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Same Old Moon
Songs like
Same Old Moon
by
Henry Hall
Based on a tempo of (+/- 10%) and a similar genre
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Henry Hall
Olga Pullofski, the Beautiful Spy
73 bpm • A# Maj • 03:12 • -17.43db
1% Popularity • 82% Danceability • 20% Energy • 39% Liveness
3% Instrumentalness • 70% Positiveness
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Billy Murray
Oh! You Beautiful Doll
73 bpm • D# Maj • 03:13 • -14db
8% Popularity • 59% Danceability • 11% Energy • 31% Liveness
0% Instrumentalness • 59% Positiveness
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Helen Gross & The Kansas City Five
Undertaker's Blues
73 bpm • A Maj • 04:12 • -14.82db
12% Popularity • 38% Danceability • 5% Energy • 24% Liveness
7% Instrumentalness • 30% Positiveness
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Lee Morse
Old Fashioned Romance
73 bpm • F Maj • 02:59 • -14.68db
16% Popularity • 68% Danceability • 11% Energy • 26% Liveness
0% Instrumentalness • 43% Positiveness
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Vaughn Monroe
There, I've Said It Again
72 bpm • G# Maj • 03:09 • -12.92db
31% Popularity • 38% Danceability • 18% Energy • 12% Liveness
1% Instrumentalness • 22% Positiveness
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Billy Cotton
You Brought a New Kind of Love to Me
72 bpm • G# Maj • 03:21 • -17db
36% Popularity • 48% Danceability • 13% Energy • 17% Liveness
39% Instrumentalness • 58% Positiveness
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Agata
Imagine
74 bpm • C Maj • 03:14 • -19db
18% Popularity • 48% Danceability • 5% Energy • 11% Liveness
94% Instrumentalness • 13% Positiveness
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Vernon Dalhart
The Prisoner's Song
74 bpm • D Maj • 03:04 • -14.37db
9% Popularity • 48% Danceability • 19% Energy • 30% Liveness
82% Instrumentalness • 37% Positiveness
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Nick Lucas
I Called to Say Goodnight
74 bpm • A# Maj • 03:08 • -12.71db
13% Popularity • 34% Danceability • 13% Energy • 37% Liveness
0% Instrumentalness • 18% Positiveness
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Fanny Brice
Toot, Toot, Tootsie (Goodbye)
75 bpm • E Maj • 02:29 • -12.19db
12% Popularity • 57% Danceability • 21% Energy • 19% Liveness
1% Instrumentalness • 70% Positiveness
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Laurel and Hardy
Lazy Moon
75 bpm • C min • 03:08 • -11.29db
8% Popularity • 46% Danceability • 20% Energy • 58% Liveness
0% Instrumentalness • 29% Positiveness
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Haydn Quartet
In the Good Old Summer Time - Haydn Quar...
71 bpm • C# Maj • 02:43 • -12db
10% Popularity • 53% Danceability • 26% Energy • 59% Liveness
0% Instrumentalness • 53% Positiveness
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Polk Miller
That "Old Time" Religion
76 bpm • D min • 02:16 • -14.69db
23% Popularity • 48% Danceability • 30% Energy • 41% Liveness
0% Instrumentalness • 58% Positiveness
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Paul Whiteman & His Orchestra
Its Only a Paper Moon
70 bpm • G Maj • 03:23 • -11db
15% Popularity • 57% Danceability • 34% Energy • 15% Liveness
0% Instrumentalness • 66% Positiveness
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Nick Lucas
Tiptoe Through the Tulips
76 bpm • G Maj • 03:46 • -10db
21% Popularity • 57% Danceability • 24% Energy • 22% Liveness
0% Instrumentalness • 57% Positiveness
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Fanny Brice
Ain't We Got Fun
76 bpm • D# Maj • 03:00 • -14.42db
8% Popularity • 82% Danceability • 18% Energy • 22% Liveness
0% Instrumentalness • 50% Positiveness
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Whispering Jack Smith
Me & My Shadow
76 bpm • D Maj • 03:12 • -14db
16% Popularity • 43% Danceability • 21% Energy • 11% Liveness
0% Instrumentalness • 39% Positiveness
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Bob Hope
Ain't We Got Fun
76 bpm • A# Maj • 02:18 • -10.43db
29% Popularity • 65% Danceability • 19% Energy • 4% Liveness
0% Instrumentalness • 71% Positiveness
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Marion Harris
I'm a Jazz Vampire
76 bpm • F Maj • 03:08 • -15.42db
11% Popularity • 68% Danceability • 8% Energy • 38% Liveness
5% Instrumentalness • 63% Positiveness
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Arthur Collins
Alexander's Ragtime Band
77 bpm • F Maj • 02:57 • -11.39db
11% Popularity • 59% Danceability • 33% Energy • 23% Liveness
1% Instrumentalness • 75% Positiveness
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Billy Murray
After You Get What You Want, You Dont Wa...
77 bpm • C Maj • 02:52 • -12.4db
10% Popularity • 72% Danceability • 18% Energy • 20% Liveness
0% Instrumentalness • 34% Positiveness
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Fanny Brice
I'd Rather Be Blue Over You
71 bpm • D Maj • 02:29 • -14db
20% Popularity • 56% Danceability • 12% Energy • 16% Liveness
0% Instrumentalness • 44% Positiveness
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Tony Pastor And His Orchestra
Obey Your Air Raid Warden
77 bpm • G# Maj • 02:23 • -13.13db
29% Popularity • 80% Danceability • 22% Energy • 19% Liveness
0% Instrumentalness • 65% Positiveness
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Henry Burr
My Buddy
77 bpm • G Maj • 02:54 • -13.89db
13% Popularity • 24% Danceability • 18% Energy • 15% Liveness
0% Instrumentalness • 17% Positiveness
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Layton & Johnstone
It All Depends On You
77 bpm • G min • 02:35 • -27.38db
10% Popularity • 57% Danceability • 2% Energy • 11% Liveness
0% Instrumentalness • 41% Positiveness
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Four Vagabonds
Comin' In On A Wing And A Prayer
70 bpm • G Maj • 02:53 • -10.18db
20% Popularity • 59% Danceability • 17% Energy • 15% Liveness
0% Instrumentalness • 45% Positiveness
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Jimmy Dorsey
Besame Mucho
69 bpm • A min • 03:04 • -11.75db
18% Popularity • 46% Danceability • 17% Energy • 11% Liveness
2% Instrumentalness • 35% Positiveness
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Arthur Fields
Oh! How I Hate to Get up in the Morning
78 bpm • G Maj • 02:50 • -12db
14% Popularity • 68% Danceability • 26% Energy • 11% Liveness
0% Instrumentalness • 67% Positiveness
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Hal Kemp And His Orchestra
Midnight, The Stars Aand You
68 bpm • F Maj • 02:46 • -14.46db
29% Popularity • 44% Danceability • 22% Energy • 12% Liveness
1% Instrumentalness • 42% Positiveness
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Danny Kaye
The Music Goes 'Round And 'Round - Remas...
79 bpm • F Maj • 01:43 • -9.47db
34% Popularity • 68% Danceability • 34% Energy • 30% Liveness
0% Instrumentalness • 82% Positiveness
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Mel Tormé
The House Is Haunted (By The Echo Of You...
79 bpm • C min • 02:49 • -14.48db
23% Popularity • 44% Danceability • 12% Energy • 12% Liveness
0% Instrumentalness • 28% Positiveness
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Tex Beneke
A Wonderful Guy
68 bpm • C# Maj • 01:55 • -9.84db
39% Popularity • 64% Danceability • 25% Energy • 8% Liveness
0% Instrumentalness • 86% Positiveness
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Del Monico Four
While Strolling In The Park One Day
79 bpm • G Maj • 02:26 • -12.64db
12% Popularity • 60% Danceability • 19% Energy • 43% Liveness
0% Instrumentalness • 66% Positiveness
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The Morrie Morrison Orchestra
Tonight In The Moonlight
80 bpm • D# Maj • 02:59 • -8db
21% Popularity • 38% Danceability • 47% Energy • 22% Liveness
0% Instrumentalness • 51% Positiveness
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Blue Barron & His Orchestra
Heart and Soul
67 bpm • G# Maj • 02:39 • -11.84db
19% Popularity • 55% Danceability • 18% Energy • 29% Liveness
2% Instrumentalness • 43% Positiveness
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Kay Kyser & His Orchestra
Old lamplighter
80 bpm • F Maj • 03:17 • -17.29db
4% Popularity • 24% Danceability • 8% Energy • 10% Liveness
1% Instrumentalness • 22% Positiveness
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Eddie Cantor
Makin' Whoopee
81 bpm • G Maj • 03:11 • -10.65db
16% Popularity • 44% Danceability • 24% Energy • 7% Liveness
0% Instrumentalness • 55% Positiveness
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Russ Columbo and His Orchestra
You Call It Madness (But I Call It Love)
81 bpm • F Maj • 03:39 • -19.22db
23% Popularity • 37% Danceability • 4% Energy • 28% Liveness
0% Instrumentalness • 11% Positiveness
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Eddy Howard
Heartaches
81 bpm • G Maj • 03:01 • -16.66db
5% Popularity • 30% Danceability • 8% Energy • 30% Liveness
2% Instrumentalness • 8% Positiveness
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Russ Morgan
So Tired
81 bpm • G# Maj • 03:38 • -12db
19% Popularity • 22% Danceability • 13% Energy • 10% Liveness
1% Instrumentalness • 15% Positiveness
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Red Nichols
The Peanut Vendor
81 bpm • D Maj • 02:48 • -12.67db
1% Popularity • 64% Danceability • 40% Energy • 31% Liveness
0% Instrumentalness • 92% Positiveness
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Mildred Bailey
All Of Me (1947)
81 bpm • F# Maj • 03:05 • -17.62db
16% Popularity • 29% Danceability • 15% Energy • 36% Liveness
0% Instrumentalness • 8% Positiveness
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O B Masingill
She Was Bred in Old Kentucky
82 bpm • F Maj • 02:41 • -9.28db
13% Popularity • 47% Danceability • 14% Energy • 16% Liveness
0% Instrumentalness • 39% Positiveness
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Eddie Cantor
The Man On the Flying Trapeze
82 bpm • G# Maj • 02:42 • -17.13db
20% Popularity • 70% Danceability • 19% Energy • 45% Liveness
0% Instrumentalness • 60% Positiveness
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Russ Columbo
The House Is Haunted
82 bpm • D# min • 02:57 • -16.19db
23% Popularity • 38% Danceability • 18% Energy • 12% Liveness
91% Instrumentalness • 11% Positiveness
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Danny Kaye
Beatin', Bangin' 'n' Scratchin'
82 bpm • D# Maj • 02:53 • -11.82db
10% Popularity • 75% Danceability • 30% Energy • 12% Liveness
0% Instrumentalness • 96% Positiveness
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Dorothy Shay The Park Avenue Hill Billie
Say That We're Sweethearts Again
82 bpm • G# Maj • 03:14 • -27.65db
13% Popularity • 53% Danceability • 2% Energy • 19% Liveness
0% Instrumentalness • 49% Positiveness
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Billy Murray
Stumbling
83 bpm • E min • 02:39 • -12.1db
10% Popularity • 68% Danceability • 33% Energy • 46% Liveness
42% Instrumentalness • 63% Positiveness
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Virginia Bruce
I've Got You Under My Skin
64 bpm • C Maj • 03:15 • -8.31db
17% Popularity • 24% Danceability • 29% Energy • 10% Liveness
14% Instrumentalness • 28% Positiveness
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Ada Jones
Hes Me Pal
84 bpm • F# Maj • 03:07 • -11.61db
17% Popularity • 37% Danceability • 40% Energy • 26% Liveness
0% Instrumentalness • 48% Positiveness
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Henry Hall
The Teddy Bears' Picnic
84 bpm • E Maj • 03:06 • -18.92db
1% Popularity • 63% Danceability • 15% Energy • 36% Liveness
0% Instrumentalness • 62% Positiveness
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Glenn Miller Orchestra
Jukebox Saturday Night
84 bpm • C Maj • 03:53 • -11db
29% Popularity • 53% Danceability • 29% Energy • 32% Liveness
0% Instrumentalness • 45% Positiveness
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John Vincent's Californians
Loving You the Way I Do
84 bpm • D min • 02:49 • -11.73db
23% Popularity • 69% Danceability • 31% Energy • 7% Liveness
86% Instrumentalness • 96% Positiveness
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Hoagy Carmichael
Ole Buttermilk Sky
84 bpm • D Maj • 02:12 • -12.69db
22% Popularity • 71% Danceability • 20% Energy • 38% Liveness
0% Instrumentalness • 74% Positiveness
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Clinton Ford
Daisy Bell
85 bpm • C Maj • 01:55 • -14.1db
34% Popularity • 58% Danceability • 23% Energy • 12% Liveness
0% Instrumentalness • 53% Positiveness
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Vaughn Monroe
Dream
85 bpm • C# Maj • 02:51 • -5db
15% Popularity • 24% Danceability • 36% Energy • 14% Liveness
1% Instrumentalness • 9% Positiveness
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Ethel Waters
Stormy Weather
85 bpm • C Maj • 03:12 • -14db
30% Popularity • 36% Danceability • 16% Energy • 17% Liveness
0% Instrumentalness • 37% Positiveness
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Betty Johnson
California Here I Come
86 bpm • D min • 01:01 • -12.78db
22% Popularity • 72% Danceability • 32% Energy • 12% Liveness
44% Instrumentalness • 76% Positiveness
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Rudy Vallee
A Pretty Girl Is Like a Melody
87 bpm • D# Maj • 03:04 • -11.8db
22% Popularity • 57% Danceability • 31% Energy • 16% Liveness
0% Instrumentalness • 53% Positiveness
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Arthur Collins
Steamboat Bill
87 bpm • C# Maj • 02:28 • -9db
17% Popularity • 73% Danceability • 26% Energy • 17% Liveness
19% Instrumentalness • 77% Positiveness
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Frank Crumit
Stumbling
87 bpm • F Maj • 02:32 • -14.24db
10% Popularity • 56% Danceability • 18% Energy • 50% Liveness
0% Instrumentalness • 76% Positiveness
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Danny Kaye
The Maladjusted Jester
87 bpm • C Maj • 03:47 • -10.54db
17% Popularity • 56% Danceability • 58% Energy • 32% Liveness
0% Instrumentalness • 65% Positiveness
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Mildred Bailey
When That Man Is Dead And Gone
88 bpm • C min • 02:42 • -14db
13% Popularity • 74% Danceability • 12% Energy • 21% Liveness
0% Instrumentalness • 63% Positiveness
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Larry Clinton
True Confession
89 bpm • A# min • 02:59 • -20.79db
26% Popularity • 50% Danceability • 6% Energy • 6% Liveness
0% Instrumentalness • 32% Positiveness
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Henry Hall
Bahama Mama
89 bpm • G# Maj • 02:37 • -17.6db
2% Popularity • 52% Danceability • 30% Energy • 9% Liveness
20% Instrumentalness • 83% Positiveness
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Flanagan & Allen
Run, Rabbit Run!
89 bpm • D Maj • 02:44 • -14db
44% Popularity • 83% Danceability • 30% Energy • 18% Liveness
4% Instrumentalness • 68% Positiveness
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Agata
My Friends
91 bpm • C Maj • 03:57 • -23db
13% Popularity • 32% Danceability • 7% Energy • 10% Liveness
96% Instrumentalness • 4% Positiveness
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Evelyn Knight
A Little Bird Told Me [1948 Single Rema...
91 bpm • C Maj • 02:37 • -10.53db
33% Popularity • 82% Danceability • 33% Energy • 11% Liveness
0% Instrumentalness • 86% Positiveness
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Cab Calloway
Blues In The Night
91 bpm • C Maj • 03:09 • -15.81db
23% Popularity • 59% Danceability • 16% Energy • 16% Liveness
0% Instrumentalness • 44% Positiveness
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Charlie Chester
The Will Hay Programme
92 bpm • G Maj • 03:03 • -24.04db
0% Popularity • 66% Danceability • 20% Energy • 85% Liveness
0% Instrumentalness • 49% Positiveness
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George Formby
Imagine Me on the Maginot Line
92 bpm • D# Maj • 02:46 • -15.48db
12% Popularity • 68% Danceability • 32% Energy • 20% Liveness
2% Instrumentalness • 90% Positiveness
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Danny Kaye
Ballin' The Jack
92 bpm • G Maj • 02:21 • -8.25db
11% Popularity • 62% Danceability • 29% Energy • 11% Liveness
17% Instrumentalness • 37% Positiveness
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Noel Coward
Party's over Now, The (Words and Music)
92 bpm • C Maj • 03:37 • -19db
31% Popularity • 33% Danceability • 13% Energy • 35% Liveness
48% Instrumentalness • 34% Positiveness
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Dorothy Lamour
Moon over Burma
93 bpm • G Maj • 03:43 • -18db
23% Popularity • 21% Danceability • 16% Energy • 30% Liveness
10% Instrumentalness • 34% Positiveness
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Allan Sherman
Eight Foot Two, Solid Blue
93 bpm • C Maj • 02:24 • -12db
21% Popularity • 47% Danceability • 54% Energy • 75% Liveness
0% Instrumentalness • 69% Positiveness
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Flanagan & Allen
Shine On, Harvest Moon
93 bpm • C min • 02:35 • -19.39db
13% Popularity • 50% Danceability • 7% Energy • 28% Liveness
76% Instrumentalness • 30% Positiveness
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Ben Selvin & His Orchestra
Between the Devil and the Deep Blue Sea
93 bpm • G min • 03:29 • -10.06db
14% Popularity • 75% Danceability • 37% Energy • 4% Liveness
0% Instrumentalness • 79% Positiveness
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Victor Silvester and His Ballroom Orchestra
Waltzing In The Clouds
93 bpm • G# Maj • 02:47 • -25.26db
14% Popularity • 34% Danceability • 3% Energy • 11% Liveness
91% Instrumentalness • 52% Positiveness
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Roger Wolfe Kahn & His Orchestra
Crazy Rhythm
93 bpm • G# Maj • 03:15 • -14.41db
14% Popularity • 61% Danceability • 28% Energy • 26% Liveness
4% Instrumentalness • 88% Positiveness
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Larry Clinton & His Orchestra
Heart And Soul
94 bpm • A min • 03:12 • -11.54db
4% Popularity • 49% Danceability • 12% Energy • 12% Liveness
0% Instrumentalness • 34% Positiveness
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Harry Roy and His Orchestra
La Cucaracha
94 bpm • G# Maj • 03:08 • -13db
14% Popularity • 68% Danceability • 52% Energy • 31% Liveness
84% Instrumentalness • 92% Positiveness
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Frankie Carle
A Little On The Lonely Side
94 bpm • G min • 03:04 • -13.81db
8% Popularity • 50% Danceability • 12% Energy • 21% Liveness
1% Instrumentalness • 52% Positiveness
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Goofus Five
I Like Pie I Like Cake - But I Like You ...
94 bpm • D# Maj • 03:14 • -17.68db
20% Popularity • 74% Danceability • 22% Energy • 20% Liveness
2% Instrumentalness • 81% Positiveness
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Ella Fitzgerald
The Dipsy Doodle
94 bpm • D# Maj • 03:10 • -9.66db
30% Popularity • 73% Danceability • 46% Energy • 4% Liveness
0% Instrumentalness • 90% Positiveness
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George Formby
Imagine Me On the Maginot Line
94 bpm • D# Maj • 03:11 • -15db
8% Popularity • 72% Danceability • 40% Energy • 29% Liveness
0% Instrumentalness • 86% Positiveness
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Kay Kyser
There Goes That Song Again
95 bpm • C# Maj • 02:22 • -12db
10% Popularity • 44% Danceability • 16% Energy • 48% Liveness
0% Instrumentalness • 47% Positiveness
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Ben Selvin & His Orchestra
My Sin
95 bpm • D min • 02:56 • -7.41db
10% Popularity • 61% Danceability • 39% Energy • 8% Liveness
2% Instrumentalness • 59% Positiveness
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Henry Hall And His Orchestra
Anything Goes
95 bpm • G Maj • 02:53 • -15.25db
7% Popularity • 81% Danceability • 32% Energy • 8% Liveness
26% Instrumentalness • 67% Positiveness
► Preview
Henry Hall
Radio Times
95 bpm • G# Maj • 02:38 • -20db
14% Popularity • 81% Danceability • 23% Energy • 37% Liveness
69% Instrumentalness • 92% Positiveness
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Horace Heidt And His Orchestra
Dawn of a new day
95 bpm • F Maj • 02:30 • -10.15db
7% Popularity • 85% Danceability • 36% Energy • 8% Liveness
4% Instrumentalness • 87% Positiveness
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Dick Haymes
It Might as Well Be Spring
96 bpm • D# Maj • 03:08 • -17.44db
26% Popularity • 30% Danceability • 19% Energy • 16% Liveness
89% Instrumentalness • 21% Positiveness
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Joe Loss & His Orchestra
A Nice Cup Of Tea
96 bpm • G# Maj • 02:49 • -19db
17% Popularity • 77% Danceability • 12% Energy • 16% Liveness
7% Instrumentalness • 90% Positiveness
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Ben Selvin Orchestra
Broadway Melody
96 bpm • A# Maj • 02:40 • -12.75db
16% Popularity • 78% Danceability • 16% Energy • 20% Liveness
0% Instrumentalness • 65% Positiveness
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Bea Wain
Put Your Arms Arround Me
96 bpm • A# Maj • 01:47 • -7.38db
19% Popularity • 68% Danceability • 48% Energy • 13% Liveness
1% Instrumentalness • 86% Positiveness
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Henry Hall
Sidewalks of Cuba
95 bpm • D# Maj • 02:49 • -10.72db
2% Popularity • 77% Danceability • 44% Energy • 19% Liveness
82% Instrumentalness • 84% Positiveness
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Vaughn De Leath, The Don Voorhees Orchestra
Dancing The Devil Away
96 bpm • B Maj • 03:40 • -20.73db
14% Popularity • 76% Danceability • 14% Energy • 7% Liveness
57% Instrumentalness • 58% Positiveness
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Paul Whiteman & His Orchestra
Whispering
96 bpm • D Maj • 03:21 • -8db
14% Popularity • 69% Danceability • 41% Energy • 11% Liveness
91% Instrumentalness • 52% Positiveness
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1923 Autopiano Player Piano
Hello, Ma Baby
96 bpm • F Maj • 02:00 • -16db
21% Popularity • 48% Danceability • 30% Energy • 11% Liveness
84% Instrumentalness • 76% Positiveness
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Patti Page
Let Me Call You Sweetheart
97 bpm • D# Maj • 02:00 • -13.79db
28% Popularity • 29% Danceability • 26% Energy • 18% Liveness
1% Instrumentalness • 35% Positiveness
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Ben Selvin & His Orchestra
Who's Your Little Who - Zis!
97 bpm • D# Maj • 03:10 • -10db
6% Popularity • 68% Danceability • 33% Energy • 9% Liveness
2% Instrumentalness • 94% Positiveness
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Same Old Moon