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Rites: III
Songs like
Rites: III
by
Paul Jebanasam
Based on a tempo of (+/- 10%) and a similar genre
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Paul Jebanasam
Rites: III
101 bpm • G Maj • 06:14 • -20.81db
6% Popularity • 14% Danceability • 15% Energy • 14% Liveness
92% Instrumentalness • 3% Positiveness
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Secret Pyramid
A Descent
101 bpm • G Maj • 05:56 • -19.12db
12% Popularity • 13% Danceability • 32% Energy • 13% Liveness
95% Instrumentalness • 5% Positiveness
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Tomaga
Il fiume di ferro
101 bpm • C Maj • 04:43 • -9.91db
12% Popularity • 63% Danceability • 55% Energy • 14% Liveness
12% Instrumentalness • 13% Positiveness
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Grayson Gilmour
Thalamus (Machine Learning Variation)
101 bpm • C Maj • 05:30 • -20.66db
0% Popularity • 24% Danceability • 5% Energy • 12% Liveness
86% Instrumentalness • 4% Positiveness
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Hiro Kone
Submerged Dragon
101 bpm • C# Maj • 02:27 • -15.57db
14% Popularity • 18% Danceability • 46% Energy • 18% Liveness
76% Instrumentalness • 6% Positiveness
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Abul Mogard
Clouds
100 bpm • F Maj • 08:52 • -25.79db
15% Popularity • 13% Danceability • 0% Energy • 9% Liveness
90% Instrumentalness • 4% Positiveness
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Space Afrika
Canu
102 bpm • A min • 04:19 • -22.17db
7% Popularity • 14% Danceability • 33% Energy • 51% Liveness
89% Instrumentalness • 4% Positiveness
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Forest Swords
Target Night Vision
100 bpm • A# min • 03:41 • -15.63db
9% Popularity • 48% Danceability • 33% Energy • 11% Liveness
87% Instrumentalness • 15% Positiveness
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Perila
Air Like Velvet
100 bpm • A min • 03:03 • -21db
9% Popularity • 23% Danceability • 53% Energy • 12% Liveness
94% Instrumentalness • 5% Positiveness
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alva noto
Xerrox Radieuse
99 bpm • E min • 05:59 • -25.88db
10% Popularity • 13% Danceability • 3% Energy • 8% Liveness
72% Instrumentalness • 3% Positiveness
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Emptyset
Body
99 bpm • C Maj • 03:10 • -13.65db
15% Popularity • 37% Danceability • 19% Energy • 34% Liveness
88% Instrumentalness • 5% Positiveness
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Alex Zhang Hungtai
Pierrot
104 bpm • G min • 04:33 • -15.07db
11% Popularity • 15% Danceability • 36% Energy • 14% Liveness
95% Instrumentalness • 15% Positiveness
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Roly Porter
4101
104 bpm • F min • 07:57 • -12db
19% Popularity • 19% Danceability • 41% Energy • 33% Liveness
81% Instrumentalness • 6% Positiveness
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Susumu Yokota
The Seven Secret Sayings of God
98 bpm • F# Maj • 03:37 • -14.93db
17% Popularity • 23% Danceability • 46% Energy • 9% Liveness
97% Instrumentalness • 37% Positiveness
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Perila
Memories of Grass
98 bpm • C Maj • 04:16 • -25.79db
21% Popularity • 20% Danceability • 8% Energy • 12% Liveness
87% Instrumentalness • 4% Positiveness
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HTRK
Department Store
98 bpm • A min • 03:22 • -29.67db
15% Popularity • 16% Danceability • 9% Energy • 11% Liveness
97% Instrumentalness • 3% Positiveness
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alva noto
Xerrox Kirlian
104 bpm • F Maj • 06:12 • -23.53db
13% Popularity • 20% Danceability • 15% Energy • 11% Liveness
87% Instrumentalness • 3% Positiveness
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Emptyset
Aleph
98 bpm • C# Maj • 02:40 • -37.79db
16% Popularity • 37% Danceability • 1% Energy • 11% Liveness
94% Instrumentalness • 17% Positiveness
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Robert Henke
Layer 001
98 bpm • G Maj • 04:53 • -21.62db
9% Popularity • 12% Danceability • 34% Energy • 10% Liveness
88% Instrumentalness • 3% Positiveness
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Roly Porter
Mass
104 bpm • F# min • 05:47 • -12.47db
9% Popularity • 18% Danceability • 55% Energy • 17% Liveness
92% Instrumentalness • 13% Positiveness
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Rafael Anton Irisarri
Flowstone
105 bpm • F min • 06:39 • -16db
10% Popularity • 15% Danceability • 27% Energy • 6% Liveness
88% Instrumentalness • 4% Positiveness
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Deaf Center
Red Glow
105 bpm • A Maj • 02:38 • -27.43db
8% Popularity • 34% Danceability • 2% Energy • 10% Liveness
73% Instrumentalness • 4% Positiveness
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Pye Corner Audio
Claustrophobe
105 bpm • G Maj • 03:39 • -24.74db
17% Popularity • 38% Danceability • 13% Energy • 59% Liveness
91% Instrumentalness • 9% Positiveness
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Jefre Cantu-Ledesma
Little Deer Isle
105 bpm • C Maj • 03:29 • -15.92db
12% Popularity • 29% Danceability • 58% Energy • 25% Liveness
90% Instrumentalness • 10% Positiveness
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Abul Mogard
Bound Universe
105 bpm • C# Maj • 06:44 • -25.66db
24% Popularity • 20% Danceability • 12% Energy • 11% Liveness
94% Instrumentalness • 2% Positiveness
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alva noto
HYbr:ID oval blackhole
97 bpm • C Maj • 07:29 • -25.16db
11% Popularity • 14% Danceability • 11% Energy • 9% Liveness
93% Instrumentalness • 3% Positiveness
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Lisa Lerkenfeldt
In Her Hair
106 bpm • B Maj • 05:21 • -20.75db
15% Popularity • 15% Danceability • 24% Energy • 11% Liveness
92% Instrumentalness • 4% Positiveness
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Deaf Center
Gathering
97 bpm • D# min • 07:21 • -19.65db
8% Popularity • 32% Danceability • 26% Energy • 11% Liveness
89% Instrumentalness • 10% Positiveness
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r beny
Vestigial
107 bpm • F Maj • 07:36 • -14.77db
12% Popularity • 15% Danceability • 17% Energy • 11% Liveness
68% Instrumentalness • 3% Positiveness
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Not Waving
Kneel For Mercy
95 bpm • E min • 07:11 • -11.99db
8% Popularity • 11% Danceability • 31% Energy • 12% Liveness
97% Instrumentalness • 4% Positiveness
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Orphan Ann
Du kommer aldrig nära igen
107 bpm • C# Maj • 04:59 • -11.59db
8% Popularity • 15% Danceability • 14% Energy • 9% Liveness
99% Instrumentalness • 2% Positiveness
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Rafael Anton Irisarri
Persistence
95 bpm • A# Maj • 07:03 • -18.91db
17% Popularity • 12% Danceability • 19% Energy • 7% Liveness
78% Instrumentalness • 4% Positiveness
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Forest Swords
The Textile Factory
95 bpm • G min • 02:23 • -11.66db
8% Popularity • 20% Danceability • 30% Energy • 12% Liveness
87% Instrumentalness • 3% Positiveness
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Svarte Greiner
The Boat Was My Friend
95 bpm • B min • 04:17 • -17.17db
9% Popularity • 41% Danceability • 24% Energy • 13% Liveness
82% Instrumentalness • 12% Positiveness
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Steve Hauschildt
Transience of Earthly Joys
108 bpm • C# min • 06:43 • -16.06db
14% Popularity • 16% Danceability • 23% Energy • 8% Liveness
92% Instrumentalness • 3% Positiveness
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Loke Rahbek
Touch and Vision
108 bpm • C# min • 04:21 • -15.25db
10% Popularity • 28% Danceability • 17% Energy • 8% Liveness
94% Instrumentalness • 5% Positiveness
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David Toop
Things Just Went Sour Gradually All at O...
109 bpm • F min • 01:11 • -25.44db
7% Popularity • 51% Danceability • 20% Energy • 46% Liveness
1% Instrumentalness • 9% Positiveness
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Jan Jelinek
Lady Gaga, You Once Said In An Interview...
94 bpm • D min • 02:17 • -15.64db
18% Popularity • 25% Danceability • 45% Energy • 12% Liveness
91% Instrumentalness • 9% Positiveness
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Hiro Kone
Poortgebouw
109 bpm • G Maj • 05:03 • -17.1db
11% Popularity • 29% Danceability • 16% Energy • 9% Liveness
86% Instrumentalness • 4% Positiveness
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Tor Lundvall
Streets
109 bpm • C# Maj • 02:59 • -23.3db
15% Popularity • 59% Danceability • 17% Energy • 10% Liveness
90% Instrumentalness • 64% Positiveness
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Mira Calix
Three Teas Please
94 bpm • C# Maj • 01:36 • -18.67db
8% Popularity • 33% Danceability • 63% Energy • 10% Liveness
93% Instrumentalness • 22% Positiveness
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Body Sculptures
Breath Of Wind Sows The Seed
109 bpm • F# Maj • 03:05 • -13.02db
10% Popularity • 16% Danceability • 15% Energy • 10% Liveness
88% Instrumentalness • 3% Positiveness
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Ben Frost
We Love You Michael Gira
109 bpm • C Maj • 07:49 • -11.38db
13% Popularity • 53% Danceability • 6% Energy • 13% Liveness
85% Instrumentalness • 3% Positiveness
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Pye Corner Audio
Transmission One: Lonesome Vale
93 bpm • B Maj • 01:50 • -22.08db
25% Popularity • 11% Danceability • 21% Energy • 11% Liveness
79% Instrumentalness • 3% Positiveness
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GAS
Rausch 7
110 bpm • C# min • 06:19 • -21.47db
12% Popularity • 37% Danceability • 32% Energy • 62% Liveness
77% Instrumentalness • 7% Positiveness
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Murcof
Underwater Lament
110 bpm • C# Maj • 05:20 • -16db
26% Popularity • 48% Danceability • 50% Energy • 12% Liveness
90% Instrumentalness • 4% Positiveness
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The Haxan Cloak
Excavation (Part 2)
110 bpm • C# Maj • 04:13 • -16.57db
15% Popularity • 47% Danceability • 32% Energy • 32% Liveness
25% Instrumentalness • 3% Positiveness
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Kelly Moran
Nereid
93 bpm • A min • 10:07 • -12.41db
16% Popularity • 19% Danceability • 43% Energy • 7% Liveness
87% Instrumentalness • 6% Positiveness
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Venus Ex Machina
Avril
110 bpm • A# Maj • 02:24 • -18.02db
14% Popularity • 28% Danceability • 26% Energy • 10% Liveness
93% Instrumentalness • 28% Positiveness
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Ben Frost
Simulacra II
93 bpm • G# min • 07:36 • -27db
14% Popularity • 11% Danceability • 2% Energy • 11% Liveness
94% Instrumentalness • 3% Positiveness
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GAS
Rausch 6
110 bpm • C# min • 07:55 • -25.7db
14% Popularity • 16% Danceability • 10% Energy • 11% Liveness
81% Instrumentalness • 5% Positiveness
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Caterina Barbieri
Rendering Intuitions
92 bpm • D# Maj • 06:36 • -19.45db
26% Popularity • 11% Danceability • 4% Energy • 11% Liveness
80% Instrumentalness • 3% Positiveness
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The Haxan Cloak
In Memoriam
110 bpm • C min • 02:41 • -10.35db
11% Popularity • 22% Danceability • 55% Energy • 13% Liveness
96% Instrumentalness • 5% Positiveness
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Vanity Productions
Hair Painted With Copper
92 bpm • C# Maj • 06:48 • -29.09db
9% Popularity • 11% Danceability • 9% Energy • 10% Liveness
81% Instrumentalness • 4% Positiveness
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HTRK
Antitwilight I
110 bpm • C# Maj • 02:03 • -29.38db
12% Popularity • 25% Danceability • 9% Energy • 11% Liveness
67% Instrumentalness • 4% Positiveness
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Emptyset
Descent
92 bpm • D# min • 03:47 • -7.71db
9% Popularity • 67% Danceability • 30% Energy • 9% Liveness
88% Instrumentalness • 14% Positiveness
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GAS
Narkopop 9
110 bpm • C# min • 07:57 • -23.25db
14% Popularity • 31% Danceability • 18% Energy • 11% Liveness
75% Instrumentalness • 3% Positiveness
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Rafael Anton Irisarri
Vanishing Points
111 bpm • D Maj • 08:01 • -17.17db
8% Popularity • 16% Danceability • 16% Energy • 12% Liveness
85% Instrumentalness • 4% Positiveness
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Mika Vainio
Kunnes
111 bpm • G Maj • 01:17 • -35.79db
22% Popularity • 32% Danceability • 5% Energy • 48% Liveness
93% Instrumentalness • 14% Positiveness
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Leandro Fresco
Elevado Como Barrilete
111 bpm • F min • 05:33 • -15.62db
10% Popularity • 21% Danceability • 14% Energy • 10% Liveness
87% Instrumentalness • 9% Positiveness
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alva noto
Xerrox 2ndevol
111 bpm • C# min • 03:44 • -27.71db
10% Popularity • 31% Danceability • 8% Energy • 7% Liveness
82% Instrumentalness • 4% Positiveness
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Opto
Opto File 3
91 bpm • A Maj • 07:55 • -15.8db
9% Popularity • 53% Danceability • 76% Energy • 34% Liveness
77% Instrumentalness • 34% Positiveness
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GAS
Narkopop 8
110 bpm • F# min • 07:27 • -24.17db
15% Popularity • 36% Danceability • 23% Energy • 11% Liveness
90% Instrumentalness • 4% Positiveness
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Rafael Anton Irisarri
Hiatus
92 bpm • G min • 02:38 • -16.5db
23% Popularity • 22% Danceability • 32% Energy • 10% Liveness
65% Instrumentalness • 4% Positiveness
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Casino Versus Japan
Deep in Black Night
112 bpm • G# Maj • 05:04 • -24.88db
8% Popularity • 37% Danceability • 43% Energy • 18% Liveness
84% Instrumentalness • 20% Positiveness
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William Basinski
On Time Out of Time 1.1
91 bpm • F# Maj • 05:43 • -28.12db
13% Popularity • 14% Danceability • 24% Energy • 16% Liveness
82% Instrumentalness • 15% Positiveness
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Roly Porter
In System
112 bpm • A# Maj • 04:52 • -25.66db
11% Popularity • 23% Danceability • 16% Energy • 8% Liveness
86% Instrumentalness • 3% Positiveness
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Paul Jebanasam
eidolons beginning p = (m2Abeta* do not ...
112 bpm • A# min • 10:02 • -23.2db
7% Popularity • 27% Danceability • 29% Energy • 5% Liveness
89% Instrumentalness • 4% Positiveness
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GAS
Der Lange Marsch 5
110 bpm • D# Maj • 06:45 • -16.28db
13% Popularity • 39% Danceability • 41% Energy • 12% Liveness
71% Instrumentalness • 18% Positiveness
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Rafael Anton Irisarri
Sky Burial
91 bpm • C# min • 04:52 • -8.9db
16% Popularity • 10% Danceability • 16% Energy • 8% Liveness
91% Instrumentalness • 12% Positiveness
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Kali Malone
Arched In Hysteria
112 bpm • F# min • 06:22 • -16.13db
13% Popularity • 36% Danceability • 1% Energy • 10% Liveness
83% Instrumentalness • 3% Positiveness
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Deaf Center
A Scent
91 bpm • F min • 03:28 • -21.67db
9% Popularity • 13% Danceability • 9% Energy • 11% Liveness
91% Instrumentalness • 3% Positiveness
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CoH
Far Distances Above
91 bpm • A# Maj • 10:37 • -21.56db
9% Popularity • 47% Danceability • 29% Energy • 11% Liveness
90% Instrumentalness • 16% Positiveness
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Fennesz
Tom
113 bpm • B Maj • 03:04 • -14.03db
33% Popularity • 17% Danceability • 18% Energy • 12% Liveness
90% Instrumentalness • 4% Positiveness
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GAS
Rausch 2
110 bpm • C# Maj • 09:46 • -21.5db
17% Popularity • 32% Danceability • 26% Energy • 13% Liveness
60% Instrumentalness • 6% Positiveness
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alva noto
Haliod Xerrox Copy 1
90 bpm • D min • 09:16 • -17.89db
10% Popularity • 10% Danceability • 3% Energy • 43% Liveness
95% Instrumentalness • 10% Positiveness
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Kara-Lis Coverdale
X 4Ewi
90 bpm • F min • 05:20 • -17.74db
10% Popularity • 13% Danceability • 45% Energy • 16% Liveness
96% Instrumentalness • 12% Positiveness
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Deaf Center
The Day I Would Never Have
113 bpm • B Maj • 10:42 • -16.96db
17% Popularity • 19% Danceability • 15% Energy • 39% Liveness
95% Instrumentalness • 4% Positiveness
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CoH
Untangled Forever
113 bpm • G# Maj • 09:01 • -26.32db
10% Popularity • 17% Danceability • 5% Energy • 8% Liveness
87% Instrumentalness • 6% Positiveness
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Emptyset
Over
90 bpm • D Maj • 02:19 • -22.38db
17% Popularity • 40% Danceability • 32% Energy • 11% Liveness
87% Instrumentalness • 3% Positiveness
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GAS
Der Lange Marsch 1
110 bpm • D# Maj • 06:05 • -20.97db
16% Popularity • 16% Danceability • 20% Energy • 12% Liveness
76% Instrumentalness • 4% Positiveness
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alva noto
Xerrox Sans Retour
90 bpm • D Maj • 04:26 • -18.79db
10% Popularity • 19% Danceability • 25% Energy • 10% Liveness
87% Instrumentalness • 3% Positiveness
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Masayoshi Fujita
Undercurrent
90 bpm • C min • 08:50 • -18.12db
8% Popularity • 17% Danceability • 12% Energy • 11% Liveness
92% Instrumentalness • 4% Positiveness
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Dictaphone
Stanko
90 bpm • B min • 06:54 • -19.78db
9% Popularity • 20% Danceability • 19% Energy • 8% Liveness
93% Instrumentalness • 13% Positiveness
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Lussuria
Visionaire
90 bpm • C# min • 03:51 • -15db
10% Popularity • 17% Danceability • 52% Energy • 11% Liveness
74% Instrumentalness • 6% Positiveness
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Pye Corner Audio
Paleolith
114 bpm • A# Maj • 01:25 • -23.95db
22% Popularity • 23% Danceability • 16% Energy • 8% Liveness
98% Instrumentalness • 3% Positiveness
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GAS
Der Lange Marsch 4
111 bpm • D# Maj • 04:53 • -19.25db
14% Popularity • 33% Danceability • 35% Energy • 12% Liveness
74% Instrumentalness • 10% Positiveness
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Kara-Lis Coverdale
Imgs /r
90 bpm • G Maj • 04:26 • -18.45db
16% Popularity • 21% Danceability • 18% Energy • 11% Liveness
92% Instrumentalness • 4% Positiveness
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Tim Hecker
Borderlands
114 bpm • C# min • 04:46 • -16db
24% Popularity • 19% Danceability • 38% Energy • 18% Liveness
96% Instrumentalness • 7% Positiveness
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Rafael Anton Irisarri
Indefinite Fields
114 bpm • D# min • 06:05 • -11db
17% Popularity • 19% Danceability • 12% Energy • 8% Liveness
63% Instrumentalness • 4% Positiveness
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Pablo's Eye
She Told Him The News
89 bpm • A# Maj • 01:05 • -21.21db
19% Popularity • 30% Danceability • 27% Energy • 10% Liveness
97% Instrumentalness • 15% Positiveness
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Paul Jebanasam
Music for the Church of St John the Bapt...
89 bpm • C# min • 05:32 • -14.27db
1% Popularity • 10% Danceability • 32% Energy • 8% Liveness
80% Instrumentalness • 3% Positiveness
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GAS
Rausch 1
111 bpm • B min • 07:54 • -21.81db
16% Popularity • 16% Danceability • 5% Energy • 9% Liveness
82% Instrumentalness • 7% Positiveness
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Hildur Guðnadóttir
Writing on a Dead Animal
115 bpm • G# Maj • 01:30 • -30.08db
8% Popularity • 30% Danceability • 3% Energy • 11% Liveness
94% Instrumentalness • 11% Positiveness
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Tim Hecker
The Piano Drop
114 bpm • C# min • 02:53 • -12db
37% Popularity • 58% Danceability • 85% Energy • 14% Liveness
96% Instrumentalness • 3% Positiveness
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Ben Bertrand
Those Behind Us That We Follow
115 bpm • G# Maj • 05:07 • -24.27db
15% Popularity • 27% Danceability • 14% Energy • 20% Liveness
91% Instrumentalness • 4% Positiveness
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Susumu Yokota
Flowing with the Tao
115 bpm • F# Maj • 03:03 • -16.66db
11% Popularity • 33% Danceability • 21% Energy • 8% Liveness
90% Instrumentalness • 4% Positiveness
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Alessandro Cortini
Immediate Horizon 2
115 bpm • D Maj • 06:07 • -20.25db
11% Popularity • 28% Danceability • 23% Energy • 12% Liveness
97% Instrumentalness • 3% Positiveness
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GAS
Narkopop 5
90 bpm • D min • 06:47 • -22.26db
18% Popularity • 43% Danceability • 29% Energy • 11% Liveness
80% Instrumentalness • 20% Positiveness
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Raime
The Last Foundry
115 bpm • C# Maj • 05:52 • -18.9db
22% Popularity • 71% Danceability • 43% Energy • 14% Liveness
92% Instrumentalness • 3% Positiveness
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Rites: III