Songs like Safe From Harm - 2012 Mix/Master by Massive Attack
Based on a tempo of (+/- 10%) and a similar genre
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Massive Attack
Silent Spring
82 bpm • C# min • 03:07 • -12db
50% Popularity • 62% Danceability • 36% Energy • 9% Liveness
37% Instrumentalness • 40% Positiveness
50% Popularity • 62% Danceability • 36% Energy • 9% Liveness
37% Instrumentalness • 40% Positiveness
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Smoke City
Underwater Love
82 bpm • F# Maj • 06:46 • -7.81db
54% Popularity • 68% Danceability • 63% Energy • 9% Liveness
3% Instrumentalness • 52% Positiveness
54% Popularity • 68% Danceability • 63% Energy • 9% Liveness
3% Instrumentalness • 52% Positiveness
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Tricky
Overcome
82 bpm • D Maj • 04:30 • -13.01db
48% Popularity • 81% Danceability • 60% Energy • 9% Liveness
74% Instrumentalness • 75% Positiveness
48% Popularity • 81% Danceability • 60% Energy • 9% Liveness
74% Instrumentalness • 75% Positiveness
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Placebo
Pure Morning
81 bpm • G# Maj • 04:14 • -7db
61% Popularity • 35% Danceability • 90% Energy • 11% Liveness
0% Instrumentalness • 20% Positiveness
61% Popularity • 35% Danceability • 90% Energy • 11% Liveness
0% Instrumentalness • 20% Positiveness
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Duran Duran
The Chauffeur - 2009 Remaster
83 bpm • D Maj • 05:21 • -9.17db
51% Popularity • 70% Danceability • 66% Energy • 5% Liveness
0% Instrumentalness • 53% Positiveness
51% Popularity • 70% Danceability • 66% Energy • 5% Liveness
0% Instrumentalness • 53% Positiveness
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Kid Loco
I can't let it happen to you
83 bpm • A Maj • 04:19 • -7.13db
35% Popularity • 64% Danceability • 62% Energy • 8% Liveness
43% Instrumentalness • 27% Positiveness
35% Popularity • 64% Danceability • 62% Energy • 8% Liveness
43% Instrumentalness • 27% Positiveness
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Massive Attack
Safe From Harm - Just A Groove Dub
82 bpm • F# min • 03:18 • -12.55db
37% Popularity • 71% Danceability • 81% Energy • 4% Liveness
65% Instrumentalness • 92% Positiveness
37% Popularity • 71% Danceability • 81% Energy • 4% Liveness
65% Instrumentalness • 92% Positiveness
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Smoke City
Underwater Love - Radio Edit
82 bpm • F# Maj • 03:57 • -10.49db
39% Popularity • 71% Danceability • 54% Energy • 14% Liveness
0% Instrumentalness • 55% Positiveness
39% Popularity • 71% Danceability • 54% Energy • 14% Liveness
0% Instrumentalness • 55% Positiveness
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Madonna
I Want You
81 bpm • F# min • 06:23 • -11.83db
35% Popularity • 58% Danceability • 44% Energy • 9% Liveness
1% Instrumentalness • 59% Positiveness
35% Popularity • 58% Danceability • 44% Energy • 9% Liveness
1% Instrumentalness • 59% Positiveness
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The Brian Jonestown Massacre
Anemone
83 bpm • F min • 05:34 • -12.89db
44% Popularity • 53% Danceability • 64% Energy • 20% Liveness
84% Instrumentalness • 61% Positiveness
44% Popularity • 53% Danceability • 64% Energy • 20% Liveness
84% Instrumentalness • 61% Positiveness
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Tricky
Aftermath
81 bpm • A# min • 07:38 • -14db
51% Popularity • 73% Danceability • 44% Energy • 14% Liveness
30% Instrumentalness • 50% Positiveness
51% Popularity • 73% Danceability • 44% Energy • 14% Liveness
30% Instrumentalness • 50% Positiveness
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Kid Loco
Lucy's talking
83 bpm • B Maj • 04:24 • -6.69db
37% Popularity • 65% Danceability • 68% Energy • 16% Liveness
7% Instrumentalness • 32% Positiveness
37% Popularity • 65% Danceability • 68% Energy • 16% Liveness
7% Instrumentalness • 32% Positiveness
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Sinéad O'Connor
Fire on Babylon
80 bpm • F# min • 05:11 • -8.3db
37% Popularity • 47% Danceability • 62% Energy • 19% Liveness
0% Instrumentalness • 66% Positiveness
37% Popularity • 47% Danceability • 62% Energy • 19% Liveness
0% Instrumentalness • 66% Positiveness
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Massive Attack
Safe From Harm - 2012 Mix/Master
82 bpm • F# min • 05:19 • -7db
54% Popularity • 68% Danceability • 83% Energy • 8% Liveness
31% Instrumentalness • 84% Positiveness
54% Popularity • 68% Danceability • 83% Energy • 8% Liveness
31% Instrumentalness • 84% Positiveness
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Thievery Corporation
Love Has No Heart
83 bpm • G min • 04:24 • -10db
49% Popularity • 60% Danceability • 44% Energy • 8% Liveness
85% Instrumentalness • 54% Positiveness
49% Popularity • 60% Danceability • 44% Energy • 8% Liveness
85% Instrumentalness • 54% Positiveness
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Martina Topley-Bird
Sandpaper Kisses
84 bpm • C# Maj • 03:52 • -14.09db
43% Popularity • 52% Danceability • 40% Energy • 35% Liveness
77% Instrumentalness • 17% Positiveness
43% Popularity • 52% Danceability • 40% Energy • 35% Liveness
77% Instrumentalness • 17% Positiveness
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Jamiroquai
Didjital Vibrations - Remastered 2013
80 bpm • C Maj • 05:49 • -12.88db
42% Popularity • 72% Danceability • 46% Energy • 9% Liveness
83% Instrumentalness • 87% Positiveness
42% Popularity • 72% Danceability • 46% Energy • 9% Liveness
83% Instrumentalness • 87% Positiveness
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Nusrat Fateh Ali Khan
Mustt Mustt - Massive Attack Remix
80 bpm • D Maj • 04:27 • -22.3db
41% Popularity • 66% Danceability • 19% Energy • 8% Liveness
82% Instrumentalness • 39% Positiveness
41% Popularity • 66% Danceability • 19% Energy • 8% Liveness
82% Instrumentalness • 39% Positiveness
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Portishead
Wandering Star
80 bpm • F# Maj • 04:53 • -10.88db
58% Popularity • 64% Danceability • 37% Energy • 12% Liveness
59% Instrumentalness • 71% Positiveness
58% Popularity • 64% Danceability • 37% Energy • 12% Liveness
59% Instrumentalness • 71% Positiveness
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Zero 7
Pop Art Blue
84 bpm • C Maj • 04:23 • -12.29db
41% Popularity • 68% Danceability • 46% Energy • 7% Liveness
0% Instrumentalness • 55% Positiveness
41% Popularity • 68% Danceability • 46% Energy • 7% Liveness
0% Instrumentalness • 55% Positiveness
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Death In Vegas
Soul Auctioneer
84 bpm • E min • 05:59 • -7.57db
26% Popularity • 56% Danceability • 51% Energy • 22% Liveness
0% Instrumentalness • 13% Positiveness
26% Popularity • 56% Danceability • 51% Energy • 22% Liveness
0% Instrumentalness • 13% Positiveness
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Boards of Canada
Roygbiv
84 bpm • E min • 02:29 • -8.44db
60% Popularity • 66% Danceability • 62% Energy • 14% Liveness
94% Instrumentalness • 17% Positiveness
60% Popularity • 66% Danceability • 62% Energy • 14% Liveness
94% Instrumentalness • 17% Positiveness
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Handsome Boy Modeling School
I've Been Thinking
80 bpm • F min • 05:24 • -9db
49% Popularity • 70% Danceability • 48% Energy • 11% Liveness
0% Instrumentalness • 43% Positiveness
49% Popularity • 70% Danceability • 48% Energy • 11% Liveness
0% Instrumentalness • 43% Positiveness
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Nusrat Fateh Ali Khan
Mustt Mustt - Massive Attack Remix - Edi...
80 bpm • D Maj • 03:52 • -17.74db
21% Popularity • 68% Danceability • 28% Energy • 9% Liveness
90% Instrumentalness • 47% Positiveness
21% Popularity • 68% Danceability • 28% Energy • 9% Liveness
90% Instrumentalness • 47% Positiveness
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Nathaniel Merriweather
Stroker Ace
80 bpm • B Maj • 04:29 • -9.83db
41% Popularity • 84% Danceability • 57% Energy • 11% Liveness
60% Instrumentalness • 38% Positiveness
41% Popularity • 84% Danceability • 57% Energy • 11% Liveness
60% Instrumentalness • 38% Positiveness
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Peace Orchestra
Who Am I
80 bpm • F# Maj • 05:57 • -13db
37% Popularity • 74% Danceability • 33% Energy • 12% Liveness
89% Instrumentalness • 48% Positiveness
37% Popularity • 74% Danceability • 33% Energy • 12% Liveness
89% Instrumentalness • 48% Positiveness
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Talk Talk
The Rainbow - 1997 Remaster
85 bpm • E min • 09:09 • -21.09db
42% Popularity • 30% Danceability • 8% Energy • 11% Liveness
78% Instrumentalness • 3% Positiveness
42% Popularity • 30% Danceability • 8% Energy • 11% Liveness
78% Instrumentalness • 3% Positiveness
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DJ Shadow
Midnight In A Perfect World
80 bpm • G min • 04:58 • -9.33db
53% Popularity • 66% Danceability • 64% Energy • 25% Liveness
65% Instrumentalness • 64% Positiveness
53% Popularity • 66% Danceability • 64% Energy • 25% Liveness
65% Instrumentalness • 64% Positiveness
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Handsome Boy Modeling School
The Truth
80 bpm • D Maj • 05:37 • -11db
62% Popularity • 70% Danceability • 39% Energy • 11% Liveness
0% Instrumentalness • 48% Positiveness
62% Popularity • 70% Danceability • 39% Energy • 11% Liveness
0% Instrumentalness • 48% Positiveness
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Warpaint
Love Is to Die
85 bpm • B min • 04:51 • -9db
49% Popularity • 33% Danceability • 64% Energy • 9% Liveness
36% Instrumentalness • 43% Positiveness
49% Popularity • 33% Danceability • 64% Energy • 9% Liveness
36% Instrumentalness • 43% Positiveness
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Bonobo
Nightlite
79 bpm • C Maj • 05:09 • -10.88db
54% Popularity • 55% Danceability • 59% Energy • 9% Liveness
90% Instrumentalness • 55% Positiveness
54% Popularity • 55% Danceability • 59% Energy • 9% Liveness
90% Instrumentalness • 55% Positiveness
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PJ Harvey
C'mon Billy
79 bpm • D min • 02:47 • -8db
51% Popularity • 56% Danceability • 50% Energy • 22% Liveness
0% Instrumentalness • 63% Positiveness
51% Popularity • 56% Danceability • 50% Energy • 22% Liveness
0% Instrumentalness • 63% Positiveness
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Morcheeba
Enjoy the Ride
85 bpm • F Maj • 04:05 • -10.48db
56% Popularity • 55% Danceability • 52% Energy • 10% Liveness
1% Instrumentalness • 45% Positiveness
56% Popularity • 55% Danceability • 52% Energy • 10% Liveness
1% Instrumentalness • 45% Positiveness
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Zero 7
Polaris
79 bpm • G# min • 04:48 • -10.47db
43% Popularity • 23% Danceability • 54% Energy • 12% Liveness
24% Instrumentalness • 19% Positiveness
43% Popularity • 23% Danceability • 54% Energy • 12% Liveness
24% Instrumentalness • 19% Positiveness
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Doves
Firesuite
78 bpm • C# min • 04:36 • -10.25db
44% Popularity • 20% Danceability • 49% Energy • 16% Liveness
90% Instrumentalness • 8% Positiveness
44% Popularity • 20% Danceability • 49% Energy • 16% Liveness
90% Instrumentalness • 8% Positiveness
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Archive
Londinium
86 bpm • G min • 05:19 • -13.68db
30% Popularity • 46% Danceability • 21% Energy • 17% Liveness
5% Instrumentalness • 9% Positiveness
30% Popularity • 46% Danceability • 21% Energy • 17% Liveness
5% Instrumentalness • 9% Positiveness
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Talk Talk
I Don't Believe in You - 1997 Remaster
86 bpm • B min • 05:02 • -10.83db
43% Popularity • 66% Danceability • 42% Energy • 4% Liveness
11% Instrumentalness • 38% Positiveness
43% Popularity • 66% Danceability • 42% Energy • 4% Liveness
11% Instrumentalness • 38% Positiveness
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Portishead
Numb
78 bpm • F# Maj • 03:55 • -6.11db
53% Popularity • 33% Danceability • 45% Energy • 8% Liveness
0% Instrumentalness • 22% Positiveness
53% Popularity • 33% Danceability • 45% Energy • 8% Liveness
0% Instrumentalness • 22% Positiveness
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Nick Cave & The Bad Seeds
Jubilee Street
86 bpm • F Maj • 06:35 • -12db
49% Popularity • 36% Danceability • 40% Energy • 14% Liveness
0% Instrumentalness • 30% Positiveness
49% Popularity • 36% Danceability • 40% Energy • 14% Liveness
0% Instrumentalness • 30% Positiveness
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Grace Jones
Nightclubbing
78 bpm • D Maj • 05:07 • -9.43db
38% Popularity • 80% Danceability • 53% Energy • 34% Liveness
1% Instrumentalness • 44% Positiveness
38% Popularity • 80% Danceability • 53% Energy • 34% Liveness
1% Instrumentalness • 44% Positiveness
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Sneaker Pimps
Half Life
78 bpm • B Maj • 04:53 • -7.32db
33% Popularity • 51% Danceability • 66% Energy • 13% Liveness
0% Instrumentalness • 30% Positiveness
33% Popularity • 51% Danceability • 66% Energy • 13% Liveness
0% Instrumentalness • 30% Positiveness
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Smoke City
Flying Away
87 bpm • D min • 03:48 • -10.97db
40% Popularity • 68% Danceability • 57% Energy • 13% Liveness
2% Instrumentalness • 47% Positiveness
40% Popularity • 68% Danceability • 57% Energy • 13% Liveness
2% Instrumentalness • 47% Positiveness
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Kula Shaker
Govinda
87 bpm • G Maj • 04:57 • -7.84db
43% Popularity • 35% Danceability • 62% Energy • 32% Liveness
0% Instrumentalness • 32% Positiveness
43% Popularity • 35% Danceability • 62% Energy • 32% Liveness
0% Instrumentalness • 32% Positiveness
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Talk Talk
Give It Up - 1997 Remaster
87 bpm • C# min • 05:17 • -11db
40% Popularity • 65% Danceability • 48% Energy • 34% Liveness
1% Instrumentalness • 78% Positiveness
40% Popularity • 65% Danceability • 48% Energy • 34% Liveness
1% Instrumentalness • 78% Positiveness
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Massive Attack
Lately - 2012 Mix/Master
87 bpm • C# Maj • 04:26 • -11.26db
43% Popularity • 81% Danceability • 38% Energy • 11% Liveness
8% Instrumentalness • 63% Positiveness
43% Popularity • 81% Danceability • 38% Energy • 11% Liveness
8% Instrumentalness • 63% Positiveness
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Malcolm McLaren
About Her
77 bpm • C Maj • 04:49 • -8.77db
50% Popularity • 53% Danceability • 60% Energy • 11% Liveness
49% Instrumentalness • 20% Positiveness
50% Popularity • 53% Danceability • 60% Energy • 11% Liveness
49% Instrumentalness • 20% Positiveness
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Zero 7
When It Falls
77 bpm • D Maj • 05:31 • -12.08db
42% Popularity • 49% Danceability • 38% Energy • 13% Liveness
81% Instrumentalness • 14% Positiveness
42% Popularity • 49% Danceability • 38% Energy • 13% Liveness
81% Instrumentalness • 14% Positiveness
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Thievery Corporation
Amerimacka
77 bpm • B min • 05:41 • -9.21db
47% Popularity • 70% Danceability • 68% Energy • 52% Liveness
70% Instrumentalness • 36% Positiveness
47% Popularity • 70% Danceability • 68% Energy • 52% Liveness
70% Instrumentalness • 36% Positiveness
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MC 900 Ft. Jesus
The City Sleeps
88 bpm • B Maj • 05:32 • -10.97db
34% Popularity • 82% Danceability • 38% Energy • 36% Liveness
40% Instrumentalness • 48% Positiveness
34% Popularity • 82% Danceability • 38% Energy • 36% Liveness
40% Instrumentalness • 48% Positiveness
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Fun Lovin' Criminals
Smoke 'Em
88 bpm • D Maj • 04:45 • -8.3db
31% Popularity • 74% Danceability • 37% Energy • 8% Liveness
19% Instrumentalness • 36% Positiveness
31% Popularity • 74% Danceability • 37% Energy • 8% Liveness
19% Instrumentalness • 36% Positiveness
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Massive Attack
Teardrop
77 bpm • B min • 05:30 • -8.8db
71% Popularity • 62% Danceability • 42% Energy • 14% Liveness
50% Instrumentalness • 22% Positiveness
71% Popularity • 62% Danceability • 42% Energy • 14% Liveness
50% Instrumentalness • 22% Positiveness
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4hero
Les Fleur
77 bpm • A# min • 06:03 • -5.46db
43% Popularity • 40% Danceability • 67% Energy • 11% Liveness
8% Instrumentalness • 42% Positiveness
43% Popularity • 40% Danceability • 67% Energy • 11% Liveness
8% Instrumentalness • 42% Positiveness
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Kruder & Dorfmeister
Deep Shit, Pt. 1 & 2
88 bpm • F Maj • 06:21 • -16db
37% Popularity • 71% Danceability • 37% Energy • 12% Liveness
85% Instrumentalness • 44% Positiveness
37% Popularity • 71% Danceability • 37% Energy • 12% Liveness
85% Instrumentalness • 44% Positiveness
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Portishead
Roads
76 bpm • F Maj • 05:03 • -11.84db
64% Popularity • 61% Danceability • 29% Energy • 11% Liveness
16% Instrumentalness • 19% Positiveness
64% Popularity • 61% Danceability • 29% Energy • 11% Liveness
16% Instrumentalness • 19% Positiveness
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Coldcut
Autumn Leaves
89 bpm • B Maj • 04:01 • -7db
38% Popularity • 32% Danceability • 59% Energy • 29% Liveness
0% Instrumentalness • 44% Positiveness
38% Popularity • 32% Danceability • 59% Energy • 29% Liveness
0% Instrumentalness • 44% Positiveness
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Blur
Tender
76 bpm • A Maj • 07:41 • -9.93db
59% Popularity • 59% Danceability • 57% Energy • 6% Liveness
0% Instrumentalness • 53% Positiveness
59% Popularity • 59% Danceability • 57% Energy • 6% Liveness
0% Instrumentalness • 53% Positiveness
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Radiohead
Talk Show Host
89 bpm • F min • 04:41 • -14.11db
59% Popularity • 54% Danceability • 48% Energy • 14% Liveness
3% Instrumentalness • 50% Positiveness
59% Popularity • 54% Danceability • 48% Energy • 14% Liveness
3% Instrumentalness • 50% Positiveness
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Zero 7
Simple Things
89 bpm • A# min • 04:24 • -9.08db
37% Popularity • 46% Danceability • 38% Energy • 13% Liveness
30% Instrumentalness • 30% Positiveness
37% Popularity • 46% Danceability • 38% Energy • 13% Liveness
30% Instrumentalness • 30% Positiveness
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Nathaniel Merriweather
Book of the Month
89 bpm • A# min • 04:28 • -10db
33% Popularity • 67% Danceability • 52% Energy • 11% Liveness
88% Instrumentalness • 60% Positiveness
33% Popularity • 67% Danceability • 52% Energy • 11% Liveness
88% Instrumentalness • 60% Positiveness
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Nick Cave & The Bad Seeds
We No Who U R
75 bpm • A min • 04:04 • -14.03db
45% Popularity • 69% Danceability • 26% Energy • 15% Liveness
3% Instrumentalness • 31% Positiveness
45% Popularity • 69% Danceability • 26% Energy • 15% Liveness
3% Instrumentalness • 31% Positiveness
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Ian Brown
Set My Baby Free
90 bpm • C min • 04:25 • -6db
40% Popularity • 57% Danceability • 61% Energy • 14% Liveness
3% Instrumentalness • 34% Positiveness
40% Popularity • 57% Danceability • 61% Energy • 14% Liveness
3% Instrumentalness • 34% Positiveness
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The Herbaliser
The Sensual Woman
90 bpm • C# Maj • 03:36 • -9.52db
59% Popularity • 78% Danceability • 18% Energy • 23% Liveness
92% Instrumentalness • 19% Positiveness
59% Popularity • 78% Danceability • 18% Energy • 23% Liveness
92% Instrumentalness • 19% Positiveness
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Radiohead
Climbing Up the Walls - Zero 7 Mix
75 bpm • B min • 05:19 • -9.92db
37% Popularity • 66% Danceability • 51% Energy • 90% Liveness
72% Instrumentalness • 35% Positiveness
37% Popularity • 66% Danceability • 51% Energy • 90% Liveness
72% Instrumentalness • 35% Positiveness
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Massive Attack
Sly - Remastered 2006
90 bpm • B min • 04:56 • -9.08db
20% Popularity • 62% Danceability • 49% Energy • 27% Liveness
57% Instrumentalness • 43% Positiveness
20% Popularity • 62% Danceability • 49% Energy • 27% Liveness
57% Instrumentalness • 43% Positiveness
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Thievery Corporation
All That We Perceive
90 bpm • F min • 03:46 • -6.47db
57% Popularity • 70% Danceability • 83% Energy • 8% Liveness
95% Instrumentalness • 95% Positiveness
57% Popularity • 70% Danceability • 83% Energy • 8% Liveness
95% Instrumentalness • 95% Positiveness
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Beth Orton
Stars All Seem to Weep
90 bpm • B min • 04:39 • -6.35db
31% Popularity • 72% Danceability • 76% Energy • 17% Liveness
0% Instrumentalness • 65% Positiveness
31% Popularity • 72% Danceability • 76% Energy • 17% Liveness
0% Instrumentalness • 65% Positiveness
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Primal Scream
Kowalski
90 bpm • F Maj • 05:48 • -4db
24% Popularity • 47% Danceability • 97% Energy • 65% Liveness
52% Instrumentalness • 36% Positiveness
24% Popularity • 47% Danceability • 97% Energy • 65% Liveness
52% Instrumentalness • 36% Positiveness
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Jah Wobble's Invaders Of The Heart
Visions of You
91 bpm • G Maj • 05:36 • -12.27db
29% Popularity • 55% Danceability • 51% Energy • 6% Liveness
87% Instrumentalness • 67% Positiveness
29% Popularity • 55% Danceability • 51% Energy • 6% Liveness
87% Instrumentalness • 67% Positiveness
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Talk Talk
I Believe in You - 1997 Remaster
91 bpm • F# Maj • 06:10 • -21.88db
41% Popularity • 52% Danceability • 18% Energy • 18% Liveness
25% Instrumentalness • 16% Positiveness
41% Popularity • 52% Danceability • 18% Energy • 18% Liveness
25% Instrumentalness • 16% Positiveness
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Massive Attack
Sly
90 bpm • B min • 05:24 • -15.15db
41% Popularity • 61% Danceability • 30% Energy • 37% Liveness
62% Instrumentalness • 33% Positiveness
41% Popularity • 61% Danceability • 30% Energy • 37% Liveness
62% Instrumentalness • 33% Positiveness
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Death In Vegas
All That Glitters
91 bpm • G# min • 06:33 • -11db
33% Popularity • 70% Danceability • 40% Energy • 9% Liveness
64% Instrumentalness • 30% Positiveness
33% Popularity • 70% Danceability • 40% Energy • 9% Liveness
64% Instrumentalness • 30% Positiveness
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Kid Loco
Love me sweet
92 bpm • D Maj • 03:55 • -6db
39% Popularity • 62% Danceability • 65% Energy • 16% Liveness
2% Instrumentalness • 37% Positiveness
39% Popularity • 62% Danceability • 65% Energy • 16% Liveness
2% Instrumentalness • 37% Positiveness
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Primal Scream
Loaded - Andy Weatherall Mix
91 bpm • G# Maj • 07:01 • -14.75db
51% Popularity • 62% Danceability • 54% Energy • 89% Liveness
58% Instrumentalness • 88% Positiveness
51% Popularity • 62% Danceability • 54% Energy • 89% Liveness
58% Instrumentalness • 88% Positiveness
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UNKLE
Lonely Soul
92 bpm • A min • 08:53 • -8db
50% Popularity • 48% Danceability • 59% Energy • 11% Liveness
6% Instrumentalness • 11% Positiveness
50% Popularity • 48% Danceability • 59% Energy • 11% Liveness
6% Instrumentalness • 11% Positiveness
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Fun Lovin' Criminals
We Have All the Time in the World
92 bpm • A Maj • 03:41 • -9db
41% Popularity • 69% Danceability • 59% Energy • 11% Liveness
85% Instrumentalness • 40% Positiveness
41% Popularity • 69% Danceability • 59% Energy • 11% Liveness
85% Instrumentalness • 40% Positiveness
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Thievery Corporation
The Richest Man In Babylon
92 bpm • A# min • 03:50 • -5db
50% Popularity • 74% Danceability • 59% Energy • 11% Liveness
1% Instrumentalness • 89% Positiveness
50% Popularity • 74% Danceability • 59% Energy • 11% Liveness
1% Instrumentalness • 89% Positiveness
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Talk Talk
Life's What You Make It - 1997 Remaster
92 bpm • C# Maj • 04:28 • -7.58db
55% Popularity • 52% Danceability • 80% Energy • 4% Liveness
28% Instrumentalness • 94% Positiveness
55% Popularity • 52% Danceability • 80% Energy • 4% Liveness
28% Instrumentalness • 94% Positiveness
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Massive Attack
Be Thankful For What You've Got - 2012 M...
92 bpm • E min • 04:09 • -11.75db
52% Popularity • 82% Danceability • 53% Energy • 8% Liveness
7% Instrumentalness • 34% Positiveness
52% Popularity • 82% Danceability • 53% Energy • 8% Liveness
7% Instrumentalness • 34% Positiveness
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Morcheeba
Tape Loop
92 bpm • C# Maj • 04:22 • -10.83db
46% Popularity • 75% Danceability • 58% Energy • 6% Liveness
51% Instrumentalness • 33% Positiveness
46% Popularity • 75% Danceability • 58% Energy • 6% Liveness
51% Instrumentalness • 33% Positiveness
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The Cure
Close To Me - Closer Mix
93 bpm • B Maj • 05:45 • -10.87db
43% Popularity • 72% Danceability • 60% Energy • 6% Liveness
29% Instrumentalness • 71% Positiveness
43% Popularity • 72% Danceability • 60% Energy • 6% Liveness
29% Instrumentalness • 71% Positiveness
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Fun Lovin' Criminals
Up on the Hill
92 bpm • F# min • 04:28 • -9db
39% Popularity • 72% Danceability • 55% Energy • 9% Liveness
7% Instrumentalness • 51% Positiveness
39% Popularity • 72% Danceability • 55% Energy • 9% Liveness
7% Instrumentalness • 51% Positiveness
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Thievery Corporation
Lebanese Blonde
92 bpm • A min • 04:48 • -6.58db
64% Popularity • 81% Danceability • 84% Energy • 6% Liveness
86% Instrumentalness • 65% Positiveness
64% Popularity • 81% Danceability • 84% Energy • 6% Liveness
86% Instrumentalness • 65% Positiveness
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Tindersticks
Show Me Everything
93 bpm • C Maj • 05:29 • -9.57db
40% Popularity • 71% Danceability • 30% Energy • 9% Liveness
6% Instrumentalness • 42% Positiveness
40% Popularity • 71% Danceability • 30% Energy • 9% Liveness
6% Instrumentalness • 42% Positiveness
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Bonobo
Days To Come
93 bpm • E min • 03:49 • -8db
59% Popularity • 60% Danceability • 56% Energy • 7% Liveness
38% Instrumentalness • 42% Positiveness
59% Popularity • 60% Danceability • 56% Energy • 7% Liveness
38% Instrumentalness • 42% Positiveness
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Morcheeba
Aqualung
93 bpm • B min • 03:24 • -7.41db
46% Popularity • 72% Danceability • 65% Energy • 64% Liveness
13% Instrumentalness • 87% Positiveness
46% Popularity • 72% Danceability • 65% Energy • 64% Liveness
13% Instrumentalness • 87% Positiveness
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Air
All I Need
94 bpm • G min • 04:28 • -11.58db
64% Popularity • 33% Danceability • 42% Energy • 18% Liveness
0% Instrumentalness • 16% Positiveness
64% Popularity • 33% Danceability • 42% Energy • 18% Liveness
0% Instrumentalness • 16% Positiveness
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Fun Lovin' Criminals
There Was a Time
94 bpm • A min • 04:41 • -11db
40% Popularity • 62% Danceability • 35% Energy • 9% Liveness
92% Instrumentalness • 16% Positiveness
40% Popularity • 62% Danceability • 35% Energy • 9% Liveness
92% Instrumentalness • 16% Positiveness
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Sinéad O'Connor
I Am Stretched on Your Grave
94 bpm • G# min • 05:33 • -8.04db
39% Popularity • 71% Danceability • 65% Energy • 13% Liveness
7% Instrumentalness • 55% Positiveness
39% Popularity • 71% Danceability • 65% Energy • 13% Liveness
7% Instrumentalness • 55% Positiveness
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Thievery Corporation
Until The Morning
72 bpm • E min • 03:56 • -9.67db
56% Popularity • 60% Danceability • 43% Energy • 11% Liveness
5% Instrumentalness • 28% Positiveness
56% Popularity • 60% Danceability • 43% Energy • 11% Liveness
5% Instrumentalness • 28% Positiveness
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Primal Scream
Come Together
94 bpm • C Maj • 10:19 • -15db
40% Popularity • 58% Danceability • 63% Energy • 21% Liveness
0% Instrumentalness • 73% Positiveness
40% Popularity • 58% Danceability • 63% Energy • 21% Liveness
0% Instrumentalness • 73% Positiveness
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Finley Quaye
Even After All
94 bpm • A Maj • 03:54 • -13.64db
52% Popularity • 68% Danceability • 26% Energy • 11% Liveness
10% Instrumentalness • 47% Positiveness
52% Popularity • 68% Danceability • 26% Energy • 11% Liveness
10% Instrumentalness • 47% Positiveness
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The Cure
Lullaby - Extended Mix
94 bpm • A Maj • 07:45 • -8db
39% Popularity • 68% Danceability • 69% Energy • 4% Liveness
47% Instrumentalness • 76% Positiveness
39% Popularity • 68% Danceability • 69% Energy • 4% Liveness
47% Instrumentalness • 76% Positiveness
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Fun Lovin' Criminals
The Grave and the Constant
94 bpm • A# min • 04:46 • -12db
35% Popularity • 77% Danceability • 43% Energy • 20% Liveness
0% Instrumentalness • 57% Positiveness
35% Popularity • 77% Danceability • 43% Energy • 20% Liveness
0% Instrumentalness • 57% Positiveness
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Tubeway Army
Are 'Friends' Electric? - 1998 Remaster
94 bpm • F Maj • 05:23 • -9.74db
54% Popularity • 43% Danceability • 71% Energy • 16% Liveness
21% Instrumentalness • 44% Positiveness
54% Popularity • 43% Danceability • 71% Energy • 16% Liveness
21% Instrumentalness • 44% Positiveness
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Groove Armada
My Friend
94 bpm • D min • 05:00 • -8.82db
59% Popularity • 47% Danceability • 87% Energy • 6% Liveness
69% Instrumentalness • 15% Positiveness
59% Popularity • 47% Danceability • 87% Energy • 6% Liveness
69% Instrumentalness • 15% Positiveness
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Portishead
Sour Times
94 bpm • G# min • 04:12 • -6.68db
64% Popularity • 70% Danceability • 63% Energy • 26% Liveness
27% Instrumentalness • 55% Positiveness
64% Popularity • 70% Danceability • 63% Energy • 26% Liveness
27% Instrumentalness • 55% Positiveness
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R.E.M.
Leave
94 bpm • A# min • 07:17 • -6db
42% Popularity • 41% Danceability • 84% Energy • 12% Liveness
0% Instrumentalness • 22% Positiveness
42% Popularity • 41% Danceability • 84% Energy • 12% Liveness
0% Instrumentalness • 22% Positiveness
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The Cure
Lullaby - Remastered
94 bpm • A Maj • 04:08 • -10.65db
65% Popularity • 72% Danceability • 55% Energy • 7% Liveness
68% Instrumentalness • 57% Positiveness
65% Popularity • 72% Danceability • 55% Energy • 7% Liveness
68% Instrumentalness • 57% Positiveness
