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Road Less Traveled
Songs like
Road Less Traveled
by
Fatai
Based on a tempo of (+/- 10%) and a similar genre
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Fatai
Road Less Traveled
112 bpm • G Maj • 04:18 • -6.63db
22% Popularity • 83% Danceability • 32% Energy • 6% Liveness
0% Instrumentalness • 44% Positiveness
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Nina Soro
Have It Your Way
112 bpm • E Maj • 04:25 • -8.58db
33% Popularity • 62% Danceability • 27% Energy • 12% Liveness
0% Instrumentalness • 25% Positiveness
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Stephen Day
How Sweet It Is
112 bpm • C Maj • 03:33 • -10.15db
32% Popularity • 75% Danceability • 37% Energy • 11% Liveness
0% Instrumentalness • 66% Positiveness
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Freelance
Band Plays On
112 bpm • F# Maj • 04:58 • -4.11db
19% Popularity • 45% Danceability • 76% Energy • 12% Liveness
0% Instrumentalness • 39% Positiveness
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Peter CottonTale
Way Up High
112 bpm • F min • 04:16 • -11.66db
26% Popularity • 36% Danceability • 30% Energy • 36% Liveness
35% Instrumentalness • 22% Positiveness
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Infinity Song
Mad Love
113 bpm • C# min • 03:02 • -9.19db
40% Popularity • 49% Danceability • 41% Energy • 8% Liveness
0% Instrumentalness • 55% Positiveness
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Clark Beckham
Must Be Hard Being You
113 bpm • G Maj • 03:38 • -4.58db
18% Popularity • 70% Danceability • 75% Energy • 3% Liveness
0% Instrumentalness • 61% Positiveness
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Hamzaa
Home - Mahogany Sessions
111 bpm • D# Maj • 03:39 • -5.37db
19% Popularity • 48% Danceability • 39% Energy • 12% Liveness
0% Instrumentalness • 36% Positiveness
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Louis York
I Enjoy You
110 bpm • F Maj • 03:09 • -10.84db
23% Popularity • 47% Danceability • 26% Energy • 13% Liveness
0% Instrumentalness • 12% Positiveness
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MALIA
Grey
114 bpm • A# Maj • 02:56 • -9db
35% Popularity • 58% Danceability • 36% Energy • 11% Liveness
0% Instrumentalness • 29% Positiveness
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Buttered
Brown Shoes
110 bpm • G Maj • 02:52 • -11.05db
13% Popularity • 73% Danceability • 35% Energy • 13% Liveness
0% Instrumentalness • 14% Positiveness
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Caleb Hawley
U & I - Live
114 bpm • G Maj • 03:45 • -13.2db
20% Popularity • 68% Danceability • 25% Energy • 9% Liveness
0% Instrumentalness • 54% Positiveness
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Peter Collins
Love and Mind (Interlude)
114 bpm • A# Maj • 01:14 • -7.68db
21% Popularity • 78% Danceability • 51% Energy • 32% Liveness
0% Instrumentalness • 54% Positiveness
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Parisalexa
Water Me
110 bpm • C Maj • 03:00 • -6.39db
25% Popularity • 55% Danceability • 43% Energy • 9% Liveness
0% Instrumentalness • 27% Positiveness
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Fatai
Wrecking Ball
110 bpm • A min • 04:32 • -9.2db
1% Popularity • 37% Danceability • 31% Energy • 12% Liveness
0% Instrumentalness • 28% Positiveness
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KIRBY
I Love Me Too
115 bpm • C# Maj • 02:57 • -4.41db
40% Popularity • 79% Danceability • 80% Energy • 6% Liveness
0% Instrumentalness • 79% Positiveness
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Luke Levenson
Smoke
109 bpm • A# min • 04:46 • -9.07db
43% Popularity • 45% Danceability • 48% Energy • 13% Liveness
0% Instrumentalness • 67% Positiveness
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Stephen Day
Promised Land
115 bpm • D Maj • 05:02 • -7.36db
32% Popularity • 71% Danceability • 38% Energy • 8% Liveness
0% Instrumentalness • 30% Positiveness
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Kara Marni
No Logic (Acoustic)
109 bpm • E min • 02:50 • -8.21db
19% Popularity • 55% Danceability • 35% Energy • 13% Liveness
0% Instrumentalness • 44% Positiveness
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Sinéad Harnett
No Pressure (acoustic)
109 bpm • C min • 03:25 • -8.54db
24% Popularity • 67% Danceability • 40% Energy • 14% Liveness
0% Instrumentalness • 57% Positiveness
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Morgan James
You Thought Not
115 bpm • G Maj • 04:40 • -5db
22% Popularity • 68% Danceability • 44% Energy • 7% Liveness
0% Instrumentalness • 55% Positiveness
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Jank Setup
Can't I?
115 bpm • D# min • 04:42 • -8.05db
10% Popularity • 78% Danceability • 75% Energy • 15% Liveness
1% Instrumentalness • 74% Positiveness
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LOONY
Tread
109 bpm • F min • 03:20 • -10db
22% Popularity • 53% Danceability • 37% Energy • 19% Liveness
0% Instrumentalness • 44% Positiveness
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Madison Ryann Ward
Beyond Me
115 bpm • E min • 03:24 • -7db
42% Popularity • 75% Danceability • 68% Energy • 7% Liveness
0% Instrumentalness • 67% Positiveness
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Melissa McMillan
New Light
115 bpm • G Maj • 02:53 • -8.97db
20% Popularity • 46% Danceability • 26% Energy • 18% Liveness
0% Instrumentalness • 39% Positiveness
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Kyle Thornton & The Company
Rodeo
115 bpm • F# Maj • 04:55 • -11.9db
8% Popularity • 42% Danceability • 24% Energy • 38% Liveness
0% Instrumentalness • 26% Positiveness
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Justus West
Control
109 bpm • E Maj • 03:42 • -13.5db
14% Popularity • 64% Danceability • 35% Energy • 11% Liveness
0% Instrumentalness • 44% Positiveness
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Fatai
Do You Wanna Build a Snowman
116 bpm • A Maj • 04:00 • -11.15db
4% Popularity • 57% Danceability • 24% Energy • 7% Liveness
0% Instrumentalness • 40% Positiveness
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Jacob Collier
Feel
116 bpm • B Maj • 06:30 • -13.96db
48% Popularity • 61% Danceability • 13% Energy • 8% Liveness
2% Instrumentalness • 14% Positiveness
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The HamilTones
Message to America
108 bpm • A Maj • 01:54 • -11.01db
12% Popularity • 68% Danceability • 29% Energy • 15% Liveness
0% Instrumentalness • 16% Positiveness
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Cory Henry
Our Affairs
108 bpm • B min • 05:20 • -9.52db
16% Popularity • 82% Danceability • 59% Energy • 8% Liveness
0% Instrumentalness • 75% Positiveness
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Peter Collins
Love and Mind (Should Love)
116 bpm • A# Maj • 02:35 • -14.6db
12% Popularity • 54% Danceability • 24% Energy • 10% Liveness
0% Instrumentalness • 68% Positiveness
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Clark Beckham
I Need
116 bpm • F# min • 04:58 • -7.17db
34% Popularity • 64% Danceability • 33% Energy • 9% Liveness
0% Instrumentalness • 41% Positiveness
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Kyle Thornton & The Company
I Wanna' Be (Your Man)
107 bpm • C Maj • 03:34 • -6.94db
22% Popularity • 80% Danceability • 58% Energy • 7% Liveness
0% Instrumentalness • 91% Positiveness
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Sinéad Harnett
Quarantine Queen
117 bpm • A Maj • 03:56 • -4.85db
29% Popularity • 48% Danceability • 52% Energy • 20% Liveness
0% Instrumentalness • 36% Positiveness
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Joey Dosik
Don’t Want It to Be Over
107 bpm • A# Maj • 03:36 • -6db
30% Popularity • 67% Danceability • 71% Energy • 29% Liveness
0% Instrumentalness • 54% Positiveness
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Shannon Lauren Callihan
Silver Lining (OurVinyl Sessions)
107 bpm • F min • 03:56 • -13.46db
22% Popularity • 63% Danceability • 55% Energy • 9% Liveness
2% Instrumentalness • 48% Positiveness
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Orange Guava Passion
Own It
118 bpm • D min • 03:30 • -6.85db
20% Popularity • 67% Danceability • 55% Energy • 27% Liveness
0% Instrumentalness • 60% Positiveness
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A.G. Sully
Fomo
118 bpm • D# Maj • 04:14 • -9.48db
21% Popularity • 72% Danceability • 33% Energy • 17% Liveness
0% Instrumentalness • 49% Positiveness
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John Legend
One Life
106 bpm • A Maj • 03:14 • -3.56db
34% Popularity • 52% Danceability • 88% Energy • 31% Liveness
0% Instrumentalness • 81% Positiveness
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Alicia Keys
Gramercy Park
118 bpm • C Maj • 03:12 • -6.67db
47% Popularity • 78% Danceability • 37% Energy • 9% Liveness
0% Instrumentalness • 59% Positiveness
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Jonny P
Shine On
106 bpm • C# Maj • 04:26 • -13.76db
28% Popularity • 77% Danceability • 29% Energy • 9% Liveness
8% Instrumentalness • 65% Positiveness
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Fatai
She
119 bpm • A Maj • 04:51 • -10.31db
3% Popularity • 55% Danceability • 12% Energy • 8% Liveness
0% Instrumentalness • 24% Positiveness
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Peter Collins
Sunshine
105 bpm • F# Maj • 05:12 • -8.15db
23% Popularity • 47% Danceability • 34% Energy • 8% Liveness
0% Instrumentalness • 30% Positiveness
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Caleb Hawley
U & I
119 bpm • F# Maj • 03:41 • -7db
30% Popularity • 80% Danceability • 27% Energy • 8% Liveness
0% Instrumentalness • 40% Positiveness
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Victory
Overjoyed
105 bpm • D# Maj • 03:58 • -9.84db
32% Popularity • 53% Danceability • 20% Energy • 13% Liveness
0% Instrumentalness • 46% Positiveness
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Keeyen Martin
Girl Im on the Way
119 bpm • F Maj • 03:26 • -7.78db
14% Popularity • 59% Danceability • 42% Energy • 12% Liveness
0% Instrumentalness • 39% Positiveness
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Tori Kelly
Until Forever
105 bpm • E min • 03:02 • -7.49db
30% Popularity • 68% Danceability • 59% Energy • 9% Liveness
0% Instrumentalness • 32% Positiveness
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DeAndre
Wake Up
119 bpm • C Maj • 04:32 • -7.82db
22% Popularity • 58% Danceability • 33% Energy • 36% Liveness
0% Instrumentalness • 50% Positiveness
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Ali McGuirk
Long Time
105 bpm • C# Maj • 04:15 • -12.36db
14% Popularity • 48% Danceability • 20% Energy • 28% Liveness
0% Instrumentalness • 26% Positiveness
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Ayoni
Too Good - The Wild Honey Pie Buzzsessio...
105 bpm • A Maj • 04:36 • -8.56db
36% Popularity • 65% Danceability • 55% Energy • 6% Liveness
0% Instrumentalness • 48% Positiveness
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Madison Ryann Ward
Other Side
120 bpm • A# min • 03:14 • -9.62db
48% Popularity • 69% Danceability • 24% Energy • 10% Liveness
0% Instrumentalness • 63% Positiveness
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Erez Zobary
Banks of the River
120 bpm • D# Maj • 03:47 • -13.46db
15% Popularity • 70% Danceability • 32% Energy • 11% Liveness
0% Instrumentalness • 29% Positiveness
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Victoria Canal
Not Afraid
120 bpm • G Maj • 04:41 • -4.51db
13% Popularity • 54% Danceability • 54% Energy • 9% Liveness
0% Instrumentalness • 27% Positiveness
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Gabe Bondoc
In the End
120 bpm • F Maj • 04:03 • -9db
25% Popularity • 69% Danceability • 30% Energy • 11% Liveness
0% Instrumentalness • 19% Positiveness
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Fatai
7 Years
120 bpm • C Maj • 04:31 • -13.13db
1% Popularity • 81% Danceability • 24% Energy • 10% Liveness
0% Instrumentalness • 54% Positiveness
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Jess Best
Coffee in the Morning
120 bpm • F# Maj • 03:21 • -7.94db
26% Popularity • 71% Danceability • 37% Energy • 13% Liveness
0% Instrumentalness • 51% Positiveness
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Mykal Kilgore
When It's This Good
104 bpm • F# min • 04:02 • -8db
11% Popularity • 82% Danceability • 67% Energy • 11% Liveness
0% Instrumentalness • 84% Positiveness
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Secret Rendezvous
At Your Best (You Are Love)
104 bpm • G Maj • 04:14 • -9.87db
30% Popularity • 46% Danceability • 25% Energy • 21% Liveness
0% Instrumentalness • 23% Positiveness
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Emily Bear
Dancin
104 bpm • C min • 03:16 • -4.54db
29% Popularity • 74% Danceability • 67% Energy • 10% Liveness
0% Instrumentalness • 73% Positiveness
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Fat Night
Question
104 bpm • A# Maj • 04:22 • -11.89db
35% Popularity • 60% Danceability • 37% Energy • 9% Liveness
0% Instrumentalness • 58% Positiveness
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Fatai
Never Runs Out (Red)
104 bpm • A Maj • 04:09 • -7.14db
5% Popularity • 48% Danceability • 32% Energy • 11% Liveness
0% Instrumentalness • 25% Positiveness
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Leslie Odom Jr.
Freedom
104 bpm • D Maj • 02:26 • -13.9db
21% Popularity • 40% Danceability • 28% Energy • 13% Liveness
0% Instrumentalness • 26% Positiveness
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Joey Dosik
Grandma Song
121 bpm • C Maj • 04:41 • -12.3db
12% Popularity • 50% Danceability • 16% Energy • 9% Liveness
0% Instrumentalness • 29% Positiveness
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Emmaline
Effortless
121 bpm • E min • 04:25 • -9.91db
19% Popularity • 80% Danceability • 37% Energy • 8% Liveness
0% Instrumentalness • 53% Positiveness
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Emma Jayne
Feel Like That
103 bpm • D# Maj • 02:46 • -7.62db
31% Popularity • 80% Danceability • 50% Energy • 16% Liveness
0% Instrumentalness • 50% Positiveness
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Sasha Keable
Loyalty (Acoustic)
122 bpm • A min • 04:23 • -11.2db
27% Popularity • 50% Danceability • 23% Energy • 11% Liveness
0% Instrumentalness • 33% Positiveness
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Fatai
Brother
104 bpm • B Maj • 03:56 • -9.78db
2% Popularity • 49% Danceability • 37% Energy • 11% Liveness
3% Instrumentalness • 39% Positiveness
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The Unknown Tour
I Still Need You
121 bpm • B Maj • 04:05 • -7.75db
0% Popularity • 42% Danceability • 50% Energy • 10% Liveness
0% Instrumentalness • 20% Positiveness
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Tank and The Bangas
Where Do We All Go
103 bpm • C# min • 03:55 • -10.16db
33% Popularity • 60% Danceability • 43% Energy • 14% Liveness
0% Instrumentalness • 45% Positiveness
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Couch
I'm Leavin' (The Na-Na Song)
103 bpm • D min • 04:15 • -8.27db
32% Popularity • 83% Danceability • 39% Energy • 3% Liveness
0% Instrumentalness • 48% Positiveness
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Leslie Odom Jr.
Stronger Magic
122 bpm • G min • 02:38 • -10.08db
29% Popularity • 54% Danceability • 39% Energy • 10% Liveness
0% Instrumentalness • 31% Positiveness
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Jay Warren
Dangerous Thing
122 bpm • B Maj • 03:34 • -8.48db
20% Popularity • 66% Danceability • 41% Energy • 13% Liveness
0% Instrumentalness • 31% Positiveness
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Garth.
Can I Follow You There?
122 bpm • A Maj • 04:50 • -12.34db
32% Popularity • 80% Danceability • 26% Energy • 10% Liveness
0% Instrumentalness • 53% Positiveness
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Victory
A Happy Song
122 bpm • D Maj • 04:03 • -6.46db
29% Popularity • 80% Danceability • 49% Energy • 14% Liveness
0% Instrumentalness • 80% Positiveness
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Andreya Triana
Do That for You
102 bpm • C# min • 03:23 • -9db
33% Popularity • 78% Danceability • 40% Energy • 8% Liveness
0% Instrumentalness • 56% Positiveness
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Stephen Day
Tonight
122 bpm • E min • 03:51 • -7.47db
46% Popularity • 76% Danceability • 45% Energy • 11% Liveness
0% Instrumentalness • 29% Positiveness
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Jasmine Cephas-Jones
Little Bird
102 bpm • G min • 04:25 • -7.16db
25% Popularity • 62% Danceability • 37% Energy • 19% Liveness
1% Instrumentalness • 30% Positiveness
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Lalah Hathaway
y o y
102 bpm • C# Maj • 03:49 • -7.81db
14% Popularity • 42% Danceability • 45% Energy • 13% Liveness
0% Instrumentalness • 46% Positiveness
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Beane
We're Alright
102 bpm • A Maj • 03:22 • -11db
15% Popularity • 58% Danceability • 31% Energy • 42% Liveness
0% Instrumentalness • 45% Positiveness
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Isak Thomas and The Stoop Boys
Morning Coffee
102 bpm • C Maj • 04:34 • -11.25db
32% Popularity • 76% Danceability • 59% Energy • 4% Liveness
0% Instrumentalness • 90% Positiveness
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Devon Gilfillian
Thank Me Later
124 bpm • E min • 04:15 • -8.48db
9% Popularity • 46% Danceability • 40% Energy • 15% Liveness
0% Instrumentalness • 43% Positiveness
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Nikki Yanofsky
One Day
124 bpm • F Maj • 04:28 • -9.48db
34% Popularity • 48% Danceability • 15% Energy • 12% Liveness
0% Instrumentalness • 12% Positiveness
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The Filharmonic
Issues
124 bpm • G Maj • 02:36 • -7.64db
3% Popularity • 69% Danceability • 50% Energy • 25% Liveness
0% Instrumentalness • 27% Positiveness
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Peter CottonTale
Together (Soundtrack from Year in Search...
124 bpm • C Maj • 03:12 • -10.03db
27% Popularity • 71% Danceability • 46% Energy • 55% Liveness
0% Instrumentalness • 50% Positiveness
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Kyle Thornton & The Company
Fly Girl
101 bpm • C Maj • 03:46 • -5.25db
31% Popularity • 67% Danceability • 71% Energy • 33% Liveness
0% Instrumentalness • 67% Positiveness
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The Baylor Project
Sit on Down
124 bpm • C min • 03:17 • -6.79db
12% Popularity • 58% Danceability • 57% Energy • 10% Liveness
0% Instrumentalness • 49% Positiveness
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KIRBY
Vain
124 bpm • C Maj • 04:05 • -8.85db
42% Popularity • 52% Danceability • 23% Energy • 8% Liveness
0% Instrumentalness • 36% Positiveness
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MALIA
Watermelon Seeds
101 bpm • A# Maj • 03:29 • -7.19db
27% Popularity • 85% Danceability • 63% Energy • 35% Liveness
0% Instrumentalness • 81% Positiveness
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Tiana Major9
CAT & MOUSE
101 bpm • A# Maj • 04:30 • -6.75db
14% Popularity • 64% Danceability • 68% Energy • 14% Liveness
0% Instrumentalness • 23% Positiveness
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Clark Beckham
I Hurt Too Much
125 bpm • G Maj • 03:32 • -6.49db
11% Popularity • 45% Danceability • 44% Energy • 10% Liveness
0% Instrumentalness • 14% Positiveness
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James Paek
Start Again - Living Room Session
125 bpm • C# Maj • 04:05 • -7.66db
13% Popularity • 71% Danceability • 45% Energy • 8% Liveness
0% Instrumentalness • 50% Positiveness
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Swatkins
Couldn't Hurt to Try
100 bpm • A# min • 03:51 • -11db
16% Popularity • 64% Danceability • 52% Energy • 7% Liveness
0% Instrumentalness • 81% Positiveness
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SoCal VoCals
Hammer
100 bpm • B Maj • 03:05 • -5.55db
18% Popularity • 55% Danceability • 57% Energy • 9% Liveness
0% Instrumentalness • 35% Positiveness
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McClenney
Redbone - Recorded at Spotify Studios NY...
100 bpm • D min • 03:22 • -8.61db
34% Popularity • 79% Danceability • 42% Energy • 31% Liveness
0% Instrumentalness • 75% Positiveness
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Leslie Odom Jr.
Lose It
100 bpm • D min • 03:29 • -10.92db
22% Popularity • 50% Danceability • 29% Energy • 9% Liveness
0% Instrumentalness • 23% Positiveness
► Preview
Landon Sears
Teardrops to a Glass Eye
100 bpm • F min • 03:21 • -17db
14% Popularity • 76% Danceability • 17% Energy • 6% Liveness
0% Instrumentalness • 59% Positiveness
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Stephen Day
For Life (Take You Out, Treat You Right)
100 bpm • F# Maj • 03:16 • -7.36db
49% Popularity • 75% Danceability • 43% Energy • 31% Liveness
0% Instrumentalness • 75% Positiveness
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Brian Reith
Not So Different
100 bpm • F# min • 03:48 • -7db
16% Popularity • 77% Danceability • 81% Energy • 12% Liveness
0% Instrumentalness • 66% Positiveness
► Preview
Noah Slee
Still - Mahogany Sessions
125 bpm • G Maj • 03:18 • -11.23db
14% Popularity • 63% Danceability • 24% Energy • 12% Liveness
0% Instrumentalness • 43% Positiveness
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Road Less Traveled