Songs like Run Run Run Run Run by School Is Cool
Based on a tempo of (+/- 10%) and a similar genre
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Stef Kamil Carlens
Going Home
123 bpm • A min • 03:34 • -7.37db
7% Popularity • 70% Danceability • 66% Energy • 9% Liveness
0% Instrumentalness • 92% Positiveness
7% Popularity • 70% Danceability • 66% Energy • 9% Liveness
0% Instrumentalness • 92% Positiveness
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Balthazar
Nightclub
123 bpm • G Maj • 02:57 • -6.62db
40% Popularity • 72% Danceability • 57% Energy • 14% Liveness
2% Instrumentalness • 80% Positiveness
40% Popularity • 72% Danceability • 57% Energy • 14% Liveness
2% Instrumentalness • 80% Positiveness
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Compact Disk Dummies
Like A Turtle On Its Back
123 bpm • F Maj • 03:11 • -6.31db
21% Popularity • 72% Danceability • 73% Energy • 10% Liveness
0% Instrumentalness • 77% Positiveness
21% Popularity • 72% Danceability • 73% Energy • 10% Liveness
0% Instrumentalness • 77% Positiveness
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Arcade Fire
Put Your Money on Me - Single Version
123 bpm • E min • 03:59 • -6db
26% Popularity • 60% Danceability • 81% Energy • 18% Liveness
1% Instrumentalness • 78% Positiveness
26% Popularity • 60% Danceability • 81% Energy • 18% Liveness
1% Instrumentalness • 78% Positiveness
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Camden
Black Paper - Black Ink
123 bpm • C min • 03:32 • -5.67db
14% Popularity • 72% Danceability • 72% Energy • 11% Liveness
0% Instrumentalness • 54% Positiveness
14% Popularity • 72% Danceability • 72% Energy • 11% Liveness
0% Instrumentalness • 54% Positiveness
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School Is Cool
Run Run Run Run Run
123 bpm • B Maj • 03:22 • -7.84db
19% Popularity • 62% Danceability • 82% Energy • 11% Liveness
1% Instrumentalness • 93% Positiveness
19% Popularity • 62% Danceability • 82% Energy • 11% Liveness
1% Instrumentalness • 93% Positiveness
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Mooneye
Time to Move Away from Here
122 bpm • A Maj • 02:56 • -4.65db
27% Popularity • 53% Danceability • 71% Energy • 7% Liveness
0% Instrumentalness • 83% Positiveness
27% Popularity • 53% Danceability • 71% Energy • 7% Liveness
0% Instrumentalness • 83% Positiveness
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Balthazar
Last Call
123 bpm • G Maj • 05:22 • -6.74db
25% Popularity • 56% Danceability • 63% Energy • 8% Liveness
1% Instrumentalness • 19% Positiveness
25% Popularity • 56% Danceability • 63% Energy • 8% Liveness
1% Instrumentalness • 19% Positiveness
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Compact Disk Dummies
Solà r
122 bpm • B min • 03:54 • -7.8db
24% Popularity • 66% Danceability • 52% Energy • 83% Liveness
0% Instrumentalness • 37% Positiveness
24% Popularity • 66% Danceability • 52% Energy • 83% Liveness
0% Instrumentalness • 37% Positiveness
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EUT
Sour Times
124 bpm • F Maj • 03:05 • -7.97db
11% Popularity • 65% Danceability • 63% Energy • 10% Liveness
0% Instrumentalness • 40% Positiveness
11% Popularity • 65% Danceability • 63% Energy • 10% Liveness
0% Instrumentalness • 40% Positiveness
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Triggerfinger
Afterglow
124 bpm • C Maj • 04:10 • -10.13db
12% Popularity • 55% Danceability • 30% Energy • 19% Liveness
1% Instrumentalness • 8% Positiveness
12% Popularity • 55% Danceability • 30% Energy • 19% Liveness
1% Instrumentalness • 8% Positiveness
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Blaudzun
Promises of No Man's Land
124 bpm • G min • 03:34 • -6db
39% Popularity • 62% Danceability • 85% Energy • 24% Liveness
0% Instrumentalness • 64% Positiveness
39% Popularity • 62% Danceability • 85% Energy • 24% Liveness
0% Instrumentalness • 64% Positiveness
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Arsenal
Switch
122 bpm • E min • 04:18 • -8.16db
23% Popularity • 80% Danceability • 52% Energy • 46% Liveness
9% Instrumentalness • 56% Positiveness
23% Popularity • 80% Danceability • 52% Energy • 46% Liveness
9% Instrumentalness • 56% Positiveness
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Sue the Night
Top of Mind
122 bpm • G# min • 02:56 • -6.44db
17% Popularity • 79% Danceability • 70% Energy • 11% Liveness
56% Instrumentalness • 59% Positiveness
17% Popularity • 79% Danceability • 70% Energy • 11% Liveness
56% Instrumentalness • 59% Positiveness
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School Is Cool
Touching People
124 bpm • G min • 04:15 • -10.23db
7% Popularity • 50% Danceability • 57% Energy • 10% Liveness
0% Instrumentalness • 56% Positiveness
7% Popularity • 50% Danceability • 57% Energy • 10% Liveness
0% Instrumentalness • 56% Positiveness
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Das Pop
The One
122 bpm • A# Maj • 04:45 • -4.06db
19% Popularity • 56% Danceability • 96% Energy • 39% Liveness
1% Instrumentalness • 52% Positiveness
19% Popularity • 56% Danceability • 96% Energy • 39% Liveness
1% Instrumentalness • 52% Positiveness
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The Sore Losers
Eyes on the Prize
125 bpm • B min • 03:42 • -6.31db
8% Popularity • 46% Danceability • 72% Energy • 16% Liveness
18% Instrumentalness • 62% Positiveness
8% Popularity • 46% Danceability • 72% Energy • 16% Liveness
18% Instrumentalness • 62% Positiveness
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Blaudzun
_circles
124 bpm • A min • 04:47 • -8.28db
11% Popularity • 53% Danceability • 78% Energy • 15% Liveness
5% Instrumentalness • 52% Positiveness
11% Popularity • 53% Danceability • 78% Energy • 15% Liveness
5% Instrumentalness • 52% Positiveness
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Arsenal
Estupendo
122 bpm • C Maj • 05:12 • -8.53db
41% Popularity • 66% Danceability • 66% Energy • 63% Liveness
35% Instrumentalness • 88% Positiveness
41% Popularity • 66% Danceability • 66% Energy • 63% Liveness
35% Instrumentalness • 88% Positiveness
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Admiral Freebee
There's A Road (Noorderlaan)
125 bpm • D min • 02:38 • -10db
32% Popularity • 69% Danceability • 59% Energy • 38% Liveness
0% Instrumentalness • 73% Positiveness
32% Popularity • 69% Danceability • 59% Energy • 38% Liveness
0% Instrumentalness • 73% Positiveness
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School Is Cool
Wide-Eyed & Wild-Eyed
124 bpm • C Maj • 03:37 • -5.74db
8% Popularity • 58% Danceability • 68% Energy • 38% Liveness
0% Instrumentalness • 31% Positiveness
8% Popularity • 58% Danceability • 68% Energy • 38% Liveness
0% Instrumentalness • 31% Positiveness
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De Staat
Peptalk
125 bpm • C Maj • 03:57 • -4.6db
16% Popularity • 79% Danceability • 77% Energy • 25% Liveness
2% Instrumentalness • 67% Positiveness
16% Popularity • 79% Danceability • 77% Energy • 25% Liveness
2% Instrumentalness • 67% Positiveness
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Arid
Too Late Tonight - Remix By Chris Lord-A...
126 bpm • E Maj • 03:57 • -6.71db
11% Popularity • 51% Danceability • 68% Energy • 16% Liveness
0% Instrumentalness • 36% Positiveness
11% Popularity • 51% Danceability • 68% Energy • 16% Liveness
0% Instrumentalness • 36% Positiveness
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Blaudzun
Elephants
124 bpm • C Maj • 03:34 • -6db
26% Popularity • 55% Danceability • 77% Energy • 11% Liveness
7% Instrumentalness • 48% Positiveness
26% Popularity • 55% Danceability • 77% Energy • 11% Liveness
7% Instrumentalness • 48% Positiveness
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JOHAN
Pergola
126 bpm • F min • 03:28 • -5.98db
23% Popularity • 64% Danceability • 84% Energy • 18% Liveness
0% Instrumentalness • 55% Positiveness
23% Popularity • 64% Danceability • 84% Energy • 18% Liveness
0% Instrumentalness • 55% Positiveness
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Admiral Freebee
Faithful To The Night
125 bpm • F Maj • 03:06 • -6db
26% Popularity • 65% Danceability • 69% Energy • 83% Liveness
2% Instrumentalness • 30% Positiveness
26% Popularity • 65% Danceability • 69% Energy • 83% Liveness
2% Instrumentalness • 30% Positiveness
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Zita Swoon
My Bond With You and You Planet: Disco!
126 bpm • G min • 05:18 • -8db
27% Popularity • 75% Danceability • 82% Energy • 12% Liveness
13% Instrumentalness • 55% Positiveness
27% Popularity • 75% Danceability • 82% Energy • 12% Liveness
13% Instrumentalness • 55% Positiveness
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Mooneye
Thinking About Leaving
126 bpm • A# Maj • 03:22 • -5.31db
36% Popularity • 57% Danceability • 59% Energy • 9% Liveness
0% Instrumentalness • 58% Positiveness
36% Popularity • 57% Danceability • 59% Energy • 9% Liveness
0% Instrumentalness • 58% Positiveness
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Moke
The Time Has Come
120 bpm • A min • 03:12 • -5.46db
10% Popularity • 63% Danceability • 66% Energy • 85% Liveness
0% Instrumentalness • 60% Positiveness
10% Popularity • 63% Danceability • 66% Energy • 85% Liveness
0% Instrumentalness • 60% Positiveness
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Blaudzun
_ghosts
122 bpm • F min • 03:20 • -9.62db
11% Popularity • 65% Danceability • 72% Energy • 16% Liveness
0% Instrumentalness • 70% Positiveness
11% Popularity • 65% Danceability • 72% Energy • 16% Liveness
0% Instrumentalness • 70% Positiveness
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Triggerfinger
Bring Me Back A Live Wild One
126 bpm • B min • 03:26 • -6db
11% Popularity • 52% Danceability • 81% Energy • 18% Liveness
57% Instrumentalness • 51% Positiveness
11% Popularity • 52% Danceability • 81% Energy • 18% Liveness
57% Instrumentalness • 51% Positiveness
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Admiral Freebee
Recipe For Disaster
120 bpm • F Maj • 03:29 • -7.83db
23% Popularity • 73% Danceability • 48% Energy • 10% Liveness
0% Instrumentalness • 41% Positiveness
23% Popularity • 73% Danceability • 48% Energy • 10% Liveness
0% Instrumentalness • 41% Positiveness
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Portland
Killer's Mind
126 bpm • C Maj • 04:02 • -8.34db
36% Popularity • 51% Danceability • 67% Energy • 8% Liveness
0% Instrumentalness • 40% Positiveness
36% Popularity • 51% Danceability • 67% Energy • 8% Liveness
0% Instrumentalness • 40% Positiveness
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The Lighthouse
Joyride
120 bpm • A# Maj • 03:32 • -5.71db
11% Popularity • 69% Danceability • 76% Energy • 8% Liveness
0% Instrumentalness • 48% Positiveness
11% Popularity • 69% Danceability • 76% Energy • 8% Liveness
0% Instrumentalness • 48% Positiveness
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Editors
Magazine - Acoustic
126 bpm • D Maj • 03:40 • -8.41db
16% Popularity • 62% Danceability • 44% Energy • 10% Liveness
0% Instrumentalness • 56% Positiveness
16% Popularity • 62% Danceability • 44% Energy • 10% Liveness
0% Instrumentalness • 56% Positiveness
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Blaudzun
Between a Kiss and a Sorry Goodbye - Rad...
121 bpm • D Maj • 03:14 • -7.48db
9% Popularity • 63% Danceability • 82% Energy • 53% Liveness
2% Instrumentalness • 67% Positiveness
9% Popularity • 63% Danceability • 82% Energy • 53% Liveness
2% Instrumentalness • 67% Positiveness
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School Is Cool
Entertainment
120 bpm • G# min • 03:33 • -7.62db
7% Popularity • 55% Danceability • 90% Energy • 10% Liveness
0% Instrumentalness • 81% Positiveness
7% Popularity • 55% Danceability • 90% Energy • 10% Liveness
0% Instrumentalness • 81% Positiveness
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Hooverphonic
Uptight
120 bpm • C Maj • 03:24 • -3.92db
19% Popularity • 73% Danceability • 80% Energy • 9% Liveness
0% Instrumentalness • 83% Positiveness
19% Popularity • 73% Danceability • 80% Energy • 9% Liveness
0% Instrumentalness • 83% Positiveness
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Milo Meskens
Here With Me
120 bpm • C Maj • 03:39 • -9.82db
46% Popularity • 62% Danceability • 32% Energy • 9% Liveness
4% Instrumentalness • 9% Positiveness
46% Popularity • 62% Danceability • 32% Energy • 9% Liveness
4% Instrumentalness • 9% Positiveness
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The Radar Station
Subtle Science
120 bpm • F# Maj • 03:46 • -8.24db
23% Popularity • 64% Danceability • 61% Energy • 16% Liveness
2% Instrumentalness • 36% Positiveness
23% Popularity • 64% Danceability • 61% Energy • 16% Liveness
2% Instrumentalness • 36% Positiveness
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Hydrogen Sea
Flogsta
126 bpm • F min • 03:27 • -6db
19% Popularity • 69% Danceability • 61% Energy • 8% Liveness
15% Instrumentalness • 87% Positiveness
19% Popularity • 69% Danceability • 61% Energy • 8% Liveness
15% Instrumentalness • 87% Positiveness
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Blaudzun
Too Many Hopes for July
126 bpm • A min • 05:45 • -5.6db
18% Popularity • 57% Danceability • 89% Energy • 17% Liveness
66% Instrumentalness • 62% Positiveness
18% Popularity • 57% Danceability • 89% Energy • 17% Liveness
66% Instrumentalness • 62% Positiveness
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School Is Cool
Playground
126 bpm • C min • 04:11 • -7.59db
11% Popularity • 59% Danceability • 54% Energy • 29% Liveness
8% Instrumentalness • 51% Positiveness
11% Popularity • 59% Danceability • 54% Energy • 29% Liveness
8% Instrumentalness • 51% Positiveness
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Arsenal
Longee
120 bpm • B min • 06:01 • -9db
35% Popularity • 76% Danceability • 45% Energy • 12% Liveness
5% Instrumentalness • 66% Positiveness
35% Popularity • 76% Danceability • 45% Energy • 12% Liveness
5% Instrumentalness • 66% Positiveness
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Filip Kowlier
Angelo & Angelique
120 bpm • A# Maj • 04:31 • -10.34db
13% Popularity • 70% Danceability • 44% Energy • 21% Liveness
0% Instrumentalness • 55% Positiveness
13% Popularity • 70% Danceability • 44% Energy • 21% Liveness
0% Instrumentalness • 55% Positiveness
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Portland
Pouring Rain
120 bpm • B Maj • 03:39 • -7.49db
41% Popularity • 39% Danceability • 54% Energy • 36% Liveness
0% Instrumentalness • 10% Positiveness
41% Popularity • 39% Danceability • 54% Energy • 36% Liveness
0% Instrumentalness • 10% Positiveness
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The Bony King of Nowhere
Every Road
120 bpm • E Maj • 05:32 • -9.87db
19% Popularity • 54% Danceability • 75% Energy • 23% Liveness
9% Instrumentalness • 56% Positiveness
19% Popularity • 54% Danceability • 75% Energy • 23% Liveness
9% Instrumentalness • 56% Positiveness
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Blaudzun
Press On (Monday's Child)
120 bpm • A min • 03:05 • -7.41db
11% Popularity • 73% Danceability • 71% Energy • 17% Liveness
0% Instrumentalness • 62% Positiveness
11% Popularity • 73% Danceability • 71% Energy • 17% Liveness
0% Instrumentalness • 62% Positiveness
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Tout Va Bien
Queen of Sheeba
126 bpm • E Maj • 03:51 • -7.36db
16% Popularity • 50% Danceability • 43% Energy • 10% Liveness
0% Instrumentalness • 16% Positiveness
16% Popularity • 50% Danceability • 43% Energy • 10% Liveness
0% Instrumentalness • 16% Positiveness
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The Sheila Divine
Like a Crminal
127 bpm • B min • 03:48 • -6.74db
25% Popularity • 50% Danceability • 73% Energy • 32% Liveness
11% Instrumentalness • 45% Positiveness
25% Popularity • 50% Danceability • 73% Energy • 32% Liveness
11% Instrumentalness • 45% Positiveness
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Mintzkov
Mimosa
127 bpm • B min • 03:26 • -7db
19% Popularity • 53% Danceability • 74% Energy • 38% Liveness
0% Instrumentalness • 58% Positiveness
19% Popularity • 53% Danceability • 74% Energy • 38% Liveness
0% Instrumentalness • 58% Positiveness
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Mozes and the Firstborn
Sad Supermarket Song
127 bpm • C# Maj • 03:55 • -5.34db
28% Popularity • 59% Danceability • 86% Energy • 17% Liveness
0% Instrumentalness • 61% Positiveness
28% Popularity • 59% Danceability • 86% Energy • 17% Liveness
0% Instrumentalness • 61% Positiveness
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The Bony King of Nowhere
Silent Days
126 bpm • A# Maj • 04:27 • -12.14db
37% Popularity • 59% Danceability • 60% Energy • 10% Liveness
0% Instrumentalness • 57% Positiveness
37% Popularity • 59% Danceability • 60% Energy • 10% Liveness
0% Instrumentalness • 57% Positiveness
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Amongster
Butcher's Boy
127 bpm • A min • 04:03 • -5.5db
10% Popularity • 69% Danceability • 87% Energy • 22% Liveness
0% Instrumentalness • 89% Positiveness
10% Popularity • 69% Danceability • 87% Energy • 22% Liveness
0% Instrumentalness • 89% Positiveness
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Blaudzun
_hey now
126 bpm • C min • 03:06 • -7db
31% Popularity • 61% Danceability • 69% Energy • 12% Liveness
0% Instrumentalness • 46% Positiveness
31% Popularity • 61% Danceability • 69% Energy • 12% Liveness
0% Instrumentalness • 46% Positiveness
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Tout Va Bien
Goodbye
119 bpm • B min • 03:33 • -8db
18% Popularity • 74% Danceability • 56% Energy • 7% Liveness
4% Instrumentalness • 22% Positiveness
18% Popularity • 74% Danceability • 56% Energy • 7% Liveness
4% Instrumentalness • 22% Positiveness
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a balladeer
Swim With Sam
119 bpm • G Maj • 04:26 • -7.43db
24% Popularity • 63% Danceability • 67% Energy • 32% Liveness
0% Instrumentalness • 61% Positiveness
24% Popularity • 63% Danceability • 67% Energy • 32% Liveness
0% Instrumentalness • 61% Positiveness
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Marble Sounds
The First Try
119 bpm • D Maj • 03:50 • -6.03db
18% Popularity • 57% Danceability • 69% Energy • 15% Liveness
96% Instrumentalness • 50% Positiveness
18% Popularity • 57% Danceability • 69% Energy • 15% Liveness
96% Instrumentalness • 50% Positiveness
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Moss
The Promise
128 bpm • G# min • 02:38 • -5db
15% Popularity • 48% Danceability • 80% Energy • 40% Liveness
0% Instrumentalness • 54% Positiveness
15% Popularity • 48% Danceability • 80% Energy • 40% Liveness
0% Instrumentalness • 54% Positiveness
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Son Mieux
Even
119 bpm • A min • 03:15 • -5.69db
36% Popularity • 69% Danceability • 65% Energy • 7% Liveness
0% Instrumentalness • 34% Positiveness
36% Popularity • 69% Danceability • 65% Energy • 7% Liveness
0% Instrumentalness • 34% Positiveness
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dEUS
Instant Street - Remastered
119 bpm • G Maj • 06:15 • -5.55db
42% Popularity • 52% Danceability • 88% Energy • 17% Liveness
1% Instrumentalness • 44% Positiveness
42% Popularity • 52% Danceability • 88% Energy • 17% Liveness
1% Instrumentalness • 44% Positiveness
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Tout Va Bien
This Fight
128 bpm • F# Maj • 02:50 • -5.05db
20% Popularity • 35% Danceability • 71% Energy • 9% Liveness
0% Instrumentalness • 13% Positiveness
20% Popularity • 35% Danceability • 71% Energy • 9% Liveness
0% Instrumentalness • 13% Positiveness
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Editors
Magazine
128 bpm • B min • 03:55 • -6.68db
38% Popularity • 52% Danceability • 80% Energy • 9% Liveness
0% Instrumentalness • 37% Positiveness
38% Popularity • 52% Danceability • 80% Energy • 9% Liveness
0% Instrumentalness • 37% Positiveness
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The Sore Losers
Dark Ride
118 bpm • G Maj • 03:22 • -7.11db
21% Popularity • 62% Danceability • 80% Energy • 28% Liveness
0% Instrumentalness • 82% Positiveness
21% Popularity • 62% Danceability • 80% Energy • 28% Liveness
0% Instrumentalness • 82% Positiveness
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Arsenal
Temul (Lie Low) - Single Version
128 bpm • C min • 04:34 • -10.96db
18% Popularity • 58% Danceability • 46% Energy • 15% Liveness
5% Instrumentalness • 13% Positiveness
18% Popularity • 58% Danceability • 46% Energy • 15% Liveness
5% Instrumentalness • 13% Positiveness
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Gorki
Soms vraagt een mens zich af
128 bpm • C Maj • 03:51 • -9.74db
25% Popularity • 54% Danceability • 72% Energy • 40% Liveness
0% Instrumentalness • 76% Positiveness
25% Popularity • 54% Danceability • 72% Energy • 40% Liveness
0% Instrumentalness • 76% Positiveness
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Mooneye
Fix the Heater
128 bpm • F# Maj • 04:54 • -6.57db
31% Popularity • 47% Danceability • 55% Energy • 10% Liveness
21% Instrumentalness • 8% Positiveness
31% Popularity • 47% Danceability • 55% Energy • 10% Liveness
21% Instrumentalness • 8% Positiveness
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Compact Disk Dummies
I Remember
128 bpm • F min • 03:56 • -11db
37% Popularity • 76% Danceability • 47% Energy • 11% Liveness
0% Instrumentalness • 43% Positiveness
37% Popularity • 76% Danceability • 47% Energy • 11% Liveness
0% Instrumentalness • 43% Positiveness
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Blaudzun
Hollow People
128 bpm • G Maj • 03:09 • -6.13db
23% Popularity • 55% Danceability • 83% Energy • 25% Liveness
0% Instrumentalness • 78% Positiveness
23% Popularity • 55% Danceability • 83% Energy • 25% Liveness
0% Instrumentalness • 78% Positiveness
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EUT
Bad Sweet Pony
128 bpm • F# min • 03:33 • -7.84db
15% Popularity • 64% Danceability • 57% Energy • 38% Liveness
2% Instrumentalness • 85% Positiveness
15% Popularity • 64% Danceability • 57% Energy • 38% Liveness
2% Instrumentalness • 85% Positiveness
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Arsenal
Temul (Lie Low)
128 bpm • C min • 05:33 • -13.12db
28% Popularity • 59% Danceability • 38% Energy • 12% Liveness
89% Instrumentalness • 6% Positiveness
28% Popularity • 59% Danceability • 38% Energy • 12% Liveness
89% Instrumentalness • 6% Positiveness
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The Lighthouse
Hollywood
128 bpm • A# Maj • 03:34 • -5.73db
20% Popularity • 72% Danceability • 67% Energy • 13% Liveness
0% Instrumentalness • 84% Positiveness
20% Popularity • 72% Danceability • 67% Energy • 13% Liveness
0% Instrumentalness • 84% Positiveness
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Mooneye
Not the One
128 bpm • F Maj • 03:43 • -6.04db
25% Popularity • 59% Danceability • 77% Energy • 12% Liveness
3% Instrumentalness • 63% Positiveness
25% Popularity • 59% Danceability • 77% Energy • 12% Liveness
3% Instrumentalness • 63% Positiveness
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School Is Cool
Nothing Good
128 bpm • D Maj • 03:14 • -6.39db
23% Popularity • 59% Danceability • 63% Energy • 20% Liveness
0% Instrumentalness • 41% Positiveness
23% Popularity • 59% Danceability • 63% Energy • 20% Liveness
0% Instrumentalness • 41% Positiveness
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Kensington
Slicer
128 bpm • D# min • 03:15 • -7.58db
36% Popularity • 55% Danceability • 78% Energy • 42% Liveness
0% Instrumentalness • 71% Positiveness
36% Popularity • 55% Danceability • 78% Energy • 42% Liveness
0% Instrumentalness • 71% Positiveness
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Admiral Freebee
Get Out Of Town
128 bpm • E min • 05:34 • -6db
23% Popularity • 43% Danceability • 58% Energy • 16% Liveness
0% Instrumentalness • 33% Positiveness
23% Popularity • 43% Danceability • 58% Energy • 16% Liveness
0% Instrumentalness • 33% Positiveness
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The Wolf Banes
Miles Away from Here - 1994 Remaster
118 bpm • G Maj • 03:29 • -10.38db
18% Popularity • 62% Danceability • 67% Energy • 10% Liveness
0% Instrumentalness • 82% Positiveness
18% Popularity • 62% Danceability • 67% Energy • 10% Liveness
0% Instrumentalness • 82% Positiveness
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Arsenal
Not Yet Free
118 bpm • C min • 04:21 • -9.9db
19% Popularity • 70% Danceability • 66% Energy • 19% Liveness
8% Instrumentalness • 56% Positiveness
19% Popularity • 70% Danceability • 66% Energy • 19% Liveness
8% Instrumentalness • 56% Positiveness
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The Bony King of Nowhere
Silent Days - Demo
128 bpm • D# Maj • 04:19 • -11.4db
22% Popularity • 52% Danceability • 48% Energy • 10% Liveness
65% Instrumentalness • 51% Positiveness
22% Popularity • 52% Danceability • 48% Energy • 10% Liveness
65% Instrumentalness • 51% Positiveness
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Black Box Revelation
Tattooed Smiles
118 bpm • C Maj • 02:13 • -5.32db
29% Popularity • 63% Danceability • 80% Energy • 5% Liveness
0% Instrumentalness • 54% Positiveness
29% Popularity • 63% Danceability • 80% Energy • 5% Liveness
0% Instrumentalness • 54% Positiveness
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dEUS
Roses
118 bpm • C# Maj • 04:52 • -12.28db
34% Popularity • 36% Danceability • 45% Energy • 19% Liveness
0% Instrumentalness • 8% Positiveness
34% Popularity • 36% Danceability • 45% Energy • 19% Liveness
0% Instrumentalness • 8% Positiveness
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The Scene
Rigoureus
129 bpm • D min • 06:03 • -9.08db
15% Popularity • 41% Danceability • 29% Energy • 12% Liveness
0% Instrumentalness • 15% Positiveness
15% Popularity • 41% Danceability • 29% Energy • 12% Liveness
0% Instrumentalness • 15% Positiveness
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The Scabs
Crystal Eyes
129 bpm • A min • 03:47 • -15.28db
27% Popularity • 64% Danceability • 39% Energy • 12% Liveness
78% Instrumentalness • 70% Positiveness
27% Popularity • 64% Danceability • 39% Energy • 12% Liveness
78% Instrumentalness • 70% Positiveness
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Tim Knol
A Kid's Heart
129 bpm • C# min • 02:46 • -6db
8% Popularity • 53% Danceability • 85% Energy • 12% Liveness
0% Instrumentalness • 76% Positiveness
8% Popularity • 53% Danceability • 85% Energy • 12% Liveness
0% Instrumentalness • 76% Positiveness
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School Is Cool
Use To Be So
129 bpm • C Maj • 04:11 • -10.45db
7% Popularity • 42% Danceability • 56% Energy • 10% Liveness
0% Instrumentalness • 16% Positiveness
7% Popularity • 42% Danceability • 56% Energy • 10% Liveness
0% Instrumentalness • 16% Positiveness
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The Subs
UFO
129 bpm • G Maj • 03:37 • -6.41db
30% Popularity • 73% Danceability • 67% Energy • 14% Liveness
0% Instrumentalness • 47% Positiveness
30% Popularity • 73% Danceability • 67% Energy • 14% Liveness
0% Instrumentalness • 47% Positiveness
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Douglas Firs
Hannah
130 bpm • C Maj • 04:51 • -7.11db
11% Popularity • 57% Danceability • 57% Energy • 11% Liveness
3% Instrumentalness • 20% Positiveness
11% Popularity • 57% Danceability • 57% Energy • 11% Liveness
3% Instrumentalness • 20% Positiveness
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Triggerfinger
Flesh Tight
117 bpm • A min • 02:38 • -5.51db
27% Popularity • 57% Danceability • 94% Energy • 30% Liveness
0% Instrumentalness • 63% Positiveness
27% Popularity • 57% Danceability • 94% Energy • 30% Liveness
0% Instrumentalness • 63% Positiveness
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Das Pop
The Love Program - I Love Version
130 bpm • E Maj • 03:32 • -6.08db
11% Popularity • 77% Danceability • 81% Energy • 5% Liveness
0% Instrumentalness • 48% Positiveness
11% Popularity • 77% Danceability • 81% Energy • 5% Liveness
0% Instrumentalness • 48% Positiveness
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Tim Knol
Sweet Melodies
117 bpm • F Maj • 03:22 • -6.3db
11% Popularity • 60% Danceability • 84% Energy • 8% Liveness
4% Instrumentalness • 82% Positiveness
11% Popularity • 60% Danceability • 84% Energy • 8% Liveness
4% Instrumentalness • 82% Positiveness
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School Is Cool
Puff of Smoke
117 bpm • G Maj • 03:30 • -9.21db
5% Popularity • 49% Danceability • 68% Energy • 10% Liveness
4% Instrumentalness • 41% Positiveness
5% Popularity • 49% Danceability • 68% Energy • 10% Liveness
4% Instrumentalness • 41% Positiveness
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Son Mieux
Ride
130 bpm • F# min • 02:56 • -3.97db
36% Popularity • 73% Danceability • 95% Energy • 33% Liveness
1% Instrumentalness • 96% Positiveness
36% Popularity • 73% Danceability • 95% Energy • 33% Liveness
1% Instrumentalness • 96% Positiveness
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Compact Disk Dummies
Underwater
130 bpm • C# Maj • 05:25 • -10.33db
19% Popularity • 74% Danceability • 49% Energy • 18% Liveness
32% Instrumentalness • 37% Positiveness
19% Popularity • 74% Danceability • 49% Energy • 18% Liveness
32% Instrumentalness • 37% Positiveness
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SX
Shimona
130 bpm • D# min • 03:58 • -8.73db
9% Popularity • 63% Danceability • 58% Energy • 12% Liveness
70% Instrumentalness • 26% Positiveness
9% Popularity • 63% Danceability • 58% Energy • 12% Liveness
70% Instrumentalness • 26% Positiveness
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High Hi
Alligot
130 bpm • A Maj • 03:17 • -7db
22% Popularity • 53% Danceability • 70% Energy • 7% Liveness
0% Instrumentalness • 19% Positiveness
22% Popularity • 53% Danceability • 70% Energy • 7% Liveness
0% Instrumentalness • 19% Positiveness
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St. Tropez
Which Side Are You On
130 bpm • D Maj • 02:32 • -6.23db
9% Popularity • 65% Danceability • 59% Energy • 21% Liveness
1% Instrumentalness • 56% Positiveness
9% Popularity • 65% Danceability • 59% Energy • 21% Liveness
1% Instrumentalness • 56% Positiveness
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Thomas Azier
Gold
130 bpm • C# Maj • 03:40 • -5.89db
28% Popularity • 61% Danceability • 69% Energy • 11% Liveness
0% Instrumentalness • 13% Positiveness
28% Popularity • 61% Danceability • 69% Energy • 11% Liveness
0% Instrumentalness • 13% Positiveness
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The Scabs
Time - Royalty In Exile
116 bpm • A min • 03:34 • -5.19db
25% Popularity • 73% Danceability • 77% Energy • 10% Liveness
24% Instrumentalness • 96% Positiveness
25% Popularity • 73% Danceability • 77% Energy • 10% Liveness
24% Instrumentalness • 96% Positiveness
