Songs like Rx (Medicate) by Theory of a Deadman
Based on a tempo of (+/- 10%) and a similar genre
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Saving Abel
The Sex Is Good - Rock
120 bpm • F min • 03:35 • -6.42db
35% Popularity • 68% Danceability • 84% Energy • 10% Liveness
0% Instrumentalness • 66% Positiveness
35% Popularity • 68% Danceability • 84% Energy • 10% Liveness
0% Instrumentalness • 66% Positiveness
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Pop Evil
Eye of the Storm
120 bpm • C# min • 03:54 • -5.69db
51% Popularity • 51% Danceability • 81% Energy • 15% Liveness
0% Instrumentalness • 41% Positiveness
51% Popularity • 51% Danceability • 81% Energy • 15% Liveness
0% Instrumentalness • 41% Positiveness
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Nelly
Lil Bit
120 bpm • E min • 03:15 • -7.1db
66% Popularity • 71% Danceability • 69% Energy • 38% Liveness
0% Instrumentalness • 41% Positiveness
66% Popularity • 71% Danceability • 69% Energy • 38% Liveness
0% Instrumentalness • 41% Positiveness
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Theory of a Deadman
Rx (Medicate)
120 bpm • C# Maj • 03:53 • -7.45db
65% Popularity • 64% Danceability • 71% Energy • 12% Liveness
0% Instrumentalness • 38% Positiveness
65% Popularity • 64% Danceability • 71% Energy • 12% Liveness
0% Instrumentalness • 38% Positiveness
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Bowling For Soup
1985
120 bpm • E Maj • 03:13 • -4.4db
72% Popularity • 61% Danceability • 89% Energy • 34% Liveness
0% Instrumentalness • 90% Positiveness
72% Popularity • 61% Danceability • 89% Energy • 34% Liveness
0% Instrumentalness • 90% Positiveness
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Jeris Johnson
damn!
120 bpm • C Maj • 01:54 • -7.34db
60% Popularity • 75% Danceability • 59% Energy • 21% Liveness
2% Instrumentalness • 86% Positiveness
60% Popularity • 75% Danceability • 59% Energy • 21% Liveness
2% Instrumentalness • 86% Positiveness
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Saving Abel
The Sex Is Good
120 bpm • F min • 03:31 • -7.99db
55% Popularity • 76% Danceability • 63% Energy • 10% Liveness
0% Instrumentalness • 76% Positiveness
55% Popularity • 76% Danceability • 63% Energy • 10% Liveness
0% Instrumentalness • 76% Positiveness
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Thousand Foot Krutch
Let the Sparks Fly
120 bpm • D Maj • 04:06 • -5db
62% Popularity • 64% Danceability • 86% Energy • 31% Liveness
0% Instrumentalness • 62% Positiveness
62% Popularity • 64% Danceability • 86% Energy • 31% Liveness
0% Instrumentalness • 62% Positiveness
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Smith & Myers
NOT MAD ENOUGH
120 bpm • D min • 03:39 • -6.54db
45% Popularity • 82% Danceability • 37% Energy • 10% Liveness
0% Instrumentalness • 50% Positiveness
45% Popularity • 82% Danceability • 37% Energy • 10% Liveness
0% Instrumentalness • 50% Positiveness
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mgk
I Think I'm OKAY
120 bpm • G Maj • 02:49 • -4.72db
71% Popularity • 63% Danceability • 74% Energy • 31% Liveness
0% Instrumentalness • 28% Positiveness
71% Popularity • 63% Danceability • 74% Energy • 31% Liveness
0% Instrumentalness • 28% Positiveness
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Pecos & the Rooftops
This Damn Song
120 bpm • C Maj • 04:40 • -6.74db
72% Popularity • 65% Danceability • 47% Energy • 27% Liveness
0% Instrumentalness • 17% Positiveness
72% Popularity • 65% Danceability • 47% Energy • 27% Liveness
0% Instrumentalness • 17% Positiveness
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I Prevail
Alone
119 bpm • F# min • 03:41 • -5db
56% Popularity • 54% Danceability • 75% Energy • 8% Liveness
0% Instrumentalness • 29% Positiveness
56% Popularity • 54% Danceability • 75% Energy • 8% Liveness
0% Instrumentalness • 29% Positiveness
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AWOLNATION
Sail
119 bpm • C# Maj • 04:19 • -9.58db
74% Popularity • 83% Danceability • 44% Energy • 10% Liveness
62% Instrumentalness • 27% Positiveness
74% Popularity • 83% Danceability • 44% Energy • 10% Liveness
62% Instrumentalness • 27% Positiveness
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Aaron Lewis
Country Boy
122 bpm • F# Maj • 04:43 • -6.44db
62% Popularity • 60% Danceability • 67% Energy • 11% Liveness
0% Instrumentalness • 28% Positiveness
62% Popularity • 60% Danceability • 67% Energy • 11% Liveness
0% Instrumentalness • 28% Positiveness
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Halestorm
I Like It Heavy
122 bpm • A Maj • 04:54 • -4.11db
50% Popularity • 50% Danceability • 92% Energy • 9% Liveness
0% Instrumentalness • 37% Positiveness
50% Popularity • 50% Danceability • 92% Energy • 9% Liveness
0% Instrumentalness • 37% Positiveness
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My Darkest Days
Move Your Body
122 bpm • B Maj • 03:13 • -3.65db
55% Popularity • 63% Danceability • 90% Energy • 33% Liveness
0% Instrumentalness • 88% Positiveness
55% Popularity • 63% Danceability • 90% Energy • 33% Liveness
0% Instrumentalness • 88% Positiveness
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Avenged Sevenfold
Hail to the King
118 bpm • D# min • 05:05 • -4.36db
77% Popularity • 58% Danceability • 92% Energy • 13% Liveness
3% Instrumentalness • 68% Positiveness
77% Popularity • 58% Danceability • 92% Energy • 13% Liveness
3% Instrumentalness • 68% Positiveness
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Theory of a Deadman
Loner
122 bpm • B min • 03:36 • -4.95db
30% Popularity • 73% Danceability • 78% Energy • 20% Liveness
0% Instrumentalness • 76% Positiveness
30% Popularity • 73% Danceability • 78% Energy • 20% Liveness
0% Instrumentalness • 76% Positiveness
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Trey Lewis
Dicked Down in Dallas
122 bpm • F# Maj • 03:21 • -4.69db
69% Popularity • 51% Danceability • 93% Energy • 10% Liveness
0% Instrumentalness • 44% Positiveness
69% Popularity • 51% Danceability • 93% Energy • 10% Liveness
0% Instrumentalness • 44% Positiveness
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Seether
Same Damn Life
118 bpm • F Maj • 03:19 • -4.33db
60% Popularity • 60% Danceability • 95% Energy • 31% Liveness
0% Instrumentalness • 77% Positiveness
60% Popularity • 60% Danceability • 95% Energy • 31% Liveness
0% Instrumentalness • 77% Positiveness
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Pop Evil
Torn to Pieces
122 bpm • C Maj • 03:16 • -5.66db
57% Popularity • 62% Danceability • 66% Energy • 12% Liveness
0% Instrumentalness • 34% Positiveness
57% Popularity • 62% Danceability • 66% Energy • 12% Liveness
0% Instrumentalness • 34% Positiveness
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Otherwise
Soldiers
117 bpm • D min • 04:01 • -4.05db
59% Popularity • 59% Danceability • 88% Energy • 13% Liveness
0% Instrumentalness • 71% Positiveness
59% Popularity • 59% Danceability • 88% Energy • 13% Liveness
0% Instrumentalness • 71% Positiveness
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Bad Wolves
Lifeline
123 bpm • A# min • 03:13 • -5.36db
56% Popularity • 44% Danceability • 88% Energy • 29% Liveness
0% Instrumentalness • 34% Positiveness
56% Popularity • 44% Danceability • 88% Energy • 29% Liveness
0% Instrumentalness • 34% Positiveness
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My Darkest Days
Rolling Stoned
124 bpm • F min • 03:02 • -5db
44% Popularity • 62% Danceability • 93% Energy • 12% Liveness
0% Instrumentalness • 66% Positiveness
44% Popularity • 62% Danceability • 93% Energy • 12% Liveness
0% Instrumentalness • 66% Positiveness
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Skillet
Legendary
124 bpm • B min • 04:04 • -4.48db
62% Popularity • 55% Danceability • 92% Energy • 16% Liveness
0% Instrumentalness • 24% Positiveness
62% Popularity • 55% Danceability • 92% Energy • 16% Liveness
0% Instrumentalness • 24% Positiveness
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Seether
Broken
124 bpm • D# min • 04:18 • -2.7db
71% Popularity • 45% Danceability • 61% Energy • 14% Liveness
0% Instrumentalness • 21% Positiveness
71% Popularity • 45% Danceability • 61% Energy • 14% Liveness
0% Instrumentalness • 21% Positiveness
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Black Stone Cherry
Blame It on the Boom Boom
116 bpm • A# Maj • 03:09 • -3.44db
54% Popularity • 57% Danceability • 89% Energy • 3% Liveness
0% Instrumentalness • 78% Positiveness
54% Popularity • 57% Danceability • 89% Energy • 3% Liveness
0% Instrumentalness • 78% Positiveness
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Pop Evil
Breathe Again
117 bpm • D# min • 03:11 • -4.53db
55% Popularity • 57% Danceability • 89% Energy • 31% Liveness
0% Instrumentalness • 63% Positiveness
55% Popularity • 57% Danceability • 89% Energy • 31% Liveness
0% Instrumentalness • 63% Positiveness
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Theory of a Deadman
Wicked Game
115 bpm • A Maj • 03:40 • -9.01db
47% Popularity • 44% Danceability • 34% Energy • 10% Liveness
0% Instrumentalness • 20% Positiveness
47% Popularity • 44% Danceability • 34% Energy • 10% Liveness
0% Instrumentalness • 20% Positiveness
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My Darkest Days
Like Nobody Else
116 bpm • G# min • 03:41 • -4db
44% Popularity • 51% Danceability • 90% Energy • 30% Liveness
0% Instrumentalness • 57% Positiveness
44% Popularity • 51% Danceability • 90% Energy • 30% Liveness
0% Instrumentalness • 57% Positiveness
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Halestorm
Love Bites (So Do I)
125 bpm • D min • 03:11 • -1.99db
55% Popularity • 54% Danceability • 96% Energy • 25% Liveness
0% Instrumentalness • 37% Positiveness
55% Popularity • 54% Danceability • 96% Energy • 25% Liveness
0% Instrumentalness • 37% Positiveness
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The Glorious Sons
Heavy
125 bpm • A Maj • 02:50 • -4db
51% Popularity • 57% Danceability • 86% Energy • 39% Liveness
0% Instrumentalness • 70% Positiveness
51% Popularity • 57% Danceability • 86% Energy • 39% Liveness
0% Instrumentalness • 70% Positiveness
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HARDY
JACK
125 bpm • G Maj • 02:48 • -6db
63% Popularity • 55% Danceability • 60% Energy • 29% Liveness
0% Instrumentalness • 49% Positiveness
63% Popularity • 55% Danceability • 60% Energy • 29% Liveness
0% Instrumentalness • 49% Positiveness
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Pop Evil
Deal with the Devil
116 bpm • F# Maj • 03:21 • -3.76db
45% Popularity • 61% Danceability • 98% Energy • 7% Liveness
2% Instrumentalness • 51% Positiveness
45% Popularity • 61% Danceability • 98% Energy • 7% Liveness
2% Instrumentalness • 51% Positiveness
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Thousand Foot Krutch
Untraveled Road
125 bpm • B Maj • 03:55 • -6.34db
61% Popularity • 59% Danceability • 85% Energy • 7% Liveness
0% Instrumentalness • 47% Positiveness
61% Popularity • 59% Danceability • 85% Energy • 7% Liveness
0% Instrumentalness • 47% Positiveness
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Rob Zombie
Dragula
125 bpm • C min • 03:42 • -6.49db
78% Popularity • 59% Danceability • 96% Energy • 8% Liveness
0% Instrumentalness • 61% Positiveness
78% Popularity • 59% Danceability • 96% Energy • 8% Liveness
0% Instrumentalness • 61% Positiveness
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Saving Abel
Mississippi Moonshine
115 bpm • F min • 03:13 • -5.91db
44% Popularity • 71% Danceability • 76% Energy • 39% Liveness
0% Instrumentalness • 96% Positiveness
44% Popularity • 71% Danceability • 76% Energy • 39% Liveness
0% Instrumentalness • 96% Positiveness
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Disturbed
Land of Confusion
115 bpm • G# Maj • 04:47 • -3.7db
63% Popularity • 55% Danceability • 99% Energy • 18% Liveness
7% Instrumentalness • 32% Positiveness
63% Popularity • 55% Danceability • 99% Energy • 18% Liveness
7% Instrumentalness • 32% Positiveness
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Gemini Syndrome
Stardust
114 bpm • G Maj • 03:48 • -3.48db
50% Popularity • 45% Danceability • 98% Energy • 36% Liveness
0% Instrumentalness • 42% Positiveness
50% Popularity • 45% Danceability • 98% Energy • 36% Liveness
0% Instrumentalness • 42% Positiveness
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Kane Brown
What Ifs
126 bpm • A# Maj • 03:08 • -4.6db
75% Popularity • 61% Danceability • 80% Energy • 17% Liveness
0% Instrumentalness • 69% Positiveness
75% Popularity • 61% Danceability • 80% Energy • 17% Liveness
0% Instrumentalness • 69% Positiveness
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Staind
Something to Remind You
126 bpm • A# min • 04:07 • -9.27db
48% Popularity • 41% Danceability • 30% Energy • 8% Liveness
0% Instrumentalness • 22% Positiveness
48% Popularity • 41% Danceability • 30% Energy • 8% Liveness
0% Instrumentalness • 22% Positiveness
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Skillet
Feel Invincible
126 bpm • F min • 03:49 • -3.78db
73% Popularity • 60% Danceability • 89% Energy • 26% Liveness
0% Instrumentalness • 40% Positiveness
73% Popularity • 60% Danceability • 89% Energy • 26% Liveness
0% Instrumentalness • 40% Positiveness
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Puddle Of Mudd
Psycho
126 bpm • C# Maj • 03:30 • -3.55db
66% Popularity • 57% Danceability • 90% Energy • 28% Liveness
0% Instrumentalness • 46% Positiveness
66% Popularity • 57% Danceability • 90% Energy • 28% Liveness
0% Instrumentalness • 46% Positiveness
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From Ashes to New
Scars that I'm Hiding
126 bpm • D min • 02:55 • -3.93db
59% Popularity • 49% Danceability • 91% Energy • 24% Liveness
0% Instrumentalness • 42% Positiveness
59% Popularity • 49% Danceability • 91% Energy • 24% Liveness
0% Instrumentalness • 42% Positiveness
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Bush
Glycerine - Remastered
114 bpm • F Maj • 04:26 • -11.38db
62% Popularity • 42% Danceability • 34% Energy • 9% Liveness
0% Instrumentalness • 9% Positiveness
62% Popularity • 42% Danceability • 34% Energy • 9% Liveness
0% Instrumentalness • 9% Positiveness
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Buckcherry
Say Fuck It
126 bpm • F# Maj • 02:55 • -4.26db
50% Popularity • 55% Danceability • 84% Energy • 13% Liveness
1% Instrumentalness • 60% Positiveness
50% Popularity • 55% Danceability • 84% Energy • 13% Liveness
1% Instrumentalness • 60% Positiveness
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The Offspring
You're Gonna Go Far, Kid
126 bpm • C Maj • 02:57 • -3.16db
81% Popularity • 55% Danceability • 92% Energy • 20% Liveness
0% Instrumentalness • 60% Positiveness
81% Popularity • 55% Danceability • 92% Energy • 20% Liveness
0% Instrumentalness • 60% Positiveness
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Theory of a Deadman
Say Nothing
114 bpm • F# min • 03:36 • -8.36db
37% Popularity • 42% Danceability • 63% Energy • 10% Liveness
0% Instrumentalness • 28% Positiveness
37% Popularity • 42% Danceability • 63% Energy • 10% Liveness
0% Instrumentalness • 28% Positiveness
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Alien Ant Farm
Smooth Criminal
127 bpm • A min • 03:29 • -4.26db
76% Popularity • 65% Danceability • 96% Energy • 14% Liveness
1% Instrumentalness • 87% Positiveness
76% Popularity • 65% Danceability • 96% Energy • 14% Liveness
1% Instrumentalness • 87% Positiveness
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Matt Mason
E
114 bpm • A min • 03:48 • -7.73db
64% Popularity • 66% Danceability • 74% Energy • 30% Liveness
0% Instrumentalness • 38% Positiveness
64% Popularity • 66% Danceability • 74% Energy • 30% Liveness
0% Instrumentalness • 38% Positiveness
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I Prevail
Breaking Down
127 bpm • E min • 03:26 • -7.18db
59% Popularity • 50% Danceability • 57% Energy • 9% Liveness
0% Instrumentalness • 7% Positiveness
59% Popularity • 50% Danceability • 57% Energy • 9% Liveness
0% Instrumentalness • 7% Positiveness
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Royal Bliss
I Love You
127 bpm • G# min • 03:43 • -5.65db
32% Popularity • 62% Danceability • 74% Energy • 36% Liveness
0% Instrumentalness • 45% Positiveness
32% Popularity • 62% Danceability • 74% Energy • 36% Liveness
0% Instrumentalness • 45% Positiveness
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Halestorm
Do Not Disturb
127 bpm • D min • 03:23 • -3db
50% Popularity • 70% Danceability • 82% Energy • 4% Liveness
0% Instrumentalness • 60% Positiveness
50% Popularity • 70% Danceability • 82% Energy • 4% Liveness
0% Instrumentalness • 60% Positiveness
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Seether
Remedy
128 bpm • G# Maj • 03:27 • -4.66db
70% Popularity • 55% Danceability • 95% Energy • 6% Liveness
0% Instrumentalness • 39% Positiveness
70% Popularity • 55% Danceability • 95% Energy • 6% Liveness
0% Instrumentalness • 39% Positiveness
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Jason Aldean
Dirt Road Anthem
127 bpm • D Maj • 03:49 • -5.06db
73% Popularity • 68% Danceability • 74% Energy • 12% Liveness
0% Instrumentalness • 64% Positiveness
73% Popularity • 68% Danceability • 74% Energy • 12% Liveness
0% Instrumentalness • 64% Positiveness
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Highly Suspect
Lydia
128 bpm • F# min • 04:02 • -4.65db
63% Popularity • 42% Danceability • 71% Energy • 47% Liveness
0% Instrumentalness • 51% Positiveness
63% Popularity • 42% Danceability • 71% Energy • 47% Liveness
0% Instrumentalness • 51% Positiveness
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Shaman's Harvest
Ten Million Voices
113 bpm • C min • 03:58 • -3db
50% Popularity • 50% Danceability • 71% Energy • 13% Liveness
0% Instrumentalness • 44% Positiveness
50% Popularity • 50% Danceability • 71% Energy • 13% Liveness
0% Instrumentalness • 44% Positiveness
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Avenged Sevenfold
Shepherd of Fire
128 bpm • D Maj • 05:23 • -7.68db
69% Popularity • 58% Danceability • 91% Energy • 9% Liveness
6% Instrumentalness • 21% Positiveness
69% Popularity • 58% Danceability • 91% Energy • 9% Liveness
6% Instrumentalness • 21% Positiveness
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Buckcherry
Everything
128 bpm • E Maj • 04:25 • -3.75db
41% Popularity • 54% Danceability • 94% Energy • 7% Liveness
0% Instrumentalness • 36% Positiveness
41% Popularity • 54% Danceability • 94% Energy • 7% Liveness
0% Instrumentalness • 36% Positiveness
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Nu Breed
Welcome to My House
128 bpm • E Maj • 06:45 • -7.12db
60% Popularity • 73% Danceability • 54% Energy • 17% Liveness
0% Instrumentalness • 33% Positiveness
60% Popularity • 73% Danceability • 54% Energy • 17% Liveness
0% Instrumentalness • 33% Positiveness
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Rise Against
Savior
112 bpm • F min • 04:02 • -3.42db
78% Popularity • 55% Danceability • 93% Energy • 42% Liveness
0% Instrumentalness • 48% Positiveness
78% Popularity • 55% Danceability • 93% Energy • 42% Liveness
0% Instrumentalness • 48% Positiveness
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Beartooth
In Between
128 bpm • G min • 03:33 • -2.64db
65% Popularity • 46% Danceability • 97% Energy • 67% Liveness
0% Instrumentalness • 45% Positiveness
65% Popularity • 46% Danceability • 97% Energy • 67% Liveness
0% Instrumentalness • 45% Positiveness
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My Darkest Days
Every Lie
112 bpm • D min • 02:56 • -3.16db
58% Popularity • 58% Danceability • 94% Energy • 23% Liveness
0% Instrumentalness • 59% Positiveness
58% Popularity • 58% Danceability • 94% Energy • 23% Liveness
0% Instrumentalness • 59% Positiveness
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All That Remains
Two Weeks
112 bpm • C# min • 04:17 • -4.81db
62% Popularity • 56% Danceability • 94% Energy • 25% Liveness
0% Instrumentalness • 56% Positiveness
62% Popularity • 56% Danceability • 94% Energy • 25% Liveness
0% Instrumentalness • 56% Positiveness
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Buckcherry
Lit Up
129 bpm • F min • 03:35 • -3.14db
60% Popularity • 65% Danceability • 87% Energy • 36% Liveness
0% Instrumentalness • 94% Positiveness
60% Popularity • 65% Danceability • 87% Energy • 36% Liveness
0% Instrumentalness • 94% Positiveness
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Nu Breed
Welcome to My House
128 bpm • G# min • 07:41 • -10.41db
53% Popularity • 72% Danceability • 44% Energy • 10% Liveness
0% Instrumentalness • 27% Positiveness
53% Popularity • 72% Danceability • 44% Energy • 10% Liveness
0% Instrumentalness • 27% Positiveness
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Theory of a Deadman
Lowlife
129 bpm • C# Maj • 03:25 • -3.11db
51% Popularity • 55% Danceability • 90% Energy • 14% Liveness
0% Instrumentalness • 76% Positiveness
51% Popularity • 55% Danceability • 90% Energy • 14% Liveness
0% Instrumentalness • 76% Positiveness
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Hinder
Lips Of An Angel
129 bpm • D Maj • 04:21 • -5.38db
73% Popularity • 48% Danceability • 74% Energy • 20% Liveness
0% Instrumentalness • 25% Positiveness
73% Popularity • 48% Danceability • 74% Energy • 20% Liveness
0% Instrumentalness • 25% Positiveness
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Kid Rock
Only God Knows Why
129 bpm • E Maj • 05:27 • -5.18db
58% Popularity • 63% Danceability • 75% Energy • 13% Liveness
0% Instrumentalness • 31% Positiveness
58% Popularity • 63% Danceability • 75% Energy • 13% Liveness
0% Instrumentalness • 31% Positiveness
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Jelly Roll
Fall in the Fall
129 bpm • E min • 04:09 • -6.95db
61% Popularity • 71% Danceability • 78% Energy • 10% Liveness
0% Instrumentalness • 37% Positiveness
61% Popularity • 71% Danceability • 78% Energy • 10% Liveness
0% Instrumentalness • 37% Positiveness
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Diplo
Heartless
111 bpm • B Maj • 02:49 • -6.42db
77% Popularity • 76% Danceability • 56% Energy • 8% Liveness
0% Instrumentalness • 27% Positiveness
77% Popularity • 76% Danceability • 56% Energy • 8% Liveness
0% Instrumentalness • 27% Positiveness
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Asking Alexandria
The Violence
130 bpm • G# min • 03:28 • -4.22db
54% Popularity • 65% Danceability • 85% Energy • 63% Liveness
0% Instrumentalness • 33% Positiveness
54% Popularity • 65% Danceability • 85% Energy • 63% Liveness
0% Instrumentalness • 33% Positiveness
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Theory of a Deadman
Bitch Came Back
130 bpm • C# min • 03:39 • -4.19db
61% Popularity • 58% Danceability • 88% Energy • 32% Liveness
0% Instrumentalness • 61% Positiveness
61% Popularity • 58% Danceability • 88% Energy • 32% Liveness
0% Instrumentalness • 61% Positiveness
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Saving Abel
18 Days
130 bpm • C Maj • 03:51 • -4.5db
49% Popularity • 46% Danceability • 79% Energy • 31% Liveness
0% Instrumentalness • 42% Positiveness
49% Popularity • 46% Danceability • 79% Energy • 31% Liveness
0% Instrumentalness • 42% Positiveness
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Avenged Sevenfold
Nightmare
130 bpm • D Maj • 06:14 • -4.93db
72% Popularity • 55% Danceability • 95% Energy • 20% Liveness
0% Instrumentalness • 23% Positiveness
72% Popularity • 55% Danceability • 95% Energy • 20% Liveness
0% Instrumentalness • 23% Positiveness
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Shaman's Harvest
Dirty Diana
130 bpm • C# Maj • 04:01 • -5.59db
52% Popularity • 65% Danceability • 62% Energy • 6% Liveness
0% Instrumentalness • 5% Positiveness
52% Popularity • 65% Danceability • 62% Energy • 6% Liveness
0% Instrumentalness • 5% Positiveness
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Bad Wolves
Learn To Walk Again
130 bpm • G# Maj • 02:47 • -4.79db
62% Popularity • 48% Danceability • 91% Energy • 12% Liveness
0% Instrumentalness • 28% Positiveness
62% Popularity • 48% Danceability • 91% Energy • 12% Liveness
0% Instrumentalness • 28% Positiveness
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Halestorm
Freak Like Me
130 bpm • D Maj • 03:38 • -3.48db
44% Popularity • 52% Danceability • 96% Energy • 15% Liveness
0% Instrumentalness • 43% Positiveness
44% Popularity • 52% Danceability • 96% Energy • 15% Liveness
0% Instrumentalness • 43% Positiveness
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Papa Roach
Falling Apart
110 bpm • D# min • 03:08 • -2.83db
65% Popularity • 53% Danceability • 94% Energy • 34% Liveness
0% Instrumentalness • 42% Positiveness
65% Popularity • 53% Danceability • 94% Energy • 34% Liveness
0% Instrumentalness • 42% Positiveness
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Puddle Of Mudd
Famous
130 bpm • F# min • 03:16 • -3.39db
54% Popularity • 41% Danceability • 93% Energy • 5% Liveness
0% Instrumentalness • 29% Positiveness
54% Popularity • 41% Danceability • 93% Energy • 5% Liveness
0% Instrumentalness • 29% Positiveness
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HELLYEAH
Love Falls
110 bpm • G Maj • 04:34 • -4.11db
56% Popularity • 58% Danceability • 89% Energy • 64% Liveness
0% Instrumentalness • 30% Positiveness
56% Popularity • 58% Danceability • 89% Energy • 64% Liveness
0% Instrumentalness • 30% Positiveness
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Theory of a Deadman
White Boy
110 bpm • E min • 04:10 • -8.84db
26% Popularity • 69% Danceability • 69% Energy • 38% Liveness
0% Instrumentalness • 31% Positiveness
26% Popularity • 69% Danceability • 69% Energy • 38% Liveness
0% Instrumentalness • 31% Positiveness
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NOTHING MORE
This Is The Time (Ballast)
110 bpm • B min • 03:40 • -4.68db
61% Popularity • 53% Danceability • 98% Energy • 9% Liveness
2% Instrumentalness • 47% Positiveness
61% Popularity • 53% Danceability • 98% Energy • 9% Liveness
2% Instrumentalness • 47% Positiveness
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Linkin Park
BURN IT DOWN
110 bpm • A min • 03:50 • -4.45db
74% Popularity • 58% Danceability • 97% Energy • 7% Liveness
0% Instrumentalness • 58% Positiveness
74% Popularity • 58% Danceability • 97% Energy • 7% Liveness
0% Instrumentalness • 58% Positiveness
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Pop Evil
Take It All
110 bpm • D min • 03:19 • -3.83db
44% Popularity • 63% Danceability • 94% Energy • 7% Liveness
0% Instrumentalness • 59% Positiveness
44% Popularity • 63% Danceability • 94% Energy • 7% Liveness
0% Instrumentalness • 59% Positiveness
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Drowning Pool
Bodies
131 bpm • E min • 03:21 • -3.41db
76% Popularity • 66% Danceability • 93% Energy • 14% Liveness
0% Instrumentalness • 54% Positiveness
76% Popularity • 66% Danceability • 93% Energy • 14% Liveness
0% Instrumentalness • 54% Positiveness
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Buckcherry
Sorry
131 bpm • D Maj • 03:48 • -3.63db
55% Popularity • 54% Danceability • 77% Energy • 18% Liveness
0% Instrumentalness • 38% Positiveness
55% Popularity • 54% Danceability • 77% Energy • 18% Liveness
0% Instrumentalness • 38% Positiveness
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Seether
Words As Weapons
110 bpm • F min • 04:00 • -5.54db
62% Popularity • 59% Danceability • 90% Energy • 4% Liveness
0% Instrumentalness • 61% Positiveness
62% Popularity • 59% Danceability • 90% Energy • 4% Liveness
0% Instrumentalness • 61% Positiveness
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Puddle Of Mudd
She Hates Me
110 bpm • E Maj • 03:36 • -5.43db
73% Popularity • 58% Danceability • 75% Energy • 75% Liveness
0% Instrumentalness • 58% Positiveness
73% Popularity • 58% Danceability • 75% Energy • 75% Liveness
0% Instrumentalness • 58% Positiveness
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Linkin Park
Numb
110 bpm • A Maj • 03:07 • -4.15db
87% Popularity • 50% Danceability • 86% Energy • 64% Liveness
0% Instrumentalness • 24% Positiveness
87% Popularity • 50% Danceability • 86% Energy • 64% Liveness
0% Instrumentalness • 24% Positiveness
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Volbeat
The Devil's Bleeding Crown
110 bpm • G Maj • 03:58 • -4.61db
64% Popularity • 32% Danceability • 91% Energy • 4% Liveness
14% Instrumentalness • 21% Positiveness
64% Popularity • 32% Danceability • 91% Energy • 4% Liveness
14% Instrumentalness • 21% Positiveness
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Evans Blue
This Time It's Different
110 bpm • F min • 03:29 • -4.88db
58% Popularity • 32% Danceability • 86% Energy • 37% Liveness
5% Instrumentalness • 28% Positiveness
58% Popularity • 32% Danceability • 86% Energy • 37% Liveness
5% Instrumentalness • 28% Positiveness
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Brantley Gilbert
Welcome To Hazeville
132 bpm • F# min • 03:01 • -6.7db
53% Popularity • 63% Danceability • 66% Energy • 24% Liveness
0% Instrumentalness • 54% Positiveness
53% Popularity • 63% Danceability • 66% Energy • 24% Liveness
0% Instrumentalness • 54% Positiveness
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In This Moment
Adrenalize
132 bpm • F# Maj • 04:15 • -3.89db
57% Popularity • 46% Danceability • 96% Energy • 13% Liveness
0% Instrumentalness • 43% Positiveness
57% Popularity • 46% Danceability • 96% Energy • 13% Liveness
0% Instrumentalness • 43% Positiveness
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HARDY
TRUCK BED
132 bpm • C Maj • 02:47 • -4.89db
78% Popularity • 66% Danceability • 77% Energy • 35% Liveness
0% Instrumentalness • 77% Positiveness
78% Popularity • 66% Danceability • 77% Energy • 35% Liveness
0% Instrumentalness • 77% Positiveness
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Seether
Fake It
132 bpm • G# Maj • 03:13 • -3.51db
75% Popularity • 61% Danceability • 95% Energy • 5% Liveness
0% Instrumentalness • 61% Positiveness
75% Popularity • 61% Danceability • 95% Energy • 5% Liveness
0% Instrumentalness • 61% Positiveness
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Volbeat
A Warrior's Call
109 bpm • A# Maj • 04:23 • -4.49db
67% Popularity • 37% Danceability • 90% Energy • 24% Liveness
0% Instrumentalness • 43% Positiveness
67% Popularity • 37% Danceability • 90% Energy • 24% Liveness
0% Instrumentalness • 43% Positiveness
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Theory of a Deadman
Glass Jaw
132 bpm • B min • 03:52 • -4.91db
32% Popularity • 62% Danceability • 84% Energy • 7% Liveness
0% Instrumentalness • 34% Positiveness
32% Popularity • 62% Danceability • 84% Energy • 7% Liveness
0% Instrumentalness • 34% Positiveness
