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Rollerblades
Songs like
Rollerblades
by
Blake Rose
Based on a tempo of (+/- 10%) and a similar genre
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Jonah Kagen
Catching A Dream
130 bpm • G min • 02:38 • -8db
31% Popularity • 62% Danceability • 65% Energy • 12% Liveness
0% Instrumentalness • 38% Positiveness
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Sasha Alex Sloan
when was it over?
130 bpm • G Maj • 03:38 • -9.3db
59% Popularity • 63% Danceability • 45% Energy • 9% Liveness
0% Instrumentalness • 49% Positiveness
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Blake Rose
Rollerblades
130 bpm • E Maj • 03:34 • -6db
36% Popularity • 50% Danceability • 73% Energy • 29% Liveness
0% Instrumentalness • 56% Positiveness
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Patrick Droney
Little by Little
130 bpm • E Maj • 03:50 • -7.65db
42% Popularity • 68% Danceability • 50% Energy • 12% Liveness
0% Instrumentalness • 17% Positiveness
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Nina Nesbitt
When You Lose Someone
130 bpm • D# Maj • 03:21 • -6db
34% Popularity • 39% Danceability • 37% Energy • 9% Liveness
0% Instrumentalness • 32% Positiveness
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Mokita
More Than Friends
130 bpm • A# Maj • 02:39 • -9db
52% Popularity • 78% Danceability • 42% Energy • 31% Liveness
0% Instrumentalness • 61% Positiveness
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Munn
LOVE ME OR LEAVE ME
130 bpm • F# Maj • 02:26 • -8.03db
48% Popularity • 73% Danceability • 46% Energy • 8% Liveness
0% Instrumentalness • 48% Positiveness
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JP Saxe
The Good Parts
130 bpm • F# Maj • 03:17 • -12.36db
43% Popularity • 53% Danceability • 38% Energy • 10% Liveness
0% Instrumentalness • 55% Positiveness
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Maximillian
Ripples
130 bpm • C Maj • 03:15 • -9db
41% Popularity • 68% Danceability • 35% Energy • 28% Liveness
0% Instrumentalness • 45% Positiveness
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Patrick Droney
Glitter
130 bpm • G Maj • 03:35 • -9.84db
45% Popularity • 53% Danceability • 28% Energy • 12% Liveness
0% Instrumentalness • 27% Positiveness
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Caden Jester
Vacant Love [Acoustic]
129 bpm • C# min • 02:53 • -7.33db
3% Popularity • 54% Danceability • 31% Energy • 11% Liveness
0% Instrumentalness • 36% Positiveness
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Valley
nevermind
131 bpm • A Maj • 02:56 • -8.04db
48% Popularity • 76% Danceability • 54% Energy • 14% Liveness
0% Instrumentalness • 84% Positiveness
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Rosie Darling
Say Less
128 bpm • A# Maj • 01:36 • -9db
58% Popularity • 62% Danceability • 39% Energy • 19% Liveness
0% Instrumentalness • 18% Positiveness
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JP Saxe
Tension
130 bpm • C Maj • 04:09 • -6db
37% Popularity • 41% Danceability • 75% Energy • 28% Liveness
0% Instrumentalness • 19% Positiveness
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NOTD
Keep You Mine - Acoustic
132 bpm • A# Maj • 03:03 • -9.31db
46% Popularity • 67% Danceability • 39% Energy • 22% Liveness
0% Instrumentalness • 47% Positiveness
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Sam MacPherson
Crash Course
132 bpm • C# Maj • 02:01 • -6db
57% Popularity • 68% Danceability • 76% Energy • 21% Liveness
0% Instrumentalness • 82% Positiveness
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Mokita
Inside Out
132 bpm • C# Maj • 02:56 • -11.64db
49% Popularity • 69% Danceability • 17% Energy • 10% Liveness
0% Instrumentalness • 44% Positiveness
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Quinn Lewis
Only Everything - Acoustic
132 bpm • D Maj • 02:54 • -8.52db
30% Popularity • 60% Danceability • 34% Energy • 7% Liveness
0% Instrumentalness • 68% Positiveness
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Heather Sommer
i like you more in my dreams
128 bpm • E Maj • 02:51 • -8.13db
33% Popularity • 58% Danceability • 47% Energy • 40% Liveness
0% Instrumentalness • 29% Positiveness
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19&YOU
19&YOU
128 bpm • G# Maj • 02:55 • -5.75db
22% Popularity • 65% Danceability • 71% Energy • 9% Liveness
0% Instrumentalness • 38% Positiveness
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Wild Rivers
I Do - Bonus Track
128 bpm • B min • 03:04 • -8.87db
60% Popularity • 89% Danceability • 42% Energy • 26% Liveness
0% Instrumentalness • 56% Positiveness
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Dylan Dunlap
Same Side
128 bpm • C Maj • 03:56 • -5db
30% Popularity • 67% Danceability • 78% Energy • 30% Liveness
0% Instrumentalness • 70% Positiveness
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Daniel Seavey
I Tried
132 bpm • E Maj • 02:16 • -11db
51% Popularity • 59% Danceability • 39% Energy • 16% Liveness
0% Instrumentalness • 30% Positiveness
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Luz
permanent +1
132 bpm • B Maj • 03:32 • -12.29db
37% Popularity • 61% Danceability • 31% Energy • 9% Liveness
0% Instrumentalness • 28% Positiveness
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Charlotte Lawrence
Slow Motion
128 bpm • C min • 03:03 • -7.66db
48% Popularity • 66% Danceability • 61% Energy • 13% Liveness
0% Instrumentalness • 47% Positiveness
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Cody Lovaas
Me, Myself
132 bpm • F# Maj • 03:23 • -6db
33% Popularity • 81% Danceability • 61% Energy • 9% Liveness
0% Instrumentalness • 66% Positiveness
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AJ Mitchell
Slow Dance
128 bpm • C# Maj • 02:58 • -7.66db
53% Popularity • 67% Danceability • 40% Energy • 7% Liveness
0% Instrumentalness • 32% Positiveness
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Rosie Darling
Reruns
128 bpm • C# Maj • 02:26 • -11db
57% Popularity • 57% Danceability • 28% Energy • 10% Liveness
0% Instrumentalness • 20% Positiveness
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Clinton Kane
KEEP IT TO YOURSELF
132 bpm • C Maj • 02:54 • -7.04db
43% Popularity • 49% Danceability • 61% Energy • 9% Liveness
0% Instrumentalness • 59% Positiveness
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Alfie Jukes
kinda wish
128 bpm • D Maj • 03:11 • -16.58db
38% Popularity • 63% Danceability • 25% Energy • 14% Liveness
0% Instrumentalness • 25% Positiveness
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Gracie Abrams
Friend
133 bpm • E Maj • 02:56 • -4.91db
62% Popularity • 70% Danceability • 49% Energy • 30% Liveness
0% Instrumentalness • 23% Positiveness
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Mokita
Take It Back
133 bpm • C# Maj • 02:41 • -8db
35% Popularity • 71% Danceability • 72% Energy • 9% Liveness
0% Instrumentalness • 43% Positiveness
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Chris James
29
134 bpm • E Maj • 02:18 • -5.13db
55% Popularity • 78% Danceability • 60% Energy • 11% Liveness
0% Instrumentalness • 90% Positiveness
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Sara Kays
Home for the Summer
127 bpm • E Maj • 02:35 • -9.86db
53% Popularity • 68% Danceability • 53% Energy • 10% Liveness
0% Instrumentalness • 39% Positiveness
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Noah Kahan
Anyway
134 bpm • G Maj • 05:12 • -10.69db
63% Popularity • 65% Danceability • 16% Energy • 13% Liveness
0% Instrumentalness • 24% Positiveness
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Wrabel
wish you well
134 bpm • C Maj • 03:02 • -7db
56% Popularity • 57% Danceability • 34% Energy • 14% Liveness
0% Instrumentalness • 25% Positiveness
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shy martin
can I call you back?
126 bpm • A Maj • 02:33 • -9.99db
49% Popularity • 65% Danceability • 32% Energy • 13% Liveness
0% Instrumentalness • 27% Positiveness
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Hazlett
Fireworks
134 bpm • A Maj • 04:02 • -11.33db
47% Popularity • 69% Danceability • 39% Energy • 11% Liveness
1% Instrumentalness • 6% Positiveness
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JP Saxe
Same Room
134 bpm • G Maj • 03:53 • -10.88db
45% Popularity • 46% Danceability • 39% Energy • 10% Liveness
0% Instrumentalness • 42% Positiveness
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Sam MacPherson
Backseat (All I Got)
126 bpm • A# Maj • 02:33 • -7.06db
38% Popularity • 77% Danceability • 44% Energy • 8% Liveness
0% Instrumentalness • 88% Positiveness
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Jamie Miller
Hold You 'Til We’re Old
126 bpm • A# Maj • 03:02 • -5.21db
48% Popularity • 58% Danceability • 53% Energy • 22% Liveness
0% Instrumentalness • 42% Positiveness
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Wrabel
Poetry
126 bpm • G# Maj • 04:09 • -5.52db
43% Popularity • 57% Danceability • 48% Energy • 14% Liveness
0% Instrumentalness • 30% Positiveness
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Sody
Bedroom Ceiling
126 bpm • F# Maj • 03:00 • -7.7db
40% Popularity • 49% Danceability • 42% Energy • 7% Liveness
0% Instrumentalness • 24% Positiveness
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Quinn Lewis
Make It Right
126 bpm • D Maj • 03:12 • -7db
18% Popularity • 75% Danceability • 57% Energy • 17% Liveness
0% Instrumentalness • 23% Positiveness
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Blake Rose
Hotel Room
126 bpm • B min • 03:25 • -7db
38% Popularity • 44% Danceability • 76% Energy • 9% Liveness
0% Instrumentalness • 38% Positiveness
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Cody Lovaas
Why Can't I
135 bpm • E min • 02:57 • -4.98db
22% Popularity • 58% Danceability • 53% Energy • 13% Liveness
0% Instrumentalness • 41% Positiveness
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Patrick Droney
Like the Water
135 bpm • D Maj • 03:36 • -5.5db
42% Popularity • 58% Danceability • 63% Energy • 22% Liveness
0% Instrumentalness • 23% Positiveness
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push baby
thenineteenseventyfive
135 bpm • E Maj • 04:14 • -7db
41% Popularity • 58% Danceability • 70% Energy • 13% Liveness
0% Instrumentalness • 20% Positiveness
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Glades
Through To You
135 bpm • F Maj • 03:26 • -9db
21% Popularity • 70% Danceability • 25% Energy • 10% Liveness
0% Instrumentalness • 12% Positiveness
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Laur Elle
Wallflower
135 bpm • D Maj • 03:23 • -7.12db
23% Popularity • 73% Danceability • 54% Energy • 18% Liveness
0% Instrumentalness • 38% Positiveness
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Suriel Hess
Still Something
135 bpm • B Maj • 03:08 • -7.58db
53% Popularity • 70% Danceability • 40% Energy • 9% Liveness
0% Instrumentalness • 29% Positiveness
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Anson Seabra
Hurricane
135 bpm • G Maj • 03:21 • -13.24db
46% Popularity • 69% Danceability • 20% Energy • 12% Liveness
0% Instrumentalness • 24% Positiveness
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Declan J Donovan
Numb
135 bpm • C Maj • 03:31 • -5.45db
41% Popularity • 60% Danceability • 67% Energy • 18% Liveness
0% Instrumentalness • 26% Positiveness
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JP Saxe
The Few Things
136 bpm • G Maj • 04:04 • -12.83db
46% Popularity • 54% Danceability • 32% Energy • 11% Liveness
0% Instrumentalness • 24% Positiveness
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Etham
Before I Lose My Mind - Stripped
125 bpm • C min • 03:46 • -11.14db
46% Popularity • 64% Danceability • 25% Energy • 11% Liveness
0% Instrumentalness • 18% Positiveness
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Alex Sampson
Play Pretend
136 bpm • G Maj • 03:06 • -7db
53% Popularity • 59% Danceability • 49% Energy • 12% Liveness
0% Instrumentalness • 28% Positiveness
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Jonah Kagen
barcelona
136 bpm • B min • 02:55 • -7.53db
42% Popularity • 75% Danceability • 72% Energy • 51% Liveness
0% Instrumentalness • 84% Positiveness
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vaultboy
rocket science
136 bpm • A# Maj • 02:32 • -8.01db
67% Popularity • 74% Danceability • 62% Energy • 11% Liveness
0% Instrumentalness • 47% Positiveness
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Blake Rose
Hearts A Mess
136 bpm • E Maj • 04:04 • -9.28db
25% Popularity • 30% Danceability • 58% Energy • 14% Liveness
3% Instrumentalness • 7% Positiveness
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JP Saxe
The Few Things (With Charlotte Lawrence)
136 bpm • G Maj • 03:31 • -10.45db
59% Popularity • 54% Danceability • 43% Energy • 15% Liveness
0% Instrumentalness • 38% Positiveness
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The Ivy
Thirty Eight
136 bpm • B Maj • 03:45 • -5.78db
37% Popularity • 58% Danceability • 73% Energy • 22% Liveness
0% Instrumentalness • 40% Positiveness
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BANNERS
If I Didn't Have You
136 bpm • F Maj • 03:45 • -8db
44% Popularity • 63% Danceability • 70% Energy • 7% Liveness
0% Instrumentalness • 40% Positiveness
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Jake Miller
Ross And Rachel
124 bpm • A Maj • 03:12 • -6.61db
51% Popularity • 66% Danceability • 64% Energy • 8% Liveness
0% Instrumentalness • 23% Positiveness
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Rosie Darling
Golden Age
124 bpm • C Maj • 03:31 • -8db
43% Popularity • 59% Danceability • 57% Energy • 9% Liveness
0% Instrumentalness • 17% Positiveness
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Mark Ambor
Company
124 bpm • F# Maj • 02:49 • -6.78db
48% Popularity • 66% Danceability • 60% Energy • 11% Liveness
0% Instrumentalness • 55% Positiveness
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JP Saxe
Explain You
124 bpm • B Maj • 03:18 • -11.55db
42% Popularity • 37% Danceability • 44% Energy • 14% Liveness
0% Instrumentalness • 14% Positiveness
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Hayd
Closure
124 bpm • D Maj • 03:16 • -16.18db
58% Popularity • 69% Danceability • 11% Energy • 30% Liveness
0% Instrumentalness • 38% Positiveness
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Sody
What We Had
124 bpm • G Maj • 03:02 • -7.44db
47% Popularity • 62% Danceability • 45% Energy • 11% Liveness
0% Instrumentalness • 26% Positiveness
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Phil Good
Everything's Good
124 bpm • G# Maj • 03:03 • -4.24db
47% Popularity • 88% Danceability • 78% Energy • 14% Liveness
0% Instrumentalness • 97% Positiveness
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Heather Sommer
you heard me
137 bpm • F# min • 02:58 • -7.01db
51% Popularity • 66% Danceability • 58% Energy • 11% Liveness
0% Instrumentalness • 34% Positiveness
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Cole Norton
Nobody Else
123 bpm • D Maj • 03:32 • -10db
42% Popularity • 60% Danceability • 51% Energy • 11% Liveness
0% Instrumentalness • 23% Positiveness
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Nick Wilson
Everybody But Me
123 bpm • C# min • 03:04 • -5.65db
41% Popularity • 66% Danceability • 57% Energy • 11% Liveness
0% Instrumentalness • 21% Positiveness
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Luca Fogale
I Don't Want to Lose You
137 bpm • B Maj • 02:51 • -10db
54% Popularity • 46% Danceability • 32% Energy • 11% Liveness
0% Instrumentalness • 32% Positiveness
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GUNNAR
Good Enough
138 bpm • D Maj • 03:19 • -4.99db
23% Popularity • 62% Danceability • 68% Energy • 44% Liveness
0% Instrumentalness • 56% Positiveness
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Daya
Montana
138 bpm • D Maj • 03:23 • -7db
42% Popularity • 60% Danceability • 40% Energy • 13% Liveness
0% Instrumentalness • 32% Positiveness
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Quinn Lewis
Unhuman
138 bpm • C Maj • 02:35 • -7.87db
18% Popularity • 78% Danceability • 59% Energy • 13% Liveness
0% Instrumentalness • 64% Positiveness
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Greyson Chance
Palladium
138 bpm • F Maj • 04:07 • -8.4db
36% Popularity • 48% Danceability • 41% Energy • 11% Liveness
0% Instrumentalness • 19% Positiveness
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Blake Rose
Heavy Shit
138 bpm • C Maj • 03:15 • -4db
42% Popularity • 61% Danceability • 86% Energy • 35% Liveness
0% Instrumentalness • 78% Positiveness
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shy martin
Break With Me
138 bpm • F Maj • 02:35 • -10.31db
40% Popularity • 61% Danceability • 20% Energy • 12% Liveness
0% Instrumentalness • 17% Positiveness
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GUNNAR
For Your Love
138 bpm • C Maj • 03:09 • -5db
38% Popularity • 62% Danceability • 79% Energy • 9% Liveness
0% Instrumentalness • 46% Positiveness
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benny blanco
Unlearn
138 bpm • A# min • 02:34 • -12.27db
52% Popularity • 50% Danceability • 22% Energy • 11% Liveness
0% Instrumentalness • 21% Positiveness
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Dylan Dunlap
Talk to You
122 bpm • G# min • 02:56 • -6db
40% Popularity • 67% Danceability • 65% Energy • 37% Liveness
0% Instrumentalness • 42% Positiveness
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Valley
sucks to see you doing better
122 bpm • C# Maj • 03:45 • -8db
45% Popularity • 74% Danceability • 59% Energy • 6% Liveness
0% Instrumentalness • 61% Positiveness
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Blake Rose
Dizzy
138 bpm • G# Maj • 03:04 • -4db
34% Popularity • 68% Danceability • 75% Energy • 32% Liveness
0% Instrumentalness • 70% Positiveness
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Sasha Alex Sloan
House With No Mirrors
122 bpm • D Maj • 03:47 • -12db
48% Popularity • 72% Danceability • 41% Energy • 10% Liveness
0% Instrumentalness • 34% Positiveness
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Chris James
I Never Learned
122 bpm • F# Maj • 02:32 • -7db
41% Popularity • 87% Danceability • 36% Energy • 12% Liveness
0% Instrumentalness • 59% Positiveness
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Holly Humberstone
Falling Asleep At The Wheel
122 bpm • C Maj • 03:23 • -8db
52% Popularity • 67% Danceability • 63% Energy • 27% Liveness
0% Instrumentalness • 31% Positiveness
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Anson Seabra
Unloving You
122 bpm • F# Maj • 02:33 • -9.62db
60% Popularity • 76% Danceability • 39% Energy • 14% Liveness
0% Instrumentalness • 22% Positiveness
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Sara Kays
Traffic Lights
122 bpm • B Maj • 03:24 • -7.63db
50% Popularity • 52% Danceability • 53% Energy • 10% Liveness
0% Instrumentalness • 31% Positiveness
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Sody
butterfly
122 bpm • C Maj • 03:09 • -9.5db
40% Popularity • 59% Danceability • 62% Energy • 8% Liveness
0% Instrumentalness • 12% Positiveness
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Blake Rose
Gone
139 bpm • B min • 03:25 • -6db
58% Popularity • 32% Danceability • 55% Energy • 12% Liveness
0% Instrumentalness • 14% Positiveness
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shy martin
Are you happy?
139 bpm • A min • 02:37 • -7.66db
58% Popularity • 63% Danceability • 58% Energy • 42% Liveness
0% Instrumentalness • 30% Positiveness
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Cian Ducrot
Crocodiles
139 bpm • G min • 04:00 • -11db
40% Popularity • 55% Danceability • 44% Energy • 11% Liveness
0% Instrumentalness • 35% Positiveness
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Jack Gray
Winter City
121 bpm • C Maj • 02:41 • -6db
27% Popularity • 43% Danceability • 34% Energy • 50% Liveness
0% Instrumentalness • 30% Positiveness
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Mokita
Clear Eyes
140 bpm • C Maj • 02:55 • -15.06db
34% Popularity • 60% Danceability • 25% Energy • 11% Liveness
0% Instrumentalness • 38% Positiveness
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Thomas Day
Overplayed
140 bpm • A# Maj • 03:02 • -8.7db
43% Popularity • 51% Danceability • 36% Energy • 9% Liveness
0% Instrumentalness • 28% Positiveness
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Hazlett
Even If It’s Lonely
140 bpm • A Maj • 04:05 • -12db
49% Popularity • 60% Danceability • 40% Energy • 9% Liveness
0% Instrumentalness • 14% Positiveness
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Peter Thomas
If You're Happy Now
140 bpm • A Maj • 03:33 • -8db
23% Popularity • 74% Danceability • 45% Energy • 8% Liveness
0% Instrumentalness • 32% Positiveness
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Luz
we'll be fine
121 bpm • A# Maj • 04:22 • -11.14db
49% Popularity • 56% Danceability • 38% Energy • 7% Liveness
0% Instrumentalness • 20% Positiveness
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Jack Gray
I Got 3
121 bpm • D# Maj • 03:14 • -8db
47% Popularity • 78% Danceability • 71% Energy • 28% Liveness
0% Instrumentalness • 84% Positiveness
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Rollerblades