Songs like Rise of the Rebel by Amberson-Baggett Band
Based on a tempo of (+/- 10%) and a similar genre
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Les Paul
Bad Case Of Lovin' You
133 bpm • D Maj • 03:54 • -7db
25% Popularity • 46% Danceability • 84% Energy • 32% Liveness
1% Instrumentalness • 65% Positiveness
25% Popularity • 46% Danceability • 84% Energy • 32% Liveness
1% Instrumentalness • 65% Positiveness
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Skinny Molly
Two Good Wheels
133 bpm • B Maj • 03:21 • -5.12db
8% Popularity • 58% Danceability • 79% Energy • 11% Liveness
0% Instrumentalness • 63% Positiveness
8% Popularity • 58% Danceability • 79% Energy • 11% Liveness
0% Instrumentalness • 63% Positiveness
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Corey Stevens
Crosscut Saw
133 bpm • G# Maj • 03:38 • -8db
18% Popularity • 72% Danceability • 56% Energy • 9% Liveness
0% Instrumentalness • 90% Positiveness
18% Popularity • 72% Danceability • 56% Energy • 9% Liveness
0% Instrumentalness • 90% Positiveness
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Amberson-Baggett Band
Rise of the Rebel
133 bpm • A min • 03:53 • -14.65db
28% Popularity • 57% Danceability • 53% Energy • 7% Liveness
0% Instrumentalness • 51% Positiveness
28% Popularity • 57% Danceability • 53% Energy • 7% Liveness
0% Instrumentalness • 51% Positiveness
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The Marshall Tucker Band
See You One More Time
132 bpm • F Maj • 03:52 • -14.81db
36% Popularity • 71% Danceability • 57% Energy • 19% Liveness
0% Instrumentalness • 83% Positiveness
36% Popularity • 71% Danceability • 57% Energy • 19% Liveness
0% Instrumentalness • 83% Positiveness
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Doc Holliday
Southern Man
134 bpm • E min • 04:03 • -6.13db
22% Popularity • 33% Danceability • 77% Energy • 9% Liveness
2% Instrumentalness • 43% Positiveness
22% Popularity • 33% Danceability • 77% Energy • 9% Liveness
2% Instrumentalness • 43% Positiveness
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George Thorogood
Tail Dragger
132 bpm • A# Maj • 03:41 • -8db
28% Popularity • 59% Danceability • 60% Energy • 18% Liveness
0% Instrumentalness • 98% Positiveness
28% Popularity • 59% Danceability • 60% Energy • 18% Liveness
0% Instrumentalness • 98% Positiveness
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Samantha Fish
Bitch on the Run
132 bpm • G Maj • 03:14 • -3.74db
20% Popularity • 41% Danceability • 92% Energy • 14% Liveness
40% Instrumentalness • 55% Positiveness
20% Popularity • 41% Danceability • 92% Energy • 14% Liveness
40% Instrumentalness • 55% Positiveness
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Smokey Fingers
Ride of Love
132 bpm • C# min • 05:13 • -6.58db
22% Popularity • 54% Danceability • 69% Energy • 9% Liveness
0% Instrumentalness • 39% Positiveness
22% Popularity • 54% Danceability • 69% Energy • 9% Liveness
0% Instrumentalness • 39% Positiveness
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Supersuckers
Let's Bounce
134 bpm • G Maj • 02:36 • -4.63db
28% Popularity • 58% Danceability • 91% Energy • 12% Liveness
0% Instrumentalness • 79% Positiveness
28% Popularity • 58% Danceability • 91% Energy • 12% Liveness
0% Instrumentalness • 79% Positiveness
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Lonnie Mack
Too Rock For Country
132 bpm • C Maj • 03:01 • -6.28db
11% Popularity • 62% Danceability • 90% Energy • 18% Liveness
0% Instrumentalness • 78% Positiveness
11% Popularity • 62% Danceability • 90% Energy • 18% Liveness
0% Instrumentalness • 78% Positiveness
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Stone Machine
Mr. Blues
134 bpm • G Maj • 05:40 • -5.5db
18% Popularity • 44% Danceability • 78% Energy • 11% Liveness
0% Instrumentalness • 31% Positiveness
18% Popularity • 44% Danceability • 78% Energy • 11% Liveness
0% Instrumentalness • 31% Positiveness
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Preacher Stone
Mother To Bed
132 bpm • G Maj • 03:11 • -6.74db
11% Popularity • 49% Danceability • 88% Energy • 23% Liveness
0% Instrumentalness • 46% Positiveness
11% Popularity • 49% Danceability • 88% Energy • 23% Liveness
0% Instrumentalness • 46% Positiveness
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ZZ Top
She Loves My Automobile
131 bpm • A Maj • 02:23 • -7.64db
25% Popularity • 56% Danceability • 76% Energy • 8% Liveness
0% Instrumentalness • 62% Positiveness
25% Popularity • 56% Danceability • 76% Energy • 8% Liveness
0% Instrumentalness • 62% Positiveness
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Missouri
Far Away
131 bpm • E Maj • 02:53 • -11.51db
22% Popularity • 60% Danceability • 73% Energy • 27% Liveness
0% Instrumentalness • 82% Positiveness
22% Popularity • 60% Danceability • 73% Energy • 27% Liveness
0% Instrumentalness • 82% Positiveness
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Cry Of Love
Hand Me Down
136 bpm • D Maj • 05:00 • -10.55db
23% Popularity • 43% Danceability • 51% Energy • 15% Liveness
0% Instrumentalness • 40% Positiveness
23% Popularity • 43% Danceability • 51% Energy • 15% Liveness
0% Instrumentalness • 40% Positiveness
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Amazing Rhythm Aces
Hit the Nail on the Head - Remastered
130 bpm • A Maj • 02:22 • -11.72db
32% Popularity • 58% Danceability • 52% Energy • 36% Liveness
0% Instrumentalness • 83% Positiveness
32% Popularity • 58% Danceability • 52% Energy • 36% Liveness
0% Instrumentalness • 83% Positiveness
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David Gogo
Christine!
130 bpm • C Maj • 03:12 • -7.46db
28% Popularity • 57% Danceability • 61% Energy • 14% Liveness
60% Instrumentalness • 14% Positiveness
28% Popularity • 57% Danceability • 61% Energy • 14% Liveness
60% Instrumentalness • 14% Positiveness
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The Kentucky Headhunters
Let's Work Together
130 bpm • D Maj • 02:16 • -10.01db
20% Popularity • 55% Danceability • 95% Energy • 25% Liveness
0% Instrumentalness • 66% Positiveness
20% Popularity • 55% Danceability • 95% Energy • 25% Liveness
0% Instrumentalness • 66% Positiveness
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ZZ Top
She Loves My Automobile
130 bpm • D Maj • 02:23 • -12.04db
36% Popularity • 57% Danceability • 69% Energy • 6% Liveness
0% Instrumentalness • 55% Positiveness
36% Popularity • 57% Danceability • 69% Energy • 6% Liveness
0% Instrumentalness • 55% Positiveness
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The Georgia Thunderbolts
Can I Get A Witness
130 bpm • G Maj • 04:55 • -2.73db
23% Popularity • 48% Danceability • 92% Energy • 8% Liveness
1% Instrumentalness • 43% Positiveness
23% Popularity • 48% Danceability • 92% Energy • 8% Liveness
1% Instrumentalness • 43% Positiveness
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Smokey Fingers
Black Madame
136 bpm • D Maj • 04:13 • -6.43db
12% Popularity • 57% Danceability • 85% Energy • 20% Liveness
0% Instrumentalness • 86% Positiveness
12% Popularity • 57% Danceability • 85% Energy • 20% Liveness
0% Instrumentalness • 86% Positiveness
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Billy F Gibbons
That’s What She Said
136 bpm • C Maj • 03:13 • -2.84db
25% Popularity • 32% Danceability • 90% Energy • 25% Liveness
0% Instrumentalness • 38% Positiveness
25% Popularity • 32% Danceability • 90% Energy • 25% Liveness
0% Instrumentalness • 38% Positiveness
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Corey Stevens
Gone Too Log
130 bpm • G# min • 04:37 • -8.49db
18% Popularity • 59% Danceability • 73% Energy • 27% Liveness
0% Instrumentalness • 80% Positiveness
18% Popularity • 59% Danceability • 73% Energy • 27% Liveness
0% Instrumentalness • 80% Positiveness
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Lance Lopez
Come Back Home
130 bpm • A Maj • 03:28 • -9.08db
32% Popularity • 46% Danceability • 83% Energy • 42% Liveness
22% Instrumentalness • 88% Positiveness
32% Popularity • 46% Danceability • 83% Energy • 42% Liveness
22% Instrumentalness • 88% Positiveness
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Wes Jeans
Forest of the Pine
137 bpm • G Maj • 04:21 • -6.64db
17% Popularity • 39% Danceability • 86% Energy • 13% Liveness
0% Instrumentalness • 66% Positiveness
17% Popularity • 39% Danceability • 86% Energy • 13% Liveness
0% Instrumentalness • 66% Positiveness
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The Rockets
Lucille
137 bpm • A Maj • 02:55 • -6.11db
32% Popularity • 58% Danceability • 98% Energy • 34% Liveness
12% Instrumentalness • 87% Positiveness
32% Popularity • 58% Danceability • 98% Energy • 34% Liveness
12% Instrumentalness • 87% Positiveness
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Allman Brothers Band
Good Clean Fun
129 bpm • F Maj • 05:08 • -12.22db
34% Popularity • 54% Danceability • 68% Energy • 35% Liveness
0% Instrumentalness • 80% Positiveness
34% Popularity • 54% Danceability • 68% Energy • 35% Liveness
0% Instrumentalness • 80% Positiveness
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Too Slim and the Taildraggers
Mississippi Moon
137 bpm • F# Maj • 05:18 • -4.57db
10% Popularity • 50% Danceability • 87% Energy • 4% Liveness
3% Instrumentalness • 66% Positiveness
10% Popularity • 50% Danceability • 87% Energy • 4% Liveness
3% Instrumentalness • 66% Positiveness
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Corey Stevens
Louisiana Queen
129 bpm • F# min • 04:21 • -8db
13% Popularity • 67% Danceability • 69% Energy • 5% Liveness
0% Instrumentalness • 29% Positiveness
13% Popularity • 67% Danceability • 69% Energy • 5% Liveness
0% Instrumentalness • 29% Positiveness
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ZZ Top
She's a Heartbreaker
137 bpm • D Maj • 03:02 • -12.24db
27% Popularity • 70% Danceability • 42% Energy • 11% Liveness
0% Instrumentalness • 88% Positiveness
27% Popularity • 70% Danceability • 42% Energy • 11% Liveness
0% Instrumentalness • 88% Positiveness
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The Four Horsemen
Homesick Blues
137 bpm • E min • 02:32 • -9.7db
24% Popularity • 60% Danceability • 88% Energy • 14% Liveness
2% Instrumentalness • 37% Positiveness
24% Popularity • 60% Danceability • 88% Energy • 14% Liveness
2% Instrumentalness • 37% Positiveness
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Webb Wilder
Stay Out Of Automobiles
129 bpm • C# Maj • 03:08 • -6db
16% Popularity • 61% Danceability • 74% Energy • 8% Liveness
0% Instrumentalness • 93% Positiveness
16% Popularity • 61% Danceability • 74% Energy • 8% Liveness
0% Instrumentalness • 93% Positiveness
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Allman Brothers Band
Mean Woman Blues
137 bpm • E min • 05:01 • -6.52db
25% Popularity • 40% Danceability • 93% Energy • 7% Liveness
13% Instrumentalness • 80% Positiveness
25% Popularity • 40% Danceability • 93% Energy • 7% Liveness
13% Instrumentalness • 80% Positiveness
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Bishop Black
Southern Hospitality
128 bpm • D# min • 04:05 • -7db
31% Popularity • 54% Danceability • 87% Energy • 24% Liveness
0% Instrumentalness • 69% Positiveness
31% Popularity • 54% Danceability • 87% Energy • 24% Liveness
0% Instrumentalness • 69% Positiveness
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Missouri
Movin On
137 bpm • C# min • 04:44 • -10.58db
29% Popularity • 45% Danceability • 79% Energy • 8% Liveness
38% Instrumentalness • 38% Positiveness
29% Popularity • 45% Danceability • 79% Energy • 8% Liveness
38% Instrumentalness • 38% Positiveness
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ZZ Top
Arrested for Driving While Blind
137 bpm • D min • 03:06 • -10.92db
45% Popularity • 55% Danceability • 67% Energy • 10% Liveness
1% Instrumentalness • 58% Positiveness
45% Popularity • 55% Danceability • 67% Energy • 10% Liveness
1% Instrumentalness • 58% Positiveness
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Blindside Blues Band
Rock Me Baby
128 bpm • C Maj • 04:15 • -7.13db
20% Popularity • 43% Danceability • 88% Energy • 31% Liveness
0% Instrumentalness • 60% Positiveness
20% Popularity • 43% Danceability • 88% Energy • 31% Liveness
0% Instrumentalness • 60% Positiveness
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Rambler
Travellin' Man
138 bpm • G Maj • 04:05 • -7.99db
13% Popularity • 56% Danceability • 55% Energy • 26% Liveness
0% Instrumentalness • 35% Positiveness
13% Popularity • 56% Danceability • 55% Energy • 26% Liveness
0% Instrumentalness • 35% Positiveness
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David Arkenstone
Texas BBQ
138 bpm • B min • 01:49 • -5.51db
17% Popularity • 54% Danceability • 88% Energy • 43% Liveness
83% Instrumentalness • 72% Positiveness
17% Popularity • 54% Danceability • 88% Energy • 43% Liveness
83% Instrumentalness • 72% Positiveness
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Tom Hambridge
This End of the Road
138 bpm • G Maj • 05:47 • -7db
8% Popularity • 63% Danceability • 66% Energy • 11% Liveness
1% Instrumentalness • 85% Positiveness
8% Popularity • 63% Danceability • 66% Energy • 11% Liveness
1% Instrumentalness • 85% Positiveness
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Bad Touch
Baby Get It On
138 bpm • G# Maj • 03:19 • -3.06db
34% Popularity • 49% Danceability • 88% Energy • 10% Liveness
0% Instrumentalness • 72% Positiveness
34% Popularity • 49% Danceability • 88% Energy • 10% Liveness
0% Instrumentalness • 72% Positiveness
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Big Head Todd and The Monsters
Long Coal Train
138 bpm • E min • 03:51 • -5.57db
33% Popularity • 58% Danceability • 84% Energy • 23% Liveness
11% Instrumentalness • 68% Positiveness
33% Popularity • 58% Danceability • 84% Energy • 23% Liveness
11% Instrumentalness • 68% Positiveness
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Hogjaw
Swamp
128 bpm • C Maj • 06:17 • -4.41db
10% Popularity • 56% Danceability • 84% Energy • 10% Liveness
0% Instrumentalness • 39% Positiveness
10% Popularity • 56% Danceability • 84% Energy • 10% Liveness
0% Instrumentalness • 39% Positiveness
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Chase Walker Band
Don't F It Up
128 bpm • E Maj • 04:59 • -5.11db
18% Popularity • 62% Danceability • 65% Energy • 21% Liveness
0% Instrumentalness • 35% Positiveness
18% Popularity • 62% Danceability • 65% Energy • 21% Liveness
0% Instrumentalness • 35% Positiveness
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Too Slim and the Taildraggers
Last Last Chance
128 bpm • A# min • 03:53 • -5.07db
11% Popularity • 60% Danceability • 97% Energy • 8% Liveness
0% Instrumentalness • 96% Positiveness
11% Popularity • 60% Danceability • 97% Energy • 8% Liveness
0% Instrumentalness • 96% Positiveness
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Alastair Greene
The Sweetest Honey (Live)
139 bpm • C Maj • 03:47 • -6db
32% Popularity • 22% Danceability • 95% Energy • 95% Liveness
2% Instrumentalness • 48% Positiveness
32% Popularity • 22% Danceability • 95% Energy • 95% Liveness
2% Instrumentalness • 48% Positiveness
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Lonnie Mack
Natural Disaster
139 bpm • A# Maj • 04:20 • -10db
33% Popularity • 50% Danceability • 85% Energy • 94% Liveness
18% Instrumentalness • 71% Positiveness
33% Popularity • 50% Danceability • 85% Energy • 94% Liveness
18% Instrumentalness • 71% Positiveness
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Blindside Blues Band
Calling My Name
127 bpm • G Maj • 05:34 • -6.42db
14% Popularity • 39% Danceability • 75% Energy • 32% Liveness
0% Instrumentalness • 63% Positiveness
14% Popularity • 39% Danceability • 75% Energy • 32% Liveness
0% Instrumentalness • 63% Positiveness
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Billy F Gibbons
Hollywood 151
128 bpm • B Maj • 03:21 • -4.26db
31% Popularity • 62% Danceability • 89% Energy • 30% Liveness
0% Instrumentalness • 69% Positiveness
31% Popularity • 62% Danceability • 89% Energy • 30% Liveness
0% Instrumentalness • 69% Positiveness
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Albert Castiglia
Hoodoo on Me
127 bpm • A min • 03:34 • -8.63db
31% Popularity • 47% Danceability • 73% Energy • 12% Liveness
56% Instrumentalness • 76% Positiveness
31% Popularity • 47% Danceability • 73% Energy • 12% Liveness
56% Instrumentalness • 76% Positiveness
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Jimmy Thackery And The Drivers
Detroit Iron
127 bpm • G Maj • 05:05 • -4.33db
9% Popularity • 42% Danceability • 82% Energy • 60% Liveness
12% Instrumentalness • 29% Positiveness
9% Popularity • 42% Danceability • 82% Energy • 60% Liveness
12% Instrumentalness • 29% Positiveness
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Kim Simmonds
Nuthin' Like the Blues
127 bpm • D Maj • 04:56 • -6.78db
29% Popularity • 59% Danceability • 78% Energy • 10% Liveness
5% Instrumentalness • 88% Positiveness
29% Popularity • 59% Danceability • 78% Energy • 10% Liveness
5% Instrumentalness • 88% Positiveness
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Johnny Van Zant
Brickyard Road - l
140 bpm • F# Maj • 06:40 • -11db
34% Popularity • 45% Danceability • 57% Energy • 11% Liveness
0% Instrumentalness • 32% Positiveness
34% Popularity • 45% Danceability • 57% Energy • 11% Liveness
0% Instrumentalness • 32% Positiveness
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Alligator Stew
One Time to Long
127 bpm • G Maj • 04:28 • -7.7db
9% Popularity • 46% Danceability • 73% Energy • 3% Liveness
0% Instrumentalness • 82% Positiveness
9% Popularity • 46% Danceability • 73% Energy • 3% Liveness
0% Instrumentalness • 82% Positiveness
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Ghost Hounds
Little Calamity
140 bpm • G Maj • 03:31 • -6.85db
24% Popularity • 55% Danceability • 92% Energy • 10% Liveness
0% Instrumentalness • 56% Positiveness
24% Popularity • 55% Danceability • 92% Energy • 10% Liveness
0% Instrumentalness • 56% Positiveness
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Copperhead
The Scar
126 bpm • G Maj • 04:16 • -8.86db
20% Popularity • 48% Danceability • 64% Energy • 35% Liveness
0% Instrumentalness • 38% Positiveness
20% Popularity • 48% Danceability • 64% Energy • 35% Liveness
0% Instrumentalness • 38% Positiveness
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Jimmy Thackery And The Drivers
Drive To Survive
127 bpm • D Maj • 04:09 • -7.24db
15% Popularity • 59% Danceability • 95% Energy • 21% Liveness
5% Instrumentalness • 57% Positiveness
15% Popularity • 59% Danceability • 95% Energy • 21% Liveness
5% Instrumentalness • 57% Positiveness
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Holman Autry Band
Keys in the Truck
126 bpm • A# Maj • 03:21 • -9.06db
10% Popularity • 72% Danceability • 76% Energy • 31% Liveness
0% Instrumentalness • 95% Positiveness
10% Popularity • 72% Danceability • 76% Energy • 31% Liveness
0% Instrumentalness • 95% Positiveness
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Chase Walker Band
The Walk
126 bpm • A Maj • 03:06 • -4.68db
30% Popularity • 60% Danceability • 79% Energy • 19% Liveness
0% Instrumentalness • 84% Positiveness
30% Popularity • 60% Danceability • 79% Energy • 19% Liveness
0% Instrumentalness • 84% Positiveness
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Albert Cummings
Too Old To Grow Up
141 bpm • A# min • 03:21 • -5.86db
31% Popularity • 57% Danceability • 87% Energy • 12% Liveness
0% Instrumentalness • 70% Positiveness
31% Popularity • 57% Danceability • 87% Energy • 12% Liveness
0% Instrumentalness • 70% Positiveness
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Devon Allman
Say Your Prayers
126 bpm • A Maj • 03:15 • -5.87db
22% Popularity • 53% Danceability • 87% Energy • 5% Liveness
0% Instrumentalness • 68% Positiveness
22% Popularity • 53% Danceability • 87% Energy • 5% Liveness
0% Instrumentalness • 68% Positiveness
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The Georgia Thunderbolts
Set Me Free
125 bpm • G Maj • 07:06 • -4.16db
20% Popularity • 53% Danceability • 74% Energy • 24% Liveness
1% Instrumentalness • 42% Positiveness
20% Popularity • 53% Danceability • 74% Energy • 24% Liveness
1% Instrumentalness • 42% Positiveness
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Jimmy Thackery And The Drivers
Cool Guitars
125 bpm • A Maj • 03:43 • -9.08db
32% Popularity • 61% Danceability • 84% Energy • 15% Liveness
0% Instrumentalness • 58% Positiveness
32% Popularity • 61% Danceability • 84% Energy • 15% Liveness
0% Instrumentalness • 58% Positiveness
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George Thorogood
Bottom Of The Sea
125 bpm • G min • 03:30 • -10.92db
28% Popularity • 70% Danceability • 56% Energy • 6% Liveness
0% Instrumentalness • 93% Positiveness
28% Popularity • 70% Danceability • 56% Energy • 6% Liveness
0% Instrumentalness • 93% Positiveness
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Hogjaw
To Hell With The Rest
125 bpm • A Maj • 03:49 • -3.49db
17% Popularity • 64% Danceability • 96% Energy • 14% Liveness
0% Instrumentalness • 77% Positiveness
17% Popularity • 64% Danceability • 96% Energy • 14% Liveness
0% Instrumentalness • 77% Positiveness
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Mike Campbell & The Dirty Knobs
Don’t Knock The Boogie
125 bpm • D Maj • 06:57 • -10.16db
21% Popularity • 56% Danceability • 52% Energy • 11% Liveness
17% Instrumentalness • 64% Positiveness
21% Popularity • 56% Danceability • 52% Energy • 11% Liveness
17% Instrumentalness • 64% Positiveness
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Bishop Black
Shine On
125 bpm • F# Maj • 05:29 • -7.96db
8% Popularity • 30% Danceability • 55% Energy • 8% Liveness
0% Instrumentalness • 26% Positiveness
8% Popularity • 30% Danceability • 55% Energy • 8% Liveness
0% Instrumentalness • 26% Positiveness
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Copperhead
Highway
142 bpm • A min • 04:52 • -7.04db
10% Popularity • 41% Danceability • 85% Energy • 8% Liveness
1% Instrumentalness • 77% Positiveness
10% Popularity • 41% Danceability • 85% Energy • 8% Liveness
1% Instrumentalness • 77% Positiveness
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Smokey Fingers
Old Jack
142 bpm • D Maj • 03:33 • -5.65db
24% Popularity • 51% Danceability • 96% Energy • 10% Liveness
2% Instrumentalness • 40% Positiveness
24% Popularity • 51% Danceability • 96% Energy • 10% Liveness
2% Instrumentalness • 40% Positiveness
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Holman Autry Band
Friday Night Rundown
142 bpm • G Maj • 03:17 • -8.25db
12% Popularity • 58% Danceability • 85% Energy • 30% Liveness
0% Instrumentalness • 80% Positiveness
12% Popularity • 58% Danceability • 85% Energy • 30% Liveness
0% Instrumentalness • 80% Positiveness
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Rambler
Liquor In The Front/Poker In The Rear
125 bpm • A min • 04:24 • -8.4db
8% Popularity • 61% Danceability • 61% Energy • 7% Liveness
0% Instrumentalness • 54% Positiveness
8% Popularity • 61% Danceability • 61% Energy • 7% Liveness
0% Instrumentalness • 54% Positiveness
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Mark Selby
Kink In The Chain
124 bpm • A Maj • 03:34 • -5db
32% Popularity • 66% Danceability • 76% Energy • 11% Liveness
0% Instrumentalness • 75% Positiveness
32% Popularity • 66% Danceability • 76% Energy • 11% Liveness
0% Instrumentalness • 75% Positiveness
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Albert Castiglia
Let the Big Dog Eat
124 bpm • A min • 03:28 • -4.36db
27% Popularity • 50% Danceability • 85% Energy • 6% Liveness
0% Instrumentalness • 93% Positiveness
27% Popularity • 50% Danceability • 85% Energy • 6% Liveness
0% Instrumentalness • 93% Positiveness
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The Kentucky Headhunters
Superman Blues
124 bpm • D Maj • 04:02 • -6.55db
13% Popularity • 51% Danceability • 89% Energy • 21% Liveness
16% Instrumentalness • 91% Positiveness
13% Popularity • 51% Danceability • 89% Energy • 21% Liveness
16% Instrumentalness • 91% Positiveness
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James Gang
Heartbreak Hotel
142 bpm • E Maj • 02:15 • -10.41db
31% Popularity • 62% Danceability • 60% Energy • 12% Liveness
0% Instrumentalness • 96% Positiveness
31% Popularity • 62% Danceability • 60% Energy • 12% Liveness
0% Instrumentalness • 96% Positiveness
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Rodney Crowell
56 Fury
124 bpm • E Maj • 03:50 • -5db
29% Popularity • 64% Danceability • 81% Energy • 10% Liveness
0% Instrumentalness • 59% Positiveness
29% Popularity • 64% Danceability • 81% Energy • 10% Liveness
0% Instrumentalness • 59% Positiveness
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David Gogo
Tomcat Prowl
124 bpm • F min • 04:24 • -5.01db
14% Popularity • 47% Danceability • 83% Energy • 8% Liveness
0% Instrumentalness • 30% Positiveness
14% Popularity • 47% Danceability • 83% Energy • 8% Liveness
0% Instrumentalness • 30% Positiveness
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The Georgia Thunderbolts
Take It Slow
124 bpm • A Maj • 04:01 • -2.73db
29% Popularity • 45% Danceability • 95% Energy • 32% Liveness
0% Instrumentalness • 26% Positiveness
29% Popularity • 45% Danceability • 95% Energy • 32% Liveness
0% Instrumentalness • 26% Positiveness
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Supersonic Blues Machine
Running Whiskey
124 bpm • C# Maj • 02:41 • -3.48db
38% Popularity • 52% Danceability • 92% Energy • 46% Liveness
1% Instrumentalness • 58% Positiveness
38% Popularity • 52% Danceability • 92% Energy • 46% Liveness
1% Instrumentalness • 58% Positiveness
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The Vaughan Brothers
Good Texan
143 bpm • A Maj • 04:21 • -13db
41% Popularity • 79% Danceability • 53% Energy • 28% Liveness
0% Instrumentalness • 76% Positiveness
41% Popularity • 79% Danceability • 53% Energy • 28% Liveness
0% Instrumentalness • 76% Positiveness
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Doc Holliday
Let Me Be Your Lover
124 bpm • F Maj • 03:30 • -6.52db
15% Popularity • 69% Danceability • 62% Energy • 8% Liveness
0% Instrumentalness • 81% Positiveness
15% Popularity • 69% Danceability • 62% Energy • 8% Liveness
0% Instrumentalness • 81% Positiveness
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The Four Horsemen
Rockin' Is Ma Business
124 bpm • A Maj • 04:36 • -11db
36% Popularity • 54% Danceability • 67% Energy • 41% Liveness
15% Instrumentalness • 50% Positiveness
36% Popularity • 54% Danceability • 67% Energy • 41% Liveness
15% Instrumentalness • 50% Positiveness
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Rebel Pride
Girls Wanna Dance
143 bpm • G# Maj • 03:56 • -5.24db
10% Popularity • 48% Danceability • 93% Energy • 3% Liveness
0% Instrumentalness • 78% Positiveness
10% Popularity • 48% Danceability • 93% Energy • 3% Liveness
0% Instrumentalness • 78% Positiveness
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The Georgia Thunderbolts
Spirit Of A Workin' Man
143 bpm • A min • 04:22 • -4.4db
25% Popularity • 42% Danceability • 90% Energy • 9% Liveness
0% Instrumentalness • 58% Positiveness
25% Popularity • 42% Danceability • 90% Energy • 9% Liveness
0% Instrumentalness • 58% Positiveness
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Bryce Janey
Chrome Horse
123 bpm • D Maj • 04:41 • -6db
23% Popularity • 59% Danceability • 73% Energy • 26% Liveness
8% Instrumentalness • 39% Positiveness
23% Popularity • 59% Danceability • 73% Energy • 26% Liveness
8% Instrumentalness • 39% Positiveness
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Hogjaw
The Smoker
123 bpm • C Maj • 03:34 • -5.39db
9% Popularity • 44% Danceability • 89% Energy • 29% Liveness
0% Instrumentalness • 65% Positiveness
9% Popularity • 44% Danceability • 89% Energy • 29% Liveness
0% Instrumentalness • 65% Positiveness
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Billy F Gibbons
Shuffle, Step & Slide
123 bpm • G Maj • 03:10 • -5.22db
24% Popularity • 55% Danceability • 89% Energy • 10% Liveness
10% Instrumentalness • 64% Positiveness
24% Popularity • 55% Danceability • 89% Energy • 10% Liveness
10% Instrumentalness • 64% Positiveness
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Dan Baird and Homemade Sin
Just Can't Wait
144 bpm • B Maj • 02:57 • -5.65db
17% Popularity • 59% Danceability • 96% Energy • 15% Liveness
0% Instrumentalness • 96% Positiveness
17% Popularity • 59% Danceability • 96% Energy • 15% Liveness
0% Instrumentalness • 96% Positiveness
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The Ozark Mountain Daredevils
If You Wanna Get to Heaven 20/20
123 bpm • C Maj • 03:38 • -4.35db
25% Popularity • 70% Danceability • 84% Energy • 7% Liveness
0% Instrumentalness • 84% Positiveness
25% Popularity • 70% Danceability • 84% Energy • 7% Liveness
0% Instrumentalness • 84% Positiveness
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The Georgia Thunderbolts
Half Glass Woman
143 bpm • A Maj • 03:24 • -3.42db
23% Popularity • 37% Danceability • 96% Energy • 10% Liveness
0% Instrumentalness • 36% Positiveness
23% Popularity • 37% Danceability • 96% Energy • 10% Liveness
0% Instrumentalness • 36% Positiveness
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Blindside Blues Band
Jack Daniels Weekend
123 bpm • A Maj • 02:14 • -7db
19% Popularity • 51% Danceability • 87% Energy • 30% Liveness
0% Instrumentalness • 66% Positiveness
19% Popularity • 51% Danceability • 87% Energy • 30% Liveness
0% Instrumentalness • 66% Positiveness
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The Kentucky Headhunters
Stumblin'
123 bpm • D Maj • 03:08 • -5db
32% Popularity • 76% Danceability • 94% Energy • 15% Liveness
0% Instrumentalness • 93% Positiveness
32% Popularity • 76% Danceability • 94% Energy • 15% Liveness
0% Instrumentalness • 93% Positiveness
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Bachman-Turner Overdrive
Blue Moanin'
123 bpm • A min • 03:43 • -13.29db
39% Popularity • 64% Danceability • 46% Energy • 20% Liveness
30% Instrumentalness • 77% Positiveness
39% Popularity • 64% Danceability • 46% Energy • 20% Liveness
30% Instrumentalness • 77% Positiveness
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Smokey Fingers
Stage
144 bpm • G# Maj • 04:05 • -6.52db
9% Popularity • 50% Danceability • 82% Energy • 12% Liveness
0% Instrumentalness • 76% Positiveness
9% Popularity • 50% Danceability • 82% Energy • 12% Liveness
0% Instrumentalness • 76% Positiveness
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38 Special
Gypsy Belle
123 bpm • C Maj • 04:56 • -9.65db
21% Popularity • 69% Danceability • 65% Energy • 8% Liveness
28% Instrumentalness • 97% Positiveness
21% Popularity • 69% Danceability • 65% Energy • 8% Liveness
28% Instrumentalness • 97% Positiveness
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Buddy Whittington
Fender Champ
144 bpm • E Maj • 02:59 • -4.29db
33% Popularity • 60% Danceability • 86% Energy • 36% Liveness
0% Instrumentalness • 76% Positiveness
33% Popularity • 60% Danceability • 86% Energy • 36% Liveness
0% Instrumentalness • 76% Positiveness
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Copperhead
Where Will I Be
123 bpm • G Maj • 04:36 • -7.79db
14% Popularity • 50% Danceability • 71% Energy • 10% Liveness
0% Instrumentalness • 68% Positiveness
14% Popularity • 50% Danceability • 71% Energy • 10% Liveness
0% Instrumentalness • 68% Positiveness
