Songs like Round the Cape by The Longest Johns
Based on a tempo of (+/- 10%) and a similar genre
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The Longest Johns
Round the Cape
115 bpm • D min • 02:47 • -4.08db
34% Popularity • 74% Danceability • 90% Energy • 30% Liveness
0% Instrumentalness • 76% Positiveness
34% Popularity • 74% Danceability • 90% Energy • 30% Liveness
0% Instrumentalness • 76% Positiveness
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Ye Banished Privateers
Ship is Sinking
115 bpm • C Maj • 03:39 • -5.36db
36% Popularity • 40% Danceability • 93% Energy • 21% Liveness
0% Instrumentalness • 30% Positiveness
36% Popularity • 40% Danceability • 93% Energy • 21% Liveness
0% Instrumentalness • 30% Positiveness
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Pyrolysis
The Pilgrim
115 bpm • B min • 03:56 • -10.38db
15% Popularity • 48% Danceability • 38% Energy • 21% Liveness
0% Instrumentalness • 30% Positiveness
15% Popularity • 48% Danceability • 38% Energy • 21% Liveness
0% Instrumentalness • 30% Positiveness
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The Cog is Dead
Another Cog in the Machine
115 bpm • C min • 04:29 • -4.78db
26% Popularity • 61% Danceability • 66% Energy • 9% Liveness
0% Instrumentalness • 42% Positiveness
26% Popularity • 61% Danceability • 66% Energy • 9% Liveness
0% Instrumentalness • 42% Positiveness
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Alastair McDonald
Wha'll Be King But Chairlie
115 bpm • E min • 02:56 • -12.77db
28% Popularity • 81% Danceability • 47% Energy • 14% Liveness
0% Instrumentalness • 96% Positiveness
28% Popularity • 81% Danceability • 47% Energy • 14% Liveness
0% Instrumentalness • 96% Positiveness
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The Sheringham Shantymen
Pump Shanty
115 bpm • C min • 03:02 • -17.6db
38% Popularity • 70% Danceability • 32% Energy • 38% Liveness
0% Instrumentalness • 79% Positiveness
38% Popularity • 70% Danceability • 32% Energy • 38% Liveness
0% Instrumentalness • 79% Positiveness
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Kirt Connor
Big Mandalorian Iron
115 bpm • E Maj • 04:02 • -3.97db
32% Popularity • 68% Danceability • 68% Energy • 10% Liveness
0% Instrumentalness • 72% Positiveness
32% Popularity • 68% Danceability • 68% Energy • 10% Liveness
0% Instrumentalness • 72% Positiveness
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Hair of the Dog
The Scotsman
115 bpm • D Maj • 02:21 • -11.83db
47% Popularity • 76% Danceability • 43% Energy • 63% Liveness
0% Instrumentalness • 77% Positiveness
47% Popularity • 76% Danceability • 43% Energy • 63% Liveness
0% Instrumentalness • 77% Positiveness
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Stan Rogers
Fogarty's Cove
115 bpm • D Maj • 02:14 • -16.88db
35% Popularity • 74% Danceability • 42% Energy • 33% Liveness
2% Instrumentalness • 76% Positiveness
35% Popularity • 74% Danceability • 42% Energy • 33% Liveness
2% Instrumentalness • 76% Positiveness
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The Longest Johns
Haul Away Joe
115 bpm • A# Maj • 02:56 • -6.28db
44% Popularity • 65% Danceability • 42% Energy • 40% Liveness
0% Instrumentalness • 74% Positiveness
44% Popularity • 65% Danceability • 42% Energy • 40% Liveness
0% Instrumentalness • 74% Positiveness
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The Blarney Lads
Mountain Tae (The Hills of Connemara)
114 bpm • D Maj • 01:29 • -12.79db
35% Popularity • 70% Danceability • 44% Energy • 12% Liveness
0% Instrumentalness • 91% Positiveness
35% Popularity • 70% Danceability • 44% Energy • 12% Liveness
0% Instrumentalness • 91% Positiveness
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The Sheringham Shantymen
Rattle Them Winches
115 bpm • D min • 02:39 • -8.51db
34% Popularity • 71% Danceability • 52% Energy • 46% Liveness
0% Instrumentalness • 88% Positiveness
34% Popularity • 71% Danceability • 52% Energy • 46% Liveness
0% Instrumentalness • 88% Positiveness
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Noel McLoughlin
The Bonnie Lass o Fyvie
114 bpm • F Maj • 03:58 • -7.45db
25% Popularity • 65% Danceability • 74% Energy • 27% Liveness
0% Instrumentalness • 78% Positiveness
25% Popularity • 65% Danceability • 74% Energy • 27% Liveness
0% Instrumentalness • 78% Positiveness
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David Kincaid
Camp Song Of The Chicago Irish Brigade
116 bpm • F Maj • 02:23 • -11.06db
19% Popularity • 68% Danceability • 34% Energy • 22% Liveness
0% Instrumentalness • 83% Positiveness
19% Popularity • 68% Danceability • 34% Energy • 22% Liveness
0% Instrumentalness • 83% Positiveness
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Derek Warfield & The Young Wolfe Tones
The Easter Lily / The Foxhunters Reel
114 bpm • D min • 05:30 • -4.52db
22% Popularity • 61% Danceability • 80% Energy • 14% Liveness
0% Instrumentalness • 76% Positiveness
22% Popularity • 61% Danceability • 80% Energy • 14% Liveness
0% Instrumentalness • 76% Positiveness
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The Longest Johns
Hoist up the Thing
116 bpm • D Maj • 02:49 • -4.82db
46% Popularity • 76% Danceability • 70% Energy • 8% Liveness
0% Instrumentalness • 94% Positiveness
46% Popularity • 76% Danceability • 70% Energy • 8% Liveness
0% Instrumentalness • 94% Positiveness
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The Skullduggers
Flowers of Edinborough
114 bpm • G Maj • 01:46 • -7db
38% Popularity • 49% Danceability • 71% Energy • 33% Liveness
5% Instrumentalness • 96% Positiveness
38% Popularity • 49% Danceability • 71% Energy • 33% Liveness
5% Instrumentalness • 96% Positiveness
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The Sheringham Shantymen
Rolling Down To Old Maui
116 bpm • D min • 04:13 • -18.15db
22% Popularity • 53% Danceability • 8% Energy • 9% Liveness
0% Instrumentalness • 19% Positiveness
22% Popularity • 53% Danceability • 8% Energy • 9% Liveness
0% Instrumentalness • 19% Positiveness
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Tom Smith
307 Ale
116 bpm • C Maj • 03:36 • -8.23db
12% Popularity • 66% Danceability • 62% Energy • 37% Liveness
0% Instrumentalness • 85% Positiveness
12% Popularity • 66% Danceability • 62% Energy • 37% Liveness
0% Instrumentalness • 85% Positiveness
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David Kincaid
The Opinions of Paddy Magee
114 bpm • A# Maj • 03:37 • -12.45db
22% Popularity • 65% Danceability • 39% Energy • 15% Liveness
0% Instrumentalness • 73% Positiveness
22% Popularity • 65% Danceability • 39% Energy • 15% Liveness
0% Instrumentalness • 73% Positiveness
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The Cog is Dead
Sunset Val the Pirate Queen
116 bpm • C# min • 04:45 • -6.28db
25% Popularity • 67% Danceability • 69% Energy • 37% Liveness
0% Instrumentalness • 36% Positiveness
25% Popularity • 67% Danceability • 69% Energy • 37% Liveness
0% Instrumentalness • 36% Positiveness
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Da Vinci's Notebook
Kingdom In the Sky
116 bpm • A Maj • 03:43 • -12.08db
34% Popularity • 59% Danceability • 28% Energy • 14% Liveness
0% Instrumentalness • 49% Positiveness
34% Popularity • 59% Danceability • 28% Energy • 14% Liveness
0% Instrumentalness • 49% Positiveness
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The Tramps
Tim Finnegan's Wake
114 bpm • C Maj • 02:27 • -10db
33% Popularity • 67% Danceability • 72% Energy • 19% Liveness
0% Instrumentalness • 90% Positiveness
33% Popularity • 67% Danceability • 72% Energy • 19% Liveness
0% Instrumentalness • 90% Positiveness
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The Captain's Beard
Eliza Lee
114 bpm • A# min • 01:53 • -6.44db
21% Popularity • 94% Danceability • 82% Energy • 15% Liveness
0% Instrumentalness • 81% Positiveness
21% Popularity • 94% Danceability • 82% Energy • 15% Liveness
0% Instrumentalness • 81% Positiveness
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Smokey Bastard
My Son John
114 bpm • F min • 01:40 • -10.3db
54% Popularity • 83% Danceability • 51% Energy • 32% Liveness
0% Instrumentalness • 90% Positiveness
54% Popularity • 83% Danceability • 51% Energy • 32% Liveness
0% Instrumentalness • 90% Positiveness
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Derina Harvey Band
Song for the Mira
113 bpm • C Maj • 04:05 • -10.27db
24% Popularity • 61% Danceability • 18% Energy • 11% Liveness
0% Instrumentalness • 52% Positiveness
24% Popularity • 61% Danceability • 18% Energy • 11% Liveness
0% Instrumentalness • 52% Positiveness
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The Jolly Rogers
Away Rio
117 bpm • E Maj • 04:17 • -4db
33% Popularity • 42% Danceability • 56% Energy • 14% Liveness
0% Instrumentalness • 44% Positiveness
33% Popularity • 42% Danceability • 56% Energy • 14% Liveness
0% Instrumentalness • 44% Positiveness
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Stan Rogers
The Wreck Of The Athens Queen
117 bpm • C Maj • 03:01 • -15.68db
29% Popularity • 78% Danceability • 27% Energy • 13% Liveness
0% Instrumentalness • 95% Positiveness
29% Popularity • 78% Danceability • 27% Energy • 13% Liveness
0% Instrumentalness • 95% Positiveness
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David Kincaid
The Irish Volunteer
113 bpm • D Maj • 04:34 • -12.13db
39% Popularity • 71% Danceability • 57% Energy • 10% Liveness
0% Instrumentalness • 85% Positiveness
39% Popularity • 71% Danceability • 57% Energy • 10% Liveness
0% Instrumentalness • 85% Positiveness
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Leslie Fish
Ship of Stone
113 bpm • G min • 04:58 • -13.22db
10% Popularity • 50% Danceability • 14% Energy • 14% Liveness
0% Instrumentalness • 22% Positiveness
10% Popularity • 50% Danceability • 14% Energy • 14% Liveness
0% Instrumentalness • 22% Positiveness
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Fish in a Birdcage
Rule #23 - Birds of a Feather
113 bpm • E Maj • 03:44 • -9.29db
47% Popularity • 70% Danceability • 38% Energy • 12% Liveness
0% Instrumentalness • 55% Positiveness
47% Popularity • 70% Danceability • 38% Energy • 12% Liveness
0% Instrumentalness • 55% Positiveness
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Theron Statler
Blackbeard
113 bpm • C Maj • 03:50 • -8.82db
18% Popularity • 50% Danceability • 76% Energy • 23% Liveness
0% Instrumentalness • 62% Positiveness
18% Popularity • 50% Danceability • 76% Energy • 23% Liveness
0% Instrumentalness • 62% Positiveness
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The Jolly Rogers
Voodoo Man
113 bpm • A min • 03:46 • -3.25db
40% Popularity • 81% Danceability • 78% Energy • 10% Liveness
0% Instrumentalness • 91% Positiveness
40% Popularity • 81% Danceability • 78% Energy • 10% Liveness
0% Instrumentalness • 91% Positiveness
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Pyrates!
Botany Bay
113 bpm • E min • 02:56 • -5.6db
12% Popularity • 75% Danceability • 80% Energy • 11% Liveness
0% Instrumentalness • 97% Positiveness
12% Popularity • 75% Danceability • 80% Energy • 11% Liveness
0% Instrumentalness • 97% Positiveness
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Marc Gunn
The Widow and the Devil
117 bpm • F Maj • 03:23 • -10.65db
27% Popularity • 72% Danceability • 29% Energy • 44% Liveness
0% Instrumentalness • 74% Positiveness
27% Popularity • 72% Danceability • 29% Energy • 44% Liveness
0% Instrumentalness • 74% Positiveness
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R. Morgan Slade
Alfield's Kin (A Critical Role Inspired ...
112 bpm • E Maj • 03:10 • -15.86db
17% Popularity • 48% Danceability • 14% Energy • 12% Liveness
0% Instrumentalness • 34% Positiveness
17% Popularity • 48% Danceability • 14% Energy • 12% Liveness
0% Instrumentalness • 34% Positiveness
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Philippe Grant
The Fools' Shanty ~ Launch Trailer
112 bpm • C Maj • 01:14 • -12.55db
30% Popularity • 73% Danceability • 50% Energy • 37% Liveness
0% Instrumentalness • 42% Positiveness
30% Popularity • 73% Danceability • 50% Energy • 37% Liveness
0% Instrumentalness • 42% Positiveness
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Smokey Bastard
The Cumberland Crew
112 bpm • A min • 04:22 • -3.24db
36% Popularity • 52% Danceability • 76% Energy • 18% Liveness
0% Instrumentalness • 61% Positiveness
36% Popularity • 52% Danceability • 76% Energy • 18% Liveness
0% Instrumentalness • 61% Positiveness
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Derina Harvey Band
Islander
118 bpm • D Maj • 03:13 • -5.48db
46% Popularity • 69% Danceability • 56% Energy • 23% Liveness
0% Instrumentalness • 65% Positiveness
46% Popularity • 69% Danceability • 56% Energy • 23% Liveness
0% Instrumentalness • 65% Positiveness
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Musical Blades
Tiggo Bitty
118 bpm • E Maj • 03:13 • -7db
11% Popularity • 56% Danceability • 64% Energy • 19% Liveness
0% Instrumentalness • 74% Positiveness
11% Popularity • 56% Danceability • 64% Energy • 19% Liveness
0% Instrumentalness • 74% Positiveness
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The Longest Johns
Oak & Ash & Thorn
112 bpm • G Maj • 04:08 • -7.5db
53% Popularity • 48% Danceability • 58% Energy • 10% Liveness
0% Instrumentalness • 60% Positiveness
53% Popularity • 48% Danceability • 58% Energy • 10% Liveness
0% Instrumentalness • 60% Positiveness
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Méav
Once You Were My Lover
118 bpm • E min • 03:35 • -9.61db
36% Popularity • 54% Danceability • 55% Energy • 12% Liveness
0% Instrumentalness • 54% Positiveness
36% Popularity • 54% Danceability • 55% Energy • 12% Liveness
0% Instrumentalness • 54% Positiveness
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Brian Gulland
Sailing over the Dogger Bank
118 bpm • D Maj • 02:58 • -9.8db
23% Popularity • 70% Danceability • 48% Energy • 8% Liveness
0% Instrumentalness • 92% Positiveness
23% Popularity • 70% Danceability • 48% Energy • 8% Liveness
0% Instrumentalness • 92% Positiveness
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Heather Dale
One of Us
112 bpm • C Maj • 03:25 • -5.85db
30% Popularity • 71% Danceability • 57% Energy • 9% Liveness
0% Instrumentalness • 75% Positiveness
30% Popularity • 71% Danceability • 57% Energy • 9% Liveness
0% Instrumentalness • 75% Positiveness
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Derina Harvey Band
Sheilagh's Brush
118 bpm • F Maj • 03:04 • -5.22db
33% Popularity • 54% Danceability • 86% Energy • 12% Liveness
92% Instrumentalness • 44% Positiveness
33% Popularity • 54% Danceability • 86% Energy • 12% Liveness
92% Instrumentalness • 44% Positiveness
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Mick Moloney
The Irish Volunteers
119 bpm • C Maj • 04:33 • -9db
27% Popularity • 66% Danceability • 46% Energy • 10% Liveness
0% Instrumentalness • 91% Positiveness
27% Popularity • 66% Danceability • 46% Energy • 10% Liveness
0% Instrumentalness • 91% Positiveness
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The Longest Johns
The Captain's Daughter
118 bpm • C Maj • 02:20 • -10.16db
37% Popularity • 87% Danceability • 31% Energy • 10% Liveness
0% Instrumentalness • 90% Positiveness
37% Popularity • 87% Danceability • 31% Energy • 10% Liveness
0% Instrumentalness • 90% Positiveness
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The Foc'sle Singers
The Black Ball Line
111 bpm • D Maj • 01:03 • -12.1db
23% Popularity • 72% Danceability • 18% Energy • 10% Liveness
0% Instrumentalness • 76% Positiveness
23% Popularity • 72% Danceability • 18% Energy • 10% Liveness
0% Instrumentalness • 76% Positiveness
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Hair of the Dog
Mary Mac
111 bpm • D Maj • 03:03 • -9.04db
34% Popularity • 41% Danceability • 62% Energy • 63% Liveness
0% Instrumentalness • 94% Positiveness
34% Popularity • 41% Danceability • 62% Energy • 63% Liveness
0% Instrumentalness • 94% Positiveness
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Musical Blades
Chemical Workers Song
119 bpm • E min • 02:14 • -7.81db
15% Popularity • 72% Danceability • 92% Energy • 11% Liveness
0% Instrumentalness • 83% Positiveness
15% Popularity • 72% Danceability • 92% Energy • 11% Liveness
0% Instrumentalness • 83% Positiveness
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Derina Harvey Band
Stopped or Gone
118 bpm • B min • 03:01 • -5.15db
34% Popularity • 46% Danceability • 89% Energy • 34% Liveness
0% Instrumentalness • 60% Positiveness
34% Popularity • 46% Danceability • 89% Energy • 34% Liveness
0% Instrumentalness • 60% Positiveness
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Mick Moloney
The Regular Army O
119 bpm • A# Maj • 04:35 • -8.49db
36% Popularity • 54% Danceability • 59% Energy • 10% Liveness
0% Instrumentalness • 95% Positiveness
36% Popularity • 54% Danceability • 59% Energy • 10% Liveness
0% Instrumentalness • 95% Positiveness
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The Cottars
Home By Bearna
119 bpm • D Maj • 02:33 • -6.45db
26% Popularity • 87% Danceability • 52% Energy • 6% Liveness
0% Instrumentalness • 86% Positiveness
26% Popularity • 87% Danceability • 52% Energy • 6% Liveness
0% Instrumentalness • 86% Positiveness
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The Longest Johns
The Milkmaid
119 bpm • E Maj • 02:18 • -7.4db
30% Popularity • 76% Danceability • 50% Energy • 13% Liveness
0% Instrumentalness • 70% Positiveness
30% Popularity • 76% Danceability • 50% Energy • 13% Liveness
0% Instrumentalness • 70% Positiveness
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Hair of the Dog
Raggle Taggle Gypsy
111 bpm • D min • 02:48 • -11.45db
37% Popularity • 59% Danceability • 58% Energy • 85% Liveness
0% Instrumentalness • 92% Positiveness
37% Popularity • 59% Danceability • 58% Energy • 85% Liveness
0% Instrumentalness • 92% Positiveness
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Miracle Of Sound
Gráinne Mhaol, Queen of Pirates
111 bpm • B min • 03:04 • -5.27db
36% Popularity • 56% Danceability • 94% Energy • 24% Liveness
0% Instrumentalness • 53% Positiveness
36% Popularity • 56% Danceability • 94% Energy • 24% Liveness
0% Instrumentalness • 53% Positiveness
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The Jolly Rogers
The Flying Dutchman
111 bpm • D min • 04:03 • -5.23db
51% Popularity • 80% Danceability • 56% Energy • 12% Liveness
0% Instrumentalness • 80% Positiveness
51% Popularity • 80% Danceability • 56% Energy • 12% Liveness
0% Instrumentalness • 80% Positiveness
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Schooner Fare
Nova Scotia Farewell
111 bpm • F# Maj • 04:42 • -9.48db
18% Popularity • 47% Danceability • 52% Energy • 68% Liveness
0% Instrumentalness • 70% Positiveness
18% Popularity • 47% Danceability • 52% Energy • 68% Liveness
0% Instrumentalness • 70% Positiveness
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Ian Giles
The bonny ship the Diamond
111 bpm • F# min • 02:26 • -13.84db
30% Popularity • 79% Danceability • 30% Energy • 8% Liveness
0% Instrumentalness • 76% Positiveness
30% Popularity • 79% Danceability • 30% Energy • 8% Liveness
0% Instrumentalness • 76% Positiveness
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Storm Weather Shanty Choir
Fish in the Sea
111 bpm • B min • 02:37 • -6db
36% Popularity • 60% Danceability • 91% Energy • 9% Liveness
0% Instrumentalness • 59% Positiveness
36% Popularity • 60% Danceability • 91% Energy • 9% Liveness
0% Instrumentalness • 59% Positiveness
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Salt Sea Pirates
Whale Of A Tale
111 bpm • A Maj • 02:38 • -15.86db
16% Popularity • 68% Danceability • 28% Energy • 10% Liveness
0% Instrumentalness • 52% Positiveness
16% Popularity • 68% Danceability • 28% Energy • 10% Liveness
0% Instrumentalness • 52% Positiveness
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Pyrates!
Whisky in the Jar
120 bpm • E Maj • 03:36 • -7db
20% Popularity • 74% Danceability • 69% Energy • 12% Liveness
0% Instrumentalness • 78% Positiveness
20% Popularity • 74% Danceability • 69% Energy • 12% Liveness
0% Instrumentalness • 78% Positiveness
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Louis Killen
Threescore and Ten
120 bpm • D# Maj • 04:26 • -17.15db
22% Popularity • 64% Danceability • 11% Energy • 19% Liveness
0% Instrumentalness • 60% Positiveness
22% Popularity • 64% Danceability • 11% Energy • 19% Liveness
0% Instrumentalness • 60% Positiveness
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The Captain's Beard
Health to the Company
120 bpm • C Maj • 03:30 • -11.56db
9% Popularity • 72% Danceability • 32% Energy • 35% Liveness
0% Instrumentalness • 54% Positiveness
9% Popularity • 72% Danceability • 32% Energy • 35% Liveness
0% Instrumentalness • 54% Positiveness
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Heather Alexander
Pour Your Brother
120 bpm • G Maj • 03:57 • -15.4db
23% Popularity • 70% Danceability • 37% Energy • 23% Liveness
0% Instrumentalness • 82% Positiveness
23% Popularity • 70% Danceability • 37% Energy • 23% Liveness
0% Instrumentalness • 82% Positiveness
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Reflections of Sound
Coming Home from Tarwins Gap
110 bpm • A min • 02:09 • -14.32db
13% Popularity • 64% Danceability • 29% Energy • 12% Liveness
0% Instrumentalness • 58% Positiveness
13% Popularity • 64% Danceability • 29% Energy • 12% Liveness
0% Instrumentalness • 58% Positiveness
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Musical Blades
Raise the Black
120 bpm • E min • 04:41 • -8.26db
21% Popularity • 68% Danceability • 86% Energy • 7% Liveness
0% Instrumentalness • 39% Positiveness
21% Popularity • 68% Danceability • 86% Energy • 7% Liveness
0% Instrumentalness • 39% Positiveness
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The Elders
Raging Sea
120 bpm • E Maj • 03:20 • -7db
38% Popularity • 71% Danceability • 70% Energy • 70% Liveness
0% Instrumentalness • 96% Positiveness
38% Popularity • 71% Danceability • 70% Energy • 70% Liveness
0% Instrumentalness • 96% Positiveness
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The Young Wolfe Tones
Come Out Ye Black 'N' Tans
120 bpm • G min • 04:33 • -7db
33% Popularity • 57% Danceability • 91% Energy • 15% Liveness
53% Instrumentalness • 86% Positiveness
33% Popularity • 57% Danceability • 91% Energy • 15% Liveness
53% Instrumentalness • 86% Positiveness
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Jimlapbap
Sail Shanty
120 bpm • C# Maj • 03:32 • -8.36db
32% Popularity • 69% Danceability • 34% Energy • 31% Liveness
0% Instrumentalness • 54% Positiveness
32% Popularity • 69% Danceability • 34% Energy • 31% Liveness
0% Instrumentalness • 54% Positiveness
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Rosalind Jehanne
Morte d'Arthur
120 bpm • G Maj • 04:04 • -13.33db
14% Popularity • 55% Danceability • 59% Energy • 11% Liveness
0% Instrumentalness • 58% Positiveness
14% Popularity • 55% Danceability • 59% Energy • 11% Liveness
0% Instrumentalness • 58% Positiveness
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Pyrates!
Old Dun Cow
110 bpm • F Maj • 04:03 • -6.66db
17% Popularity • 77% Danceability • 82% Energy • 7% Liveness
0% Instrumentalness • 85% Positiveness
17% Popularity • 77% Danceability • 82% Energy • 7% Liveness
0% Instrumentalness • 85% Positiveness
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The Cog is Dead
Cunning Casanova
120 bpm • E min • 04:36 • -3.89db
19% Popularity • 68% Danceability • 76% Energy • 10% Liveness
0% Instrumentalness • 89% Positiveness
19% Popularity • 68% Danceability • 76% Energy • 10% Liveness
0% Instrumentalness • 89% Positiveness
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The Longest Johns
Drunken Sailor
120 bpm • D Maj • 02:24 • -6.6db
53% Popularity • 84% Danceability • 40% Energy • 7% Liveness
0% Instrumentalness • 74% Positiveness
53% Popularity • 84% Danceability • 40% Energy • 7% Liveness
0% Instrumentalness • 74% Positiveness
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The Skullduggers
Botany Bay
120 bpm • E min • 02:19 • -5.8db
33% Popularity • 65% Danceability • 68% Energy • 20% Liveness
0% Instrumentalness • 96% Positiveness
33% Popularity • 65% Danceability • 68% Energy • 20% Liveness
0% Instrumentalness • 96% Positiveness
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Derek Warfield & The Young Wolfe Tones
The Foggy Dew
120 bpm • D min • 04:28 • -4.59db
40% Popularity • 55% Danceability • 78% Energy • 8% Liveness
0% Instrumentalness • 65% Positiveness
40% Popularity • 55% Danceability • 78% Energy • 8% Liveness
0% Instrumentalness • 65% Positiveness
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James Peters
Leave All Places Better (A Critical Role...
120 bpm • D# Maj • 02:43 • -15.26db
16% Popularity • 75% Danceability • 10% Energy • 28% Liveness
0% Instrumentalness • 57% Positiveness
16% Popularity • 75% Danceability • 10% Energy • 28% Liveness
0% Instrumentalness • 57% Positiveness
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Chase Noseworthy
Comin' Are the Nein
110 bpm • G min • 03:26 • -17db
37% Popularity • 61% Danceability • 17% Energy • 9% Liveness
0% Instrumentalness • 40% Positiveness
37% Popularity • 61% Danceability • 17% Energy • 9% Liveness
0% Instrumentalness • 40% Positiveness
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Sean Dagher
Here's a Health to the Company
120 bpm • C Maj • 02:35 • -5.76db
42% Popularity • 74% Danceability • 56% Energy • 18% Liveness
0% Instrumentalness • 75% Positiveness
42% Popularity • 74% Danceability • 56% Energy • 18% Liveness
0% Instrumentalness • 75% Positiveness
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The Longest Johns
Randy Dandy-O
110 bpm • G Maj • 02:06 • -4.17db
44% Popularity • 63% Danceability • 67% Energy • 33% Liveness
0% Instrumentalness • 88% Positiveness
44% Popularity • 63% Danceability • 67% Energy • 33% Liveness
0% Instrumentalness • 88% Positiveness
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Mark Rutherford
Men of Harlech
120 bpm • A# Maj • 01:42 • -7db
30% Popularity • 38% Danceability • 71% Energy • 43% Liveness
0% Instrumentalness • 38% Positiveness
30% Popularity • 38% Danceability • 71% Energy • 43% Liveness
0% Instrumentalness • 38% Positiveness
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Perly I Lotry
Wellerman
110 bpm • G# Maj • 01:52 • -7.01db
30% Popularity • 82% Danceability • 50% Energy • 12% Liveness
0% Instrumentalness • 85% Positiveness
30% Popularity • 82% Danceability • 50% Energy • 12% Liveness
0% Instrumentalness • 85% Positiveness
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The Cog is Dead
What Do Ya Do With A Bernie Sanders?
110 bpm • C# min • 02:12 • -4.53db
18% Popularity • 73% Danceability • 94% Energy • 16% Liveness
0% Instrumentalness • 97% Positiveness
18% Popularity • 73% Danceability • 94% Energy • 16% Liveness
0% Instrumentalness • 97% Positiveness
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Captain's Daughter & The Sailors
Hey! Ho! to the Bottle I Go!
110 bpm • B min • 02:33 • -7.61db
20% Popularity • 84% Danceability • 65% Energy • 3% Liveness
0% Instrumentalness • 70% Positiveness
20% Popularity • 84% Danceability • 65% Energy • 3% Liveness
0% Instrumentalness • 70% Positiveness
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The Pirates Charles
Mutiny On the Hms Bounty
120 bpm • D min • 03:21 • -6.89db
22% Popularity • 53% Danceability • 92% Energy • 37% Liveness
0% Instrumentalness • 90% Positiveness
22% Popularity • 53% Danceability • 92% Energy • 37% Liveness
0% Instrumentalness • 90% Positiveness
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The Jolly Rogers
The Devil's Reach
120 bpm • A min • 02:38 • -7.92db
34% Popularity • 76% Danceability • 64% Energy • 8% Liveness
0% Instrumentalness • 96% Positiveness
34% Popularity • 76% Danceability • 64% Energy • 8% Liveness
0% Instrumentalness • 96% Positiveness
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R. Morgan Slade
The Kingsley Thing To Do (A Critical Rol...
120 bpm • A Maj • 01:15 • -7.89db
25% Popularity • 57% Danceability • 65% Energy • 39% Liveness
0% Instrumentalness • 96% Positiveness
25% Popularity • 57% Danceability • 65% Energy • 39% Liveness
0% Instrumentalness • 96% Positiveness
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Perly I Lotry
Donkey Riding (A Cappella)
110 bpm • F Maj • 01:44 • -6.61db
39% Popularity • 86% Danceability • 36% Energy • 33% Liveness
0% Instrumentalness • 94% Positiveness
39% Popularity • 86% Danceability • 36% Energy • 33% Liveness
0% Instrumentalness • 94% Positiveness
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The Longest Johns
Crossing The Bar
121 bpm • D Maj • 03:26 • -12.04db
31% Popularity • 61% Danceability • 18% Energy • 69% Liveness
0% Instrumentalness • 17% Positiveness
31% Popularity • 61% Danceability • 18% Energy • 69% Liveness
0% Instrumentalness • 17% Positiveness
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The Tolkien Ensemble
There Is an Inn, Merry Old Inn...
110 bpm • G Maj • 04:59 • -10.16db
16% Popularity • 59% Danceability • 45% Energy • 14% Liveness
0% Instrumentalness • 80% Positiveness
16% Popularity • 59% Danceability • 45% Energy • 14% Liveness
0% Instrumentalness • 80% Positiveness
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Smokey Bastard
Old Jack
110 bpm • C Maj • 05:04 • -5.1db
29% Popularity • 42% Danceability • 65% Energy • 11% Liveness
0% Instrumentalness • 63% Positiveness
29% Popularity • 42% Danceability • 65% Energy • 11% Liveness
0% Instrumentalness • 63% Positiveness
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Sea of Thieves
Ballad of the Mer - Original Game Soundt...
109 bpm • F Maj • 01:33 • -15db
41% Popularity • 47% Danceability • 30% Energy • 14% Liveness
0% Instrumentalness • 44% Positiveness
41% Popularity • 47% Danceability • 30% Energy • 14% Liveness
0% Instrumentalness • 44% Positiveness
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Duck Pond Sailors
I Am a Duck Pond Sailor
121 bpm • B Maj • 01:44 • -10.72db
18% Popularity • 69% Danceability • 23% Energy • 17% Liveness
0% Instrumentalness • 79% Positiveness
18% Popularity • 69% Danceability • 23% Energy • 17% Liveness
0% Instrumentalness • 79% Positiveness
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Musical Blades
Drunken Nights
122 bpm • E Maj • 05:14 • -7.81db
9% Popularity • 73% Danceability • 54% Energy • 19% Liveness
0% Instrumentalness • 77% Positiveness
9% Popularity • 73% Danceability • 54% Energy • 19% Liveness
0% Instrumentalness • 77% Positiveness
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The Longest Johns
The Curse
109 bpm • B min • 03:06 • -6.64db
42% Popularity • 70% Danceability • 53% Energy • 36% Liveness
0% Instrumentalness • 65% Positiveness
42% Popularity • 70% Danceability • 53% Energy • 36% Liveness
0% Instrumentalness • 65% Positiveness
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Pyrates!
Chicken On a Raft
122 bpm • C Maj • 03:09 • -9.49db
41% Popularity • 78% Danceability • 60% Energy • 29% Liveness
0% Instrumentalness • 64% Positiveness
41% Popularity • 78% Danceability • 60% Energy • 29% Liveness
0% Instrumentalness • 64% Positiveness
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Samantha Moore
For Her I Dare
122 bpm • E min • 04:16 • -9.62db
11% Popularity • 55% Danceability • 44% Energy • 15% Liveness
0% Instrumentalness • 49% Positiveness
11% Popularity • 55% Danceability • 44% Energy • 15% Liveness
0% Instrumentalness • 49% Positiveness
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Stan Rogers
The Flowers of Bermuda
122 bpm • A Maj • 03:47 • -11.06db
30% Popularity • 60% Danceability • 62% Energy • 70% Liveness
1% Instrumentalness • 96% Positiveness
30% Popularity • 60% Danceability • 62% Energy • 70% Liveness
1% Instrumentalness • 96% Positiveness
