Songs like Romeo And Julia by Ricci Ferra
Based on a tempo of (+/- 10%) and a similar genre
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Alan Alonmoore
Solenzara
100 bpm • D min • 02:21 • -12db
38% Popularity • 83% Danceability • 37% Energy • 10% Liveness
71% Instrumentalness • 88% Positiveness
38% Popularity • 83% Danceability • 37% Energy • 10% Liveness
71% Instrumentalness • 88% Positiveness
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The Richard Romance Orchestra
All Kinds of Everything
100 bpm • A# Maj • 02:10 • -13db
33% Popularity • 76% Danceability • 31% Energy • 10% Liveness
92% Instrumentalness • 83% Positiveness
33% Popularity • 76% Danceability • 31% Energy • 10% Liveness
92% Instrumentalness • 83% Positiveness
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Francis Dupont
Oh Mein Papa
100 bpm • A# Maj • 02:39 • -12db
31% Popularity • 43% Danceability • 32% Energy • 31% Liveness
94% Instrumentalness • 42% Positiveness
31% Popularity • 43% Danceability • 32% Energy • 31% Liveness
94% Instrumentalness • 42% Positiveness
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The Gino Marinello Orchestra
Theme from ''A Summerplace''
100 bpm • A# Maj • 02:44 • -14.59db
44% Popularity • 58% Danceability • 26% Energy • 10% Liveness
17% Instrumentalness • 50% Positiveness
44% Popularity • 58% Danceability • 26% Energy • 10% Liveness
17% Instrumentalness • 50% Positiveness
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Ballroom Dance Orchestra
The Last Waltz
100 bpm • C Maj • 03:19 • -16.18db
35% Popularity • 62% Danceability • 21% Energy • 8% Liveness
88% Instrumentalness • 39% Positiveness
35% Popularity • 62% Danceability • 21% Energy • 8% Liveness
88% Instrumentalness • 39% Positiveness
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The Famous String Orchestra
Maiden's Prayer - Gebet Einer Jungfrau
100 bpm • D# Maj • 03:43 • -16.64db
4% Popularity • 34% Danceability • 29% Energy • 10% Liveness
80% Instrumentalness • 42% Positiveness
4% Popularity • 34% Danceability • 29% Energy • 10% Liveness
80% Instrumentalness • 42% Positiveness
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Alan Alonmoore
Come Prima
100 bpm • C Maj • 02:29 • -10db
37% Popularity • 72% Danceability • 35% Energy • 14% Liveness
66% Instrumentalness • 76% Positiveness
37% Popularity • 72% Danceability • 35% Energy • 14% Liveness
66% Instrumentalness • 76% Positiveness
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Ronnie Aldrich and his 2 pianos
Somethin' Stupid
100 bpm • F Maj • 02:49 • -14db
37% Popularity • 52% Danceability • 36% Energy • 10% Liveness
89% Instrumentalness • 66% Positiveness
37% Popularity • 52% Danceability • 36% Energy • 10% Liveness
89% Instrumentalness • 66% Positiveness
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Discovey Light Orchestra
Angelica
100 bpm • C Maj • 03:02 • -13db
52% Popularity • 58% Danceability • 35% Energy • 10% Liveness
92% Instrumentalness • 63% Positiveness
52% Popularity • 58% Danceability • 35% Energy • 10% Liveness
92% Instrumentalness • 63% Positiveness
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Claudius Alzner
Never ending song of love - You are my s...
100 bpm • C Maj • 02:27 • -11db
34% Popularity • 62% Danceability • 50% Energy • 8% Liveness
94% Instrumentalness • 88% Positiveness
34% Popularity • 62% Danceability • 50% Energy • 8% Liveness
94% Instrumentalness • 88% Positiveness
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Nikos Ignatiadis
The Beginning
100 bpm • D Maj • 03:33 • -15db
45% Popularity • 25% Danceability • 22% Energy • 13% Liveness
1% Instrumentalness • 17% Positiveness
45% Popularity • 25% Danceability • 22% Energy • 13% Liveness
1% Instrumentalness • 17% Positiveness
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MelodÃas Mágicas
Maria Elena
100 bpm • G min • 02:38 • -14db
51% Popularity • 48% Danceability • 24% Energy • 26% Liveness
87% Instrumentalness • 41% Positiveness
51% Popularity • 48% Danceability • 24% Energy • 26% Liveness
87% Instrumentalness • 41% Positiveness
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Kai Warner
As Time Goes By
100 bpm • D# Maj • 02:38 • -8.97db
30% Popularity • 46% Danceability • 39% Energy • 12% Liveness
91% Instrumentalness • 31% Positiveness
30% Popularity • 46% Danceability • 39% Energy • 12% Liveness
91% Instrumentalness • 31% Positiveness
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Percy Faith & His Orchestra
Elvira Madigan Theme
101 bpm • G Maj • 02:39 • -14.8db
33% Popularity • 34% Danceability • 16% Energy • 21% Liveness
92% Instrumentalness • 14% Positiveness
33% Popularity • 34% Danceability • 16% Energy • 21% Liveness
92% Instrumentalness • 14% Positiveness
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Das Orchester Claudius Alzner
Santa Lucia
101 bpm • C Maj • 02:31 • -9db
21% Popularity • 30% Danceability • 50% Energy • 35% Liveness
1% Instrumentalness • 56% Positiveness
21% Popularity • 30% Danceability • 50% Energy • 35% Liveness
1% Instrumentalness • 56% Positiveness
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Ronnie Aldrich and his 2 pianos
This Is My Song
101 bpm • G# Maj • 03:25 • -14db
30% Popularity • 29% Danceability • 28% Energy • 13% Liveness
90% Instrumentalness • 26% Positiveness
30% Popularity • 29% Danceability • 28% Energy • 13% Liveness
90% Instrumentalness • 26% Positiveness
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Ballroom Dance Orchestra
Sail Along Silvery Moon
99 bpm • F Maj • 02:05 • -11.61db
40% Popularity • 48% Danceability • 43% Energy • 10% Liveness
81% Instrumentalness • 84% Positiveness
40% Popularity • 48% Danceability • 43% Energy • 10% Liveness
81% Instrumentalness • 84% Positiveness
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Alfred Hause
Ungarischer Tanz Nr. 4
101 bpm • E min • 03:00 • -14.31db
19% Popularity • 27% Danceability • 24% Energy • 5% Liveness
61% Instrumentalness • 26% Positiveness
19% Popularity • 27% Danceability • 24% Energy • 5% Liveness
61% Instrumentalness • 26% Positiveness
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Jean Claude Borelly
Hymne à l'amour
99 bpm • C min • 03:27 • -6.2db
14% Popularity • 26% Danceability • 43% Energy • 16% Liveness
97% Instrumentalness • 28% Positiveness
14% Popularity • 26% Danceability • 43% Energy • 16% Liveness
97% Instrumentalness • 28% Positiveness
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Jorge Espinoza Y Su Violin
Sueno Imposible
99 bpm • C Maj • 04:26 • -10.88db
37% Popularity • 43% Danceability • 47% Energy • 11% Liveness
82% Instrumentalness • 21% Positiveness
37% Popularity • 43% Danceability • 47% Energy • 11% Liveness
82% Instrumentalness • 21% Positiveness
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The Gino Marinello Orchestra
Guantamanera
98 bpm • D Maj • 03:06 • -11db
42% Popularity • 62% Danceability • 37% Energy • 11% Liveness
1% Instrumentalness • 69% Positiveness
42% Popularity • 62% Danceability • 37% Energy • 11% Liveness
1% Instrumentalness • 69% Positiveness
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Aldo Livorno Y Su Acordeón Napolitano
O Sole Mio
102 bpm • D Maj • 03:11 • -11.23db
28% Popularity • 19% Danceability • 56% Energy • 12% Liveness
85% Instrumentalness • 34% Positiveness
28% Popularity • 19% Danceability • 56% Energy • 12% Liveness
85% Instrumentalness • 34% Positiveness
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The Richard Romance Orchestra
Guantanamera
98 bpm • D Maj • 03:08 • -11.47db
27% Popularity • 62% Danceability • 37% Energy • 12% Liveness
1% Instrumentalness • 68% Positiveness
27% Popularity • 62% Danceability • 37% Energy • 12% Liveness
1% Instrumentalness • 68% Positiveness
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50 Guitars of Tommy Garrett
South of the Border
98 bpm • E min • 02:59 • -13db
23% Popularity • 60% Danceability • 16% Energy • 12% Liveness
0% Instrumentalness • 43% Positiveness
23% Popularity • 60% Danceability • 16% Energy • 12% Liveness
0% Instrumentalness • 43% Positiveness
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Das Orchester Claudius Alzner
Jambalaya , Schmidtchen Schleicher , Mil...
102 bpm • C Maj • 03:57 • -15db
21% Popularity • 57% Danceability • 33% Energy • 16% Liveness
80% Instrumentalness • 76% Positiveness
21% Popularity • 57% Danceability • 33% Energy • 16% Liveness
80% Instrumentalness • 76% Positiveness
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Alfred Hause
A Little Night Music (Serenade No. 13 Fo...
102 bpm • D Maj • 02:48 • -15db
31% Popularity • 64% Danceability • 34% Energy • 44% Liveness
6% Instrumentalness • 81% Positiveness
31% Popularity • 64% Danceability • 34% Energy • 44% Liveness
6% Instrumentalness • 81% Positiveness
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Gary Freeman
Something Stupid
102 bpm • F Maj • 02:39 • -11.41db
32% Popularity • 55% Danceability • 43% Energy • 31% Liveness
91% Instrumentalness • 43% Positiveness
32% Popularity • 55% Danceability • 43% Energy • 31% Liveness
91% Instrumentalness • 43% Positiveness
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Ricci Ferra
Pizzikato-Polka Op.234
102 bpm • C Maj • 01:54 • -11.68db
6% Popularity • 84% Danceability • 60% Energy • 9% Liveness
37% Instrumentalness • 88% Positiveness
6% Popularity • 84% Danceability • 60% Energy • 9% Liveness
37% Instrumentalness • 88% Positiveness
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Ronnie Aldrich and his 2 pianos
My Cup Runneth Over
102 bpm • G Maj • 02:38 • -13db
42% Popularity • 56% Danceability • 31% Energy • 10% Liveness
73% Instrumentalness • 40% Positiveness
42% Popularity • 56% Danceability • 31% Energy • 10% Liveness
73% Instrumentalness • 40% Positiveness
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Gentlemen Of Trumpets
Quando Quando
98 bpm • C Maj • 02:53 • -5.4db
35% Popularity • 63% Danceability • 65% Energy • 8% Liveness
85% Instrumentalness • 94% Positiveness
35% Popularity • 63% Danceability • 65% Energy • 8% Liveness
85% Instrumentalness • 94% Positiveness
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Horst Jankowski
A Walk In Bavaria
102 bpm • A# Maj • 02:09 • -9db
32% Popularity • 63% Danceability • 50% Energy • 20% Liveness
18% Instrumentalness • 78% Positiveness
32% Popularity • 63% Danceability • 50% Energy • 20% Liveness
18% Instrumentalness • 78% Positiveness
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Francis Dupont
Theme From 'Elvira Madigan'
98 bpm • F Maj • 03:35 • -19db
23% Popularity • 37% Danceability • 9% Energy • 15% Liveness
91% Instrumentalness • 15% Positiveness
23% Popularity • 37% Danceability • 9% Energy • 15% Liveness
91% Instrumentalness • 15% Positiveness
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Francis Pourcel Orchestra
Un Extraño en la Playa
98 bpm • A# Maj • 02:51 • -13.3db
31% Popularity • 35% Danceability • 26% Energy • 12% Liveness
83% Instrumentalness • 30% Positiveness
31% Popularity • 35% Danceability • 26% Energy • 12% Liveness
83% Instrumentalness • 30% Positiveness
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Ricci Ferra
In A Spanish Market
102 bpm • A Maj • 02:26 • -16.05db
6% Popularity • 59% Danceability • 37% Energy • 9% Liveness
94% Instrumentalness • 72% Positiveness
6% Popularity • 59% Danceability • 37% Energy • 9% Liveness
94% Instrumentalness • 72% Positiveness
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Angel Roque
Alguien Canto
97 bpm • A min • 03:34 • -12.53db
39% Popularity • 53% Danceability • 42% Energy • 9% Liveness
89% Instrumentalness • 33% Positiveness
39% Popularity • 53% Danceability • 42% Energy • 9% Liveness
89% Instrumentalness • 33% Positiveness
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Sergio Golwarz
Rapsodia Sueca
103 bpm • D Maj • 02:51 • -5.46db
17% Popularity • 70% Danceability • 64% Energy • 12% Liveness
1% Instrumentalness • 87% Positiveness
17% Popularity • 70% Danceability • 64% Energy • 12% Liveness
1% Instrumentalness • 87% Positiveness
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Larry Elam
España
103 bpm • D Maj • 03:02 • -13db
1% Popularity • 35% Danceability • 39% Energy • 15% Liveness
80% Instrumentalness • 33% Positiveness
1% Popularity • 35% Danceability • 39% Energy • 15% Liveness
80% Instrumentalness • 33% Positiveness
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Orquesta Romántica de La Habana
El Silencio
97 bpm • A# Maj • 03:04 • -14db
33% Popularity • 39% Danceability • 21% Energy • 16% Liveness
96% Instrumentalness • 14% Positiveness
33% Popularity • 39% Danceability • 21% Energy • 16% Liveness
96% Instrumentalness • 14% Positiveness
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Georges Jouvin
Mozart 40
103 bpm • A# min • 02:26 • -7.13db
11% Popularity • 58% Danceability • 85% Energy • 19% Liveness
97% Instrumentalness • 88% Positiveness
11% Popularity • 58% Danceability • 85% Energy • 19% Liveness
97% Instrumentalness • 88% Positiveness
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Ricci Ferra
Polowetzer Dances No.17 (Fürst Igor)
103 bpm • C Maj • 03:10 • -15.69db
6% Popularity • 37% Danceability • 37% Energy • 39% Liveness
5% Instrumentalness • 35% Positiveness
6% Popularity • 37% Danceability • 37% Energy • 39% Liveness
5% Instrumentalness • 35% Positiveness
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Norman Candler
Samson and Delilah - Remastered
103 bpm • A Maj • 03:21 • -7db
26% Popularity • 42% Danceability • 60% Energy • 13% Liveness
79% Instrumentalness • 55% Positiveness
26% Popularity • 42% Danceability • 60% Energy • 13% Liveness
79% Instrumentalness • 55% Positiveness
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The Romantic Sound Orchestra
An der schönen blauen Donau
97 bpm • D Maj • 04:21 • -12.79db
14% Popularity • 38% Danceability • 22% Energy • 10% Liveness
91% Instrumentalness • 26% Positiveness
14% Popularity • 38% Danceability • 22% Energy • 10% Liveness
91% Instrumentalness • 26% Positiveness
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Jean Claude Borelly
The Sound of Silence
97 bpm • F Maj • 02:53 • -6.45db
33% Popularity • 52% Danceability • 54% Energy • 12% Liveness
90% Instrumentalness • 32% Positiveness
33% Popularity • 52% Danceability • 54% Energy • 12% Liveness
90% Instrumentalness • 32% Positiveness
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Frank Mills
Plaisir D'Amour
103 bpm • G Maj • 03:30 • -29.23db
24% Popularity • 28% Danceability • 5% Energy • 9% Liveness
91% Instrumentalness • 22% Positiveness
24% Popularity • 28% Danceability • 5% Energy • 9% Liveness
91% Instrumentalness • 22% Positiveness
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Captain Cook Und Seine Singenden Saxophone
Wenn wir auseinandergeh'n (Please Releas...
104 bpm • G# Maj • 02:13 • -9.41db
41% Popularity • 33% Danceability • 47% Energy • 12% Liveness
0% Instrumentalness • 59% Positiveness
41% Popularity • 33% Danceability • 47% Energy • 12% Liveness
0% Instrumentalness • 59% Positiveness
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Ricci Ferra
Kaiserwalzer, Op.437 (Emperor Waltz / Va...
97 bpm • C Maj • 04:23 • -15.51db
16% Popularity • 34% Danceability • 22% Energy • 14% Liveness
88% Instrumentalness • 38% Positiveness
16% Popularity • 34% Danceability • 22% Energy • 14% Liveness
88% Instrumentalness • 38% Positiveness
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Laurens van Rooyen
La Camparsa
103 bpm • F Maj • 04:35 • -15.94db
17% Popularity • 63% Danceability • 35% Energy • 11% Liveness
90% Instrumentalness • 41% Positiveness
17% Popularity • 63% Danceability • 35% Energy • 11% Liveness
90% Instrumentalness • 41% Positiveness
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Italian Mandolin Torna A Surriento
Santa Lucia
104 bpm • G Maj • 01:06 • -12.28db
47% Popularity • 46% Danceability • 36% Energy • 12% Liveness
84% Instrumentalness • 24% Positiveness
47% Popularity • 46% Danceability • 36% Energy • 12% Liveness
84% Instrumentalness • 24% Positiveness
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The Fantasy Strings
You Belong to My Heart
97 bpm • A# Maj • 02:58 • -8.71db
20% Popularity • 52% Danceability • 55% Energy • 21% Liveness
0% Instrumentalness • 62% Positiveness
20% Popularity • 52% Danceability • 55% Energy • 21% Liveness
0% Instrumentalness • 62% Positiveness
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Alfred Hause
Wine Woman And Song, Waltz op. 333 - Aim...
96 bpm • A# Maj • 02:40 • -12.91db
33% Popularity • 51% Danceability • 29% Energy • 10% Liveness
62% Instrumentalness • 55% Positiveness
33% Popularity • 51% Danceability • 29% Energy • 10% Liveness
62% Instrumentalness • 55% Positiveness
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Percy Faith & His Orchestra
Swedish Rhapsody (Midsummer Vigil)
104 bpm • D Maj • 03:09 • -9.64db
31% Popularity • 68% Danceability • 51% Energy • 12% Liveness
44% Instrumentalness • 89% Positiveness
31% Popularity • 68% Danceability • 51% Energy • 12% Liveness
44% Instrumentalness • 89% Positiveness
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Kai Warner
La Source
96 bpm • D# Maj • 02:34 • -12.78db
12% Popularity • 37% Danceability • 33% Energy • 26% Liveness
86% Instrumentalness • 29% Positiveness
12% Popularity • 37% Danceability • 33% Energy • 26% Liveness
86% Instrumentalness • 29% Positiveness
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Orquesta de Concierto
Vals Emperador
104 bpm • C Maj • 03:02 • -6.75db
22% Popularity • 34% Danceability • 47% Energy • 14% Liveness
42% Instrumentalness • 56% Positiveness
22% Popularity • 34% Danceability • 47% Energy • 14% Liveness
42% Instrumentalness • 56% Positiveness
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Das Orchester Claudius Alzner
Torna a Surriento
96 bpm • A Maj • 02:22 • -10db
30% Popularity • 36% Danceability • 43% Energy • 24% Liveness
9% Instrumentalness • 41% Positiveness
30% Popularity • 36% Danceability • 43% Energy • 24% Liveness
9% Instrumentalness • 41% Positiveness
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Francis Dupont
Il Silencio
96 bpm • A# Maj • 02:59 • -12db
35% Popularity • 45% Danceability • 27% Energy • 18% Liveness
93% Instrumentalness • 31% Positiveness
35% Popularity • 45% Danceability • 27% Energy • 18% Liveness
93% Instrumentalness • 31% Positiveness
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Ricci Ferra
Schatzwalzer Op.418 (Treasure Waltz)
96 bpm • C Maj • 03:36 • -14db
9% Popularity • 40% Danceability • 29% Energy • 9% Liveness
39% Instrumentalness • 32% Positiveness
9% Popularity • 40% Danceability • 29% Energy • 9% Liveness
39% Instrumentalness • 32% Positiveness
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Santec Music Orchestra
Spanische Romanze
96 bpm • E min • 02:13 • -14.39db
46% Popularity • 39% Danceability • 24% Energy • 11% Liveness
96% Instrumentalness • 41% Positiveness
46% Popularity • 39% Danceability • 24% Energy • 11% Liveness
96% Instrumentalness • 41% Positiveness
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Aldo Livorno Y Su Acordeón Napolitano
Mademoiselle de Paris
96 bpm • C Maj • 02:54 • -7.97db
28% Popularity • 50% Danceability • 53% Energy • 8% Liveness
33% Instrumentalness • 47% Positiveness
28% Popularity • 50% Danceability • 53% Energy • 8% Liveness
33% Instrumentalness • 47% Positiveness
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Botticelli
Woman in Love
96 bpm • E min • 03:36 • -17.99db
17% Popularity • 46% Danceability • 22% Energy • 10% Liveness
95% Instrumentalness • 41% Positiveness
17% Popularity • 46% Danceability • 22% Energy • 10% Liveness
95% Instrumentalness • 41% Positiveness
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50 Guitars of Tommy Garrett
Guantanamera
95 bpm • D Maj • 03:24 • -13.5db
16% Popularity • 67% Danceability • 32% Energy • 10% Liveness
78% Instrumentalness • 79% Positiveness
16% Popularity • 67% Danceability • 32% Energy • 10% Liveness
78% Instrumentalness • 79% Positiveness
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Bernhard Fliess
Schlafe Mein Prinz Schlaf Ein - Wiegenli...
95 bpm • F Maj • 02:52 • -13db
15% Popularity • 31% Danceability • 40% Energy • 42% Liveness
30% Instrumentalness • 36% Positiveness
15% Popularity • 31% Danceability • 40% Energy • 42% Liveness
30% Instrumentalness • 36% Positiveness
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Ricci Ferra
Nussknacker-Suite Op.71 a: Dance Of The ...
104 bpm • D Maj • 03:16 • -11.06db
3% Popularity • 50% Danceability • 30% Energy • 20% Liveness
63% Instrumentalness • 60% Positiveness
3% Popularity • 50% Danceability • 30% Energy • 20% Liveness
63% Instrumentalness • 60% Positiveness
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Kai Warner
Pour Elise
105 bpm • E min • 02:31 • -13.17db
18% Popularity • 57% Danceability • 40% Energy • 15% Liveness
84% Instrumentalness • 58% Positiveness
18% Popularity • 57% Danceability • 40% Energy • 15% Liveness
84% Instrumentalness • 58% Positiveness
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Orquestra Românticos de Cuba
Duas Guitarras / Olhos Negros
105 bpm • D min • 02:53 • -5db
41% Popularity • 49% Danceability • 62% Energy • 17% Liveness
73% Instrumentalness • 54% Positiveness
41% Popularity • 49% Danceability • 62% Energy • 17% Liveness
73% Instrumentalness • 54% Positiveness
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Francis Pourcel Orchestra
El DÃa Anterior a Tu Llegada
105 bpm • C min • 03:09 • -13.88db
30% Popularity • 59% Danceability • 29% Energy • 58% Liveness
0% Instrumentalness • 72% Positiveness
30% Popularity • 59% Danceability • 29% Energy • 58% Liveness
0% Instrumentalness • 72% Positiveness
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Jeff Steinberg
O Mio Babbino Caro
95 bpm • D Maj • 03:53 • -15.26db
33% Popularity • 42% Danceability • 25% Energy • 9% Liveness
78% Instrumentalness • 19% Positiveness
33% Popularity • 42% Danceability • 25% Energy • 9% Liveness
78% Instrumentalness • 19% Positiveness
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Acker Bilk
La Paloma
105 bpm • D# Maj • 02:45 • -12.84db
40% Popularity • 49% Danceability • 26% Energy • 13% Liveness
7% Instrumentalness • 44% Positiveness
40% Popularity • 49% Danceability • 26% Energy • 13% Liveness
7% Instrumentalness • 44% Positiveness
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Ricci Ferra
Die Wut Ãœber Den Verlorenen Groschen (R...
105 bpm • G Maj • 03:08 • -14.4db
18% Popularity • 68% Danceability • 39% Energy • 12% Liveness
48% Instrumentalness • 75% Positiveness
18% Popularity • 68% Danceability • 39% Energy • 12% Liveness
48% Instrumentalness • 75% Positiveness
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Michel Legrand
Kiss of Fire
105 bpm • A min • 02:39 • -17.96db
23% Popularity • 59% Danceability • 23% Energy • 17% Liveness
89% Instrumentalness • 65% Positiveness
23% Popularity • 59% Danceability • 23% Energy • 17% Liveness
89% Instrumentalness • 65% Positiveness
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Alfred Hause
Mattinata
95 bpm • C Maj • 03:48 • -12db
36% Popularity • 18% Danceability • 36% Energy • 7% Liveness
70% Instrumentalness • 9% Positiveness
36% Popularity • 18% Danceability • 36% Energy • 7% Liveness
70% Instrumentalness • 9% Positiveness
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Maurice Jarre
Somewhere, My Love (Laura's Theme)
95 bpm • G Maj • 02:45 • -10.63db
23% Popularity • 34% Danceability • 45% Energy • 9% Liveness
3% Instrumentalness • 46% Positiveness
23% Popularity • 34% Danceability • 45% Energy • 9% Liveness
3% Instrumentalness • 46% Positiveness
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Das Orchester Claudius Alzner
Hooray!Hooray! It's a holi-holiday , So ...
106 bpm • G Maj • 04:09 • -14.11db
25% Popularity • 60% Danceability • 44% Energy • 8% Liveness
82% Instrumentalness • 77% Positiveness
25% Popularity • 60% Danceability • 44% Energy • 8% Liveness
82% Instrumentalness • 77% Positiveness
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Francis Dupont
New York, New York
106 bpm • F Maj • 03:20 • -14.15db
21% Popularity • 29% Danceability • 28% Energy • 35% Liveness
2% Instrumentalness • 37% Positiveness
21% Popularity • 29% Danceability • 28% Energy • 35% Liveness
2% Instrumentalness • 37% Positiveness
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Ricci Ferra
Santa Lucia
96 bpm • D Maj • 02:51 • -8.88db
5% Popularity • 21% Danceability • 38% Energy • 34% Liveness
54% Instrumentalness • 19% Positiveness
5% Popularity • 21% Danceability • 38% Energy • 34% Liveness
54% Instrumentalness • 19% Positiveness
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L Russel Brown
Tie A Yellow Ribbon Round The Old Oak Tr...
94 bpm • F Maj • 03:06 • -10.78db
23% Popularity • 60% Danceability • 50% Energy • 21% Liveness
80% Instrumentalness • 74% Positiveness
23% Popularity • 60% Danceability • 50% Energy • 21% Liveness
80% Instrumentalness • 74% Positiveness
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MelodÃas Mágicas
Los Ojos Negros
106 bpm • D min • 02:59 • -14.41db
45% Popularity • 36% Danceability • 39% Energy • 13% Liveness
79% Instrumentalness • 49% Positiveness
45% Popularity • 36% Danceability • 39% Energy • 13% Liveness
79% Instrumentalness • 49% Positiveness
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Zantalino and his Orchestra
Historia De Un Amor
106 bpm • A min • 02:46 • -7.83db
33% Popularity • 70% Danceability • 75% Energy • 28% Liveness
72% Instrumentalness • 86% Positiveness
33% Popularity • 70% Danceability • 75% Energy • 28% Liveness
72% Instrumentalness • 86% Positiveness
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The Gino Marinello Orchestra
Le professionel
94 bpm • F# min • 03:27 • -14.89db
26% Popularity • 44% Danceability • 21% Energy • 9% Liveness
19% Instrumentalness • 8% Positiveness
26% Popularity • 44% Danceability • 21% Energy • 9% Liveness
19% Instrumentalness • 8% Positiveness
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Gaston Croisset & Orquesta Roger Toussiant
Save The Last Dande For Me
106 bpm • E Maj • 03:02 • -8db
26% Popularity • 63% Danceability • 53% Energy • 36% Liveness
94% Instrumentalness • 52% Positiveness
26% Popularity • 63% Danceability • 53% Energy • 36% Liveness
94% Instrumentalness • 52% Positiveness
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Ricci Ferra
La Playa
95 bpm • D min • 03:08 • -18.72db
31% Popularity • 54% Danceability • 17% Energy • 10% Liveness
87% Instrumentalness • 46% Positiveness
31% Popularity • 54% Danceability • 17% Energy • 10% Liveness
87% Instrumentalness • 46% Positiveness
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Franco Legrand & His Magic Piano
Historia de Amor
94 bpm • A# min • 02:46 • -9.04db
26% Popularity • 51% Danceability • 34% Energy • 10% Liveness
14% Instrumentalness • 28% Positiveness
26% Popularity • 51% Danceability • 34% Energy • 10% Liveness
14% Instrumentalness • 28% Positiveness
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Aldo Livorno Y Su Acordeón Napolitano
Al Di La
94 bpm • F Maj • 02:39 • -10.85db
35% Popularity • 19% Danceability • 36% Energy • 32% Liveness
0% Instrumentalness • 12% Positiveness
35% Popularity • 19% Danceability • 36% Energy • 32% Liveness
0% Instrumentalness • 12% Positiveness
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Brisbane Mandolin Ensemble
The Woodpecker Song
107 bpm • C Maj • 02:48 • -11.81db
27% Popularity • 56% Danceability • 37% Energy • 16% Liveness
60% Instrumentalness • 80% Positiveness
27% Popularity • 56% Danceability • 37% Energy • 16% Liveness
60% Instrumentalness • 80% Positiveness
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The Gino Marinello Orchestra
Love Is Blue (L'amour est bleu)
107 bpm • A Maj • 02:31 • -13.21db
32% Popularity • 60% Danceability • 32% Energy • 16% Liveness
91% Instrumentalness • 50% Positiveness
32% Popularity • 60% Danceability • 32% Energy • 16% Liveness
91% Instrumentalness • 50% Positiveness
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Botticelli
Never Never Never
94 bpm • C# Maj • 02:45 • -14.89db
29% Popularity • 27% Danceability • 27% Energy • 11% Liveness
95% Instrumentalness • 35% Positiveness
29% Popularity • 27% Danceability • 27% Energy • 11% Liveness
95% Instrumentalness • 35% Positiveness
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Ricci Ferra
Margarethe - Faustwalzer
105 bpm • D Maj • 03:41 • -12db
20% Popularity • 46% Danceability • 40% Energy • 22% Liveness
72% Instrumentalness • 59% Positiveness
20% Popularity • 46% Danceability • 40% Energy • 22% Liveness
72% Instrumentalness • 59% Positiveness
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Claudius Alzner
Ich tanze mit dir in den Himmel hinein -...
94 bpm • G Maj • 04:23 • -12db
21% Popularity • 46% Danceability • 48% Energy • 9% Liveness
83% Instrumentalness • 47% Positiveness
21% Popularity • 46% Danceability • 48% Energy • 9% Liveness
83% Instrumentalness • 47% Positiveness
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Orquestra Românticos de Cuba
Perdono Pero no Olvido / Donde Estara Mi...
107 bpm • F min • 02:31 • -5db
39% Popularity • 39% Danceability • 68% Energy • 34% Liveness
75% Instrumentalness • 32% Positiveness
39% Popularity • 39% Danceability • 68% Energy • 34% Liveness
75% Instrumentalness • 32% Positiveness
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Johnny Pearson Y Su Orquesta
Matandome suavemente (Con su cancion)
93 bpm • F min • 03:53 • -16.22db
35% Popularity • 30% Danceability • 22% Energy • 21% Liveness
89% Instrumentalness • 17% Positiveness
35% Popularity • 30% Danceability • 22% Energy • 21% Liveness
89% Instrumentalness • 17% Positiveness
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Dioni Velazquez
Otoño Sin Final - Instrumental Version
93 bpm • A# Maj • 03:15 • -14.58db
32% Popularity • 68% Danceability • 31% Energy • 9% Liveness
65% Instrumentalness • 32% Positiveness
32% Popularity • 68% Danceability • 31% Energy • 9% Liveness
65% Instrumentalness • 32% Positiveness
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Francis Dupont
Zambezi
93 bpm • C Maj • 02:32 • -11db
31% Popularity • 55% Danceability • 75% Energy • 36% Liveness
86% Instrumentalness • 86% Positiveness
31% Popularity • 55% Danceability • 75% Energy • 36% Liveness
86% Instrumentalness • 86% Positiveness
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Ricci Ferra
Frühlingsstimmen-Walzer Op.410 (Voices ...
95 bpm • A# Maj • 03:57 • -12.99db
18% Popularity • 42% Danceability • 26% Energy • 9% Liveness
37% Instrumentalness • 35% Positiveness
18% Popularity • 42% Danceability • 26% Energy • 9% Liveness
37% Instrumentalness • 35% Positiveness
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Jack Jezzro
Come Back to Sorrento
108 bpm • D min • 02:56 • -14.81db
48% Popularity • 46% Danceability • 25% Energy • 16% Liveness
9% Instrumentalness • 27% Positiveness
48% Popularity • 46% Danceability • 25% Energy • 16% Liveness
9% Instrumentalness • 27% Positiveness
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The Romantic Sound Orchestra
Spanish Romance (Burgalesa)
108 bpm • E min • 03:10 • -15.98db
22% Popularity • 21% Danceability • 19% Energy • 11% Liveness
98% Instrumentalness • 5% Positiveness
22% Popularity • 21% Danceability • 19% Energy • 11% Liveness
98% Instrumentalness • 5% Positiveness
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Alfred Hause
Danube Waves Waltz - Waves Of The Danube...
93 bpm • A min • 03:14 • -12.41db
33% Popularity • 35% Danceability • 33% Energy • 9% Liveness
86% Instrumentalness • 39% Positiveness
33% Popularity • 35% Danceability • 33% Energy • 9% Liveness
86% Instrumentalness • 39% Positiveness
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Claudius Alzner
Unchained melody - Save the last dance f...
108 bpm • F Maj • 03:59 • -12.31db
24% Popularity • 42% Danceability • 30% Energy • 10% Liveness
41% Instrumentalness • 46% Positiveness
24% Popularity • 42% Danceability • 30% Energy • 10% Liveness
41% Instrumentalness • 46% Positiveness
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Studio Orchestra
Jeux Interdits (Narciso Yepes Cover)
108 bpm • D Maj • 03:45 • -17.89db
26% Popularity • 57% Danceability • 18% Energy • 8% Liveness
74% Instrumentalness • 18% Positiveness
26% Popularity • 57% Danceability • 18% Energy • 8% Liveness
74% Instrumentalness • 18% Positiveness
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Ricci Ferra
And Der Schönen Blauen Donau, Op.314 (T...
94 bpm • D Maj • 03:54 • -14db
28% Popularity • 45% Danceability • 26% Energy • 10% Liveness
12% Instrumentalness • 39% Positiveness
28% Popularity • 45% Danceability • 26% Energy • 10% Liveness
12% Instrumentalness • 39% Positiveness
