Songs like Rio Samba by Larry Carlton
Based on a tempo of (+/- 10%) and a similar genre
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Tribal Tech
Slidin' into Charlisa
139 bpm • C Maj • 07:32 • -8.61db
9% Popularity • 40% Danceability • 56% Energy • 10% Liveness
20% Instrumentalness • 51% Positiveness
9% Popularity • 40% Danceability • 56% Energy • 10% Liveness
20% Instrumentalness • 51% Positiveness
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Bill Bruford
Travels With Myself - And Someone Else
139 bpm • B min • 06:14 • -19.58db
15% Popularity • 33% Danceability • 25% Energy • 7% Liveness
85% Instrumentalness • 9% Positiveness
15% Popularity • 33% Danceability • 25% Energy • 7% Liveness
85% Instrumentalness • 9% Positiveness
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Hiram Bullock
Say Goodnight, Gracie
139 bpm • D min • 05:10 • -8.95db
9% Popularity • 51% Danceability • 67% Energy • 65% Liveness
84% Instrumentalness • 30% Positiveness
9% Popularity • 51% Danceability • 67% Energy • 65% Liveness
84% Instrumentalness • 30% Positiveness
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Larry Carlton
Pure Delight
139 bpm • F Maj • 05:33 • -18.12db
13% Popularity • 76% Danceability • 33% Energy • 5% Liveness
3% Instrumentalness • 39% Positiveness
13% Popularity • 76% Danceability • 33% Energy • 5% Liveness
3% Instrumentalness • 39% Positiveness
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Blood, Sweat & Tears
Agitato
140 bpm • G# Maj • 05:53 • -11.16db
8% Popularity • 52% Danceability • 60% Energy • 12% Liveness
78% Instrumentalness • 50% Positiveness
8% Popularity • 52% Danceability • 60% Energy • 12% Liveness
78% Instrumentalness • 50% Positiveness
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Brand X
The Poke
140 bpm • E Maj • 05:10 • -13.06db
15% Popularity • 48% Danceability • 67% Energy • 12% Liveness
66% Instrumentalness • 60% Positiveness
15% Popularity • 48% Danceability • 67% Energy • 12% Liveness
66% Instrumentalness • 60% Positiveness
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Novecento
Ozone Parte 2
138 bpm • D Maj • 06:31 • -11.13db
18% Popularity • 39% Danceability • 82% Energy • 8% Liveness
74% Instrumentalness • 74% Positiveness
18% Popularity • 39% Danceability • 82% Energy • 8% Liveness
74% Instrumentalness • 74% Positiveness
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Donald Fagen
On the Dunes
138 bpm • G Maj • 08:07 • -17.12db
30% Popularity • 72% Danceability • 30% Energy • 6% Liveness
0% Instrumentalness • 28% Positiveness
30% Popularity • 72% Danceability • 30% Energy • 6% Liveness
0% Instrumentalness • 28% Positiveness
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Billy Cobham
Electric Man
138 bpm • D Maj • 07:06 • -8.54db
23% Popularity • 60% Danceability • 82% Energy • 9% Liveness
88% Instrumentalness • 37% Positiveness
23% Popularity • 60% Danceability • 82% Energy • 9% Liveness
88% Instrumentalness • 37% Positiveness
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Larry Carlton
Rio Samba
139 bpm • F Maj • 06:59 • -14.31db
17% Popularity • 40% Danceability • 67% Energy • 10% Liveness
81% Instrumentalness • 73% Positiveness
17% Popularity • 40% Danceability • 67% Energy • 10% Liveness
81% Instrumentalness • 73% Positiveness
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Peter Frampton Band
All Blues
140 bpm • A min • 06:57 • -11.97db
21% Popularity • 51% Danceability • 31% Energy • 9% Liveness
11% Instrumentalness • 33% Positiveness
21% Popularity • 51% Danceability • 31% Energy • 9% Liveness
11% Instrumentalness • 33% Positiveness
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Wayne Krantz
Faith In The Process
138 bpm • F Maj • 03:53 • -17.6db
30% Popularity • 48% Danceability • 35% Energy • 8% Liveness
85% Instrumentalness • 30% Positiveness
30% Popularity • 48% Danceability • 35% Energy • 8% Liveness
85% Instrumentalness • 30% Positiveness
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Pat Metheny
New Chautauqua
138 bpm • A Maj • 05:16 • -19.62db
27% Popularity • 55% Danceability • 15% Energy • 8% Liveness
95% Instrumentalness • 22% Positiveness
27% Popularity • 55% Danceability • 15% Energy • 8% Liveness
95% Instrumentalness • 22% Positiveness
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Gary Burton
Autumn
138 bpm • D Maj • 04:25 • -18.3db
31% Popularity • 56% Danceability • 35% Energy • 10% Liveness
79% Instrumentalness • 31% Positiveness
31% Popularity • 56% Danceability • 35% Energy • 10% Liveness
79% Instrumentalness • 31% Positiveness
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Billy Cobham
Route
138 bpm • C Maj • 04:47 • -8db
21% Popularity • 59% Danceability • 73% Energy • 12% Liveness
93% Instrumentalness • 62% Positiveness
21% Popularity • 59% Danceability • 73% Energy • 12% Liveness
93% Instrumentalness • 62% Positiveness
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Passport
Ragtag and Bobtail
137 bpm • C Maj • 04:10 • -11.29db
11% Popularity • 58% Danceability • 64% Energy • 4% Liveness
62% Instrumentalness • 79% Positiveness
11% Popularity • 58% Danceability • 64% Energy • 4% Liveness
62% Instrumentalness • 79% Positiveness
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Larry Carlton
Crying Hands
140 bpm • C# Maj • 07:05 • -10.31db
13% Popularity • 63% Danceability • 47% Energy • 28% Liveness
79% Instrumentalness • 44% Positiveness
13% Popularity • 63% Danceability • 47% Energy • 28% Liveness
79% Instrumentalness • 44% Positiveness
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Steps Ahead
Self Portrait
138 bpm • D Maj • 06:04 • -16db
22% Popularity • 66% Danceability • 29% Energy • 6% Liveness
49% Instrumentalness • 32% Positiveness
22% Popularity • 66% Danceability • 29% Energy • 6% Liveness
49% Instrumentalness • 32% Positiveness
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Gino Vannelli
Brother To Brother
141 bpm • E min • 07:19 • -13.23db
33% Popularity • 40% Danceability • 69% Energy • 11% Liveness
10% Instrumentalness • 48% Positiveness
33% Popularity • 40% Danceability • 69% Energy • 11% Liveness
10% Instrumentalness • 48% Positiveness
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Biréli Lagrène
Timothee
137 bpm • D Maj • 04:38 • -18.11db
11% Popularity • 71% Danceability • 39% Energy • 6% Liveness
51% Instrumentalness • 87% Positiveness
11% Popularity • 71% Danceability • 39% Energy • 6% Liveness
51% Instrumentalness • 87% Positiveness
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Wayne Krantz
Whippersnapper
137 bpm • G Maj • 06:47 • -10db
23% Popularity • 36% Danceability • 83% Energy • 70% Liveness
22% Instrumentalness • 78% Positiveness
23% Popularity • 36% Danceability • 83% Energy • 70% Liveness
22% Instrumentalness • 78% Positiveness
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John McLaughlin
New York On My Mind
142 bpm • C# Maj • 05:44 • -15.34db
17% Popularity • 39% Danceability • 31% Energy • 6% Liveness
65% Instrumentalness • 26% Positiveness
17% Popularity • 39% Danceability • 31% Energy • 6% Liveness
65% Instrumentalness • 26% Positiveness
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Fattburger
Sizzlin'
142 bpm • C min • 04:28 • -9db
29% Popularity • 75% Danceability • 70% Energy • 10% Liveness
85% Instrumentalness • 98% Positiveness
29% Popularity • 75% Danceability • 70% Energy • 10% Liveness
85% Instrumentalness • 98% Positiveness
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The Omar Hakim Experience
With Every Breath
136 bpm • F min • 04:08 • -10.04db
13% Popularity • 65% Danceability • 45% Energy • 14% Liveness
78% Instrumentalness • 40% Positiveness
13% Popularity • 65% Danceability • 45% Energy • 14% Liveness
78% Instrumentalness • 40% Positiveness
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Tony Williams
Fred
142 bpm • F# min • 06:44 • -15.86db
25% Popularity • 30% Danceability • 70% Energy • 9% Liveness
37% Instrumentalness • 59% Positiveness
25% Popularity • 30% Danceability • 70% Energy • 9% Liveness
37% Instrumentalness • 59% Positiveness
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Uzeb
Junk Funk
142 bpm • A min • 04:39 • -18.69db
10% Popularity • 64% Danceability • 36% Energy • 5% Liveness
36% Instrumentalness • 75% Positiveness
10% Popularity • 64% Danceability • 36% Energy • 5% Liveness
36% Instrumentalness • 75% Positiveness
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Tribal Tech
Sub Aqua
143 bpm • F# min • 05:30 • -13.69db
10% Popularity • 71% Danceability • 47% Energy • 19% Liveness
40% Instrumentalness • 79% Positiveness
10% Popularity • 71% Danceability • 47% Energy • 19% Liveness
40% Instrumentalness • 79% Positiveness
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Allan Holdsworth
Fred
136 bpm • B min • 09:55 • -8.52db
19% Popularity • 33% Danceability • 89% Energy • 85% Liveness
42% Instrumentalness • 46% Positiveness
19% Popularity • 33% Danceability • 89% Energy • 85% Liveness
42% Instrumentalness • 46% Positiveness
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Mahavishnu Orchestra
Jazz
135 bpm • G Maj • 01:45 • -9.84db
15% Popularity • 63% Danceability • 76% Energy • 7% Liveness
0% Instrumentalness • 64% Positiveness
15% Popularity • 63% Danceability • 76% Energy • 7% Liveness
0% Instrumentalness • 64% Positiveness
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Bruford
Five G
143 bpm • A Maj • 04:46 • -14.08db
14% Popularity • 37% Danceability • 51% Energy • 7% Liveness
24% Instrumentalness • 68% Positiveness
14% Popularity • 37% Danceability • 51% Energy • 7% Liveness
24% Instrumentalness • 68% Positiveness
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Steps Ahead
Festival
143 bpm • F# min • 05:11 • -16.06db
10% Popularity • 62% Danceability • 30% Energy • 7% Liveness
36% Instrumentalness • 29% Positiveness
10% Popularity • 62% Danceability • 30% Energy • 7% Liveness
36% Instrumentalness • 29% Positiveness
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Larry Carlton
Mulberry Street
135 bpm • A# Maj • 07:16 • -11.63db
17% Popularity • 57% Danceability • 62% Energy • 11% Liveness
80% Instrumentalness • 60% Positiveness
17% Popularity • 57% Danceability • 62% Energy • 11% Liveness
80% Instrumentalness • 60% Positiveness
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Fourplay
Blues Force
134 bpm • A min • 06:59 • -13.3db
32% Popularity • 56% Danceability • 37% Energy • 10% Liveness
80% Instrumentalness • 45% Positiveness
32% Popularity • 56% Danceability • 37% Energy • 10% Liveness
80% Instrumentalness • 45% Positiveness
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Tribal Tech
Signal Path
144 bpm • F min • 06:30 • -14db
15% Popularity • 47% Danceability • 51% Energy • 17% Liveness
64% Instrumentalness • 52% Positiveness
15% Popularity • 47% Danceability • 51% Energy • 17% Liveness
64% Instrumentalness • 52% Positiveness
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Vital Information
Shagadelic Boogaloo
134 bpm • A# min • 05:37 • -9.43db
9% Popularity • 68% Danceability • 53% Energy • 34% Liveness
83% Instrumentalness • 63% Positiveness
9% Popularity • 68% Danceability • 53% Energy • 34% Liveness
83% Instrumentalness • 63% Positiveness
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Allan Holdsworth
Floppy Hat
144 bpm • B Maj • 02:46 • -22.7db
26% Popularity • 46% Danceability • 4% Energy • 11% Liveness
78% Instrumentalness • 15% Positiveness
26% Popularity • 46% Danceability • 4% Energy • 11% Liveness
78% Instrumentalness • 15% Positiveness
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Miles Davis
You're Under Arrest (2022 Remaster)
145 bpm • A Maj • 06:12 • -14.92db
16% Popularity • 68% Danceability • 51% Energy • 4% Liveness
9% Instrumentalness • 74% Positiveness
16% Popularity • 68% Danceability • 51% Energy • 4% Liveness
9% Instrumentalness • 74% Positiveness
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Larry Carlton
Minute By Minute
144 bpm • C Maj • 04:57 • -14db
31% Popularity • 56% Danceability • 39% Energy • 7% Liveness
15% Instrumentalness • 54% Positiveness
31% Popularity • 56% Danceability • 39% Energy • 7% Liveness
15% Instrumentalness • 54% Positiveness
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Return To Forever
The Romantic Warrior - Instrumental
144 bpm • G Maj • 10:51 • -12db
32% Popularity • 38% Danceability • 61% Energy • 11% Liveness
78% Instrumentalness • 44% Positiveness
32% Popularity • 38% Danceability • 61% Energy • 11% Liveness
78% Instrumentalness • 44% Positiveness
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Lenny White
12 Bars from Mars
133 bpm • D Maj • 03:10 • -12.14db
15% Popularity • 43% Danceability • 69% Energy • 34% Liveness
66% Instrumentalness • 95% Positiveness
15% Popularity • 43% Danceability • 69% Energy • 34% Liveness
66% Instrumentalness • 95% Positiveness
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Tribal Tech
Salt Lick
146 bpm • C# Maj • 09:44 • -11db
15% Popularity • 42% Danceability • 64% Energy • 20% Liveness
63% Instrumentalness • 59% Positiveness
15% Popularity • 42% Danceability • 64% Energy • 20% Liveness
63% Instrumentalness • 59% Positiveness
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Lee Ritenour
Reflection Of A Guitar Player
132 bpm • G min • 05:52 • -11.29db
13% Popularity • 68% Danceability • 35% Energy • 6% Liveness
26% Instrumentalness • 20% Positiveness
13% Popularity • 68% Danceability • 35% Energy • 6% Liveness
26% Instrumentalness • 20% Positiveness
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The Stanley Clarke Band
Here’s Why Tears Dry
132 bpm • F Maj • 04:52 • -8db
7% Popularity • 34% Danceability • 50% Energy • 27% Liveness
26% Instrumentalness • 6% Positiveness
7% Popularity • 34% Danceability • 50% Energy • 27% Liveness
26% Instrumentalness • 6% Positiveness
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Tony Williams
Million Dollar Legs
132 bpm • F Maj • 06:35 • -15.45db
11% Popularity • 44% Danceability • 67% Energy • 16% Liveness
40% Instrumentalness • 77% Positiveness
11% Popularity • 44% Danceability • 67% Energy • 16% Liveness
40% Instrumentalness • 77% Positiveness
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Larry Carlton
Strikes Twice
147 bpm • C# Maj • 05:26 • -12db
15% Popularity • 44% Danceability • 66% Energy • 31% Liveness
84% Instrumentalness • 38% Positiveness
15% Popularity • 44% Danceability • 66% Energy • 31% Liveness
84% Instrumentalness • 38% Positiveness
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Wayne Krantz
Don't Tell Me
132 bpm • A min • 05:30 • -14db
33% Popularity • 55% Danceability • 53% Energy • 7% Liveness
88% Instrumentalness • 75% Positiveness
33% Popularity • 55% Danceability • 53% Energy • 7% Liveness
88% Instrumentalness • 75% Positiveness
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Jeff Beck
Head for Backstage Pass
131 bpm • B min • 02:44 • -9db
34% Popularity • 66% Danceability • 71% Energy • 6% Liveness
79% Instrumentalness • 96% Positiveness
34% Popularity • 66% Danceability • 71% Energy • 6% Liveness
79% Instrumentalness • 96% Positiveness
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Bill Connors
On The Edge
147 bpm • A Maj • 05:19 • -8db
9% Popularity • 40% Danceability • 86% Energy • 34% Liveness
85% Instrumentalness • 42% Positiveness
9% Popularity • 40% Danceability • 86% Energy • 34% Liveness
85% Instrumentalness • 42% Positiveness
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The Stanley Clarke Band
Up
147 bpm • G Maj • 03:16 • -7.44db
17% Popularity • 57% Danceability • 75% Energy • 13% Liveness
66% Instrumentalness • 61% Positiveness
17% Popularity • 57% Danceability • 75% Energy • 13% Liveness
66% Instrumentalness • 61% Positiveness
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Chuck Mangione
The XIth Commandment
131 bpm • A# min • 06:36 • -10.02db
25% Popularity • 52% Danceability • 40% Energy • 18% Liveness
86% Instrumentalness • 32% Positiveness
25% Popularity • 52% Danceability • 40% Energy • 18% Liveness
86% Instrumentalness • 32% Positiveness
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Larry Carlton
Frenchman's Flat
147 bpm • A Maj • 04:34 • -13.96db
15% Popularity • 49% Danceability • 68% Energy • 16% Liveness
84% Instrumentalness • 42% Positiveness
15% Popularity • 49% Danceability • 68% Energy • 16% Liveness
84% Instrumentalness • 42% Positiveness
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Billy Cobham
Taurian Matador
131 bpm • D Maj • 03:03 • -13db
28% Popularity • 39% Danceability • 84% Energy • 10% Liveness
66% Instrumentalness • 68% Positiveness
28% Popularity • 39% Danceability • 84% Energy • 10% Liveness
66% Instrumentalness • 68% Positiveness
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Dave Weckl Band
Song For Claire
147 bpm • G# Maj • 06:35 • -24.32db
16% Popularity • 59% Danceability • 9% Energy • 6% Liveness
84% Instrumentalness • 26% Positiveness
16% Popularity • 59% Danceability • 9% Energy • 6% Liveness
84% Instrumentalness • 26% Positiveness
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Marian McPartland
Limbo Jazz
131 bpm • C Maj • 02:42 • -17.6db
36% Popularity • 71% Danceability • 31% Energy • 8% Liveness
87% Instrumentalness • 77% Positiveness
36% Popularity • 71% Danceability • 31% Energy • 8% Liveness
87% Instrumentalness • 77% Positiveness
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Special EFX
Jamaica, Jamaica
131 bpm • B min • 04:02 • -19db
33% Popularity • 76% Danceability • 36% Energy • 5% Liveness
87% Instrumentalness • 85% Positiveness
33% Popularity • 76% Danceability • 36% Energy • 5% Liveness
87% Instrumentalness • 85% Positiveness
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Bruford
One of a Kind - Pt.2
130 bpm • A Maj • 04:03 • -15.08db
12% Popularity • 41% Danceability • 51% Energy • 6% Liveness
77% Instrumentalness • 56% Positiveness
12% Popularity • 41% Danceability • 51% Energy • 6% Liveness
77% Instrumentalness • 56% Positiveness
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Steps Ahead
Trains
130 bpm • A# Maj • 07:31 • -5.4db
27% Popularity • 59% Danceability • 85% Energy • 10% Liveness
70% Instrumentalness • 44% Positiveness
27% Popularity • 59% Danceability • 85% Energy • 10% Liveness
70% Instrumentalness • 44% Positiveness
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Billy Cobham
Ivory Tattoo
130 bpm • E min • 04:36 • -8.47db
3% Popularity • 55% Danceability • 87% Energy • 96% Liveness
15% Instrumentalness • 66% Positiveness
3% Popularity • 55% Danceability • 87% Energy • 96% Liveness
15% Instrumentalness • 66% Positiveness
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Dave Weckl Band
Chain Reaction
131 bpm • D Maj • 05:34 • -9db
24% Popularity • 67% Danceability • 86% Energy • 33% Liveness
56% Instrumentalness • 77% Positiveness
24% Popularity • 67% Danceability • 86% Energy • 33% Liveness
56% Instrumentalness • 77% Positiveness
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Larry Carlton
Point It Up
149 bpm • D min • 04:59 • -13.33db
21% Popularity • 38% Danceability • 72% Energy • 6% Liveness
93% Instrumentalness • 71% Positiveness
21% Popularity • 38% Danceability • 72% Energy • 6% Liveness
93% Instrumentalness • 71% Positiveness
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Acoustic Alchemy
Missing Your Touch
130 bpm • C# min • 04:44 • -14.25db
36% Popularity • 74% Danceability • 34% Energy • 8% Liveness
89% Instrumentalness • 82% Positiveness
36% Popularity • 74% Danceability • 34% Energy • 8% Liveness
89% Instrumentalness • 82% Positiveness
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Dave Grusin
T.K.O.
130 bpm • C# Maj • 05:48 • -8.33db
10% Popularity • 47% Danceability • 84% Energy • 3% Liveness
78% Instrumentalness • 38% Positiveness
10% Popularity • 47% Danceability • 84% Energy • 3% Liveness
78% Instrumentalness • 38% Positiveness
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Chuck Mangione
(The Day After) Our First Night Together
130 bpm • F Maj • 08:04 • -14.78db
15% Popularity • 42% Danceability • 47% Energy • 10% Liveness
33% Instrumentalness • 52% Positiveness
15% Popularity • 42% Danceability • 47% Energy • 10% Liveness
33% Instrumentalness • 52% Positiveness
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Fourplay
Bali Run - 2021 Remastered
149 bpm • E min • 05:32 • -12.08db
34% Popularity • 67% Danceability • 53% Energy • 11% Liveness
83% Instrumentalness • 31% Positiveness
34% Popularity • 67% Danceability • 53% Energy • 11% Liveness
83% Instrumentalness • 31% Positiveness
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Dave Weckl Band
101 Shuffle
131 bpm • D Maj • 06:18 • -9.69db
23% Popularity • 61% Danceability • 81% Energy • 6% Liveness
79% Instrumentalness • 68% Positiveness
23% Popularity • 61% Danceability • 81% Energy • 6% Liveness
79% Instrumentalness • 68% Positiveness
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Brand X
Earth Dance
129 bpm • C# Maj • 06:08 • -17.94db
13% Popularity • 46% Danceability • 62% Energy • 10% Liveness
81% Instrumentalness • 73% Positiveness
13% Popularity • 46% Danceability • 62% Energy • 10% Liveness
81% Instrumentalness • 73% Positiveness
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Passport
Radiation
129 bpm • F min • 05:16 • -13.54db
12% Popularity • 55% Danceability • 55% Energy • 17% Liveness
21% Instrumentalness • 68% Positiveness
12% Popularity • 55% Danceability • 55% Energy • 17% Liveness
21% Instrumentalness • 68% Positiveness
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Larry Carlton
Blues Bird
129 bpm • C Maj • 04:32 • -16.61db
25% Popularity • 64% Danceability • 20% Energy • 8% Liveness
86% Instrumentalness • 16% Positiveness
25% Popularity • 64% Danceability • 20% Energy • 8% Liveness
86% Instrumentalness • 16% Positiveness
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Steps Ahead
Northern Cross
129 bpm • C Maj • 05:49 • -17.46db
14% Popularity • 45% Danceability • 56% Energy • 17% Liveness
56% Instrumentalness • 64% Positiveness
14% Popularity • 45% Danceability • 56% Energy • 17% Liveness
56% Instrumentalness • 64% Positiveness
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Steely Dan
West of Hollywood
150 bpm • B min • 08:21 • -9.05db
29% Popularity • 74% Danceability • 54% Energy • 20% Liveness
4% Instrumentalness • 76% Positiveness
29% Popularity • 74% Danceability • 54% Energy • 20% Liveness
4% Instrumentalness • 76% Positiveness
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Jeff Golub
Train Keeps A Rolling
129 bpm • F min • 03:39 • -9.63db
10% Popularity • 67% Danceability • 75% Energy • 9% Liveness
35% Instrumentalness • 50% Positiveness
10% Popularity • 67% Danceability • 75% Energy • 9% Liveness
35% Instrumentalness • 50% Positiveness
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Sea Level
Scarborough Fair
129 bpm • E min • 05:31 • -8.65db
12% Popularity • 48% Danceability • 48% Energy • 19% Liveness
67% Instrumentalness • 40% Positiveness
12% Popularity • 48% Danceability • 48% Energy • 19% Liveness
67% Instrumentalness • 40% Positiveness
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Jimmy Haslip
Palo Alto
150 bpm • F min • 04:54 • -15db
15% Popularity • 64% Danceability • 41% Energy • 10% Liveness
90% Instrumentalness • 82% Positiveness
15% Popularity • 64% Danceability • 41% Energy • 10% Liveness
90% Instrumentalness • 82% Positiveness
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Cristiano Parato
R.B. To Fly
150 bpm • A Maj • 03:24 • -4.51db
26% Popularity • 60% Danceability • 91% Energy • 13% Liveness
89% Instrumentalness • 79% Positiveness
26% Popularity • 60% Danceability • 91% Energy • 13% Liveness
89% Instrumentalness • 79% Positiveness
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Fattburger
The Doctor
129 bpm • C min • 05:41 • -13db
23% Popularity • 58% Danceability • 54% Energy • 12% Liveness
89% Instrumentalness • 73% Positiveness
23% Popularity • 58% Danceability • 54% Energy • 12% Liveness
89% Instrumentalness • 73% Positiveness
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Alain Caron
District Six
150 bpm • F min • 05:10 • -9.37db
9% Popularity • 60% Danceability • 75% Energy • 17% Liveness
84% Instrumentalness • 55% Positiveness
9% Popularity • 60% Danceability • 75% Energy • 17% Liveness
84% Instrumentalness • 55% Positiveness
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Dave Grusin
Shuffle City
129 bpm • A Maj • 04:22 • -12.06db
11% Popularity • 61% Danceability • 62% Energy • 96% Liveness
77% Instrumentalness • 74% Positiveness
11% Popularity • 61% Danceability • 62% Energy • 96% Liveness
77% Instrumentalness • 74% Positiveness
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Dave Weckl Band
Transition Jam
150 bpm • F min • 02:31 • -14.13db
23% Popularity • 43% Danceability • 91% Energy • 12% Liveness
89% Instrumentalness • 73% Positiveness
23% Popularity • 43% Danceability • 91% Energy • 12% Liveness
89% Instrumentalness • 73% Positiveness
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Larry Carlton
Room 335 - Long Version
128 bpm • D Maj • 05:39 • -12db
30% Popularity • 53% Danceability • 47% Energy • 10% Liveness
60% Instrumentalness • 74% Positiveness
30% Popularity • 53% Danceability • 47% Energy • 10% Liveness
60% Instrumentalness • 74% Positiveness
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Robben Ford
Revelation
128 bpm • G Maj • 06:23 • -13db
27% Popularity • 53% Danceability • 60% Energy • 11% Liveness
67% Instrumentalness • 41% Positiveness
27% Popularity • 53% Danceability • 60% Energy • 11% Liveness
67% Instrumentalness • 41% Positiveness
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Hiroshima
Cruisin' J-Town
128 bpm • D min • 03:13 • -6.18db
28% Popularity • 65% Danceability • 78% Energy • 12% Liveness
48% Instrumentalness • 94% Positiveness
28% Popularity • 65% Danceability • 78% Energy • 12% Liveness
48% Instrumentalness • 94% Positiveness
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John Klemmer
Touch
128 bpm • C Maj • 06:48 • -12.84db
32% Popularity • 44% Danceability • 44% Energy • 9% Liveness
42% Instrumentalness • 55% Positiveness
32% Popularity • 44% Danceability • 44% Energy • 9% Liveness
42% Instrumentalness • 55% Positiveness
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Jeff Berlin
Porky & Beans
128 bpm • C Maj • 06:24 • -9db
24% Popularity • 72% Danceability • 62% Energy • 9% Liveness
38% Instrumentalness • 86% Positiveness
24% Popularity • 72% Danceability • 62% Energy • 9% Liveness
38% Instrumentalness • 86% Positiveness
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Blake Aaron
Come On Over
128 bpm • G Maj • 03:53 • -7.66db
35% Popularity • 79% Danceability • 86% Energy • 9% Liveness
86% Instrumentalness • 87% Positiveness
35% Popularity • 79% Danceability • 86% Energy • 9% Liveness
86% Instrumentalness • 87% Positiveness
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Fourplay
Sonnymoon
128 bpm • F Maj • 04:12 • -9.56db
28% Popularity • 75% Danceability • 59% Energy • 9% Liveness
86% Instrumentalness • 81% Positiveness
28% Popularity • 75% Danceability • 59% Energy • 9% Liveness
86% Instrumentalness • 81% Positiveness
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John McLaughlin
Django - Instrumental
128 bpm • C Maj • 07:23 • -17.31db
10% Popularity • 40% Danceability • 41% Energy • 9% Liveness
9% Instrumentalness • 25% Positiveness
10% Popularity • 40% Danceability • 41% Energy • 9% Liveness
9% Instrumentalness • 25% Positiveness
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Pat Martino
M'Wandishi
128 bpm • D min • 05:29 • -10.48db
8% Popularity • 59% Danceability • 85% Energy • 8% Liveness
80% Instrumentalness • 89% Positiveness
8% Popularity • 59% Danceability • 85% Energy • 8% Liveness
80% Instrumentalness • 89% Positiveness
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Larry Carlton
My Home Away From Home
128 bpm • E min • 04:53 • -15.77db
22% Popularity • 68% Danceability • 43% Energy • 5% Liveness
22% Instrumentalness • 49% Positiveness
22% Popularity • 68% Danceability • 43% Energy • 5% Liveness
22% Instrumentalness • 49% Positiveness
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Dan Siegel
Treasure Hunt
151 bpm • E min • 05:08 • -14.63db
33% Popularity • 71% Danceability • 44% Energy • 3% Liveness
84% Instrumentalness • 72% Positiveness
33% Popularity • 71% Danceability • 44% Energy • 3% Liveness
84% Instrumentalness • 72% Positiveness
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Klaus Doldinger's Passport
Mandrake
127 bpm • A# min • 04:28 • -13.08db
11% Popularity • 60% Danceability • 49% Energy • 12% Liveness
7% Instrumentalness • 69% Positiveness
11% Popularity • 60% Danceability • 49% Energy • 12% Liveness
7% Instrumentalness • 69% Positiveness
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Tal Wilkenfeld
Table For One
127 bpm • G Maj • 08:30 • -6db
22% Popularity • 59% Danceability • 81% Energy • 13% Liveness
84% Instrumentalness • 22% Positiveness
22% Popularity • 59% Danceability • 81% Energy • 13% Liveness
84% Instrumentalness • 22% Positiveness
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Chuck Mangione
Main Squeeze
127 bpm • F min • 05:29 • -13.1db
29% Popularity • 75% Danceability • 69% Energy • 6% Liveness
58% Instrumentalness • 93% Positiveness
29% Popularity • 75% Danceability • 69% Energy • 6% Liveness
58% Instrumentalness • 93% Positiveness
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Larsen/Feiten Band
Further Notice
127 bpm • C Maj • 03:34 • -14.38db
17% Popularity • 58% Danceability • 52% Energy • 7% Liveness
88% Instrumentalness • 93% Positiveness
17% Popularity • 58% Danceability • 52% Energy • 7% Liveness
88% Instrumentalness • 93% Positiveness
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Larry Carlton
You Gotta Get It While You Can
128 bpm • G Maj • 04:57 • -16.01db
23% Popularity • 59% Danceability • 67% Energy • 26% Liveness
84% Instrumentalness • 76% Positiveness
23% Popularity • 59% Danceability • 67% Energy • 26% Liveness
84% Instrumentalness • 76% Positiveness
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Dave Weckl Band
Vuelo
127 bpm • C# min • 05:55 • -8.06db
19% Popularity • 53% Danceability • 90% Energy • 25% Liveness
72% Instrumentalness • 81% Positiveness
19% Popularity • 53% Danceability • 90% Energy • 25% Liveness
72% Instrumentalness • 81% Positiveness
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Steps Ahead
Well in That Case
126 bpm • C min • 05:11 • -13.5db
17% Popularity • 67% Danceability • 69% Energy • 9% Liveness
94% Instrumentalness • 96% Positiveness
17% Popularity • 67% Danceability • 69% Energy • 9% Liveness
94% Instrumentalness • 96% Positiveness
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Tal Wilkenfeld
Truth Be Told
127 bpm • A Maj • 06:40 • -12.06db
31% Popularity • 53% Danceability • 46% Energy • 10% Liveness
87% Instrumentalness • 27% Positiveness
31% Popularity • 53% Danceability • 46% Energy • 10% Liveness
87% Instrumentalness • 27% Positiveness
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Tony Williams
Proto-Cosmos
126 bpm • C# min • 03:59 • -14.61db
24% Popularity • 40% Danceability • 72% Energy • 34% Liveness
56% Instrumentalness • 64% Positiveness
24% Popularity • 40% Danceability • 72% Energy • 34% Liveness
56% Instrumentalness • 64% Positiveness