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Rockstar - Recorded At Abbey Road Studios, London
Songs like
Rockstar - Recorded At Abbey Road Studios, London
by
YONAKA
Based on a tempo of (+/- 10%) and a similar genre
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Tori Forsyth
Be Here
125 bpm • F# min • 03:18 • -3.73db
17% Popularity • 52% Danceability • 80% Energy • 17% Liveness
0% Instrumentalness • 61% Positiveness
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CLEWS
New Age
125 bpm • A min • 03:30 • -1.95db
11% Popularity • 48% Danceability • 90% Energy • 40% Liveness
0% Instrumentalness • 51% Positiveness
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Zuzu
Skin And Bone
125 bpm • C min • 03:28 • -7db
22% Popularity • 69% Danceability • 77% Energy • 12% Liveness
0% Instrumentalness • 50% Positiveness
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YONAKA
Rockstar - Recorded At Abbey Road Studio...
125 bpm • A min • 03:57 • -7.7db
17% Popularity • 59% Danceability • 78% Energy • 8% Liveness
0% Instrumentalness • 26% Positiveness
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Jade Bird
Uh Huh
124 bpm • F# min • 02:09 • -6.85db
17% Popularity • 57% Danceability • 72% Energy • 12% Liveness
0% Instrumentalness • 45% Positiveness
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Sam Fender
Waiting For Love - Recorded At RAK Studi...
125 bpm • F# min • 02:45 • -5.22db
52% Popularity • 33% Danceability • 69% Energy • 16% Liveness
0% Instrumentalness • 34% Positiveness
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Circa Waves
The Way We Say Goodbye - Edit
126 bpm • C Maj • 03:28 • -9.42db
9% Popularity • 46% Danceability • 54% Energy • 10% Liveness
1% Instrumentalness • 15% Positiveness
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BLOXX
Coke
124 bpm • C Maj • 03:52 • -6db
23% Popularity • 51% Danceability • 72% Energy • 9% Liveness
1% Instrumentalness • 20% Positiveness
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Call Me Loop
Silly Boy
124 bpm • C Maj • 02:59 • -7.28db
22% Popularity • 97% Danceability • 44% Energy • 9% Liveness
0% Instrumentalness • 70% Positiveness
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YONAKA
She's Not There
125 bpm • D Maj • 02:47 • -2.33db
30% Popularity • 42% Danceability • 79% Energy • 17% Liveness
0% Instrumentalness • 30% Positiveness
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MXMS
Salvation Hurts
126 bpm • C# min • 04:21 • -4.23db
20% Popularity • 55% Danceability • 74% Energy • 12% Liveness
0% Instrumentalness • 31% Positiveness
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CLEWS
Crushed
126 bpm • F min • 03:40 • -5db
23% Popularity • 55% Danceability • 78% Energy • 8% Liveness
0% Instrumentalness • 48% Positiveness
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Fever Joy
Shots
126 bpm • C# Maj • 02:41 • -4.28db
17% Popularity • 76% Danceability • 72% Energy • 8% Liveness
1% Instrumentalness • 46% Positiveness
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Nothing But Thieves
Is Everybody Going Crazy?
124 bpm • F# Maj • 03:57 • -7.08db
61% Popularity • 62% Danceability • 67% Energy • 8% Liveness
8% Instrumentalness • 57% Positiveness
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Diplomacy
Silver Lake Queen
124 bpm • A min • 03:55 • -5db
23% Popularity • 74% Danceability • 83% Energy • 4% Liveness
1% Instrumentalness • 86% Positiveness
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Thyla
Two Sense
126 bpm • A Maj • 03:22 • -4.46db
8% Popularity • 50% Danceability • 87% Energy • 7% Liveness
3% Instrumentalness • 49% Positiveness
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Polish Club
On A Night Like This
127 bpm • D Maj • 02:38 • -7.5db
7% Popularity • 64% Danceability • 86% Energy • 64% Liveness
0% Instrumentalness • 49% Positiveness
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morgxn
OMM!
123 bpm • F# min • 03:45 • -3.46db
13% Popularity • 78% Danceability • 80% Energy • 25% Liveness
2% Instrumentalness • 60% Positiveness
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Me Not You
Not Fine
127 bpm • E min • 03:54 • -5.81db
9% Popularity • 58% Danceability • 76% Energy • 43% Liveness
42% Instrumentalness • 32% Positiveness
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Cyn
Holy Roller
123 bpm • G Maj • 03:42 • -5.6db
26% Popularity • 72% Danceability • 68% Energy • 4% Liveness
0% Instrumentalness • 53% Positiveness
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The Amazons
Heart Of Darkness
123 bpm • G# min • 03:23 • -4db
20% Popularity • 52% Danceability • 94% Energy • 24% Liveness
1% Instrumentalness • 51% Positiveness
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Ecca Vandal
Future Heroine
123 bpm • C# min • 03:39 • -5.34db
26% Popularity • 67% Danceability • 85% Energy • 27% Liveness
0% Instrumentalness • 69% Positiveness
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Polish Club
Countdown
127 bpm • D Maj • 04:11 • -6.55db
8% Popularity • 52% Danceability • 81% Energy • 62% Liveness
18% Instrumentalness • 31% Positiveness
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Hey Violet
Congratulations - Recorded At Spotify St...
123 bpm • B Maj • 03:13 • -8.99db
27% Popularity • 71% Danceability • 56% Energy • 12% Liveness
0% Instrumentalness • 27% Positiveness
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Rina Sawayama
Dance In The Dark - Spotify Singles
123 bpm • F Maj • 03:45 • -2.16db
34% Popularity • 44% Danceability • 79% Energy • 33% Liveness
0% Instrumentalness • 26% Positiveness
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YONAKA
Guilty
123 bpm • B Maj • 04:36 • -5.69db
36% Popularity • 64% Danceability • 26% Energy • 9% Liveness
0% Instrumentalness • 39% Positiveness
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Áine
Beauty Is a Lie
127 bpm • D min • 03:18 • -5.38db
9% Popularity • 50% Danceability • 49% Energy • 20% Liveness
0% Instrumentalness • 6% Positiveness
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Nothing But Thieves
Take This Lonely Heart
128 bpm • G# min • 04:01 • -5.46db
49% Popularity • 53% Danceability • 76% Energy • 12% Liveness
2% Instrumentalness • 53% Positiveness
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Airways
Mate
128 bpm • B min • 03:28 • -4.45db
7% Popularity • 47% Danceability • 82% Energy • 11% Liveness
0% Instrumentalness • 72% Positiveness
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Zuzu
Dark Blue
128 bpm • D# Maj • 03:18 • -3.87db
8% Popularity • 55% Danceability • 86% Energy • 9% Liveness
0% Instrumentalness • 48% Positiveness
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Spare Parts For Broken Hearts
Mush
128 bpm • G# Maj • 03:40 • -8.52db
21% Popularity • 55% Danceability • 92% Energy • 13% Liveness
0% Instrumentalness • 33% Positiveness
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Emily Burns
Damn Good Liar
128 bpm • F# min • 02:53 • -10db
19% Popularity • 85% Danceability • 57% Energy • 13% Liveness
0% Instrumentalness • 80% Positiveness
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Jerry Williams
Left And Right
128 bpm • G Maj • 02:35 • -6.92db
8% Popularity • 66% Danceability • 68% Energy • 12% Liveness
0% Instrumentalness • 56% Positiveness
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Circa Waves
There She Goes
122 bpm • G Maj • 02:43 • -6.4db
27% Popularity • 55% Danceability • 70% Energy • 34% Liveness
0% Instrumentalness • 43% Positiveness
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Jaguar Jonze
Beijing Baby
128 bpm • F min • 03:43 • -6.27db
11% Popularity • 62% Danceability • 69% Energy • 19% Liveness
0% Instrumentalness • 67% Positiveness
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BONES UK
Souls
122 bpm • D Maj • 03:16 • -4db
28% Popularity • 63% Danceability • 69% Energy • 11% Liveness
0% Instrumentalness • 22% Positiveness
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The Howl & The Hum
Until I Found A Rose
128 bpm • F# min • 03:39 • -6db
19% Popularity • 52% Danceability • 92% Energy • 8% Liveness
1% Instrumentalness • 22% Positiveness
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IDER
Clinging to the Weekend
122 bpm • E min • 03:38 • -6.03db
17% Popularity • 72% Danceability • 55% Energy • 42% Liveness
0% Instrumentalness • 37% Positiveness
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Kelsy Karter & The Heroines
Harry
122 bpm • G# Maj • 03:08 • -3.77db
38% Popularity • 73% Danceability • 71% Energy • 8% Liveness
0% Instrumentalness • 47% Positiveness
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The Naked And Famous
Bury Us
122 bpm • A Maj • 03:09 • -4.19db
16% Popularity • 62% Danceability • 80% Energy • 15% Liveness
0% Instrumentalness • 48% Positiveness
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Circa Waves
Sorry I'm Yours
122 bpm • G# min • 03:48 • -9.65db
36% Popularity • 70% Danceability • 46% Energy • 7% Liveness
0% Instrumentalness • 43% Positiveness
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Twin Wild
Fumes
122 bpm • F Maj • 03:51 • -4.46db
18% Popularity • 51% Danceability • 80% Energy • 61% Liveness
0% Instrumentalness • 47% Positiveness
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The Howl & The Hum
Human Contact
128 bpm • G Maj • 03:11 • -6.35db
23% Popularity • 50% Danceability • 80% Energy • 14% Liveness
0% Instrumentalness • 18% Positiveness
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Otherkin
On & On
122 bpm • A# min • 04:02 • -6.11db
15% Popularity • 57% Danceability • 81% Energy • 10% Liveness
0% Instrumentalness • 43% Positiveness
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Martin Luke Brown
Grit Your Teeth
122 bpm • F min • 03:52 • -6db
28% Popularity • 81% Danceability • 71% Energy • 13% Liveness
0% Instrumentalness • 48% Positiveness
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Kat Cunning
Wild Poppies
128 bpm • A min • 03:09 • -5.64db
25% Popularity • 66% Danceability • 55% Energy • 28% Liveness
0% Instrumentalness • 18% Positiveness
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YONAKA
Rockstar
128 bpm • A min • 03:43 • -3.71db
42% Popularity • 48% Danceability • 88% Energy • 12% Liveness
0% Instrumentalness • 30% Positiveness
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In The Valley Below
Memphis Sessions: Mother
121 bpm • B min • 03:51 • -6.78db
12% Popularity • 29% Danceability • 67% Energy • 18% Liveness
0% Instrumentalness • 12% Positiveness
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DYLYN
Call Me What You Want
129 bpm • C Maj • 02:48 • -6db
26% Popularity • 57% Danceability • 88% Energy • 81% Liveness
0% Instrumentalness • 64% Positiveness
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CLEWS
Hollywood
129 bpm • A min • 03:16 • -3.97db
18% Popularity • 48% Danceability • 76% Energy • 31% Liveness
0% Instrumentalness • 20% Positiveness
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Des Rocs
Let Me Live / Let Me Die
129 bpm • E Maj • 03:27 • -4.84db
59% Popularity • 34% Danceability • 76% Energy • 8% Liveness
0% Instrumentalness • 24% Positiveness
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The Pale White
Unnatural
129 bpm • C# min • 03:12 • -3.36db
24% Popularity • 45% Danceability • 93% Energy • 7% Liveness
0% Instrumentalness • 46% Positiveness
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BONES UK
Choke
129 bpm • B min • 02:51 • -3.43db
30% Popularity • 57% Danceability • 95% Energy • 11% Liveness
2% Instrumentalness • 37% Positiveness
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Sigrid
Basic
130 bpm • F# min • 03:37 • -6.94db
36% Popularity • 67% Danceability • 53% Energy • 20% Liveness
0% Instrumentalness • 17% Positiveness
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DYLYN
Wolf
129 bpm • D Maj • 03:44 • -5.14db
12% Popularity • 60% Danceability • 78% Energy • 12% Liveness
7% Instrumentalness • 38% Positiveness
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Carah Faye
Fine.
130 bpm • C# Maj • 03:27 • -6.74db
8% Popularity • 72% Danceability • 72% Energy • 30% Liveness
0% Instrumentalness • 62% Positiveness
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Zuzu
Can’t Be Alone
130 bpm • G# Maj • 03:41 • -3.46db
9% Popularity • 37% Danceability • 75% Energy • 14% Liveness
0% Instrumentalness • 38% Positiveness
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The Pale White
Wisdom Tooth
130 bpm • C Maj • 02:51 • -4.32db
20% Popularity • 45% Danceability • 89% Energy • 41% Liveness
0% Instrumentalness • 48% Positiveness
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BLOXX
Lay Down
130 bpm • A min • 03:20 • -5.45db
17% Popularity • 54% Danceability • 82% Energy • 11% Liveness
0% Instrumentalness • 53% Positiveness
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Kate Nash
Bad Lieutenant
130 bpm • F# min • 03:17 • -4.35db
18% Popularity • 79% Danceability • 78% Energy • 8% Liveness
0% Instrumentalness • 63% Positiveness
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Tegan and Sara
Don't Believe the Things They Tell You (...
130 bpm • A min • 03:05 • -7.91db
23% Popularity • 71% Danceability • 45% Energy • 22% Liveness
0% Instrumentalness • 46% Positiveness
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YONAKA
Creature
130 bpm • F# min • 03:05 • -3.93db
41% Popularity • 49% Danceability • 86% Energy • 7% Liveness
0% Instrumentalness • 49% Positiveness
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LPX
Red Queen
130 bpm • F Maj • 03:28 • -5.63db
8% Popularity • 60% Danceability • 78% Energy • 21% Liveness
0% Instrumentalness • 33% Positiveness
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The Haunt
Brag About
130 bpm • C# min • 03:14 • -7db
34% Popularity • 53% Danceability • 70% Energy • 45% Liveness
0% Instrumentalness • 16% Positiveness
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Woodes
How Long I'd Wait
120 bpm • C Maj • 03:44 • -6.48db
11% Popularity • 54% Danceability • 62% Energy • 11% Liveness
0% Instrumentalness • 20% Positiveness
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Cassyette
Jean
120 bpm • E min • 03:30 • -5.47db
35% Popularity • 68% Danceability • 77% Energy • 33% Liveness
0% Instrumentalness • 52% Positiveness
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Jade Bird
My Motto
120 bpm • A Maj • 02:58 • -6.45db
29% Popularity • 58% Danceability • 44% Energy • 7% Liveness
0% Instrumentalness • 22% Positiveness
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YONAKA
Lose Our Heads
120 bpm • C# min • 03:20 • -4.37db
38% Popularity • 58% Danceability • 86% Energy • 42% Liveness
0% Instrumentalness • 50% Positiveness
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Lights
Long Live
120 bpm • C Maj • 03:58 • -6.18db
24% Popularity • 42% Danceability • 58% Energy • 14% Liveness
0% Instrumentalness • 37% Positiveness
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Sarah Close
Crazy Kind
120 bpm • A min • 03:20 • -8.76db
20% Popularity • 89% Danceability • 67% Energy • 13% Liveness
0% Instrumentalness • 42% Positiveness
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Hayley Williams
Over Yet
120 bpm • C Maj • 03:34 • -5.71db
41% Popularity • 72% Danceability • 86% Energy • 22% Liveness
0% Instrumentalness • 52% Positiveness
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SAINT PHNX
Scream
120 bpm • A Maj • 03:25 • -5db
33% Popularity • 71% Danceability • 56% Energy • 8% Liveness
0% Instrumentalness • 49% Positiveness
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Nothing But Thieves
Phobia - Wuh Oh Remix
120 bpm • D Maj • 03:04 • -8db
27% Popularity • 60% Danceability • 43% Energy • 11% Liveness
0% Instrumentalness • 28% Positiveness
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Stereo Honey
My Darkness
120 bpm • A min • 03:32 • -5.61db
10% Popularity • 52% Danceability • 79% Energy • 12% Liveness
0% Instrumentalness • 23% Positiveness
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VANT
Atlas Falling
120 bpm • C Maj • 03:22 • -7.84db
13% Popularity • 57% Danceability • 56% Energy • 24% Liveness
0% Instrumentalness • 55% Positiveness
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BLOXX
Novocain
120 bpm • A min • 03:20 • -5.57db
20% Popularity • 60% Danceability • 87% Energy • 11% Liveness
0% Instrumentalness • 49% Positiveness
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Georgia
everything i wanted - Recorded live at A...
120 bpm • F# min • 04:29 • -11.4db
12% Popularity • 60% Danceability • 28% Energy • 12% Liveness
0% Instrumentalness • 47% Positiveness
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Akine
Pray for the Prey
120 bpm • G Maj • 03:00 • -6.1db
17% Popularity • 74% Danceability • 61% Energy • 10% Liveness
0% Instrumentalness • 44% Positiveness
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Roses & Revolutions
Get That Feeling
120 bpm • A min • 03:11 • -9.69db
15% Popularity • 64% Danceability • 76% Energy • 10% Liveness
1% Instrumentalness • 40% Positiveness
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Amber DeLaRosa
Not Yours
120 bpm • A min • 03:26 • -7.79db
17% Popularity • 68% Danceability • 55% Energy • 12% Liveness
0% Instrumentalness • 36% Positiveness
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Alex Lahey
Am I Doing It Right?
120 bpm • A Maj • 04:07 • -4.75db
16% Popularity • 57% Danceability • 81% Energy • 19% Liveness
1% Instrumentalness • 58% Positiveness
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Youth Club
The Man That I Am
120 bpm • C# Maj • 03:15 • -5.59db
11% Popularity • 65% Danceability • 79% Energy • 6% Liveness
0% Instrumentalness • 84% Positiveness
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Nothing But Thieves
Crazy
120 bpm • C Maj • 04:38 • -6db
42% Popularity • 54% Danceability • 41% Energy • 9% Liveness
0% Instrumentalness • 19% Positiveness
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LPX
Bolt in the Blue
120 bpm • F Maj • 03:51 • -5.82db
15% Popularity • 62% Danceability • 68% Energy • 6% Liveness
0% Instrumentalness • 38% Positiveness
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VANT
Propaganda Machine
120 bpm • C# min • 03:28 • -6.14db
24% Popularity • 58% Danceability • 72% Energy • 16% Liveness
0% Instrumentalness • 48% Positiveness
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The Haunt
Why Are You So Cold?
131 bpm • F min • 03:19 • -6db
33% Popularity • 36% Danceability • 52% Energy • 11% Liveness
0% Instrumentalness • 12% Positiveness
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MEG MYERS
The Underground
119 bpm • A min • 03:32 • -4.68db
36% Popularity • 56% Danceability • 89% Energy • 8% Liveness
0% Instrumentalness • 38% Positiveness
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LUNA AURA
TALKING TO ME
119 bpm • A Maj • 02:52 • -4.63db
20% Popularity • 62% Danceability • 92% Energy • 6% Liveness
1% Instrumentalness • 39% Positiveness
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Nothing But Thieves
Real Love Song
120 bpm • F Maj • 03:37 • -5.37db
32% Popularity • 45% Danceability • 72% Energy • 15% Liveness
1% Instrumentalness • 26% Positiveness
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Florence + The Machine
Cornflake Girl - Recorded At RAK Studios...
131 bpm • A min • 04:41 • -6db
38% Popularity • 54% Danceability • 59% Energy • 36% Liveness
0% Instrumentalness • 34% Positiveness
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LPX
Fog and the Fear
120 bpm • C# Maj • 02:52 • -6.14db
14% Popularity • 53% Danceability • 86% Energy • 7% Liveness
0% Instrumentalness • 56% Positiveness
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Jade Bird
Going Gone
119 bpm • C# min • 02:35 • -5.18db
27% Popularity • 66% Danceability • 76% Energy • 6% Liveness
0% Instrumentalness • 49% Positiveness
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Lauran Hibberd
Sugardaddy
119 bpm • A Maj • 03:06 • -7.75db
14% Popularity • 63% Danceability • 65% Energy • 17% Liveness
0% Instrumentalness • 87% Positiveness
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LUNA AURA
HONEY
119 bpm • A Maj • 02:35 • -4.84db
46% Popularity • 47% Danceability • 90% Energy • 7% Liveness
0% Instrumentalness • 45% Positiveness
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DMA'S
Silver - Edit
119 bpm • E Maj • 03:10 • -5.75db
8% Popularity • 48% Danceability • 76% Energy • 37% Liveness
0% Instrumentalness • 45% Positiveness
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Nothing But Thieves
Real Love Song - Alternative Version
120 bpm • F Maj • 03:37 • -10.92db
29% Popularity • 36% Danceability • 32% Energy • 7% Liveness
23% Instrumentalness • 15% Positiveness
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Dead Sara
Anybody - Stripped
132 bpm • D# Maj • 04:27 • -3.99db
17% Popularity • 69% Danceability • 88% Energy • 10% Liveness
0% Instrumentalness • 70% Positiveness
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YONAKA
All in My Head
132 bpm • D min • 03:33 • -4.9db
25% Popularity • 61% Danceability • 66% Energy • 45% Liveness
0% Instrumentalness • 48% Positiveness
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Stereo Honey
What Makes a Man
132 bpm • G# min • 03:33 • -6.78db
28% Popularity • 49% Danceability • 76% Energy • 19% Liveness
13% Instrumentalness • 12% Positiveness
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900 Miles
Hold Tight
132 bpm • C# min • 03:42 • -7.92db
17% Popularity • 76% Danceability • 71% Energy • 11% Liveness
0% Instrumentalness • 35% Positiveness
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Rockstar - Recorded At Abbey Road Studios, London