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Romeo & Juliet
Songs like
Romeo & Juliet
by
Peter McPoland
Based on a tempo of (+/- 10%) and a similar genre
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Penelope Scott
Lotta True Crime
159 bpm • G# Maj • 03:22 • -14.46db
66% Popularity • 50% Danceability • 41% Energy • 11% Liveness
6% Instrumentalness • 40% Positiveness
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The Rare Occasions
Notion
159 bpm • A Maj • 03:15 • -3.83db
81% Popularity • 31% Danceability • 88% Energy • 8% Liveness
0% Instrumentalness • 31% Positiveness
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Ax and the Hatchetmen
Mako
160 bpm • C# Maj • 01:44 • -8.86db
48% Popularity • 47% Danceability • 69% Energy • 13% Liveness
0% Instrumentalness • 88% Positiveness
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Manchester Orchestra
The Gold - Phoebe Bridgers Version
158 bpm • A# Maj • 03:53 • -12.18db
74% Popularity • 30% Danceability • 40% Energy • 15% Liveness
0% Instrumentalness • 30% Positiveness
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Coyote Theory
This Side of Paradise
158 bpm • A Maj • 04:02 • -6.07db
78% Popularity • 31% Danceability • 66% Energy • 14% Liveness
0% Instrumentalness • 32% Positiveness
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late night drive home
Euphoria
160 bpm • F Maj • 04:00 • -7.16db
49% Popularity • 48% Danceability • 70% Energy • 14% Liveness
2% Instrumentalness • 43% Positiveness
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Sir Chloe
Hooves
160 bpm • B Maj • 02:43 • -6.32db
48% Popularity • 51% Danceability • 82% Energy • 8% Liveness
1% Instrumentalness • 79% Positiveness
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Lovejoy
Portrait of a Blank Slate
160 bpm • G# min • 03:47 • -5.56db
63% Popularity • 60% Danceability • 86% Energy • 9% Liveness
0% Instrumentalness • 74% Positiveness
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The Happy Fits
Do Your Worst
160 bpm • G min • 03:29 • -4.93db
44% Popularity • 46% Danceability • 86% Energy • 6% Liveness
0% Instrumentalness • 63% Positiveness
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Hippo Campus
Bad Dream Baby
160 bpm • E Maj • 02:58 • -6.56db
54% Popularity • 65% Danceability • 72% Energy • 6% Liveness
0% Instrumentalness • 96% Positiveness
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James Marriott
Him
160 bpm • F min • 03:09 • -4.3db
51% Popularity • 61% Danceability • 88% Energy • 11% Liveness
0% Instrumentalness • 84% Positiveness
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Miracle Musical
Stranded Lullaby
160 bpm • A# Maj • 03:40 • -15.07db
56% Popularity • 49% Danceability • 22% Energy • 14% Liveness
44% Instrumentalness • 19% Positiveness
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Bo Burnham
Look Who’s Inside Again
160 bpm • D Maj • 01:23 • -9.24db
70% Popularity • 64% Danceability • 33% Energy • 37% Liveness
0% Instrumentalness • 65% Positiveness
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Aidan Bissett
More Than Friends
160 bpm • F# Maj • 03:03 • -6.79db
66% Popularity • 56% Danceability • 66% Energy • 12% Liveness
0% Instrumentalness • 67% Positiveness
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The Happy Fits
Too Late
160 bpm • G Maj • 03:21 • -10.48db
59% Popularity • 69% Danceability • 55% Energy • 48% Liveness
0% Instrumentalness • 78% Positiveness
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Ricky Montgomery
Eraser
160 bpm • G Maj • 03:03 • -6.66db
45% Popularity • 65% Danceability • 77% Energy • 10% Liveness
0% Instrumentalness • 55% Positiveness
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James Marriott
So Long
160 bpm • A# min • 03:19 • -4.48db
51% Popularity • 58% Danceability • 94% Energy • 13% Liveness
0% Instrumentalness • 57% Positiveness
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Dayglow
Run the World!!!
160 bpm • C Maj • 02:56 • -7.71db
60% Popularity • 71% Danceability • 63% Energy • 4% Liveness
0% Instrumentalness • 42% Positiveness
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second thoughts
nicotine stains
158 bpm • D Maj • 03:44 • -5db
44% Popularity • 44% Danceability • 92% Energy • 10% Liveness
47% Instrumentalness • 66% Positiveness
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Rainbow Kitten Surprise
Mission to Mars
160 bpm • G Maj • 02:34 • -10.95db
58% Popularity • 69% Danceability • 48% Energy • 21% Liveness
1% Instrumentalness • 43% Positiveness
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Penelope Scott
Gross
158 bpm • E min • 04:21 • -4.91db
42% Popularity • 56% Danceability • 83% Energy • 5% Liveness
0% Instrumentalness • 43% Positiveness
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girl in red
i'll die anyway.
158 bpm • C Maj • 03:12 • -6.89db
65% Popularity • 47% Danceability • 63% Energy • 8% Liveness
58% Instrumentalness • 17% Positiveness
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Noah Floersch
Born to Be Alone
160 bpm • F Maj • 03:22 • -8.9db
32% Popularity • 28% Danceability • 34% Energy • 10% Liveness
0% Instrumentalness • 42% Positiveness
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Lemon Demon
Touch-Tone Telephone
160 bpm • C min • 04:42 • -8.58db
63% Popularity • 62% Danceability • 71% Energy • 18% Liveness
0% Instrumentalness • 57% Positiveness
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Peter McPoland
Romeo & Juliet
161 bpm • C Maj • 02:46 • -7.11db
59% Popularity • 32% Danceability • 48% Energy • 50% Liveness
0% Instrumentalness • 8% Positiveness
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Sir Chloe
Mercy
162 bpm • G# Maj • 02:59 • -9db
49% Popularity • 55% Danceability • 32% Energy • 8% Liveness
0% Instrumentalness • 20% Positiveness
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Matt Maltese
madhouse
157 bpm • A# Maj • 03:31 • -8db
59% Popularity • 64% Danceability • 53% Energy • 14% Liveness
0% Instrumentalness • 64% Positiveness
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The Happy Fits
Heart of a Dancer
162 bpm • G min • 03:38 • -4.49db
52% Popularity • 45% Danceability • 82% Energy • 17% Liveness
0% Instrumentalness • 39% Positiveness
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I DONT KNOW HOW BUT THEY FOUND ME
Bleed Magic
162 bpm • C Maj • 03:23 • -7.08db
55% Popularity • 52% Danceability • 93% Energy • 17% Liveness
20% Instrumentalness • 23% Positiveness
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girl in red
bad idea!
162 bpm • C# Maj • 03:39 • -6.1db
74% Popularity • 51% Danceability • 81% Energy • 25% Liveness
5% Instrumentalness • 42% Positiveness
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Peter McPoland
Tonight
157 bpm • G Maj • 03:30 • -3.05db
39% Popularity • 48% Danceability • 94% Energy • 36% Liveness
0% Instrumentalness • 45% Positiveness
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The Backseat Lovers
Kilby Girl
162 bpm • C# Maj • 04:42 • -9.97db
76% Popularity • 33% Danceability • 44% Energy • 11% Liveness
4% Instrumentalness • 22% Positiveness
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Bo Burnham
1985
156 bpm • E min • 02:26 • -7.47db
69% Popularity • 65% Danceability • 72% Energy • 33% Liveness
0% Instrumentalness • 89% Positiveness
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Sir Chloe
Walk You Home
155 bpm • C min • 02:48 • -5.27db
59% Popularity • 37% Danceability • 61% Energy • 18% Liveness
0% Instrumentalness • 50% Positiveness
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Cults
Always Forever
163 bpm • G# Maj • 03:43 • -5.93db
82% Popularity • 17% Danceability • 74% Energy • 20% Liveness
28% Instrumentalness • 36% Positiveness
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girl in red
i wanna be your girlfriend
156 bpm • G Maj • 03:24 • -14.32db
76% Popularity • 54% Danceability • 38% Energy • 30% Liveness
0% Instrumentalness • 34% Positiveness
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Peter McPoland
Come Around
155 bpm • G Maj • 02:53 • -3db
39% Popularity • 50% Danceability • 93% Energy • 11% Liveness
0% Instrumentalness • 42% Positiveness
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Tally Hall
Cannibal
155 bpm • D Maj • 03:28 • -6.85db
58% Popularity • 50% Danceability • 74% Energy • 13% Liveness
0% Instrumentalness • 61% Positiveness
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Vundabar
Ash In The Sun
154 bpm • G Maj • 02:41 • -5db
56% Popularity • 34% Danceability • 79% Energy • 57% Liveness
1% Instrumentalness • 59% Positiveness
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Lovejoy
You'll Understand When You're Older
164 bpm • G# Maj • 03:52 • -9db
53% Popularity • 53% Danceability • 73% Energy • 22% Liveness
3% Instrumentalness • 68% Positiveness
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Rex Orange County
Television / So Far So Good
165 bpm • F Maj • 04:22 • -7.75db
74% Popularity • 40% Danceability • 50% Energy • 12% Liveness
0% Instrumentalness • 32% Positiveness
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girl in red
October Passed Me By
156 bpm • C Maj • 02:45 • -13.09db
68% Popularity • 44% Danceability • 37% Energy • 10% Liveness
8% Instrumentalness • 20% Positiveness
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Conan Gray
Family Line
154 bpm • F# Maj • 03:36 • -8.15db
74% Popularity • 33% Danceability • 40% Energy • 10% Liveness
0% Instrumentalness • 28% Positiveness
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Peter McPoland
I Want You
165 bpm • G min • 04:01 • -3.5db
33% Popularity • 39% Danceability • 98% Energy • 21% Liveness
0% Instrumentalness • 10% Positiveness
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Mickey Darling
VROOM VROOM
153 bpm • G Maj • 03:06 • -6.57db
47% Popularity • 55% Danceability • 72% Energy • 82% Liveness
0% Instrumentalness • 69% Positiveness
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Lovejoy
It's All Futile! It's All Pointless!
165 bpm • A Maj • 03:40 • -8.92db
56% Popularity • 54% Danceability • 53% Energy • 9% Liveness
5% Instrumentalness • 45% Positiveness
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The Backseat Lovers
Maple Syrup
153 bpm • D Maj • 04:03 • -9.7db
71% Popularity • 54% Danceability • 53% Energy • 8% Liveness
5% Instrumentalness • 38% Positiveness
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The Happy Fits
Moving
153 bpm • A min • 02:25 • -5.02db
51% Popularity • 51% Danceability • 84% Energy • 19% Liveness
0% Instrumentalness • 67% Positiveness
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Current Joys
New Flesh
166 bpm • A Maj • 02:47 • -16.07db
75% Popularity • 62% Danceability • 59% Energy • 9% Liveness
50% Instrumentalness • 70% Positiveness
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Peter McPoland
Mary Anne
166 bpm • G Maj • 02:23 • -3db
32% Popularity • 55% Danceability • 67% Energy • 29% Liveness
0% Instrumentalness • 88% Positiveness
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Sir Chloe
Too Close
166 bpm • A Maj • 02:50 • -5.73db
69% Popularity • 42% Danceability • 56% Energy • 19% Liveness
0% Instrumentalness • 54% Positiveness
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Wallows
WISH ME LUCK
152 bpm • G# Maj • 03:23 • -6.15db
54% Popularity • 36% Danceability • 70% Energy • 9% Liveness
4% Instrumentalness • 26% Positiveness
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Lovejoy
Call Me What You Like
152 bpm • C min • 03:46 • -6.75db
64% Popularity • 52% Danceability • 89% Energy • 7% Liveness
2% Instrumentalness • 36% Positiveness
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Dr. Dog
Where'd All the Time Go?
166 bpm • D Maj • 03:54 • -4.19db
79% Popularity • 45% Danceability • 82% Energy • 12% Liveness
0% Instrumentalness • 57% Positiveness
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girl in red
.
152 bpm • A# Maj • 02:46 • -7db
67% Popularity • 45% Danceability • 91% Energy • 14% Liveness
83% Instrumentalness • 32% Positiveness
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Glass Animals
Take A Slice
152 bpm • A Maj • 03:49 • -7db
66% Popularity • 62% Danceability • 66% Energy • 27% Liveness
0% Instrumentalness • 63% Positiveness
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Roar
The Comfort of a Laugh Track
152 bpm • C Maj • 04:52 • -8.88db
53% Popularity • 39% Danceability • 43% Energy • 11% Liveness
0% Instrumentalness • 33% Positiveness
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Regina Spektor
Two Birds
151 bpm • C Maj • 03:15 • -8.88db
73% Popularity • 55% Danceability • 50% Energy • 11% Liveness
0% Instrumentalness • 45% Positiveness
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Peter McPoland
Blue
168 bpm • G# Maj • 03:47 • -3.49db
38% Popularity • 35% Danceability • 80% Energy • 10% Liveness
0% Instrumentalness • 22% Positiveness
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Suki Waterhouse
Good Looking
150 bpm • E Maj • 03:34 • -9.08db
84% Popularity • 36% Danceability • 55% Energy • 12% Liveness
0% Instrumentalness • 26% Positiveness
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girl in red
girls
150 bpm • F Maj • 03:18 • -14.46db
71% Popularity • 52% Danceability • 45% Energy • 17% Liveness
4% Instrumentalness • 79% Positiveness
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The Moss
Insomnia
168 bpm • B Maj • 03:12 • -5.78db
57% Popularity • 54% Danceability • 75% Energy • 10% Liveness
1% Instrumentalness • 76% Positiveness
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Will Wood
2econd 2ight 2eer (that was fun, goodbye...
150 bpm • C Maj • 03:26 • -5.3db
61% Popularity • 58% Danceability • 96% Energy • 10% Liveness
0% Instrumentalness • 70% Positiveness
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Mickey Darling
SAY THAT YOU MISS ME
150 bpm • G# Maj • 03:48 • -6.84db
44% Popularity • 54% Danceability • 85% Energy • 28% Liveness
0% Instrumentalness • 45% Positiveness
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Naethan Apollo
Pretty Boy
150 bpm • F# Maj • 02:12 • -7.12db
57% Popularity • 61% Danceability • 58% Energy • 11% Liveness
0% Instrumentalness • 63% Positiveness
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Wilbur Soot
Jubilee Line
150 bpm • D Maj • 03:06 • -14.71db
57% Popularity • 41% Danceability • 25% Energy • 10% Liveness
0% Instrumentalness • 22% Positiveness
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Ricky Montgomery
Snow
150 bpm • G# Maj • 04:36 • -5.72db
55% Popularity • 59% Danceability • 65% Energy • 11% Liveness
0% Instrumentalness • 41% Positiveness
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chloe moriondo
Manta Rays
150 bpm • E Maj • 03:31 • -3.81db
51% Popularity • 48% Danceability • 84% Energy • 10% Liveness
0% Instrumentalness • 49% Positiveness
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carpetgarden
Can Ghosts Be Gay?
169 bpm • A Maj • 03:21 • -13.33db
50% Popularity • 46% Danceability • 32% Energy • 9% Liveness
0% Instrumentalness • 24% Positiveness
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girl in red
4am
169 bpm • A Maj • 01:50 • -13.77db
65% Popularity • 42% Danceability • 39% Energy • 20% Liveness
34% Instrumentalness • 30% Positiveness
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Peter McPoland
Romeo & Juliet - Acoustic
149 bpm • C# Maj • 02:14 • -9.76db
36% Popularity • 49% Danceability • 28% Energy • 10% Liveness
0% Instrumentalness • 49% Positiveness
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Rio Romeo
Everyday is the Best Day of My Life
170 bpm • G Maj • 02:12 • -8.14db
55% Popularity • 36% Danceability • 47% Energy • 11% Liveness
1% Instrumentalness • 43% Positiveness
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Wallows
Pleaser
149 bpm • A Maj • 03:07 • -4.31db
67% Popularity • 50% Danceability • 91% Energy • 27% Liveness
0% Instrumentalness • 38% Positiveness
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Noah Kahan
Homesick
170 bpm • F# Maj • 03:14 • -6db
75% Popularity • 50% Danceability • 64% Energy • 31% Liveness
0% Instrumentalness • 43% Positiveness
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The Brobecks
Better Than Me
170 bpm • G Maj • 04:27 • -7.39db
66% Popularity • 38% Danceability • 66% Energy • 6% Liveness
0% Instrumentalness • 43% Positiveness
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girl in red
You Stupid Bitch
149 bpm • B min • 03:15 • -5.66db
63% Popularity • 52% Danceability • 83% Energy • 27% Liveness
0% Instrumentalness • 76% Positiveness
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Peter McPoland
Shit Show
170 bpm • C# Maj • 03:20 • -3.64db
53% Popularity • 55% Danceability • 70% Energy • 20% Liveness
0% Instrumentalness • 70% Positiveness
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Miracle Musical
Dream Sweet in Sea Major
170 bpm • C Maj • 07:00 • -11.19db
68% Popularity • 34% Danceability • 43% Energy • 11% Liveness
7% Instrumentalness • 19% Positiveness
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young friend
feral canadian scaredy cat
170 bpm • D Maj • 03:04 • -8.5db
33% Popularity • 42% Danceability • 52% Energy • 8% Liveness
0% Instrumentalness • 22% Positiveness
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Sir Chloe
Untie You
170 bpm • D Maj • 03:20 • -6db
47% Popularity • 35% Danceability • 47% Energy • 16% Liveness
0% Instrumentalness • 27% Positiveness
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The Front Bottoms
Lone Star
149 bpm • E Maj • 03:50 • -6.04db
58% Popularity • 40% Danceability • 92% Energy • 31% Liveness
0% Instrumentalness • 81% Positiveness
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girl in red
forget her
149 bpm • D Maj • 02:23 • -16.79db
62% Popularity • 53% Danceability • 31% Energy • 7% Liveness
67% Instrumentalness • 51% Positiveness
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Peter McPoland
Mold
170 bpm • F# min • 03:15 • -4.05db
36% Popularity • 41% Danceability • 86% Energy • 7% Liveness
0% Instrumentalness • 13% Positiveness
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Mother Mother
Body
148 bpm • A# min • 03:33 • -3.6db
69% Popularity • 59% Danceability • 63% Energy • 34% Liveness
0% Instrumentalness • 48% Positiveness
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Mitski
Brand New City
148 bpm • F min • 02:12 • -5.96db
72% Popularity • 48% Danceability • 83% Energy • 8% Liveness
0% Instrumentalness • 66% Positiveness
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Cage The Elephant
Come a Little Closer
148 bpm • C# min • 03:49 • -1.79db
73% Popularity • 44% Danceability • 78% Energy • 15% Liveness
0% Instrumentalness • 30% Positiveness
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Wilbur Soot
Soft Boy
171 bpm • A Maj • 02:17 • -12.47db
55% Popularity • 68% Danceability • 42% Energy • 7% Liveness
0% Instrumentalness • 61% Positiveness
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Roar
Poor Grammar
172 bpm • D min • 02:36 • -6.3db
60% Popularity • 47% Danceability • 64% Energy • 13% Liveness
0% Instrumentalness • 49% Positiveness
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Lemon Demon
Cabinet Man
172 bpm • A# Maj • 04:22 • -7.93db
62% Popularity • 72% Danceability • 50% Energy • 14% Liveness
2% Instrumentalness • 95% Positiveness
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Will Wood
I / Me / Myself
172 bpm • B min • 04:51 • -5.27db
65% Popularity • 48% Danceability • 95% Energy • 81% Liveness
0% Instrumentalness • 76% Positiveness
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Mitski
Me and My Husband
172 bpm • C# Maj • 02:17 • -5.31db
76% Popularity • 50% Danceability • 64% Energy • 38% Liveness
0% Instrumentalness • 77% Positiveness
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Sir Chloe
Know Better
147 bpm • C Maj • 03:11 • -7.33db
45% Popularity • 54% Danceability • 82% Energy • 21% Liveness
2% Instrumentalness • 63% Positiveness
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Steve Lacy
Dark Red
172 bpm • F# Maj • 02:53 • -4.02db
87% Popularity • 60% Danceability • 78% Energy • 12% Liveness
0% Instrumentalness • 77% Positiveness
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flipturn
August
172 bpm • F# Maj • 04:21 • -4.3db
64% Popularity • 45% Danceability • 60% Energy • 11% Liveness
1% Instrumentalness • 16% Positiveness
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Michael Cera
Clay Pigeons
172 bpm • F# Maj • 03:06 • -17db
72% Popularity • 29% Danceability • 24% Energy • 10% Liveness
1% Instrumentalness • 44% Positiveness
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Ricky Montgomery
Boy Toy
173 bpm • D Maj • 02:56 • -5.1db
49% Popularity • 48% Danceability • 88% Energy • 17% Liveness
0% Instrumentalness • 56% Positiveness
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Naethan Apollo
Night Watch
173 bpm • B Maj • 01:28 • -8db
56% Popularity • 51% Danceability • 65% Energy • 8% Liveness
0% Instrumentalness • 36% Positiveness
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Lovejoy
Sex Sells
146 bpm • C Maj • 04:06 • -9.16db
61% Popularity • 47% Danceability • 72% Energy • 9% Liveness
0% Instrumentalness • 71% Positiveness
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Surf Curse
Disco
173 bpm • B min • 02:32 • -8.7db
70% Popularity • 47% Danceability • 62% Energy • 19% Liveness
0% Instrumentalness • 78% Positiveness
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hey, nothing
Party Brain
146 bpm • C Maj • 02:55 • -11.38db
35% Popularity • 72% Danceability • 66% Energy • 13% Liveness
0% Instrumentalness • 28% Positiveness
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Romeo & Juliet