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Robert Hood
Based on a tempo of (+/- 10%) and a similar genre
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Cassegrain
CN01
125 bpm • C# Maj • 06:26 • -9.11db
16% Popularity • 77% Danceability • 95% Energy • 16% Liveness
86% Instrumentalness • 11% Positiveness
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Robert Hood
Rotate
125 bpm • F# Maj • 06:26 • -11.47db
9% Popularity • 81% Danceability • 78% Energy • 10% Liveness
86% Instrumentalness • 8% Positiveness
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Jerome Hill
Bombing With Imase
125 bpm • E min • 06:40 • -8.12db
12% Popularity • 80% Danceability • 83% Energy • 9% Liveness
91% Instrumentalness • 19% Positiveness
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Gunnar Haslam
Scale No Flam - Servito and Cudmore Bass...
125 bpm • B min • 07:44 • -11.41db
13% Popularity • 80% Danceability • 94% Energy • 4% Liveness
86% Instrumentalness • 7% Positiveness
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Boys Noize
Trooper - Robert Hood Remix
125 bpm • A# min • 07:41 • -10.58db
1% Popularity • 83% Danceability • 84% Energy • 3% Liveness
86% Instrumentalness • 60% Positiveness
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Fanon Flowers
Prado Oscuro
125 bpm • D Maj • 05:53 • -12.33db
17% Popularity • 81% Danceability • 62% Energy • 11% Liveness
96% Instrumentalness • 15% Positiveness
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Loco Dice
Get Comfy (Underground Sound Suicide) -...
125 bpm • E min • 07:10 • -9.79db
3% Popularity • 76% Danceability • 85% Energy • 12% Liveness
85% Instrumentalness • 52% Positiveness
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Mike Dehnert
Losange
125 bpm • A min • 04:54 • -12.65db
19% Popularity • 81% Danceability • 64% Energy • 10% Liveness
92% Instrumentalness • 39% Positiveness
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Basic Channel
Q1.1/I
125 bpm • C# Maj • 07:53 • -10.17db
26% Popularity • 76% Danceability • 74% Energy • 18% Liveness
88% Instrumentalness • 16% Positiveness
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F.U.S.E.
Substance Abuse
126 bpm • D Maj • 05:07 • -8.25db
10% Popularity • 69% Danceability • 91% Energy • 11% Liveness
88% Instrumentalness • 19% Positiveness
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David Vunk
Shadow Police
126 bpm • A# min • 05:18 • -7.97db
14% Popularity • 80% Danceability • 91% Energy • 44% Liveness
92% Instrumentalness • 21% Positiveness
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Robert Hood
The Struggle
126 bpm • G Maj • 07:16 • -10.41db
13% Popularity • 69% Danceability • 67% Energy • 61% Liveness
45% Instrumentalness • 9% Positiveness
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Landside
Signs Of Change - Robert Hood Remix
126 bpm • F# Maj • 07:22 • -8.65db
4% Popularity • 63% Danceability • 85% Energy • 10% Liveness
92% Instrumentalness • 9% Positiveness
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Mike Dehnert
Fachwerk 25
125 bpm • C# Maj • 05:01 • -8.85db
13% Popularity • 81% Danceability • 71% Energy • 17% Liveness
15% Instrumentalness • 51% Positiveness
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Kevin Saunderson
Savage & Beyond
126 bpm • C# Maj • 03:29 • -6.14db
19% Popularity • 31% Danceability • 99% Energy • 11% Liveness
82% Instrumentalness • 26% Positiveness
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F.U.S.E.
Substance Abuse
126 bpm • D Maj • 05:06 • -7db
28% Popularity • 68% Danceability • 96% Energy • 12% Liveness
89% Instrumentalness • 26% Positiveness
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Peter Van Hoesen
Axis Mundi
126 bpm • C# Maj • 06:00 • -9.22db
15% Popularity • 59% Danceability • 79% Energy • 11% Liveness
72% Instrumentalness • 5% Positiveness
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Ben Klock
Napoleon Hill - Original Mix
124 bpm • F# min • 05:58 • -10.71db
22% Popularity • 87% Danceability • 84% Energy • 9% Liveness
72% Instrumentalness • 41% Positiveness
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Function
Binaural
124 bpm • F# Maj • 09:10 • -16db
13% Popularity • 57% Danceability • 53% Energy • 9% Liveness
94% Instrumentalness • 15% Positiveness
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Mike Dehnert
Starground
126 bpm • A Maj • 06:07 • -11.96db
21% Popularity • 69% Danceability • 59% Energy • 13% Liveness
0% Instrumentalness • 36% Positiveness
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Kevin Saunderson
Heavenly
126 bpm • F# min • 03:20 • -6db
19% Popularity • 57% Danceability • 94% Energy • 20% Liveness
89% Instrumentalness • 69% Positiveness
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Mike Huckaby
Basement Trax
124 bpm • C Maj • 05:36 • -9.24db
12% Popularity • 78% Danceability • 99% Energy • 10% Liveness
92% Instrumentalness • 84% Positiveness
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Aufgang
Barock - Robert Hood Remix
126 bpm • D min • 05:53 • -9.29db
1% Popularity • 81% Danceability • 98% Energy • 6% Liveness
88% Instrumentalness • 37% Positiveness
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Radio Slave
Repeat Myself - Rodhad Remix
126 bpm • G# Maj • 06:10 • -11.95db
17% Popularity • 80% Danceability • 76% Energy • 10% Liveness
92% Instrumentalness • 8% Positiveness
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Planetary Assault Systems
Dungeon - mixed
126 bpm • G Maj • 03:15 • -16.97db
32% Popularity • 53% Danceability • 46% Energy • 12% Liveness
92% Instrumentalness • 3% Positiveness
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Bloody Mary
Love Is Acid
126 bpm • A# min • 06:36 • -10.32db
15% Popularity • 79% Danceability • 96% Energy • 10% Liveness
92% Instrumentalness • 46% Positiveness
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Kevin Saunderson
Pump The Move
126 bpm • F min • 03:22 • -7db
21% Popularity • 64% Danceability • 96% Energy • 7% Liveness
86% Instrumentalness • 79% Positiveness
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Oliver Way
Stained Glass Shadows - Robert Hood Remi...
124 bpm • B min • 04:38 • -7.7db
3% Popularity • 82% Danceability • 71% Energy • 8% Liveness
4% Instrumentalness • 51% Positiveness
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Legowelt
Institute of The Overmind - Photonz Remi...
126 bpm • D Maj • 04:06 • -9.98db
22% Popularity • 75% Danceability • 83% Energy • 8% Liveness
85% Instrumentalness • 24% Positiveness
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e-Dancer
Pump The Move - Kenny Larkin Mix
126 bpm • A# min • 05:53 • -7.21db
9% Popularity • 69% Danceability • 82% Energy • 8% Liveness
86% Instrumentalness • 35% Positiveness
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DJ HMC
6 A.M.
126 bpm • A# min • 05:19 • -14.14db
22% Popularity • 88% Danceability • 35% Energy • 11% Liveness
89% Instrumentalness • 6% Positiveness
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Robert Hood
The Pace - Mixed
124 bpm • A min • 02:18 • -17.03db
34% Popularity • 81% Danceability • 74% Energy • 13% Liveness
93% Instrumentalness • 44% Positiveness
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PVS
Fuckin' Society
127 bpm • F# Maj • 08:04 • -15.12db
8% Popularity • 68% Danceability • 48% Energy • 11% Liveness
63% Instrumentalness • 47% Positiveness
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Acidulant
Attack of the 303
127 bpm • E min • 06:16 • -12.15db
14% Popularity • 86% Danceability • 71% Energy • 12% Liveness
88% Instrumentalness • 31% Positiveness
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Jonas Kopp
Alkitran - Original Mix
127 bpm • G Maj • 07:37 • -10.65db
13% Popularity • 86% Danceability • 56% Energy • 11% Liveness
0% Instrumentalness • 36% Positiveness
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Mark Broom
No Time Soon
127 bpm • B min • 06:06 • -11.52db
13% Popularity • 80% Danceability • 80% Energy • 11% Liveness
91% Instrumentalness • 4% Positiveness
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Sandwell District
Disaffected
127 bpm • G Maj • 07:40 • -11.83db
25% Popularity • 75% Danceability • 48% Energy • 11% Liveness
91% Instrumentalness • 14% Positiveness
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Robert Hood
The Bond We Formed - Slam Remix
127 bpm • F# min • 07:13 • -10.68db
7% Popularity • 62% Danceability • 67% Energy • 10% Liveness
96% Instrumentalness • 17% Positiveness
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DJ Pierre
Acid Track - KiNK Remix
127 bpm • F# min • 07:33 • -10db
18% Popularity • 75% Danceability • 89% Energy • 11% Liveness
91% Instrumentalness • 10% Positiveness
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Lucy
Sana Sana Sana Cura Cura Cura
127 bpm • B min • 09:14 • -12.94db
8% Popularity • 71% Danceability • 67% Energy • 11% Liveness
84% Instrumentalness • 61% Positiveness
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Function
Against The Wall
127 bpm • D Maj • 05:50 • -14.23db
22% Popularity • 60% Danceability • 58% Energy • 24% Liveness
89% Instrumentalness • 17% Positiveness
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Mark Broom
Hostage
127 bpm • E min • 06:25 • -14db
30% Popularity • 80% Danceability • 81% Energy • 10% Liveness
93% Instrumentalness • 21% Positiveness
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Gesloten Cirkel
Charming
127 bpm • G Maj • 06:44 • -11.08db
11% Popularity • 78% Danceability • 52% Energy • 11% Liveness
90% Instrumentalness • 7% Positiveness
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Robert Hood
Low Life
127 bpm • A min • 05:34 • -10db
22% Popularity • 73% Danceability • 64% Energy • 11% Liveness
82% Instrumentalness • 14% Positiveness
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Shifted
Control
127 bpm • G Maj • 07:06 • -9db
23% Popularity • 70% Danceability • 85% Energy • 12% Liveness
90% Instrumentalness • 43% Positiveness
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Tres Demented
Brainfreeze - Len Faki Hardspace Mix
127 bpm • A# min • 06:48 • -8.64db
9% Popularity • 66% Danceability • 75% Energy • 15% Liveness
85% Instrumentalness • 14% Positiveness
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Heiko Laux
Self
127 bpm • G Maj • 06:02 • -10.34db
8% Popularity • 70% Danceability • 93% Energy • 13% Liveness
91% Instrumentalness • 16% Positiveness
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Oscar Mulero
Rotar - Tensal remix
127 bpm • C# Maj • 06:06 • -12.46db
27% Popularity • 73% Danceability • 93% Energy • 11% Liveness
82% Instrumentalness • 5% Positiveness
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Kevin Saunderson
World Of Deep
127 bpm • C# Maj • 03:28 • -4.89db
25% Popularity • 74% Danceability • 98% Energy • 33% Liveness
90% Instrumentalness • 42% Positiveness
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Rod
Hux
127 bpm • G Maj • 06:03 • -8.75db
12% Popularity • 66% Danceability • 95% Energy • 9% Liveness
48% Instrumentalness • 25% Positiveness
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Deniro
Epirus
127 bpm • C# Maj • 06:31 • -9db
13% Popularity • 80% Danceability • 94% Energy • 11% Liveness
92% Instrumentalness • 92% Positiveness
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Nic Fanciulli
Materia - Robert Hood Remix
127 bpm • A Maj • 08:41 • -7.59db
1% Popularity • 80% Danceability • 90% Energy • 17% Liveness
86% Instrumentalness • 4% Positiveness
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Derrick May
Daymares, It Is What It Is
127 bpm • D Maj • 06:37 • -7.81db
20% Popularity • 71% Danceability • 94% Energy • 12% Liveness
94% Instrumentalness • 97% Positiveness
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Oscar Mulero
Eccentricity
127 bpm • E min • 05:09 • -14.9db
26% Popularity • 82% Danceability • 45% Energy • 27% Liveness
91% Instrumentalness • 6% Positiveness
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Alien Rain
Alienopolis
128 bpm • B Maj • 06:22 • -10.7db
12% Popularity • 78% Danceability • 95% Energy • 19% Liveness
91% Instrumentalness • 8% Positiveness
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Cari Lekebusch
Mad Poet
128 bpm • C# Maj • 05:03 • -9.94db
19% Popularity • 91% Danceability • 52% Energy • 10% Liveness
82% Instrumentalness • 44% Positiveness
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Robert Hood
Shadows
128 bpm • C# Maj • 05:22 • -9.58db
7% Popularity • 62% Danceability • 86% Energy • 11% Liveness
90% Instrumentalness • 48% Positiveness
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Evigt Mörker
Etisk piska
128 bpm • F# min • 05:52 • -13.86db
10% Popularity • 78% Danceability • 80% Energy • 11% Liveness
88% Instrumentalness • 15% Positiveness
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Ken Ishii
H-Radiation
128 bpm • B min • 06:24 • -13.09db
9% Popularity • 56% Danceability • 66% Energy • 17% Liveness
88% Instrumentalness • 20% Positiveness
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Donato Dozzy
TB Square
128 bpm • F min • 06:21 • -10.78db
12% Popularity • 80% Danceability • 84% Energy • 9% Liveness
91% Instrumentalness • 58% Positiveness
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DJ HMC
Maurader
128 bpm • A# min • 06:58 • -11.46db
29% Popularity • 70% Danceability • 73% Energy • 7% Liveness
90% Instrumentalness • 62% Positiveness
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Truss
Beacon
128 bpm • E min • 06:58 • -9.92db
13% Popularity • 76% Danceability • 95% Energy • 18% Liveness
95% Instrumentalness • 24% Positiveness
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Heiko Laux
Hexagon
128 bpm • C# Maj • 05:55 • -8.15db
28% Popularity • 80% Danceability • 61% Energy • 8% Liveness
89% Instrumentalness • 26% Positiveness
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The Advent
High Horse
128 bpm • F# min • 05:00 • -7.01db
16% Popularity • 75% Danceability • 93% Energy • 12% Liveness
82% Instrumentalness • 60% Positiveness
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Gary Beck
Bicycle Wheel
128 bpm • A# min • 05:33 • -7.91db
17% Popularity • 65% Danceability • 79% Energy • 11% Liveness
81% Instrumentalness • 11% Positiveness
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Radio Slave
The Clone Wars - Markus Suckut Remix
128 bpm • G Maj • 07:16 • -11.21db
24% Popularity • 73% Danceability • 67% Energy • 10% Liveness
86% Instrumentalness • 7% Positiveness
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Ben Klock
Before One - Original Mix
128 bpm • G Maj • 07:24 • -14db
21% Popularity • 84% Danceability • 56% Energy • 14% Liveness
84% Instrumentalness • 60% Positiveness
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Shed
Boom Room
128 bpm • A# min • 06:39 • -9.01db
11% Popularity • 77% Danceability • 99% Energy • 9% Liveness
87% Instrumentalness • 14% Positiveness
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K-Hand
I Can’t Take You Leaving Me
128 bpm • A# min • 06:32 • -9.37db
10% Popularity • 88% Danceability • 83% Energy • 12% Liveness
95% Instrumentalness • 43% Positiveness
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FJAAK
Against the Clock
128 bpm • G# min • 07:26 • -6.4db
13% Popularity • 62% Danceability • 95% Energy • 41% Liveness
89% Instrumentalness • 10% Positiveness
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L.B. Dub Corp
Roller Function - Len Faki Interpretatio...
128 bpm • G Maj • 06:24 • -13db
27% Popularity • 66% Danceability • 68% Energy • 11% Liveness
85% Instrumentalness • 21% Positiveness
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Gesloten Cirkel
Chasing Away the Night
128 bpm • B min • 10:03 • -7.38db
10% Popularity • 73% Danceability • 83% Energy • 10% Liveness
85% Instrumentalness • 13% Positiveness
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Lewis Fautzi
Stagger
128 bpm • G Maj • 05:03 • -9.86db
22% Popularity • 69% Danceability • 92% Energy • 11% Liveness
76% Instrumentalness • 4% Positiveness
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Takaaki Itoh
Dusker
128 bpm • E min • 06:05 • -9db
19% Popularity • 70% Danceability • 90% Energy • 11% Liveness
90% Instrumentalness • 3% Positiveness
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Robert Hood
Drive (The Age Of Automation)
128 bpm • B min • 05:54 • -11db
11% Popularity • 80% Danceability • 73% Energy • 10% Liveness
93% Instrumentalness • 25% Positiveness
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MATRiXXMAN
Augmented
128 bpm • C# Maj • 05:52 • -13.27db
29% Popularity • 79% Danceability • 81% Energy • 11% Liveness
91% Instrumentalness • 27% Positiveness
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Dave Clarke
Wisdom to the Wise (Red 2) - A. Mochi Re...
128 bpm • D# min • 08:06 • -7.06db
28% Popularity • 65% Danceability • 83% Energy • 8% Liveness
90% Instrumentalness • 18% Positiveness
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Benjamin Damage
Cosmonaut
128 bpm • D min • 06:03 • -11.11db
20% Popularity • 76% Danceability • 95% Energy • 10% Liveness
92% Instrumentalness • 3% Positiveness
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Juan Atkins
Concave 1
128 bpm • A# min • 05:10 • -14db
13% Popularity • 80% Danceability • 66% Energy • 25% Liveness
88% Instrumentalness • 33% Positiveness
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FJAAK
Wolves
128 bpm • C Maj • 04:03 • -9.16db
16% Popularity • 72% Danceability • 92% Energy • 10% Liveness
95% Instrumentalness • 3% Positiveness
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Lewis Fautzi
Molecular Spasms
128 bpm • B Maj • 05:01 • -10.14db
12% Popularity • 65% Danceability • 85% Energy • 11% Liveness
90% Instrumentalness • 10% Positiveness
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Oliver Way
Stained Glass Shadows - Robert Hood Remi...
128 bpm • C Maj • 06:54 • -13.68db
4% Popularity • 78% Danceability • 48% Energy • 9% Liveness
92% Instrumentalness • 34% Positiveness
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James Ruskin
Post-Traumatic Son - DVS1 Pessimist Mix
128 bpm • G Maj • 07:03 • -11.56db
14% Popularity • 87% Danceability • 62% Energy • 10% Liveness
92% Instrumentalness • 4% Positiveness
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Eric Cloutier
Ekpyrosis
128 bpm • A# min • 06:26 • -12.88db
15% Popularity • 80% Danceability • 88% Energy • 9% Liveness
96% Instrumentalness • 27% Positiveness
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Norman Nodge
Nn 8.0
128 bpm • A# min • 08:13 • -13.29db
26% Popularity • 65% Danceability • 60% Energy • 14% Liveness
46% Instrumentalness • 4% Positiveness
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Aurora Halal
Eternal Blue - Wata Igarashi Crossing Re...
128 bpm • A# min • 07:41 • -8.73db
19% Popularity • 56% Danceability • 94% Energy • 11% Liveness
91% Instrumentalness • 8% Positiveness
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Jensen Interceptor
Drip Freq
128 bpm • G Maj • 06:15 • -9.64db
18% Popularity • 57% Danceability • 81% Energy • 11% Liveness
93% Instrumentalness • 23% Positiveness
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Coeter One
145
128 bpm • G Maj • 07:01 • -15.73db
12% Popularity • 76% Danceability • 71% Energy • 11% Liveness
93% Instrumentalness • 5% Positiveness
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Blawan
Careless
128 bpm • F# min • 06:02 • -9db
20% Popularity • 81% Danceability • 68% Energy • 13% Liveness
82% Instrumentalness • 52% Positiveness
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Sleep D
Danza Mart
128 bpm • C# Maj • 08:00 • -11.6db
15% Popularity • 72% Danceability • 59% Energy • 10% Liveness
83% Instrumentalness • 42% Positiveness
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Norman Nodge
Native Rhythm Electric - Original Mix
128 bpm • G Maj • 06:35 • -16db
12% Popularity • 80% Danceability • 49% Energy • 15% Liveness
95% Instrumentalness • 4% Positiveness
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Yotam Avni
This Is How - Sterac Remix
128 bpm • C# Maj • 05:53 • -13.16db
12% Popularity • 75% Danceability • 53% Energy • 10% Liveness
91% Instrumentalness • 29% Positiveness
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EQD
Eqd#005b
128 bpm • B min • 09:49 • -12.62db
8% Popularity • 58% Danceability • 66% Energy • 7% Liveness
89% Instrumentalness • 22% Positiveness
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Robert Hood
Reflector
128 bpm • C# Maj • 06:19 • -8.78db
12% Popularity • 71% Danceability • 73% Energy • 10% Liveness
90% Instrumentalness • 24% Positiveness
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Planetary Assault Systems
Tri Fn Trp
128 bpm • A# min • 05:31 • -12.18db
14% Popularity • 56% Danceability • 70% Energy • 12% Liveness
90% Instrumentalness • 27% Positiveness
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Juan Atkins
Lightyears
128 bpm • F# min • 06:07 • -19.41db
33% Popularity • 80% Danceability • 33% Energy • 10% Liveness
91% Instrumentalness • 51% Positiveness
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Takaaki Itoh
Wisher
128 bpm • A# min • 06:02 • -10.56db
14% Popularity • 79% Danceability • 91% Energy • 11% Liveness
89% Instrumentalness • 14% Positiveness
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Psyk
Distane
128 bpm • C# min • 06:03 • -8.35db
16% Popularity • 58% Danceability • 62% Energy • 34% Liveness
94% Instrumentalness • 4% Positiveness
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Peter Van Hoesen
Terminal
128 bpm • F# min • 05:55 • -11.81db
11% Popularity • 79% Danceability • 61% Energy • 12% Liveness
88% Instrumentalness • 29% Positiveness
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Robert Hood
Run Bobby, Run
128 bpm • G Maj • 05:38 • -9.22db
8% Popularity • 72% Danceability • 71% Energy • 9% Liveness
86% Instrumentalness • 27% Positiveness
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