Songs like Romance, Op. 5 by Garrick Ohlsson
Based on a tempo of (+/- 10%) and a similar genre
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Alexander Scriabin
8 Etudes, Op. 42: No. 5 in C-Sharp Minor
131 bpm • A Maj • 02:52 • -14.88db
15% Popularity • 35% Danceability • 40% Energy • 10% Liveness
88% Instrumentalness • 4% Positiveness
15% Popularity • 35% Danceability • 40% Energy • 10% Liveness
88% Instrumentalness • 4% Positiveness
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Vladimir Horowitz
Variations On A Theme From Bizet's "Carm...
131 bpm • E Maj • 03:39 • -21.97db
21% Popularity • 40% Danceability • 25% Energy • 10% Liveness
87% Instrumentalness • 44% Positiveness
21% Popularity • 40% Danceability • 25% Energy • 10% Liveness
87% Instrumentalness • 44% Positiveness
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Leoš Janáček
On an Overgrown Path, JW VIII/17, Book 1...
131 bpm • D Maj • 01:30 • -32db
31% Popularity • 38% Danceability • 1% Energy • 10% Liveness
93% Instrumentalness • 26% Positiveness
31% Popularity • 38% Danceability • 1% Energy • 10% Liveness
93% Instrumentalness • 26% Positiveness
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Jean Sibelius
13 Pieces, Op. 76: No. 4 Humoresque
131 bpm • C# min • 01:09 • -26.91db
48% Popularity • 44% Danceability • 11% Energy • 12% Liveness
64% Instrumentalness • 42% Positiveness
48% Popularity • 44% Danceability • 11% Energy • 12% Liveness
64% Instrumentalness • 42% Positiveness
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Sergei Rachmaninoff
Variations on a Theme of Corelli, Op. 42...
131 bpm • C Maj • 00:51 • -30.49db
1% Popularity • 21% Danceability • 3% Energy • 10% Liveness
83% Instrumentalness • 29% Positiveness
1% Popularity • 21% Danceability • 3% Energy • 10% Liveness
83% Instrumentalness • 29% Positiveness
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Bedřich Smetana
3 Polkas de salon, Op. 7, JB 1:60: No. 3...
131 bpm • E Maj • 01:54 • -30db
49% Popularity • 36% Danceability • 3% Energy • 8% Liveness
82% Instrumentalness • 4% Positiveness
49% Popularity • 36% Danceability • 3% Energy • 8% Liveness
82% Instrumentalness • 4% Positiveness
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Maurice Ravel
Ravel: Sonatine, M. 40: II. Mouvement de...
131 bpm • C# Maj • 02:56 • -27.01db
34% Popularity • 39% Danceability • 4% Energy • 10% Liveness
89% Instrumentalness • 5% Positiveness
34% Popularity • 39% Danceability • 4% Energy • 10% Liveness
89% Instrumentalness • 5% Positiveness
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Garrick Ohlsson
Romance, Op. 5
131 bpm • F Maj • 03:38 • -24.99db
4% Popularity • 46% Danceability • 5% Energy • 7% Liveness
87% Instrumentalness • 5% Positiveness
4% Popularity • 46% Danceability • 5% Energy • 7% Liveness
87% Instrumentalness • 5% Positiveness
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Wolfgang Amadeus Mozart
Fantasia in D Minor, K. 397
130 bpm • D Maj • 05:36 • -23.22db
24% Popularity • 37% Danceability • 8% Energy • 7% Liveness
90% Instrumentalness • 12% Positiveness
24% Popularity • 37% Danceability • 8% Energy • 7% Liveness
90% Instrumentalness • 12% Positiveness
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Frédéric Chopin
Chopin: 24 Preludes, Op. 28: No. 12 in G...
130 bpm • G# min • 01:03 • -16.57db
4% Popularity • 50% Danceability • 26% Energy • 16% Liveness
89% Instrumentalness • 44% Positiveness
4% Popularity • 50% Danceability • 26% Energy • 16% Liveness
89% Instrumentalness • 44% Positiveness
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Franz Schubert
Die schöne Müllerin, D.795 - Transcrip...
130 bpm • G Maj • 06:14 • -28.62db
22% Popularity • 39% Danceability • 1% Energy • 6% Liveness
93% Instrumentalness • 5% Positiveness
22% Popularity • 39% Danceability • 1% Energy • 6% Liveness
93% Instrumentalness • 5% Positiveness
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Johannes Brahms
7 Fantasien, Op. 116: No. 7, Capriccio i...
132 bpm • D min • 02:29 • -18.03db
0% Popularity • 35% Danceability • 26% Energy • 36% Liveness
86% Instrumentalness • 13% Positiveness
0% Popularity • 35% Danceability • 26% Energy • 36% Liveness
86% Instrumentalness • 13% Positiveness
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CĂ©sar Franck
Sonata in A Major for Violin and Piano, ...
130 bpm • A Maj • 06:10 • -17db
8% Popularity • 27% Danceability • 18% Energy • 9% Liveness
0% Instrumentalness • 16% Positiveness
8% Popularity • 27% Danceability • 18% Energy • 9% Liveness
0% Instrumentalness • 16% Positiveness
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CĂ©cile Chaminade
La Lisonjera (The Flatterer), Op. 50
132 bpm • C# Maj • 03:44 • -26db
10% Popularity • 25% Danceability • 8% Energy • 11% Liveness
90% Instrumentalness • 10% Positiveness
10% Popularity • 25% Danceability • 8% Energy • 11% Liveness
90% Instrumentalness • 10% Positiveness
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Claude Debussy
Préludes / Book 1, L.117: 6. Des pas su...
132 bpm • F Maj • 04:18 • -39.48db
22% Popularity • 50% Danceability • 0% Energy • 9% Liveness
87% Instrumentalness • 15% Positiveness
22% Popularity • 50% Danceability • 0% Energy • 9% Liveness
87% Instrumentalness • 15% Positiveness
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Erik Satie
3 Sarabandes: No. 1
132 bpm • C# Maj • 06:44 • -39.41db
17% Popularity • 59% Danceability • 0% Energy • 13% Liveness
96% Instrumentalness • 18% Positiveness
17% Popularity • 59% Danceability • 0% Energy • 13% Liveness
96% Instrumentalness • 18% Positiveness
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Ottorino Respighi
6 Pezzi, P. 44: No. 4. Minuetto
132 bpm • G Maj • 03:26 • -28.5db
38% Popularity • 42% Danceability • 4% Energy • 8% Liveness
90% Instrumentalness • 25% Positiveness
38% Popularity • 42% Danceability • 4% Energy • 8% Liveness
90% Instrumentalness • 25% Positiveness
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George Frideric Handel
Keyboard Suite No. 2 in F Major, HWV 427...
132 bpm • D min • 03:08 • -32.39db
1% Popularity • 43% Danceability • 0% Energy • 8% Liveness
95% Instrumentalness • 42% Positiveness
1% Popularity • 43% Danceability • 0% Energy • 8% Liveness
95% Instrumentalness • 42% Positiveness
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Bedřich Smetana
Czech Dances II, JB 1:114: V. CibuliÄŤka...
132 bpm • C Maj • 04:55 • -24.39db
0% Popularity • 44% Danceability • 7% Energy • 12% Liveness
90% Instrumentalness • 8% Positiveness
0% Popularity • 44% Danceability • 7% Energy • 12% Liveness
90% Instrumentalness • 8% Positiveness
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Dmitri Shostakovich
24 Preludes & Fugues, Op. 87: Fugue no.4...
130 bpm • G Maj • 05:00 • -21.12db
13% Popularity • 36% Danceability • 8% Energy • 11% Liveness
89% Instrumentalness • 17% Positiveness
13% Popularity • 36% Danceability • 8% Energy • 11% Liveness
89% Instrumentalness • 17% Positiveness
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Claude Debussy
Children's Corner, L. 113: IV. The Snow ...
129 bpm • A# Maj • 02:37 • -30.22db
19% Popularity • 30% Danceability • 3% Energy • 8% Liveness
88% Instrumentalness • 4% Positiveness
19% Popularity • 30% Danceability • 3% Energy • 8% Liveness
88% Instrumentalness • 4% Positiveness
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Moritz Moszkowski
Etude in F Major, Op. 72, No. 6
133 bpm • F Maj • 01:34 • -33.56db
31% Popularity • 35% Danceability • 4% Energy • 11% Liveness
83% Instrumentalness • 79% Positiveness
31% Popularity • 35% Danceability • 4% Energy • 11% Liveness
83% Instrumentalness • 79% Positiveness
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Erik Satie
Gnossiennes Nos. 4-6: Gnossienne No. 5
129 bpm • E min • 02:50 • -27.67db
15% Popularity • 42% Danceability • 2% Energy • 15% Liveness
94% Instrumentalness • 39% Positiveness
15% Popularity • 42% Danceability • 2% Energy • 15% Liveness
94% Instrumentalness • 39% Positiveness
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Johann Sebastian Bach
Goldberg Variations, BWV 988: Var. 18, C...
132 bpm • G Maj • 01:03 • -32.4db
0% Popularity • 49% Danceability • 9% Energy • 16% Liveness
83% Instrumentalness • 38% Positiveness
0% Popularity • 49% Danceability • 9% Energy • 16% Liveness
83% Instrumentalness • 38% Positiveness
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Ferruccio Busoni
24 Preludes, Op. 37, BV 181: No. 15 in D...
133 bpm • C# Maj • 02:06 • -35db
40% Popularity • 37% Danceability • 1% Energy • 12% Liveness
86% Instrumentalness • 19% Positiveness
40% Popularity • 37% Danceability • 1% Energy • 12% Liveness
86% Instrumentalness • 19% Positiveness
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Charles Griffes
Fantasy Pieces, Op. 6: III. Scherzo. Viv...
133 bpm • F min • 04:33 • -19.34db
0% Popularity • 37% Danceability • 14% Energy • 11% Liveness
88% Instrumentalness • 7% Positiveness
0% Popularity • 37% Danceability • 14% Energy • 11% Liveness
88% Instrumentalness • 7% Positiveness
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Carl Maria von Weber
7 Variations on the Air Vien qua, Dorina...
134 bpm • C Maj • 01:17 • -34db
59% Popularity • 22% Danceability • 1% Energy • 7% Liveness
80% Instrumentalness • 22% Positiveness
59% Popularity • 22% Danceability • 1% Energy • 7% Liveness
80% Instrumentalness • 22% Positiveness
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Felix Mendelssohn
Lieder ohne Worte, Op. 19: No. 4 in A (M...
134 bpm • A Maj • 02:02 • -31db
37% Popularity • 39% Danceability • 1% Energy • 8% Liveness
92% Instrumentalness • 34% Positiveness
37% Popularity • 39% Danceability • 1% Energy • 8% Liveness
92% Instrumentalness • 34% Positiveness
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Erik Satie
Satie: 6 Pièces froides, Pt. 1: Airs à ...
133 bpm • A min • 02:43 • -27.69db
7% Popularity • 33% Danceability • 3% Energy • 12% Liveness
90% Instrumentalness • 4% Positiveness
7% Popularity • 33% Danceability • 3% Energy • 12% Liveness
90% Instrumentalness • 4% Positiveness
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Alexander Scriabin
3 Pieces, Op. 2: No. 1 in C-Sharp Minor
128 bpm • C# min • 03:21 • -23.33db
25% Popularity • 54% Danceability • 1% Energy • 14% Liveness
91% Instrumentalness • 8% Positiveness
25% Popularity • 54% Danceability • 1% Energy • 14% Liveness
91% Instrumentalness • 8% Positiveness
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Johannes Brahms
7 Fantasien, Op. 116: No. 2, Intermezzo ...
135 bpm • A min • 03:55 • -26.2db
1% Popularity • 41% Danceability • 2% Energy • 7% Liveness
87% Instrumentalness • 12% Positiveness
1% Popularity • 41% Danceability • 2% Energy • 7% Liveness
87% Instrumentalness • 12% Positiveness
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Clara Schumann
3 Romances, Op. 11: No. 1, Andante
127 bpm • D# min • 03:02 • -29db
54% Popularity • 31% Danceability • 3% Energy • 10% Liveness
92% Instrumentalness • 5% Positiveness
54% Popularity • 31% Danceability • 3% Energy • 10% Liveness
92% Instrumentalness • 5% Positiveness
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Hélène Grimaud
Etudes-Tableaux, Op. 33, No. 6 in E-Flat...
134 bpm • D# Maj • 01:54 • -21.72db
19% Popularity • 39% Danceability • 18% Energy • 10% Liveness
87% Instrumentalness • 31% Positiveness
19% Popularity • 39% Danceability • 18% Energy • 10% Liveness
87% Instrumentalness • 31% Positiveness
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George Frideric Handel
Keyboard Suite No. 2 in F Major, HWV 427...
135 bpm • F Maj • 04:35 • -35.2db
3% Popularity • 48% Danceability • 0% Energy • 8% Liveness
95% Instrumentalness • 15% Positiveness
3% Popularity • 48% Danceability • 0% Energy • 8% Liveness
95% Instrumentalness • 15% Positiveness
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Leopold Godowsky
12 Schubert Songs: Heidenroslein (Hedge ...
127 bpm • G Maj • 02:02 • -27db
44% Popularity • 46% Danceability • 3% Energy • 10% Liveness
74% Instrumentalness • 33% Positiveness
44% Popularity • 46% Danceability • 3% Energy • 10% Liveness
74% Instrumentalness • 33% Positiveness
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Erik Satie
Satie: La belle excentrique: No. 1, Gran...
135 bpm • G min • 01:32 • -12.24db
9% Popularity • 47% Danceability • 47% Energy • 16% Liveness
89% Instrumentalness • 82% Positiveness
9% Popularity • 47% Danceability • 47% Energy • 16% Liveness
89% Instrumentalness • 82% Positiveness
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CĂ©sar Franck
Franck: Prélude, fugue et variation, Op...
127 bpm • B min • 04:21 • -34.47db
26% Popularity • 45% Danceability • 2% Energy • 8% Liveness
88% Instrumentalness • 34% Positiveness
26% Popularity • 45% Danceability • 2% Energy • 8% Liveness
88% Instrumentalness • 34% Positiveness
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Charles-Valentin Alkan
Premier Nocturne, Op. 22
135 bpm • B Maj • 06:09 • -31.53db
43% Popularity • 34% Danceability • 2% Energy • 9% Liveness
90% Instrumentalness • 6% Positiveness
43% Popularity • 34% Danceability • 2% Energy • 9% Liveness
90% Instrumentalness • 6% Positiveness
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Ludwig van Beethoven
Piano Sonata No. 23 in F Minor, Op. 57 "...
127 bpm • F min • 10:39 • -22.25db
27% Popularity • 33% Danceability • 8% Energy • 11% Liveness
90% Instrumentalness • 4% Positiveness
27% Popularity • 33% Danceability • 8% Energy • 11% Liveness
90% Instrumentalness • 4% Positiveness
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Sergei Rachmaninoff
Klavierkonzert Nr. 2 c-Moll Op. 18: 3. A...
135 bpm • C min • 11:37 • -24.96db
0% Popularity • 30% Danceability • 6% Energy • 6% Liveness
88% Instrumentalness • 5% Positiveness
0% Popularity • 30% Danceability • 6% Energy • 6% Liveness
88% Instrumentalness • 5% Positiveness
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Wolfgang Amadeus Mozart
Piano Sonata No. 8 in A Minor, K. 310: I...
135 bpm • A min • 08:04 • -23db
28% Popularity • 26% Danceability • 16% Energy • 18% Liveness
92% Instrumentalness • 34% Positiveness
28% Popularity • 26% Danceability • 16% Energy • 18% Liveness
92% Instrumentalness • 34% Positiveness
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Johannes Brahms
7 Fantasien, Op. 116: No. 4, Intermezzo ...
135 bpm • E Maj • 04:50 • -30.86db
0% Popularity • 40% Danceability • 1% Energy • 8% Liveness
93% Instrumentalness • 6% Positiveness
0% Popularity • 40% Danceability • 1% Energy • 8% Liveness
93% Instrumentalness • 6% Positiveness
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Edvard Grieg
Piano Concerto in A Minor, Op. 16: III. ...
136 bpm • A min • 10:25 • -25.54db
3% Popularity • 30% Danceability • 7% Energy • 7% Liveness
90% Instrumentalness • 4% Positiveness
3% Popularity • 30% Danceability • 7% Energy • 7% Liveness
90% Instrumentalness • 4% Positiveness
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John Field
Piano Sonata No. 1 in E-Flat Major, Op. ...
135 bpm • A# Maj • 06:17 • -28db
19% Popularity • 33% Danceability • 3% Energy • 9% Liveness
94% Instrumentalness • 17% Positiveness
19% Popularity • 33% Danceability • 3% Energy • 9% Liveness
94% Instrumentalness • 17% Positiveness
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Erik Satie
Prélude en tapisserie
136 bpm • G Maj • 02:57 • -25.73db
21% Popularity • 44% Danceability • 3% Energy • 12% Liveness
92% Instrumentalness • 8% Positiveness
21% Popularity • 44% Danceability • 3% Energy • 12% Liveness
92% Instrumentalness • 8% Positiveness
► Preview
AntonĂn Dvořák
Piano Concerto in G minor, Op. 33: 2. An...
136 bpm • D Maj • 08:59 • -29.7db
8% Popularity • 22% Danceability • 2% Energy • 4% Liveness
83% Instrumentalness • 4% Positiveness
8% Popularity • 22% Danceability • 2% Energy • 4% Liveness
83% Instrumentalness • 4% Positiveness
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Wolfgang Amadeus Mozart
Sonata for 2 Pianos in D Major, K.448/37...
136 bpm • D Maj • 06:16 • -28.63db
38% Popularity • 37% Danceability • 6% Energy • 7% Liveness
93% Instrumentalness • 43% Positiveness
38% Popularity • 37% Danceability • 6% Energy • 7% Liveness
93% Instrumentalness • 43% Positiveness
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Charles Griffes
Piano Sonata: I. Feroce – Allegro con ...
136 bpm • A# min • 05:51 • -20.11db
0% Popularity • 36% Danceability • 17% Energy • 15% Liveness
81% Instrumentalness • 6% Positiveness
0% Popularity • 36% Danceability • 17% Energy • 15% Liveness
81% Instrumentalness • 6% Positiveness
► Preview
Gabriel Fauré
Dolly Suite, Op. 56: VI. Le pas Espagnol
126 bpm • F Maj • 02:09 • -20.56db
27% Popularity • 37% Danceability • 17% Energy • 8% Liveness
89% Instrumentalness • 32% Positiveness
27% Popularity • 37% Danceability • 17% Energy • 8% Liveness
89% Instrumentalness • 32% Positiveness
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Samson François
Valse En Mib Maj Op18 Grde Valse Brillan...
126 bpm • G# Maj • 05:01 • -20.68db
10% Popularity • 46% Danceability • 12% Energy • 8% Liveness
90% Instrumentalness • 37% Positiveness
10% Popularity • 46% Danceability • 12% Energy • 8% Liveness
90% Instrumentalness • 37% Positiveness
► Preview
Sergei Rachmaninoff
Variations on a Theme of Corelli, Op. 42...
136 bpm • G min • 01:05 • -27.66db
4% Popularity • 51% Danceability • 1% Energy • 7% Liveness
93% Instrumentalness • 22% Positiveness
4% Popularity • 51% Danceability • 1% Energy • 7% Liveness
93% Instrumentalness • 22% Positiveness
► Preview
Ottorino Respighi
Antiche Danze Ed Arie Per Liuto (Ancient...
126 bpm • B min • 03:02 • -29db
40% Popularity • 47% Danceability • 2% Energy • 8% Liveness
88% Instrumentalness • 19% Positiveness
40% Popularity • 47% Danceability • 2% Energy • 8% Liveness
88% Instrumentalness • 19% Positiveness
► Preview
Claude Debussy
Debussy: La plus que lente, CD 128, L. 1...
137 bpm • F# Maj • 04:07 • -26.24db
10% Popularity • 33% Danceability • 3% Energy • 12% Liveness
86% Instrumentalness • 7% Positiveness
10% Popularity • 33% Danceability • 3% Energy • 12% Liveness
86% Instrumentalness • 7% Positiveness
► Preview
Frédéric Chopin
Chopin: 24 Preludes, Op. 28: No. 13 in F...
125 bpm • F# Maj • 03:42 • -32.44db
4% Popularity • 32% Danceability • 1% Energy • 8% Liveness
93% Instrumentalness • 11% Positiveness
4% Popularity • 32% Danceability • 1% Energy • 8% Liveness
93% Instrumentalness • 11% Positiveness
► Preview
Benjamin Frith
Nocturne No. 12 In G Major, H. 58d: Noct...
125 bpm • G Maj • 02:27 • -32db
52% Popularity • 34% Danceability • 1% Energy • 10% Liveness
82% Instrumentalness • 13% Positiveness
52% Popularity • 34% Danceability • 1% Energy • 10% Liveness
82% Instrumentalness • 13% Positiveness
► Preview
Carl Czerny
Huit Nocturnes, Op. 368: No. 1 in E Majo...
137 bpm • E Maj • 03:53 • -34.32db
9% Popularity • 31% Danceability • 1% Energy • 7% Liveness
88% Instrumentalness • 14% Positiveness
9% Popularity • 31% Danceability • 1% Energy • 7% Liveness
88% Instrumentalness • 14% Positiveness
► Preview
Sergei Rachmaninoff
6 Moments musicaux, Op. 16: No. 4, Prest...
126 bpm • E min • 03:09 • -21db
34% Popularity • 26% Danceability • 19% Energy • 10% Liveness
86% Instrumentalness • 7% Positiveness
34% Popularity • 26% Danceability • 19% Energy • 10% Liveness
86% Instrumentalness • 7% Positiveness
► Preview
Ottorino Respighi
Antiche Danze Ed Arie Per Liuto (Ancient...
125 bpm • D Maj • 02:47 • -23db
43% Popularity • 51% Danceability • 12% Energy • 12% Liveness
84% Instrumentalness • 35% Positiveness
43% Popularity • 51% Danceability • 12% Energy • 12% Liveness
84% Instrumentalness • 35% Positiveness
► Preview
Maurice Ravel
Ma mère l'Oye, M. 60: IV. Les entretien...
137 bpm • C Maj • 03:50 • -40.06db
10% Popularity • 27% Danceability • 0% Energy • 6% Liveness
68% Instrumentalness • 6% Positiveness
10% Popularity • 27% Danceability • 0% Energy • 6% Liveness
68% Instrumentalness • 6% Positiveness
► Preview
CĂ©sar Franck
Violin Sonata in A Major, FWV 8: I. Alle...
138 bpm • A Maj • 06:32 • -25db
20% Popularity • 24% Danceability • 4% Energy • 6% Liveness
5% Instrumentalness • 4% Positiveness
20% Popularity • 24% Danceability • 4% Energy • 6% Liveness
5% Instrumentalness • 4% Positiveness
► Preview
Johann Sebastian Bach
Goldberg Variations, BWV 988: Aria
138 bpm • E min • 02:40 • -33.12db
0% Popularity • 41% Danceability • 1% Energy • 8% Liveness
93% Instrumentalness • 24% Positiveness
0% Popularity • 41% Danceability • 1% Energy • 8% Liveness
93% Instrumentalness • 24% Positiveness
► Preview
Felix Mendelssohn
Lieder ohne Worte, Op. 19, No. 1
138 bpm • E Maj • 03:14 • -34db
46% Popularity • 22% Danceability • 1% Energy • 8% Liveness
90% Instrumentalness • 10% Positiveness
46% Popularity • 22% Danceability • 1% Energy • 8% Liveness
90% Instrumentalness • 10% Positiveness
► Preview
Sergei Rachmaninoff
Variations on a Theme of Corelli, Op. 42...
139 bpm • F Maj • 01:11 • -35.97db
0% Popularity • 38% Danceability • 1% Energy • 9% Liveness
93% Instrumentalness • 7% Positiveness
0% Popularity • 38% Danceability • 1% Energy • 9% Liveness
93% Instrumentalness • 7% Positiveness
► Preview
Ferruccio Busoni
Piano Concerto in C Major, Op. 39, BV 24...
139 bpm • E Maj • 10:27 • -20.54db
2% Popularity • 16% Danceability • 10% Energy • 8% Liveness
91% Instrumentalness • 4% Positiveness
2% Popularity • 16% Danceability • 10% Energy • 8% Liveness
91% Instrumentalness • 4% Positiveness
► Preview
Domenico Scarlatti
Sonata in G Major, KK. 455
139 bpm • G Maj • 01:44 • -30db
43% Popularity • 40% Danceability • 15% Energy • 10% Liveness
88% Instrumentalness • 70% Positiveness
43% Popularity • 40% Danceability • 15% Energy • 10% Liveness
88% Instrumentalness • 70% Positiveness
► Preview
Robert Schumann
Kinderszenen, Op. 15: 12. Kind im Einsch...
123 bpm • E min • 02:23 • -40db
47% Popularity • 40% Danceability • 0% Energy • 7% Liveness
96% Instrumentalness • 10% Positiveness
47% Popularity • 40% Danceability • 0% Energy • 7% Liveness
96% Instrumentalness • 10% Positiveness
► Preview
Benjamin Frith
Fantasiestucke, Op. 12: Des Abends
123 bpm • C# Maj • 03:25 • -40.66db
26% Popularity • 29% Danceability • 1% Energy • 6% Liveness
88% Instrumentalness • 11% Positiveness
26% Popularity • 29% Danceability • 1% Energy • 6% Liveness
88% Instrumentalness • 11% Positiveness
► Preview
Maurice Ravel
Sonatine, M. 40: II. Mouvement de menuet
123 bpm • C# Maj • 03:01 • -30.17db
26% Popularity • 43% Danceability • 1% Energy • 7% Liveness
79% Instrumentalness • 9% Positiveness
26% Popularity • 43% Danceability • 1% Energy • 7% Liveness
79% Instrumentalness • 9% Positiveness
► Preview
Jenő Jandó
Piano Sonata No. 14 In C Minor, K. 457: ...
123 bpm • D# Maj • 07:47 • -29.73db
44% Popularity • 36% Danceability • 2% Energy • 9% Liveness
92% Instrumentalness • 14% Positiveness
44% Popularity • 36% Danceability • 2% Energy • 9% Liveness
92% Instrumentalness • 14% Positiveness
► Preview
Garrick Ohlsson
Humoresque, Op. 10 No. 2
140 bpm • G Maj • 07:49 • -16.22db
4% Popularity • 29% Danceability • 17% Energy • 10% Liveness
86% Instrumentalness • 4% Positiveness
4% Popularity • 29% Danceability • 17% Energy • 10% Liveness
86% Instrumentalness • 4% Positiveness
► Preview
Charles-Valentin Alkan
12 Études dans tous les tons mineurs, O...
123 bpm • E min • 09:41 • -17.57db
8% Popularity • 45% Danceability • 23% Energy • 8% Liveness
88% Instrumentalness • 17% Positiveness
8% Popularity • 45% Danceability • 23% Energy • 8% Liveness
88% Instrumentalness • 17% Positiveness
► Preview
Wolfgang Amadeus Mozart
Piano Concerto No. 23 in A Major, K. 488...
140 bpm • A Maj • 10:21 • -21.71db
32% Popularity • 30% Danceability • 10% Energy • 16% Liveness
87% Instrumentalness • 24% Positiveness
32% Popularity • 30% Danceability • 10% Energy • 16% Liveness
87% Instrumentalness • 24% Positiveness
► Preview
Carl Maria von Weber
Invitation to the Dance
122 bpm • C# Maj • 07:58 • -20.53db
16% Popularity • 44% Danceability • 6% Energy • 11% Liveness
89% Instrumentalness • 27% Positiveness
16% Popularity • 44% Danceability • 6% Energy • 11% Liveness
89% Instrumentalness • 27% Positiveness
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Alexander Scriabin
3 Etudes, Op. 65: No. 1, Allegro fantast...
141 bpm • G# min • 03:38 • -21.26db
3% Popularity • 42% Danceability • 11% Energy • 16% Liveness
89% Instrumentalness • 4% Positiveness
3% Popularity • 42% Danceability • 11% Energy • 16% Liveness
89% Instrumentalness • 4% Positiveness
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Samson François
Valse En La Bemol Maj Op69 N1
141 bpm • G# Maj • 04:20 • -25.77db
10% Popularity • 37% Danceability • 3% Energy • 11% Liveness
92% Instrumentalness • 15% Positiveness
10% Popularity • 37% Danceability • 3% Energy • 11% Liveness
92% Instrumentalness • 15% Positiveness
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Garrick Ohlsson
Krakowiak Op. 14
122 bpm • F Maj • 13:32 • -17.48db
2% Popularity • 36% Danceability • 21% Energy • 10% Liveness
90% Instrumentalness • 10% Positiveness
2% Popularity • 36% Danceability • 21% Energy • 10% Liveness
90% Instrumentalness • 10% Positiveness
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Nikolai Medtner
2 Tales, Op. 20: No. 1, Allegro con espr...
122 bpm • A# min • 02:44 • -20.09db
13% Popularity • 31% Danceability • 18% Energy • 8% Liveness
86% Instrumentalness • 8% Positiveness
13% Popularity • 31% Danceability • 18% Energy • 8% Liveness
86% Instrumentalness • 8% Positiveness
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BĂ©la BartĂłk
3 Etudes, Sz. 72: I. Allegro molto
121 bpm • A min • 02:17 • -19.9db
0% Popularity • 28% Danceability • 30% Energy • 9% Liveness
84% Instrumentalness • 20% Positiveness
0% Popularity • 28% Danceability • 30% Energy • 9% Liveness
84% Instrumentalness • 20% Positiveness
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Bedřich Smetana
Czech Dances II, JB 1:114: I. Furiant in...
121 bpm • A min • 05:29 • -21.8db
1% Popularity • 47% Danceability • 13% Energy • 10% Liveness
90% Instrumentalness • 14% Positiveness
1% Popularity • 47% Danceability • 13% Energy • 10% Liveness
90% Instrumentalness • 14% Positiveness
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Ludwig van Beethoven
Piano Sonata No. 17 In D Minor, Op. 31 N...
121 bpm • A Maj • 08:38 • -22.41db
22% Popularity • 34% Danceability • 13% Energy • 10% Liveness
87% Instrumentalness • 6% Positiveness
22% Popularity • 34% Danceability • 13% Energy • 10% Liveness
87% Instrumentalness • 6% Positiveness
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Alexander Borodin
Borodin - String Quartet No.2 in D major...
121 bpm • C Maj • 05:10 • -17.49db
16% Popularity • 34% Danceability • 22% Energy • 6% Liveness
45% Instrumentalness • 37% Positiveness
16% Popularity • 34% Danceability • 22% Energy • 6% Liveness
45% Instrumentalness • 37% Positiveness
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Sviatoslav Richter
Piano Concerto No. 2 in C Minor, Op. 18:...
143 bpm • C min • 11:36 • -17db
12% Popularity • 34% Danceability • 17% Energy • 9% Liveness
89% Instrumentalness • 9% Positiveness
12% Popularity • 34% Danceability • 17% Energy • 9% Liveness
89% Instrumentalness • 9% Positiveness
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Charles Griffes
3 Preludes: I.
143 bpm • C# min • 01:02 • -19.12db
0% Popularity • 32% Danceability • 28% Energy • 8% Liveness
92% Instrumentalness • 3% Positiveness
0% Popularity • 32% Danceability • 28% Energy • 8% Liveness
92% Instrumentalness • 3% Positiveness
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Franz Schubert
4 Impromptus Op. 142, D.935: No. 4 in F ...
119 bpm • F min • 07:07 • -23.23db
16% Popularity • 39% Danceability • 8% Energy • 10% Liveness
91% Instrumentalness • 15% Positiveness
16% Popularity • 39% Danceability • 8% Energy • 10% Liveness
91% Instrumentalness • 15% Positiveness
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Johann Sebastian Bach
Goldberg Variations, BWV 988: Var. 3, Ca...
144 bpm • E min • 01:22 • -32.28db
0% Popularity • 29% Danceability • 8% Energy • 11% Liveness
82% Instrumentalness • 53% Positiveness
0% Popularity • 29% Danceability • 8% Energy • 11% Liveness
82% Instrumentalness • 53% Positiveness
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Bedřich Smetana
6 Album Leaves, Op. 2, JB 1:51: No. 3 in...
144 bpm • G Maj • 01:14 • -25db
53% Popularity • 24% Danceability • 15% Energy • 13% Liveness
86% Instrumentalness • 36% Positiveness
53% Popularity • 24% Danceability • 15% Energy • 13% Liveness
86% Instrumentalness • 36% Positiveness
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Vladimir Ashkenazy
Piano Concerto No.2 in G Major, Op. 44: ...
145 bpm • D Maj • 08:06 • -15.89db
9% Popularity • 42% Danceability • 26% Energy • 9% Liveness
91% Instrumentalness • 32% Positiveness
9% Popularity • 42% Danceability • 26% Energy • 9% Liveness
91% Instrumentalness • 32% Positiveness
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Igor Stravinsky
Three Movements 'Petruschka': Danse russ...
118 bpm • C Maj • 02:34 • -17.11db
26% Popularity • 48% Danceability • 33% Energy • 10% Liveness
85% Instrumentalness • 36% Positiveness
26% Popularity • 48% Danceability • 33% Energy • 10% Liveness
85% Instrumentalness • 36% Positiveness
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Ludwig van Beethoven
Piano Sonata No. 23 in F Minor, Op. 57 "...
118 bpm • C# Maj • 05:47 • -31.85db
22% Popularity • 35% Danceability • 1% Energy • 10% Liveness
89% Instrumentalness • 10% Positiveness
22% Popularity • 35% Danceability • 1% Energy • 10% Liveness
89% Instrumentalness • 10% Positiveness
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Maurice Ravel
Ravel: Miroirs, M. 43: IV. Alborada del ...
146 bpm • D Maj • 06:12 • -23db
25% Popularity • 41% Danceability • 14% Energy • 8% Liveness
90% Instrumentalness • 7% Positiveness
25% Popularity • 41% Danceability • 14% Energy • 8% Liveness
90% Instrumentalness • 7% Positiveness
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Johann Sebastian Bach
Goldberg Variations, BWV 988: Var. 9, Ca...
118 bpm • E min • 01:09 • -31.91db
0% Popularity • 47% Danceability • 4% Energy • 16% Liveness
91% Instrumentalness • 49% Positiveness
0% Popularity • 47% Danceability • 4% Energy • 16% Liveness
91% Instrumentalness • 49% Positiveness
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Sergei Prokofiev
Prokofiev: 4 Études, Op. 2: No. 1 in D ...
117 bpm • D min • 02:17 • -21db
10% Popularity • 40% Danceability • 25% Energy • 7% Liveness
92% Instrumentalness • 19% Positiveness
10% Popularity • 40% Danceability • 25% Energy • 7% Liveness
92% Instrumentalness • 19% Positiveness
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Garrick Ohlsson
Chant sans paroles, Op. 2 No. 3
118 bpm • G Maj • 02:36 • -21.39db
3% Popularity • 65% Danceability • 17% Energy • 11% Liveness
89% Instrumentalness • 19% Positiveness
3% Popularity • 65% Danceability • 17% Energy • 11% Liveness
89% Instrumentalness • 19% Positiveness
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Robert Schumann
Spanish Romance, Op. 74: The Smuggler (T...
147 bpm • G min • 02:00 • -26db
38% Popularity • 30% Danceability • 13% Energy • 11% Liveness
93% Instrumentalness • 59% Positiveness
38% Popularity • 30% Danceability • 13% Energy • 11% Liveness
93% Instrumentalness • 59% Positiveness
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Erik Satie
La belle excentrique*: I. Marche franco-...
147 bpm • F Maj • 07:37 • -18.29db
32% Popularity • 51% Danceability • 23% Energy • 23% Liveness
89% Instrumentalness • 38% Positiveness
32% Popularity • 51% Danceability • 23% Energy • 23% Liveness
89% Instrumentalness • 38% Positiveness
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Igor Stravinsky
Petrouchka - Three Movements for Piano (...
116 bpm • A min • 02:29 • -20.65db
18% Popularity • 48% Danceability • 30% Energy • 12% Liveness
87% Instrumentalness • 44% Positiveness
18% Popularity • 48% Danceability • 30% Energy • 12% Liveness
87% Instrumentalness • 44% Positiveness
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Frédéric Chopin
Chopin: 24 Preludes, Op. 28: No. 21 in B...
116 bpm • A# min • 01:53 • -24.95db
4% Popularity • 35% Danceability • 6% Energy • 14% Liveness
85% Instrumentalness • 5% Positiveness
4% Popularity • 35% Danceability • 6% Energy • 14% Liveness
85% Instrumentalness • 5% Positiveness
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Vladimir Horowitz
Carmen Variations
148 bpm • E Maj • 03:33 • -20db
41% Popularity • 36% Danceability • 24% Energy • 10% Liveness
92% Instrumentalness • 24% Positiveness
41% Popularity • 36% Danceability • 24% Energy • 10% Liveness
92% Instrumentalness • 24% Positiveness
