 01:42 • -11.69db
14% Popularity • 46% Danceability • 46% Energy • 18% Liveness
90% Instrumentalness • 98% Positiveness
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The Macrae Sisters
Tennessee Mountain Fox Chase
134 bpm • C Maj • 03:05 • -6.9db
9% Popularity • 56% Danceability • 80% Energy • 28% Liveness
90% Instrumentalness • 98% Positiveness
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Brad Leftwich and the Hogwire Stringband
Rabbit in the Lowland
134 bpm • A Maj • 03:03 • -10.57db
8% Popularity • 57% Danceability • 35% Energy • 9% Liveness
3% Instrumentalness • 93% Positiveness
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Contact Outrageous
Spell Introduction
133 bpm • A Maj • 03:42 • -4.97db
17% Popularity • 53% Danceability • 78% Energy • 18% Liveness
0% Instrumentalness • 94% Positiveness
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Leroy Troy
Cindy
133 bpm • G Maj • 02:46 • -17.89db
18% Popularity • 69% Danceability • 18% Energy • 11% Liveness
0% Instrumentalness • 96% Positiveness
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Mac Wiseman
Dark Hollow
133 bpm • F Maj • 02:33 • -12.14db
10% Popularity • 60% Danceability • 34% Energy • 7% Liveness
0% Instrumentalness • 54% Positiveness
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Cahalen Morrison
My Girls Heavy
133 bpm • F# Maj • 03:17 • -11.87db
10% Popularity • 53% Danceability • 31% Energy • 10% Liveness
0% Instrumentalness • 75% Positiveness
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Murphy Henry
Hazel Creek
133 bpm • D min • 04:02 • -8db
9% Popularity • 46% Danceability • 67% Energy • 8% Liveness
89% Instrumentalness • 44% Positiveness
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Tune Hash
The Cannon Ball
133 bpm • D Maj • 02:42 • -6.17db
16% Popularity • 57% Danceability • 62% Energy • 8% Liveness
2% Instrumentalness • 78% Positiveness
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The Freight Hoppers
Hound Chase
137 bpm • E Maj • 02:22 • -5db
12% Popularity • 60% Danceability • 74% Energy • 5% Liveness
92% Instrumentalness • 96% Positiveness
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The New Lost City Ramblers
Johnny Booker
133 bpm • A Maj • 01:32 • -17.59db
15% Popularity • 73% Danceability • 32% Energy • 11% Liveness
0% Instrumentalness • 92% Positiveness
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The Po' Ramblin' Boys
I’ll Be a Friend to Jesus
133 bpm • E Maj • 02:08 • -6.87db
16% Popularity • 58% Danceability • 73% Energy • 12% Liveness
0% Instrumentalness • 74% Positiveness
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Reeltime Travellers
Paddy Wont You Drink Some Cider
133 bpm • A Maj • 02:20 • -8.01db
16% Popularity • 62% Danceability • 58% Energy • 31% Liveness
88% Instrumentalness • 89% Positiveness
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Jim and Jesse and the Virginia Boys
Company's Coming
133 bpm • F Maj • 02:21 • -9.79db
10% Popularity • 67% Danceability • 53% Energy • 30% Liveness
0% Instrumentalness • 84% Positiveness
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Hunter Robertson
Threw Down
133 bpm • C# min • 01:12 • -11.53db
15% Popularity • 43% Danceability • 36% Energy • 8% Liveness
92% Instrumentalness • 76% Positiveness
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Brad Leftwich and the Hogwire Stringband
Big-Eyed Rabbit
133 bpm • A Maj • 03:05 • -9.47db
8% Popularity • 58% Danceability • 47% Energy • 9% Liveness
2% Instrumentalness • 87% Positiveness
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Chance McCoy & The Appalachian String Band
Rocky Road To Dublin
133 bpm • D Maj • 01:35 • -7.82db
26% Popularity • 61% Danceability • 73% Energy • 12% Liveness
87% Instrumentalness • 96% Positiveness
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Fred Cockerham
Frankie Baker
133 bpm • E Maj • 01:22 • -12.68db
11% Popularity • 73% Danceability • 29% Energy • 10% Liveness
44% Instrumentalness • 98% Positiveness
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Don Stover
Things In Life
138 bpm • B Maj • 03:07 • -8db
8% Popularity • 48% Danceability • 63% Energy • 9% Liveness
0% Instrumentalness • 95% Positiveness
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The Rice Brothers
Original Untitled
132 bpm • C Maj • 04:19 • -14.75db
10% Popularity • 37% Danceability • 44% Energy • 7% Liveness
94% Instrumentalness • 44% Positiveness
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Allison de Groot & Tatiana Hargreaves
Wabash Blues
132 bpm • A min • 02:52 • -9.88db
10% Popularity • 51% Danceability • 48% Energy • 19% Liveness
93% Instrumentalness • 69% Positiveness
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The Dirty Grass Players
Carlos
138 bpm • G Maj • 03:07 • -5.18db
18% Popularity • 64% Danceability • 74% Energy • 9% Liveness
0% Instrumentalness • 87% Positiveness
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The Delmore Brothers
Goodbye Booze - Remastered
132 bpm • A# Maj • 02:33 • -13.63db
12% Popularity • 48% Danceability • 39% Energy • 9% Liveness
20% Instrumentalness • 92% Positiveness
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Fred Cockerham
Little Satchel
132 bpm • E Maj • 03:38 • -13.14db
8% Popularity • 74% Danceability • 25% Energy • 9% Liveness
0% Instrumentalness • 81% Positiveness
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Jake Eddy
Liquor Cellar
132 bpm • D Maj • 02:17 • -14.02db
8% Popularity • 44% Danceability • 56% Energy • 25% Liveness
86% Instrumentalness • 98% Positiveness
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The Rice Brothers
That's When I'll Stop Loving You
138 bpm • D Maj • 02:31 • -10.73db
13% Popularity • 64% Danceability • 58% Energy • 19% Liveness
0% Instrumentalness • 89% Positiveness
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Nathan Sefalden
Nora
138 bpm • E Maj • 03:09 • -11.51db
21% Popularity • 58% Danceability • 45% Energy • 29% Liveness
84% Instrumentalness • 96% Positiveness
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The Old 78's
Carolina's Best
138 bpm • C Maj • 02:52 • -6db
8% Popularity • 62% Danceability • 62% Energy • 15% Liveness
1% Instrumentalness • 97% Positiveness
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Audey Ratliff
Cactus Polka
132 bpm • G Maj • 02:52 • -12.33db
7% Popularity • 64% Danceability • 42% Energy • 24% Liveness
90% Instrumentalness • 96% Positiveness
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Sacred Harp Singers
Ortonville
138 bpm • G Maj • 01:53 • -10.55db
12% Popularity • 21% Danceability • 57% Energy • 18% Liveness
0% Instrumentalness • 19% Positiveness
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Uncle Earl
Coon Dog
138 bpm • D Maj • 02:27 • -11.14db
16% Popularity • 52% Danceability • 67% Energy • 11% Liveness
96% Instrumentalness • 96% Positiveness
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Tim Lake
A Russian Sailor Running From A Fight
138 bpm • D Maj • 01:07 • -5.81db
13% Popularity • 52% Danceability • 89% Energy • 34% Liveness
96% Instrumentalness • 74% Positiveness
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Fred Cockerham
Fortune
132 bpm • E Maj • 01:40 • -15.73db
11% Popularity • 58% Danceability • 44% Energy • 22% Liveness
86% Instrumentalness • 97% Positiveness
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Reno & Smiley
I'm Gone Long Gone
138 bpm • A Maj • 02:25 • -9db
11% Popularity • 51% Danceability • 49% Energy • 33% Liveness
0% Instrumentalness • 64% Positiveness
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Skip Gorman
Utah Carroll
139 bpm • F Maj • 05:23 • -17.62db
11% Popularity • 34% Danceability • 10% Energy • 10% Liveness
0% Instrumentalness • 39% Positiveness
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Peggy Seeger
The Young Man Who Wouldn't Hoe Corn
132 bpm • E min • 01:49 • -24.43db
9% Popularity • 63% Danceability • 16% Energy • 9% Liveness
0% Instrumentalness • 95% Positiveness
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James King
Leavin'
131 bpm • F# min • 03:00 • -14db
17% Popularity • 58% Danceability • 46% Energy • 29% Liveness
0% Instrumentalness • 90% Positiveness
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Kirk Sutphin
Yellow Rose Of Texas
139 bpm • D Maj • 01:58 • -17db
7% Popularity • 59% Danceability • 37% Energy • 20% Liveness
97% Instrumentalness • 90% Positiveness
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Butch Robins
Crossin' The Cumberlands
139 bpm • G min • 02:45 • -10.96db
8% Popularity • 63% Danceability • 39% Energy • 26% Liveness
40% Instrumentalness • 79% Positiveness
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David Johnson
Bile Them Cabbage Down
131 bpm • D min • 02:39 • -12db
14% Popularity • 50% Danceability • 62% Energy • 23% Liveness
96% Instrumentalness • 97% Positiveness
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The Rice Brothers
Jared's Rag
139 bpm • A Maj • 03:26 • -9.95db
10% Popularity • 45% Danceability • 70% Energy • 12% Liveness
94% Instrumentalness • 85% Positiveness
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Jason Carter
Midnight Flyer
131 bpm • A# Maj • 03:21 • -6.8db
8% Popularity • 52% Danceability • 79% Energy • 29% Liveness
17% Instrumentalness • 89% Positiveness
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Uncle Earl
Julianne Johnson
131 bpm • D Maj • 02:33 • -9.88db
19% Popularity • 56% Danceability • 49% Energy • 22% Liveness
91% Instrumentalness • 91% Positiveness
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Jim & Jesse
I'll Love Nobody But You
131 bpm • G# Maj • 02:09 • -8.34db
7% Popularity • 61% Danceability • 70% Energy • 33% Liveness
0% Instrumentalness • 94% Positiveness
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The New Lost City Ramblers
Crow Black Chicken
139 bpm • E Maj • 02:41 • -12.34db
9% Popularity • 59% Danceability • 43% Energy • 12% Liveness
0% Instrumentalness • 75% Positiveness
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Reeltime Travellers
Elzics Farewell
131 bpm • G Maj • 02:40 • -9.48db
16% Popularity • 46% Danceability • 57% Energy • 22% Liveness
87% Instrumentalness • 78% Positiveness
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Bobby Langdon
Bill Cheatam
131 bpm • G Maj • 02:40 • -14.86db
8% Popularity • 53% Danceability • 54% Energy • 7% Liveness
89% Instrumentalness • 90% Positiveness
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Lonesome Ace Stringband
Katy Hill
131 bpm • B min • 02:58 • -11.89db
18% Popularity • 58% Danceability • 60% Energy • 25% Liveness
71% Instrumentalness • 85% Positiveness
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Pharis & Jason Romero
Going to Town
131 bpm • G Maj • 02:04 • -8.9db
8% Popularity • 49% Danceability • 59% Energy • 32% Liveness
95% Instrumentalness • 87% Positiveness
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Caleb Klauder & Reeb Willms
Whispering Forest
131 bpm • A# Maj • 03:18 • -9.61db
7% Popularity • 57% Danceability • 23% Energy • 10% Liveness
0% Instrumentalness • 29% Positiveness
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Fiddlin' Earl White
Shucking the Brush
131 bpm • D Maj • 02:22 • -9.93db
13% Popularity • 49% Danceability • 76% Energy • 15% Liveness
92% Instrumentalness • 97% Positiveness
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Tim Lake
The Achiever's Ball
131 bpm • G Maj • 02:54 • -5.49db
9% Popularity • 68% Danceability • 46% Energy • 10% Liveness
0% Instrumentalness • 75% Positiveness
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The Johnson Mountain Boys
I Could Change My Mind
131 bpm • G Maj • 01:48 • -13.57db
28% Popularity • 66% Danceability • 48% Energy • 27% Liveness
0% Instrumentalness • 97% Positiveness
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Bill Emerson
Good to Go
140 bpm • A Maj • 03:37 • -14.79db
16% Popularity • 49% Danceability • 59% Energy • 32% Liveness
96% Instrumentalness • 97% Positiveness
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The New Lost City Ramblers
I'm Going 'Cross the Sea
140 bpm • E Maj • 02:24 • -18db
8% Popularity • 60% Danceability • 22% Energy • 32% Liveness
1% Instrumentalness • 85% Positiveness
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Uncle Dave Macon
Rabbit in the Pea Patch
130 bpm • D Maj • 01:44 • -16.51db
8% Popularity • 64% Danceability • 31% Energy • 21% Liveness
81% Instrumentalness • 82% Positiveness
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Reeltime Travellers
Ain't Gwine Drink a, No More
130 bpm • G Maj • 02:18 • -8.84db
14% Popularity • 62% Danceability • 44% Energy • 16% Liveness
0% Instrumentalness • 71% Positiveness
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Blue Highway
Cold Frosty Morn
130 bpm • A min • 01:50 • -9.69db
25% Popularity • 66% Danceability • 46% Energy • 7% Liveness
76% Instrumentalness • 97% Positiveness
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CartaBlanca
E' Questione Di Un Attimo
140 bpm • B Maj • 03:19 • -6.7db
10% Popularity • 53% Danceability • 59% Energy • 9% Liveness
0% Instrumentalness • 12% Positiveness
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Benton Flippen
Benton's Dream
130 bpm • D Maj • 01:39 • -11.28db
11% Popularity • 62% Danceability • 63% Energy • 8% Liveness
0% Instrumentalness • 96% Positiveness
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North Fork Crossing
If You Quit
140 bpm • A Maj • 03:32 • -8.64db
10% Popularity • 56% Danceability • 63% Energy • 38% Liveness
0% Instrumentalness • 96% Positiveness
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Bronwyn Keith-Hynes
Happy Hollow
130 bpm • A Maj • 02:41 • -11.87db
11% Popularity • 51% Danceability • 46% Energy • 4% Liveness
93% Instrumentalness • 96% Positiveness
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Lineage
Ernest T Grass
130 bpm • A Maj • 03:13 • -9.98db
11% Popularity • 56% Danceability • 80% Energy • 13% Liveness
91% Instrumentalness • 96% Positiveness
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Stefan Michael Raab, Christoph Allerstorfer
Dancing in the Wildwood
130 bpm • G Maj • 01:04 • -8.32db
14% Popularity • 51% Danceability • 52% Energy • 30% Liveness
76% Instrumentalness • 98% Positiveness
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Uncle Earl
Wish I Had My Time Again
140 bpm • A Maj • 02:32 • -6db
27% Popularity • 52% Danceability • 68% Energy • 22% Liveness
91% Instrumentalness • 97% Positiveness
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Tim Lake
Jingle Bells
130 bpm • G Maj • 01:32 • -2.85db
9% Popularity • 59% Danceability • 67% Energy • 22% Liveness
10% Instrumentalness • 96% Positiveness
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North Fork Crossing
Ear to the Ground
130 bpm • D min • 03:45 • -12.04db
17% Popularity • 59% Danceability • 47% Energy • 32% Liveness
4% Instrumentalness • 64% Positiveness
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Kyle Creed
Kyle's Friend's Tune
130 bpm • C# min • 01:11 • -11.61db
10% Popularity • 54% Danceability • 47% Energy • 15% Liveness
86% Instrumentalness • 99% Positiveness
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Noah Cline
Squirrel Heads and Gravy
130 bpm • E Maj • 01:37 • -10.06db
13% Popularity • 59% Danceability • 47% Energy • 19% Liveness
81% Instrumentalness • 93% Positiveness
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The Nashville Bluegrass Band
Angeline The Baker
129 bpm • D Maj • 01:37 • -14.26db
30% Popularity • 60% Danceability • 47% Energy • 17% Liveness
84% Instrumentalness • 96% Positiveness
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Brennen Leigh
Train Terminal Blues
141 bpm • A Maj • 01:49 • -5.47db
8% Popularity • 66% Danceability • 70% Energy • 30% Liveness
0% Instrumentalness • 76% Positiveness
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Clarence Tater Tate
Peacock Rag
141 bpm • D Maj • 01:58 • -10.9db
4% Popularity • 50% Danceability • 56% Energy • 17% Liveness
84% Instrumentalness • 86% Positiveness
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None of the Above
Forget About Me
141 bpm • D Maj • 03:46 • -10.26db
7% Popularity • 72% Danceability • 30% Energy • 16% Liveness
0% Instrumentalness • 76% Positiveness
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The Johnson Mountain Boys
Unwanted Love
129 bpm • B Maj • 02:37 • -14db
15% Popularity • 60% Danceability • 50% Energy • 14% Liveness
4% Instrumentalness • 97% Positiveness
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Broke Mountain Bluegrass Band
Robin's Egg
129 bpm • D Maj • 02:00 • -9.01db
11% Popularity • 47% Danceability • 49% Energy • 9% Liveness
92% Instrumentalness • 96% Positiveness
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Mike Oberst
Black Eyed Susie
129 bpm • A Maj • 01:59 • -8.39db
13% Popularity • 56% Danceability • 54% Energy • 6% Liveness
6% Instrumentalness • 97% Positiveness
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Tom Rozum
The Snowy Road
142 bpm • F# min • 04:29 • -12.73db
9% Popularity • 41% Danceability • 27% Energy • 13% Liveness
80% Instrumentalness • 39% Positiveness
► Preview
Larry Sparks
Cruisin' Timber
129 bpm • D min • 02:58 • -13.04db
9% Popularity • 51% Danceability • 57% Energy • 10% Liveness
5% Instrumentalness • 96% Positiveness
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Nathan Sefalden
Chasing The Rainbow
129 bpm • D Maj • 03:16 • -8db
21% Popularity • 72% Danceability • 34% Energy • 16% Liveness
0% Instrumentalness • 48% Positiveness
► Preview
Michael Prewitt
Tombstone Junction
129 bpm • G Maj • 05:08 • -12.25db
10% Popularity • 47% Danceability • 62% Energy • 7% Liveness
95% Instrumentalness • 96% Positiveness
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The Rice Brothers
Teardrops In My Eyes
129 bpm • A Maj • 02:58 • -12.42db
12% Popularity • 60% Danceability • 59% Energy • 32% Liveness
0% Instrumentalness • 86% Positiveness
► Preview
The Nashville Bluegrass Band
Garfield's Blackberry Blossom
128 bpm • G Maj • 02:42 • -9db
16% Popularity • 52% Danceability • 68% Energy • 23% Liveness
95% Instrumentalness • 89% Positiveness
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The Horsenecks
Kansas City Reel
128 bpm • A Maj • 02:11 • -9db
10% Popularity • 53% Danceability • 85% Energy • 11% Liveness
82% Instrumentalness • 93% Positiveness
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Dan Menzone
Menzone Drive
142 bpm • D Maj • 03:37 • -12db
10% Popularity • 54% Danceability • 66% Energy • 15% Liveness
94% Instrumentalness • 92% Positiveness
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Snuffy Jenkins
Twinkle, Twinkle, Little Star
142 bpm • D min • 01:18 • -10.43db
19% Popularity • 44% Danceability • 79% Energy • 10% Liveness
95% Instrumentalness • 78% Positiveness
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Magnolia Drive
Lonely Side of Goodbye
142 bpm • A Maj • 02:30 • -7.27db
15% Popularity • 65% Danceability • 62% Energy • 22% Liveness
6% Instrumentalness • 94% Positiveness
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Uncle Earl
Booth Shot Lincoln
128 bpm • A Maj • 02:09 • -6.08db
26% Popularity • 43% Danceability • 70% Energy • 16% Liveness
48% Instrumentalness • 78% Positiveness
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None of the Above
Maybe Tomorrow
128 bpm • C Maj • 02:28 • -9.14db
7% Popularity • 75% Danceability • 48% Energy • 24% Liveness
0% Instrumentalness • 84% Positiveness
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Richmond