Songs like Rusalka, Op. 114 / Act 1: Mesicku na nebi hlubokém by Antonín Dvořák
Based on a tempo of (+/- 10%) and a similar genre
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Antonín Dvořák
Rusalka, Op. 114 / Act 1: Mesicku na neb...
91 bpm • F# Maj • 06:25 • -23.07db
35% Popularity • 17% Danceability • 4% Energy • 67% Liveness
4% Instrumentalness • 4% Positiveness
35% Popularity • 17% Danceability • 4% Energy • 67% Liveness
4% Instrumentalness • 4% Positiveness
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Gustav Mahler
Symphony No. 5: IV. Adagietto. Sehr lang...
91 bpm • F Maj • 09:00 • -29db
38% Popularity • 17% Danceability • 2% Energy • 9% Liveness
73% Instrumentalness • 3% Positiveness
38% Popularity • 17% Danceability • 2% Energy • 9% Liveness
73% Instrumentalness • 3% Positiveness
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Renata Tebaldi
Vissi D'arte - Tosca Atto Ii
91 bpm • D# Maj • 03:26 • -12.44db
22% Popularity • 30% Danceability • 15% Energy • 10% Liveness
0% Instrumentalness • 4% Positiveness
22% Popularity • 30% Danceability • 15% Energy • 10% Liveness
0% Instrumentalness • 4% Positiveness
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Henry Purcell
King Arthur, Z. 628: Act III "What power...
91 bpm • A Maj • 03:09 • -19.04db
16% Popularity • 73% Danceability • 13% Energy • 10% Liveness
0% Instrumentalness • 7% Positiveness
16% Popularity • 73% Danceability • 13% Energy • 10% Liveness
0% Instrumentalness • 7% Positiveness
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Johannes Brahms
Wiegenlied, Op. 49, No. 4
92 bpm • D# Maj • 02:04 • -26db
28% Popularity • 28% Danceability • 2% Energy • 11% Liveness
5% Instrumentalness • 18% Positiveness
28% Popularity • 28% Danceability • 2% Energy • 11% Liveness
5% Instrumentalness • 18% Positiveness
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Giacomo Puccini
Puccini: Tosca, Act 2: "Vissi d'arte, vi...
90 bpm • D# Maj • 03:05 • -15db
31% Popularity • 22% Danceability • 12% Energy • 10% Liveness
2% Instrumentalness • 5% Positiveness
31% Popularity • 22% Danceability • 12% Energy • 10% Liveness
2% Instrumentalness • 5% Positiveness
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Edvard Grieg
Two Nordic Melodies, Op. 63: 1. In the s...
92 bpm • D min • 07:58 • -24.55db
4% Popularity • 11% Danceability • 3% Energy • 13% Liveness
78% Instrumentalness • 4% Positiveness
4% Popularity • 11% Danceability • 3% Energy • 13% Liveness
78% Instrumentalness • 4% Positiveness
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Pyotr Ilyich Tchaikovsky
Swan Lake, Op. 20, TH. 12: Pas de trois:...
90 bpm • C min • 02:07 • -23.01db
9% Popularity • 14% Danceability • 5% Energy • 9% Liveness
76% Instrumentalness • 4% Positiveness
9% Popularity • 14% Danceability • 5% Energy • 9% Liveness
76% Instrumentalness • 4% Positiveness
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Alfredo Catalani
La Wally / Act 1: "Ebben? Ne andrò lont...
90 bpm • E Maj • 03:37 • -12db
20% Popularity • 24% Danceability • 19% Energy • 13% Liveness
68% Instrumentalness • 5% Positiveness
20% Popularity • 24% Danceability • 19% Energy • 13% Liveness
68% Instrumentalness • 5% Positiveness
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Camille Saint-Saëns
Samson et Dalila, Op. 47, R. 288 / Act 1...
92 bpm • G Maj • 09:36 • -22.62db
7% Popularity • 11% Danceability • 6% Energy • 10% Liveness
60% Instrumentalness • 4% Positiveness
7% Popularity • 11% Danceability • 6% Energy • 10% Liveness
60% Instrumentalness • 4% Positiveness
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George Frideric Handel
Rinaldo, HWV 7a / Act 2: "Lascia ch'io p...
90 bpm • E Maj • 05:15 • -25db
27% Popularity • 23% Danceability • 3% Energy • 15% Liveness
0% Instrumentalness • 7% Positiveness
27% Popularity • 23% Danceability • 3% Energy • 15% Liveness
0% Instrumentalness • 7% Positiveness
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Giacomo Puccini
Puccini: Tosca: "Vissi d'arte" (Tosca, S...
92 bpm • D# Maj • 04:16 • -18.86db
16% Popularity • 23% Danceability • 21% Energy • 14% Liveness
15% Instrumentalness • 4% Positiveness
16% Popularity • 23% Danceability • 21% Energy • 14% Liveness
15% Instrumentalness • 4% Positiveness
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Antonín Dvořák
Humoresques, Op. 101, B. 187: VII. Poco ...
92 bpm • F# Maj • 03:13 • -20.88db
22% Popularity • 46% Danceability • 6% Energy • 9% Liveness
90% Instrumentalness • 24% Positiveness
22% Popularity • 46% Danceability • 6% Energy • 9% Liveness
90% Instrumentalness • 24% Positiveness
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Angela Gheorghiu
Don Pasquale: Tornami a dir che m'ami
90 bpm • A Maj • 03:25 • -27.33db
29% Popularity • 22% Danceability • 5% Energy • 8% Liveness
1% Instrumentalness • 4% Positiveness
29% Popularity • 22% Danceability • 5% Energy • 8% Liveness
1% Instrumentalness • 4% Positiveness
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Jacques Offenbach
Les Contes d'Hoffmann (1989 Digital Rema...
90 bpm • D Maj • 03:49 • -28.46db
38% Popularity • 20% Danceability • 6% Energy • 14% Liveness
0% Instrumentalness • 8% Positiveness
38% Popularity • 20% Danceability • 6% Energy • 14% Liveness
0% Instrumentalness • 8% Positiveness
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Richard Wagner
Tristan und Isolde / Act 3: "Mild und le...
90 bpm • B Maj • 07:26 • -16.89db
30% Popularity • 14% Danceability • 17% Energy • 12% Liveness
1% Instrumentalness • 3% Positiveness
30% Popularity • 14% Danceability • 17% Energy • 12% Liveness
1% Instrumentalness • 3% Positiveness
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Gabriel Fauré
Pelléas et Mélisande, Op. 80: 4. Sicil...
92 bpm • G min • 04:04 • -30.09db
36% Popularity • 11% Danceability • 4% Energy • 10% Liveness
97% Instrumentalness • 6% Positiveness
36% Popularity • 11% Danceability • 4% Energy • 10% Liveness
97% Instrumentalness • 6% Positiveness
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Amilcare Ponchielli
Ponchielli: La Gioconda, Op. 9, Act 4: "...
90 bpm • F# min • 04:12 • -18db
15% Popularity • 25% Danceability • 9% Energy • 26% Liveness
0% Instrumentalness • 4% Positiveness
15% Popularity • 25% Danceability • 9% Energy • 26% Liveness
0% Instrumentalness • 4% Positiveness
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Antonín Dvořák
Rusalka, Op. 114 / Act 2: Kvetiny bile p...
90 bpm • B Maj • 03:22 • -17.62db
13% Popularity • 19% Danceability • 18% Energy • 47% Liveness
65% Instrumentalness • 10% Positiveness
13% Popularity • 19% Danceability • 18% Energy • 47% Liveness
65% Instrumentalness • 10% Positiveness
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Johann Sebastian Bach
St. Matthew Passion, BWV 244: No. 39 Ari...
90 bpm • E min • 07:06 • -19.51db
11% Popularity • 20% Danceability • 15% Energy • 17% Liveness
13% Instrumentalness • 14% Positiveness
11% Popularity • 20% Danceability • 15% Energy • 17% Liveness
13% Instrumentalness • 14% Positiveness
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Rachel Portman
Portman: The First Morning of the World
93 bpm • C Maj • 08:25 • -19.59db
17% Popularity • 19% Danceability • 7% Energy • 7% Liveness
4% Instrumentalness • 5% Positiveness
17% Popularity • 19% Danceability • 7% Energy • 7% Liveness
4% Instrumentalness • 5% Positiveness
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Johannes Brahms
Double Concerto in A Minor, Op. 102: II....
93 bpm • D Maj • 08:03 • -24.95db
11% Popularity • 14% Danceability • 7% Energy • 10% Liveness
84% Instrumentalness • 4% Positiveness
11% Popularity • 14% Danceability • 7% Energy • 10% Liveness
84% Instrumentalness • 4% Positiveness
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Richard Strauss
4 Letzte Lieder, TrV 296: No. 2, Septemb...
89 bpm • D Maj • 04:53 • -24db
14% Popularity • 13% Danceability • 6% Energy • 7% Liveness
81% Instrumentalness • 4% Positiveness
14% Popularity • 13% Danceability • 6% Energy • 7% Liveness
81% Instrumentalness • 4% Positiveness
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César Franck
Messe a 3 voix (Mass in 3 voices), Op. 1...
89 bpm • A Maj • 05:01 • -28db
27% Popularity • 17% Danceability • 3% Energy • 9% Liveness
21% Instrumentalness • 4% Positiveness
27% Popularity • 17% Danceability • 3% Energy • 9% Liveness
21% Instrumentalness • 4% Positiveness
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Antonín Dvořák
Serenade for Strings in E Major, Op. 22,...
93 bpm • F# min • 07:31 • -24.52db
29% Popularity • 18% Danceability • 3% Energy • 24% Liveness
89% Instrumentalness • 16% Positiveness
29% Popularity • 18% Danceability • 3% Energy • 24% Liveness
89% Instrumentalness • 16% Positiveness
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Umberto Giordano
Fedora / Act 2: "Amor ti vieta"
93 bpm • C Maj • 01:48 • -14db
34% Popularity • 30% Danceability • 35% Energy • 24% Liveness
83% Instrumentalness • 9% Positiveness
34% Popularity • 30% Danceability • 35% Energy • 24% Liveness
83% Instrumentalness • 9% Positiveness
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Amilcare Ponchielli
La Gioconda, Op. 9 / Act 3: Dance of the...
89 bpm • E Maj • 09:46 • -19.25db
8% Popularity • 31% Danceability • 12% Energy • 9% Liveness
48% Instrumentalness • 16% Positiveness
8% Popularity • 31% Danceability • 12% Energy • 9% Liveness
48% Instrumentalness • 16% Positiveness
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Heitor Villa-Lobos
Floresta do Amazonas: Sentimental Melody
93 bpm • A min • 03:34 • -19.49db
12% Popularity • 27% Danceability • 17% Energy • 29% Liveness
98% Instrumentalness • 10% Positiveness
12% Popularity • 27% Danceability • 17% Energy • 29% Liveness
98% Instrumentalness • 10% Positiveness
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Richard Strauss
Morgen! Op. 27, No. 4
93 bpm • G Maj • 03:41 • -21.93db
17% Popularity • 18% Danceability • 12% Energy • 27% Liveness
12% Instrumentalness • 4% Positiveness
17% Popularity • 18% Danceability • 12% Energy • 27% Liveness
12% Instrumentalness • 4% Positiveness
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Alexander Borodin
Borodin: String Quartet No. 2 in D Major...
93 bpm • A Maj • 07:45 • -25.41db
10% Popularity • 15% Danceability • 6% Energy • 14% Liveness
76% Instrumentalness • 7% Positiveness
10% Popularity • 15% Danceability • 6% Energy • 14% Liveness
76% Instrumentalness • 7% Positiveness
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Antonín Dvořák
Serenade for Strings in E Major, B.52: I...
89 bpm • E Maj • 04:04 • -23.74db
14% Popularity • 18% Danceability • 4% Energy • 14% Liveness
80% Instrumentalness • 11% Positiveness
14% Popularity • 18% Danceability • 4% Energy • 14% Liveness
80% Instrumentalness • 11% Positiveness
► Preview
George Frideric Handel
Handel: Serse, HWV 40, Act 1, Scene 1: A...
89 bpm • E Maj • 03:23 • -20.19db
36% Popularity • 13% Danceability • 12% Energy • 16% Liveness
2% Instrumentalness • 4% Positiveness
36% Popularity • 13% Danceability • 12% Energy • 16% Liveness
2% Instrumentalness • 4% Positiveness
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Gaetano Donizetti
L'elisir d'amore: Act II: Una furtiva la...
93 bpm • A# min • 04:59 • -21.41db
17% Popularity • 19% Danceability • 7% Energy • 10% Liveness
1% Instrumentalness • 4% Positiveness
17% Popularity • 19% Danceability • 7% Energy • 10% Liveness
1% Instrumentalness • 4% Positiveness
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Francis Poulenc
Poulenc: Dialogues des Carmélites, FP 1...
89 bpm • G min • 07:00 • -21db
9% Popularity • 13% Danceability • 13% Energy • 6% Liveness
38% Instrumentalness • 3% Positiveness
9% Popularity • 13% Danceability • 13% Energy • 6% Liveness
38% Instrumentalness • 3% Positiveness
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Gustave Charpentier
Louise / Act 3: "Depuis le jour"
89 bpm • G Maj • 06:06 • -20db
14% Popularity • 23% Danceability • 11% Energy • 10% Liveness
61% Instrumentalness • 3% Positiveness
14% Popularity • 23% Danceability • 11% Energy • 10% Liveness
61% Instrumentalness • 3% Positiveness
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Slovak Radio Symphony Orchestra
Lakme: Lakme: Viens, Mallika... Dome Epa...
89 bpm • B Maj • 06:41 • -25db
23% Popularity • 33% Danceability • 3% Energy • 7% Liveness
0% Instrumentalness • 4% Positiveness
23% Popularity • 33% Danceability • 3% Energy • 7% Liveness
0% Instrumentalness • 4% Positiveness
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Antonín Dvořák
Rusalka: Song to the Moon
89 bpm • F# Maj • 05:59 • -17.6db
24% Popularity • 27% Danceability • 15% Energy • 11% Liveness
0% Instrumentalness • 4% Positiveness
24% Popularity • 27% Danceability • 15% Energy • 11% Liveness
0% Instrumentalness • 4% Positiveness
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Aram Khachaturian
Khachaturian: Spartacus (Highlights from...
88 bpm • G# Maj • 09:54 • -21.56db
39% Popularity • 11% Danceability • 11% Energy • 10% Liveness
82% Instrumentalness • 3% Positiveness
39% Popularity • 11% Danceability • 11% Energy • 10% Liveness
82% Instrumentalness • 3% Positiveness
► Preview
Chor der Deutschen Oper Berlin
Madame Butterfly: Coro a bocca chiusa
94 bpm • A# Maj • 02:22 • -36.58db
34% Popularity • 15% Danceability • 1% Energy • 7% Liveness
85% Instrumentalness • 13% Positiveness
34% Popularity • 15% Danceability • 1% Energy • 7% Liveness
85% Instrumentalness • 13% Positiveness
► Preview
Johann Strauss II
Casanova: Nuns' Chorus
88 bpm • F# Maj • 03:47 • -14.27db
22% Popularity • 18% Danceability • 17% Energy • 10% Liveness
0% Instrumentalness • 6% Positiveness
22% Popularity • 18% Danceability • 17% Energy • 10% Liveness
0% Instrumentalness • 6% Positiveness
► Preview
Jules Massenet
Thaïs / Acte Trois: C'est toi, mon pèr...
94 bpm • D Maj • 05:21 • -15.77db
8% Popularity • 21% Danceability • 22% Energy • 20% Liveness
3% Instrumentalness • 4% Positiveness
8% Popularity • 21% Danceability • 22% Energy • 20% Liveness
3% Instrumentalness • 4% Positiveness
► Preview
Reynaldo Hahn
Poème de Paul Verlaine: L'heure exquise
94 bpm • B Maj • 01:58 • -26.85db
39% Popularity • 27% Danceability • 2% Energy • 8% Liveness
2% Instrumentalness • 6% Positiveness
39% Popularity • 27% Danceability • 2% Energy • 8% Liveness
2% Instrumentalness • 6% Positiveness
► Preview
Antonín Dvořák
Rusalka, Op. 114, B. 203, Act I: Mesíck...
93 bpm • F# Maj • 06:54 • -22.13db
16% Popularity • 17% Danceability • 7% Energy • 12% Liveness
0% Instrumentalness • 4% Positiveness
16% Popularity • 17% Danceability • 7% Energy • 12% Liveness
0% Instrumentalness • 4% Positiveness
► Preview
Johann Sebastian Bach
Schemellis Gesangbuch: "Mein Jesu! Was f...
88 bpm • D min • 05:27 • -28.78db
36% Popularity • 9% Danceability • 3% Energy • 8% Liveness
92% Instrumentalness • 3% Positiveness
36% Popularity • 9% Danceability • 3% Energy • 8% Liveness
92% Instrumentalness • 3% Positiveness
► Preview
Gioachino Rossini
Le Comte Ory, Act I, Scene VIII, No. 4: ...
88 bpm • D# Maj • 09:46 • -18db
10% Popularity • 33% Danceability • 18% Energy • 10% Liveness
0% Instrumentalness • 11% Positiveness
10% Popularity • 33% Danceability • 18% Energy • 10% Liveness
0% Instrumentalness • 11% Positiveness
► Preview
Alfredo Catalani
La Wally: Ebben? Ne andrò lontana
88 bpm • E Maj • 03:29 • -22.4db
29% Popularity • 28% Danceability • 9% Energy • 12% Liveness
0% Instrumentalness • 4% Positiveness
29% Popularity • 28% Danceability • 9% Energy • 12% Liveness
0% Instrumentalness • 4% Positiveness
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Jules Massenet
Thaïs / Acte Deux: Méditation religieu...
88 bpm • D Maj • 05:48 • -28.51db
13% Popularity • 12% Danceability • 3% Energy • 24% Liveness
42% Instrumentalness • 4% Positiveness
13% Popularity • 12% Danceability • 3% Energy • 24% Liveness
42% Instrumentalness • 4% Positiveness
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Royal Philharmonic Orchestra
When You Wish Upon A Star
88 bpm • C# Maj • 04:00 • -12.07db
35% Popularity • 23% Danceability • 29% Energy • 8% Liveness
0% Instrumentalness • 8% Positiveness
35% Popularity • 23% Danceability • 29% Energy • 8% Liveness
0% Instrumentalness • 8% Positiveness
► Preview
Antonín Dvořák
Mesicku na nebi hlubokém ("Song of the ...
88 bpm • F# Maj • 06:16 • -16.63db
11% Popularity • 20% Danceability • 14% Energy • 15% Liveness
2% Instrumentalness • 4% Positiveness
11% Popularity • 20% Danceability • 14% Energy • 15% Liveness
2% Instrumentalness • 4% Positiveness
► Preview
Erich Wolfgang Korngold
Die tote Stadt, Act I: Glück, das mir v...
88 bpm • A# Maj • 05:59 • -19.41db
22% Popularity • 18% Danceability • 12% Energy • 9% Liveness
44% Instrumentalness • 4% Positiveness
22% Popularity • 18% Danceability • 12% Energy • 9% Liveness
44% Instrumentalness • 4% Positiveness
► Preview
Gioachino Rossini
Petite messe solennelle: I. Kyrie
88 bpm • C Maj • 07:06 • -31db
13% Popularity • 9% Danceability • 2% Energy • 5% Liveness
82% Instrumentalness • 4% Positiveness
13% Popularity • 9% Danceability • 2% Energy • 5% Liveness
82% Instrumentalness • 4% Positiveness
► Preview
Jacques Offenbach
Offenbach: Les contes d'Hoffman, Act 4: ...
88 bpm • D Maj • 03:34 • -25db
9% Popularity • 19% Danceability • 9% Energy • 27% Liveness
0% Instrumentalness • 5% Positiveness
9% Popularity • 19% Danceability • 9% Energy • 27% Liveness
0% Instrumentalness • 5% Positiveness
► Preview
Maria Callas
Extrait "Casta Diva"
87 bpm • F Maj • 07:25 • -16db
28% Popularity • 16% Danceability • 12% Energy • 13% Liveness
11% Instrumentalness • 9% Positiveness
28% Popularity • 16% Danceability • 12% Energy • 13% Liveness
11% Instrumentalness • 9% Positiveness
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Henry Purcell
King Arthur, or The British Worthy (1691...
95 bpm • B Maj • 03:09 • -13.8db
32% Popularity • 80% Danceability • 14% Energy • 12% Liveness
0% Instrumentalness • 8% Positiveness
32% Popularity • 80% Danceability • 14% Energy • 12% Liveness
0% Instrumentalness • 8% Positiveness
► Preview
Antonín Dvořák
Rusalka, Op. 114 / Act 2: Vidis je, vidi...
94 bpm • A Maj • 07:12 • -16.86db
11% Popularity • 26% Danceability • 24% Energy • 13% Liveness
0% Instrumentalness • 9% Positiveness
11% Popularity • 26% Danceability • 24% Energy • 13% Liveness
0% Instrumentalness • 9% Positiveness
► Preview
Gabriel Fauré
Cantique de Jean Racine, Op. 11 (Arr. Ru...
87 bpm • C# Maj • 04:15 • -19db
24% Popularity • 17% Danceability • 15% Energy • 11% Liveness
91% Instrumentalness • 6% Positiveness
24% Popularity • 17% Danceability • 15% Energy • 11% Liveness
91% Instrumentalness • 6% Positiveness
► Preview
Xavier Monsalvatge
5 Canciones negras: No. 4, Canción de c...
87 bpm • C# Maj • 02:47 • -34.37db
17% Popularity • 20% Danceability • 2% Energy • 9% Liveness
0% Instrumentalness • 6% Positiveness
17% Popularity • 20% Danceability • 2% Energy • 9% Liveness
0% Instrumentalness • 6% Positiveness
► Preview
Gustav Mahler
Mahler: Symphony No. 5 in C-Sharp Minor:...
87 bpm • F Maj • 09:51 • -28.23db
8% Popularity • 9% Danceability • 3% Energy • 9% Liveness
89% Instrumentalness • 4% Positiveness
8% Popularity • 9% Danceability • 3% Energy • 9% Liveness
89% Instrumentalness • 4% Positiveness
► Preview
Sergei Rachmaninoff
Piano Concerto No. 2 in C Minor, Op. 18:...
87 bpm • E Maj • 11:03 • -22.89db
40% Popularity • 16% Danceability • 9% Energy • 9% Liveness
92% Instrumentalness • 4% Positiveness
40% Popularity • 16% Danceability • 9% Energy • 9% Liveness
92% Instrumentalness • 4% Positiveness
► Preview
Johann Sebastian Bach
St. Matthew Passion, BWV 244 / Part Two:...
87 bpm • A# min • 07:35 • -25db
18% Popularity • 17% Danceability • 4% Energy • 9% Liveness
0% Instrumentalness • 4% Positiveness
18% Popularity • 17% Danceability • 4% Energy • 9% Liveness
0% Instrumentalness • 4% Positiveness
► Preview
Antonín Dvořák
Rusalka, Op. 114 / Act 3: Aj, aj? Uz jsi...
87 bpm • C Maj • 07:58 • -16.82db
10% Popularity • 29% Danceability • 24% Energy • 11% Liveness
0% Instrumentalness • 6% Positiveness
10% Popularity • 29% Danceability • 24% Energy • 11% Liveness
0% Instrumentalness • 6% Positiveness
► Preview
Alfredo Catalani
La Wally / Act 1: "Ebben? Ne andrò lont...
87 bpm • E Maj • 03:42 • -21db
30% Popularity • 24% Danceability • 6% Energy • 11% Liveness
1% Instrumentalness • 4% Positiveness
30% Popularity • 24% Danceability • 6% Energy • 11% Liveness
1% Instrumentalness • 4% Positiveness
► Preview
Léo Delibes
Delibes: Lakmé, Act 1: "Viens, Mallika"...
87 bpm • B Maj • 05:56 • -23.89db
22% Popularity • 21% Danceability • 7% Energy • 10% Liveness
26% Instrumentalness • 4% Positiveness
22% Popularity • 21% Danceability • 7% Energy • 10% Liveness
26% Instrumentalness • 4% Positiveness
► Preview
George Frideric Handel
Zadok the Priest, Coronation Anthem No. ...
95 bpm • D Maj • 05:33 • -16db
14% Popularity • 29% Danceability • 18% Energy • 8% Liveness
78% Instrumentalness • 13% Positiveness
14% Popularity • 29% Danceability • 18% Energy • 8% Liveness
78% Instrumentalness • 13% Positiveness
► Preview
Gaetano Donizetti
L'elisir d'amore / Act II: "Una furtiva ...
87 bpm • A# min • 04:10 • -24.75db
42% Popularity • 28% Danceability • 9% Energy • 11% Liveness
0% Instrumentalness • 6% Positiveness
42% Popularity • 28% Danceability • 9% Energy • 11% Liveness
0% Instrumentalness • 6% Positiveness
► Preview
Giacomo Puccini
La boheme: Act I: O soave fanciulla (Rod...
87 bpm • C Maj • 03:39 • -21.85db
19% Popularity • 26% Danceability • 5% Energy • 9% Liveness
0% Instrumentalness • 4% Positiveness
19% Popularity • 26% Danceability • 5% Energy • 9% Liveness
0% Instrumentalness • 4% Positiveness
► Preview
Antonín Dvořák
Dvořák: Symphony No. 9 in E Minor, Op....
95 bpm • C# Maj • 10:54 • -27.98db
6% Popularity • 12% Danceability • 2% Energy • 11% Liveness
95% Instrumentalness • 4% Positiveness
6% Popularity • 12% Danceability • 2% Energy • 11% Liveness
95% Instrumentalness • 4% Positiveness
► Preview
Gabriel Fauré
Requiem, Op. 48: 5. Agnus Dei
96 bpm • D min • 06:03 • -24.35db
10% Popularity • 12% Danceability • 3% Energy • 10% Liveness
87% Instrumentalness • 3% Positiveness
10% Popularity • 12% Danceability • 3% Energy • 10% Liveness
87% Instrumentalness • 3% Positiveness
► Preview
Gustav Mahler
Mahler: Rückert-Lieder: No. 4, Ich bin ...
86 bpm • F Maj • 06:56 • -28db
13% Popularity • 16% Danceability • 2% Energy • 9% Liveness
13% Instrumentalness • 4% Positiveness
13% Popularity • 16% Danceability • 2% Energy • 9% Liveness
13% Instrumentalness • 4% Positiveness
► Preview
Henry Purcell
Dido and Aeneas, Z. 626: Act III: When I...
86 bpm • G min • 03:54 • -21db
31% Popularity • 18% Danceability • 12% Energy • 13% Liveness
0% Instrumentalness • 4% Positiveness
31% Popularity • 18% Danceability • 12% Energy • 13% Liveness
0% Instrumentalness • 4% Positiveness
► Preview
Gaetano Donizetti
Lucia di Lammermoor, Act III: O giusto c...
95 bpm • F min • 03:18 • -27db
19% Popularity • 30% Danceability • 2% Energy • 14% Liveness
9% Instrumentalness • 4% Positiveness
19% Popularity • 30% Danceability • 2% Energy • 14% Liveness
9% Instrumentalness • 4% Positiveness
► Preview
Jules Massenet
Werther / Act 3: "Pourquoi me réveiller...
86 bpm • F# min • 03:12 • -12.43db
23% Popularity • 23% Danceability • 26% Energy • 16% Liveness
62% Instrumentalness • 7% Positiveness
23% Popularity • 23% Danceability • 26% Energy • 16% Liveness
62% Instrumentalness • 7% Positiveness
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Antonín Dvořák
Rusalka, Op. 114, B. 203 / Act 1: "O Sil...
95 bpm • F# Maj • 06:40 • -22db
9% Popularity • 21% Danceability • 6% Energy • 17% Liveness
0% Instrumentalness • 4% Positiveness
9% Popularity • 21% Danceability • 6% Energy • 17% Liveness
0% Instrumentalness • 4% Positiveness
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Giuseppe Sarti
Lungi dal caro bene
96 bpm • G# Maj • 03:23 • -17db
15% Popularity • 24% Danceability • 13% Energy • 9% Liveness
19% Instrumentalness • 9% Positiveness
15% Popularity • 24% Danceability • 13% Energy • 9% Liveness
19% Instrumentalness • 9% Positiveness
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Camille Saint-Saëns
Samson et Dalila, Op. 47, R. 288 / Act 2...
86 bpm • C# Maj • 05:57 • -18db
21% Popularity • 29% Danceability • 14% Energy • 10% Liveness
17% Instrumentalness • 4% Positiveness
21% Popularity • 29% Danceability • 14% Energy • 10% Liveness
17% Instrumentalness • 4% Positiveness
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Joseph Canteloube
Chants d'Auvergne: 2. Bailero
86 bpm • A# Maj • 07:09 • -23db
13% Popularity • 12% Danceability • 6% Energy • 7% Liveness
27% Instrumentalness • 4% Positiveness
13% Popularity • 12% Danceability • 6% Energy • 7% Liveness
27% Instrumentalness • 4% Positiveness
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Gaetano Donizetti
L'elisir d'amore / Act 2: "Una furtiva l...
87 bpm • C# Maj • 04:02 • -17.58db
11% Popularity • 11% Danceability • 16% Energy • 10% Liveness
92% Instrumentalness • 4% Positiveness
11% Popularity • 11% Danceability • 16% Energy • 10% Liveness
92% Instrumentalness • 4% Positiveness
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Johannes Brahms
Double Concerto in A Minor, Op. 102: III...
86 bpm • A min • 08:49 • -18.49db
12% Popularity • 27% Danceability • 17% Energy • 11% Liveness
58% Instrumentalness • 27% Positiveness
12% Popularity • 27% Danceability • 17% Energy • 11% Liveness
58% Instrumentalness • 27% Positiveness
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Antonín Dvořák
String Quartet No. 12 in F Major, "Ameri...
87 bpm • D min • 06:25 • -24.06db
20% Popularity • 20% Danceability • 4% Energy • 10% Liveness
63% Instrumentalness • 8% Positiveness
20% Popularity • 20% Danceability • 4% Energy • 10% Liveness
63% Instrumentalness • 8% Positiveness
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Katia Ricciarelli
A. Vucchella
96 bpm • F Maj • 02:04 • -14.24db
39% Popularity • 37% Danceability • 20% Energy • 14% Liveness
12% Instrumentalness • 12% Positiveness
39% Popularity • 37% Danceability • 20% Energy • 14% Liveness
12% Instrumentalness • 12% Positiveness
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Heitor Villa-Lobos
Aria (Cantilena)
86 bpm • A min • 07:02 • -18.54db
8% Popularity • 16% Danceability • 17% Energy • 14% Liveness
44% Instrumentalness • 4% Positiveness
8% Popularity • 16% Danceability • 17% Energy • 14% Liveness
44% Instrumentalness • 4% Positiveness
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Edward Elgar
Elgar: Sea Pictures, Op. 37: No. 3, A Sa...
86 bpm • C Maj • 06:20 • -17db
19% Popularity • 18% Danceability • 12% Energy • 10% Liveness
0% Instrumentalness • 6% Positiveness
19% Popularity • 18% Danceability • 12% Energy • 10% Liveness
0% Instrumentalness • 6% Positiveness
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Gaetano Donizetti
Donizetti: Lucia di Lammermoor, Act 3: "...
86 bpm • C min • 03:02 • -17.48db
37% Popularity • 26% Danceability • 9% Energy • 10% Liveness
1% Instrumentalness • 8% Positiveness
37% Popularity • 26% Danceability • 9% Energy • 10% Liveness
1% Instrumentalness • 8% Positiveness
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Giacomo Puccini
Turandot, SC 91: Nessun dorma
85 bpm • D Maj • 03:20 • -18db
9% Popularity • 21% Danceability • 24% Energy • 13% Liveness
43% Instrumentalness • 12% Positiveness
9% Popularity • 21% Danceability • 24% Energy • 13% Liveness
43% Instrumentalness • 12% Positiveness
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Antonín Dvořák
Dvořák: Rusalka, Op. 114, B. 203, Act ...
96 bpm • F# Maj • 05:55 • -20db
25% Popularity • 23% Danceability • 8% Energy • 16% Liveness
1% Instrumentalness • 4% Positiveness
25% Popularity • 23% Danceability • 8% Energy • 16% Liveness
1% Instrumentalness • 4% Positiveness
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Anonymous
Turandot, Act III: Nessun dorma (arr. fo...
85 bpm • D Maj • 03:14 • -23db
30% Popularity • 20% Danceability • 6% Energy • 13% Liveness
89% Instrumentalness • 4% Positiveness
30% Popularity • 20% Danceability • 6% Energy • 13% Liveness
89% Instrumentalness • 4% Positiveness
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Edvard Grieg
Peer Gynt, Op. 23 - Incidental Music: No...
85 bpm • A min • 04:59 • -29.28db
11% Popularity • 18% Danceability • 2% Energy • 9% Liveness
0% Instrumentalness • 4% Positiveness
11% Popularity • 18% Danceability • 2% Energy • 9% Liveness
0% Instrumentalness • 4% Positiveness
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Chor der Staatsoper Wien
Giacomo Puccini: Madame Butterfly - Summ...
85 bpm • A# Maj • 02:35 • -31db
31% Popularity • 27% Danceability • 2% Energy • 9% Liveness
91% Instrumentalness • 4% Positiveness
31% Popularity • 27% Danceability • 2% Energy • 9% Liveness
91% Instrumentalness • 4% Positiveness
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Giovanni Battista Pergolesi
Stabat Mater, P. 77: 1. Stabat Mater dol...
85 bpm • F min • 03:53 • -24db
17% Popularity • 14% Danceability • 5% Energy • 12% Liveness
3% Instrumentalness • 5% Positiveness
17% Popularity • 14% Danceability • 5% Energy • 12% Liveness
3% Instrumentalness • 5% Positiveness
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Giacomo Puccini
La Bohème / Act 3: Addio! Che vai?...Do...
85 bpm • C# Maj • 03:20 • -21.23db
2% Popularity • 27% Danceability • 7% Energy • 12% Liveness
6% Instrumentalness • 4% Positiveness
2% Popularity • 27% Danceability • 7% Energy • 12% Liveness
6% Instrumentalness • 4% Positiveness
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Antonín Dvořák
Serenade for Strings in E Major, Op. 22,...
85 bpm • A Maj • 06:51 • -22.86db
14% Popularity • 16% Danceability • 5% Energy • 17% Liveness
84% Instrumentalness • 18% Positiveness
14% Popularity • 16% Danceability • 5% Energy • 17% Liveness
84% Instrumentalness • 18% Positiveness
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Christoph Willibald Gluck
La Clemenza di Tito: Se mai senti spirar...
85 bpm • B min • 05:18 • -20.42db
10% Popularity • 14% Danceability • 5% Energy • 25% Liveness
55% Instrumentalness • 4% Positiveness
10% Popularity • 14% Danceability • 5% Energy • 25% Liveness
55% Instrumentalness • 4% Positiveness
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Sergei Rachmaninoff
Rachmaninov: 14 Romances, Op. 34: No. 14...
84 bpm • F# min • 05:20 • -16db
28% Popularity • 25% Danceability • 19% Energy • 8% Liveness
95% Instrumentalness • 4% Positiveness
28% Popularity • 25% Danceability • 19% Energy • 8% Liveness
95% Instrumentalness • 4% Positiveness
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Alfredo Catalani
La Wally / Act I: "Ebben? Ne andrò lont...
84 bpm • E Maj • 03:54 • -18db
29% Popularity • 28% Danceability • 14% Energy • 11% Liveness
1% Instrumentalness • 4% Positiveness
29% Popularity • 28% Danceability • 14% Energy • 11% Liveness
1% Instrumentalness • 4% Positiveness
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Nikolai Rimsky-Korsakov
Servilia: "Tsveti moi!"
84 bpm • F# Maj • 04:35 • -18.39db
7% Popularity • 31% Danceability • 15% Energy • 13% Liveness
63% Instrumentalness • 4% Positiveness
7% Popularity • 31% Danceability • 15% Energy • 13% Liveness
63% Instrumentalness • 4% Positiveness
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Giacomo Puccini
Puccini: Tosca, Act 2: "Vissi d'arte" (T...
85 bpm • D# Maj • 03:40 • -18.6db
10% Popularity • 24% Danceability • 10% Energy • 8% Liveness
0% Instrumentalness • 5% Positiveness
10% Popularity • 24% Danceability • 10% Energy • 8% Liveness
0% Instrumentalness • 5% Positiveness
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Erik Satie
Je te veux
99 bpm • G Maj • 04:22 • -20.43db
4% Popularity • 29% Danceability • 8% Energy • 8% Liveness
1% Instrumentalness • 13% Positiveness
4% Popularity • 29% Danceability • 8% Energy • 8% Liveness
1% Instrumentalness • 13% Positiveness
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Antonín Dvořák
Song My Mother Taught Me
86 bpm • D Maj • 02:55 • -15.2db
15% Popularity • 24% Danceability • 22% Energy • 14% Liveness
22% Instrumentalness • 4% Positiveness
15% Popularity • 24% Danceability • 22% Energy • 14% Liveness
22% Instrumentalness • 4% Positiveness
