Songs like Run On For a Long Time by The Blind Boys Of Alabama
Based on a tempo of (+/- 10%) and a similar genre
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Jimmy Reed
Bright Lights, Big City
92 bpm • D Maj • 02:49 • -9db
37% Popularity • 74% Danceability • 44% Energy • 23% Liveness
0% Instrumentalness • 69% Positiveness
37% Popularity • 74% Danceability • 44% Energy • 23% Liveness
0% Instrumentalness • 69% Positiveness
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The Derek Trucks Band
Volunteered Slavery
92 bpm • C Maj • 02:05 • -11.56db
25% Popularity • 77% Danceability • 30% Energy • 9% Liveness
0% Instrumentalness • 92% Positiveness
25% Popularity • 77% Danceability • 30% Energy • 9% Liveness
0% Instrumentalness • 92% Positiveness
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Buckwheat Zydeco
When The Levee Breaks
92 bpm • F min • 05:15 • -4.04db
16% Popularity • 29% Danceability • 91% Energy • 44% Liveness
25% Instrumentalness • 75% Positiveness
16% Popularity • 29% Danceability • 91% Energy • 44% Liveness
25% Instrumentalness • 75% Positiveness
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The Blind Boys Of Alabama
Run On For A Long Time
92 bpm • A Maj • 03:24 • -10.02db
35% Popularity • 73% Danceability • 54% Energy • 12% Liveness
66% Instrumentalness • 65% Positiveness
35% Popularity • 73% Danceability • 54% Energy • 12% Liveness
66% Instrumentalness • 65% Positiveness
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The Swan Silvertones
When the Saints Go Marching In
92 bpm • F# Maj • 02:20 • -4.86db
10% Popularity • 54% Danceability • 95% Energy • 13% Liveness
1% Instrumentalness • 65% Positiveness
10% Popularity • 54% Danceability • 95% Energy • 13% Liveness
1% Instrumentalness • 65% Positiveness
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Keith Richards
Crosseyed Heart
92 bpm • A Maj • 01:52 • -11db
43% Popularity • 73% Danceability • 21% Energy • 11% Liveness
9% Instrumentalness • 51% Positiveness
43% Popularity • 73% Danceability • 21% Energy • 11% Liveness
9% Instrumentalness • 51% Positiveness
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Sharon Jones & The Dap-Kings
Answer Me
92 bpm • D Maj • 04:08 • -8.44db
28% Popularity • 70% Danceability • 62% Energy • 16% Liveness
0% Instrumentalness • 58% Positiveness
28% Popularity • 70% Danceability • 62% Energy • 16% Liveness
0% Instrumentalness • 58% Positiveness
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Koko Taylor
Voodoo Woman
92 bpm • F min • 03:48 • -9.42db
45% Popularity • 66% Danceability • 52% Energy • 9% Liveness
0% Instrumentalness • 96% Positiveness
45% Popularity • 66% Danceability • 52% Energy • 9% Liveness
0% Instrumentalness • 96% Positiveness
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The Harmonizing Four
Motherless Child
91 bpm • G# min • 03:09 • -15.31db
15% Popularity • 27% Danceability • 9% Energy • 11% Liveness
0% Instrumentalness • 8% Positiveness
15% Popularity • 27% Danceability • 9% Energy • 11% Liveness
0% Instrumentalness • 8% Positiveness
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The Blind Boys Of Alabama
Old Blind Barnabus
91 bpm • F Maj • 03:31 • -10.49db
5% Popularity • 64% Danceability • 56% Energy • 12% Liveness
12% Instrumentalness • 47% Positiveness
5% Popularity • 64% Danceability • 56% Energy • 12% Liveness
12% Instrumentalness • 47% Positiveness
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Clarence Fountain
Traveling Shoes
93 bpm • E min • 04:46 • -4.67db
1% Popularity • 75% Danceability • 84% Energy • 16% Liveness
18% Instrumentalness • 91% Positiveness
1% Popularity • 75% Danceability • 84% Energy • 16% Liveness
18% Instrumentalness • 91% Positiveness
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Dorothy Love Coates
99 1/2 Won't Do
93 bpm • G Maj • 02:43 • -6.35db
13% Popularity • 64% Danceability • 59% Energy • 35% Liveness
0% Instrumentalness • 79% Positiveness
13% Popularity • 64% Danceability • 59% Energy • 35% Liveness
0% Instrumentalness • 79% Positiveness
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Bobby Rush
Down In Louisiana
93 bpm • B min • 04:00 • -8.58db
4% Popularity • 78% Danceability • 83% Energy • 6% Liveness
2% Instrumentalness • 89% Positiveness
4% Popularity • 78% Danceability • 83% Energy • 6% Liveness
2% Instrumentalness • 89% Positiveness
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Pops Staples
I Shall Not Be Moved
94 bpm • D# Maj • 04:03 • -16.41db
10% Popularity • 35% Danceability • 37% Energy • 11% Liveness
0% Instrumentalness • 34% Positiveness
10% Popularity • 35% Danceability • 37% Energy • 11% Liveness
0% Instrumentalness • 34% Positiveness
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Leon Redbone
Champagne Charlie - Live at Glocke, Brem...
94 bpm • A# Maj • 05:31 • -17.49db
15% Popularity • 55% Danceability • 28% Energy • 12% Liveness
0% Instrumentalness • 45% Positiveness
15% Popularity • 55% Danceability • 28% Energy • 12% Liveness
0% Instrumentalness • 45% Positiveness
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The Blind Boys Of Alabama
Motherless Child
93 bpm • G min • 04:19 • -8.42db
15% Popularity • 67% Danceability • 50% Energy • 11% Liveness
0% Instrumentalness • 48% Positiveness
15% Popularity • 67% Danceability • 50% Energy • 11% Liveness
0% Instrumentalness • 48% Positiveness
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Clarence Fountain
God Ain't Gonna Let You Have My Soul
93 bpm • A Maj • 03:05 • -5.11db
1% Popularity • 51% Danceability • 63% Energy • 32% Liveness
0% Instrumentalness • 73% Positiveness
1% Popularity • 51% Danceability • 63% Energy • 32% Liveness
0% Instrumentalness • 73% Positiveness
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Dorothy Love Coates
Ninety-Nine And A Half
93 bpm • G Maj • 02:40 • -11db
13% Popularity • 66% Danceability • 44% Energy • 36% Liveness
0% Instrumentalness • 78% Positiveness
13% Popularity • 66% Danceability • 44% Energy • 36% Liveness
0% Instrumentalness • 78% Positiveness
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Ben Harper
Wicked Man
94 bpm • F Maj • 03:33 • -6.56db
20% Popularity • 63% Danceability • 86% Energy • 30% Liveness
0% Instrumentalness • 79% Positiveness
20% Popularity • 63% Danceability • 86% Energy • 30% Liveness
0% Instrumentalness • 79% Positiveness
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Ike & Tina Turner
3 O'Clock In The Morning Blues
94 bpm • C Maj • 02:39 • -26.08db
33% Popularity • 65% Danceability • 10% Energy • 10% Liveness
0% Instrumentalness • 50% Positiveness
33% Popularity • 65% Danceability • 10% Energy • 10% Liveness
0% Instrumentalness • 50% Positiveness
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Pops Staples
World In Motion
90 bpm • G min • 03:57 • -12.29db
25% Popularity • 65% Danceability • 41% Energy • 11% Liveness
0% Instrumentalness • 49% Positiveness
25% Popularity • 65% Danceability • 41% Energy • 11% Liveness
0% Instrumentalness • 49% Positiveness
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Marc Cohn
Walk In Jerusalem
90 bpm • F Maj • 03:00 • -9.85db
20% Popularity • 75% Danceability • 56% Energy • 66% Liveness
0% Instrumentalness • 62% Positiveness
20% Popularity • 75% Danceability • 56% Energy • 66% Liveness
0% Instrumentalness • 62% Positiveness
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Clarence Fountain
Love Love Love
91 bpm • A Maj • 03:30 • -8.35db
1% Popularity • 65% Danceability • 48% Energy • 73% Liveness
0% Instrumentalness • 59% Positiveness
1% Popularity • 65% Danceability • 48% Energy • 73% Liveness
0% Instrumentalness • 59% Positiveness
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Dorothy Love Coates
One Morning Soon
93 bpm • C Maj • 02:29 • -10.51db
16% Popularity • 56% Danceability • 34% Energy • 39% Liveness
0% Instrumentalness • 72% Positiveness
16% Popularity • 56% Danceability • 34% Energy • 39% Liveness
0% Instrumentalness • 72% Positiveness
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Lil' Queenie & The Percolators
My Dawlin' New Orleans
90 bpm • G Maj • 04:01 • -4.27db
18% Popularity • 70% Danceability • 88% Energy • 18% Liveness
0% Instrumentalness • 90% Positiveness
18% Popularity • 70% Danceability • 88% Energy • 18% Liveness
0% Instrumentalness • 90% Positiveness
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The Dixie Hummingbirds
In the Morning
90 bpm • C Maj • 03:19 • -6.41db
14% Popularity • 40% Danceability • 65% Energy • 68% Liveness
0% Instrumentalness • 53% Positiveness
14% Popularity • 40% Danceability • 65% Energy • 68% Liveness
0% Instrumentalness • 53% Positiveness
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Susan Tedeschi
Magnificent Sanctuary Band
90 bpm • B Maj • 03:00 • -6.42db
18% Popularity • 50% Danceability • 64% Energy • 13% Liveness
0% Instrumentalness • 58% Positiveness
18% Popularity • 50% Danceability • 64% Energy • 13% Liveness
0% Instrumentalness • 58% Positiveness
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Jimmy Reed
Baby What You Want Me To Do
94 bpm • A Maj • 02:24 • -11.62db
44% Popularity • 58% Danceability • 30% Energy • 9% Liveness
1% Instrumentalness • 64% Positiveness
44% Popularity • 58% Danceability • 30% Energy • 9% Liveness
1% Instrumentalness • 64% Positiveness
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The Holmes Brothers
Feed My Soul
90 bpm • B Maj • 05:05 • -9.4db
12% Popularity • 75% Danceability • 34% Energy • 12% Liveness
0% Instrumentalness • 47% Positiveness
12% Popularity • 75% Danceability • 34% Energy • 12% Liveness
0% Instrumentalness • 47% Positiveness
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Maxine Weldon
Like A Rolling Stone
95 bpm • F min • 03:31 • -7db
11% Popularity • 54% Danceability • 78% Energy • 14% Liveness
0% Instrumentalness • 65% Positiveness
11% Popularity • 54% Danceability • 78% Energy • 14% Liveness
0% Instrumentalness • 65% Positiveness
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Samantha Fish
Jim Lee Blues Pt. 1
95 bpm • A Maj • 03:53 • -7.75db
31% Popularity • 79% Danceability • 64% Energy • 16% Liveness
0% Instrumentalness • 65% Positiveness
31% Popularity • 79% Danceability • 64% Energy • 16% Liveness
0% Instrumentalness • 65% Positiveness
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The Blind Boys Of Alabama
(Jesus Hits Like The) Atom Bomb
95 bpm • F min • 02:30 • -10.95db
11% Popularity • 73% Danceability • 43% Energy • 28% Liveness
0% Instrumentalness • 47% Positiveness
11% Popularity • 73% Danceability • 43% Energy • 28% Liveness
0% Instrumentalness • 47% Positiveness
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The Wild Tchoupitoulas
Indian Red
95 bpm • G Maj • 07:23 • -14.73db
8% Popularity • 50% Danceability • 30% Energy • 70% Liveness
0% Instrumentalness • 55% Positiveness
8% Popularity • 50% Danceability • 30% Energy • 70% Liveness
0% Instrumentalness • 55% Positiveness
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Elvin Bishop & Charlie Musselwhite
What The Hell?
95 bpm • C Maj • 03:06 • -2.6db
26% Popularity • 57% Danceability • 60% Energy • 37% Liveness
0% Instrumentalness • 72% Positiveness
26% Popularity • 57% Danceability • 60% Energy • 37% Liveness
0% Instrumentalness • 72% Positiveness
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Elmore James
Shake Your Money Maker
95 bpm • D Maj • 02:30 • -7db
29% Popularity • 48% Danceability • 67% Energy • 11% Liveness
0% Instrumentalness • 80% Positiveness
29% Popularity • 48% Danceability • 67% Energy • 11% Liveness
0% Instrumentalness • 80% Positiveness
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The Subdudes
Carved In Stone
95 bpm • A Maj • 03:55 • -8.46db
13% Popularity • 42% Danceability • 36% Energy • 72% Liveness
0% Instrumentalness • 26% Positiveness
13% Popularity • 42% Danceability • 36% Energy • 72% Liveness
0% Instrumentalness • 26% Positiveness
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Jimmy Reed
Baby, What You Want Me To Do
95 bpm • A Maj • 02:27 • -13db
34% Popularity • 52% Danceability • 40% Energy • 12% Liveness
0% Instrumentalness • 72% Positiveness
34% Popularity • 52% Danceability • 40% Energy • 12% Liveness
0% Instrumentalness • 72% Positiveness
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Maria McKee
If Love Is A Red Dress (Hang Me In Rags)...
95 bpm • D Maj • 04:57 • -9.61db
41% Popularity • 32% Danceability • 21% Energy • 20% Liveness
0% Instrumentalness • 14% Positiveness
41% Popularity • 32% Danceability • 21% Energy • 20% Liveness
0% Instrumentalness • 14% Positiveness
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Alvin Youngblood Hart
Tallacatcha
95 bpm • G Maj • 03:06 • -12.52db
10% Popularity • 56% Danceability • 26% Energy • 7% Liveness
9% Instrumentalness • 68% Positiveness
10% Popularity • 56% Danceability • 26% Energy • 7% Liveness
9% Instrumentalness • 68% Positiveness
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Koko Taylor
Tease Your Man
96 bpm • G min • 04:19 • -8.03db
18% Popularity • 69% Danceability • 51% Energy • 13% Liveness
2% Instrumentalness • 60% Positiveness
18% Popularity • 69% Danceability • 51% Energy • 13% Liveness
2% Instrumentalness • 60% Positiveness
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Elmore James
It Hurts Me Too
89 bpm • B min • 03:12 • -8.4db
40% Popularity • 62% Danceability • 62% Energy • 6% Liveness
0% Instrumentalness • 60% Positiveness
40% Popularity • 62% Danceability • 62% Energy • 6% Liveness
0% Instrumentalness • 60% Positiveness
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Big Bill Broonzy
This Train
96 bpm • G# min • 03:00 • -14.46db
22% Popularity • 71% Danceability • 32% Energy • 13% Liveness
0% Instrumentalness • 64% Positiveness
22% Popularity • 71% Danceability • 32% Energy • 13% Liveness
0% Instrumentalness • 64% Positiveness
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Dorothy Love Coates
Lord, Don't Forget About Me
96 bpm • G# Maj • 02:14 • -12.57db
16% Popularity • 66% Danceability • 32% Energy • 29% Liveness
0% Instrumentalness • 71% Positiveness
16% Popularity • 66% Danceability • 32% Energy • 29% Liveness
0% Instrumentalness • 71% Positiveness
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Chris Smither
Don't Call Me Stranger
89 bpm • A Maj • 04:08 • -9.05db
33% Popularity • 64% Danceability • 55% Energy • 10% Liveness
1% Instrumentalness • 72% Positiveness
33% Popularity • 64% Danceability • 55% Energy • 10% Liveness
1% Instrumentalness • 72% Positiveness
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Wynton Marsalis Septet
The Last Time
96 bpm • F Maj • 04:15 • -11.79db
18% Popularity • 55% Danceability • 44% Energy • 97% Liveness
0% Instrumentalness • 39% Positiveness
18% Popularity • 55% Danceability • 44% Energy • 97% Liveness
0% Instrumentalness • 39% Positiveness
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Pinetop Perkins
Since I Lost My Baby
96 bpm • C Maj • 03:52 • -10.55db
11% Popularity • 57% Danceability • 34% Energy • 19% Liveness
1% Instrumentalness • 39% Positiveness
11% Popularity • 57% Danceability • 34% Energy • 19% Liveness
1% Instrumentalness • 39% Positiveness
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The Blind Boys Of Alabama
I Know I've Been Converted
96 bpm • A# min • 02:42 • -8.62db
2% Popularity • 42% Danceability • 39% Energy • 20% Liveness
27% Instrumentalness • 38% Positiveness
2% Popularity • 42% Danceability • 39% Energy • 20% Liveness
27% Instrumentalness • 38% Positiveness
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Greg Brown
Jesus & Elvis
97 bpm • C Maj • 03:38 • -14.26db
11% Popularity • 68% Danceability • 30% Energy • 12% Liveness
0% Instrumentalness • 52% Positiveness
11% Popularity • 68% Danceability • 30% Energy • 12% Liveness
0% Instrumentalness • 52% Positiveness
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Mose Allison
My Brain
97 bpm • A# Maj • 02:59 • -9.1db
22% Popularity • 81% Danceability • 43% Energy • 8% Liveness
5% Instrumentalness • 86% Positiveness
22% Popularity • 81% Danceability • 43% Energy • 8% Liveness
5% Instrumentalness • 86% Positiveness
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Mississippi Fred McDowell
I Wish I Was in Heaven Sitting Down
88 bpm • A Maj • 01:45 • -14.21db
16% Popularity • 42% Danceability • 23% Energy • 18% Liveness
0% Instrumentalness • 31% Positiveness
16% Popularity • 42% Danceability • 23% Energy • 18% Liveness
0% Instrumentalness • 31% Positiveness
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Pokey LaFarge
La La Blues
97 bpm • A Maj • 03:42 • -6.79db
32% Popularity • 58% Danceability • 50% Energy • 14% Liveness
0% Instrumentalness • 81% Positiveness
32% Popularity • 58% Danceability • 50% Energy • 14% Liveness
0% Instrumentalness • 81% Positiveness
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Willie Hightower
Walk A Mile In My Shoes
97 bpm • B Maj • 03:20 • -11.24db
22% Popularity • 64% Danceability • 60% Energy • 62% Liveness
0% Instrumentalness • 95% Positiveness
22% Popularity • 64% Danceability • 60% Energy • 62% Liveness
0% Instrumentalness • 95% Positiveness
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The Blind Boys Of Alabama
God Put A Rainbow In The Cloud
97 bpm • G Maj • 02:37 • -4.34db
8% Popularity • 63% Danceability • 71% Energy • 11% Liveness
0% Instrumentalness • 68% Positiveness
8% Popularity • 63% Danceability • 71% Energy • 11% Liveness
0% Instrumentalness • 68% Positiveness
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Marion Williams
I Shall Be Released
97 bpm • D# Maj • 04:31 • -10.18db
21% Popularity • 53% Danceability • 45% Energy • 11% Liveness
0% Instrumentalness • 63% Positiveness
21% Popularity • 53% Danceability • 45% Energy • 11% Liveness
0% Instrumentalness • 63% Positiveness
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Jorma Kaukonen
There's A Bright Side Somewhere
97 bpm • D Maj • 02:59 • -13.5db
11% Popularity • 69% Danceability • 40% Energy • 10% Liveness
91% Instrumentalness • 51% Positiveness
11% Popularity • 69% Danceability • 40% Energy • 10% Liveness
91% Instrumentalness • 51% Positiveness
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The Holmes Brothers
If I Had A Boat
97 bpm • E Maj • 03:06 • -8.6db
14% Popularity • 53% Danceability • 47% Energy • 14% Liveness
0% Instrumentalness • 83% Positiveness
14% Popularity • 53% Danceability • 47% Energy • 14% Liveness
0% Instrumentalness • 83% Positiveness
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J.B. Lenoir
Alabama Blues
97 bpm • F# Maj • 03:14 • -8db
41% Popularity • 68% Danceability • 31% Energy • 6% Liveness
0% Instrumentalness • 69% Positiveness
41% Popularity • 68% Danceability • 31% Energy • 6% Liveness
0% Instrumentalness • 69% Positiveness
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The Pilgrim Travelers
Lord, Hold My Hand
98 bpm • F Maj • 02:20 • -19.07db
25% Popularity • 53% Danceability • 17% Energy • 17% Liveness
0% Instrumentalness • 74% Positiveness
25% Popularity • 53% Danceability • 17% Energy • 17% Liveness
0% Instrumentalness • 74% Positiveness
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The Blind Boys Of Alabama
Wade In The Water
87 bpm • F Maj • 03:34 • -10.27db
18% Popularity • 39% Danceability • 31% Energy • 13% Liveness
3% Instrumentalness • 47% Positiveness
18% Popularity • 39% Danceability • 31% Energy • 13% Liveness
3% Instrumentalness • 47% Positiveness
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Marion Williams
Talk About Jesus
97 bpm • C Maj • 02:02 • -11.71db
21% Popularity • 57% Danceability • 11% Energy • 15% Liveness
0% Instrumentalness • 52% Positiveness
21% Popularity • 57% Danceability • 11% Energy • 15% Liveness
0% Instrumentalness • 52% Positiveness
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Clifton Chenier
I'm A Hog For You
98 bpm • F min • 03:45 • -16.34db
13% Popularity • 53% Danceability • 30% Energy • 10% Liveness
0% Instrumentalness • 91% Positiveness
13% Popularity • 53% Danceability • 30% Energy • 10% Liveness
0% Instrumentalness • 91% Positiveness
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Pops Staples
Hope In A Hopeless World
98 bpm • F min • 04:26 • -13.55db
8% Popularity • 76% Danceability • 59% Energy • 7% Liveness
0% Instrumentalness • 60% Positiveness
8% Popularity • 76% Danceability • 59% Energy • 7% Liveness
0% Instrumentalness • 60% Positiveness
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Bukka White
Parchman Farm Blues
98 bpm • C Maj • 02:42 • -11db
28% Popularity • 56% Danceability • 30% Energy • 18% Liveness
55% Instrumentalness • 66% Positiveness
28% Popularity • 56% Danceability • 30% Energy • 18% Liveness
55% Instrumentalness • 66% Positiveness
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The Highway Q.C.'s
Somewhere To Lay My Head
98 bpm • C Maj • 02:23 • -12.63db
24% Popularity • 33% Danceability • 37% Energy • 10% Liveness
0% Instrumentalness • 42% Positiveness
24% Popularity • 33% Danceability • 37% Energy • 10% Liveness
0% Instrumentalness • 42% Positiveness
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The Holmes Brothers
Gasoline Drawers
98 bpm • G Maj • 04:41 • -7.82db
10% Popularity • 75% Danceability • 70% Energy • 6% Liveness
1% Instrumentalness • 92% Positiveness
10% Popularity • 75% Danceability • 70% Energy • 6% Liveness
1% Instrumentalness • 92% Positiveness
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Shemekia Copeland
Beat Up Guitar
86 bpm • D Maj • 04:27 • -11.92db
20% Popularity • 57% Danceability • 21% Energy • 21% Liveness
0% Instrumentalness • 44% Positiveness
20% Popularity • 57% Danceability • 21% Energy • 21% Liveness
0% Instrumentalness • 44% Positiveness
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Hot 8 Brass Band
Fly Away
99 bpm • A# min • 03:56 • -4.36db
22% Popularity • 53% Danceability • 61% Energy • 5% Liveness
0% Instrumentalness • 58% Positiveness
22% Popularity • 53% Danceability • 61% Energy • 5% Liveness
0% Instrumentalness • 58% Positiveness
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Alvin Youngblood Hart
Big Mama's Door
99 bpm • E Maj • 03:51 • -13db
29% Popularity • 63% Danceability • 20% Energy • 10% Liveness
0% Instrumentalness • 54% Positiveness
29% Popularity • 63% Danceability • 20% Energy • 10% Liveness
0% Instrumentalness • 54% Positiveness
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The Ragged Jubilee
In the Valley II
86 bpm • E Maj • 01:28 • -11.4db
10% Popularity • 58% Danceability • 16% Energy • 21% Liveness
0% Instrumentalness • 36% Positiveness
10% Popularity • 58% Danceability • 16% Energy • 21% Liveness
0% Instrumentalness • 36% Positiveness
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Bessie Jones
Sometimes
99 bpm • D# Maj • 00:54 • -14.05db
33% Popularity • 69% Danceability • 57% Energy • 35% Liveness
0% Instrumentalness • 95% Positiveness
33% Popularity • 69% Danceability • 57% Energy • 35% Liveness
0% Instrumentalness • 95% Positiveness
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The Holmes Brothers
Close The Door
99 bpm • D Maj • 03:42 • -8.17db
11% Popularity • 67% Danceability • 57% Energy • 13% Liveness
0% Instrumentalness • 86% Positiveness
11% Popularity • 67% Danceability • 57% Energy • 13% Liveness
0% Instrumentalness • 86% Positiveness
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Brother Joe May
Bye & Bye, Afterwhile
99 bpm • F Maj • 02:27 • -10.61db
16% Popularity • 37% Danceability • 24% Energy • 9% Liveness
0% Instrumentalness • 46% Positiveness
16% Popularity • 37% Danceability • 24% Energy • 9% Liveness
0% Instrumentalness • 46% Positiveness
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BeauSoleil
L'ouragon (The Hurricane)
99 bpm • E min • 03:58 • -6.72db
18% Popularity • 63% Danceability • 91% Energy • 34% Liveness
36% Instrumentalness • 88% Positiveness
18% Popularity • 63% Danceability • 91% Energy • 34% Liveness
36% Instrumentalness • 88% Positiveness
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Pops Staples
Love Is A Precious Thing
99 bpm • A# min • 04:53 • -17.01db
8% Popularity • 76% Danceability • 26% Energy • 22% Liveness
0% Instrumentalness • 74% Positiveness
8% Popularity • 76% Danceability • 26% Energy • 22% Liveness
0% Instrumentalness • 74% Positiveness
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Ben Harper
Mother Pray
85 bpm • G Maj • 03:00 • -10.48db
17% Popularity • 46% Danceability • 14% Energy • 36% Liveness
0% Instrumentalness • 41% Positiveness
17% Popularity • 46% Danceability • 14% Energy • 36% Liveness
0% Instrumentalness • 41% Positiveness
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Preservation Hall Jazz Band
I'll Fly Away
99 bpm • A# Maj • 06:24 • -8.85db
7% Popularity • 41% Danceability • 80% Energy • 76% Liveness
0% Instrumentalness • 59% Positiveness
7% Popularity • 41% Danceability • 80% Energy • 76% Liveness
0% Instrumentalness • 59% Positiveness
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The Holmes Brothers
God Will
99 bpm • F Maj • 02:22 • -7.74db
15% Popularity • 53% Danceability • 46% Energy • 18% Liveness
0% Instrumentalness • 34% Positiveness
15% Popularity • 53% Danceability • 46% Energy • 18% Liveness
0% Instrumentalness • 34% Positiveness
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Sam Cooke & The Soul Stirrers
Touch The Hem Of His Garment
100 bpm • A# Maj • 01:59 • -13.74db
24% Popularity • 45% Danceability • 35% Energy • 13% Liveness
0% Instrumentalness • 57% Positiveness
24% Popularity • 45% Danceability • 35% Energy • 13% Liveness
0% Instrumentalness • 57% Positiveness
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Michael Jerome Browne
Sliding Delta
100 bpm • A# Maj • 03:06 • -8.01db
8% Popularity • 55% Danceability • 52% Energy • 12% Liveness
0% Instrumentalness • 85% Positiveness
8% Popularity • 55% Danceability • 52% Energy • 12% Liveness
0% Instrumentalness • 85% Positiveness
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Lou Rawls
Tobacco Road - 2006 Remaster
85 bpm • C Maj • 04:01 • -8.08db
25% Popularity • 52% Danceability • 20% Energy • 21% Liveness
0% Instrumentalness • 37% Positiveness
25% Popularity • 52% Danceability • 20% Energy • 21% Liveness
0% Instrumentalness • 37% Positiveness
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The Wood Brothers
Up Above My Head
85 bpm • F Maj • 02:39 • -8.86db
29% Popularity • 58% Danceability • 39% Energy • 10% Liveness
0% Instrumentalness • 60% Positiveness
29% Popularity • 58% Danceability • 39% Energy • 10% Liveness
0% Instrumentalness • 60% Positiveness
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Leon Redbone
Ain't Misbehavin' - I'm Savin' My Love f...
100 bpm • A min • 04:04 • -19.1db
28% Popularity • 66% Danceability • 6% Energy • 7% Liveness
1% Instrumentalness • 50% Positiveness
28% Popularity • 66% Danceability • 6% Energy • 7% Liveness
1% Instrumentalness • 50% Positiveness
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Junior Wells
Give Me One Reason
100 bpm • C Maj • 05:02 • -13.4db
26% Popularity • 79% Danceability • 38% Energy • 8% Liveness
1% Instrumentalness • 51% Positiveness
26% Popularity • 79% Danceability • 38% Energy • 8% Liveness
1% Instrumentalness • 51% Positiveness
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Sam Cooke & The Soul Stirrers
Jesus, Wash Away My Troubles
100 bpm • A# Maj • 02:02 • -17.21db
16% Popularity • 42% Danceability • 15% Energy • 12% Liveness
0% Instrumentalness • 50% Positiveness
16% Popularity • 42% Danceability • 15% Energy • 12% Liveness
0% Instrumentalness • 50% Positiveness
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Papa John Creach
Sweet Life Blues
100 bpm • D min • 04:15 • -11.26db
14% Popularity • 74% Danceability • 41% Energy • 12% Liveness
89% Instrumentalness • 72% Positiveness
14% Popularity • 74% Danceability • 41% Energy • 12% Liveness
89% Instrumentalness • 72% Positiveness
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Marion Williams
Will the Circle Be Unbroken
85 bpm • F Maj • 02:28 • -9.07db
10% Popularity • 52% Danceability • 72% Energy • 44% Liveness
0% Instrumentalness • 76% Positiveness
10% Popularity • 52% Danceability • 72% Energy • 44% Liveness
0% Instrumentalness • 76% Positiveness
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Robert Finley
All My Hope
100 bpm • G Maj • 04:14 • -8.38db
20% Popularity • 60% Danceability • 38% Energy • 12% Liveness
0% Instrumentalness • 46% Positiveness
20% Popularity • 60% Danceability • 38% Energy • 12% Liveness
0% Instrumentalness • 46% Positiveness
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Bernice Johnson Reagon
Come And Go With Me To That Land
84 bpm • A# Maj • 04:40 • -13.93db
16% Popularity • 25% Danceability • 23% Energy • 12% Liveness
0% Instrumentalness • 20% Positiveness
16% Popularity • 25% Danceability • 23% Energy • 12% Liveness
0% Instrumentalness • 20% Positiveness
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The Blind Boys Of Alabama
Almost Home
84 bpm • C Maj • 04:31 • -12.57db
6% Popularity • 57% Danceability • 28% Energy • 9% Liveness
0% Instrumentalness • 34% Positiveness
6% Popularity • 57% Danceability • 28% Energy • 9% Liveness
0% Instrumentalness • 34% Positiveness
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Charlie Musselwhite
Blues Gave Me A Ride
100 bpm • E Maj • 02:21 • -11.42db
26% Popularity • 67% Danceability • 39% Energy • 38% Liveness
2% Instrumentalness • 56% Positiveness
26% Popularity • 67% Danceability • 39% Energy • 38% Liveness
2% Instrumentalness • 56% Positiveness
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Corey Harris
5-0 Blues
101 bpm • A min • 04:52 • -13.43db
7% Popularity • 91% Danceability • 29% Energy • 14% Liveness
1% Instrumentalness • 97% Positiveness
7% Popularity • 91% Danceability • 29% Energy • 14% Liveness
1% Instrumentalness • 97% Positiveness
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Leon Redbone
Lazybones
101 bpm • F# Maj • 03:06 • -17.91db
35% Popularity • 69% Danceability • 5% Energy • 13% Liveness
0% Instrumentalness • 43% Positiveness
35% Popularity • 69% Danceability • 5% Energy • 13% Liveness
0% Instrumentalness • 43% Positiveness
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Patty Griffin
Move Up
101 bpm • F min • 02:43 • -8db
18% Popularity • 56% Danceability • 87% Energy • 24% Liveness
0% Instrumentalness • 68% Positiveness
18% Popularity • 56% Danceability • 87% Energy • 24% Liveness
0% Instrumentalness • 68% Positiveness
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Leo "Bud" Welch
I Know I Been Changed
83 bpm • G Maj • 01:57 • -11.04db
9% Popularity • 43% Danceability • 40% Energy • 15% Liveness
4% Instrumentalness • 38% Positiveness
9% Popularity • 43% Danceability • 40% Energy • 15% Liveness
4% Instrumentalness • 38% Positiveness
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Ben Harper
I Shall Not Walk Alone - Live at the Apo...
102 bpm • E Maj • 06:35 • -14.11db
12% Popularity • 40% Danceability • 31% Energy • 82% Liveness
0% Instrumentalness • 20% Positiveness
12% Popularity • 40% Danceability • 31% Energy • 82% Liveness
0% Instrumentalness • 20% Positiveness
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Otis Redding
Amen
102 bpm • G Maj • 03:06 • -12.69db
34% Popularity • 61% Danceability • 14% Energy • 23% Liveness
0% Instrumentalness • 54% Positiveness
34% Popularity • 61% Danceability • 14% Energy • 23% Liveness
0% Instrumentalness • 54% Positiveness
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The Holmes Brothers
We Meet, We Part, We Remember
102 bpm • A Maj • 03:56 • -7.77db
20% Popularity • 82% Danceability • 54% Energy • 11% Liveness
0% Instrumentalness • 76% Positiveness
20% Popularity • 82% Danceability • 54% Energy • 11% Liveness
0% Instrumentalness • 76% Positiveness
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Big Bill Broonzy
Black, Brown and White
83 bpm • F# Maj • 02:44 • -18db
19% Popularity • 73% Danceability • 8% Energy • 10% Liveness
0% Instrumentalness • 76% Positiveness
19% Popularity • 73% Danceability • 8% Energy • 10% Liveness
0% Instrumentalness • 76% Positiveness
