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Rutter: Gloria: III. Vivace e ritmico
Songs like
Rutter: Gloria: III. Vivace e ritmico
by
John Rutter
Based on a tempo of (+/- 10%) and a similar genre
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Robert Lucas Pearsall
Tu es Petrus
137 bpm • D# Maj • 02:48 • -29db
17% Popularity • 15% Danceability • 6% Energy • 10% Liveness
96% Instrumentalness • 4% Positiveness
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Paul Mealor
To Seek Where Shadows Are: III. In The B...
137 bpm • B Maj • 05:27 • -31.12db
8% Popularity • 15% Danceability • 2% Energy • 21% Liveness
84% Instrumentalness • 3% Positiveness
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The Tallis Scholars
Tallis: Sancte Deus - 4. Quia Per Crucem...
137 bpm • A min • 01:26 • -23.78db
40% Popularity • 17% Danceability • 11% Energy • 11% Liveness
11% Instrumentalness • 4% Positiveness
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William Henry Monk
Abide with me
137 bpm • E Maj • 03:27 • -14.15db
18% Popularity • 19% Danceability • 20% Energy • 10% Liveness
11% Instrumentalness • 4% Positiveness
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John Rutter
Requiem: IV. Sanctus
137 bpm • F Maj • 02:19 • -19.4db
16% Popularity • 23% Danceability • 14% Energy • 8% Liveness
29% Instrumentalness • 6% Positiveness
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Herbert Sumsion
Magnificat in A Major
137 bpm • F# min • 05:02 • -27db
8% Popularity • 17% Danceability • 5% Energy • 11% Liveness
91% Instrumentalness • 5% Positiveness
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J. Christopher Pardini
Toccata on Amazing Grace
136 bpm • C Maj • 04:18 • -16.7db
16% Popularity • 15% Danceability • 18% Energy • 11% Liveness
90% Instrumentalness • 6% Positiveness
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Gerald Finzi
Seven Poems of Robert Bridges, Op. 17: I...
136 bpm • F# min • 01:38 • -26db
9% Popularity • 22% Danceability • 8% Energy • 11% Liveness
0% Instrumentalness • 14% Positiveness
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Antonio Vivaldi
Gloria: Gloria in excelsis Deo
136 bpm • C# Maj • 02:19 • -15.84db
28% Popularity • 44% Danceability • 38% Energy • 18% Liveness
42% Instrumentalness • 35% Positiveness
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Josef Rheinberger
Geistliche Chöre, Op. 69: III. Abendlie...
136 bpm • F Maj • 03:21 • -27db
16% Popularity • 18% Danceability • 5% Energy • 7% Liveness
51% Instrumentalness • 4% Positiveness
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John Rutter
The Gift of Life: No. 1. O all ye works ...
137 bpm • D Maj • 08:44 • -19.27db
7% Popularity • 23% Danceability • 17% Energy • 7% Liveness
0% Instrumentalness • 7% Positiveness
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James Whitbourn
Son of God Mass: Gloria
138 bpm • D Maj • 03:45 • -20db
16% Popularity • 16% Danceability • 11% Energy • 15% Liveness
56% Instrumentalness • 4% Positiveness
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Unknown
Randall Thompson : Alleluia
136 bpm • D Maj • 05:03 • -18.81db
8% Popularity • 19% Danceability • 23% Energy • 9% Liveness
49% Instrumentalness • 4% Positiveness
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The Singers - Minnesota Choral Artists
Prayer
136 bpm • A Maj • 04:48 • -22.35db
14% Popularity • 16% Danceability • 10% Energy • 10% Liveness
62% Instrumentalness • 4% Positiveness
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Jacobus Gallus
Domine ad adjuvandum
136 bpm • D# Maj • 02:24 • -19db
30% Popularity • 23% Danceability • 14% Energy • 12% Liveness
70% Instrumentalness • 9% Positiveness
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Edward Elgar
My love dwelt in a Northern land, Op. 18...
136 bpm • A min • 04:24 • -27.74db
11% Popularity • 21% Danceability • 5% Energy • 8% Liveness
55% Instrumentalness • 4% Positiveness
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John Rutter
For the beauty of the earth
138 bpm • A# Maj • 03:43 • -25.48db
34% Popularity • 20% Danceability • 7% Energy • 12% Liveness
33% Instrumentalness • 17% Positiveness
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Valentin Silvestrov
2 Sacred Songs: No. 1, Alleluia
138 bpm • A# Maj • 03:18 • -32.53db
16% Popularity • 18% Danceability • 3% Energy • 18% Liveness
90% Instrumentalness • 3% Positiveness
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The Cathedral Singers
Les sept paroles du Christ: Adoramus Te,...
136 bpm • C Maj • 01:56 • -23.68db
28% Popularity • 17% Danceability • 4% Energy • 8% Liveness
75% Instrumentalness • 4% Positiveness
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Nikolay Kedrov
Otche nash (Our Father)
138 bpm • A# Maj • 03:14 • -34.01db
15% Popularity • 15% Danceability • 3% Energy • 9% Liveness
1% Instrumentalness • 4% Positiveness
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The Singers - Minnesota Choral Artists
Nocturnes: II. Soneto De La Noche
135 bpm • F# Maj • 05:45 • -24.3db
12% Popularity • 17% Danceability • 5% Energy • 14% Liveness
0% Instrumentalness • 4% Positiveness
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The Tallis Scholars
Allegri: Miserere - 01. Miserere Mei, De...
135 bpm • A# Maj • 01:12 • -27db
42% Popularity • 19% Danceability • 10% Energy • 16% Liveness
39% Instrumentalness • 3% Positiveness
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John Rutter
All things bright and beautiful
136 bpm • F Maj • 02:26 • -27.11db
14% Popularity • 41% Danceability • 10% Energy • 7% Liveness
82% Instrumentalness • 32% Positiveness
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Richard Burchard
Sitivit anima mea (Live)
135 bpm • D# Maj • 06:08 • -29.73db
23% Popularity • 16% Danceability • 3% Energy • 69% Liveness
17% Instrumentalness • 3% Positiveness
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Karin Rehnqvist
När natten skänker frid
139 bpm • D min • 03:37 • -27.17db
13% Popularity • 18% Danceability • 3% Energy • 11% Liveness
76% Instrumentalness • 3% Positiveness
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James MacMillan
O Radiant Dawn
135 bpm • C min • 04:54 • -24.84db
25% Popularity • 18% Danceability • 7% Energy • 11% Liveness
28% Instrumentalness • 3% Positiveness
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The Singers - Minnesota Choral Artists
Les Chansons Des Roses: IV. La Rose Comp...
135 bpm • C# Maj • 03:59 • -28.65db
11% Popularity • 17% Danceability • 2% Energy • 10% Liveness
26% Instrumentalness • 6% Positiveness
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Blackburn Cathedral Choir
Brewer: Nunc Dimittis in D
135 bpm • D Maj • 03:07 • -25db
14% Popularity • 16% Danceability • 10% Energy • 12% Liveness
96% Instrumentalness • 4% Positiveness
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Salt Lake Vocal Artists
O Filii Et Filiae
134 bpm • G# Maj • 03:46 • -18.09db
11% Popularity • 20% Danceability • 15% Energy • 8% Liveness
49% Instrumentalness • 7% Positiveness
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The Tallis Scholars
Tallis: Spem in Alium - 3. Respice
140 bpm • B min • 00:59 • -22db
40% Popularity • 14% Danceability • 12% Energy • 12% Liveness
0% Instrumentalness • 6% Positiveness
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Dale Warland Singers
Oh Shenandoah
140 bpm • F Maj • 03:03 • -31.09db
23% Popularity • 16% Danceability • 4% Energy • 9% Liveness
49% Instrumentalness • 9% Positiveness
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Jacobus Gallus
Repleti sunt
134 bpm • F min • 01:58 • -20.77db
35% Popularity • 20% Danceability • 13% Energy • 7% Liveness
64% Instrumentalness • 9% Positiveness
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John Rutter
Requiem aeternam
140 bpm • G Maj • 05:34 • -26.81db
9% Popularity • 15% Danceability • 4% Energy • 18% Liveness
37% Instrumentalness • 4% Positiveness
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John Sheppard
Libera nos, salva nos
140 bpm • A# Maj • 03:52 • -23.37db
21% Popularity • 16% Danceability • 13% Energy • 10% Liveness
87% Instrumentalness • 4% Positiveness
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Josef Rheinberger
3 Sacred Songs, Op. 69: No. 3, Abendlied...
134 bpm • F Maj • 03:24 • -22db
16% Popularity • 17% Danceability • 20% Energy • 9% Liveness
89% Instrumentalness • 4% Positiveness
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Benjamin Britten
A Hymn To The Virgin
134 bpm • A min • 03:49 • -27.1db
15% Popularity • 16% Danceability • 3% Energy • 6% Liveness
0% Instrumentalness • 4% Positiveness
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Giuseppe Ottavio Pitoni
Cantate Domino
140 bpm • A# Maj • 01:11 • -20.07db
24% Popularity • 20% Danceability • 16% Energy • 25% Liveness
39% Instrumentalness • 23% Positiveness
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Sjaella
Christ fuhr gen Himmel
134 bpm • E min • 02:17 • -24.65db
30% Popularity • 26% Danceability • 7% Energy • 16% Liveness
92% Instrumentalness • 4% Positiveness
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John Rutter
O clap your hands
140 bpm • G Maj • 03:17 • -18.08db
14% Popularity • 28% Danceability • 21% Energy • 17% Liveness
7% Instrumentalness • 33% Positiveness
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Rebecca Clarke
Ave Maria
140 bpm • A min • 02:28 • -24.77db
12% Popularity • 23% Danceability • 6% Energy • 6% Liveness
91% Instrumentalness • 4% Positiveness
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Catrin Finch
Celtic Concerto: 3. Solstice
140 bpm • A# min • 02:53 • -16.85db
24% Popularity • 33% Danceability • 19% Energy • 11% Liveness
57% Instrumentalness • 19% Positiveness
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Stephen Paulus
The Three Hermits: Pilgrims' Hymn
134 bpm • G Maj • 03:35 • -27.76db
21% Popularity • 18% Danceability • 4% Energy • 6% Liveness
31% Instrumentalness • 4% Positiveness
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Orlande de Lassus
Justorum animae
141 bpm • D# Maj • 03:11 • -30.6db
19% Popularity • 14% Danceability • 3% Energy • 7% Liveness
96% Instrumentalness • 4% Positiveness
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Francis Stanfield
Divine Mysteries "Sweet Sacrament Divine...
134 bpm • D# Maj • 03:55 • -29db
16% Popularity • 19% Danceability • 10% Energy • 11% Liveness
0% Instrumentalness • 7% Positiveness
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Henry Purcell
Remember Not, Lord, Our Offences, Z. 50
133 bpm • A min • 03:16 • -24.9db
17% Popularity • 17% Danceability • 11% Energy • 11% Liveness
96% Instrumentalness • 4% Positiveness
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Pavel Chesnokov
Spaseniye sodelal yesi posrede zemli (Sa...
133 bpm • D Maj • 03:35 • -27db
33% Popularity • 16% Danceability • 2% Energy • 6% Liveness
61% Instrumentalness • 4% Positiveness
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Giovanni Battista Martini
In monte Oliveti, IGM 4
133 bpm • G min • 01:34 • -27.54db
47% Popularity • 23% Danceability • 3% Energy • 10% Liveness
81% Instrumentalness • 4% Positiveness
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Benjamin Britten
Gloriana, Op. 53: Choral Dances: No. 6. ...
133 bpm • C Maj • 02:24 • -22.64db
11% Popularity • 20% Danceability • 10% Energy • 9% Liveness
65% Instrumentalness • 4% Positiveness
► Preview
Edward Bairstow
I sat down under his shadow
133 bpm • F# min • 01:49 • -27.16db
14% Popularity • 17% Danceability • 3% Energy • 8% Liveness
10% Instrumentalness • 3% Positiveness
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Aaron Copland
Simple Gifts
133 bpm • G# Maj • 01:32 • -18.08db
21% Popularity • 21% Danceability • 14% Energy • 22% Liveness
75% Instrumentalness • 16% Positiveness
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Antonio Vivaldi
Gloria in excelsis deo, RV 589 - Arr. fo...
133 bpm • C Maj • 02:27 • -16.32db
16% Popularity • 54% Danceability • 33% Energy • 9% Liveness
91% Instrumentalness • 27% Positiveness
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Stephen Paulus
The Road Home
133 bpm • F Maj • 03:56 • -28.22db
43% Popularity • 20% Danceability • 5% Energy • 12% Liveness
3% Instrumentalness • 5% Positiveness
► Preview
Thomas Atwood
Turn Thy face from my sins
142 bpm • E Maj • 04:04 • -26.13db
9% Popularity • 22% Danceability • 6% Energy • 10% Liveness
3% Instrumentalness • 4% Positiveness
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Rhiannon Randle
O nata lux
132 bpm • G Maj • 05:38 • -22.66db
18% Popularity • 17% Danceability • 7% Energy • 9% Liveness
69% Instrumentalness • 3% Positiveness
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John Rutter
Requiem: Agnus Dei
132 bpm • A# Maj • 06:18 • -29.52db
9% Popularity • 16% Danceability • 3% Energy • 9% Liveness
8% Instrumentalness • 3% Positiveness
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Philip Stopford
Ave verum
142 bpm • F# min • 03:35 • -27.27db
28% Popularity • 14% Danceability • 9% Energy • 13% Liveness
2% Instrumentalness • 4% Positiveness
► Preview
Heinrich Schütz
Geistliche Chor-Music, Op. 11: No. 23, S...
132 bpm • G Maj • 04:11 • -23.19db
21% Popularity • 18% Danceability • 6% Energy • 12% Liveness
50% Instrumentalness • 4% Positiveness
► Preview
Jonathan Dove
The Passing of the Year: No. 1. Invocati...
143 bpm • G Maj • 01:31 • -21db
28% Popularity • 21% Danceability • 7% Energy • 6% Liveness
15% Instrumentalness • 9% Positiveness
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Henry Purcell
Burial service: Thou knowest, Lord (Henr...
131 bpm • B Maj • 01:53 • -17db
16% Popularity • 25% Danceability • 14% Energy • 11% Liveness
85% Instrumentalness • 4% Positiveness
► Preview
Charles Villiers Stanford
Magnificat in B-Flat
131 bpm • A# Maj • 03:58 • -26db
12% Popularity • 19% Danceability • 6% Energy • 24% Liveness
47% Instrumentalness • 7% Positiveness
► Preview
John Rutter
Mass of the Children: Gloria
132 bpm • F# min • 07:29 • -21.99db
16% Popularity • 26% Danceability • 7% Energy • 20% Liveness
0% Instrumentalness • 5% Positiveness
► Preview
Philip Stopford
For the Beauty of the Earth (Version for...
143 bpm • G# Maj • 03:21 • -25.26db
13% Popularity • 19% Danceability • 11% Energy • 12% Liveness
43% Instrumentalness • 6% Positiveness
► Preview
The Singers - Minnesota Choral Artists
Les Chansons Des Roses: I. En Une Seule ...
131 bpm • C# Maj • 02:36 • -27db
10% Popularity • 24% Danceability • 12% Energy • 10% Liveness
0% Instrumentalness • 35% Positiveness
► Preview
Niels Gade
Morgensang af Elverskud
131 bpm • G Maj • 02:12 • -20.41db
14% Popularity • 21% Danceability • 18% Energy • 11% Liveness
17% Instrumentalness • 4% Positiveness
► Preview
James Whitbourn
Son of God Mass: Sanctus and Benedictus
131 bpm • F Maj • 03:00 • -21.5db
26% Popularity • 19% Danceability • 12% Energy • 6% Liveness
90% Instrumentalness • 4% Positiveness
► Preview
Henry Walford Davies
God Be in My Head
131 bpm • A Maj • 01:38 • -33.89db
15% Popularity • 18% Danceability • 1% Energy • 9% Liveness
8% Instrumentalness • 4% Positiveness
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John Rutter
The Sprig of Thyme: No. 6. The cuckoo
131 bpm • C# Maj • 02:32 • -26.77db
13% Popularity • 27% Danceability • 4% Energy • 9% Liveness
4% Instrumentalness • 5% Positiveness
► Preview
Max Reger
Nachtlied
130 bpm • B min • 03:02 • -27db
14% Popularity • 19% Danceability • 4% Energy • 9% Liveness
1% Instrumentalness • 4% Positiveness
► Preview
Owain Park
Phos hilaron: II. Phos hilaron
144 bpm • E min • 02:12 • -34.55db
33% Popularity • 16% Danceability • 1% Energy • 12% Liveness
60% Instrumentalness • 4% Positiveness
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William Croft
Burial Sentences: II. I Know That My Red...
144 bpm • C min • 01:10 • -23.05db
19% Popularity • 18% Danceability • 12% Energy • 26% Liveness
0% Instrumentalness • 5% Positiveness
► Preview
Igor Stravinsky
Pater noster (Otche nash'): Pater noster
130 bpm • C min • 02:01 • -33.73db
12% Popularity • 22% Danceability • 2% Energy • 8% Liveness
69% Instrumentalness • 7% Positiveness
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Herbert Howells
Requiem: Salvator Mundi
130 bpm • G Maj • 02:19 • -30.35db
24% Popularity • 17% Danceability • 2% Energy • 10% Liveness
86% Instrumentalness • 4% Positiveness
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John Rutter
I Am with You Always
131 bpm • D Maj • 07:23 • -21.01db
15% Popularity • 16% Danceability • 11% Energy • 9% Liveness
54% Instrumentalness • 4% Positiveness
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Ralph Vaughan Williams
5 English Folk Songs: No. 1: The dark ey...
130 bpm • G Maj • 02:25 • -25.52db
12% Popularity • 29% Danceability • 11% Energy • 8% Liveness
0% Instrumentalness • 28% Positiveness
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John Sheppard
Libera nos I & II: Libera nos I & II
130 bpm • G# Maj • 05:36 • -27db
14% Popularity • 16% Danceability • 8% Energy • 16% Liveness
24% Instrumentalness • 4% Positiveness
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Philip Stopford
There Is No Rose
130 bpm • A# Maj • 03:27 • -27db
15% Popularity • 22% Danceability • 5% Energy • 13% Liveness
92% Instrumentalness • 4% Positiveness
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Hubert Parry
I was glad when they said unto me, Op. 5...
130 bpm • A# Maj • 04:58 • -20db
9% Popularity • 17% Danceability • 15% Energy • 5% Liveness
96% Instrumentalness • 4% Positiveness
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Margaret Rizza
Exaudi Nos, Domine
130 bpm • B min • 02:51 • -24db
19% Popularity • 21% Danceability • 13% Energy • 8% Liveness
93% Instrumentalness • 8% Positiveness
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John Rutter
Requiem: Out of the deep
131 bpm • C Maj • 06:09 • -26.64db
8% Popularity • 16% Danceability • 2% Energy • 11% Liveness
19% Instrumentalness • 4% Positiveness
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Rivertree Singers Festival Chorus
Jubilate Deo: VI. Alleluia (Song of the ...
145 bpm • C Maj • 05:26 • -13.03db
10% Popularity • 13% Danceability • 30% Energy • 50% Liveness
93% Instrumentalness • 5% Positiveness
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Traditional
There is no rose of such virtue
145 bpm • F# Maj • 03:57 • -33.85db
5% Popularity • 17% Danceability • 1% Energy • 10% Liveness
0% Instrumentalness • 15% Positiveness
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The Cathedral Singers
Ave Maria
129 bpm • D# Maj • 01:58 • -18db
31% Popularity • 22% Danceability • 19% Energy • 21% Liveness
1% Instrumentalness • 7% Positiveness
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Susan LaBarr
Grace Before Sleep
129 bpm • C# Maj • 03:45 • -23db
22% Popularity • 20% Danceability • 12% Energy • 13% Liveness
85% Instrumentalness • 4% Positiveness
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Ralph Vaughan Williams
5 English Folk Songs: No. 2. The spring ...
129 bpm • E min • 02:48 • -29.68db
14% Popularity • 17% Danceability • 3% Energy • 6% Liveness
63% Instrumentalness • 5% Positiveness
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John Rutter
Requiem: II. Out of the deep
130 bpm • F Maj • 05:53 • -26.96db
15% Popularity • 16% Danceability • 2% Energy • 9% Liveness
16% Instrumentalness • 4% Positiveness
► Preview
John Tavener
Mother of God, Here I Stand
129 bpm • G Maj • 03:15 • -33.14db
11% Popularity • 17% Danceability • 3% Energy • 9% Liveness
1% Instrumentalness • 4% Positiveness
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Heinrich Poos
Auferstehn
146 bpm • A# Maj • 03:56 • -29.09db
9% Popularity • 15% Danceability • 6% Energy • 8% Liveness
76% Instrumentalness • 4% Positiveness
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Rivertree Singers Festival Chorus
Jubilate Deo: I. Jubilate Deo...
146 bpm • D Maj • 08:38 • -14.38db
14% Popularity • 28% Danceability • 31% Energy • 12% Liveness
3% Instrumentalness • 26% Positiveness
► Preview
Valentin Silvestrov
Liturgical Chants: 4 Spiritual Songs: Al...
128 bpm • G Maj • 02:47 • -34.73db
19% Popularity • 17% Danceability • 1% Energy • 12% Liveness
84% Instrumentalness • 4% Positiveness
► Preview
Thomas Tallis
Loquebantur variis linguis
128 bpm • F min • 03:56 • -22.69db
10% Popularity • 20% Danceability • 16% Energy • 9% Liveness
0% Instrumentalness • 14% Positiveness
► Preview
John Rutter
Mass of the Children: Finale (Dona nobis...
146 bpm • C Maj • 09:01 • -22.56db
14% Popularity • 15% Danceability • 6% Energy • 7% Liveness
24% Instrumentalness • 4% Positiveness
► Preview
James Whitbourn
Eternal Rest
127 bpm • G Maj • 03:47 • -23db
28% Popularity • 18% Danceability • 13% Energy • 11% Liveness
96% Instrumentalness • 3% Positiveness
► Preview
Nikolay Kedrov
Otche Nash (Our Father)
127 bpm • C Maj • 03:04 • -37db
15% Popularity • 17% Danceability • 3% Energy • 8% Liveness
35% Instrumentalness • 4% Positiveness
► Preview
Henry Purcell
Motet for five Voices: Psalm 3: Jehova, ...
127 bpm • G# min • 06:16 • -23.61db
8% Popularity • 27% Danceability • 7% Energy • 12% Liveness
0% Instrumentalness • 7% Positiveness
► Preview
Pablo Casals
O vos omnes
147 bpm • F min • 03:52 • -26.48db
13% Popularity • 15% Danceability • 3% Energy • 7% Liveness
2% Instrumentalness • 3% Positiveness
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The Concordia Choir
Softly and Tenderly
127 bpm • G Maj • 02:30 • -37.64db
31% Popularity • 17% Danceability • 1% Energy • 9% Liveness
2% Instrumentalness • 3% Positiveness
► Preview
John Rutter
Gloria: III. Vivace e ritmico
147 bpm • D# Maj • 05:33 • -17.8db
15% Popularity • 28% Danceability • 24% Energy • 13% Liveness
18% Instrumentalness • 24% Positiveness
► Preview
Paul Mealor
Ubi caritas
127 bpm • G# Maj • 03:54 • -25db
17% Popularity • 17% Danceability • 5% Energy • 9% Liveness
3% Instrumentalness • 3% Positiveness
► Preview
Johannes Brahms
The St. Anthony Chorale
127 bpm • A# Maj • 01:17 • -29.22db
20% Popularity • 21% Danceability • 1% Energy • 11% Liveness
97% Instrumentalness • 30% Positiveness
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Rivertree Singers Festival Chorus
Jubilate Deo: VII. ...Omnis Terra!
148 bpm • D Maj • 06:58 • -12.53db
13% Popularity • 30% Danceability • 59% Energy • 67% Liveness
7% Instrumentalness • 24% Positiveness
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Rutter: Gloria: III. Vivace e ritmico