Songs like Rock and Roll (Is Good For You) by White Spirit
Based on a tempo of (+/- 10%) and a similar genre
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White Spirit
Rock and Roll (Is Good For You)
108 bpm • A Maj • 04:42 • -7.27db
0% Popularity • 54% Danceability • 94% Energy • 10% Liveness
8% Instrumentalness • 18% Positiveness
0% Popularity • 54% Danceability • 94% Energy • 10% Liveness
8% Instrumentalness • 18% Positiveness
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Gotham City
Swords and Chains
108 bpm • G# Maj • 05:38 • -7.62db
19% Popularity • 34% Danceability • 82% Energy • 10% Liveness
0% Instrumentalness • 53% Positiveness
19% Popularity • 34% Danceability • 82% Energy • 10% Liveness
0% Instrumentalness • 53% Positiveness
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Gillan
Are You Sure?
108 bpm • C# min • 04:06 • -6.27db
15% Popularity • 53% Danceability • 87% Energy • 13% Liveness
0% Instrumentalness • 56% Positiveness
15% Popularity • 53% Danceability • 87% Energy • 13% Liveness
0% Instrumentalness • 56% Positiveness
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Heavy Load
Something New
108 bpm • E min • 04:28 • -7.29db
18% Popularity • 46% Danceability • 84% Energy • 54% Liveness
0% Instrumentalness • 52% Positiveness
18% Popularity • 46% Danceability • 84% Energy • 54% Liveness
0% Instrumentalness • 52% Positiveness
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W.A.S.P.
The Heretic (The Lost Child)
109 bpm • G# Maj • 07:22 • -5.21db
34% Popularity • 26% Danceability • 99% Energy • 19% Liveness
62% Instrumentalness • 13% Positiveness
34% Popularity • 26% Danceability • 99% Energy • 19% Liveness
62% Instrumentalness • 13% Positiveness
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Hollow Ground
Rock On
109 bpm • D Maj • 03:06 • -6.53db
15% Popularity • 49% Danceability • 76% Energy • 4% Liveness
0% Instrumentalness • 67% Positiveness
15% Popularity • 49% Danceability • 76% Energy • 4% Liveness
0% Instrumentalness • 67% Positiveness
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White Spirit
Rock'n'roll-Instrumental
108 bpm • A Maj • 04:43 • -6.39db
0% Popularity • 49% Danceability • 95% Energy • 18% Liveness
93% Instrumentalness • 22% Positiveness
0% Popularity • 49% Danceability • 95% Energy • 18% Liveness
93% Instrumentalness • 22% Positiveness
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Q5
Missing in Action
107 bpm • B min • 03:04 • -7.29db
24% Popularity • 53% Danceability • 97% Energy • 28% Liveness
1% Instrumentalness • 55% Positiveness
24% Popularity • 53% Danceability • 97% Energy • 28% Liveness
1% Instrumentalness • 55% Positiveness
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Omen
March On
109 bpm • E min • 04:03 • -10.11db
15% Popularity • 48% Danceability • 84% Energy • 40% Liveness
0% Instrumentalness • 56% Positiveness
15% Popularity • 48% Danceability • 84% Energy • 40% Liveness
0% Instrumentalness • 56% Positiveness
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Quartz
Questions
109 bpm • C Maj • 04:22 • -6.13db
9% Popularity • 48% Danceability • 88% Energy • 15% Liveness
60% Instrumentalness • 83% Positiveness
9% Popularity • 48% Danceability • 88% Energy • 15% Liveness
60% Instrumentalness • 83% Positiveness
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Heavy Load
Little Lies
109 bpm • E min • 04:27 • -7.06db
14% Popularity • 29% Danceability • 94% Energy • 10% Liveness
0% Instrumentalness • 54% Positiveness
14% Popularity • 29% Danceability • 94% Energy • 10% Liveness
0% Instrumentalness • 54% Positiveness
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Faithful Breath
Gold 'N' Glory
107 bpm • C Maj • 04:18 • -6.11db
10% Popularity • 41% Danceability • 82% Energy • 55% Liveness
0% Instrumentalness • 27% Positiveness
10% Popularity • 41% Danceability • 82% Energy • 55% Liveness
0% Instrumentalness • 27% Positiveness
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Michael Schenker Group
Samurai - 2009 Remaster
109 bpm • A Maj • 05:17 • -8.46db
30% Popularity • 47% Danceability • 93% Energy • 28% Liveness
0% Instrumentalness • 47% Positiveness
30% Popularity • 47% Danceability • 93% Energy • 28% Liveness
0% Instrumentalness • 47% Positiveness
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Crimson Glory
Valhalla
106 bpm • G# min • 03:49 • -2.87db
38% Popularity • 27% Danceability • 94% Energy • 18% Liveness
24% Instrumentalness • 27% Positiveness
38% Popularity • 27% Danceability • 94% Energy • 18% Liveness
24% Instrumentalness • 27% Positiveness
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Raven
Wiped Out
110 bpm • C# Maj • 04:25 • -6.55db
9% Popularity • 34% Danceability • 96% Energy • 33% Liveness
0% Instrumentalness • 52% Positiveness
9% Popularity • 34% Danceability • 96% Energy • 33% Liveness
0% Instrumentalness • 52% Positiveness
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Jag Panzer
Battle Zones
110 bpm • A Maj • 03:38 • -8.93db
9% Popularity • 30% Danceability • 94% Energy • 7% Liveness
8% Instrumentalness • 33% Positiveness
9% Popularity • 30% Danceability • 94% Energy • 7% Liveness
8% Instrumentalness • 33% Positiveness
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Inhell
SPEED TESTING 2 - Prоd. by лил пэ�...
110 bpm • C# Maj • 01:57 • -4.38db
0% Popularity • 73% Danceability • 82% Energy • 9% Liveness
0% Instrumentalness • 16% Positiveness
0% Popularity • 73% Danceability • 82% Energy • 9% Liveness
0% Instrumentalness • 16% Positiveness
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Jaguar
Out of Luck
110 bpm • D Maj • 02:56 • -8.61db
13% Popularity • 16% Danceability • 77% Energy • 33% Liveness
33% Instrumentalness • 31% Positiveness
13% Popularity • 16% Danceability • 77% Energy • 33% Liveness
33% Instrumentalness • 31% Positiveness
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Saracen
Horsemen of the Apocalypse Original Vers...
106 bpm • B min • 06:17 • -8.24db
15% Popularity • 35% Danceability • 68% Energy • 11% Liveness
1% Instrumentalness • 36% Positiveness
15% Popularity • 35% Danceability • 68% Energy • 11% Liveness
1% Instrumentalness • 36% Positiveness
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Bitches Sin
Down The Road
110 bpm • A min • 02:52 • -5.65db
20% Popularity • 40% Danceability • 94% Energy • 30% Liveness
95% Instrumentalness • 64% Positiveness
20% Popularity • 40% Danceability • 94% Energy • 30% Liveness
95% Instrumentalness • 64% Positiveness
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Raven
All for One
110 bpm • D Maj • 03:31 • -9.98db
17% Popularity • 40% Danceability • 90% Energy • 35% Liveness
44% Instrumentalness • 26% Positiveness
17% Popularity • 40% Danceability • 90% Energy • 35% Liveness
44% Instrumentalness • 26% Positiveness
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Witchfynde
Heartbeat
110 bpm • E min • 05:52 • -5.06db
12% Popularity • 35% Danceability • 82% Energy • 8% Liveness
0% Instrumentalness • 29% Positiveness
12% Popularity • 35% Danceability • 82% Energy • 8% Liveness
0% Instrumentalness • 29% Positiveness
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Raven
The Pack Is Back
106 bpm • B min • 03:43 • -12.85db
12% Popularity • 57% Danceability • 68% Energy • 12% Liveness
0% Instrumentalness • 39% Positiveness
12% Popularity • 57% Danceability • 68% Energy • 12% Liveness
0% Instrumentalness • 39% Positiveness
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Sword
Runaway
110 bpm • F min • 02:43 • -5.33db
40% Popularity • 20% Danceability • 97% Energy • 11% Liveness
0% Instrumentalness • 34% Positiveness
40% Popularity • 20% Danceability • 97% Energy • 11% Liveness
0% Instrumentalness • 34% Positiveness
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Aragorn
Black Ice
106 bpm • F# Maj • 03:35 • -7.56db
11% Popularity • 26% Danceability • 89% Energy • 6% Liveness
0% Instrumentalness • 52% Positiveness
11% Popularity • 26% Danceability • 89% Energy • 6% Liveness
0% Instrumentalness • 52% Positiveness
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Angel Witch
Atlantis
106 bpm • B min • 03:42 • -11.96db
27% Popularity • 44% Danceability • 83% Energy • 18% Liveness
0% Instrumentalness • 38% Positiveness
27% Popularity • 44% Danceability • 83% Energy • 18% Liveness
0% Instrumentalness • 38% Positiveness
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Raven
Hell Patrol
110 bpm • D Maj • 04:42 • -8.8db
16% Popularity • 38% Danceability • 86% Energy • 12% Liveness
2% Instrumentalness • 48% Positiveness
16% Popularity • 38% Danceability • 86% Energy • 12% Liveness
2% Instrumentalness • 48% Positiveness
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Battleaxe
Fortune Lady
106 bpm • D Maj • 06:49 • -4.45db
9% Popularity • 37% Danceability • 90% Energy • 22% Liveness
0% Instrumentalness • 49% Positiveness
9% Popularity • 37% Danceability • 90% Energy • 22% Liveness
0% Instrumentalness • 49% Positiveness
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Judas Priest
Burnin' Up
110 bpm • A Maj • 04:06 • -6.8db
30% Popularity • 45% Danceability • 93% Energy • 10% Liveness
0% Instrumentalness • 16% Positiveness
30% Popularity • 45% Danceability • 93% Energy • 10% Liveness
0% Instrumentalness • 16% Positiveness
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The Rods
Nuclear Skies
111 bpm • E min • 03:40 • -7.35db
14% Popularity • 62% Danceability • 73% Energy • 16% Liveness
7% Instrumentalness • 30% Positiveness
14% Popularity • 62% Danceability • 73% Energy • 16% Liveness
7% Instrumentalness • 30% Positiveness
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Tiffany Dickens
Lost Child
105 bpm • A Maj • 03:54 • -10.05db
31% Popularity • 18% Danceability • 80% Energy • 13% Liveness
13% Instrumentalness • 46% Positiveness
31% Popularity • 18% Danceability • 80% Energy • 13% Liveness
13% Instrumentalness • 46% Positiveness
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Sword
The End of the Night
111 bpm • G# min • 03:05 • -4.8db
28% Popularity • 23% Danceability • 98% Energy • 11% Liveness
0% Instrumentalness • 20% Positiveness
28% Popularity • 23% Danceability • 98% Energy • 11% Liveness
0% Instrumentalness • 20% Positiveness
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Raven
Inquisitor
111 bpm • F Maj • 04:01 • -6.94db
10% Popularity • 17% Danceability • 96% Energy • 35% Liveness
36% Instrumentalness • 4% Positiveness
10% Popularity • 17% Danceability • 96% Energy • 35% Liveness
36% Instrumentalness • 4% Positiveness
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Angel Witch
Dr. Phibes (Loser 7" B Side)
104 bpm • E min • 02:57 • -11.35db
14% Popularity • 37% Danceability • 51% Energy • 8% Liveness
88% Instrumentalness • 10% Positiveness
14% Popularity • 37% Danceability • 51% Energy • 8% Liveness
88% Instrumentalness • 10% Positiveness
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Judas Priest
Fever
111 bpm • A Maj • 05:20 • -7.56db
36% Popularity • 49% Danceability • 70% Energy • 11% Liveness
0% Instrumentalness • 32% Positiveness
36% Popularity • 49% Danceability • 70% Energy • 11% Liveness
0% Instrumentalness • 32% Positiveness
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Warlord
Soliloquy
105 bpm • E min • 04:30 • -8.12db
15% Popularity • 37% Danceability • 81% Energy • 28% Liveness
0% Instrumentalness • 62% Positiveness
15% Popularity • 37% Danceability • 81% Energy • 28% Liveness
0% Instrumentalness • 62% Positiveness
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Witchfynde
The Divine Victim
104 bpm • A Maj • 05:03 • -9.84db
15% Popularity • 40% Danceability • 61% Energy • 18% Liveness
76% Instrumentalness • 53% Positiveness
15% Popularity • 40% Danceability • 61% Energy • 18% Liveness
76% Instrumentalness • 53% Positiveness
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Jaguar
Ain't No Fantasy
104 bpm • A Maj • 03:48 • -8.76db
8% Popularity • 24% Danceability • 70% Energy • 16% Liveness
32% Instrumentalness • 27% Positiveness
8% Popularity • 24% Danceability • 70% Energy • 16% Liveness
32% Instrumentalness • 27% Positiveness
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OZ
Gambler
104 bpm • G# min • 03:16 • -4.13db
10% Popularity • 32% Danceability • 97% Energy • 15% Liveness
0% Instrumentalness • 50% Positiveness
10% Popularity • 32% Danceability • 97% Energy • 15% Liveness
0% Instrumentalness • 50% Positiveness
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Bitches Sin
Heavy Life
112 bpm • B min • 02:42 • -9.06db
10% Popularity • 40% Danceability • 82% Energy • 34% Liveness
1% Instrumentalness • 56% Positiveness
10% Popularity • 40% Danceability • 82% Energy • 34% Liveness
1% Instrumentalness • 56% Positiveness
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Blackmayne
Blackmayne
104 bpm • C# Maj • 02:54 • -3.63db
9% Popularity • 38% Danceability • 94% Energy • 9% Liveness
0% Instrumentalness • 38% Positiveness
9% Popularity • 38% Danceability • 94% Energy • 9% Liveness
0% Instrumentalness • 38% Positiveness
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Heavy Load
Stronger than Evil
112 bpm • E min • 07:02 • -8.01db
16% Popularity • 31% Danceability • 79% Energy • 17% Liveness
2% Instrumentalness • 22% Positiveness
16% Popularity • 31% Danceability • 79% Energy • 17% Liveness
2% Instrumentalness • 22% Positiveness
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Vicious Rumors
Soldiers of the Night
104 bpm • C# Maj • 04:22 • -6.7db
19% Popularity • 22% Danceability • 88% Energy • 29% Liveness
0% Instrumentalness • 30% Positiveness
19% Popularity • 22% Danceability • 88% Energy • 29% Liveness
0% Instrumentalness • 30% Positiveness
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Medieval Steel
Medieval Steel
112 bpm • D# min • 05:34 • -7db
29% Popularity • 38% Danceability • 77% Energy • 9% Liveness
0% Instrumentalness • 33% Positiveness
29% Popularity • 38% Danceability • 77% Energy • 9% Liveness
0% Instrumentalness • 33% Positiveness
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Sword
Back Off
103 bpm • E Maj • 03:53 • -4.65db
18% Popularity • 26% Danceability • 96% Energy • 79% Liveness
0% Instrumentalness • 28% Positiveness
18% Popularity • 26% Danceability • 96% Energy • 79% Liveness
0% Instrumentalness • 28% Positiveness
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Wolf
A Soul for the Devil
113 bpm • G Maj • 05:47 • -11.25db
16% Popularity • 42% Danceability • 55% Energy • 45% Liveness
0% Instrumentalness • 56% Positiveness
16% Popularity • 42% Danceability • 55% Energy • 45% Liveness
0% Instrumentalness • 56% Positiveness
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Samson
Tomorrow or Yesterday - Bruce Dickinson ...
113 bpm • E min • 05:38 • -8.07db
6% Popularity • 34% Danceability • 74% Energy • 7% Liveness
1% Instrumentalness • 45% Positiveness
6% Popularity • 34% Danceability • 74% Energy • 7% Liveness
1% Instrumentalness • 45% Positiveness
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Heavy Load
The King
112 bpm • E min • 04:22 • -6.59db
17% Popularity • 43% Danceability • 88% Energy • 13% Liveness
1% Instrumentalness • 32% Positiveness
17% Popularity • 43% Danceability • 88% Energy • 13% Liveness
1% Instrumentalness • 32% Positiveness
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Crimson Glory
Azrael
114 bpm • D# min • 05:38 • -5db
34% Popularity • 45% Danceability • 92% Energy • 12% Liveness
1% Instrumentalness • 42% Positiveness
34% Popularity • 45% Danceability • 92% Energy • 12% Liveness
1% Instrumentalness • 42% Positiveness
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Cloven Hoof
Gates of Gehenna
103 bpm • A min • 05:28 • -4.94db
13% Popularity • 19% Danceability • 95% Energy • 11% Liveness
22% Instrumentalness • 23% Positiveness
13% Popularity • 19% Danceability • 95% Energy • 11% Liveness
22% Instrumentalness • 23% Positiveness
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Anvil
Bedroom Game
114 bpm • E min • 03:58 • -5.54db
21% Popularity • 32% Danceability • 92% Energy • 68% Liveness
42% Instrumentalness • 18% Positiveness
21% Popularity • 32% Danceability • 92% Energy • 68% Liveness
42% Instrumentalness • 18% Positiveness
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Banshee
Shoot Down The Night
114 bpm • D Maj • 03:53 • -12.78db
26% Popularity • 41% Danceability • 80% Energy • 38% Liveness
0% Instrumentalness • 60% Positiveness
26% Popularity • 41% Danceability • 80% Energy • 38% Liveness
0% Instrumentalness • 60% Positiveness
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Samson
Vice Versa
114 bpm • E Maj • 04:44 • -6.96db
18% Popularity • 38% Danceability • 85% Energy • 11% Liveness
9% Instrumentalness • 58% Positiveness
18% Popularity • 38% Danceability • 85% Energy • 11% Liveness
9% Instrumentalness • 58% Positiveness
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Simona Landon
Savage Day
114 bpm • A min • 04:11 • -9.6db
29% Popularity • 49% Danceability • 80% Energy • 47% Liveness
39% Instrumentalness • 49% Positiveness
29% Popularity • 49% Danceability • 80% Energy • 47% Liveness
39% Instrumentalness • 49% Positiveness
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Heavy Load
Saturday Night
103 bpm • C Maj • 04:49 • -6.66db
15% Popularity • 36% Danceability • 91% Energy • 8% Liveness
61% Instrumentalness • 48% Positiveness
15% Popularity • 36% Danceability • 91% Energy • 8% Liveness
61% Instrumentalness • 48% Positiveness
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Winterhawk
Ace In The Hole
114 bpm • E Maj • 05:09 • -8.14db
9% Popularity • 39% Danceability • 83% Energy • 7% Liveness
0% Instrumentalness • 41% Positiveness
9% Popularity • 39% Danceability • 83% Energy • 7% Liveness
0% Instrumentalness • 41% Positiveness
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Cloven Hoof
March of the Damned
102 bpm • A Maj • 01:49 • -7.79db
13% Popularity • 22% Danceability • 54% Energy • 9% Liveness
93% Instrumentalness • 50% Positiveness
13% Popularity • 22% Danceability • 54% Energy • 9% Liveness
93% Instrumentalness • 50% Positiveness
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Battleaxe
Chopper Attack
102 bpm • B min • 04:19 • -4.64db
9% Popularity • 30% Danceability • 98% Energy • 10% Liveness
4% Instrumentalness • 15% Positiveness
9% Popularity • 30% Danceability • 98% Energy • 10% Liveness
4% Instrumentalness • 15% Positiveness
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Anvil
Jackhammer
102 bpm • E min • 03:32 • -5.11db
40% Popularity • 34% Danceability • 91% Energy • 16% Liveness
0% Instrumentalness • 28% Positiveness
40% Popularity • 34% Danceability • 91% Energy • 16% Liveness
0% Instrumentalness • 28% Positiveness
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Raven
Rock Until You Drop
102 bpm • A Maj • 04:03 • -9.49db
13% Popularity • 34% Danceability • 88% Energy • 24% Liveness
2% Instrumentalness • 54% Positiveness
13% Popularity • 34% Danceability • 88% Energy • 24% Liveness
2% Instrumentalness • 54% Positiveness
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Michael Schenker Group
Assault Attack - 2009 Remaster
102 bpm • E min • 04:18 • -9db
40% Popularity • 26% Danceability • 94% Energy • 11% Liveness
0% Instrumentalness • 48% Positiveness
40% Popularity • 26% Danceability • 94% Energy • 11% Liveness
0% Instrumentalness • 48% Positiveness
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Tytan
Ballad Of Edward Case
115 bpm • G Maj • 03:47 • -7.28db
7% Popularity • 39% Danceability • 85% Energy • 34% Liveness
1% Instrumentalness • 33% Positiveness
7% Popularity • 39% Danceability • 85% Energy • 34% Liveness
1% Instrumentalness • 33% Positiveness
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Mindless Sinner
Live and Die
115 bpm • C# min • 03:33 • -14.17db
15% Popularity • 38% Danceability • 72% Energy • 9% Liveness
0% Instrumentalness • 59% Positiveness
15% Popularity • 38% Danceability • 72% Energy • 9% Liveness
0% Instrumentalness • 59% Positiveness
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Witchfynde
Getting' Heavy
115 bpm • C Maj • 03:52 • -8.82db
11% Popularity • 36% Danceability • 72% Energy • 28% Liveness
90% Instrumentalness • 50% Positiveness
11% Popularity • 36% Danceability • 72% Energy • 28% Liveness
90% Instrumentalness • 50% Positiveness
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Anvil
At the Apartment
102 bpm • A Maj • 05:17 • -7.82db
16% Popularity • 65% Danceability • 63% Energy • 9% Liveness
0% Instrumentalness • 68% Positiveness
16% Popularity • 65% Danceability • 63% Energy • 9% Liveness
0% Instrumentalness • 68% Positiveness
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Y&T
Squeeze
101 bpm • A min • 04:01 • -4.42db
14% Popularity • 31% Danceability • 99% Energy • 37% Liveness
44% Instrumentalness • 18% Positiveness
14% Popularity • 31% Danceability • 99% Energy • 37% Liveness
44% Instrumentalness • 18% Positiveness
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Raven
Don't Need Your Money
102 bpm • C# Maj • 03:22 • -9.82db
20% Popularity • 42% Danceability • 73% Energy • 41% Liveness
21% Instrumentalness • 71% Positiveness
20% Popularity • 42% Danceability • 73% Energy • 41% Liveness
21% Instrumentalness • 71% Positiveness
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M3D1NA
Never Heaven
115 bpm • F# min • 04:12 • -5.93db
30% Popularity • 60% Danceability • 85% Energy • 85% Liveness
0% Instrumentalness • 63% Positiveness
30% Popularity • 60% Danceability • 85% Energy • 85% Liveness
0% Instrumentalness • 63% Positiveness
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Waysted
Love Loaded
115 bpm • A# Maj • 03:54 • -3db
24% Popularity • 35% Danceability • 99% Energy • 3% Liveness
0% Instrumentalness • 18% Positiveness
24% Popularity • 35% Danceability • 99% Energy • 3% Liveness
0% Instrumentalness • 18% Positiveness
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Heavy Pettin
Rock Me
101 bpm • A Maj • 05:02 • -5.64db
8% Popularity • 31% Danceability • 85% Energy • 23% Liveness
0% Instrumentalness • 23% Positiveness
8% Popularity • 31% Danceability • 85% Energy • 23% Liveness
0% Instrumentalness • 23% Positiveness
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Marshall Law
Under the Hammer
116 bpm • B min • 03:48 • -13.99db
35% Popularity • 44% Danceability • 85% Energy • 18% Liveness
51% Instrumentalness • 11% Positiveness
35% Popularity • 44% Danceability • 85% Energy • 18% Liveness
51% Instrumentalness • 11% Positiveness
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Anvil
Stop Me
116 bpm • C# Maj • 05:28 • -5.84db
28% Popularity • 42% Danceability • 93% Energy • 32% Liveness
0% Instrumentalness • 72% Positiveness
28% Popularity • 42% Danceability • 93% Energy • 32% Liveness
0% Instrumentalness • 72% Positiveness
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Hollow Ground
Easy Action
101 bpm • D Maj • 02:37 • -6.05db
22% Popularity • 38% Danceability • 91% Energy • 22% Liveness
3% Instrumentalness • 48% Positiveness
22% Popularity • 38% Danceability • 91% Energy • 22% Liveness
3% Instrumentalness • 48% Positiveness
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Michael Schenker Group
Cry for the Nations - 2000 Remaster
116 bpm • G Maj • 05:14 • -7.19db
31% Popularity • 47% Danceability • 86% Energy • 39% Liveness
1% Instrumentalness • 43% Positiveness
31% Popularity • 47% Danceability • 86% Energy • 39% Liveness
1% Instrumentalness • 43% Positiveness
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Jaguar
War Machine
101 bpm • E min • 04:39 • -8.25db
10% Popularity • 22% Danceability • 82% Energy • 10% Liveness
0% Instrumentalness • 29% Positiveness
10% Popularity • 22% Danceability • 82% Energy • 10% Liveness
0% Instrumentalness • 29% Positiveness
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Traitors Gate
Devil Takes the High Road
101 bpm • E min • 04:02 • -7.86db
13% Popularity • 35% Danceability • 98% Energy • 45% Liveness
1% Instrumentalness • 8% Positiveness
13% Popularity • 35% Danceability • 98% Energy • 45% Liveness
1% Instrumentalness • 8% Positiveness
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Alien Force
Ripper
100 bpm • A# Maj • 05:24 • -9.87db
11% Popularity • 37% Danceability • 83% Energy • 19% Liveness
0% Instrumentalness • 48% Positiveness
11% Popularity • 37% Danceability • 83% Energy • 19% Liveness
0% Instrumentalness • 48% Positiveness
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OZ
Search Lights
117 bpm • G# min • 03:19 • -6.59db
20% Popularity • 42% Danceability • 95% Energy • 8% Liveness
0% Instrumentalness • 36% Positiveness
20% Popularity • 42% Danceability • 95% Energy • 8% Liveness
0% Instrumentalness • 36% Positiveness
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Crucifixion
On the Run
100 bpm • A min • 02:57 • -8.82db
10% Popularity • 21% Danceability • 80% Energy • 11% Liveness
0% Instrumentalness • 38% Positiveness
10% Popularity • 21% Danceability • 80% Energy • 11% Liveness
0% Instrumentalness • 38% Positiveness
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Michael Schenker Group
Captain Nemo - 2009 Remaster
116 bpm • A Maj • 03:21 • -9db
34% Popularity • 28% Danceability • 94% Energy • 25% Liveness
82% Instrumentalness • 40% Positiveness
34% Popularity • 28% Danceability • 94% Energy • 25% Liveness
82% Instrumentalness • 40% Positiveness
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Heavy Load
Roar of the North
99 bpm • B min • 05:25 • -7.93db
12% Popularity • 33% Danceability • 77% Energy • 11% Liveness
0% Instrumentalness • 51% Positiveness
12% Popularity • 33% Danceability • 77% Energy • 11% Liveness
0% Instrumentalness • 51% Positiveness
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Winterhawk
Period Of Change
117 bpm • E min • 07:23 • -8.63db
12% Popularity • 38% Danceability • 85% Energy • 52% Liveness
2% Instrumentalness • 21% Positiveness
12% Popularity • 38% Danceability • 85% Energy • 52% Liveness
2% Instrumentalness • 21% Positiveness
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Cloven Hoof
Reach for the Sky
99 bpm • G Maj • 05:42 • -3.34db
17% Popularity • 37% Danceability • 89% Energy • 33% Liveness
0% Instrumentalness • 44% Positiveness
17% Popularity • 37% Danceability • 89% Energy • 33% Liveness
0% Instrumentalness • 44% Positiveness
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Leatherwolf
The Calling
99 bpm • A Maj • 04:03 • -11.13db
31% Popularity • 44% Danceability • 87% Energy • 27% Liveness
0% Instrumentalness • 46% Positiveness
31% Popularity • 44% Danceability • 87% Energy • 27% Liveness
0% Instrumentalness • 46% Positiveness
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Samson
Go to Hell
118 bpm • A min • 03:19 • -5.76db
10% Popularity • 42% Danceability • 90% Energy • 31% Liveness
0% Instrumentalness • 37% Positiveness
10% Popularity • 42% Danceability • 90% Energy • 31% Liveness
0% Instrumentalness • 37% Positiveness
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Michael Schenker Group
Feels Like a Good Thing - 2000 Remaster
117 bpm • F# min • 03:47 • -7.38db
34% Popularity • 50% Danceability • 86% Energy • 33% Liveness
0% Instrumentalness • 67% Positiveness
34% Popularity • 50% Danceability • 86% Energy • 33% Liveness
0% Instrumentalness • 67% Positiveness
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Gravestone
I Love The Night
99 bpm • C Maj • 03:56 • -10.86db
22% Popularity • 49% Danceability • 87% Energy • 8% Liveness
2% Instrumentalness • 35% Positiveness
22% Popularity • 49% Danceability • 87% Energy • 8% Liveness
2% Instrumentalness • 35% Positiveness
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Banshee
Drive Like Hell
118 bpm • D Maj • 03:22 • -12.33db
19% Popularity • 34% Danceability • 91% Energy • 19% Liveness
51% Instrumentalness • 63% Positiveness
19% Popularity • 34% Danceability • 91% Energy • 19% Liveness
51% Instrumentalness • 63% Positiveness
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Shelly Hunt
Why
98 bpm • B min • 03:07 • -16.08db
8% Popularity • 31% Danceability • 51% Energy • 35% Liveness
0% Instrumentalness • 15% Positiveness
8% Popularity • 31% Danceability • 51% Energy • 35% Liveness
0% Instrumentalness • 15% Positiveness
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Heavy Load
Still There Is Time
118 bpm • E min • 04:21 • -8.33db
15% Popularity • 30% Danceability • 87% Energy • 39% Liveness
0% Instrumentalness • 42% Positiveness
15% Popularity • 30% Danceability • 87% Energy • 39% Liveness
0% Instrumentalness • 42% Positiveness
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Winterhawk
Can't See The Forest For The Trees
98 bpm • A Maj • 05:39 • -7.8db
9% Popularity • 47% Danceability • 94% Energy • 21% Liveness
0% Instrumentalness • 46% Positiveness
9% Popularity • 47% Danceability • 94% Energy • 21% Liveness
0% Instrumentalness • 46% Positiveness
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Stormwitch
Priest Of Evil
98 bpm • G Maj • 04:37 • -8.21db
21% Popularity • 21% Danceability • 87% Energy • 16% Liveness
0% Instrumentalness • 35% Positiveness
21% Popularity • 21% Danceability • 87% Energy • 16% Liveness
0% Instrumentalness • 35% Positiveness
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Anvil
Oh Jane
119 bpm • G Maj • 04:52 • -6.72db
16% Popularity • 39% Danceability • 87% Energy • 40% Liveness
20% Instrumentalness • 84% Positiveness
16% Popularity • 39% Danceability • 87% Energy • 40% Liveness
20% Instrumentalness • 84% Positiveness
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220 Volt
Mistreated Eyes
119 bpm • A min • 04:59 • -7db
13% Popularity • 26% Danceability • 81% Energy • 24% Liveness
0% Instrumentalness • 34% Positiveness
13% Popularity • 26% Danceability • 81% Energy • 24% Liveness
0% Instrumentalness • 34% Positiveness
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Michael Schenker Group
Let Sleeping Dogs Lie - 2009 Remaster
98 bpm • B min • 05:27 • -9.24db
22% Popularity • 33% Danceability • 79% Energy • 7% Liveness
7% Instrumentalness • 39% Positiveness
22% Popularity • 33% Danceability • 79% Energy • 7% Liveness
7% Instrumentalness • 39% Positiveness
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Lucien Felton
Descent
120 bpm • F# min • 04:33 • -9.66db
22% Popularity • 41% Danceability • 60% Energy • 29% Liveness
0% Instrumentalness • 37% Positiveness
22% Popularity • 41% Danceability • 60% Energy • 29% Liveness
0% Instrumentalness • 37% Positiveness
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Sweet Savage
Killing Time
120 bpm • F# Maj • 02:39 • -12.75db
14% Popularity • 48% Danceability • 91% Energy • 35% Liveness
11% Instrumentalness • 55% Positiveness
14% Popularity • 48% Danceability • 91% Energy • 35% Liveness
11% Instrumentalness • 55% Positiveness
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Judas Priest
Savage
120 bpm • E Maj • 03:27 • -5.57db
31% Popularity • 58% Danceability • 86% Energy • 29% Liveness
0% Instrumentalness • 44% Positiveness
31% Popularity • 58% Danceability • 86% Energy • 29% Liveness
0% Instrumentalness • 44% Positiveness