Songs like Ride Of The Cossacks - From "Tara's Bulba" by Franz Waxman
Based on a tempo of (+/- 10%) and a similar genre
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Eric Coates
The Dambusters: March: 'The Dam Busters'
148 bpm • C Maj • 03:56 • -20.48db
11% Popularity • 29% Danceability • 14% Energy • 25% Liveness
95% Instrumentalness • 37% Positiveness
11% Popularity • 29% Danceability • 14% Energy • 25% Liveness
95% Instrumentalness • 37% Positiveness
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Lev Atovmyan
Ballet Suite No. 1 (arr. L. Atovmyan): P...
148 bpm • C Maj • 01:49 • -17.61db
15% Popularity • 51% Danceability • 32% Energy • 6% Liveness
82% Instrumentalness • 91% Positiveness
15% Popularity • 51% Danceability • 32% Energy • 6% Liveness
82% Instrumentalness • 91% Positiveness
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William Walton
Henry V (adapted by Christopher Palmer):...
150 bpm • C Maj • 01:28 • -46db
20% Popularity • 12% Danceability • 0% Energy • 6% Liveness
84% Instrumentalness • 8% Positiveness
20% Popularity • 12% Danceability • 0% Energy • 6% Liveness
84% Instrumentalness • 8% Positiveness
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Danke Timi Briggs
Baby Mothers Unshamed Mothers
147 bpm • G min • 02:18 • -16.59db
16% Popularity • 17% Danceability • 20% Energy • 37% Liveness
92% Instrumentalness • 31% Positiveness
16% Popularity • 17% Danceability • 20% Energy • 37% Liveness
92% Instrumentalness • 31% Positiveness
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Vivian Ellis
Coronation Scot
147 bpm • G Maj • 03:01 • -28db
18% Popularity • 26% Danceability • 5% Energy • 7% Liveness
90% Instrumentalness • 16% Positiveness
18% Popularity • 26% Danceability • 5% Energy • 7% Liveness
90% Instrumentalness • 16% Positiveness
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Franz Waxman
The Adventures Of Huckleberry Finn - Ove...
145 bpm • C Maj • 06:17 • -18.38db
2% Popularity • 28% Danceability • 20% Energy • 49% Liveness
83% Instrumentalness • 15% Positiveness
2% Popularity • 28% Danceability • 20% Energy • 49% Liveness
83% Instrumentalness • 15% Positiveness
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Alex North
Shane
145 bpm • E min • 04:30 • -11.17db
11% Popularity • 25% Danceability • 38% Energy • 10% Liveness
89% Instrumentalness • 21% Positiveness
11% Popularity • 25% Danceability • 38% Energy • 10% Liveness
89% Instrumentalness • 21% Positiveness
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Wojciech Kilar
Bram Stoker's Dracula: Mina / Elizabeth
145 bpm • E min • 04:19 • -31db
33% Popularity • 16% Danceability • 3% Energy • 12% Liveness
96% Instrumentalness • 4% Positiveness
33% Popularity • 16% Danceability • 3% Energy • 12% Liveness
96% Instrumentalness • 4% Positiveness
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Gottfried Huppertz
Metropolis: I. Auftakt: Maschinen
144 bpm • E min • 03:31 • -15.15db
15% Popularity • 16% Danceability • 30% Energy • 38% Liveness
76% Instrumentalness • 7% Positiveness
15% Popularity • 16% Danceability • 30% Energy • 38% Liveness
76% Instrumentalness • 7% Positiveness
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Danke Timi Briggs
Militant Beauty
152 bpm • A# Maj • 02:11 • -17.32db
15% Popularity • 12% Danceability • 18% Energy • 32% Liveness
85% Instrumentalness • 34% Positiveness
15% Popularity • 12% Danceability • 18% Energy • 32% Liveness
85% Instrumentalness • 34% Positiveness
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Antonio Vivaldi
Concerto for Strings in G Major, RV 151,...
144 bpm • G Maj • 01:18 • -19.64db
31% Popularity • 56% Danceability • 24% Energy • 18% Liveness
96% Instrumentalness • 70% Positiveness
31% Popularity • 56% Danceability • 24% Energy • 18% Liveness
96% Instrumentalness • 70% Positiveness
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Franz Waxman
The Ride to Dubno
145 bpm • C Maj • 04:55 • -12.58db
3% Popularity • 49% Danceability • 46% Energy • 21% Liveness
20% Instrumentalness • 46% Positiveness
3% Popularity • 49% Danceability • 46% Energy • 21% Liveness
20% Instrumentalness • 46% Positiveness
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Original Soundtrack
Poirot On Boat
155 bpm • G Maj • 01:16 • -11.96db
16% Popularity • 35% Danceability • 28% Energy • 37% Liveness
67% Instrumentalness • 28% Positiveness
16% Popularity • 35% Danceability • 28% Energy • 37% Liveness
67% Instrumentalness • 28% Positiveness
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Gabrieli String Quartet
Elsie Cubitt (The Dancing Men) - 2024 Di...
144 bpm • C# Maj • 03:56 • -33.9db
10% Popularity • 13% Danceability • 1% Energy • 9% Liveness
89% Instrumentalness • 4% Positiveness
10% Popularity • 13% Danceability • 1% Energy • 9% Liveness
89% Instrumentalness • 4% Positiveness
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![Alphaville (Final) [Version remasterisée] cover art](https://i.scdn.co/image/ab67616d00001e02b98c3def7241d91d4885a1b0)
Paul Misraki
Alphaville (Final) [Version remasterisé...
143 bpm • C min • 02:15 • -9db
13% Popularity • 14% Danceability • 40% Energy • 10% Liveness
93% Instrumentalness • 9% Positiveness
13% Popularity • 14% Danceability • 40% Energy • 10% Liveness
93% Instrumentalness • 9% Positiveness
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Byron McKay
Build, Sleep, Repeat
142 bpm • G Maj • 03:55 • -19.92db
9% Popularity • 16% Danceability • 13% Energy • 10% Liveness
94% Instrumentalness • 8% Positiveness
9% Popularity • 16% Danceability • 13% Energy • 10% Liveness
94% Instrumentalness • 8% Positiveness
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Camille Saint-Saëns
Carnival of the Animals: No. 7: Aquarium
142 bpm • A min • 02:12 • -26.24db
22% Popularity • 27% Danceability • 9% Energy • 12% Liveness
90% Instrumentalness • 8% Positiveness
22% Popularity • 27% Danceability • 9% Energy • 12% Liveness
90% Instrumentalness • 8% Positiveness
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Emiliano Branda
Dusk's Deception
141 bpm • C min • 02:32 • -14.23db
11% Popularity • 25% Danceability • 5% Energy • 26% Liveness
92% Instrumentalness • 14% Positiveness
11% Popularity • 25% Danceability • 5% Energy • 26% Liveness
92% Instrumentalness • 14% Positiveness
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Eric Coates
Coates: Calling All Workers (March)
141 bpm • C Maj • 03:10 • -11db
6% Popularity • 36% Danceability • 46% Energy • 11% Liveness
90% Instrumentalness • 67% Positiveness
6% Popularity • 36% Danceability • 46% Energy • 11% Liveness
90% Instrumentalness • 67% Positiveness
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Original Soundtrack
Check Out
141 bpm • F# Maj • 01:34 • -13.65db
11% Popularity • 20% Danceability • 26% Energy • 18% Liveness
94% Instrumentalness • 4% Positiveness
11% Popularity • 20% Danceability • 26% Energy • 18% Liveness
94% Instrumentalness • 4% Positiveness
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Sidney Torch
Portrait of a Flirt
158 bpm • C Maj • 02:42 • -9db
13% Popularity • 26% Danceability • 42% Energy • 36% Liveness
13% Instrumentalness • 33% Positiveness
13% Popularity • 26% Danceability • 42% Energy • 36% Liveness
13% Instrumentalness • 33% Positiveness
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Alex North
Main Title
140 bpm • F# min • 01:24 • -13.78db
12% Popularity • 21% Danceability • 30% Energy • 33% Liveness
92% Instrumentalness • 24% Positiveness
12% Popularity • 21% Danceability • 30% Energy • 33% Liveness
92% Instrumentalness • 24% Positiveness
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Carmine Coppola
Michael's Letter
158 bpm • C min • 01:08 • -24.55db
29% Popularity • 14% Danceability • 6% Energy • 9% Liveness
89% Instrumentalness • 4% Positiveness
29% Popularity • 14% Danceability • 6% Energy • 9% Liveness
89% Instrumentalness • 4% Positiveness
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Lorena Velic
Harmony in D Majesticus
159 bpm • G min • 02:43 • -18.97db
8% Popularity • 40% Danceability • 13% Energy • 14% Liveness
24% Instrumentalness • 7% Positiveness
8% Popularity • 40% Danceability • 13% Energy • 14% Liveness
24% Instrumentalness • 7% Positiveness
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Eric Coates
Coates: By the Sleepy Lagoon
158 bpm • C Maj • 03:09 • -24.98db
12% Popularity • 10% Danceability • 7% Energy • 9% Liveness
93% Instrumentalness • 6% Positiveness
12% Popularity • 10% Danceability • 7% Energy • 9% Liveness
93% Instrumentalness • 6% Positiveness
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Trevor Duncan
High Heels
159 bpm • F min • 03:09 • -17.79db
17% Popularity • 26% Danceability • 20% Energy • 10% Liveness
84% Instrumentalness • 37% Positiveness
17% Popularity • 26% Danceability • 20% Energy • 10% Liveness
84% Instrumentalness • 37% Positiveness
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Relaxing Orchestral Central Park
Cello Feel
159 bpm • F Maj • 01:02 • -13.57db
9% Popularity • 10% Danceability • 37% Energy • 17% Liveness
90% Instrumentalness • 7% Positiveness
9% Popularity • 10% Danceability • 37% Energy • 17% Liveness
90% Instrumentalness • 7% Positiveness
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Osipov State Russian Folk Orchestra
Kamarinskaya
138 bpm • D Maj • 02:44 • -18.04db
19% Popularity • 47% Danceability • 26% Energy • 26% Liveness
63% Instrumentalness • 20% Positiveness
19% Popularity • 47% Danceability • 26% Energy • 26% Liveness
63% Instrumentalness • 20% Positiveness
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Ron Goodwin
Whirlpool: Main Theme
139 bpm • A Maj • 02:39 • -19db
8% Popularity • 16% Danceability • 20% Energy • 23% Liveness
95% Instrumentalness • 13% Positiveness
8% Popularity • 16% Danceability • 20% Energy • 23% Liveness
95% Instrumentalness • 13% Positiveness
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Moscow Symphony Orchestra
The Son Of Kong: Runaway Blues
138 bpm • F Maj • 01:39 • -28.96db
19% Popularity • 15% Danceability • 2% Energy • 15% Liveness
91% Instrumentalness • 6% Positiveness
19% Popularity • 15% Danceability • 2% Energy • 15% Liveness
91% Instrumentalness • 6% Positiveness
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Gabriel Andrés Gallegos
Esta existencia ciega
138 bpm • G Maj • 02:48 • -17db
15% Popularity • 25% Danceability • 12% Energy • 13% Liveness
80% Instrumentalness • 8% Positiveness
15% Popularity • 25% Danceability • 12% Energy • 13% Liveness
80% Instrumentalness • 8% Positiveness
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Franz Waxman
2 Romanian Rhapsody, Op. 11: No. 1 in A ...
161 bpm • A Maj • 02:26 • -17.38db
3% Popularity • 35% Danceability • 27% Energy • 10% Liveness
79% Instrumentalness • 16% Positiveness
3% Popularity • 35% Danceability • 27% Energy • 10% Liveness
79% Instrumentalness • 16% Positiveness
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Ferde Grofé
Grand Canyon Suite: 1. Sunrise
137 bpm • A Maj • 06:41 • -18.37db
20% Popularity • 15% Danceability • 15% Energy • 10% Liveness
92% Instrumentalness • 9% Positiveness
20% Popularity • 15% Danceability • 15% Energy • 10% Liveness
92% Instrumentalness • 9% Positiveness
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![Scherzo in G [Gosford Park - Original Motion Picture Soundtrack] cover art](https://i.scdn.co/image/ab67616d00001e027df1806967638828b0e25243)
Patrick Doyle
Scherzo in G [Gosford Park - Original Mo...
138 bpm • G Maj • 01:26 • -12.44db
9% Popularity • 79% Danceability • 29% Energy • 15% Liveness
53% Instrumentalness • 97% Positiveness
9% Popularity • 79% Danceability • 29% Energy • 15% Liveness
53% Instrumentalness • 97% Positiveness
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Mac Quayle
Feud: Bette and Joan - Main Titles
136 bpm • F# Maj • 01:11 • -12.64db
8% Popularity • 21% Danceability • 28% Energy • 10% Liveness
34% Instrumentalness • 10% Positiveness
8% Popularity • 21% Danceability • 28% Energy • 10% Liveness
34% Instrumentalness • 10% Positiveness
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Milo Paulus
The Men's Project: II. Meeting Madeleine
136 bpm • C Maj • 02:32 • -20.23db
14% Popularity • 15% Danceability • 17% Energy • 10% Liveness
93% Instrumentalness • 5% Positiveness
14% Popularity • 15% Danceability • 17% Energy • 10% Liveness
93% Instrumentalness • 5% Positiveness
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ChillwaveBeatMusic
Magical castle
136 bpm • G# min • 02:45 • -16.08db
12% Popularity • 38% Danceability • 28% Energy • 11% Liveness
98% Instrumentalness • 53% Positiveness
12% Popularity • 38% Danceability • 28% Energy • 11% Liveness
98% Instrumentalness • 53% Positiveness
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Franz Waxman
Chase at Night
137 bpm • G# Maj • 03:30 • -15.29db
1% Popularity • 42% Danceability • 28% Energy • 20% Liveness
5% Instrumentalness • 27% Positiveness
1% Popularity • 42% Danceability • 28% Energy • 20% Liveness
5% Instrumentalness • 27% Positiveness
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Dimitri Tiomkin
High Noon - Theme
136 bpm • D# Maj • 03:13 • -27db
23% Popularity • 16% Danceability • 8% Energy • 9% Liveness
95% Instrumentalness • 12% Positiveness
23% Popularity • 16% Danceability • 8% Energy • 9% Liveness
95% Instrumentalness • 12% Positiveness
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Albert Ketèlbey
Bells across the Meadows
136 bpm • D# Maj • 05:12 • -27db
18% Popularity • 15% Danceability • 4% Energy • 17% Liveness
61% Instrumentalness • 4% Positiveness
18% Popularity • 15% Danceability • 4% Energy • 17% Liveness
61% Instrumentalness • 4% Positiveness
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Charlie Chaplin
Terry's Solo / Terry's Theme (Eternally)...
164 bpm • F Maj • 02:10 • -16.16db
16% Popularity • 20% Danceability • 23% Energy • 88% Liveness
72% Instrumentalness • 14% Positiveness
16% Popularity • 20% Danceability • 23% Energy • 88% Liveness
72% Instrumentalness • 14% Positiveness
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Manuel de Falla
Ritual Fire Dance
134 bpm • G Maj • 04:15 • -19db
15% Popularity • 26% Danceability • 12% Energy • 9% Liveness
85% Instrumentalness • 16% Positiveness
15% Popularity • 26% Danceability • 12% Energy • 9% Liveness
85% Instrumentalness • 16% Positiveness
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New England Ragtime Ensemble
Original Rags
165 bpm • G Maj • 04:35 • -12.72db
20% Popularity • 42% Danceability • 31% Energy • 18% Liveness
92% Instrumentalness • 92% Positiveness
20% Popularity • 42% Danceability • 31% Energy • 18% Liveness
92% Instrumentalness • 92% Positiveness
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Franz Waxman
Performances - Remastered
137 bpm • C Maj • 03:00 • -25.44db
1% Popularity • 16% Danceability • 6% Energy • 12% Liveness
83% Instrumentalness • 4% Positiveness
1% Popularity • 16% Danceability • 6% Energy • 12% Liveness
83% Instrumentalness • 4% Positiveness
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Hershy Kay
Who Cares? (after Gershwin): Somebody lo...
134 bpm • G min • 02:54 • -16.33db
9% Popularity • 22% Danceability • 13% Energy • 17% Liveness
84% Instrumentalness • 18% Positiveness
9% Popularity • 22% Danceability • 13% Energy • 17% Liveness
84% Instrumentalness • 18% Positiveness
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Robert Farnon
Jumping Bean
133 bpm • D# Maj • 02:22 • -24.81db
8% Popularity • 49% Danceability • 25% Energy • 20% Liveness
91% Instrumentalness • 59% Positiveness
8% Popularity • 49% Danceability • 25% Energy • 20% Liveness
91% Instrumentalness • 59% Positiveness
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Charlie Chaplin
City Lights: Overture - Unveiling the St...
135 bpm • F Maj • 04:14 • -13.88db
12% Popularity • 46% Danceability • 44% Energy • 8% Liveness
86% Instrumentalness • 39% Positiveness
12% Popularity • 46% Danceability • 44% Energy • 8% Liveness
86% Instrumentalness • 39% Positiveness
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Gabriel Andrés Gallegos
Túria (Agua salvaje)
132 bpm • G# Maj • 01:57 • -14db
13% Popularity • 37% Danceability • 31% Energy • 8% Liveness
81% Instrumentalness • 15% Positiveness
13% Popularity • 37% Danceability • 31% Energy • 8% Liveness
81% Instrumentalness • 15% Positiveness
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Ron Goodwin
A Spree De Corpse
169 bpm • D# Maj • 01:45 • -22.16db
15% Popularity • 12% Danceability • 9% Energy • 13% Liveness
94% Instrumentalness • 4% Positiveness
15% Popularity • 12% Danceability • 9% Energy • 13% Liveness
94% Instrumentalness • 4% Positiveness
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Franz Waxman
Four Scenes of Childhood: I. Good Mornin...
133 bpm • A# Maj • 02:05 • -28.03db
9% Popularity • 24% Danceability • 4% Energy • 9% Liveness
0% Instrumentalness • 4% Positiveness
9% Popularity • 24% Danceability • 4% Energy • 9% Liveness
0% Instrumentalness • 4% Positiveness
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Marcel Barsotti
Sektenwahn
131 bpm • F Maj • 01:27 • -19.66db
18% Popularity • 36% Danceability • 15% Energy • 14% Liveness
89% Instrumentalness • 12% Positiveness
18% Popularity • 36% Danceability • 15% Energy • 14% Liveness
89% Instrumentalness • 12% Positiveness
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Gioachino Rossini
La gazza ladra: Overture
171 bpm • E Maj • 09:55 • -17.89db
2% Popularity • 27% Danceability • 21% Energy • 10% Liveness
83% Instrumentalness • 27% Positiveness
2% Popularity • 27% Danceability • 21% Energy • 10% Liveness
83% Instrumentalness • 27% Positiveness
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Charlie Chaplin
The Flower Girl (La Violetera)
133 bpm • D# Maj • 02:52 • -11.65db
13% Popularity • 25% Danceability • 30% Energy • 12% Liveness
61% Instrumentalness • 35% Positiveness
13% Popularity • 25% Danceability • 30% Energy • 12% Liveness
61% Instrumentalness • 35% Positiveness
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Ernest Gold (conductor)
Karen
130 bpm • D Maj • 04:41 • -16.24db
0% Popularity • 16% Danceability • 26% Energy • 28% Liveness
91% Instrumentalness • 4% Positiveness
0% Popularity • 16% Danceability • 26% Energy • 28% Liveness
91% Instrumentalness • 4% Positiveness
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Victor Young
Around the World – Part I
130 bpm • D# Maj • 02:58 • -15.1db
14% Popularity • 23% Danceability • 31% Energy • 14% Liveness
93% Instrumentalness • 28% Positiveness
14% Popularity • 23% Danceability • 31% Energy • 14% Liveness
93% Instrumentalness • 28% Positiveness
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Franz Waxman
Destination Tokyo - A Montage for Orches...
133 bpm • E Maj • 06:22 • -16.06db
0% Popularity • 19% Danceability • 28% Energy • 33% Liveness
90% Instrumentalness • 10% Positiveness
0% Popularity • 19% Danceability • 28% Energy • 33% Liveness
90% Instrumentalness • 10% Positiveness
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Gottfried Huppertz
Metropolis: I. Auftakt: Freder und Maria
171 bpm • G# Maj • 05:22 • -22.22db
9% Popularity • 9% Danceability • 7% Energy • 54% Liveness
90% Instrumentalness • 4% Positiveness
9% Popularity • 9% Danceability • 7% Energy • 54% Liveness
90% Instrumentalness • 4% Positiveness
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Aram Khachaturian
Spartacus: Adagio of Spartacus and Phryg...
129 bpm • G# Maj • 09:09 • -22.37db
30% Popularity • 17% Danceability • 8% Energy • 20% Liveness
83% Instrumentalness • 4% Positiveness
30% Popularity • 17% Danceability • 8% Energy • 20% Liveness
83% Instrumentalness • 4% Positiveness
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Charlie Chaplin
Love Theme / Valse Elegante / Valse Char...
171 bpm • D Maj • 02:47 • -13.11db
11% Popularity • 24% Danceability • 15% Energy • 31% Liveness
32% Instrumentalness • 35% Positiveness
11% Popularity • 24% Danceability • 15% Energy • 31% Liveness
32% Instrumentalness • 35% Positiveness
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Johnny Pearson
Country Fayre - 60 Second Edit
129 bpm • C Maj • 01:03 • -18db
32% Popularity • 60% Danceability • 21% Energy • 13% Liveness
91% Instrumentalness • 91% Positiveness
32% Popularity • 60% Danceability • 21% Energy • 13% Liveness
91% Instrumentalness • 91% Positiveness
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Crying Cello
Fading Shadows of Yesterday (Sad Cello)
129 bpm • D Maj • 01:51 • -11.2db
19% Popularity • 23% Danceability • 33% Energy • 37% Liveness
43% Instrumentalness • 23% Positiveness
19% Popularity • 23% Danceability • 33% Energy • 37% Liveness
43% Instrumentalness • 23% Positiveness
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Franz Waxman
Let's Get Married - Remastered
132 bpm • A# Maj • 02:56 • -24.89db
2% Popularity • 25% Danceability • 6% Energy • 15% Liveness
57% Instrumentalness • 12% Positiveness
2% Popularity • 25% Danceability • 6% Energy • 15% Liveness
57% Instrumentalness • 12% Positiveness
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Memphis Jazz Orchestra
Let Me Call You Sweetheart
172 bpm • A Maj • 01:58 • -14.29db
10% Popularity • 14% Danceability • 22% Energy • 35% Liveness
90% Instrumentalness • 31% Positiveness
10% Popularity • 14% Danceability • 22% Energy • 35% Liveness
90% Instrumentalness • 31% Positiveness
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Ferde Grofé
Grand Canyon Suite: 2. The Painted Deser...
129 bpm • B min • 05:25 • -23.85db
15% Popularity • 17% Danceability • 3% Energy • 10% Liveness
79% Instrumentalness • 3% Positiveness
15% Popularity • 17% Danceability • 3% Energy • 10% Liveness
79% Instrumentalness • 3% Positiveness
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Giuseppe Verdi
Verdi: Rigoletto, Act 3: "La donna è mo...
129 bpm • B Maj • 03:20 • -20.23db
19% Popularity • 30% Danceability • 19% Energy • 35% Liveness
81% Instrumentalness • 42% Positiveness
19% Popularity • 30% Danceability • 19% Energy • 35% Liveness
81% Instrumentalness • 42% Positiveness
► Preview
Alfred Schnittke
Die Geschichte Eines Unbekannten Schausp...
129 bpm • A# Maj • 02:15 • -34db
23% Popularity • 17% Danceability • 0% Energy • 6% Liveness
68% Instrumentalness • 15% Positiveness
23% Popularity • 17% Danceability • 0% Energy • 6% Liveness
68% Instrumentalness • 15% Positiveness
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Jeff Toyne
Waltz Royale
173 bpm • D min • 02:40 • -16.96db
15% Popularity • 13% Danceability • 30% Energy • 9% Liveness
41% Instrumentalness • 18% Positiveness
15% Popularity • 13% Danceability • 30% Energy • 9% Liveness
41% Instrumentalness • 18% Positiveness
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Franz Waxman
The Furies -Suite: (Prelude, Juan & Vanc...
132 bpm • C Maj • 07:01 • -15.62db
0% Popularity • 24% Danceability • 32% Energy • 16% Liveness
87% Instrumentalness • 9% Positiveness
0% Popularity • 24% Danceability • 32% Energy • 16% Liveness
87% Instrumentalness • 9% Positiveness
► Preview
Guy Farley
Alice Escapes
173 bpm • C Maj • 01:59 • -20.88db
15% Popularity • 23% Danceability • 19% Energy • 15% Liveness
90% Instrumentalness • 19% Positiveness
15% Popularity • 23% Danceability • 19% Energy • 15% Liveness
90% Instrumentalness • 19% Positiveness
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George Lloyd
Symphony No. 9: I. Allegro con delicatez...
128 bpm • E Maj • 10:53 • -25.02db
8% Popularity • 30% Danceability • 5% Energy • 17% Liveness
46% Instrumentalness • 4% Positiveness
8% Popularity • 30% Danceability • 5% Energy • 17% Liveness
46% Instrumentalness • 4% Positiveness
► Preview
Albert Ketèlbey
Wedgwood Blue
128 bpm • A# Maj • 04:03 • -15.52db
12% Popularity • 38% Danceability • 19% Energy • 12% Liveness
85% Instrumentalness • 24% Positiveness
12% Popularity • 38% Danceability • 19% Energy • 12% Liveness
85% Instrumentalness • 24% Positiveness
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Johann Sebastian Bach
Toccata and Fugue in D Minor (Excerpts)
128 bpm • D min • 02:39 • -17.51db
3% Popularity • 29% Danceability • 8% Energy • 12% Liveness
65% Instrumentalness • 11% Positiveness
3% Popularity • 29% Danceability • 8% Energy • 12% Liveness
65% Instrumentalness • 11% Positiveness
► Preview
Shigeru Umebayashi
A Variation On Scotty Tails Madeline
127 bpm • C min • 01:52 • -12.75db
31% Popularity • 19% Danceability • 29% Energy • 33% Liveness
61% Instrumentalness • 3% Positiveness
31% Popularity • 19% Danceability • 29% Energy • 33% Liveness
61% Instrumentalness • 3% Positiveness
► Preview
Franz Waxman
The Creation - Alternate Take Segments
172 bpm • F Maj • 03:04 • -16.37db
3% Popularity • 25% Danceability • 7% Energy • 46% Liveness
76% Instrumentalness • 5% Positiveness
3% Popularity • 25% Danceability • 7% Energy • 46% Liveness
76% Instrumentalness • 5% Positiveness
► Preview
Robert Farnon
Westminster Waltz
174 bpm • D Maj • 02:50 • -25db
11% Popularity • 11% Danceability • 9% Energy • 35% Liveness
95% Instrumentalness • 17% Positiveness
11% Popularity • 11% Danceability • 9% Energy • 35% Liveness
95% Instrumentalness • 17% Positiveness
► Preview
Władysław Szpilman
Concertino for Piano and Orchestra
127 bpm • C Maj • 10:53 • -13.85db
10% Popularity • 34% Danceability • 29% Energy • 22% Liveness
77% Instrumentalness • 20% Positiveness
10% Popularity • 34% Danceability • 29% Energy • 22% Liveness
77% Instrumentalness • 20% Positiveness
► Preview
Benjamin Britten
A Midsummer Night's Dream / Act 2: A Mid...
176 bpm • F min • 03:04 • -29.47db
19% Popularity • 8% Danceability • 3% Energy • 11% Liveness
84% Instrumentalness • 3% Positiveness
19% Popularity • 8% Danceability • 3% Energy • 11% Liveness
84% Instrumentalness • 3% Positiveness
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Thomas Newman
Acolyte of the Flux
176 bpm • G# Maj • 01:15 • -21.62db
12% Popularity • 30% Danceability • 11% Energy • 10% Liveness
91% Instrumentalness • 4% Positiveness
12% Popularity • 30% Danceability • 11% Energy • 10% Liveness
91% Instrumentalness • 4% Positiveness
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Ray Heindorf
Blanche
176 bpm • F min • 02:38 • -24db
15% Popularity • 10% Danceability • 9% Energy • 13% Liveness
94% Instrumentalness • 8% Positiveness
15% Popularity • 10% Danceability • 9% Energy • 13% Liveness
94% Instrumentalness • 8% Positiveness
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Franz Waxman
Main Title (Film Version With Effects)
131 bpm • A min • 02:14 • -10db
16% Popularity • 36% Danceability • 48% Energy • 24% Liveness
90% Instrumentalness • 22% Positiveness
16% Popularity • 36% Danceability • 48% Energy • 24% Liveness
90% Instrumentalness • 22% Positiveness
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AKIRA HONDA
Anthem of the Eternal
177 bpm • F# Maj • 05:33 • -17.28db
9% Popularity • 24% Danceability • 32% Energy • 12% Liveness
93% Instrumentalness • 40% Positiveness
9% Popularity • 24% Danceability • 32% Energy • 12% Liveness
93% Instrumentalness • 40% Positiveness
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Johann Strauss II
Frühlingsstimmen, Op. 410 (Arr. Gerald ...
178 bpm • A# Maj • 07:24 • -15.28db
20% Popularity • 26% Danceability • 14% Energy • 13% Liveness
27% Instrumentalness • 24% Positiveness
20% Popularity • 26% Danceability • 14% Energy • 13% Liveness
27% Instrumentalness • 24% Positiveness
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Jerome Moross
Main Title
177 bpm • G Maj • 03:22 • -8.04db
20% Popularity • 11% Danceability • 46% Energy • 33% Liveness
94% Instrumentalness • 40% Positiveness
20% Popularity • 11% Danceability • 46% Energy • 33% Liveness
94% Instrumentalness • 40% Positiveness
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Victor Young
Shane Theme
178 bpm • F Maj • 02:53 • -13db
24% Popularity • 8% Danceability • 22% Energy • 8% Liveness
90% Instrumentalness • 10% Positiveness
24% Popularity • 8% Danceability • 22% Energy • 8% Liveness
90% Instrumentalness • 10% Positiveness
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Stanley Myers
Sammy and Rosie Get Laid
181 bpm • A# Maj • 01:34 • -12.18db
18% Popularity • 20% Danceability • 27% Energy • 12% Liveness
92% Instrumentalness • 19% Positiveness
18% Popularity • 20% Danceability • 27% Energy • 12% Liveness
92% Instrumentalness • 19% Positiveness
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Franz Waxman
Main Title / The Bride of Frankenstein
176 bpm • B Maj • 01:23 • -12db
11% Popularity • 14% Danceability • 33% Energy • 12% Liveness
69% Instrumentalness • 7% Positiveness
11% Popularity • 14% Danceability • 33% Energy • 12% Liveness
69% Instrumentalness • 7% Positiveness
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Alfred Schnittke
Clowns and Kids Suite (arr. F. Strobel):...
182 bpm • G min • 01:51 • -29db
16% Popularity • 32% Danceability • 11% Energy • 18% Liveness
95% Instrumentalness • 61% Positiveness
16% Popularity • 32% Danceability • 11% Energy • 18% Liveness
95% Instrumentalness • 61% Positiveness
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Johann Strauss II
Die Fledermaus: Waltz
182 bpm • F Maj • 03:07 • -12db
16% Popularity • 42% Danceability • 21% Energy • 21% Liveness
78% Instrumentalness • 54% Positiveness
16% Popularity • 42% Danceability • 21% Energy • 21% Liveness
78% Instrumentalness • 54% Positiveness
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Lorena Velic
Harmonic Flourish
183 bpm • D# Maj • 02:20 • -21.44db
8% Popularity • 40% Danceability • 9% Energy • 24% Liveness
86% Instrumentalness • 23% Positiveness
8% Popularity • 40% Danceability • 9% Energy • 24% Liveness
86% Instrumentalness • 23% Positiveness
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Franz Lehár
Gold And Silver Waltz
184 bpm • C Maj • 03:12 • -15db
13% Popularity • 22% Danceability • 11% Energy • 12% Liveness
65% Instrumentalness • 49% Positiveness
13% Popularity • 22% Danceability • 11% Energy • 12% Liveness
65% Instrumentalness • 49% Positiveness
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Aaron Copland
Music for a Great City: III. Subway Jam
185 bpm • C# min • 03:16 • -12.01db
0% Popularity • 39% Danceability • 44% Energy • 14% Liveness
51% Instrumentalness • 4% Positiveness
0% Popularity • 39% Danceability • 44% Energy • 14% Liveness
51% Instrumentalness • 4% Positiveness
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Franz Waxman
Afternoon Outings / Sacrifice of Self-Re...
179 bpm • A# Maj • 04:47 • -10db
3% Popularity • 15% Danceability • 24% Energy • 24% Liveness
80% Instrumentalness • 4% Positiveness
3% Popularity • 15% Danceability • 24% Energy • 24% Liveness
80% Instrumentalness • 4% Positiveness
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The Ball Orchestra Of Vienna
The Emperor's Waltz
186 bpm • C Maj • 03:06 • -25.96db
18% Popularity • 16% Danceability • 3% Energy • 15% Liveness
5% Instrumentalness • 12% Positiveness
18% Popularity • 16% Danceability • 3% Energy • 15% Liveness
5% Instrumentalness • 12% Positiveness
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Ernest Tomlinson
First Suite of English Folk Dances: No. ...
183 bpm • A# Maj • 02:36 • -29db
17% Popularity • 28% Danceability • 2% Energy • 12% Liveness
44% Instrumentalness • 51% Positiveness
17% Popularity • 28% Danceability • 2% Energy • 12% Liveness
44% Instrumentalness • 51% Positiveness
