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Run Wild
Songs like
Run Wild
by
Clayton Anderson
Based on a tempo of (+/- 10%) and a similar genre
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Clayton Anderson
Run Wild
158 bpm • B min • 02:19 • -4.52db
35% Popularity • 54% Danceability • 83% Energy • 9% Liveness
0% Instrumentalness • 64% Positiveness
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James Barker Band
Beer Me
158 bpm • D Maj • 03:01 • -3.85db
32% Popularity • 57% Danceability • 89% Energy • 12% Liveness
0% Instrumentalness • 96% Positiveness
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Jake Owen
Grass Is Always Greener
158 bpm • A# Maj • 03:08 • -3.98db
41% Popularity • 48% Danceability • 85% Energy • 11% Liveness
0% Instrumentalness • 88% Positiveness
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J. Hartley
John Wayne
158 bpm • G# min • 02:38 • -5db
49% Popularity • 57% Danceability • 86% Energy • 35% Liveness
0% Instrumentalness • 58% Positiveness
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Jade Eagleson
Lucky
158 bpm • C# Maj • 03:18 • -5.71db
38% Popularity • 61% Danceability • 83% Energy • 26% Liveness
0% Instrumentalness • 85% Positiveness
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The Lost Trailers
Apple Pie Moonshine
158 bpm • F Maj • 03:26 • -8.51db
16% Popularity • 58% Danceability • 80% Energy • 20% Liveness
0% Instrumentalness • 81% Positiveness
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Scott Stevens
I Feel Good (Part 3 of 3)
158 bpm • C Maj • 03:20 • -4.7db
29% Popularity • 63% Danceability • 74% Energy • 40% Liveness
0% Instrumentalness • 64% Positiveness
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Dean Brody
Where'd You Learn How To Do That
158 bpm • C# Maj • 02:54 • -3.61db
43% Popularity • 53% Danceability • 81% Energy • 16% Liveness
0% Instrumentalness • 53% Positiveness
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Manny Blu
Burnout Town
158 bpm • G# min • 03:11 • -3.35db
24% Popularity • 53% Danceability • 76% Energy • 37% Liveness
0% Instrumentalness • 48% Positiveness
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Willie Jones
Drank Too Much
160 bpm • E min • 03:01 • -6db
35% Popularity • 59% Danceability • 68% Energy • 19% Liveness
0% Instrumentalness • 20% Positiveness
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Ben Gallaher
Country, Boy
156 bpm • F# Maj • 02:49 • -5.44db
31% Popularity • 46% Danceability • 90% Energy • 23% Liveness
0% Instrumentalness • 56% Positiveness
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CJ Solar
Wild Hair
160 bpm • G Maj • 02:59 • -5.22db
24% Popularity • 56% Danceability • 82% Energy • 10% Liveness
0% Instrumentalness • 88% Positiveness
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Jake Rose
Weekday Drunk
156 bpm • G Maj • 02:50 • -4.95db
13% Popularity • 58% Danceability • 92% Energy • 12% Liveness
0% Instrumentalness • 84% Positiveness
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Adam Sanders
Sippin' on the Good Times
156 bpm • E Maj • 03:08 • -7.97db
33% Popularity • 51% Danceability • 75% Energy • 20% Liveness
0% Instrumentalness • 89% Positiveness
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Chris Buck Band
Can't Beat the View
156 bpm • G# Maj • 02:50 • -3.22db
20% Popularity • 48% Danceability • 94% Energy • 11% Liveness
0% Instrumentalness • 46% Positiveness
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Derek Johnson
Right Beer Right Now
160 bpm • A# Maj • 03:05 • -3.73db
13% Popularity • 57% Danceability • 92% Energy • 9% Liveness
0% Instrumentalness • 88% Positiveness
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Logan Mize
Get 'Em Together
160 bpm • C# Maj • 02:58 • -4db
26% Popularity • 57% Danceability • 83% Energy • 31% Liveness
0% Instrumentalness • 90% Positiveness
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Drew Green
Dirty Money
156 bpm • A# min • 03:03 • -5db
41% Popularity • 59% Danceability • 83% Energy • 18% Liveness
0% Instrumentalness • 78% Positiveness
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Andy Velo
Little Wildfire
160 bpm • C Maj • 03:25 • -4.25db
16% Popularity • 47% Danceability • 87% Energy • 13% Liveness
0% Instrumentalness • 50% Positiveness
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The Reklaws
Not Gonna Not
156 bpm • F Maj • 03:26 • -2.94db
35% Popularity • 52% Danceability • 95% Energy • 7% Liveness
0% Instrumentalness • 82% Positiveness
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Jesslee
Chillbilly
160 bpm • B Maj • 02:55 • -4.95db
28% Popularity • 64% Danceability • 73% Energy • 26% Liveness
0% Instrumentalness • 64% Positiveness
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Kip Moore
Good Life
156 bpm • G Maj • 03:11 • -3.65db
44% Popularity • 60% Danceability • 96% Energy • 13% Liveness
0% Instrumentalness • 95% Positiveness
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Jordan Rager
One of the Good Ones
160 bpm • E Maj • 03:06 • -5db
29% Popularity • 50% Danceability • 87% Energy • 8% Liveness
0% Instrumentalness • 60% Positiveness
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Drew Jacobs
Might Be a Redneck
156 bpm • G Maj • 03:07 • -3.93db
26% Popularity • 52% Danceability • 89% Energy • 49% Liveness
0% Instrumentalness • 72% Positiveness
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Randy Houser
New Buzz
156 bpm • C Maj • 02:58 • -4.59db
29% Popularity • 69% Danceability • 84% Energy • 21% Liveness
0% Instrumentalness • 83% Positiveness
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Lee Brice
Welcome To The Weekend
156 bpm • C Maj • 03:31 • -4.29db
30% Popularity • 43% Danceability • 84% Energy • 26% Liveness
0% Instrumentalness • 63% Positiveness
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Jessta James
If That Ain't Country
160 bpm • A# Maj • 04:15 • -3.18db
44% Popularity • 44% Danceability • 93% Energy • 13% Liveness
0% Instrumentalness • 55% Positiveness
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Clayton Anderson
Records On The Wall
160 bpm • C Maj • 03:06 • -5.39db
3% Popularity • 41% Danceability • 72% Energy • 28% Liveness
0% Instrumentalness • 50% Positiveness
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Canaan Smith
This Night Back
160 bpm • A Maj • 03:04 • -5db
43% Popularity • 58% Danceability • 85% Energy • 15% Liveness
0% Instrumentalness • 56% Positiveness
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A Thousand Horses
Drinking Song
155 bpm • C Maj • 03:39 • -4.61db
30% Popularity • 34% Danceability • 89% Energy • 21% Liveness
0% Instrumentalness • 52% Positiveness
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Lakeview
Poor Me
155 bpm • D Maj • 02:41 • -4.87db
34% Popularity • 48% Danceability • 91% Energy • 9% Liveness
0% Instrumentalness • 75% Positiveness
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Steven Lee Olsen
Hello Country
154 bpm • D# Maj • 02:53 • -3.46db
32% Popularity • 58% Danceability • 87% Energy • 31% Liveness
0% Instrumentalness • 73% Positiveness
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Dustin Collins
Cold Dead Hands
162 bpm • C# Maj • 03:19 • -5.62db
32% Popularity • 49% Danceability • 91% Energy • 20% Liveness
0% Instrumentalness • 60% Positiveness
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Clayton Anderson
What You're Missin'
162 bpm • E Maj • 03:11 • -5.5db
8% Popularity • 54% Danceability • 68% Energy • 13% Liveness
0% Instrumentalness • 51% Positiveness
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Simon Clow
Wiser Than Me
162 bpm • D Maj • 03:26 • -4.51db
21% Popularity • 55% Danceability • 87% Energy • 30% Liveness
0% Instrumentalness • 75% Positiveness
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James Barker Band
Lawn Chair Lazy
162 bpm • C# Maj • 03:16 • -5db
41% Popularity • 59% Danceability • 79% Energy • 9% Liveness
0% Instrumentalness • 91% Positiveness
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Jake Rose
WD-40 & Beer
162 bpm • E Maj • 03:02 • -4.32db
14% Popularity • 54% Danceability • 84% Energy • 5% Liveness
0% Instrumentalness • 89% Positiveness
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Tim Dugger
Signs Of A Good Time
154 bpm • A Maj • 02:57 • -5.57db
14% Popularity • 56% Danceability • 81% Energy • 34% Liveness
0% Instrumentalness • 85% Positiveness
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Cody Webb
Jon Boat
154 bpm • G Maj • 03:17 • -3db
35% Popularity • 61% Danceability • 91% Energy • 16% Liveness
0% Instrumentalness • 71% Positiveness
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Clayton Anderson
Show Me Your Fish - Sport Fishing Versio...
154 bpm • F# Maj • 02:57 • -3.41db
14% Popularity • 59% Danceability • 90% Energy • 5% Liveness
0% Instrumentalness • 79% Positiveness
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Black Mountain Whiskey Rebellion
Easy Rider
154 bpm • B Maj • 03:02 • -4.8db
29% Popularity • 46% Danceability • 87% Energy • 10% Liveness
0% Instrumentalness • 35% Positiveness
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Niko Moon
BACK NINE
163 bpm • A# Maj • 02:49 • -5db
44% Popularity • 64% Danceability • 86% Energy • 17% Liveness
0% Instrumentalness • 66% Positiveness
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Chad Brownlee
The Way You Roll
163 bpm • C Maj • 02:55 • -5db
39% Popularity • 55% Danceability • 79% Energy • 35% Liveness
0% Instrumentalness • 81% Positiveness
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Mark Leach
Drinkin' Claws
164 bpm • F# min • 02:42 • -9.36db
30% Popularity • 67% Danceability • 76% Energy • 96% Liveness
0% Instrumentalness • 54% Positiveness
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Blackjack Billy
Tread
164 bpm • G Maj • 02:44 • -4.09db
10% Popularity • 65% Danceability • 89% Energy • 10% Liveness
0% Instrumentalness • 88% Positiveness
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Clayton Anderson
Show Me Your Fish
154 bpm • F# Maj • 02:57 • -3.72db
20% Popularity • 57% Danceability • 88% Energy • 7% Liveness
0% Instrumentalness • 82% Positiveness
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Kyle Jennings
"Chose to Be a Man"
164 bpm • G Maj • 03:48 • -2.88db
21% Popularity • 49% Danceability • 89% Energy • 20% Liveness
0% Instrumentalness • 58% Positiveness
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Darryl Lix
Poontoonin'
164 bpm • G# Maj • 03:10 • -6.05db
27% Popularity • 67% Danceability • 79% Energy • 18% Liveness
0% Instrumentalness • 67% Positiveness
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Dustin Lynch
She Cranks My Tractor (Club Remix)
164 bpm • G Maj • 02:59 • -3.1db
28% Popularity • 48% Danceability • 93% Energy • 32% Liveness
0% Instrumentalness • 76% Positiveness
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Neon Union
Bout Damn Time
164 bpm • F Maj • 02:56 • -6db
40% Popularity • 55% Danceability • 84% Energy • 18% Liveness
0% Instrumentalness • 76% Positiveness
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Brothers Osborne
Lighten Up
164 bpm • F Maj • 03:17 • -4.05db
36% Popularity • 51% Danceability • 85% Energy • 6% Liveness
4% Instrumentalness • 63% Positiveness
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Clayton Anderson
Doin' What You're Doin'
153 bpm • A Maj • 03:24 • -5.54db
18% Popularity • 58% Danceability • 91% Energy • 7% Liveness
0% Instrumentalness • 79% Positiveness
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Ryan Robinette
Tailgate Down Town
164 bpm • G Maj • 02:55 • -3db
36% Popularity • 56% Danceability • 86% Energy • 23% Liveness
0% Instrumentalness • 74% Positiveness
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Lee Brice
More Beer
152 bpm • F# Maj • 02:34 • -6.88db
42% Popularity • 54% Danceability • 80% Energy • 18% Liveness
0% Instrumentalness • 78% Positiveness
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Shy Carter
Boom In The Boondocks
152 bpm • B min • 03:02 • -4.75db
16% Popularity • 63% Danceability • 88% Energy • 11% Liveness
0% Instrumentalness • 71% Positiveness
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Kasey Tyndall
Jesus and Joan Jett
152 bpm • C Maj • 03:01 • -2.65db
49% Popularity • 48% Danceability • 97% Energy • 7% Liveness
0% Instrumentalness • 76% Positiveness
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Manny Blu
Circle Up
152 bpm • G# min • 02:57 • -3db
30% Popularity • 53% Danceability • 92% Energy • 13% Liveness
0% Instrumentalness • 80% Positiveness
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Jade Eagleson
Count The Ways
165 bpm • F# Maj • 03:15 • -5db
44% Popularity • 61% Danceability • 74% Energy • 8% Liveness
0% Instrumentalness • 88% Positiveness
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Mitch Rossell
Seemed Like a Good Idea
166 bpm • F Maj • 03:20 • -5.35db
22% Popularity • 50% Danceability • 92% Energy • 14% Liveness
0% Instrumentalness • 62% Positiveness
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Uncle Ezra Ray
B.Y.H.B.
166 bpm • C# Maj • 03:20 • -3db
28% Popularity • 50% Danceability • 95% Energy • 20% Liveness
0% Instrumentalness • 68% Positiveness
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Dave Fenley
Welcome to the South
166 bpm • A Maj • 03:08 • -6.87db
35% Popularity • 43% Danceability • 86% Energy • 86% Liveness
35% Instrumentalness • 60% Positiveness
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Niko Moon
ONE DRINK AWAY
166 bpm • G# Maj • 02:40 • -6.46db
38% Popularity • 74% Danceability • 67% Energy • 21% Liveness
0% Instrumentalness • 58% Positiveness
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Matt Stillwell
I'm a Vol for Life Y'all
166 bpm • F Maj • 03:38 • -4.27db
29% Popularity • 50% Danceability • 86% Energy • 12% Liveness
0% Instrumentalness • 84% Positiveness
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Dustin Collins
I Like to Drink
166 bpm • F# Maj • 03:05 • -5.12db
19% Popularity • 50% Danceability • 86% Energy • 11% Liveness
3% Instrumentalness • 66% Positiveness
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Jay Allen
Mustang on Mud Tires
150 bpm • A Maj • 03:40 • -5.41db
25% Popularity • 59% Danceability • 79% Energy • 27% Liveness
0% Instrumentalness • 56% Positiveness
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Nashvillains
Devil Don't Sleep
166 bpm • C Maj • 03:01 • -6db
31% Popularity • 47% Danceability • 80% Energy • 22% Liveness
0% Instrumentalness • 58% Positiveness
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Lakeview
Do It All Again
150 bpm • A Maj • 02:57 • -5.42db
37% Popularity • 61% Danceability • 97% Energy • 5% Liveness
0% Instrumentalness • 44% Positiveness
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CJ Solar
Just Another Day in the Country
150 bpm • A Maj • 03:37 • -3.42db
13% Popularity • 48% Danceability • 91% Energy • 38% Liveness
0% Instrumentalness • 62% Positiveness
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Nate Haller
Broken
150 bpm • C# Maj • 03:07 • -6.58db
14% Popularity • 62% Danceability • 71% Energy • 12% Liveness
0% Instrumentalness • 70% Positiveness
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Walker Montgomery
Like My Daddy Done It
150 bpm • C Maj • 03:27 • -4.54db
28% Popularity • 39% Danceability • 85% Energy • 37% Liveness
0% Instrumentalness • 57% Positiveness
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Tyler Wood
Where I Stand
150 bpm • G# Maj • 03:02 • -5.89db
44% Popularity • 52% Danceability • 82% Energy • 16% Liveness
0% Instrumentalness • 46% Positiveness
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Josh Gallagher
Them Cans
150 bpm • A Maj • 03:15 • -6.37db
14% Popularity • 54% Danceability • 76% Energy • 11% Liveness
0% Instrumentalness • 72% Positiveness
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Clayton Anderson
Shotgun Rider
150 bpm • D Maj • 02:56 • -5.41db
18% Popularity • 69% Danceability • 73% Energy • 38% Liveness
0% Instrumentalness • 92% Positiveness
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Kenton Bryant
Boys Like That
150 bpm • D# Maj • 02:56 • -4.95db
30% Popularity • 59% Danceability • 82% Energy • 11% Liveness
0% Instrumentalness • 71% Positiveness
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Davisson Brothers Band
PO' Boyz
167 bpm • G# Maj • 03:27 • -5.06db
26% Popularity • 57% Danceability • 63% Energy • 20% Liveness
0% Instrumentalness • 20% Positiveness
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Taylor Phillips
For a Beer
168 bpm • B Maj • 02:44 • -3.75db
34% Popularity • 60% Danceability • 87% Energy • 3% Liveness
0% Instrumentalness • 67% Positiveness
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Jacob Bryant
Wrong Way Home
168 bpm • G# Maj • 02:50 • -4.58db
26% Popularity • 34% Danceability • 90% Energy • 62% Liveness
0% Instrumentalness • 49% Positiveness
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Dave McElroy
Trucker Hat
148 bpm • C Maj • 02:46 • -6.99db
25% Popularity • 56% Danceability • 58% Energy • 8% Liveness
0% Instrumentalness • 66% Positiveness
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Jade Eagleson
Hangover Like You
168 bpm • F min • 02:50 • -4.94db
30% Popularity • 48% Danceability • 95% Energy • 34% Liveness
0% Instrumentalness • 78% Positiveness
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Summer Overstreet
Get My Shit Together
148 bpm • E Maj • 03:26 • -3.16db
29% Popularity • 50% Danceability • 82% Energy • 38% Liveness
0% Instrumentalness • 83% Positiveness
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Brothers Osborne
Shoot From The Hip
148 bpm • G Maj • 03:33 • -4.81db
46% Popularity • 60% Danceability • 95% Energy • 31% Liveness
0% Instrumentalness • 53% Positiveness
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Clayton Anderson
All Over The Map
148 bpm • G Maj • 03:20 • -8.08db
13% Popularity • 64% Danceability • 45% Energy • 22% Liveness
0% Instrumentalness • 46% Positiveness
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Southerland
Boot Up
148 bpm • G Maj • 04:07 • -4db
26% Popularity • 55% Danceability • 86% Energy • 10% Liveness
0% Instrumentalness • 64% Positiveness
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Josh Phillips
Fixer Upper
148 bpm • C Maj • 03:17 • -5db
24% Popularity • 68% Danceability • 76% Energy • 13% Liveness
0% Instrumentalness • 69% Positiveness
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Manny Blu
Girls And Beer
148 bpm • C Maj • 02:41 • -5.96db
22% Popularity • 56% Danceability • 81% Energy • 12% Liveness
0% Instrumentalness • 81% Positiveness
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Baker Grissom
Beer Joint
148 bpm • C# min • 02:50 • -5.42db
19% Popularity • 55% Danceability • 78% Energy • 56% Liveness
0% Instrumentalness • 80% Positiveness
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Sam Riggs
Holding on to the Dark
148 bpm • A# min • 03:04 • -3.56db
31% Popularity • 52% Danceability • 85% Energy • 16% Liveness
0% Instrumentalness • 45% Positiveness
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Andy Velo
Once You Go Country
148 bpm • B min • 03:19 • -4.7db
13% Popularity • 61% Danceability • 83% Energy • 14% Liveness
8% Instrumentalness • 52% Positiveness
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Zac Brown Band
Already On Fire
169 bpm • A min • 02:57 • -5.92db
35% Popularity • 49% Danceability • 82% Energy • 18% Liveness
0% Instrumentalness • 46% Positiveness
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Walker Hayes
Drinking Songs
170 bpm • F# Maj • 03:12 • -7.17db
42% Popularity • 44% Danceability • 67% Energy • 16% Liveness
0% Instrumentalness • 42% Positiveness
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Manny Blu
Train
148 bpm • F# Maj • 02:57 • -3.16db
37% Popularity • 46% Danceability • 89% Energy • 7% Liveness
0% Instrumentalness • 77% Positiveness
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Tom O'Connor
Bootleg
170 bpm • A# min • 02:59 • -4.88db
29% Popularity • 43% Danceability • 83% Energy • 3% Liveness
0% Instrumentalness • 66% Positiveness
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Nate Moran
Back to It
170 bpm • C# Maj • 03:09 • -3.88db
30% Popularity • 43% Danceability • 93% Energy • 8% Liveness
0% Instrumentalness • 56% Positiveness
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Trent Tomlinson
Quit on Me
170 bpm • G# Maj • 03:04 • -3.02db
28% Popularity • 52% Danceability • 90% Energy • 15% Liveness
0% Instrumentalness • 78% Positiveness
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Andy Velo
Roll of a Dirt Road
170 bpm • C min • 03:26 • -6db
25% Popularity • 54% Danceability • 74% Energy • 10% Liveness
0% Instrumentalness • 51% Positiveness
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Drake White
Take Me As I Am
170 bpm • C Maj • 03:17 • -4db
37% Popularity • 56% Danceability • 84% Energy • 7% Liveness
0% Instrumentalness • 85% Positiveness
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Tyler Wood
Who I Am
170 bpm • C# Maj • 02:57 • -5.58db
35% Popularity • 58% Danceability • 80% Energy • 12% Liveness
0% Instrumentalness • 65% Positiveness
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Sacha
What The Truck
170 bpm • F# Maj • 02:24 • -3.9db
49% Popularity • 53% Danceability • 74% Energy • 5% Liveness
0% Instrumentalness • 32% Positiveness
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Ryan Weaver
Burn
147 bpm • G# Maj • 02:48 • -3.95db
22% Popularity • 44% Danceability • 69% Energy • 25% Liveness
2% Instrumentalness • 45% Positiveness
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Jake Rose
Tractor Town
146 bpm • A Maj • 02:44 • -4.5db
20% Popularity • 56% Danceability • 59% Energy • 5% Liveness
0% Instrumentalness • 75% Positiveness
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Run Wild