Songs like Saidi Festival (Saidi Medley) by Upper Egypt Ensemble
Based on a tempo of (+/- 10%) and a similar genre
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Tony Mouzayek
Bastanak
104 bpm • D min • 05:00 • -4.53db
16% Popularity • 59% Danceability • 60% Energy • 31% Liveness
0% Instrumentalness • 19% Positiveness
16% Popularity • 59% Danceability • 60% Energy • 31% Liveness
0% Instrumentalness • 19% Positiveness
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Cairo Orchestra
Al Atlal
104 bpm • G min • 03:30 • -9.66db
13% Popularity • 58% Danceability • 45% Energy • 11% Liveness
80% Instrumentalness • 55% Positiveness
13% Popularity • 58% Danceability • 45% Energy • 11% Liveness
80% Instrumentalness • 55% Positiveness
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Amir Sofi
Gawharet El Fan
104 bpm • C min • 04:56 • -8.22db
16% Popularity • 47% Danceability • 91% Energy • 34% Liveness
16% Instrumentalness • 84% Positiveness
16% Popularity • 47% Danceability • 91% Energy • 34% Liveness
16% Instrumentalness • 84% Positiveness
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Khan El Khalili Brasil
Taht Al Shbback
104 bpm • D Maj • 05:55 • -8.5db
15% Popularity • 50% Danceability • 56% Energy • 6% Liveness
0% Instrumentalness • 72% Positiveness
15% Popularity • 50% Danceability • 56% Energy • 6% Liveness
0% Instrumentalness • 72% Positiveness
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Upper Egypt Ensemble
Saidi Festival (Saidi Medley)
104 bpm • B min • 05:27 • -12.03db
15% Popularity • 57% Danceability • 80% Energy • 7% Liveness
83% Instrumentalness • 17% Positiveness
15% Popularity • 57% Danceability • 80% Energy • 7% Liveness
83% Instrumentalness • 17% Positiveness
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Ahmed Nasr
Ma Alley We Olteloo
105 bpm • A# min • 02:43 • -11.62db
15% Popularity • 48% Danceability • 48% Energy • 7% Liveness
93% Instrumentalness • 82% Positiveness
15% Popularity • 48% Danceability • 48% Energy • 7% Liveness
93% Instrumentalness • 82% Positiveness
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Tony Mouzayek
Ya Helwe Ya Zein
104 bpm • A min • 05:00 • -3.01db
19% Popularity • 76% Danceability • 94% Energy • 3% Liveness
0% Instrumentalness • 78% Positiveness
19% Popularity • 76% Danceability • 94% Energy • 3% Liveness
0% Instrumentalness • 78% Positiveness
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Andelus Ensemble
Ya Ein Moulayyiten
103 bpm • B min • 03:41 • -6.13db
10% Popularity • 52% Danceability • 71% Energy • 34% Liveness
32% Instrumentalness • 66% Positiveness
10% Popularity • 52% Danceability • 71% Energy • 34% Liveness
32% Instrumentalness • 66% Positiveness
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Salatin Al Tarab Orchestra
Ya Mal Il Sham
103 bpm • A# Maj • 03:52 • -6.59db
15% Popularity • 41% Danceability • 66% Energy • 28% Liveness
6% Instrumentalness • 54% Positiveness
15% Popularity • 41% Danceability • 66% Energy • 28% Liveness
6% Instrumentalness • 54% Positiveness
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Shahrzad
Awedt Aini
103 bpm • E min • 07:02 • -4.76db
11% Popularity • 49% Danceability • 68% Energy • 28% Liveness
0% Instrumentalness • 43% Positiveness
11% Popularity • 49% Danceability • 68% Energy • 28% Liveness
0% Instrumentalness • 43% Positiveness
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Upper Egypt Ensemble
Gan Al Hawa
103 bpm • A Maj • 07:30 • -6.38db
3% Popularity • 30% Danceability • 95% Energy • 13% Liveness
86% Instrumentalness • 63% Positiveness
3% Popularity • 30% Danceability • 95% Energy • 13% Liveness
86% Instrumentalness • 63% Positiveness
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Gizira Band
Albi Lik Mayyal
105 bpm • F min • 07:01 • -8.53db
11% Popularity • 74% Danceability • 58% Energy • 28% Liveness
7% Instrumentalness • 42% Positiveness
11% Popularity • 74% Danceability • 58% Energy • 28% Liveness
7% Instrumentalness • 42% Positiveness
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Tony Mouzayek
Bahiya - Acoustic Live
103 bpm • A# min • 10:07 • -4.05db
15% Popularity • 37% Danceability • 88% Energy • 67% Liveness
0% Instrumentalness • 58% Positiveness
15% Popularity • 37% Danceability • 88% Energy • 67% Liveness
0% Instrumentalness • 58% Positiveness
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Hossam Ramzy
The Sword of Orion
103 bpm • A# min • 05:33 • -9.46db
14% Popularity • 68% Danceability • 76% Energy • 5% Liveness
32% Instrumentalness • 57% Positiveness
14% Popularity • 68% Danceability • 76% Energy • 5% Liveness
32% Instrumentalness • 57% Positiveness
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Salatin Al Tarab Orchestra
Ya Teyra Tiri
105 bpm • F Maj • 02:27 • -7.91db
15% Popularity • 52% Danceability • 67% Energy • 30% Liveness
3% Instrumentalness • 82% Positiveness
15% Popularity • 52% Danceability • 67% Energy • 30% Liveness
3% Instrumentalness • 82% Positiveness
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Maged Serour
Alwan el Neel (Colours of the Nile)
105 bpm • A Maj • 04:44 • -6.24db
12% Popularity • 72% Danceability • 83% Energy • 24% Liveness
22% Instrumentalness • 91% Positiveness
12% Popularity • 72% Danceability • 83% Energy • 24% Liveness
22% Instrumentalness • 91% Positiveness
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Upper Egypt Ensemble
El helwa di
105 bpm • C Maj • 01:55 • -6.36db
7% Popularity • 62% Danceability • 100% Energy • 8% Liveness
90% Instrumentalness • 91% Positiveness
7% Popularity • 62% Danceability • 100% Energy • 8% Liveness
90% Instrumentalness • 91% Positiveness
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Salatin El Tarab Orchestra
Ya Bent al-Sultan
103 bpm • G# Maj • 02:00 • -8.9db
12% Popularity • 68% Danceability • 71% Energy • 36% Liveness
55% Instrumentalness • 70% Positiveness
12% Popularity • 68% Danceability • 71% Energy • 36% Liveness
55% Instrumentalness • 70% Positiveness
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Andelus Ensemble
Tahtdilou Dajhat
103 bpm • C# min • 03:24 • -8.94db
8% Popularity • 48% Danceability • 63% Energy • 8% Liveness
0% Instrumentalness • 80% Positiveness
8% Popularity • 48% Danceability • 63% Energy • 8% Liveness
0% Instrumentalness • 80% Positiveness
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Hassan Abou Seoud
Hekaya
103 bpm • G min • 03:25 • -7.63db
17% Popularity • 37% Danceability • 62% Energy • 8% Liveness
85% Instrumentalness • 73% Positiveness
17% Popularity • 37% Danceability • 62% Energy • 8% Liveness
85% Instrumentalness • 73% Positiveness
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Salatin Al Tarab Orchestra
Awal Ashrid Mahboobi
103 bpm • G# Maj • 03:59 • -6.58db
12% Popularity • 45% Danceability • 68% Energy • 11% Liveness
42% Instrumentalness • 78% Positiveness
12% Popularity • 45% Danceability • 68% Energy • 11% Liveness
42% Instrumentalness • 78% Positiveness
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Dr Samy Farag
Set El Hosen
102 bpm • F# Maj • 07:21 • -10.77db
8% Popularity • 53% Danceability • 61% Energy • 13% Liveness
15% Instrumentalness • 51% Positiveness
8% Popularity • 53% Danceability • 61% Energy • 13% Liveness
15% Instrumentalness • 51% Positiveness
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Upper Egypt Ensemble
Saidi Festival
103 bpm • B min • 04:43 • -11.67db
1% Popularity • 68% Danceability • 81% Energy • 5% Liveness
81% Instrumentalness • 16% Positiveness
1% Popularity • 68% Danceability • 81% Energy • 5% Liveness
81% Instrumentalness • 16% Positiveness
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Gizira Band
Basbousa
102 bpm • A# min • 03:56 • -5.84db
12% Popularity • 58% Danceability • 92% Energy • 32% Liveness
1% Instrumentalness • 82% Positiveness
12% Popularity • 58% Danceability • 92% Energy • 32% Liveness
1% Instrumentalness • 82% Positiveness
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Al-Ahram Orchestra
Dina Tata
106 bpm • C Maj • 06:28 • -11.32db
16% Popularity • 82% Danceability • 78% Energy • 34% Liveness
77% Instrumentalness • 86% Positiveness
16% Popularity • 82% Danceability • 78% Energy • 34% Liveness
77% Instrumentalness • 86% Positiveness
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Yasar Akpence
Dreams
106 bpm • C Maj • 04:25 • -11.46db
24% Popularity • 81% Danceability • 96% Energy • 6% Liveness
84% Instrumentalness • 84% Positiveness
24% Popularity • 81% Danceability • 96% Energy • 6% Liveness
84% Instrumentalness • 84% Positiveness
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Salatin Al Tarab Orchestra
Balashti Bousni
105 bpm • G# Maj • 01:31 • -9.59db
18% Popularity • 40% Danceability • 56% Energy • 48% Liveness
80% Instrumentalness • 80% Positiveness
18% Popularity • 40% Danceability • 56% Energy • 48% Liveness
80% Instrumentalness • 80% Positiveness
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Dr Samy Farag
Ishta ( So Sweet)
106 bpm • A min • 05:25 • -5.09db
18% Popularity • 57% Danceability • 81% Energy • 28% Liveness
11% Instrumentalness • 66% Positiveness
18% Popularity • 57% Danceability • 81% Energy • 28% Liveness
11% Instrumentalness • 66% Positiveness
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Upper Egypt Ensemble
Mizmar Holiday
102 bpm • C# min • 05:24 • -10.28db
4% Popularity • 34% Danceability • 84% Energy • 7% Liveness
86% Instrumentalness • 87% Positiveness
4% Popularity • 34% Danceability • 84% Energy • 7% Liveness
86% Instrumentalness • 87% Positiveness
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The Chehade Brothers
Halalalalaya
102 bpm • F Maj • 02:17 • -10db
30% Popularity • 75% Danceability • 65% Energy • 9% Liveness
77% Instrumentalness • 72% Positiveness
30% Popularity • 75% Danceability • 65% Energy • 9% Liveness
77% Instrumentalness • 72% Positiveness
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Al-Ahram Orchestra
Dina Tata
106 bpm • C Maj • 04:13 • -10.09db
17% Popularity • 82% Danceability • 80% Energy • 34% Liveness
69% Instrumentalness • 88% Positiveness
17% Popularity • 82% Danceability • 80% Energy • 34% Liveness
69% Instrumentalness • 88% Positiveness
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Yasar Akpence
Special Harem Solo, Pt. 2
102 bpm • C# min • 02:15 • -6.26db
21% Popularity • 80% Danceability • 99% Energy • 32% Liveness
32% Instrumentalness • 47% Positiveness
21% Popularity • 80% Danceability • 99% Energy • 32% Liveness
32% Instrumentalness • 47% Positiveness
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Cairo Orchestra
Gondol
102 bpm • C Maj • 03:00 • -8.74db
12% Popularity • 70% Danceability • 39% Energy • 14% Liveness
23% Instrumentalness • 54% Positiveness
12% Popularity • 70% Danceability • 39% Energy • 14% Liveness
23% Instrumentalness • 54% Positiveness
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Dr Samy Farag
El Wad Dah
106 bpm • F Maj • 03:51 • -3.89db
9% Popularity • 75% Danceability • 95% Energy • 17% Liveness
0% Instrumentalness • 88% Positiveness
9% Popularity • 75% Danceability • 95% Energy • 17% Liveness
0% Instrumentalness • 88% Positiveness
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Gizira Band
Nabtadi Minen Il Hikaya
106 bpm • F Maj • 04:05 • -8.25db
10% Popularity • 54% Danceability • 66% Energy • 8% Liveness
80% Instrumentalness • 76% Positiveness
10% Popularity • 54% Danceability • 66% Energy • 8% Liveness
80% Instrumentalness • 76% Positiveness
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Upper Egypt Ensemble
Amar al-Bab
106 bpm • G Maj • 02:02 • -15.23db
3% Popularity • 55% Danceability • 87% Energy • 52% Liveness
24% Instrumentalness • 69% Positiveness
3% Popularity • 55% Danceability • 87% Energy • 52% Liveness
24% Instrumentalness • 69% Positiveness
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Salatin Al Tarab Orchestra
Al-heyla
106 bpm • F min • 02:48 • -8db
14% Popularity • 53% Danceability • 48% Energy • 19% Liveness
48% Instrumentalness • 48% Positiveness
14% Popularity • 53% Danceability • 48% Energy • 19% Liveness
48% Instrumentalness • 48% Positiveness
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Gamal Goma
Cycle of Life (Malfoof)
106 bpm • C Maj • 04:37 • -8.2db
14% Popularity • 78% Danceability • 98% Energy • 3% Liveness
88% Instrumentalness • 86% Positiveness
14% Popularity • 78% Danceability • 98% Energy • 3% Liveness
88% Instrumentalness • 86% Positiveness
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Ya Salam Orchestra
Banat Iskandariah
102 bpm • A# min • 04:32 • -4.52db
7% Popularity • 34% Danceability • 90% Energy • 8% Liveness
92% Instrumentalness • 52% Positiveness
7% Popularity • 34% Danceability • 90% Energy • 8% Liveness
92% Instrumentalness • 52% Positiveness
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![Dabke I [Liban] cover art](https://i.scdn.co/image/ab67616d00001e02de20e97925b3874cb84ba026)
Ziad Abou
Dabke I [Liban]
102 bpm • B min • 03:02 • -6.92db
8% Popularity • 76% Danceability • 74% Energy • 11% Liveness
85% Instrumentalness • 83% Positiveness
8% Popularity • 76% Danceability • 74% Energy • 11% Liveness
85% Instrumentalness • 83% Positiveness
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Gizira Band
Tannoura
106 bpm • C# Maj • 04:07 • -5.08db
9% Popularity • 85% Danceability • 95% Energy • 5% Liveness
24% Instrumentalness • 83% Positiveness
9% Popularity • 85% Danceability • 95% Energy • 5% Liveness
24% Instrumentalness • 83% Positiveness
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Upper Egypt Ensemble
Inta al-Amal
102 bpm • A# min • 01:51 • -13.78db
16% Popularity • 77% Danceability • 73% Energy • 14% Liveness
6% Instrumentalness • 48% Positiveness
16% Popularity • 77% Danceability • 73% Energy • 14% Liveness
6% Instrumentalness • 48% Positiveness
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Salatin Al Tarab Orchestra
Al-arasiyya
106 bpm • G# Maj • 01:13 • -6.75db
19% Popularity • 60% Danceability • 69% Energy • 26% Liveness
1% Instrumentalness • 67% Positiveness
19% Popularity • 60% Danceability • 69% Energy • 26% Liveness
1% Instrumentalness • 67% Positiveness
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Eddie the Sheik Kochak
The Sensual Chifti (Rumba)
101 bpm • A min • 02:35 • -10.26db
24% Popularity • 62% Danceability • 56% Energy • 12% Liveness
91% Instrumentalness • 68% Positiveness
24% Popularity • 62% Danceability • 56% Energy • 12% Liveness
91% Instrumentalness • 68% Positiveness
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Cairo Tabla All-Stars
Asabee Al-Sahri
107 bpm • G# min • 03:18 • -7.27db
13% Popularity • 91% Danceability • 98% Energy • 13% Liveness
31% Instrumentalness • 74% Positiveness
13% Popularity • 91% Danceability • 98% Energy • 13% Liveness
31% Instrumentalness • 74% Positiveness
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Mokhtar al Said
Rakset Mizmar
101 bpm • C min • 02:47 • -5.57db
21% Popularity • 68% Danceability • 94% Energy • 6% Liveness
70% Instrumentalness • 35% Positiveness
21% Popularity • 68% Danceability • 94% Energy • 6% Liveness
70% Instrumentalness • 35% Positiveness
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Issam Houshan
Shimmabulous
101 bpm • E min • 04:05 • -4.46db
16% Popularity • 54% Danceability • 94% Energy • 5% Liveness
80% Instrumentalness • 52% Positiveness
16% Popularity • 54% Danceability • 94% Energy • 5% Liveness
80% Instrumentalness • 52% Positiveness
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Upper Egypt Ensemble
Mazamir Holiday
102 bpm • C# min • 05:22 • -6.73db
3% Popularity • 31% Danceability • 92% Energy • 6% Liveness
92% Instrumentalness • 86% Positiveness
3% Popularity • 31% Danceability • 92% Energy • 6% Liveness
92% Instrumentalness • 86% Positiveness
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Al-Ahram Orchestra
Altablalal Ghallab
107 bpm • F# min • 02:14 • -9.15db
7% Popularity • 59% Danceability • 95% Energy • 6% Liveness
93% Instrumentalness • 62% Positiveness
7% Popularity • 59% Danceability • 95% Energy • 6% Liveness
93% Instrumentalness • 62% Positiveness
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Mosavo
Cedars of Lebanon (Lebanese Dabke)
107 bpm • E Maj • 03:37 • -10.26db
20% Popularity • 50% Danceability • 74% Energy • 31% Liveness
56% Instrumentalness • 93% Positiveness
20% Popularity • 50% Danceability • 74% Energy • 31% Liveness
56% Instrumentalness • 93% Positiveness
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Nesma
Maksoum - Base and Variations
101 bpm • G Maj • 01:20 • -13.28db
23% Popularity • 55% Danceability • 83% Energy • 4% Liveness
95% Instrumentalness • 61% Positiveness
23% Popularity • 55% Danceability • 83% Energy • 4% Liveness
95% Instrumentalness • 61% Positiveness
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Fadi El Saadi
Shahd Entrance
101 bpm • C Maj • 04:59 • -5.96db
10% Popularity • 47% Danceability • 84% Energy • 8% Liveness
29% Instrumentalness • 70% Positiveness
10% Popularity • 47% Danceability • 84% Energy • 8% Liveness
29% Instrumentalness • 70% Positiveness
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Brandan Osvaldo el Beryewe
MALFÚF rápido
101 bpm • C# Maj • 03:00 • -8.59db
19% Popularity • 76% Danceability • 94% Energy • 5% Liveness
84% Instrumentalness • 96% Positiveness
19% Popularity • 76% Danceability • 94% Energy • 5% Liveness
84% Instrumentalness • 96% Positiveness
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Upper Egypt Ensemble
Ya Halawah
106 bpm • E min • 03:01 • -15.41db
5% Popularity • 58% Danceability • 92% Energy • 31% Liveness
69% Instrumentalness • 74% Positiveness
5% Popularity • 58% Danceability • 92% Energy • 31% Liveness
69% Instrumentalness • 74% Positiveness
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Ali Ahmad Ali
Bardawi Drum Solo
107 bpm • F min • 02:59 • -10.6db
20% Popularity • 69% Danceability • 89% Energy • 9% Liveness
84% Instrumentalness • 91% Positiveness
20% Popularity • 69% Danceability • 89% Energy • 9% Liveness
84% Instrumentalness • 91% Positiveness
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Salatin Al Tarab Orchestra
Ala Baladi Ilmahboob
101 bpm • G min • 04:26 • -9.39db
13% Popularity • 48% Danceability • 71% Energy • 36% Liveness
87% Instrumentalness • 70% Positiveness
13% Popularity • 48% Danceability • 71% Energy • 36% Liveness
87% Instrumentalness • 70% Positiveness
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Bünyamin Olguncan
Ay Işığında Raks
100 bpm • C Maj • 02:21 • -10.88db
23% Popularity • 85% Danceability • 80% Energy • 8% Liveness
95% Instrumentalness • 81% Positiveness
23% Popularity • 85% Danceability • 80% Energy • 8% Liveness
95% Instrumentalness • 81% Positiveness
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Fadi El Saadi
Akdeb Aleik
100 bpm • A# Maj • 05:45 • -5.63db
10% Popularity • 47% Danceability • 69% Energy • 20% Liveness
0% Instrumentalness • 53% Positiveness
10% Popularity • 47% Danceability • 69% Energy • 20% Liveness
0% Instrumentalness • 53% Positiveness
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Issam Raggie
Saide Leyletna Saide
108 bpm • G min • 03:02 • -7db
9% Popularity • 39% Danceability • 78% Energy • 4% Liveness
95% Instrumentalness • 87% Positiveness
9% Popularity • 39% Danceability • 78% Energy • 4% Liveness
95% Instrumentalness • 87% Positiveness
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Upper Egypt Ensemble
Ya Nebi, Ya Nebi
107 bpm • A Maj • 06:36 • -7.49db
2% Popularity • 49% Danceability • 83% Energy • 14% Liveness
0% Instrumentalness • 63% Positiveness
2% Popularity • 49% Danceability • 83% Energy • 14% Liveness
0% Instrumentalness • 63% Positiveness
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Emad Sayyah
Zaar Naar
100 bpm • G# Maj • 03:17 • -11.88db
19% Popularity • 52% Danceability • 92% Energy • 8% Liveness
52% Instrumentalness • 62% Positiveness
19% Popularity • 52% Danceability • 92% Energy • 8% Liveness
52% Instrumentalness • 62% Positiveness
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Eddie the Sheik Kochak
Dance Mijwiz (Beledi)
108 bpm • F min • 02:09 • -6.87db
10% Popularity • 55% Danceability • 72% Energy • 46% Liveness
0% Instrumentalness • 45% Positiveness
10% Popularity • 55% Danceability • 72% Energy • 46% Liveness
0% Instrumentalness • 45% Positiveness
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Khader Ahmad
Cinderella
100 bpm • C Maj • 06:06 • -6.78db
11% Popularity • 43% Danceability • 91% Energy • 26% Liveness
42% Instrumentalness • 50% Positiveness
11% Popularity • 43% Danceability • 91% Energy • 26% Liveness
42% Instrumentalness • 50% Positiveness
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Mohamed Ali Ensemble
Badr al-Mnawar
108 bpm • F Maj • 03:07 • -11.82db
13% Popularity • 77% Danceability • 57% Energy • 8% Liveness
28% Instrumentalness • 43% Positiveness
13% Popularity • 77% Danceability • 57% Energy • 8% Liveness
28% Instrumentalness • 43% Positiveness
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Jalilah
Ali's Nay
100 bpm • G min • 03:01 • -12.88db
14% Popularity • 83% Danceability • 15% Energy • 9% Liveness
48% Instrumentalness • 57% Positiveness
14% Popularity • 83% Danceability • 15% Energy • 9% Liveness
48% Instrumentalness • 57% Positiveness
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Raquy And The Cavemen
Very Short Belly Dance Drum Solo
100 bpm • A# min • 01:16 • -10db
25% Popularity • 73% Danceability • 46% Energy • 9% Liveness
11% Instrumentalness • 7% Positiveness
25% Popularity • 73% Danceability • 46% Energy • 9% Liveness
11% Instrumentalness • 7% Positiveness
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Emad Sayyah
That Is My Obsession - Percussion
108 bpm • G# min • 02:37 • -10.11db
13% Popularity • 80% Danceability • 97% Energy • 6% Liveness
89% Instrumentalness • 64% Positiveness
13% Popularity • 80% Danceability • 97% Energy • 6% Liveness
89% Instrumentalness • 64% Positiveness
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Sami Nossair Orchestra
Gamil Gamal
100 bpm • G# Maj • 05:44 • -12.47db
10% Popularity • 77% Danceability • 43% Energy • 38% Liveness
89% Instrumentalness • 68% Positiveness
10% Popularity • 77% Danceability • 43% Energy • 38% Liveness
89% Instrumentalness • 68% Positiveness
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George Abdo
Raks Araby
100 bpm • C min • 02:57 • -12db
15% Popularity • 51% Danceability • 58% Energy • 10% Liveness
0% Instrumentalness • 55% Positiveness
15% Popularity • 51% Danceability • 58% Energy • 10% Liveness
0% Instrumentalness • 55% Positiveness
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Mizan Project
Baladi Traditional Egypt Rhythm
100 bpm • F# min • 03:11 • -10.75db
11% Popularity • 82% Danceability • 90% Energy • 5% Liveness
60% Instrumentalness • 57% Positiveness
11% Popularity • 82% Danceability • 90% Energy • 5% Liveness
60% Instrumentalness • 57% Positiveness
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Tony Anka
Baladi
100 bpm • G Maj • 04:14 • -8.41db
10% Popularity • 75% Danceability • 88% Energy • 7% Liveness
87% Instrumentalness • 63% Positiveness
10% Popularity • 75% Danceability • 88% Energy • 7% Liveness
87% Instrumentalness • 63% Positiveness
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Brandan Osvaldo el Beryewe
Caderas de Fuego - Reggaetón Árabe
100 bpm • G Maj • 03:31 • -12db
14% Popularity • 91% Danceability • 77% Energy • 4% Liveness
0% Instrumentalness • 77% Positiveness
14% Popularity • 91% Danceability • 77% Energy • 4% Liveness
0% Instrumentalness • 77% Positiveness
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Karen Barbee
Akdeb Alaik Instrumental
100 bpm • C Maj • 04:10 • -6.75db
7% Popularity • 58% Danceability • 94% Energy • 35% Liveness
94% Instrumentalness • 84% Positiveness
7% Popularity • 58% Danceability • 94% Energy • 35% Liveness
94% Instrumentalness • 84% Positiveness
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Raul Ferrando
It Takes Two
100 bpm • D min • 05:03 • -10db
16% Popularity • 73% Danceability • 44% Energy • 7% Liveness
4% Instrumentalness • 66% Positiveness
16% Popularity • 73% Danceability • 44% Energy • 7% Liveness
4% Instrumentalness • 66% Positiveness
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Hegazy Metkal
Salam
100 bpm • C# min • 03:46 • -7.05db
14% Popularity • 77% Danceability • 89% Energy • 6% Liveness
0% Instrumentalness • 92% Positiveness
14% Popularity • 77% Danceability • 89% Energy • 6% Liveness
0% Instrumentalness • 92% Positiveness
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Mizan Project
Maksoum Middle Eastern Rhythm
100 bpm • A Maj • 03:13 • -12.49db
12% Popularity • 81% Danceability • 93% Energy • 6% Liveness
75% Instrumentalness • 38% Positiveness
12% Popularity • 81% Danceability • 93% Energy • 6% Liveness
75% Instrumentalness • 38% Positiveness
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Tony Mouzayek
Ya Habibi Albi Mal
100 bpm • C min • 04:03 • -5db
29% Popularity • 72% Danceability • 87% Energy • 9% Liveness
0% Instrumentalness • 85% Positiveness
29% Popularity • 72% Danceability • 87% Energy • 9% Liveness
0% Instrumentalness • 85% Positiveness
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El Soumbatic
Ana Fintizrak (Arr. H. Ramzy)
108 bpm • G Maj • 10:34 • -5.71db
12% Popularity • 52% Danceability • 64% Energy • 16% Liveness
39% Instrumentalness • 67% Positiveness
12% Popularity • 52% Danceability • 64% Energy • 16% Liveness
39% Instrumentalness • 67% Positiveness
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Arabian Tabla Dances
Baba Sargon
100 bpm • D Maj • 01:14 • -12.56db
16% Popularity • 89% Danceability • 70% Energy • 8% Liveness
0% Instrumentalness • 66% Positiveness
16% Popularity • 89% Danceability • 70% Energy • 8% Liveness
0% Instrumentalness • 66% Positiveness
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Light Rain
The Gypsies
108 bpm • D min • 03:06 • -9.62db
14% Popularity • 63% Danceability • 62% Energy • 52% Liveness
65% Instrumentalness • 90% Positiveness
14% Popularity • 63% Danceability • 62% Energy • 52% Liveness
65% Instrumentalness • 90% Positiveness
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Ihsan Al-Mounzer
Samia's Dance - edit 1
100 bpm • G Maj • 04:26 • -8.33db
16% Popularity • 34% Danceability • 64% Energy • 34% Liveness
76% Instrumentalness • 46% Positiveness
16% Popularity • 34% Danceability • 64% Energy • 34% Liveness
76% Instrumentalness • 46% Positiveness
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Upper Egypt Ensemble
Mita Ashoufak
100 bpm • C# Maj • 07:49 • -20.55db
4% Popularity • 41% Danceability • 51% Energy • 65% Liveness
1% Instrumentalness • 62% Positiveness
4% Popularity • 41% Danceability • 51% Energy • 65% Liveness
1% Instrumentalness • 62% Positiveness
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Dr Samy Farag
Danza Mora Instrumental
99 bpm • F Maj • 06:09 • -8db
26% Popularity • 50% Danceability • 80% Energy • 10% Liveness
39% Instrumentalness • 49% Positiveness
26% Popularity • 50% Danceability • 80% Energy • 10% Liveness
39% Instrumentalness • 49% Positiveness
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djinn
Burning Of The Temple
109 bpm • B min • 03:14 • -5.03db
15% Popularity • 33% Danceability • 66% Energy • 4% Liveness
0% Instrumentalness • 4% Positiveness
15% Popularity • 33% Danceability • 66% Energy • 4% Liveness
0% Instrumentalness • 4% Positiveness
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Hassan Abou Seoud
Nova Raks - Remastered
99 bpm • C min • 03:22 • -4db
30% Popularity • 76% Danceability • 86% Energy • 16% Liveness
58% Instrumentalness • 86% Positiveness
30% Popularity • 76% Danceability • 86% Energy • 16% Liveness
58% Instrumentalness • 86% Positiveness
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Salatin Al Tarab Orchestra
Dabke Iraqiyyi (Chobi) Iraqi Folk Dance
99 bpm • F Maj • 02:44 • -8.62db
15% Popularity • 72% Danceability • 71% Energy • 9% Liveness
11% Instrumentalness • 80% Positiveness
15% Popularity • 72% Danceability • 71% Energy • 9% Liveness
11% Instrumentalness • 80% Positiveness
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Ihsan Al-Mounzer
Nebtiti Minin El Hikiya - edit
100 bpm • A min • 05:10 • -7.83db
18% Popularity • 45% Danceability • 64% Energy • 9% Liveness
85% Instrumentalness • 31% Positiveness
18% Popularity • 45% Danceability • 64% Energy • 9% Liveness
85% Instrumentalness • 31% Positiveness
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Mosavo
Lonely Star by the Sea
99 bpm • A min • 04:33 • -15.44db
11% Popularity • 48% Danceability • 34% Energy • 15% Liveness
12% Instrumentalness • 25% Positiveness
11% Popularity • 48% Danceability • 34% Energy • 15% Liveness
12% Instrumentalness • 25% Positiveness
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Sayed Mekawy
Yamsahharny (Arr. H. Ramzy)
109 bpm • C Maj • 13:07 • -4.95db
8% Popularity • 50% Danceability • 68% Energy • 8% Liveness
45% Instrumentalness • 73% Positiveness
8% Popularity • 50% Danceability • 68% Energy • 8% Liveness
45% Instrumentalness • 73% Positiveness
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Sami Nossair Orchestra
Wahashtini
109 bpm • C min • 05:23 • -6.73db
9% Popularity • 46% Danceability • 59% Energy • 62% Liveness
0% Instrumentalness • 72% Positiveness
9% Popularity • 46% Danceability • 59% Energy • 62% Liveness
0% Instrumentalness • 72% Positiveness
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Hassan Abou Seoud
Tabla Sahrawi - Remastered
99 bpm • C min • 03:33 • -5.9db
19% Popularity • 55% Danceability • 99% Energy • 5% Liveness
90% Instrumentalness • 62% Positiveness
19% Popularity • 55% Danceability • 99% Energy • 5% Liveness
90% Instrumentalness • 62% Positiveness
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Brandan Osvaldo el Beryewe
SAMÁI TAQUÍL lento
109 bpm • C# Maj • 03:00 • -11.33db
10% Popularity • 83% Danceability • 57% Energy • 5% Liveness
94% Instrumentalness • 75% Positiveness
10% Popularity • 83% Danceability • 57% Energy • 5% Liveness
94% Instrumentalness • 75% Positiveness
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Ahmed Nasr
Samra Ya Samra
109 bpm • F min • 03:33 • -12.15db
24% Popularity • 58% Danceability • 44% Energy • 7% Liveness
97% Instrumentalness • 71% Positiveness
24% Popularity • 58% Danceability • 44% Energy • 7% Liveness
97% Instrumentalness • 71% Positiveness
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Cairo Tabla All-Stars
Basmet Al-Fatat
109 bpm • B Maj • 03:00 • -6.67db
16% Popularity • 79% Danceability • 86% Energy • 12% Liveness
91% Instrumentalness • 76% Positiveness
16% Popularity • 79% Danceability • 86% Energy • 12% Liveness
91% Instrumentalness • 76% Positiveness
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Upper Egypt Ensemble
Saidi Medley - Upper Egypt Dance
99 bpm • G# Maj • 05:37 • -13.44db
1% Popularity • 50% Danceability • 80% Energy • 12% Liveness
85% Instrumentalness • 53% Positiveness
1% Popularity • 50% Danceability • 80% Energy • 12% Liveness
85% Instrumentalness • 53% Positiveness
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Maged Serour
Layali el sayedah (Nights in El Sayedah)
110 bpm • F# min • 04:33 • -5.88db
12% Popularity • 68% Danceability • 81% Energy • 7% Liveness
97% Instrumentalness • 80% Positiveness
12% Popularity • 68% Danceability • 81% Energy • 7% Liveness
97% Instrumentalness • 80% Positiveness
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Hassan Abou Seoud
Boss Wa Chouf
110 bpm • C Maj • 03:02 • -10.56db
27% Popularity • 45% Danceability • 65% Energy • 6% Liveness
76% Instrumentalness • 83% Positiveness
27% Popularity • 45% Danceability • 65% Energy • 6% Liveness
76% Instrumentalness • 83% Positiveness
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Cairo Orchestra
Accordion Balady
99 bpm • C Maj • 05:23 • -8.73db
7% Popularity • 57% Danceability • 54% Energy • 30% Liveness
65% Instrumentalness • 64% Positiveness
7% Popularity • 57% Danceability • 54% Energy • 30% Liveness
65% Instrumentalness • 64% Positiveness
