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Songs like
Run
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Lauren Alaina
Based on a tempo of (+/- 10%) and a similar genre
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Kane Brown
One Mississippi
100 bpm • C Maj • 03:34 • -5.81db
57% Popularity • 46% Danceability • 84% Energy • 20% Liveness
0% Instrumentalness • 57% Positiveness
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Logan Mize
Better Off Gone
100 bpm • F min • 03:02 • -7.42db
55% Popularity • 67% Danceability • 62% Energy • 11% Liveness
0% Instrumentalness • 56% Positiveness
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Jordan Davis
Take It From Me
100 bpm • A# Maj • 02:54 • -3.14db
69% Popularity • 59% Danceability • 89% Energy • 35% Liveness
0% Instrumentalness • 67% Positiveness
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Michael Ray
Whiskey And Rain
100 bpm • G# Maj • 03:26 • -4.56db
60% Popularity • 65% Danceability • 62% Energy • 28% Liveness
0% Instrumentalness • 72% Positiveness
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Maddie & Tae
Friends Don't
100 bpm • G Maj • 03:08 • -5.95db
59% Popularity • 53% Danceability • 79% Energy • 15% Liveness
0% Instrumentalness • 44% Positiveness
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Mitchell Tenpenny
Alcohol You Later
100 bpm • G# Maj • 03:06 • -7db
51% Popularity • 67% Danceability • 60% Energy • 12% Liveness
0% Instrumentalness • 42% Positiveness
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Morgan Wallen
If I Know Me
100 bpm • G# Maj • 02:37 • -5.81db
71% Popularity • 78% Danceability • 60% Energy • 11% Liveness
0% Instrumentalness • 67% Positiveness
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Carrie Underwood
Southbound
101 bpm • C Maj • 03:22 • -4.02db
55% Popularity • 61% Danceability • 88% Energy • 8% Liveness
0% Instrumentalness • 72% Positiveness
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Lauren Alaina
Ladies In The '90s
100 bpm • G Maj • 03:45 • -3db
51% Popularity • 64% Danceability • 88% Energy • 34% Liveness
0% Instrumentalness • 55% Positiveness
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Dustin Lynch
I'd Be Jealous Too
101 bpm • C Maj • 03:05 • -5.36db
53% Popularity • 72% Danceability • 72% Energy • 47% Liveness
0% Instrumentalness • 54% Positiveness
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Tim McGraw
Humble And Kind
101 bpm • B Maj • 04:19 • -7.31db
70% Popularity • 36% Danceability • 48% Energy • 12% Liveness
0% Instrumentalness • 14% Positiveness
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Old Dominion
Snapback
101 bpm • F Maj • 03:26 • -3.58db
64% Popularity • 69% Danceability • 79% Energy • 10% Liveness
0% Instrumentalness • 67% Positiveness
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Eric Church
Hell Of A View
99 bpm • F Maj • 02:55 • -6.76db
71% Popularity • 69% Danceability • 59% Energy • 11% Liveness
1% Instrumentalness • 92% Positiveness
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Lady A
Bartender
101 bpm • B min • 03:18 • -4db
65% Popularity • 63% Danceability • 94% Energy • 33% Liveness
0% Instrumentalness • 65% Positiveness
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Sam Hunt
Body Like A Back Road
99 bpm • F Maj • 02:42 • -7.44db
72% Popularity • 74% Danceability • 46% Energy • 15% Liveness
0% Instrumentalness • 65% Positiveness
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Dustin Lynch
Seein' Red
101 bpm • C# min • 03:14 • -4.73db
54% Popularity • 65% Danceability • 81% Energy • 16% Liveness
0% Instrumentalness • 84% Positiveness
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Chris Young
Famous Friends
102 bpm • F# Maj • 02:46 • -2.92db
67% Popularity • 54% Danceability • 86% Energy • 32% Liveness
0% Instrumentalness • 70% Positiveness
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Mitchell Tenpenny
We Got History
98 bpm • C Maj • 03:23 • -6.33db
67% Popularity • 63% Danceability • 83% Energy • 10% Liveness
0% Instrumentalness • 31% Positiveness
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Eli Young Band
Love Ain't
98 bpm • B Maj • 03:07 • -4.67db
64% Popularity • 60% Danceability • 86% Energy • 10% Liveness
0% Instrumentalness • 72% Positiveness
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Old Dominion
Hotel Key
102 bpm • B Maj • 02:46 • -5.09db
66% Popularity • 76% Danceability • 87% Energy • 31% Liveness
0% Instrumentalness • 96% Positiveness
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Cody Johnson
The Painter
98 bpm • D Maj • 03:31 • -5.77db
75% Popularity • 51% Danceability • 71% Energy • 11% Liveness
0% Instrumentalness • 26% Positiveness
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Sam Hunt
23
98 bpm • D# Maj • 02:59 • -5.14db
68% Popularity • 64% Danceability • 78% Energy • 14% Liveness
0% Instrumentalness • 69% Positiveness
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Jon Pardi
Last Night Lonely
103 bpm • F# Maj • 03:02 • -2.84db
72% Popularity • 65% Danceability • 81% Energy • 10% Liveness
0% Instrumentalness • 85% Positiveness
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Rascal Flatts
Summer Nights
102 bpm • D Maj • 04:02 • -4.88db
59% Popularity • 54% Danceability • 90% Energy • 57% Liveness
0% Instrumentalness • 66% Positiveness
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Morgan Wallen
Chasin' You
97 bpm • G Maj • 03:25 • -5.79db
81% Popularity • 63% Danceability • 59% Energy • 11% Liveness
0% Instrumentalness • 49% Positiveness
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Lee Brice
Hard To Love
103 bpm • A Maj • 03:44 • -6.18db
68% Popularity • 64% Danceability • 72% Energy • 19% Liveness
1% Instrumentalness • 47% Positiveness
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Chris Janson
All I Need Is You
103 bpm • C# Maj • 02:42 • -6.21db
61% Popularity • 61% Danceability • 76% Energy • 34% Liveness
0% Instrumentalness • 59% Positiveness
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Ryan Hurd
Every Other Memory
103 bpm • C Maj • 03:39 • -7db
43% Popularity • 63% Danceability • 73% Energy • 11% Liveness
0% Instrumentalness • 52% Positiveness
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Kane Brown
Homesick
97 bpm • G# Maj • 03:25 • -8.82db
64% Popularity • 70% Danceability • 50% Energy • 23% Liveness
0% Instrumentalness • 41% Positiveness
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Morgan Evans
Day Drunk
97 bpm • A# Maj • 03:14 • -5.45db
58% Popularity • 65% Danceability • 75% Energy • 7% Liveness
0% Instrumentalness • 76% Positiveness
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Brothers Osborne
Stay A Little Longer
97 bpm • F# Maj • 05:35 • -5.36db
63% Popularity • 56% Danceability • 89% Energy • 16% Liveness
11% Instrumentalness • 55% Positiveness
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MacKenzie Porter
Pickup
97 bpm • C# Maj • 02:48 • -3.97db
42% Popularity • 61% Danceability • 84% Energy • 12% Liveness
0% Instrumentalness • 86% Positiveness
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Priscilla Block
My Bar
97 bpm • B Maj • 03:13 • -3db
52% Popularity • 62% Danceability • 78% Energy • 19% Liveness
0% Instrumentalness • 56% Positiveness
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Lauren Alaina
If The World Was A Small Town
97 bpm • F# Maj • 02:54 • -4.78db
26% Popularity • 64% Danceability • 70% Energy • 34% Liveness
0% Instrumentalness • 44% Positiveness
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Dylan Scott
New Truck
97 bpm • C# Maj • 02:54 • -5.86db
59% Popularity • 53% Danceability • 76% Energy • 10% Liveness
0% Instrumentalness • 52% Positiveness
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Gabby Barrett
Glory Days
104 bpm • G Maj • 02:42 • -5.22db
49% Popularity • 65% Danceability • 78% Energy • 12% Liveness
0% Instrumentalness • 27% Positiveness
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Sam Hunt
House Party
104 bpm • G# Maj • 03:10 • -5.25db
70% Popularity • 75% Danceability • 86% Energy • 3% Liveness
0% Instrumentalness • 86% Positiveness
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Luke Combs
Beautiful Crazy
103 bpm • B Maj • 03:13 • -7.43db
82% Popularity • 55% Danceability • 40% Energy • 9% Liveness
0% Instrumentalness • 38% Positiveness
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Scotty McCreery
You Time
104 bpm • A Maj • 03:12 • -6db
51% Popularity • 55% Danceability • 77% Energy • 14% Liveness
0% Instrumentalness • 60% Positiveness
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Eric Church
Springsteen
104 bpm • D Maj • 04:23 • -5.94db
77% Popularity • 69% Danceability • 81% Energy • 18% Liveness
0% Instrumentalness • 93% Positiveness
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Walker Hayes
AA
104 bpm • E Maj • 03:09 • -5.86db
61% Popularity • 63% Danceability • 76% Energy • 34% Liveness
0% Instrumentalness • 74% Positiveness
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Jake Owen
American Country Love Song
104 bpm • G# Maj • 03:19 • -4db
59% Popularity • 53% Danceability • 89% Energy • 9% Liveness
0% Instrumentalness • 33% Positiveness
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Jimmie Allen
Freedom Was A Highway
96 bpm • C# Maj • 03:32 • -4.49db
57% Popularity • 56% Danceability • 85% Energy • 12% Liveness
0% Instrumentalness • 67% Positiveness
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Kelsea Ballerini
Miss Me More
96 bpm • D Maj • 03:12 • -7.15db
44% Popularity • 64% Danceability • 71% Energy • 8% Liveness
0% Instrumentalness • 46% Positiveness
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Brett Young
Here Tonight
96 bpm • B Maj • 03:36 • -5db
58% Popularity • 52% Danceability • 78% Energy • 11% Liveness
0% Instrumentalness • 45% Positiveness
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Miranda Lambert
Automatic
96 bpm • A# Maj • 04:07 • -6.21db
62% Popularity • 59% Danceability • 70% Energy • 14% Liveness
0% Instrumentalness • 40% Positiveness
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Jon Pardi
Night Shift
96 bpm • D Maj • 02:52 • -3.56db
79% Popularity • 63% Danceability • 75% Energy • 27% Liveness
0% Instrumentalness • 73% Positiveness
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Thomas Rhett
T-Shirt
96 bpm • D Maj • 03:47 • -5.34db
62% Popularity • 63% Danceability • 86% Energy • 2% Liveness
0% Instrumentalness • 77% Positiveness
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Danielle Bradbery
Shallow
96 bpm • G Maj • 03:27 • -4.19db
44% Popularity • 56% Danceability • 67% Energy • 8% Liveness
0% Instrumentalness • 33% Positiveness
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Jimmie Allen
Good Times Roll
96 bpm • C Maj • 02:38 • -4.45db
59% Popularity • 63% Danceability • 74% Energy • 16% Liveness
0% Instrumentalness • 71% Positiveness
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Lee Brice
One Of Them Girls
96 bpm • E Maj • 03:08 • -6.08db
74% Popularity • 64% Danceability • 79% Energy • 11% Liveness
0% Instrumentalness • 81% Positiveness
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Randy Houser
How Country Feels
105 bpm • G Maj • 03:05 • -3.62db
69% Popularity • 68% Danceability • 84% Energy • 7% Liveness
0% Instrumentalness • 77% Positiveness
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Kelsea Ballerini
hole in the bottle
104 bpm • E Maj • 02:35 • -3.64db
60% Popularity • 48% Danceability • 87% Energy • 37% Liveness
0% Instrumentalness • 74% Positiveness
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Thomas Rhett
Craving You
105 bpm • A min • 03:43 • -3.8db
64% Popularity • 61% Danceability • 84% Energy • 34% Liveness
0% Instrumentalness • 53% Positiveness
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Scotty McCreery
It Matters To Her
105 bpm • G Maj • 02:51 • -5db
64% Popularity • 52% Danceability • 75% Energy • 25% Liveness
0% Instrumentalness • 48% Positiveness
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Chris Janson
Done
105 bpm • A Maj • 03:40 • -3.38db
55% Popularity • 56% Danceability • 84% Energy • 7% Liveness
0% Instrumentalness • 76% Positiveness
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Zac Brown Band
Homegrown
105 bpm • F# Maj • 03:25 • -4db
70% Popularity • 71% Danceability • 81% Energy • 9% Liveness
0% Instrumentalness • 94% Positiveness
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Tenille Arts
Somebody Like That
105 bpm • F# Maj • 03:18 • -5.38db
64% Popularity • 57% Danceability • 78% Energy • 11% Liveness
0% Instrumentalness • 57% Positiveness
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Kelsea Ballerini
hole in the bottle
105 bpm • E Maj • 02:36 • -4.61db
56% Popularity • 56% Danceability • 84% Energy • 37% Liveness
0% Instrumentalness • 78% Positiveness
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Jon Pardi
Heartache Medication
95 bpm • A Maj • 03:29 • -3.34db
69% Popularity • 62% Danceability • 79% Energy • 14% Liveness
0% Instrumentalness • 73% Positiveness
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Dan + Shay
All To Myself
95 bpm • C# Maj • 02:49 • -4.62db
63% Popularity • 65% Danceability • 78% Energy • 12% Liveness
0% Instrumentalness • 56% Positiveness
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Dylan Scott
My Girl
95 bpm • C# Maj • 03:17 • -7.25db
68% Popularity • 65% Danceability • 72% Energy • 11% Liveness
0% Instrumentalness • 24% Positiveness
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Luke Bryan
Country Girl (Shake It For Me)
106 bpm • D Maj • 03:45 • -4.53db
76% Popularity • 64% Danceability • 90% Energy • 8% Liveness
0% Instrumentalness • 67% Positiveness
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Adam Doleac
Famous
95 bpm • G Maj • 03:06 • -5.58db
48% Popularity • 60% Danceability • 48% Energy • 11% Liveness
0% Instrumentalness • 40% Positiveness
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Little Big Town
Wine, Beer, Whiskey
106 bpm • G Maj • 03:16 • -5.85db
66% Popularity • 73% Danceability • 91% Energy • 60% Liveness
0% Instrumentalness • 78% Positiveness
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Tyler Hubbard
5 Foot 9
106 bpm • F Maj • 03:09 • -6db
72% Popularity • 60% Danceability • 79% Energy • 13% Liveness
0% Instrumentalness • 51% Positiveness
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Lauren Alaina
Getting Good
94 bpm • B Maj • 03:20 • -5.45db
43% Popularity • 53% Danceability • 61% Energy • 10% Liveness
0% Instrumentalness • 42% Positiveness
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Priscilla Block
I Bet You Wanna Know
94 bpm • G min • 02:39 • -5db
44% Popularity • 57% Danceability • 75% Energy • 11% Liveness
0% Instrumentalness • 58% Positiveness
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Jake Owen
I Was Jack (You Were Diane)
94 bpm • F# Maj • 03:07 • -3.54db
62% Popularity • 60% Danceability • 87% Energy • 5% Liveness
0% Instrumentalness • 55% Positiveness
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Joe Nichols
Tequila Makes Her Clothes Fall Off
94 bpm • D Maj • 03:07 • -7.05db
69% Popularity • 66% Danceability • 71% Energy • 9% Liveness
0% Instrumentalness • 68% Positiveness
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Russell Dickerson
Every Little Thing
94 bpm • C# Maj • 03:10 • -4.66db
62% Popularity • 64% Danceability • 85% Energy • 4% Liveness
0% Instrumentalness • 86% Positiveness
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Travis Denning
After A Few
107 bpm • A# min • 03:33 • -4.32db
57% Popularity • 62% Danceability • 85% Energy • 19% Liveness
0% Instrumentalness • 70% Positiveness
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Thomas Rhett
Sixteen
107 bpm • C# Maj • 02:58 • -7.03db
61% Popularity • 70% Danceability • 53% Energy • 16% Liveness
0% Instrumentalness • 42% Positiveness
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Lady A
What If I Never Get Over You
93 bpm • C Maj • 03:26 • -5.15db
64% Popularity • 58% Danceability • 72% Energy • 11% Liveness
0% Instrumentalness • 34% Positiveness
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Lauren Alaina
Georgia Peaches
107 bpm • F# min • 03:07 • -2.43db
40% Popularity • 59% Danceability • 89% Energy • 40% Liveness
0% Instrumentalness • 74% Positiveness
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Cole Swindell
Let Me See Ya Girl
93 bpm • F# Maj • 03:07 • -4db
55% Popularity • 52% Danceability • 83% Energy • 39% Liveness
0% Instrumentalness • 44% Positiveness
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Carrie Underwood
Out Of That Truck
93 bpm • F Maj • 02:57 • -4.5db
60% Popularity • 56% Danceability • 76% Energy • 40% Liveness
0% Instrumentalness • 81% Positiveness
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Frankie Ballard
Sunshine & Whiskey
93 bpm • A Maj • 03:02 • -6.79db
65% Popularity • 67% Danceability • 74% Energy • 32% Liveness
0% Instrumentalness • 75% Positiveness
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Jon Pardi
Head Over Boots
108 bpm • G Maj • 03:22 • -4.47db
74% Popularity • 56% Danceability • 69% Energy • 9% Liveness
0% Instrumentalness • 62% Positiveness
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Love and Theft
Angel Eyes
108 bpm • G# Maj • 03:06 • -6db
58% Popularity • 66% Danceability • 70% Energy • 8% Liveness
0% Instrumentalness • 97% Positiveness
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Lauren Alaina
In My Veins
108 bpm • E Maj • 02:46 • -6.19db
34% Popularity • 65% Danceability • 74% Energy • 21% Liveness
0% Instrumentalness • 79% Positiveness
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Luke Bryan
Rain Is A Good Thing
108 bpm • B min • 02:56 • -4.66db
70% Popularity • 62% Danceability • 93% Energy • 33% Liveness
0% Instrumentalness • 52% Positiveness
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Kenny Chesney
Get Along
92 bpm • G Maj • 03:19 • -6.11db
67% Popularity • 63% Danceability • 80% Energy • 17% Liveness
0% Instrumentalness • 35% Positiveness
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Maren Morris
I Could Use a Love Song
92 bpm • F# Maj • 03:16 • -6.47db
63% Popularity • 64% Danceability • 63% Energy • 9% Liveness
0% Instrumentalness • 47% Positiveness
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Lee Brice
I Don't Dance
92 bpm • C# Maj • 03:41 • -7.74db
66% Popularity • 59% Danceability • 56% Energy • 10% Liveness
0% Instrumentalness • 19% Positiveness
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Dierks Bentley
Different For Girls
92 bpm • E Maj • 03:00 • -6db
55% Popularity • 66% Danceability • 77% Energy • 7% Liveness
0% Instrumentalness • 43% Positiveness
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Chris Janson
Good Vibes
92 bpm • C Maj • 02:45 • -2.77db
62% Popularity • 58% Danceability • 85% Energy • 13% Liveness
0% Instrumentalness • 74% Positiveness
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Chris Young
Losing Sleep
92 bpm • C# Maj • 02:58 • -5.7db
56% Popularity • 58% Danceability • 62% Energy • 39% Liveness
0% Instrumentalness • 63% Positiveness
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Kane Brown
Lose It
92 bpm • E min • 02:58 • -4.97db
62% Popularity • 55% Danceability • 85% Energy • 25% Liveness
0% Instrumentalness • 44% Positiveness
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Seaforth
Good Beer
91 bpm • F# Maj • 02:54 • -4.25db
47% Popularity • 70% Danceability • 78% Energy • 13% Liveness
0% Instrumentalness • 88% Positiveness
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Lee Brice
Memory I Don't Mess With
92 bpm • F# min • 03:00 • -7.61db
65% Popularity • 62% Danceability • 70% Energy • 9% Liveness
0% Instrumentalness • 57% Positiveness
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High Valley
Grew up on That
110 bpm • A Maj • 02:52 • -6db
49% Popularity • 65% Danceability • 76% Energy • 17% Liveness
0% Instrumentalness • 29% Positiveness
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Dustin Lynch
Stars Like Confetti
110 bpm • A# Maj • 03:14 • -3.06db
67% Popularity • 62% Danceability • 87% Energy • 14% Liveness
0% Instrumentalness • 96% Positiveness
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Chris Young
Aw Naw
110 bpm • D Maj • 03:08 • -3.75db
63% Popularity • 65% Danceability • 86% Energy • 8% Liveness
0% Instrumentalness • 49% Positiveness
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Billy Currington
Don't It
91 bpm • C# Maj • 03:09 • -4.48db
65% Popularity • 57% Danceability • 83% Energy • 34% Liveness
0% Instrumentalness • 71% Positiveness
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Maren Morris
80s Mercedes
91 bpm • A Maj • 03:31 • -5.41db
59% Popularity • 48% Danceability • 83% Energy • 28% Liveness
0% Instrumentalness • 66% Positiveness
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Lee Brice
Drinking Class
109 bpm • C# Maj • 03:27 • -10db
60% Popularity • 66% Danceability • 53% Energy • 15% Liveness
0% Instrumentalness • 27% Positiveness
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Luke Bryan
That's My Kind Of Night
110 bpm • G Maj • 03:10 • -2.91db
74% Popularity • 66% Danceability • 75% Energy • 10% Liveness
0% Instrumentalness • 88% Positiveness
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Brett Eldredge
Beat of the Music
110 bpm • A Maj • 02:59 • -4.13db
60% Popularity • 63% Danceability • 81% Energy • 8% Liveness
0% Instrumentalness • 77% Positiveness
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Cody Johnson
Me and My Kind
110 bpm • D Maj • 02:36 • -3.43db
76% Popularity • 59% Danceability • 81% Energy • 11% Liveness
0% Instrumentalness • 67% Positiveness
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