Songs like Robert le diable - opera in 5 acts / Act 4: Robert, toi que j'aime by Giacomo Meyerbeer
Based on a tempo of (+/- 10%) and a similar genre
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Johannes Brahms
Ein deutsches Requiem, Op. 45: 5. Solo (...
92 bpm • G Maj • 07:36 • -29db
28% Popularity • 14% Danceability • 3% Energy • 10% Liveness
8% Instrumentalness • 4% Positiveness
28% Popularity • 14% Danceability • 3% Energy • 10% Liveness
8% Instrumentalness • 4% Positiveness
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Giacomo Meyerbeer
Les Huguenots / Act 2: C'est Raoul de Na...
92 bpm • F Maj • 03:05 • -24.58db
1% Popularity • 30% Danceability • 4% Energy • 14% Liveness
0% Instrumentalness • 7% Positiveness
1% Popularity • 30% Danceability • 4% Energy • 14% Liveness
0% Instrumentalness • 7% Positiveness
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Georges Bizet
Carmen Suite No. 1 (Arr. E. Guiraud): II...
92 bpm • D# Maj • 02:48 • -33.21db
49% Popularity • 11% Danceability • 1% Energy • 11% Liveness
95% Instrumentalness • 4% Positiveness
49% Popularity • 11% Danceability • 1% Energy • 11% Liveness
95% Instrumentalness • 4% Positiveness
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Dmitri Shostakovich
Five Pieces For Two Violins and Piano: I...
92 bpm • A Maj • 02:49 • -25db
21% Popularity • 15% Danceability • 9% Energy • 8% Liveness
3% Instrumentalness • 6% Positiveness
21% Popularity • 15% Danceability • 9% Energy • 8% Liveness
3% Instrumentalness • 6% Positiveness
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Edward Elgar
Elgar: Cello Concerto in E Minor, Op. 85...
91 bpm • A# Maj • 05:03 • -31.7db
17% Popularity • 19% Danceability • 1% Energy • 10% Liveness
88% Instrumentalness • 3% Positiveness
17% Popularity • 19% Danceability • 1% Energy • 10% Liveness
88% Instrumentalness • 3% Positiveness
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Nicolaus Esterhazy Sinfonia
Symphony No. 7 in A major, Op. 92: III. ...
93 bpm • D Maj • 09:31 • -19db
30% Popularity • 31% Danceability • 12% Energy • 12% Liveness
82% Instrumentalness • 13% Positiveness
30% Popularity • 31% Danceability • 12% Energy • 12% Liveness
82% Instrumentalness • 13% Positiveness
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Johannes Brahms
5 Lieder, Op. 49: No. 4, Wiegenlied
92 bpm • D# Maj • 02:13 • -32.09db
26% Popularity • 26% Danceability • 3% Energy • 9% Liveness
0% Instrumentalness • 15% Positiveness
26% Popularity • 26% Danceability • 3% Energy • 9% Liveness
0% Instrumentalness • 15% Positiveness
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Giacomo Meyerbeer
Robert le diable, Act 3: "Fatal moment, ...
91 bpm • D# Maj • 03:23 • -21.14db
0% Popularity • 31% Danceability • 19% Energy • 22% Liveness
0% Instrumentalness • 14% Positiveness
0% Popularity • 31% Danceability • 19% Energy • 22% Liveness
0% Instrumentalness • 14% Positiveness
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AntonÃn Dvořák
Czech Suite, Op. 39: II. Polka
93 bpm • D min • 05:13 • -21db
13% Popularity • 20% Danceability • 7% Energy • 12% Liveness
91% Instrumentalness • 14% Positiveness
13% Popularity • 20% Danceability • 7% Energy • 12% Liveness
91% Instrumentalness • 14% Positiveness
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Franz Schubert
Symphony No. 5 in B-Flat Major, D. 485: ...
93 bpm • D# Maj • 11:02 • -21db
19% Popularity • 11% Danceability • 11% Energy • 33% Liveness
76% Instrumentalness • 4% Positiveness
19% Popularity • 11% Danceability • 11% Energy • 33% Liveness
76% Instrumentalness • 4% Positiveness
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Henryk Wieniawski
Violin Concerto No. 2 in D Minor, Op. 22...
91 bpm • A# Maj • 05:06 • -22.55db
16% Popularity • 12% Danceability • 11% Energy • 28% Liveness
62% Instrumentalness • 4% Positiveness
16% Popularity • 12% Danceability • 11% Energy • 28% Liveness
62% Instrumentalness • 4% Positiveness
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Hector Berlioz
La Damnation de Faust, Op. 24, H 111 / P...
93 bpm • A Maj • 04:46 • -16db
11% Popularity • 46% Danceability • 24% Energy • 5% Liveness
80% Instrumentalness • 15% Positiveness
11% Popularity • 46% Danceability • 24% Energy • 5% Liveness
80% Instrumentalness • 15% Positiveness
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Johannes Brahms
Hungarian Dance No. 1 in G Minor: Allegr...
91 bpm • G min • 03:17 • -23.86db
29% Popularity • 18% Danceability • 13% Energy • 9% Liveness
87% Instrumentalness • 38% Positiveness
29% Popularity • 18% Danceability • 13% Energy • 9% Liveness
87% Instrumentalness • 38% Positiveness
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Giacomo Meyerbeer
Robert le diable, Act 5: "O ciel, qui do...
93 bpm • E min • 01:08 • -20.33db
0% Popularity • 45% Danceability • 22% Energy • 37% Liveness
0% Instrumentalness • 28% Positiveness
0% Popularity • 45% Danceability • 22% Energy • 37% Liveness
0% Instrumentalness • 28% Positiveness
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Luigi Cherubini
Cherubini: Medea: Sinfonia
94 bpm • F min • 06:57 • -16.59db
12% Popularity • 32% Danceability • 16% Energy • 14% Liveness
69% Instrumentalness • 18% Positiveness
12% Popularity • 32% Danceability • 16% Energy • 14% Liveness
69% Instrumentalness • 18% Positiveness
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Richard Wagner
Lohengrin, Act III: Prelude
94 bpm • G Maj • 02:31 • -17db
41% Popularity • 38% Danceability • 21% Energy • 77% Liveness
93% Instrumentalness • 21% Positiveness
41% Popularity • 38% Danceability • 21% Energy • 77% Liveness
93% Instrumentalness • 21% Positiveness
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Max Bruch
Bruch: Violin Concerto No. 1 in G Minor,...
90 bpm • G Maj • 07:34 • -16db
34% Popularity • 35% Danceability • 20% Energy • 20% Liveness
4% Instrumentalness • 33% Positiveness
34% Popularity • 35% Danceability • 20% Energy • 20% Liveness
4% Instrumentalness • 33% Positiveness
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Hector Berlioz
Roman Carnival Overture, Op. 9, H. 95
90 bpm • A Maj • 08:06 • -17.52db
13% Popularity • 17% Danceability • 27% Energy • 32% Liveness
52% Instrumentalness • 16% Positiveness
13% Popularity • 17% Danceability • 27% Energy • 32% Liveness
52% Instrumentalness • 16% Positiveness
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Joseph Haydn
Haydn: Cello Concerto No. 2 in D Major, ...
90 bpm • A Maj • 05:11 • -24.56db
26% Popularity • 12% Danceability • 7% Energy • 10% Liveness
80% Instrumentalness • 6% Positiveness
26% Popularity • 12% Danceability • 7% Energy • 10% Liveness
80% Instrumentalness • 6% Positiveness
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Giacomo Meyerbeer
Der Fischer und das Milchmädchen: XVI. ...
92 bpm • G Maj • 01:13 • -25db
25% Popularity • 29% Danceability • 2% Energy • 13% Liveness
13% Instrumentalness • 10% Positiveness
25% Popularity • 29% Danceability • 2% Energy • 13% Liveness
13% Instrumentalness • 10% Positiveness
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Georges Bizet
L’arlésienne Suite No. 1, Op. 23bis, ...
94 bpm • G# Maj • 02:44 • -29.68db
39% Popularity • 40% Danceability • 3% Energy • 12% Liveness
19% Instrumentalness • 46% Positiveness
39% Popularity • 40% Danceability • 3% Energy • 12% Liveness
19% Instrumentalness • 46% Positiveness
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César Franck
Symphony In D Minor: 2. Allegretto
95 bpm • F# Maj • 09:44 • -26db
4% Popularity • 12% Danceability • 3% Energy • 10% Liveness
92% Instrumentalness • 4% Positiveness
4% Popularity • 12% Danceability • 3% Energy • 10% Liveness
92% Instrumentalness • 4% Positiveness
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Carl Maria von Weber
7 Variations on the Air Vien qua, Dorina...
95 bpm • C Maj • 01:06 • -26db
56% Popularity • 42% Danceability • 8% Energy • 13% Liveness
93% Instrumentalness • 57% Positiveness
56% Popularity • 42% Danceability • 8% Energy • 13% Liveness
93% Instrumentalness • 57% Positiveness
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Daniel Auber
Le maçon, S. 13 (Excerpts): Entr'acte t...
95 bpm • G Maj • 01:19 • -21.46db
28% Popularity • 35% Danceability • 3% Energy • 8% Liveness
92% Instrumentalness • 34% Positiveness
28% Popularity • 35% Danceability • 3% Energy • 8% Liveness
92% Instrumentalness • 34% Positiveness
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Alexander Borodin
Prince Igor (Knyaz Igor): Act II: Dance ...
95 bpm • F Maj • 02:20 • -16.48db
35% Popularity • 50% Danceability • 16% Energy • 7% Liveness
98% Instrumentalness • 26% Positiveness
35% Popularity • 50% Danceability • 16% Energy • 7% Liveness
98% Instrumentalness • 26% Positiveness
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Giacomo Meyerbeer
Robert le diable, Act 3: "Mais Alice, qu...
92 bpm • A# Maj • 06:58 • -21.47db
0% Popularity • 30% Danceability • 18% Energy • 11% Liveness
0% Instrumentalness • 10% Positiveness
0% Popularity • 30% Danceability • 18% Energy • 11% Liveness
0% Instrumentalness • 10% Positiveness
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AntonÃn Dvořák
Cypresses B.152: 2. Allegro ma non tropp...
89 bpm • F min • 02:52 • -22db
26% Popularity • 29% Danceability • 11% Energy • 17% Liveness
23% Instrumentalness • 5% Positiveness
26% Popularity • 29% Danceability • 11% Energy • 17% Liveness
23% Instrumentalness • 5% Positiveness
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Franz Schubert
Piano Quintet in A Major, D. 667, Op. 11...
96 bpm • D Maj • 08:21 • -21.4db
7% Popularity • 29% Danceability • 13% Energy • 9% Liveness
51% Instrumentalness • 21% Positiveness
7% Popularity • 29% Danceability • 13% Energy • 9% Liveness
51% Instrumentalness • 21% Positiveness
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Ludwig van Beethoven
Beethoven: Symphony No. 5 in C Minor, Op...
88 bpm • C min • 04:47 • -22.49db
30% Popularity • 30% Danceability • 8% Energy • 70% Liveness
24% Instrumentalness • 25% Positiveness
30% Popularity • 30% Danceability • 8% Energy • 70% Liveness
24% Instrumentalness • 25% Positiveness
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Daniel Auber
Emma, ou la promesse imprudente, S. 6 (E...
96 bpm • D Maj • 01:37 • -27.91db
27% Popularity • 25% Danceability • 0% Energy • 9% Liveness
50% Instrumentalness • 43% Positiveness
27% Popularity • 25% Danceability • 0% Energy • 9% Liveness
50% Instrumentalness • 43% Positiveness
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Camille Saint-Saëns
Violin Concerto No. 3 in B Minor, Op. 61...
88 bpm • A# Maj • 08:27 • -23.92db
12% Popularity • 14% Danceability • 7% Energy • 10% Liveness
10% Instrumentalness • 6% Positiveness
12% Popularity • 14% Danceability • 7% Energy • 10% Liveness
10% Instrumentalness • 6% Positiveness
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Giacomo Meyerbeer
Der Fischer und das Milchmädchen: XII. ...
91 bpm • A Maj • 01:33 • -27.72db
27% Popularity • 27% Danceability • 6% Energy • 9% Liveness
72% Instrumentalness • 37% Positiveness
27% Popularity • 27% Danceability • 6% Energy • 9% Liveness
72% Instrumentalness • 37% Positiveness
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Gabriel Fauré
Pelléas et Mélisande, Op. 80: 2. Fileu...
88 bpm • G Maj • 02:35 • -28db
33% Popularity • 13% Danceability • 5% Energy • 23% Liveness
84% Instrumentalness • 13% Positiveness
33% Popularity • 13% Danceability • 5% Energy • 23% Liveness
84% Instrumentalness • 13% Positiveness
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Pyotr Ilyich Tchaikovsky
Tchaikovsky: Sérénade mélancolique, O...
88 bpm • A# min • 09:17 • -28.36db
16% Popularity • 14% Danceability • 6% Energy • 10% Liveness
29% Instrumentalness • 4% Positiveness
16% Popularity • 14% Danceability • 6% Energy • 10% Liveness
29% Instrumentalness • 4% Positiveness
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Felix Mendelssohn
Mendelssohn: A Midsummer Night's Dream, ...
88 bpm • A Maj • 04:30 • -20db
9% Popularity • 37% Danceability • 14% Energy • 11% Liveness
0% Instrumentalness • 15% Positiveness
9% Popularity • 37% Danceability • 14% Energy • 11% Liveness
0% Instrumentalness • 15% Positiveness
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Joseph Boulogne Chevalier de Saint-Georges
Violin Concerto No. 2 in A Major, Op. 5:...
96 bpm • D Maj • 06:05 • -23.03db
46% Popularity • 27% Danceability • 7% Energy • 15% Liveness
3% Instrumentalness • 10% Positiveness
46% Popularity • 27% Danceability • 7% Energy • 15% Liveness
3% Instrumentalness • 10% Positiveness
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AntonÃn Dvořák
8 Slavonic Dances, Op. 72, B. 147: 2. Du...
97 bpm • C Maj • 05:41 • -15db
30% Popularity • 16% Danceability • 19% Energy • 10% Liveness
70% Instrumentalness • 12% Positiveness
30% Popularity • 16% Danceability • 19% Energy • 10% Liveness
70% Instrumentalness • 12% Positiveness
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Giacomo Meyerbeer
Der Fischer und das Milchmädchen: XIII....
93 bpm • D Maj • 01:09 • -22db
23% Popularity • 49% Danceability • 4% Energy • 13% Liveness
32% Instrumentalness • 22% Positiveness
23% Popularity • 49% Danceability • 4% Energy • 13% Liveness
32% Instrumentalness • 22% Positiveness
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Alexander Borodin
Prince Igor, Act II: Polovtsian Dances, ...
97 bpm • F Maj • 02:11 • -19.15db
17% Popularity • 49% Danceability • 13% Energy • 18% Liveness
20% Instrumentalness • 22% Positiveness
17% Popularity • 49% Danceability • 13% Energy • 18% Liveness
20% Instrumentalness • 22% Positiveness
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Joseph Haydn
Symphony No. 45 in F-Sharp Minor, Hob.I:...
97 bpm • A Maj • 08:05 • -24db
12% Popularity • 30% Danceability • 4% Energy • 8% Liveness
84% Instrumentalness • 17% Positiveness
12% Popularity • 30% Danceability • 4% Energy • 8% Liveness
84% Instrumentalness • 17% Positiveness
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Felix Mendelssohn
Mendelssohn: Violin Concerto in E Minor,...
96 bpm • C Maj • 08:05 • -24db
36% Popularity • 16% Danceability • 11% Energy • 7% Liveness
6% Instrumentalness • 4% Positiveness
36% Popularity • 16% Danceability • 11% Energy • 7% Liveness
6% Instrumentalness • 4% Positiveness
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Max Bruch
Violin Concerto No. 1 in G Minor, Op. 26...
97 bpm • G Maj • 07:06 • -13.04db
28% Popularity • 35% Danceability • 25% Energy • 8% Liveness
18% Instrumentalness • 33% Positiveness
28% Popularity • 35% Danceability • 25% Energy • 8% Liveness
18% Instrumentalness • 33% Positiveness
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Sergei Prokofiev
Symphony No. 1 in D, Op. 25 "Classical S...
97 bpm • E min • 04:24 • -22.82db
20% Popularity • 48% Danceability • 6% Energy • 10% Liveness
32% Instrumentalness • 49% Positiveness
20% Popularity • 48% Danceability • 6% Energy • 10% Liveness
32% Instrumentalness • 49% Positiveness
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Giacomo Meyerbeer
Les Huguenots / Act 3: O terreur! Je tre...
91 bpm • G Maj • 09:40 • -22.15db
1% Popularity • 26% Danceability • 10% Energy • 12% Liveness
0% Instrumentalness • 4% Positiveness
1% Popularity • 26% Danceability • 10% Energy • 12% Liveness
0% Instrumentalness • 4% Positiveness
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Christian Sinding
Suite for Violin and Orchestra in A Mino...
97 bpm • A min • 01:43 • -14.93db
28% Popularity • 50% Danceability • 43% Energy • 7% Liveness
9% Instrumentalness • 39% Positiveness
28% Popularity • 50% Danceability • 43% Energy • 7% Liveness
9% Instrumentalness • 39% Positiveness
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Gabriel Fauré
Pelléas et Mélisande, Op. 80: Chanson ...
87 bpm • A# Maj • 03:03 • -26.28db
20% Popularity • 25% Danceability • 3% Energy • 8% Liveness
0% Instrumentalness • 4% Positiveness
20% Popularity • 25% Danceability • 3% Energy • 8% Liveness
0% Instrumentalness • 4% Positiveness
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Johann Christian Bach
Symphony in G Minor, Op. 6, No. 6, W. C1...
87 bpm • F# min • 03:23 • -19db
38% Popularity • 47% Danceability • 9% Energy • 14% Liveness
79% Instrumentalness • 35% Positiveness
38% Popularity • 47% Danceability • 9% Energy • 14% Liveness
79% Instrumentalness • 35% Positiveness
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Christoph Willibald Gluck
Alceste (Sung in French): Overture
97 bpm • D min • 06:25 • -20db
8% Popularity • 21% Danceability • 8% Energy • 5% Liveness
82% Instrumentalness • 4% Positiveness
8% Popularity • 21% Danceability • 8% Energy • 5% Liveness
82% Instrumentalness • 4% Positiveness
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AntonÃn Dvořák
Requiem, Op. 89, B. 165, Pt. 1: III. Die...
87 bpm • A# min • 02:11 • -16db
7% Popularity • 32% Danceability • 23% Energy • 13% Liveness
0% Instrumentalness • 13% Positiveness
7% Popularity • 32% Danceability • 23% Energy • 13% Liveness
0% Instrumentalness • 13% Positiveness
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Giacomo Meyerbeer
Meyerbeer: Les Huguenots: Introduction. ...
90 bpm • G Maj • 06:44 • -21.12db
2% Popularity • 26% Danceability • 14% Energy • 44% Liveness
9% Instrumentalness • 6% Positiveness
2% Popularity • 26% Danceability • 14% Energy • 44% Liveness
9% Instrumentalness • 6% Positiveness
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Jean Sibelius
Sibelius: Violin Concerto in D Minor, Op...
87 bpm • A# Maj • 08:50 • -21db
15% Popularity • 11% Danceability • 13% Energy • 14% Liveness
11% Instrumentalness • 4% Positiveness
15% Popularity • 11% Danceability • 13% Energy • 14% Liveness
11% Instrumentalness • 4% Positiveness
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Max Bruch
Violin Concerto No. 1 in G Minor, Op. 26...
87 bpm • D# Maj • 08:32 • -21.36db
27% Popularity • 12% Danceability • 11% Energy • 8% Liveness
13% Instrumentalness • 5% Positiveness
27% Popularity • 12% Danceability • 11% Energy • 8% Liveness
13% Instrumentalness • 5% Positiveness
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Nikolai Rimsky-Korsakov
Four Songs, Op. 2: 2. The Nightingale an...
87 bpm • B min • 02:57 • -24.94db
13% Popularity • 24% Danceability • 3% Energy • 10% Liveness
6% Instrumentalness • 4% Positiveness
13% Popularity • 24% Danceability • 3% Energy • 10% Liveness
6% Instrumentalness • 4% Positiveness
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Gabriel Fauré
Pelléas et Mélisande, Op. 80: 1. Prél...
86 bpm • G Maj • 06:21 • -20.49db
22% Popularity • 9% Danceability • 7% Energy • 23% Liveness
94% Instrumentalness • 3% Positiveness
22% Popularity • 9% Danceability • 7% Energy • 23% Liveness
94% Instrumentalness • 3% Positiveness
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AntonÃn Dvořák
8 Slavonic Dances, Op. 46, B.83: No. 3 i...
98 bpm • G# Maj • 04:39 • -17.18db
22% Popularity • 23% Danceability • 14% Energy • 10% Liveness
90% Instrumentalness • 18% Positiveness
22% Popularity • 23% Danceability • 14% Energy • 10% Liveness
90% Instrumentalness • 18% Positiveness
► Preview
Gioachino Rossini
Le siège de Corinthe: Overture
98 bpm • C Maj • 08:53 • -21.49db
15% Popularity • 31% Danceability • 13% Energy • 9% Liveness
59% Instrumentalness • 18% Positiveness
15% Popularity • 31% Danceability • 13% Energy • 9% Liveness
59% Instrumentalness • 18% Positiveness
► Preview
Giacomo Meyerbeer
Robert le diable, Act 2: "Avec bonté vo...
94 bpm • A Maj • 04:09 • -26.99db
0% Popularity • 25% Danceability • 7% Energy • 18% Liveness
3% Instrumentalness • 10% Positiveness
0% Popularity • 25% Danceability • 7% Energy • 18% Liveness
3% Instrumentalness • 10% Positiveness
► Preview
Franz Schubert
Symphony No. 3 in D, D.200: IV. Presto. ...
98 bpm • D Maj • 06:01 • -17.56db
12% Popularity • 32% Danceability • 27% Energy • 9% Liveness
92% Instrumentalness • 36% Positiveness
12% Popularity • 32% Danceability • 27% Energy • 9% Liveness
92% Instrumentalness • 36% Positiveness
► Preview
Ludwig van Beethoven
Beethoven: Violin Concerto in D Major, O...
86 bpm • G Maj • 09:24 • -29db
22% Popularity • 12% Danceability • 2% Energy • 9% Liveness
68% Instrumentalness • 5% Positiveness
22% Popularity • 12% Danceability • 2% Energy • 9% Liveness
68% Instrumentalness • 5% Positiveness
► Preview
Max Bruch
Violin Concerto No. 1 in G minor, Op. 26...
86 bpm • D# Maj • 09:04 • -25.82db
3% Popularity • 10% Danceability • 5% Energy • 10% Liveness
13% Instrumentalness • 4% Positiveness
3% Popularity • 10% Danceability • 5% Energy • 10% Liveness
13% Instrumentalness • 4% Positiveness
► Preview
AntonÃn Dvořák
Serenade for Wind in D Minor, Op. 44: IV...
86 bpm • G Maj • 05:42 • -22db
16% Popularity • 46% Danceability • 7% Energy • 8% Liveness
89% Instrumentalness • 18% Positiveness
16% Popularity • 46% Danceability • 7% Energy • 8% Liveness
89% Instrumentalness • 18% Positiveness
► Preview
Edvard Grieg
Piano Concerto in A Minor, Op. 16: II. A...
86 bpm • C# Maj • 06:34 • -24.88db
34% Popularity • 18% Danceability • 2% Energy • 15% Liveness
89% Instrumentalness • 4% Positiveness
34% Popularity • 18% Danceability • 2% Energy • 15% Liveness
89% Instrumentalness • 4% Positiveness
► Preview
Giacomo Meyerbeer
Les Huguenots / Act 4: Oui, l'ordre de l...
90 bpm • E Maj • 11:38 • -16.39db
1% Popularity • 39% Danceability • 22% Energy • 15% Liveness
1% Instrumentalness • 20% Positiveness
1% Popularity • 39% Danceability • 22% Energy • 15% Liveness
1% Instrumentalness • 20% Positiveness
► Preview
Johannes Brahms
Ein deutsches Requiem, Op. 45: 3. Solo (...
85 bpm • G Maj • 11:12 • -23.39db
29% Popularity • 10% Danceability • 11% Energy • 6% Liveness
32% Instrumentalness • 5% Positiveness
29% Popularity • 10% Danceability • 11% Energy • 6% Liveness
32% Instrumentalness • 5% Positiveness
► Preview
Ludwig van Beethoven
Beethoven: Violin Concerto in D Major, O...
86 bpm • D Maj • 10:05 • -21.4db
22% Popularity • 34% Danceability • 9% Energy • 13% Liveness
72% Instrumentalness • 30% Positiveness
22% Popularity • 34% Danceability • 9% Energy • 13% Liveness
72% Instrumentalness • 30% Positiveness
► Preview
Carl Maria von Weber
Andante e Rondo ungarese, Op. 35, J. 158
85 bpm • C Maj • 10:26 • -18.19db
14% Popularity • 28% Danceability • 10% Energy • 11% Liveness
90% Instrumentalness • 17% Positiveness
14% Popularity • 28% Danceability • 10% Energy • 11% Liveness
90% Instrumentalness • 17% Positiveness
► Preview
Niccolò Paganini
Violin Concerto No. 1 in D Major, Op. 6:...
99 bpm • D Maj • 10:26 • -22.37db
27% Popularity • 45% Danceability • 9% Energy • 7% Liveness
32% Instrumentalness • 27% Positiveness
27% Popularity • 45% Danceability • 9% Energy • 7% Liveness
32% Instrumentalness • 27% Positiveness
► Preview
Edvard Grieg
Holberg Suite, Op. 40: IV. Air (Andante ...
86 bpm • A# Maj • 05:21 • -25.03db
25% Popularity • 9% Danceability • 2% Energy • 11% Liveness
36% Instrumentalness • 4% Positiveness
25% Popularity • 9% Danceability • 2% Energy • 11% Liveness
36% Instrumentalness • 4% Positiveness
► Preview
Giacomo Meyerbeer
Der Fischer und das Milchmädchen: VII. ...
85 bpm • C Maj • 01:12 • -25db
29% Popularity • 50% Danceability • 3% Energy • 5% Liveness
22% Instrumentalness • 42% Positiveness
29% Popularity • 50% Danceability • 3% Energy • 5% Liveness
22% Instrumentalness • 42% Positiveness
► Preview
Louise Farrenc
Symphony No. 3 in G Minor, Op. 36: II. A...
85 bpm • D# Maj • 09:26 • -24db
19% Popularity • 9% Danceability • 4% Energy • 11% Liveness
88% Instrumentalness • 5% Positiveness
19% Popularity • 9% Danceability • 4% Energy • 11% Liveness
88% Instrumentalness • 5% Positiveness
► Preview
Felix Mendelssohn
Symphony No. 4 in A Major, Op. 90, MWV N...
100 bpm • A min • 05:20 • -19db
23% Popularity • 29% Danceability • 14% Energy • 8% Liveness
96% Instrumentalness • 39% Positiveness
23% Popularity • 29% Danceability • 14% Energy • 8% Liveness
96% Instrumentalness • 39% Positiveness
► Preview
Robert Schumann
Piano Concerto in A Minor, Op. 54: III. ...
85 bpm • A Maj • 10:39 • -21db
12% Popularity • 22% Danceability • 23% Energy • 69% Liveness
84% Instrumentalness • 17% Positiveness
12% Popularity • 22% Danceability • 23% Energy • 69% Liveness
84% Instrumentalness • 17% Positiveness
► Preview
Ludwig van Beethoven
Fidelio, Op. 72 (Ed. Lühning & Didion),...
100 bpm • A# Maj • 06:56 • -28.75db
25% Popularity • 17% Danceability • 1% Energy • 8% Liveness
0% Instrumentalness • 4% Positiveness
25% Popularity • 17% Danceability • 1% Energy • 8% Liveness
0% Instrumentalness • 4% Positiveness
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Ottorino Respighi
The Birds, P. 154: IV. The Nightingale (...
85 bpm • C Maj • 03:53 • -33.31db
13% Popularity • 27% Danceability • 2% Energy • 9% Liveness
84% Instrumentalness • 18% Positiveness
13% Popularity • 27% Danceability • 2% Energy • 9% Liveness
84% Instrumentalness • 18% Positiveness
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Giacomo Meyerbeer
Les Huguenots / Act 3: C'est le jour du ...
89 bpm • A# Maj • 02:39 • -15.35db
1% Popularity • 38% Danceability • 39% Energy • 17% Liveness
1% Instrumentalness • 29% Positiveness
1% Popularity • 38% Danceability • 39% Energy • 17% Liveness
1% Instrumentalness • 29% Positiveness
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Gioachino Rossini
Rossini: Stabat Mater: II. Cujus animam ...
85 bpm • G# Maj • 06:16 • -23db
16% Popularity • 22% Danceability • 8% Energy • 12% Liveness
1% Instrumentalness • 5% Positiveness
16% Popularity • 22% Danceability • 8% Energy • 12% Liveness
1% Instrumentalness • 5% Positiveness
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Franz Schubert
Schubert: Wiegenlied, Op. 98 No. 2, D. 4...
85 bpm • F# Maj • 02:59 • -37.26db
28% Popularity • 20% Danceability • 1% Energy • 9% Liveness
50% Instrumentalness • 18% Positiveness
28% Popularity • 20% Danceability • 1% Energy • 9% Liveness
50% Instrumentalness • 18% Positiveness
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Joseph Haydn
Symphony in F minor, H.I No. 49 -"La pas...
84 bpm • F min • 07:26 • -23.19db
9% Popularity • 8% Danceability • 3% Energy • 11% Liveness
84% Instrumentalness • 4% Positiveness
9% Popularity • 8% Danceability • 3% Energy • 11% Liveness
84% Instrumentalness • 4% Positiveness
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Richard Strauss
Capriccio, Op. 85, TrV 279: Mondscheinmu...
100 bpm • A Maj • 03:40 • -17.18db
34% Popularity • 14% Danceability • 14% Energy • 8% Liveness
94% Instrumentalness • 3% Positiveness
34% Popularity • 14% Danceability • 14% Energy • 8% Liveness
94% Instrumentalness • 3% Positiveness
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Gabriel Fauré
Masques et bergamasques Suite, Op. 112: ...
101 bpm • D min • 03:24 • -25db
13% Popularity • 47% Danceability • 7% Energy • 16% Liveness
95% Instrumentalness • 59% Positiveness
13% Popularity • 47% Danceability • 7% Energy • 16% Liveness
95% Instrumentalness • 59% Positiveness
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Giacomo Meyerbeer
Les Huguenots / Act 1: Trop de mérite a...
89 bpm • G Maj • 06:27 • -14.46db
2% Popularity • 32% Danceability • 26% Energy • 9% Liveness
0% Instrumentalness • 19% Positiveness
2% Popularity • 32% Danceability • 26% Energy • 9% Liveness
0% Instrumentalness • 19% Positiveness
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Gioachino Rossini
Rossini: Il barbiere di Siviglia: Sinfon...
100 bpm • E Maj • 06:41 • -18.07db
6% Popularity • 43% Danceability • 19% Energy • 10% Liveness
60% Instrumentalness • 29% Positiveness
6% Popularity • 43% Danceability • 19% Energy • 10% Liveness
60% Instrumentalness • 29% Positiveness
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Domenico Cimarosa
Oboe Concerto in C: 3. Siciliana
84 bpm • A min • 02:59 • -22.76db
28% Popularity • 25% Danceability • 6% Energy • 12% Liveness
71% Instrumentalness • 7% Positiveness
28% Popularity • 25% Danceability • 6% Energy • 12% Liveness
71% Instrumentalness • 7% Positiveness
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Franz Schubert
Introduction et variations sur La belle ...
101 bpm • D Maj • 01:37 • -19.58db
39% Popularity • 27% Danceability • 16% Energy • 45% Liveness
94% Instrumentalness • 48% Positiveness
39% Popularity • 27% Danceability • 16% Energy • 45% Liveness
94% Instrumentalness • 48% Positiveness
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Johannes Brahms
21 Hungarian Dances, WoO 1: Hungarian Da...
84 bpm • F Maj • 02:20 • -22.36db
31% Popularity • 22% Danceability • 10% Energy • 10% Liveness
94% Instrumentalness • 30% Positiveness
31% Popularity • 22% Danceability • 10% Energy • 10% Liveness
94% Instrumentalness • 30% Positiveness
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Antonio Salieri
Requiem in C Minor: Sanctus
84 bpm • C Maj • 02:03 • -16.8db
5% Popularity • 24% Danceability • 21% Energy • 6% Liveness
6% Instrumentalness • 32% Positiveness
5% Popularity • 24% Danceability • 21% Energy • 6% Liveness
6% Instrumentalness • 32% Positiveness
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Giacomo Meyerbeer
Les Huguenots / Act 3: Vierge Marie, soy...
88 bpm • F Maj • 03:31 • -19.65db
1% Popularity • 30% Danceability • 7% Energy • 45% Liveness
5% Instrumentalness • 6% Positiveness
1% Popularity • 30% Danceability • 7% Energy • 45% Liveness
5% Instrumentalness • 6% Positiveness
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Max Bruch
Violin Concerto No. 1 in G minor, Op. 26...
84 bpm • C min • 08:44 • -18.43db
22% Popularity • 26% Danceability • 13% Energy • 13% Liveness
43% Instrumentalness • 7% Positiveness
22% Popularity • 26% Danceability • 13% Energy • 13% Liveness
43% Instrumentalness • 7% Positiveness
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Nikolai Rimsky-Korsakov
Scheherazade, Op. 35: The Young Prince A...
84 bpm • G Maj • 10:02 • -24.24db
19% Popularity • 15% Danceability • 9% Energy • 5% Liveness
76% Instrumentalness • 4% Positiveness
19% Popularity • 15% Danceability • 9% Energy • 5% Liveness
76% Instrumentalness • 4% Positiveness
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Erich Wolfgang Korngold
Korngold: Violin Concerto in D Major, Op...
83 bpm • D Maj • 08:29 • -22.33db
15% Popularity • 22% Danceability • 12% Energy • 16% Liveness
3% Instrumentalness • 19% Positiveness
15% Popularity • 22% Danceability • 12% Energy • 16% Liveness
3% Instrumentalness • 19% Positiveness
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Seattle Symphony Orchestra
21 Hungarian Dances, WoO 1: Hungarian Da...
83 bpm • F Maj • 02:48 • -20.78db
53% Popularity • 26% Danceability • 9% Energy • 10% Liveness
91% Instrumentalness • 15% Positiveness
53% Popularity • 26% Danceability • 9% Energy • 10% Liveness
91% Instrumentalness • 15% Positiveness
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Mikhail Glinka
Ruslan and Lyudmila: Overture
83 bpm • D Maj • 04:56 • -17.01db
14% Popularity • 32% Danceability • 31% Energy • 16% Liveness
90% Instrumentalness • 35% Positiveness
14% Popularity • 32% Danceability • 31% Energy • 16% Liveness
90% Instrumentalness • 35% Positiveness
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Giacomo Meyerbeer
Les Huguenots / Act 2: Non, non, non, vo...
96 bpm • G# Maj • 04:31 • -18.96db
2% Popularity • 36% Danceability • 15% Energy • 14% Liveness
0% Instrumentalness • 23% Positiveness
2% Popularity • 36% Danceability • 15% Energy • 14% Liveness
0% Instrumentalness • 23% Positiveness
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Edward Elgar
5 Military Marches, Op. 39, "Pomp and Ci...
102 bpm • C Maj • 06:15 • -18db
20% Popularity • 28% Danceability • 19% Energy • 25% Liveness
89% Instrumentalness • 26% Positiveness
20% Popularity • 28% Danceability • 19% Energy • 25% Liveness
89% Instrumentalness • 26% Positiveness
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Antonio Salieri
Armida: Armida: Sinfonia in Pantomima
83 bpm • G Maj • 05:39 • -20.17db
22% Popularity • 29% Danceability • 5% Energy • 7% Liveness
50% Instrumentalness • 7% Positiveness
22% Popularity • 29% Danceability • 5% Energy • 7% Liveness
50% Instrumentalness • 7% Positiveness
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Georges Bizet
Scènes bohémiennes la jolie fille de p...
83 bpm • B min • 03:02 • -21.17db
20% Popularity • 24% Danceability • 11% Energy • 16% Liveness
91% Instrumentalness • 12% Positiveness
20% Popularity • 24% Danceability • 11% Energy • 16% Liveness
91% Instrumentalness • 12% Positiveness
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Sergei Prokofiev
Symphony No. 1 in D Major, Op. 25: I. Al...
102 bpm • G Maj • 04:07 • -16.86db
16% Popularity • 50% Danceability • 17% Energy • 27% Liveness
67% Instrumentalness • 46% Positiveness
16% Popularity • 50% Danceability • 17% Energy • 27% Liveness
67% Instrumentalness • 46% Positiveness
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Ludwig van Beethoven
Beethoven: Symphony No. 1 in C Major, Op...
103 bpm • C Maj • 07:46 • -26db
13% Popularity • 27% Danceability • 2% Energy • 10% Liveness
8% Instrumentalness • 8% Positiveness
13% Popularity • 27% Danceability • 2% Energy • 10% Liveness
8% Instrumentalness • 8% Positiveness
