Songs like Roméo et Juliette / Act 2: "Adieu mille fois!...Va! repose en paix!" by Charles Gounod
Based on a tempo of (+/- 10%) and a similar genre
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Frederick Delius
3 Small Tone Poems: No. 3. Spring Mornin...
95 bpm • A Maj • 07:24 • -26db
30% Popularity • 12% Danceability • 3% Energy • 7% Liveness
90% Instrumentalness • 4% Positiveness
30% Popularity • 12% Danceability • 3% Energy • 7% Liveness
90% Instrumentalness • 4% Positiveness
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Claudio Monteverdi
Pur ti Miro from 'L'incoronazione di Pop...
95 bpm • A Maj • 03:37 • -20.49db
24% Popularity • 27% Danceability • 4% Energy • 11% Liveness
23% Instrumentalness • 15% Positiveness
24% Popularity • 27% Danceability • 4% Energy • 11% Liveness
23% Instrumentalness • 15% Positiveness
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Daniel Barenboim
Bach, JS : Well-Tempered Clavier Book 1 ...
95 bpm • C Maj • 01:40 • -37db
56% Popularity • 18% Danceability • 2% Energy • 7% Liveness
90% Instrumentalness • 25% Positiveness
56% Popularity • 18% Danceability • 2% Energy • 7% Liveness
90% Instrumentalness • 25% Positiveness
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Edward Elgar
Salut d'amour, Op. 12
95 bpm • E Maj • 02:54 • -22db
51% Popularity • 17% Danceability • 13% Energy • 13% Liveness
4% Instrumentalness • 5% Positiveness
51% Popularity • 17% Danceability • 13% Energy • 13% Liveness
4% Instrumentalness • 5% Positiveness
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Domenico Scarlatti
Sonata in D Minor, K. 9
94 bpm • D min • 04:14 • -32.37db
42% Popularity • 40% Danceability • 2% Energy • 6% Liveness
92% Instrumentalness • 32% Positiveness
42% Popularity • 40% Danceability • 2% Energy • 6% Liveness
92% Instrumentalness • 32% Positiveness
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César Franck
Violin Sonata in A major, FWV 8: IV. All...
94 bpm • A Maj • 06:04 • -18.62db
52% Popularity • 25% Danceability • 14% Energy • 5% Liveness
3% Instrumentalness • 18% Positiveness
52% Popularity • 25% Danceability • 14% Energy • 5% Liveness
3% Instrumentalness • 18% Positiveness
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Leopold Godowsky
Renaissance, Book 2: Sarabande (Lully)
94 bpm • E min • 05:36 • -35db
35% Popularity • 48% Danceability • 1% Energy • 5% Liveness
94% Instrumentalness • 8% Positiveness
35% Popularity • 48% Danceability • 1% Energy • 5% Liveness
94% Instrumentalness • 8% Positiveness
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Charles Gounod
Gounod: Roméo et Juliette, Act 2: Entr'...
94 bpm • F Maj • 02:25 • -42.58db
8% Popularity • 16% Danceability • 0% Energy • 18% Liveness
86% Instrumentalness • 9% Positiveness
8% Popularity • 16% Danceability • 0% Energy • 18% Liveness
86% Instrumentalness • 9% Positiveness
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Ludwig van Beethoven
Violin Romance No. 2 in F Major, Op. 50
94 bpm • F Maj • 07:57 • -26.54db
10% Popularity • 24% Danceability • 5% Energy • 24% Liveness
29% Instrumentalness • 15% Positiveness
10% Popularity • 24% Danceability • 5% Energy • 24% Liveness
29% Instrumentalness • 15% Positiveness
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Edward Elgar
Cello Concerto in E Minor, Op. 85: III. ...
96 bpm • A# Maj • 05:55 • -31.12db
16% Popularity • 16% Danceability • 4% Energy • 11% Liveness
84% Instrumentalness • 3% Positiveness
16% Popularity • 16% Danceability • 4% Energy • 11% Liveness
84% Instrumentalness • 3% Positiveness
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Ottorino Respighi
Suite No. 3, P. 172: I. Italiana: Andant...
94 bpm • A# Maj • 02:46 • -27.36db
48% Popularity • 17% Danceability • 5% Energy • 35% Liveness
68% Instrumentalness • 18% Positiveness
48% Popularity • 17% Danceability • 5% Energy • 35% Liveness
68% Instrumentalness • 18% Positiveness
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AntonÃn Dvořák
Songs My Mother Taught Me, Op. 55 No. 4
96 bpm • D Maj • 02:14 • -30.66db
42% Popularity • 16% Danceability • 1% Energy • 9% Liveness
72% Instrumentalness • 6% Positiveness
42% Popularity • 16% Danceability • 1% Energy • 9% Liveness
72% Instrumentalness • 6% Positiveness
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![6 Chants polonais, S. 480: No. 2, Frühling (Wiosna, Spring) [After Chopin's Op. 74] cover art](https://i.scdn.co/image/ab67616d00001e02b75259b5803e04a1d46dc211)
Franz Liszt
6 Chants polonais, S. 480: No. 2, Frühl...
96 bpm • G min • 02:11 • -35.91db
64% Popularity • 41% Danceability • 1% Energy • 7% Liveness
95% Instrumentalness • 16% Positiveness
64% Popularity • 41% Danceability • 1% Energy • 7% Liveness
95% Instrumentalness • 16% Positiveness
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Charles Gounod
Gounod: Faust, Act 5: Trio-finale. "Aler...
94 bpm • C Maj • 05:51 • -15.44db
9% Popularity • 22% Danceability • 27% Energy • 26% Liveness
0% Instrumentalness • 5% Positiveness
9% Popularity • 22% Danceability • 27% Energy • 26% Liveness
0% Instrumentalness • 5% Positiveness
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Oskar Merikanto
Kesaillan idylli (Summer Night's Idyll),...
97 bpm • F Maj • 01:18 • -34db
42% Popularity • 17% Danceability • 1% Energy • 10% Liveness
84% Instrumentalness • 6% Positiveness
42% Popularity • 17% Danceability • 1% Energy • 10% Liveness
84% Instrumentalness • 6% Positiveness
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Academy of St. Martin in the Fields
Peer Gynt Suite No.2 op. 55 Solveig's So...
93 bpm • A min • 05:14 • -32db
34% Popularity • 11% Danceability • 2% Energy • 6% Liveness
88% Instrumentalness • 4% Positiveness
34% Popularity • 11% Danceability • 2% Energy • 6% Liveness
88% Instrumentalness • 4% Positiveness
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Pyotr Ilyich Tchaikovsky
Serenade for Strings in C Major, Op. 48,...
93 bpm • D Maj • 03:57 • -18.46db
25% Popularity • 25% Danceability • 20% Energy • 40% Liveness
96% Instrumentalness • 30% Positiveness
25% Popularity • 25% Danceability • 20% Energy • 40% Liveness
96% Instrumentalness • 30% Positiveness
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AntonÃn Dvořák
4 Romantic Pieces, B.150: I. Allegro mod...
97 bpm • A# Maj • 03:29 • -26.42db
26% Popularity • 21% Danceability • 3% Energy • 10% Liveness
54% Instrumentalness • 7% Positiveness
26% Popularity • 21% Danceability • 3% Energy • 10% Liveness
54% Instrumentalness • 7% Positiveness
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Carl Ditters von Dittersdorf
Harp Concerto in A major: 3. Rondeau: Al...
97 bpm • A Maj • 03:56 • -18.75db
28% Popularity • 61% Danceability • 14% Energy • 8% Liveness
95% Instrumentalness • 40% Positiveness
28% Popularity • 61% Danceability • 14% Energy • 8% Liveness
95% Instrumentalness • 40% Positiveness
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Antonio Vivaldi
Mandolin Concerto in C Major, RV 425: I....
97 bpm • C Maj • 02:45 • -22.36db
41% Popularity • 46% Danceability • 22% Energy • 15% Liveness
86% Instrumentalness • 66% Positiveness
41% Popularity • 46% Danceability • 22% Energy • 15% Liveness
86% Instrumentalness • 66% Positiveness
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Richard Strauss
Morgen! Op. 27, No. 4
93 bpm • G Maj • 03:41 • -21.93db
17% Popularity • 18% Danceability • 12% Energy • 27% Liveness
12% Instrumentalness • 4% Positiveness
17% Popularity • 18% Danceability • 12% Energy • 27% Liveness
12% Instrumentalness • 4% Positiveness
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Robert Schumann
Kinderszenen, Op. 15: No. 7, Träumerei ...
93 bpm • F Maj • 02:30 • -23.05db
29% Popularity • 20% Danceability • 8% Energy • 12% Liveness
78% Instrumentalness • 6% Positiveness
29% Popularity • 20% Danceability • 8% Energy • 12% Liveness
78% Instrumentalness • 6% Positiveness
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Max Bruch
Scottish Fantasy for Violin and Orchestr...
93 bpm • G# Maj • 06:37 • -15.52db
22% Popularity • 19% Danceability • 18% Energy • 11% Liveness
39% Instrumentalness • 9% Positiveness
22% Popularity • 19% Danceability • 18% Energy • 11% Liveness
39% Instrumentalness • 9% Positiveness
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Henry Purcell
Abdelazer, Z.570: 2. Rondeau
97 bpm • C# min • 01:38 • -20db
49% Popularity • 37% Danceability • 5% Energy • 11% Liveness
52% Instrumentalness • 48% Positiveness
49% Popularity • 37% Danceability • 5% Energy • 11% Liveness
52% Instrumentalness • 48% Positiveness
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Felix Mendelssohn
Mendelssohn: Song Without Words in D Maj...
93 bpm • D Maj • 05:30 • -24.91db
26% Popularity • 18% Danceability • 4% Energy • 13% Liveness
91% Instrumentalness • 4% Positiveness
26% Popularity • 18% Danceability • 4% Energy • 13% Liveness
91% Instrumentalness • 4% Positiveness
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Sergei Rachmaninoff
Vocalise, Op. 34, No. 14 (Arr. for Cello...
93 bpm • C# min • 06:58 • -26db
27% Popularity • 16% Danceability • 3% Energy • 14% Liveness
94% Instrumentalness • 6% Positiveness
27% Popularity • 16% Danceability • 3% Energy • 14% Liveness
94% Instrumentalness • 6% Positiveness
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Ludwig van Beethoven
Beethoven: Piano Concerto No. 5 in E-Fla...
97 bpm • B Maj • 07:33 • -34db
31% Popularity • 25% Danceability • 1% Energy • 11% Liveness
91% Instrumentalness • 4% Positiveness
31% Popularity • 25% Danceability • 1% Energy • 11% Liveness
91% Instrumentalness • 4% Positiveness
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Johan Svendsen
2 Swedish Folk-Melodies, Op. 27: No. 1 A...
92 bpm • E min • 03:10 • -23.3db
31% Popularity • 12% Danceability • 8% Energy • 14% Liveness
90% Instrumentalness • 4% Positiveness
31% Popularity • 12% Danceability • 8% Energy • 14% Liveness
90% Instrumentalness • 4% Positiveness
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Radu Lupu
Concert nr. 5 pentru pian și orchestră...
92 bpm • B Maj • 07:55 • -30.79db
11% Popularity • 26% Danceability • 3% Energy • 13% Liveness
89% Instrumentalness • 7% Positiveness
11% Popularity • 26% Danceability • 3% Energy • 13% Liveness
89% Instrumentalness • 7% Positiveness
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Georges Bizet
Carmen Suite No. 1 (Arr. E. Guiraud): II...
92 bpm • D# Maj • 02:48 • -33.21db
49% Popularity • 11% Danceability • 1% Energy • 11% Liveness
95% Instrumentalness • 4% Positiveness
49% Popularity • 11% Danceability • 1% Energy • 11% Liveness
95% Instrumentalness • 4% Positiveness
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Gioachino Rossini
Il barbiere di Siviglia: Overture (Sinfo...
92 bpm • E Maj • 07:05 • -20.75db
52% Popularity • 32% Danceability • 14% Energy • 12% Liveness
76% Instrumentalness • 28% Positiveness
52% Popularity • 32% Danceability • 14% Energy • 12% Liveness
76% Instrumentalness • 28% Positiveness
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Benjamin Godard
Jocelyn, Suite No. 2: Berceuse
92 bpm • F Maj • 05:33 • -33.67db
16% Popularity • 23% Danceability • 2% Energy • 9% Liveness
47% Instrumentalness • 4% Positiveness
16% Popularity • 23% Danceability • 2% Energy • 9% Liveness
47% Instrumentalness • 4% Positiveness
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Felix Mendelssohn
Auf Flügeln des Gesanges, Op. 34, No. 2
92 bpm • D Maj • 03:08 • -28.74db
20% Popularity • 14% Danceability • 4% Energy • 8% Liveness
95% Instrumentalness • 8% Positiveness
20% Popularity • 14% Danceability • 4% Energy • 8% Liveness
95% Instrumentalness • 8% Positiveness
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John Field
Kamarinskaya (Air russe varie)
92 bpm • A# Maj • 03:05 • -28db
32% Popularity • 36% Danceability • 7% Energy • 8% Liveness
91% Instrumentalness • 24% Positiveness
32% Popularity • 36% Danceability • 7% Energy • 8% Liveness
91% Instrumentalness • 24% Positiveness
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AntonÃn Dvořák
Dvořák: 7 Gipsy Melodies, Op. 55, B. 1...
92 bpm • D Maj • 02:26 • -16.91db
37% Popularity • 14% Danceability • 10% Energy • 11% Liveness
86% Instrumentalness • 4% Positiveness
37% Popularity • 14% Danceability • 10% Energy • 11% Liveness
86% Instrumentalness • 4% Positiveness
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Ludwig van Beethoven
Piano Concerto No. 5 in E-Flat Major, Op...
98 bpm • B Maj • 07:20 • -34.5db
35% Popularity • 26% Danceability • 1% Energy • 9% Liveness
88% Instrumentalness • 5% Positiveness
35% Popularity • 26% Danceability • 1% Energy • 9% Liveness
88% Instrumentalness • 5% Positiveness
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Vincenzo Bellini
I Capuleti e i Montecchi: Oh quante volt...
92 bpm • G min • 04:24 • -16.85db
39% Popularity • 15% Danceability • 19% Energy • 11% Liveness
87% Instrumentalness • 5% Positiveness
39% Popularity • 15% Danceability • 19% Energy • 11% Liveness
87% Instrumentalness • 5% Positiveness
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George Frideric Handel
Messiah, HWV 56, Part I: Pastoral Sympho...
92 bpm • C Maj • 03:47 • -29db
51% Popularity • 11% Danceability • 3% Energy • 9% Liveness
87% Instrumentalness • 4% Positiveness
51% Popularity • 11% Danceability • 3% Energy • 9% Liveness
87% Instrumentalness • 4% Positiveness
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Charles Gounod
Gounod: Faust, Act 2: "Vin ou bière, bi...
92 bpm • F Maj • 05:02 • -17db
10% Popularity • 54% Danceability • 32% Energy • 11% Liveness
1% Instrumentalness • 57% Positiveness
10% Popularity • 54% Danceability • 32% Energy • 11% Liveness
1% Instrumentalness • 57% Positiveness
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Pyotr Ilyich Tchaikovsky
Souvenir d'un lieu cher, Op. 42: 3. Mél...
99 bpm • D# Maj • 03:52 • -25.25db
43% Popularity • 22% Danceability • 5% Energy • 10% Liveness
3% Instrumentalness • 7% Positiveness
43% Popularity • 22% Danceability • 5% Energy • 10% Liveness
3% Instrumentalness • 7% Positiveness
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Felix Mendelssohn
Capriccio brillant, Op. 22: Andante
91 bpm • B Maj • 02:30 • -30.47db
54% Popularity • 25% Danceability • 1% Energy • 8% Liveness
97% Instrumentalness • 4% Positiveness
54% Popularity • 25% Danceability • 1% Energy • 8% Liveness
97% Instrumentalness • 4% Positiveness
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Max Bruch
Bruch: Violin Concerto No. 1 in G Minor,...
91 bpm • D# Maj • 08:11 • -22.97db
24% Popularity • 15% Danceability • 10% Energy • 36% Liveness
16% Instrumentalness • 7% Positiveness
24% Popularity • 15% Danceability • 10% Energy • 36% Liveness
16% Instrumentalness • 7% Positiveness
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Antonio Vivaldi
Nulla in mundo pax, RV 630: 1. Nulla in ...
99 bpm • D# Maj • 06:42 • -19.51db
50% Popularity • 29% Danceability • 8% Energy • 24% Liveness
0% Instrumentalness • 10% Positiveness
50% Popularity • 29% Danceability • 8% Energy • 24% Liveness
0% Instrumentalness • 10% Positiveness
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Carl Stamitz
Cello Concerto No. 1 in G Major: II. Rom...
91 bpm • A# Maj • 05:23 • -28db
39% Popularity • 14% Danceability • 4% Energy • 11% Liveness
87% Instrumentalness • 6% Positiveness
39% Popularity • 14% Danceability • 4% Energy • 11% Liveness
87% Instrumentalness • 6% Positiveness
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Charles Gounod
Gounod: Faust, CG 4, Act 2 Scene 5: Walt...
92 bpm • D Maj • 03:47 • -16db
21% Popularity • 26% Danceability • 22% Energy • 7% Liveness
22% Instrumentalness • 15% Positiveness
21% Popularity • 26% Danceability • 22% Energy • 7% Liveness
22% Instrumentalness • 15% Positiveness
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Vincenzo Bellini
Norma / Act I: "Casta Diva" (Arr. by Mat...
91 bpm • F Maj • 05:15 • -20.52db
20% Popularity • 17% Danceability • 6% Energy • 9% Liveness
89% Instrumentalness • 4% Positiveness
20% Popularity • 17% Danceability • 6% Energy • 9% Liveness
89% Instrumentalness • 4% Positiveness
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Felix Mendelssohn
Lieder ohne Worte, Op. 62: No. 6 Allegre...
99 bpm • A Maj • 01:56 • -20.7db
24% Popularity • 29% Danceability • 9% Energy • 13% Liveness
23% Instrumentalness • 21% Positiveness
24% Popularity • 29% Danceability • 9% Energy • 13% Liveness
23% Instrumentalness • 21% Positiveness
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Traditional
Nobody Knows the Trouble I've Seen
91 bpm • C# Maj • 03:12 • -24.94db
18% Popularity • 10% Danceability • 7% Energy • 9% Liveness
94% Instrumentalness • 4% Positiveness
18% Popularity • 10% Danceability • 7% Energy • 9% Liveness
94% Instrumentalness • 4% Positiveness
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Anton Arensky
Piano Trio No. 1 in D Minor, Op. 32: III...
90 bpm • G min • 05:08 • -35db
31% Popularity • 21% Danceability • 1% Energy • 10% Liveness
57% Instrumentalness • 7% Positiveness
31% Popularity • 21% Danceability • 1% Energy • 10% Liveness
57% Instrumentalness • 7% Positiveness
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Alexander Borodin
String Quartet No. 2 in D Major: III. No...
100 bpm • A Maj • 06:38 • -20.69db
23% Popularity • 26% Danceability • 9% Energy • 8% Liveness
66% Instrumentalness • 10% Positiveness
23% Popularity • 26% Danceability • 9% Energy • 8% Liveness
66% Instrumentalness • 10% Positiveness
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Charles Gounod
Roméo et Juliette, CG 9: Ah! Lève-toi,...
91 bpm • A# Maj • 04:40 • -16.91db
0% Popularity • 23% Danceability • 20% Energy • 10% Liveness
4% Instrumentalness • 6% Positiveness
0% Popularity • 23% Danceability • 20% Energy • 10% Liveness
4% Instrumentalness • 6% Positiveness
► Preview
AntonÃn Dvořák
Gypsy Melodies, Op. 55, B. 104: IV. Song...
100 bpm • C min • 03:16 • -19.13db
26% Popularity • 23% Danceability • 12% Energy • 29% Liveness
90% Instrumentalness • 4% Positiveness
26% Popularity • 23% Danceability • 12% Energy • 29% Liveness
90% Instrumentalness • 4% Positiveness
► Preview
Edward Elgar
Variations on an Original Theme, Op. 36 ...
90 bpm • A# Maj • 04:00 • -19.85db
34% Popularity • 16% Danceability • 9% Energy • 12% Liveness
92% Instrumentalness • 4% Positiveness
34% Popularity • 16% Danceability • 9% Energy • 12% Liveness
92% Instrumentalness • 4% Positiveness
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Pyotr Ilyich Tchaikovsky
Andante Cantabile
90 bpm • A# Maj • 07:42 • -34.44db
25% Popularity • 10% Danceability • 1% Energy • 10% Liveness
66% Instrumentalness • 4% Positiveness
25% Popularity • 10% Danceability • 1% Energy • 10% Liveness
66% Instrumentalness • 4% Positiveness
► Preview
Max Bruch
Violin Concerto No. 1 in G Minor, Op. 26...
100 bpm • D# Maj • 09:33 • -29.92db
22% Popularity • 15% Danceability • 3% Energy • 6% Liveness
34% Instrumentalness • 4% Positiveness
22% Popularity • 15% Danceability • 3% Energy • 6% Liveness
34% Instrumentalness • 4% Positiveness
► Preview
Manuel de Falla
Nana (Bercuese) from Siete conciones pop...
89 bpm • A Maj • 02:07 • -23db
16% Popularity • 23% Danceability • 7% Energy • 9% Liveness
87% Instrumentalness • 4% Positiveness
16% Popularity • 23% Danceability • 7% Energy • 9% Liveness
87% Instrumentalness • 4% Positiveness
► Preview
Charles Gounod
Gounod: Ave Maria, CG 89a
100 bpm • G Maj • 03:15 • -15.97db
27% Popularity • 27% Danceability • 24% Energy • 10% Liveness
0% Instrumentalness • 4% Positiveness
27% Popularity • 27% Danceability • 24% Energy • 10% Liveness
0% Instrumentalness • 4% Positiveness
► Preview
Tomaso Albinoni
Albinoni: Adagio in G Minor
90 bpm • C min • 05:53 • -20.28db
37% Popularity • 14% Danceability • 10% Energy • 11% Liveness
78% Instrumentalness • 4% Positiveness
37% Popularity • 14% Danceability • 10% Energy • 11% Liveness
78% Instrumentalness • 4% Positiveness
► Preview
Giacomo Puccini
Puccini: Gianni Schicchi, Act 1: "O mio ...
89 bpm • G# Maj • 02:01 • -14db
47% Popularity • 29% Danceability • 17% Energy • 10% Liveness
88% Instrumentalness • 12% Positiveness
47% Popularity • 29% Danceability • 17% Energy • 10% Liveness
88% Instrumentalness • 12% Positiveness
► Preview
Pyotr Ilyich Tchaikovsky
String Quartet No. 1 in D Major, Op. 11,...
90 bpm • F# Maj • 08:30 • -28.14db
24% Popularity • 12% Danceability • 3% Energy • 9% Liveness
31% Instrumentalness • 4% Positiveness
24% Popularity • 12% Danceability • 3% Energy • 9% Liveness
31% Instrumentalness • 4% Positiveness
► Preview
César Franck
Messe a 3 voix (Mass in 3 voices), Op. 1...
89 bpm • A Maj • 05:01 • -28db
27% Popularity • 17% Danceability • 3% Energy • 9% Liveness
21% Instrumentalness • 4% Positiveness
27% Popularity • 17% Danceability • 3% Energy • 9% Liveness
21% Instrumentalness • 4% Positiveness
► Preview
Alexander Glazunov
Rhapsodie Orientale, Op. 29: 1. Andante
89 bpm • C# Maj • 04:32 • -31db
42% Popularity • 10% Danceability • 2% Energy • 8% Liveness
65% Instrumentalness • 4% Positiveness
42% Popularity • 10% Danceability • 2% Energy • 8% Liveness
65% Instrumentalness • 4% Positiveness
► Preview
Charles Gounod
Messe solennelle de Sainte Cecile: Bened...
90 bpm • A# Maj • 02:52 • -29db
26% Popularity • 13% Danceability • 4% Energy • 10% Liveness
22% Instrumentalness • 4% Positiveness
26% Popularity • 13% Danceability • 4% Energy • 10% Liveness
22% Instrumentalness • 4% Positiveness
► Preview
George Frideric Handel
Handel: Serse, HWV 40, Act 1, Scene 1: A...
89 bpm • E Maj • 03:23 • -20.19db
36% Popularity • 13% Danceability • 12% Energy • 16% Liveness
2% Instrumentalness • 4% Positiveness
36% Popularity • 13% Danceability • 12% Energy • 16% Liveness
2% Instrumentalness • 4% Positiveness
► Preview
Barbara Hendricks
Ave Maria (Ellen's Gesang) D.839
102 bpm • A# Maj • 06:15 • -24.42db
26% Popularity • 22% Danceability • 5% Energy • 13% Liveness
6% Instrumentalness • 4% Positiveness
26% Popularity • 22% Danceability • 5% Energy • 13% Liveness
6% Instrumentalness • 4% Positiveness
► Preview
Pyotr Ilyich Tchaikovsky
Tchaikovsky: Serenade for Strings in C, ...
101 bpm • G Maj • 03:34 • -17db
40% Popularity • 24% Danceability • 22% Energy • 18% Liveness
59% Instrumentalness • 30% Positiveness
40% Popularity • 24% Danceability • 22% Energy • 18% Liveness
59% Instrumentalness • 30% Positiveness
► Preview
Felix Mendelssohn
Ein Sommernachtstraum (A Midsummer's Nig...
89 bpm • E Maj • 05:33 • -29.25db
32% Popularity • 10% Danceability • 2% Energy • 9% Liveness
89% Instrumentalness • 4% Positiveness
32% Popularity • 10% Danceability • 2% Energy • 9% Liveness
89% Instrumentalness • 4% Positiveness
► Preview
Ralph Vaughan Williams
Fantasia on Greensleeves
89 bpm • C min • 04:15 • -26.89db
42% Popularity • 13% Danceability • 7% Energy • 40% Liveness
88% Instrumentalness • 12% Positiveness
42% Popularity • 13% Danceability • 7% Energy • 40% Liveness
88% Instrumentalness • 12% Positiveness
► Preview
Charles Gounod
Ave Maria
90 bpm • D# Maj • 02:47 • -24.1db
21% Popularity • 28% Danceability • 3% Energy • 8% Liveness
49% Instrumentalness • 10% Positiveness
21% Popularity • 28% Danceability • 3% Energy • 8% Liveness
49% Instrumentalness • 10% Positiveness
► Preview
AntonÃn Dvořák
Songs My Mother Taught Me, Op. 55, No. 4...
102 bpm • D Maj • 02:44 • -17.69db
29% Popularity • 25% Danceability • 15% Energy • 13% Liveness
53% Instrumentalness • 7% Positiveness
29% Popularity • 25% Danceability • 15% Energy • 13% Liveness
53% Instrumentalness • 7% Positiveness
► Preview
Sergei Rachmaninoff
Rhapsody on a Theme of Paganini, Op. 43:...
88 bpm • C# Maj • 02:54 • -23.84db
56% Popularity • 20% Danceability • 5% Energy • 10% Liveness
91% Instrumentalness • 5% Positiveness
56% Popularity • 20% Danceability • 5% Energy • 10% Liveness
91% Instrumentalness • 5% Positiveness
► Preview
Pyotr Ilyich Tchaikovsky
Variations on a Rococo Theme, Op. 33, TH...
89 bpm • D Maj • 02:36 • -31.18db
59% Popularity • 12% Danceability • 3% Energy • 11% Liveness
16% Instrumentalness • 4% Positiveness
59% Popularity • 12% Danceability • 3% Energy • 11% Liveness
16% Instrumentalness • 4% Positiveness
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Hollywood Symphony Orchestra
Pachelbel - Canon In D
102 bpm • D Maj • 04:51 • -22db
44% Popularity • 21% Danceability • 14% Energy • 37% Liveness
84% Instrumentalness • 16% Positiveness
44% Popularity • 21% Danceability • 14% Energy • 37% Liveness
84% Instrumentalness • 16% Positiveness
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Franz Liszt
La campanella in G-Sharp Minor
88 bpm • G# min • 04:47 • -22.17db
52% Popularity • 28% Danceability • 29% Energy • 8% Liveness
89% Instrumentalness • 51% Positiveness
52% Popularity • 28% Danceability • 29% Energy • 8% Liveness
89% Instrumentalness • 51% Positiveness
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Charles Gounod
Ave Maria: Arr. from Bach's Prelude No. ...
89 bpm • C Maj • 05:30 • -22.93db
28% Popularity • 10% Danceability • 6% Energy • 6% Liveness
88% Instrumentalness • 6% Positiveness
28% Popularity • 10% Danceability • 6% Energy • 6% Liveness
88% Instrumentalness • 6% Positiveness
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Ludwig van Beethoven
Klavierkonzert Nr. 5 Es-Dur, Op. 73: II....
88 bpm • B Maj • 08:10 • -28.8db
32% Popularity • 26% Danceability • 2% Energy • 7% Liveness
88% Instrumentalness • 4% Positiveness
32% Popularity • 26% Danceability • 2% Energy • 7% Liveness
88% Instrumentalness • 4% Positiveness
► Preview
JoaquÃn Rodrigo
FantasÃa para un Gentilhombre: IIa. Esp...
88 bpm • A min • 05:04 • -23.4db
40% Popularity • 33% Danceability • 5% Energy • 12% Liveness
91% Instrumentalness • 21% Positiveness
40% Popularity • 33% Danceability • 5% Energy • 12% Liveness
91% Instrumentalness • 21% Positiveness
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Pyotr Ilyich Tchaikovsky
The Sleeping Beauty, Op. 66, TH 13 / Act...
102 bpm • A# Maj • 04:39 • -20.06db
46% Popularity • 27% Danceability • 15% Energy • 31% Liveness
89% Instrumentalness • 47% Positiveness
46% Popularity • 27% Danceability • 15% Energy • 31% Liveness
89% Instrumentalness • 47% Positiveness
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Slovak Philharmonic
Romance No. 2 In F Major, Op. 50
88 bpm • F Maj • 09:50 • -23db
38% Popularity • 18% Danceability • 6% Energy • 30% Liveness
28% Instrumentalness • 8% Positiveness
38% Popularity • 18% Danceability • 6% Energy • 30% Liveness
28% Instrumentalness • 8% Positiveness
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George Frideric Handel
Handel: Rinaldo, HWV 7, Act 2: "Lascia c...
103 bpm • E Maj • 05:32 • -22.76db
30% Popularity • 21% Danceability • 3% Energy • 9% Liveness
1% Instrumentalness • 4% Positiveness
30% Popularity • 21% Danceability • 3% Energy • 9% Liveness
1% Instrumentalness • 4% Positiveness
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Charles Gounod
Messe solennelle de Sainte Cecile: Sanct...
89 bpm • F Maj • 06:02 • -19db
9% Popularity • 12% Danceability • 15% Energy • 11% Liveness
76% Instrumentalness • 4% Positiveness
9% Popularity • 12% Danceability • 15% Energy • 11% Liveness
76% Instrumentalness • 4% Positiveness
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Samuel Barber
Four Songs Op. 13: No. 3 Sure On This Sh...
88 bpm • A# Maj • 02:31 • -17.02db
20% Popularity • 19% Danceability • 18% Energy • 14% Liveness
90% Instrumentalness • 4% Positiveness
20% Popularity • 19% Danceability • 18% Energy • 14% Liveness
90% Instrumentalness • 4% Positiveness
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Felix Mendelssohn
Violin Concerto In E Minor, Op. 64, MWV ...
103 bpm • C Maj • 07:14 • -27.12db
25% Popularity • 21% Danceability • 6% Energy • 7% Liveness
6% Instrumentalness • 4% Positiveness
25% Popularity • 21% Danceability • 6% Energy • 7% Liveness
6% Instrumentalness • 4% Positiveness
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Richard Wagner
Wagner: Albumblatt, WWV 94
87 bpm • A Maj • 04:48 • -13db
34% Popularity • 19% Danceability • 24% Energy • 6% Liveness
2% Instrumentalness • 6% Positiveness
34% Popularity • 19% Danceability • 24% Energy • 6% Liveness
2% Instrumentalness • 6% Positiveness
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Pyotr Ilyich Tchaikovsky
The Seasons, Op. 37b: VI. June, "Barcaro...
87 bpm • G min • 04:31 • -27.95db
47% Popularity • 31% Danceability • 4% Energy • 8% Liveness
87% Instrumentalness • 18% Positiveness
47% Popularity • 31% Danceability • 4% Energy • 8% Liveness
87% Instrumentalness • 18% Positiveness
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George Frideric Handel
Serse (Xerxes), Hwv 40 (arr. for oboe an...
88 bpm • F Maj • 03:47 • -19.59db
38% Popularity • 10% Danceability • 13% Energy • 11% Liveness
81% Instrumentalness • 4% Positiveness
38% Popularity • 10% Danceability • 13% Energy • 11% Liveness
81% Instrumentalness • 4% Positiveness
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Charles Gounod
Roméo et Juliette, Act II: Ah, je veux ...
103 bpm • A# Maj • 03:49 • -23.59db
5% Popularity • 34% Danceability • 9% Energy • 7% Liveness
2% Instrumentalness • 11% Positiveness
5% Popularity • 34% Danceability • 9% Energy • 7% Liveness
2% Instrumentalness • 11% Positiveness
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AntonÃn Dvořák
String Quartet No. 12 in F Major, "Ameri...
87 bpm • D min • 06:25 • -24.06db
20% Popularity • 20% Danceability • 4% Energy • 10% Liveness
63% Instrumentalness • 8% Positiveness
20% Popularity • 20% Danceability • 4% Energy • 10% Liveness
63% Instrumentalness • 8% Positiveness
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Christoph Willibald Gluck
Orfeo ed Euridice, Wq. 30 / Act II: Danc...
87 bpm • B min • 03:07 • -22db
34% Popularity • 16% Danceability • 9% Energy • 9% Liveness
92% Instrumentalness • 7% Positiveness
34% Popularity • 16% Danceability • 9% Energy • 9% Liveness
92% Instrumentalness • 7% Positiveness
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Johan Svendsen
Variations on a Norwegian Folktune, Op. ...
87 bpm • E Maj • 05:35 • -22.51db
29% Popularity • 14% Danceability • 5% Energy • 11% Liveness
93% Instrumentalness • 4% Positiveness
29% Popularity • 14% Danceability • 5% Energy • 11% Liveness
93% Instrumentalness • 4% Positiveness
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Pyotr Ilyich Tchaikovsky
Album for the Young, Op. 39: No. 3. Mamm...
87 bpm • G Maj • 01:33 • -37.26db
65% Popularity • 42% Danceability • 1% Energy • 10% Liveness
96% Instrumentalness • 42% Positiveness
65% Popularity • 42% Danceability • 1% Energy • 10% Liveness
96% Instrumentalness • 42% Positiveness
► Preview
Sergei Rachmaninoff
Zdes' khorosho ('How Fair This Spot'), O...
87 bpm • A Maj • 01:59 • -29.09db
57% Popularity • 25% Danceability • 2% Energy • 4% Liveness
94% Instrumentalness • 6% Positiveness
57% Popularity • 25% Danceability • 2% Energy • 4% Liveness
94% Instrumentalness • 6% Positiveness
► Preview
Charles Gounod
Faust, Act II: Le veau d'or
103 bpm • F min • 02:05 • -16.93db
4% Popularity • 46% Danceability • 39% Energy • 92% Liveness
0% Instrumentalness • 49% Positiveness
4% Popularity • 46% Danceability • 39% Energy • 92% Liveness
0% Instrumentalness • 49% Positiveness
► Preview
Alfredo Catalani
La Wally: Ebben?...Ne andrò lontana (Ar...
104 bpm • E min • 03:04 • -24.17db
15% Popularity • 21% Danceability • 3% Energy • 11% Liveness
85% Instrumentalness • 6% Positiveness
15% Popularity • 21% Danceability • 3% Energy • 11% Liveness
85% Instrumentalness • 6% Positiveness
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Gustav Mahler
Symphony No. 5 In C Sharp Minor: IV. Ada...
87 bpm • F Maj • 10:59 • -33db
47% Popularity • 9% Danceability • 1% Energy • 12% Liveness
82% Instrumentalness • 3% Positiveness
47% Popularity • 9% Danceability • 1% Energy • 12% Liveness
82% Instrumentalness • 3% Positiveness
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Reynaldo Hahn
A Chloris (Arr. For Cor Anglais & Orches...
87 bpm • E Maj • 04:15 • -27db
33% Popularity • 18% Danceability • 4% Energy • 10% Liveness
96% Instrumentalness • 7% Positiveness
33% Popularity • 18% Danceability • 4% Energy • 10% Liveness
96% Instrumentalness • 7% Positiveness
► Preview
Roman Hoffstetter
String Quartet in F Major, Op. 3, No. 5,...
104 bpm • C Maj • 05:43 • -24db
30% Popularity • 31% Danceability • 7% Energy • 11% Liveness
0% Instrumentalness • 24% Positiveness
30% Popularity • 31% Danceability • 7% Energy • 11% Liveness
0% Instrumentalness • 24% Positiveness
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The Ayoub Sisters
Requiem: 5. Pie Jesu
87 bpm • A Maj • 03:18 • -19.74db
41% Popularity • 10% Danceability • 12% Energy • 8% Liveness
66% Instrumentalness • 5% Positiveness
41% Popularity • 10% Danceability • 12% Energy • 8% Liveness
66% Instrumentalness • 5% Positiveness
