Songs like Round Too Long by Robbie Fulks
Based on a tempo of (+/- 10%) and a similar genre
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Drive-By Truckers
George Jones Talkin' Cell Phones Blues
161 bpm • F Maj • 04:07 • -4.83db
26% Popularity • 39% Danceability • 83% Energy • 20% Liveness
0% Instrumentalness • 79% Positiveness
26% Popularity • 39% Danceability • 83% Energy • 20% Liveness
0% Instrumentalness • 79% Positiveness
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Robbie Fulks
Round Too Long
161 bpm • F Maj • 03:03 • -5.65db
14% Popularity • 57% Danceability • 88% Energy • 8% Liveness
0% Instrumentalness • 87% Positiveness
14% Popularity • 57% Danceability • 88% Energy • 8% Liveness
0% Instrumentalness • 87% Positiveness
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James Hand
Baby, Baby, Don't Tell Me That
161 bpm • E Maj • 03:22 • -6.68db
24% Popularity • 65% Danceability • 72% Energy • 12% Liveness
0% Instrumentalness • 92% Positiveness
24% Popularity • 65% Danceability • 72% Energy • 12% Liveness
0% Instrumentalness • 92% Positiveness
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Blaze Foley
Big Cheeseburgers and Good French Fries
161 bpm • D Maj • 03:23 • -10.07db
19% Popularity • 48% Danceability • 40% Energy • 48% Liveness
0% Instrumentalness • 66% Positiveness
19% Popularity • 48% Danceability • 40% Energy • 48% Liveness
0% Instrumentalness • 66% Positiveness
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Ramsay Midwood
Rotten Alabama
160 bpm • C Maj • 03:51 • -9.28db
18% Popularity • 66% Danceability • 61% Energy • 10% Liveness
2% Instrumentalness • 84% Positiveness
18% Popularity • 66% Danceability • 61% Energy • 10% Liveness
2% Instrumentalness • 84% Positiveness
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Dave Rawlings Machine
The Last Pharaoh
160 bpm • C# Maj • 03:37 • -9.16db
13% Popularity • 55% Danceability • 51% Energy • 26% Liveness
0% Instrumentalness • 62% Positiveness
13% Popularity • 55% Danceability • 51% Energy • 26% Liveness
0% Instrumentalness • 62% Positiveness
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Western Centuries
In My Cups
160 bpm • F Maj • 03:02 • -7.66db
12% Popularity • 44% Danceability • 68% Energy • 14% Liveness
0% Instrumentalness • 65% Positiveness
12% Popularity • 44% Danceability • 68% Energy • 14% Liveness
0% Instrumentalness • 65% Positiveness
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Robbie Fulks
Longhair Bluegrass
162 bpm • A Maj • 04:58 • -9.61db
12% Popularity • 46% Danceability • 50% Energy • 10% Liveness
0% Instrumentalness • 91% Positiveness
12% Popularity • 46% Danceability • 50% Energy • 10% Liveness
0% Instrumentalness • 91% Positiveness
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Kris Kristofferson
Chase the Feeling
159 bpm • E min • 04:06 • -7.62db
21% Popularity • 50% Danceability • 72% Energy • 9% Liveness
0% Instrumentalness • 66% Positiveness
21% Popularity • 50% Danceability • 72% Energy • 9% Liveness
0% Instrumentalness • 66% Positiveness
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Son Volt
Looking at the World Through a Windshiel...
159 bpm • A Maj • 03:08 • -9.18db
31% Popularity • 49% Danceability • 67% Energy • 10% Liveness
0% Instrumentalness • 96% Positiveness
31% Popularity • 49% Danceability • 67% Energy • 10% Liveness
0% Instrumentalness • 96% Positiveness
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Garrett T. Capps
Goodbye San Antonio, Hello Amsterdam
159 bpm • A Maj • 03:05 • -7db
22% Popularity • 52% Danceability • 94% Energy • 11% Liveness
0% Instrumentalness • 97% Positiveness
22% Popularity • 52% Danceability • 94% Energy • 11% Liveness
0% Instrumentalness • 97% Positiveness
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Sarah Shook & the Disarmers
Over You
158 bpm • A Maj • 03:11 • -6.96db
26% Popularity • 49% Danceability • 83% Energy • 8% Liveness
0% Instrumentalness • 90% Positiveness
26% Popularity • 49% Danceability • 83% Energy • 8% Liveness
0% Instrumentalness • 90% Positiveness
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Slaid Cleaves
Drunken Barber's Hand
158 bpm • E min • 02:41 • -11db
26% Popularity • 57% Danceability • 52% Energy • 14% Liveness
0% Instrumentalness • 93% Positiveness
26% Popularity • 57% Danceability • 52% Energy • 14% Liveness
0% Instrumentalness • 93% Positiveness
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Robbie Fulks
Molly And The Old Man
157 bpm • D# Maj • 03:48 • -10.32db
7% Popularity • 43% Danceability • 41% Energy • 12% Liveness
0% Instrumentalness • 66% Positiveness
7% Popularity • 43% Danceability • 41% Energy • 12% Liveness
0% Instrumentalness • 66% Positiveness
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The Gourds
Tex - Mex Mile
157 bpm • A Maj • 03:19 • -4.58db
22% Popularity • 50% Danceability • 75% Energy • 9% Liveness
0% Instrumentalness • 92% Positiveness
22% Popularity • 50% Danceability • 75% Energy • 9% Liveness
0% Instrumentalness • 92% Positiveness
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Waco Brothers
Harm's Way
165 bpm • G Maj • 02:40 • -9.63db
22% Popularity • 47% Danceability • 92% Energy • 39% Liveness
1% Instrumentalness • 86% Positiveness
22% Popularity • 47% Danceability • 92% Energy • 39% Liveness
1% Instrumentalness • 86% Positiveness
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Jodee Lewis
St. Clair County
157 bpm • A Maj • 03:49 • -7.7db
6% Popularity • 42% Danceability • 34% Energy • 26% Liveness
0% Instrumentalness • 34% Positiveness
6% Popularity • 42% Danceability • 34% Energy • 26% Liveness
0% Instrumentalness • 34% Positiveness
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Mekons
Beaten and Broken
157 bpm • D Maj • 02:33 • -6.21db
2% Popularity • 41% Danceability • 62% Energy • 31% Liveness
0% Instrumentalness • 83% Positiveness
2% Popularity • 41% Danceability • 62% Energy • 31% Liveness
0% Instrumentalness • 83% Positiveness
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Wayne Hancock
87 Southbound
156 bpm • F Maj • 03:32 • -6.25db
25% Popularity • 66% Danceability • 72% Energy • 17% Liveness
0% Instrumentalness • 92% Positiveness
25% Popularity • 66% Danceability • 72% Energy • 17% Liveness
0% Instrumentalness • 92% Positiveness
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Robbie Fulks
Busy Not Crying
157 bpm • D# Maj • 02:46 • -8.28db
7% Popularity • 63% Danceability • 86% Energy • 16% Liveness
0% Instrumentalness • 97% Positiveness
7% Popularity • 63% Danceability • 86% Energy • 16% Liveness
0% Instrumentalness • 97% Positiveness
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The Gourds
Country Love
166 bpm • C Maj • 02:43 • -5.41db
22% Popularity • 43% Danceability • 79% Energy • 80% Liveness
0% Instrumentalness • 82% Positiveness
22% Popularity • 43% Danceability • 79% Energy • 80% Liveness
0% Instrumentalness • 82% Positiveness
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Bill Kirchen
Bump Wood
166 bpm • E Maj • 04:10 • -8.25db
15% Popularity • 52% Danceability • 76% Energy • 20% Liveness
1% Instrumentalness • 90% Positiveness
15% Popularity • 52% Danceability • 76% Energy • 20% Liveness
1% Instrumentalness • 90% Positiveness
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Nikki Lane
Wild One
155 bpm • C Maj • 03:30 • -9db
32% Popularity • 40% Danceability • 52% Energy • 19% Liveness
2% Instrumentalness • 48% Positiveness
32% Popularity • 40% Danceability • 52% Energy • 19% Liveness
2% Instrumentalness • 48% Positiveness
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Justin Townes Earle
Harlem River Blues
156 bpm • G Maj • 02:48 • -6.54db
53% Popularity • 47% Danceability • 70% Energy • 7% Liveness
0% Instrumentalness • 48% Positiveness
53% Popularity • 47% Danceability • 70% Energy • 7% Liveness
0% Instrumentalness • 48% Positiveness
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Garrett T. Capps
The Highway 16 Shuffle
167 bpm • D Maj • 03:41 • -9db
15% Popularity • 50% Danceability • 66% Energy • 30% Liveness
0% Instrumentalness • 89% Positiveness
15% Popularity • 50% Danceability • 66% Energy • 30% Liveness
0% Instrumentalness • 89% Positiveness
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Robbie Fulks
I'd Be Lonesome
156 bpm • D Maj • 02:47 • -7.49db
7% Popularity • 67% Danceability • 58% Energy • 10% Liveness
0% Instrumentalness • 95% Positiveness
7% Popularity • 67% Danceability • 58% Energy • 10% Liveness
0% Instrumentalness • 95% Positiveness
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Old 97's
Victoria
167 bpm • G Maj • 03:51 • -4.41db
28% Popularity • 40% Danceability • 87% Energy • 18% Liveness
1% Instrumentalness • 69% Positiveness
28% Popularity • 40% Danceability • 87% Energy • 18% Liveness
1% Instrumentalness • 69% Positiveness
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Bill Kirchen
Hammer of the Honky-tonk Gods
155 bpm • A Maj • 02:27 • -8db
25% Popularity • 60% Danceability • 72% Energy • 20% Liveness
0% Instrumentalness • 91% Positiveness
25% Popularity • 60% Danceability • 72% Energy • 20% Liveness
0% Instrumentalness • 91% Positiveness
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Chuck Brodsky
Take it Out Back
168 bpm • B Maj • 03:10 • -7.9db
10% Popularity • 43% Danceability • 74% Energy • 12% Liveness
0% Instrumentalness • 67% Positiveness
10% Popularity • 43% Danceability • 74% Energy • 12% Liveness
0% Instrumentalness • 67% Positiveness
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Willie Watson
Bring It With You When You Come
168 bpm • G Maj • 02:46 • -10.82db
13% Popularity • 63% Danceability • 24% Energy • 11% Liveness
0% Instrumentalness • 62% Positiveness
13% Popularity • 63% Danceability • 24% Energy • 11% Liveness
0% Instrumentalness • 62% Positiveness
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Joshua Hedley
Weird Thought Thinker
168 bpm • A Maj • 02:56 • -8db
28% Popularity • 38% Danceability • 49% Energy • 19% Liveness
0% Instrumentalness • 54% Positiveness
28% Popularity • 38% Danceability • 49% Energy • 19% Liveness
0% Instrumentalness • 54% Positiveness
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Robbie Fulks
She Took A Lot Of Pills (And Died)
155 bpm • A Maj • 02:43 • -6.84db
33% Popularity • 72% Danceability • 70% Energy • 4% Liveness
0% Instrumentalness • 96% Positiveness
33% Popularity • 72% Danceability • 70% Energy • 4% Liveness
0% Instrumentalness • 96% Positiveness
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The Deslondes
Louise
168 bpm • A Maj • 03:17 • -6db
31% Popularity • 53% Danceability • 70% Energy • 14% Liveness
3% Instrumentalness • 83% Positiveness
31% Popularity • 53% Danceability • 70% Energy • 14% Liveness
3% Instrumentalness • 83% Positiveness
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Kelsey Waldon
Dirty Old Town
168 bpm • G Maj • 02:41 • -6db
27% Popularity • 60% Danceability • 82% Energy • 17% Liveness
10% Instrumentalness • 83% Positiveness
27% Popularity • 60% Danceability • 82% Energy • 17% Liveness
10% Instrumentalness • 83% Positiveness
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Shinyribs
(If You Need The) 442
154 bpm • C Maj • 03:19 • -6.53db
27% Popularity • 61% Danceability • 76% Energy • 10% Liveness
0% Instrumentalness • 92% Positiveness
27% Popularity • 61% Danceability • 76% Energy • 10% Liveness
0% Instrumentalness • 92% Positiveness
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Western Centuries
Double or Nothing
169 bpm • F Maj • 04:03 • -8.49db
15% Popularity • 52% Danceability • 89% Energy • 36% Liveness
0% Instrumentalness • 96% Positiveness
15% Popularity • 52% Danceability • 89% Energy • 36% Liveness
0% Instrumentalness • 96% Positiveness
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Bill Kirchen
I Don't Work That Cheap
169 bpm • D Maj • 02:52 • -8.63db
16% Popularity • 36% Danceability • 92% Energy • 33% Liveness
2% Instrumentalness • 54% Positiveness
16% Popularity • 36% Danceability • 92% Energy • 33% Liveness
2% Instrumentalness • 54% Positiveness
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Robbie Fulks
On the Jericho Road
154 bpm • A# Maj • 02:24 • -9.63db
5% Popularity • 46% Danceability • 41% Energy • 15% Liveness
0% Instrumentalness • 53% Positiveness
5% Popularity • 46% Danceability • 41% Energy • 15% Liveness
0% Instrumentalness • 53% Positiveness
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Otis Gibbs
Sputnik Monroe
153 bpm • A min • 03:10 • -8.76db
12% Popularity • 52% Danceability • 34% Energy • 12% Liveness
0% Instrumentalness • 79% Positiveness
12% Popularity • 52% Danceability • 34% Energy • 12% Liveness
0% Instrumentalness • 79% Positiveness
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Malcolm Holcombe
Who Carried You
152 bpm • C# Maj • 03:31 • -17.52db
18% Popularity • 54% Danceability • 11% Energy • 11% Liveness
0% Instrumentalness • 31% Positiveness
18% Popularity • 54% Danceability • 11% Energy • 11% Liveness
0% Instrumentalness • 31% Positiveness
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Chuck Mead
Daddy Worked the Pole
152 bpm • A Maj • 03:31 • -7.92db
16% Popularity • 56% Danceability • 83% Energy • 7% Liveness
0% Instrumentalness • 77% Positiveness
16% Popularity • 56% Danceability • 83% Energy • 7% Liveness
0% Instrumentalness • 77% Positiveness
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Western Centuries
Earthly Justice
171 bpm • A# Maj • 04:03 • -5.22db
17% Popularity • 47% Danceability • 77% Energy • 24% Liveness
0% Instrumentalness • 88% Positiveness
17% Popularity • 47% Danceability • 77% Energy • 24% Liveness
0% Instrumentalness • 88% Positiveness
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Wrinkle Neck Mules
Leaving Chattanooga
152 bpm • D Maj • 03:03 • -9.65db
17% Popularity • 62% Danceability • 45% Energy • 24% Liveness
0% Instrumentalness • 56% Positiveness
17% Popularity • 62% Danceability • 45% Energy • 24% Liveness
0% Instrumentalness • 56% Positiveness
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Robbie Fulks
Parallel Bars
169 bpm • D Maj • 03:07 • -6.73db
22% Popularity • 53% Danceability • 82% Energy • 26% Liveness
0% Instrumentalness • 86% Positiveness
22% Popularity • 53% Danceability • 82% Energy • 26% Liveness
0% Instrumentalness • 86% Positiveness
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Greg Brown
I Don't Know Anybody in This Town
151 bpm • C Maj • 03:27 • -7.83db
11% Popularity • 58% Danceability • 55% Energy • 10% Liveness
0% Instrumentalness • 76% Positiveness
11% Popularity • 58% Danceability • 55% Energy • 10% Liveness
0% Instrumentalness • 76% Positiveness
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Alejandro Escovedo
I Was Drunk
172 bpm • E Maj • 04:53 • -7.95db
31% Popularity • 37% Danceability • 72% Energy • 14% Liveness
1% Instrumentalness • 46% Positiveness
31% Popularity • 37% Danceability • 72% Energy • 14% Liveness
1% Instrumentalness • 46% Positiveness
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JP Harris
If I Were a Carpenter
172 bpm • D Maj • 03:10 • -10.23db
20% Popularity • 51% Danceability • 58% Energy • 12% Liveness
1% Instrumentalness • 57% Positiveness
20% Popularity • 51% Danceability • 58% Energy • 12% Liveness
1% Instrumentalness • 57% Positiveness
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Gurf Morlix
Baby Can I Crawl Back To You
172 bpm • E Maj • 02:25 • -10db
18% Popularity • 79% Danceability • 41% Energy • 11% Liveness
1% Instrumentalness • 97% Positiveness
18% Popularity • 79% Danceability • 41% Energy • 11% Liveness
1% Instrumentalness • 97% Positiveness
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Gillian Welch
Dry Town - Demo
173 bpm • E Maj • 02:55 • -10db
28% Popularity • 70% Danceability • 45% Energy • 12% Liveness
0% Instrumentalness • 90% Positiveness
28% Popularity • 70% Danceability • 45% Energy • 12% Liveness
0% Instrumentalness • 90% Positiveness
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Robbie Fulks
It Came from the South
154 bpm • D min • 03:08 • -6.95db
5% Popularity • 56% Danceability • 86% Energy • 10% Liveness
1% Instrumentalness • 93% Positiveness
5% Popularity • 56% Danceability • 86% Energy • 10% Liveness
1% Instrumentalness • 93% Positiveness
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Gibson Brothers
Sweet Lucinda
149 bpm • A Maj • 02:45 • -9.63db
24% Popularity • 64% Danceability • 61% Energy • 8% Liveness
0% Instrumentalness • 85% Positiveness
24% Popularity • 64% Danceability • 61% Energy • 8% Liveness
0% Instrumentalness • 85% Positiveness
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Hacienda Brothers
Leavin' On My Mind
174 bpm • C Maj • 02:43 • -8.28db
13% Popularity • 60% Danceability • 71% Energy • 12% Liveness
0% Instrumentalness • 79% Positiveness
13% Popularity • 60% Danceability • 71% Energy • 12% Liveness
0% Instrumentalness • 79% Positiveness
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JP Harris
Truckstop Amphetamines
150 bpm • B Maj • 02:38 • -11.2db
13% Popularity • 62% Danceability • 37% Energy • 13% Liveness
0% Instrumentalness • 32% Positiveness
13% Popularity • 62% Danceability • 37% Energy • 13% Liveness
0% Instrumentalness • 32% Positiveness
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Margo Price
Paper Cowboy
149 bpm • G Maj • 06:15 • -11.74db
15% Popularity • 52% Danceability • 65% Energy • 9% Liveness
4% Instrumentalness • 54% Positiveness
15% Popularity • 52% Danceability • 65% Energy • 9% Liveness
4% Instrumentalness • 54% Positiveness
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Bill Kirchen
Rockabilly Funeral
148 bpm • A Maj • 04:16 • -9db
17% Popularity • 61% Danceability • 76% Energy • 12% Liveness
2% Instrumentalness • 87% Positiveness
17% Popularity • 61% Danceability • 76% Energy • 12% Liveness
2% Instrumentalness • 87% Positiveness
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Robbie Fulks
Where I Fell
152 bpm • D Maj • 03:14 • -19.56db
6% Popularity • 53% Danceability • 11% Energy • 14% Liveness
0% Instrumentalness • 37% Positiveness
6% Popularity • 53% Danceability • 11% Energy • 14% Liveness
0% Instrumentalness • 37% Positiveness
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The Gourds
Steeple Full Of Swallows
148 bpm • C Maj • 03:51 • -7.32db
18% Popularity • 55% Danceability • 57% Energy • 9% Liveness
4% Instrumentalness • 24% Positiveness
18% Popularity • 55% Danceability • 57% Energy • 9% Liveness
4% Instrumentalness • 24% Positiveness
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Levon Helm
A Train Robbery
148 bpm • A# Maj • 05:28 • -7.45db
24% Popularity • 49% Danceability • 41% Energy • 11% Liveness
0% Instrumentalness • 51% Positiveness
24% Popularity • 49% Danceability • 41% Energy • 11% Liveness
0% Instrumentalness • 51% Positiveness
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JP Harris
Jimmy's Dead and Gone
150 bpm • B min • 02:27 • -7.74db
11% Popularity • 54% Danceability • 90% Energy • 10% Liveness
0% Instrumentalness • 52% Positiveness
11% Popularity • 54% Danceability • 90% Energy • 10% Liveness
0% Instrumentalness • 52% Positiveness
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Wayne Hancock
Poor Boy Blues
148 bpm • G# min • 02:20 • -11.71db
24% Popularity • 69% Danceability • 42% Energy • 11% Liveness
0% Instrumentalness • 88% Positiveness
24% Popularity • 69% Danceability • 42% Energy • 11% Liveness
0% Instrumentalness • 88% Positiveness
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James McMurtry
Lights of Cheyenne
148 bpm • G# Maj • 06:40 • -11db
29% Popularity • 36% Danceability • 39% Energy • 17% Liveness
0% Instrumentalness • 14% Positiveness
29% Popularity • 36% Danceability • 39% Energy • 17% Liveness
0% Instrumentalness • 14% Positiveness
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Robbie Fulks
Georgia Hard
149 bpm • G Maj • 04:14 • -6.27db
8% Popularity • 52% Danceability • 68% Energy • 18% Liveness
17% Instrumentalness • 56% Positiveness
8% Popularity • 52% Danceability • 68% Energy • 18% Liveness
17% Instrumentalness • 56% Positiveness
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Otis Gibbs
Great American Roadside
148 bpm • B Maj • 02:49 • -10.71db
16% Popularity • 62% Danceability • 21% Energy • 11% Liveness
0% Instrumentalness • 45% Positiveness
16% Popularity • 62% Danceability • 21% Energy • 11% Liveness
0% Instrumentalness • 45% Positiveness
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The Gourds
Pill Bug Blues
147 bpm • C Maj • 03:59 • -8.74db
26% Popularity • 67% Danceability • 63% Energy • 28% Liveness
0% Instrumentalness • 78% Positiveness
26% Popularity • 67% Danceability • 63% Energy • 28% Liveness
0% Instrumentalness • 78% Positiveness
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Gurf Morlix
Music You Mighta Made
148 bpm • E Maj • 04:37 • -12.87db
13% Popularity • 73% Danceability • 25% Energy • 11% Liveness
0% Instrumentalness • 66% Positiveness
13% Popularity • 73% Danceability • 25% Energy • 11% Liveness
0% Instrumentalness • 66% Positiveness
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Blackie & The Rodeo Kings
North
147 bpm • E Maj • 03:20 • -7db
33% Popularity • 54% Danceability • 54% Energy • 10% Liveness
0% Instrumentalness • 40% Positiveness
33% Popularity • 54% Danceability • 54% Energy • 10% Liveness
0% Instrumentalness • 40% Positiveness
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Dale Watson
I Lie When I Drink
147 bpm • E Maj • 03:07 • -10.01db
33% Popularity • 53% Danceability • 52% Energy • 6% Liveness
23% Instrumentalness • 78% Positiveness
33% Popularity • 53% Danceability • 52% Energy • 6% Liveness
23% Instrumentalness • 78% Positiveness
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The Modern Don Juans
I Was the One
176 bpm • E Maj • 02:35 • -5.81db
10% Popularity • 45% Danceability • 70% Energy • 30% Liveness
0% Instrumentalness • 73% Positiveness
10% Popularity • 45% Danceability • 70% Energy • 30% Liveness
0% Instrumentalness • 73% Positiveness
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Shinyribs
Trouble, Trouble
147 bpm • D Maj • 03:20 • -5.22db
22% Popularity • 52% Danceability • 87% Energy • 12% Liveness
0% Instrumentalness • 88% Positiveness
22% Popularity • 52% Danceability • 87% Energy • 12% Liveness
0% Instrumentalness • 88% Positiveness
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Junior Brown
My Baby Don't Dance To Nothing But Ernes...
177 bpm • A Maj • 02:12 • -13.6db
28% Popularity • 56% Danceability • 36% Energy • 11% Liveness
0% Instrumentalness • 78% Positiveness
28% Popularity • 56% Danceability • 36% Energy • 11% Liveness
0% Instrumentalness • 78% Positiveness
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Joe Ely
West Texas Waltz
177 bpm • D Maj • 04:55 • -8.57db
19% Popularity • 36% Danceability • 71% Energy • 4% Liveness
0% Instrumentalness • 75% Positiveness
19% Popularity • 36% Danceability • 71% Energy • 4% Liveness
0% Instrumentalness • 75% Positiveness
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James McMurtry
Bayou Tortue
147 bpm • C Maj • 04:25 • -7.26db
19% Popularity • 54% Danceability • 79% Energy • 66% Liveness
47% Instrumentalness • 73% Positiveness
19% Popularity • 54% Danceability • 79% Energy • 66% Liveness
47% Instrumentalness • 73% Positiveness
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Hacienda Brothers
South Of Lonesome
146 bpm • A Maj • 02:37 • -6.51db
16% Popularity • 78% Danceability • 72% Energy • 9% Liveness
0% Instrumentalness • 92% Positiveness
16% Popularity • 78% Danceability • 72% Energy • 9% Liveness
0% Instrumentalness • 92% Positiveness
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Robbie Fulks
Rock Bottom, Pop. 1
146 bpm • A Maj • 02:40 • -8.93db
23% Popularity • 61% Danceability • 76% Energy • 24% Liveness
0% Instrumentalness • 95% Positiveness
23% Popularity • 61% Danceability • 76% Energy • 24% Liveness
0% Instrumentalness • 95% Positiveness
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The Gourds
Dooley
146 bpm • C Maj • 01:56 • -7.64db
23% Popularity • 60% Danceability • 79% Energy • 35% Liveness
0% Instrumentalness • 95% Positiveness
23% Popularity • 60% Danceability • 79% Energy • 35% Liveness
0% Instrumentalness • 95% Positiveness
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Gurf Morlix
Wild Things
146 bpm • D Maj • 02:57 • -8.04db
21% Popularity • 67% Danceability • 56% Energy • 16% Liveness
4% Instrumentalness • 61% Positiveness
21% Popularity • 67% Danceability • 56% Energy • 16% Liveness
4% Instrumentalness • 61% Positiveness
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Kinky Friedman
Sold American
145 bpm • E Maj • 03:17 • -13db
28% Popularity • 56% Danceability • 42% Energy • 30% Liveness
0% Instrumentalness • 70% Positiveness
28% Popularity • 56% Danceability • 42% Energy • 30% Liveness
0% Instrumentalness • 70% Positiveness
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James Hand
Little Bitty Slip
145 bpm • G Maj • 03:04 • -8db
16% Popularity • 64% Danceability • 81% Energy • 48% Liveness
0% Instrumentalness • 95% Positiveness
16% Popularity • 64% Danceability • 81% Energy • 48% Liveness
0% Instrumentalness • 95% Positiveness
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Colvin & Earle
Tell Moses
145 bpm • G Maj • 03:41 • -7.5db
11% Popularity • 49% Danceability • 84% Energy • 9% Liveness
0% Instrumentalness • 69% Positiveness
11% Popularity • 49% Danceability • 84% Energy • 9% Liveness
0% Instrumentalness • 69% Positiveness
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Robbie Fulks
Baby Rocked Her Dolly
146 bpm • E Maj • 02:49 • -10.13db
5% Popularity • 39% Danceability • 45% Energy • 36% Liveness
0% Instrumentalness • 43% Positiveness
5% Popularity • 39% Danceability • 45% Energy • 36% Liveness
0% Instrumentalness • 43% Positiveness
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The Gourds
El Paso
145 bpm • D Maj • 03:10 • -6.81db
27% Popularity • 61% Danceability • 77% Energy • 9% Liveness
0% Instrumentalness • 56% Positiveness
27% Popularity • 61% Danceability • 77% Energy • 9% Liveness
0% Instrumentalness • 56% Positiveness
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Levon Helm
Poor Old Dirt Farmer
145 bpm • G Maj • 03:52 • -7db
30% Popularity • 54% Danceability • 48% Energy • 26% Liveness
0% Instrumentalness • 52% Positiveness
30% Popularity • 54% Danceability • 48% Energy • 26% Liveness
0% Instrumentalness • 52% Positiveness
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Western Centuries
Far From Home
145 bpm • G Maj • 03:52 • -4.75db
12% Popularity • 60% Danceability • 84% Energy • 24% Liveness
0% Instrumentalness • 95% Positiveness
12% Popularity • 60% Danceability • 84% Energy • 24% Liveness
0% Instrumentalness • 95% Positiveness
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Otis Gibbs
Made to Break
144 bpm • D Maj • 02:37 • -8.8db
14% Popularity • 60% Danceability • 54% Energy • 19% Liveness
0% Instrumentalness • 58% Positiveness
14% Popularity • 60% Danceability • 54% Energy • 19% Liveness
0% Instrumentalness • 58% Positiveness
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Scott Miller & The Commonwealth
I Made A Mess Of This Town
144 bpm • C Maj • 03:29 • -5.78db
8% Popularity • 35% Danceability • 88% Energy • 97% Liveness
0% Instrumentalness • 38% Positiveness
8% Popularity • 35% Danceability • 88% Energy • 97% Liveness
0% Instrumentalness • 38% Positiveness
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Robbie Fulks
Goodbye, Good-Lookin'
145 bpm • C Maj • 03:01 • -9.68db
10% Popularity • 65% Danceability • 68% Energy • 11% Liveness
2% Instrumentalness • 77% Positiveness
10% Popularity • 65% Danceability • 68% Energy • 11% Liveness
2% Instrumentalness • 77% Positiveness
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Sarah Shook & the Disarmers
New Ways to Fail
144 bpm • G Maj • 04:07 • -8.53db
27% Popularity • 59% Danceability • 73% Energy • 7% Liveness
0% Instrumentalness • 94% Positiveness
27% Popularity • 59% Danceability • 73% Energy • 7% Liveness
0% Instrumentalness • 94% Positiveness
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Paul Thorn
I Don't Like Half The Folks I Love
180 bpm • G# Maj • 04:24 • -13db
31% Popularity • 57% Danceability • 48% Energy • 10% Liveness
1% Instrumentalness • 95% Positiveness
31% Popularity • 57% Danceability • 48% Energy • 10% Liveness
1% Instrumentalness • 95% Positiveness
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Blue Mountain
Hippy Hotel
180 bpm • C Maj • 04:20 • -11.46db
9% Popularity • 52% Danceability • 48% Energy • 11% Liveness
20% Instrumentalness • 83% Positiveness
9% Popularity • 52% Danceability • 48% Energy • 11% Liveness
20% Instrumentalness • 83% Positiveness
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JP Harris
Two for the Road
144 bpm • C Maj • 02:54 • -8.26db
9% Popularity • 45% Danceability • 67% Energy • 34% Liveness
0% Instrumentalness • 81% Positiveness
9% Popularity • 45% Danceability • 67% Energy • 34% Liveness
0% Instrumentalness • 81% Positiveness
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Kenny Vaughan
The Things I Do
142 bpm • D Maj • 03:32 • -6.48db
9% Popularity • 55% Danceability • 86% Energy • 36% Liveness
3% Instrumentalness • 92% Positiveness
9% Popularity • 55% Danceability • 86% Energy • 36% Liveness
3% Instrumentalness • 92% Positiveness
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Robbie Fulks
(I Love) Nickels And Dimes
144 bpm • A# Maj • 03:07 • -8.23db
5% Popularity • 70% Danceability • 63% Energy • 8% Liveness
0% Instrumentalness • 68% Positiveness
5% Popularity • 70% Danceability • 63% Energy • 8% Liveness
0% Instrumentalness • 68% Positiveness
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Kinky Friedman
Highway Cafe
181 bpm • E Maj • 03:39 • -13.3db
9% Popularity • 37% Danceability • 39% Energy • 19% Liveness
0% Instrumentalness • 76% Positiveness
9% Popularity • 37% Danceability • 39% Energy • 19% Liveness
0% Instrumentalness • 76% Positiveness
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Bap Kennedy
Mostly Water
142 bpm • A Maj • 03:23 • -10.34db
15% Popularity • 57% Danceability • 52% Energy • 21% Liveness
0% Instrumentalness • 54% Positiveness
15% Popularity • 57% Danceability • 52% Energy • 21% Liveness
0% Instrumentalness • 54% Positiveness
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Whiskeytown
Too Drunk To Dream
142 bpm • A Maj • 02:53 • -6.38db
25% Popularity • 53% Danceability • 84% Energy • 25% Liveness
0% Instrumentalness • 36% Positiveness
25% Popularity • 53% Danceability • 84% Energy • 25% Liveness
0% Instrumentalness • 36% Positiveness
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JP Harris
Give a Little Lovin'
183 bpm • E min • 03:11 • -7.11db
10% Popularity • 55% Danceability • 81% Energy • 9% Liveness
0% Instrumentalness • 96% Positiveness
10% Popularity • 55% Danceability • 81% Energy • 9% Liveness
0% Instrumentalness • 96% Positiveness
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John Doe
The Cold Hard Facts of Life
141 bpm • C Maj • 03:04 • -8.85db
13% Popularity • 46% Danceability • 44% Energy • 9% Liveness
3% Instrumentalness • 66% Positiveness
13% Popularity • 46% Danceability • 44% Energy • 9% Liveness
3% Instrumentalness • 66% Positiveness
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Robbie Fulks
Tears Only Run One Way
142 bpm • D Maj • 02:49 • -6.78db
16% Popularity • 52% Danceability • 80% Energy • 30% Liveness
0% Instrumentalness • 89% Positiveness
16% Popularity • 52% Danceability • 80% Energy • 30% Liveness
0% Instrumentalness • 89% Positiveness
