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Salt And The Sea
Songs like
Salt And The Sea
by
Gregory Alan Isakov
Based on a tempo of (+/- 10%) and a similar genre
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Michael Bernard Fitzgerald
Good Plates
92 bpm • D Maj • 02:56 • -12.61db
41% Popularity • 58% Danceability • 45% Energy • 9% Liveness
15% Instrumentalness • 25% Positiveness
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Beta Radio
On Your Horizon
92 bpm • C Maj • 04:52 • -15db
49% Popularity • 36% Danceability • 29% Energy • 9% Liveness
27% Instrumentalness • 24% Positiveness
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Gregory Alan Isakov
3 a.m.
92 bpm • D Maj • 04:46 • -13.47db
49% Popularity • 45% Danceability • 22% Energy • 11% Liveness
3% Instrumentalness • 41% Positiveness
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Shannon Lay
Recording 15
92 bpm • B Maj • 04:02 • -18.22db
55% Popularity • 55% Danceability • 12% Energy • 11% Liveness
3% Instrumentalness • 44% Positiveness
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Watchhouse
Better Way
92 bpm • E Maj • 05:56 • -12.58db
38% Popularity • 42% Danceability • 40% Energy • 14% Liveness
72% Instrumentalness • 4% Positiveness
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Brandi Carlile
This Time Tomorrow
92 bpm • A# Maj • 03:26 • -10.03db
59% Popularity • 61% Danceability • 33% Energy • 14% Liveness
0% Instrumentalness • 41% Positiveness
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Michael Bernard Fitzgerald
Heart Of It
92 bpm • D Maj • 03:39 • -11.21db
32% Popularity • 51% Danceability • 50% Energy • 9% Liveness
1% Instrumentalness • 57% Positiveness
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Wild Rivers
Rolling Stone
92 bpm • C Maj • 01:57 • -14db
61% Popularity • 46% Danceability • 16% Energy • 11% Liveness
0% Instrumentalness • 50% Positiveness
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Gregory Alan Isakov
Salt And The Sea
92 bpm • A min • 04:22 • -14db
48% Popularity • 60% Danceability • 22% Energy • 9% Liveness
1% Instrumentalness • 16% Positiveness
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Peter Bradley Adams
My Arms Were Always Around You
91 bpm • C# Maj • 03:20 • -12.25db
60% Popularity • 64% Danceability • 44% Energy • 11% Liveness
46% Instrumentalness • 42% Positiveness
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Joe Purdy
I Will Let You Go
91 bpm • C# Maj • 02:18 • -20.74db
17% Popularity • 55% Danceability • 12% Energy • 12% Liveness
1% Instrumentalness • 47% Positiveness
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The Tallest Man On Earth
I Love You. It’s A Fever Dream.
93 bpm • G# Maj • 03:38 • -10db
44% Popularity • 58% Danceability • 33% Energy • 19% Liveness
0% Instrumentalness • 30% Positiveness
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John Vincent III
In My Sheets
91 bpm • A Maj • 04:10 • -8.69db
59% Popularity • 49% Danceability • 58% Energy • 8% Liveness
2% Instrumentalness • 24% Positiveness
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Caamp
Iffy
93 bpm • A# Maj • 03:56 • -11db
58% Popularity • 52% Danceability • 29% Energy • 37% Liveness
0% Instrumentalness • 30% Positiveness
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Gregory Alan Isakov
Before the Sun
92 bpm • D Maj • 02:48 • -12.08db
63% Popularity • 38% Danceability • 31% Energy • 9% Liveness
8% Instrumentalness • 12% Positiveness
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Beta Radio
Hope You Change Your Mind
93 bpm • G Maj • 03:02 • -10.1db
46% Popularity • 52% Danceability • 44% Energy • 12% Liveness
17% Instrumentalness • 30% Positiveness
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Wild Rivers
Mayday
91 bpm • F Maj • 02:40 • -15db
55% Popularity • 35% Danceability • 9% Energy • 11% Liveness
0% Instrumentalness • 8% Positiveness
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The Lumineers
Salt And The Sea
93 bpm • A Maj • 04:30 • -9.25db
56% Popularity • 63% Danceability • 31% Energy • 13% Liveness
0% Instrumentalness • 7% Positiveness
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Eddie Berman
Untamed
91 bpm • E Maj • 03:58 • -11.4db
52% Popularity • 40% Danceability • 26% Energy • 11% Liveness
18% Instrumentalness • 9% Positiveness
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Caamp
All the Debts I Owe
93 bpm • C Maj • 03:13 • -11.07db
70% Popularity • 46% Danceability • 48% Energy • 13% Liveness
0% Instrumentalness • 47% Positiveness
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Gregory Alan Isakov
Bullet Holes
91 bpm • G Maj • 03:29 • -11.02db
43% Popularity • 53% Danceability • 33% Energy • 11% Liveness
43% Instrumentalness • 18% Positiveness
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The Milk Carton Kids
Whisper In Her Ear
91 bpm • F Maj • 04:04 • -15.22db
43% Popularity • 59% Danceability • 21% Energy • 13% Liveness
2% Instrumentalness • 45% Positiveness
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Run River North
Growing Up
93 bpm • D# Maj • 04:03 • -10.58db
47% Popularity • 62% Danceability • 28% Energy • 14% Liveness
0% Instrumentalness • 37% Positiveness
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Leif Vollebekk
Ladyland
90 bpm • D# Maj • 01:44 • -13.92db
32% Popularity • 49% Danceability • 29% Energy • 26% Liveness
0% Instrumentalness • 39% Positiveness
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Slow Leaves
Sentimental Teardrops
90 bpm • E Maj • 04:51 • -11.59db
32% Popularity • 38% Danceability • 31% Energy • 16% Liveness
1% Instrumentalness • 25% Positiveness
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Caamp
Snowshoes
90 bpm • B Maj • 03:24 • -9db
69% Popularity • 41% Danceability • 55% Energy • 10% Liveness
3% Instrumentalness • 40% Positiveness
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Gregory Alan Isakov
crooked muse
90 bpm • E min • 04:09 • -13.43db
31% Popularity • 41% Danceability • 29% Energy • 11% Liveness
0% Instrumentalness • 16% Positiveness
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John Vincent III
Untitled #2
94 bpm • F# Maj • 05:14 • -12db
50% Popularity • 42% Danceability • 22% Energy • 11% Liveness
0% Instrumentalness • 24% Positiveness
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The Oh Hellos
Hello My Old Heart
90 bpm • C Maj • 04:16 • -10.63db
63% Popularity • 56% Danceability • 30% Energy • 9% Liveness
3% Instrumentalness • 30% Positiveness
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Leif Vollebekk
Rest (Acoustic)
90 bpm • D Maj • 05:19 • -20.72db
44% Popularity • 40% Danceability • 13% Energy • 13% Liveness
1% Instrumentalness • 48% Positiveness
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Tall Heights
Hear It Again
90 bpm • F# min • 03:53 • -7.95db
37% Popularity • 52% Danceability • 69% Energy • 9% Liveness
0% Instrumentalness • 52% Positiveness
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Fleet Foxes
In The Morning - Solstice Version
90 bpm • D# Maj • 02:12 • -10.53db
47% Popularity • 49% Danceability • 19% Energy • 12% Liveness
0% Instrumentalness • 27% Positiveness
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Gregory Alan Isakov
Suitcase Full of Sparks
93 bpm • C Maj • 03:56 • -10db
58% Popularity • 52% Danceability • 44% Energy • 13% Liveness
0% Instrumentalness • 50% Positiveness
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Wild Child
My Favorite Picture of You
94 bpm • C Maj • 02:53 • -11db
27% Popularity • 62% Danceability • 15% Energy • 27% Liveness
0% Instrumentalness • 32% Positiveness
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Great Lake Swimmers
Your Rocky Spine
94 bpm • G min • 03:36 • -15db
33% Popularity • 71% Danceability • 43% Energy • 21% Liveness
0% Instrumentalness • 55% Positiveness
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Axel Flóvent
Chaos
94 bpm • G# Maj • 04:06 • -9.41db
35% Popularity • 33% Danceability • 29% Energy • 10% Liveness
0% Instrumentalness • 10% Positiveness
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Nathaniel Rateliff
You Need Me
90 bpm • D Maj • 03:30 • -12db
50% Popularity • 58% Danceability • 52% Energy • 17% Liveness
80% Instrumentalness • 56% Positiveness
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Beta Radio
Destined to Pretend
95 bpm • D Maj • 03:12 • -10.29db
46% Popularity • 51% Danceability • 52% Energy • 24% Liveness
1% Instrumentalness • 24% Positiveness
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Layup
Favorite Place to Go
95 bpm • G Maj • 02:54 • -13.71db
60% Popularity • 57% Danceability • 27% Energy • 13% Liveness
8% Instrumentalness • 28% Positiveness
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Eddie Berman
Cherokee Rose
95 bpm • D# Maj • 03:52 • -10.83db
26% Popularity • 45% Danceability • 37% Energy • 13% Liveness
3% Instrumentalness • 38% Positiveness
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Caamp
Misty
95 bpm • A# Maj • 03:44 • -7.96db
60% Popularity • 60% Danceability • 40% Energy • 11% Liveness
0% Instrumentalness • 25% Positiveness
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Ocie Elliott
Down by the Water
95 bpm • E Maj • 02:58 • -12db
75% Popularity • 61% Danceability • 33% Energy • 12% Liveness
0% Instrumentalness • 56% Positiveness
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River Whyless
It Ain't Me Babe
95 bpm • C# Maj • 03:40 • -11.16db
41% Popularity • 55% Danceability • 20% Energy • 12% Liveness
0% Instrumentalness • 8% Positiveness
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Humbird
Pharmakon
95 bpm • A Maj • 02:35 • -12.56db
55% Popularity • 68% Danceability • 23% Energy • 12% Liveness
0% Instrumentalness • 34% Positiveness
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Gregory Alan Isakov
Virginia May
89 bpm • C Maj • 02:58 • -12.8db
61% Popularity • 54% Danceability • 32% Energy • 11% Liveness
0% Instrumentalness • 49% Positiveness
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Darlingside
A Light On In The Dark
95 bpm • G# Maj • 03:51 • -10.14db
30% Popularity • 40% Danceability • 42% Energy • 10% Liveness
1% Instrumentalness • 19% Positiveness
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Wild Rivers
Already Gone
95 bpm • A# Maj • 03:42 • -13db
59% Popularity • 59% Danceability • 35% Energy • 9% Liveness
0% Instrumentalness • 26% Positiveness
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Ocie Elliott
Now You Don't
89 bpm • C Maj • 03:11 • -11.49db
60% Popularity • 50% Danceability • 33% Energy • 10% Liveness
18% Instrumentalness • 27% Positiveness
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Jamestown Revival
Bluebird
88 bpm • G Maj • 03:04 • -12.19db
42% Popularity • 56% Danceability • 33% Energy • 13% Liveness
1% Instrumentalness • 36% Positiveness
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Manchester Orchestra
Telepath
96 bpm • A Maj • 02:28 • -9.87db
53% Popularity • 58% Danceability • 45% Energy • 14% Liveness
0% Instrumentalness • 49% Positiveness
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Radical Face
The Missing Road
88 bpm • D Maj • 04:08 • -13.35db
49% Popularity • 58% Danceability • 22% Energy • 10% Liveness
64% Instrumentalness • 17% Positiveness
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River Whyless
The Pool
88 bpm • G Maj • 04:02 • -9db
51% Popularity • 36% Danceability • 20% Energy • 12% Liveness
0% Instrumentalness • 10% Positiveness
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Aoife O'Donovan
IOWA
96 bpm • C# Maj • 04:35 • -11db
36% Popularity • 53% Danceability • 29% Energy • 21% Liveness
0% Instrumentalness • 22% Positiveness
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The Guest and the Host
Looking out for You
88 bpm • C Maj • 02:30 • -14.68db
34% Popularity • 58% Danceability • 28% Energy • 14% Liveness
8% Instrumentalness • 20% Positiveness
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Ocie Elliott
Be Around
96 bpm • B Maj • 03:15 • -14.9db
63% Popularity • 86% Danceability • 23% Energy • 11% Liveness
4% Instrumentalness • 35% Positiveness
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Joy Oladokun
jordan
96 bpm • E Maj • 04:01 • -10db
53% Popularity • 35% Danceability • 32% Energy • 10% Liveness
0% Instrumentalness • 17% Positiveness
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Mipso
Your Body
96 bpm • D# Maj • 03:24 • -9.27db
40% Popularity • 76% Danceability • 47% Energy • 7% Liveness
0% Instrumentalness • 34% Positiveness
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Boom Forest
Freshly Laundered Linen
96 bpm • D# Maj • 04:25 • -13.64db
39% Popularity • 38% Danceability • 17% Energy • 10% Liveness
0% Instrumentalness • 37% Positiveness
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Jason Isbell and the 400 Unit
If We Were Vampires
97 bpm • F Maj • 03:35 • -16.23db
40% Popularity • 62% Danceability • 21% Energy • 11% Liveness
0% Instrumentalness • 67% Positiveness
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Dustin Tebbutt
Last Line
88 bpm • D# Maj • 04:52 • -12.34db
51% Popularity • 45% Danceability • 34% Energy • 11% Liveness
2% Instrumentalness • 26% Positiveness
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Michael Bernard Fitzgerald
I Love That Sound
97 bpm • D Maj • 03:02 • -11.26db
38% Popularity • 60% Danceability • 43% Energy • 28% Liveness
9% Instrumentalness • 39% Positiveness
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Tall Heights
Horse to Water
97 bpm • F# min • 04:04 • -9.14db
53% Popularity • 52% Danceability • 62% Energy • 50% Liveness
7% Instrumentalness • 51% Positiveness
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Nathaniel Rateliff
Boil & Fight
97 bpm • D Maj • 03:02 • -11.29db
41% Popularity • 75% Danceability • 20% Energy • 10% Liveness
1% Instrumentalness • 33% Positiveness
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Ken Yates
Consolation Prize
97 bpm • E min • 04:00 • -11.64db
51% Popularity • 65% Danceability • 33% Energy • 12% Liveness
1% Instrumentalness • 15% Positiveness
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Mipso
Caroline
97 bpm • A Maj • 03:35 • -15db
46% Popularity • 62% Danceability • 36% Energy • 11% Liveness
32% Instrumentalness • 39% Positiveness
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Dustin Tebbutt
Quiet Moon, Wild Sea
87 bpm • F Maj • 04:08 • -10.79db
53% Popularity • 56% Danceability • 54% Energy • 8% Liveness
7% Instrumentalness • 20% Positiveness
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Anna Mieke
Warped Window
97 bpm • G# Maj • 04:55 • -16.26db
56% Popularity • 47% Danceability • 5% Energy • 11% Liveness
0% Instrumentalness • 19% Positiveness
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The Secret Sisters
He's Fine
87 bpm • A# Maj • 03:43 • -8.94db
58% Popularity • 56% Danceability • 62% Energy • 8% Liveness
0% Instrumentalness • 47% Positiveness
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Aoife O'Donovan
Loretta
98 bpm • D# Maj • 02:28 • -9.12db
55% Popularity • 49% Danceability • 42% Energy • 16% Liveness
0% Instrumentalness • 56% Positiveness
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The Lumineers
In The Light
98 bpm • A Maj • 03:51 • -9.63db
47% Popularity • 69% Danceability • 41% Energy • 10% Liveness
3% Instrumentalness • 25% Positiveness
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Jolé
Alpine Green
98 bpm • A Maj • 02:30 • -16db
59% Popularity • 53% Danceability • 14% Energy • 10% Liveness
0% Instrumentalness • 31% Positiveness
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Wild Rivers
Wandering Child
98 bpm • D Maj • 03:04 • -12db
66% Popularity • 67% Danceability • 34% Energy • 9% Liveness
0% Instrumentalness • 36% Positiveness
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Donovan Woods
It'll Work Itself Out
98 bpm • A# Maj • 03:02 • -13db
48% Popularity • 62% Danceability • 42% Energy • 10% Liveness
0% Instrumentalness • 50% Positiveness
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Shakey Graves
Tomorrow
98 bpm • G Maj • 04:00 • -10.85db
66% Popularity • 56% Danceability • 35% Energy • 21% Liveness
0% Instrumentalness • 42% Positiveness
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John Craigie
Distance
86 bpm • A Maj • 04:24 • -12.18db
34% Popularity • 66% Danceability • 33% Energy • 31% Liveness
25% Instrumentalness • 22% Positiveness
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Iron & Wine
Upward Over the Mountain
99 bpm • G Maj • 05:56 • -11.93db
48% Popularity • 61% Danceability • 28% Energy • 9% Liveness
86% Instrumentalness • 20% Positiveness
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Leif Vollebekk
I'm Not Your Lover
86 bpm • D Maj • 04:09 • -13.58db
40% Popularity • 67% Danceability • 21% Energy • 10% Liveness
1% Instrumentalness • 22% Positiveness
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Angie Stevens
Sweet Emily
86 bpm • C Maj • 03:11 • -11.55db
16% Popularity • 30% Danceability • 27% Energy • 11% Liveness
0% Instrumentalness • 38% Positiveness
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Ocie Elliott
Thinking About You
99 bpm • A Maj • 02:57 • -13.66db
65% Popularity • 64% Danceability • 22% Energy • 11% Liveness
22% Instrumentalness • 15% Positiveness
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Joe Kaplow
Mavourneen
99 bpm • F Maj • 04:19 • -9.28db
22% Popularity • 60% Danceability • 44% Energy • 9% Liveness
0% Instrumentalness • 49% Positiveness
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Beta Radio
Our Remains - Acoustic
99 bpm • C# min • 03:47 • -15db
52% Popularity • 64% Danceability • 25% Energy • 12% Liveness
0% Instrumentalness • 19% Positiveness
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Covenhoven
Nothing Left to Be
99 bpm • C# Maj • 05:28 • -15.17db
23% Popularity • 27% Danceability • 28% Energy • 8% Liveness
83% Instrumentalness • 11% Positiveness
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Oshima Brothers
Love Is Tall
100 bpm • G Maj • 02:33 • -10.07db
45% Popularity • 52% Danceability • 23% Energy • 10% Liveness
2% Instrumentalness • 26% Positiveness
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Peter Bradley Adams
Little Flower
85 bpm • F Maj • 06:15 • -17.06db
51% Popularity • 42% Danceability • 27% Energy • 11% Liveness
10% Instrumentalness • 36% Positiveness
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Hollow Coves
Home
85 bpm • C# Maj • 03:22 • -12db
46% Popularity • 51% Danceability • 49% Energy • 12% Liveness
0% Instrumentalness • 27% Positiveness
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Blitzen Trapper
Requiem
85 bpm • G Maj • 03:33 • -7db
49% Popularity • 61% Danceability • 60% Energy • 20% Liveness
0% Instrumentalness • 58% Positiveness
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Chris Staples
Park Bench
85 bpm • F# Maj • 02:44 • -11.61db
53% Popularity • 60% Danceability • 36% Energy • 8% Liveness
1% Instrumentalness • 82% Positiveness
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John Craigie
Highway Blood
85 bpm • C Maj • 04:26 • -16db
47% Popularity • 60% Danceability • 28% Energy • 7% Liveness
0% Instrumentalness • 57% Positiveness
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The Lumineers
Long Way From Home
100 bpm • A Maj • 02:32 • -8.52db
56% Popularity • 53% Danceability • 42% Energy • 10% Liveness
0% Instrumentalness • 18% Positiveness
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Ocie Elliott
A Place
85 bpm • A Maj • 03:45 • -14db
51% Popularity • 40% Danceability • 26% Energy • 12% Liveness
87% Instrumentalness • 19% Positiveness
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Joshua Burnside
Blood Drive
100 bpm • D Maj • 03:54 • -12.67db
45% Popularity • 66% Danceability • 40% Energy • 10% Liveness
16% Instrumentalness • 39% Positiveness
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Novo Amor
From Gold
100 bpm • F Maj • 03:34 • -13.31db
67% Popularity • 39% Danceability • 43% Energy • 9% Liveness
65% Instrumentalness • 4% Positiveness
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Beta Radio
Realistic City Living
100 bpm • C Maj • 02:58 • -15.32db
47% Popularity • 54% Danceability • 22% Energy • 10% Liveness
6% Instrumentalness • 31% Positiveness
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Cujo Moon
With You
84 bpm • D Maj • 03:31 • -13db
51% Popularity • 44% Danceability • 38% Energy • 13% Liveness
1% Instrumentalness • 32% Positiveness
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John Craigie
Nomads
84 bpm • D# Maj • 05:37 • -7.51db
35% Popularity • 58% Danceability • 45% Energy • 36% Liveness
0% Instrumentalness • 41% Positiveness
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John Smith
Hold On
101 bpm • G Maj • 04:51 • -11db
46% Popularity • 61% Danceability • 38% Energy • 10% Liveness
13% Instrumentalness • 43% Positiveness
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Sumbuck
Are You Dreaming
84 bpm • B Maj • 02:51 • -11.79db
39% Popularity • 53% Danceability • 22% Energy • 11% Liveness
0% Instrumentalness • 13% Positiveness
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The Barr Brothers
Even the Darkness Has Arms
101 bpm • B Maj • 03:50 • -13.1db
63% Popularity • 51% Danceability • 65% Energy • 29% Liveness
15% Instrumentalness • 75% Positiveness
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Darlingside
Old Friend
101 bpm • D# Maj • 02:28 • -13db
52% Popularity • 41% Danceability • 24% Energy • 11% Liveness
39% Instrumentalness • 37% Positiveness
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Caamp
By and By
101 bpm • A Maj • 04:40 • -7.98db
74% Popularity • 58% Danceability • 47% Energy • 12% Liveness
0% Instrumentalness • 33% Positiveness
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Salt And The Sea