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San Francisco (Be Sure to Wear Flowers in Your Hai...
Songs like
San Francisco (Be Sure to Wear Flowers in Your Hair) (feat. Michael Marshall)
by
Daniel Herskedal
Based on a tempo of (+/- 10%) and a similar genre
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Feist
Don't Give Up
111 bpm • B Maj • 05:35 • -13db
29% Popularity • 40% Danceability • 25% Energy • 11% Liveness
0% Instrumentalness • 10% Positiveness
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The Antlers
Wheels Roll Home - Edit
111 bpm • A Maj • 03:57 • -8.63db
20% Popularity • 61% Danceability • 35% Energy • 7% Liveness
0% Instrumentalness • 17% Positiveness
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Joshua Burnside
Whiskey Whiskey
111 bpm • D Maj • 02:51 • -13db
53% Popularity • 44% Danceability • 26% Energy • 10% Liveness
4% Instrumentalness • 29% Positiveness
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Daniel Herskedal
The Mistral Noir
111 bpm • F min • 04:11 • -29.48db
38% Popularity • 28% Danceability • 2% Energy • 8% Liveness
95% Instrumentalness • 13% Positiveness
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Shards
Inside I'll Sing
111 bpm • C Maj • 04:14 • -19db
30% Popularity • 32% Danceability • 11% Energy • 12% Liveness
0% Instrumentalness • 13% Positiveness
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Ryan Oxford
Turn My Heart Around
111 bpm • F# Maj • 02:18 • -12.02db
14% Popularity • 67% Danceability • 36% Energy • 14% Liveness
0% Instrumentalness • 72% Positiveness
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First Aid Kit
Strange Beauty
111 bpm • F Maj • 03:46 • -13.55db
37% Popularity • 64% Danceability • 5% Energy • 11% Liveness
0% Instrumentalness • 18% Positiveness
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Cat Power
What The World Needs Now
111 bpm • C Maj • 02:26 • -12.18db
52% Popularity • 61% Danceability • 20% Energy • 10% Liveness
0% Instrumentalness • 56% Positiveness
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Bon Iver
RABi
112 bpm • A# Maj • 03:32 • -14db
45% Popularity • 41% Danceability • 20% Energy • 12% Liveness
1% Instrumentalness • 30% Positiveness
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Daniel Herskedal
San Francisco (Be Sure to Wear Flowers i...
111 bpm • C# min • 02:52 • -14.21db
41% Popularity • 35% Danceability • 14% Energy • 74% Liveness
0% Instrumentalness • 15% Positiveness
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Donnie Miller
Quartzsite Vendor Blues
110 bpm • E Maj • 03:16 • -6.62db
14% Popularity • 51% Danceability • 54% Energy • 98% Liveness
1% Instrumentalness • 62% Positiveness
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Jimbo Mathus
Three White Horses and a Golden Chain
112 bpm • B min • 06:32 • -10.26db
25% Popularity • 29% Danceability • 19% Energy • 12% Liveness
0% Instrumentalness • 13% Positiveness
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Bonny Light Horseman
Deep In Love
112 bpm • F Maj • 05:09 • -8db
57% Popularity • 62% Danceability • 56% Energy • 12% Liveness
40% Instrumentalness • 34% Positiveness
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Kishi Bashi
Penny Rabbit and Summer Bear
110 bpm • G Maj • 03:33 • -7.91db
39% Popularity • 44% Danceability • 56% Energy • 23% Liveness
0% Instrumentalness • 31% Positiveness
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Lily Hayes
Soft on Me
112 bpm • B min • 03:36 • -8.38db
36% Popularity • 60% Danceability • 26% Energy • 10% Liveness
9% Instrumentalness • 16% Positiveness
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Daniel Herskedal
Out of the Blue
112 bpm • F# min • 03:58 • -16.52db
23% Popularity • 36% Danceability • 15% Energy • 9% Liveness
9% Instrumentalness • 12% Positiveness
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Villagers
Everything I Am Is Yours
110 bpm • E min • 03:30 • -11.15db
64% Popularity • 87% Danceability • 50% Energy • 14% Liveness
27% Instrumentalness • 69% Positiveness
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Clem Snide
Roger Ebert
110 bpm • C Maj • 02:53 • -12.21db
19% Popularity • 63% Danceability • 27% Energy • 11% Liveness
0% Instrumentalness • 26% Positiveness
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Pokey LaFarge
Lucky Sometimes
110 bpm • D# Maj • 04:43 • -8db
36% Popularity • 40% Danceability • 37% Energy • 11% Liveness
0% Instrumentalness • 22% Positiveness
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Ezra Furman
Every Feeling
113 bpm • F Maj • 02:46 • -10.51db
47% Popularity • 71% Danceability • 30% Energy • 8% Liveness
0% Instrumentalness • 23% Positiveness
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Ondara
Lebanon
109 bpm • C Maj • 03:26 • -11db
58% Popularity • 82% Danceability • 14% Energy • 11% Liveness
0% Instrumentalness • 49% Positiveness
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Bill Callahan
Too Many Birds
113 bpm • F min • 05:27 • -11.3db
45% Popularity • 53% Danceability • 57% Energy • 11% Liveness
12% Instrumentalness • 48% Positiveness
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Johnny Flynn
Queen Bee (Emma Original Motion Picture ...
109 bpm • D Maj • 03:36 • -6.71db
42% Popularity • 45% Danceability • 33% Energy • 23% Liveness
0% Instrumentalness • 24% Positiveness
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Emile Mosseri
Wind Song
113 bpm • F Maj • 02:41 • -13.32db
40% Popularity • 50% Danceability • 42% Energy • 11% Liveness
92% Instrumentalness • 39% Positiveness
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Lubomyr Melnyk
Pockets of Light - Excerpt
113 bpm • G Maj • 05:49 • -21.6db
33% Popularity • 36% Danceability • 20% Energy • 7% Liveness
86% Instrumentalness • 23% Positiveness
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Sharon Van Etten
Let Go
113 bpm • A Maj • 04:42 • -8.16db
42% Popularity • 34% Danceability • 60% Energy • 17% Liveness
48% Instrumentalness • 16% Positiveness
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Whitney
Far, Far Away
113 bpm • C# Maj • 03:15 • -11db
32% Popularity • 65% Danceability • 28% Energy • 13% Liveness
84% Instrumentalness • 34% Positiveness
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Andrew Bird
Manifest - arranged for string quintet a...
109 bpm • C min • 05:12 • -11db
22% Popularity • 60% Danceability • 23% Energy • 10% Liveness
0% Instrumentalness • 22% Positiveness
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Bill Fay
Salt Of The Earth
113 bpm • A# Maj • 03:39 • -15db
13% Popularity • 41% Danceability • 9% Energy • 11% Liveness
21% Instrumentalness • 13% Positiveness
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Hiss Golden Messenger
Terms of Surrender
113 bpm • E Maj • 03:11 • -13.42db
39% Popularity • 48% Danceability • 22% Energy • 9% Liveness
1% Instrumentalness • 22% Positiveness
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Bermuda Triangle
Suzanne
113 bpm • A Maj • 02:57 • -9.84db
44% Popularity • 80% Danceability • 48% Energy • 13% Liveness
2% Instrumentalness • 64% Positiveness
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The Tallest Man On Earth
I’ll Be A Sky
108 bpm • F# Maj • 03:52 • -11.99db
29% Popularity • 50% Danceability • 20% Energy • 11% Liveness
0% Instrumentalness • 54% Positiveness
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Beverly Glenn-Copeland
Colour of Anyhow - CBC Q Live Version
114 bpm • D Maj • 05:44 • -12.28db
10% Popularity • 48% Danceability • 25% Energy • 10% Liveness
0% Instrumentalness • 7% Positiveness
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Andrew Bird
Cracking Codes
109 bpm • G Maj • 03:12 • -11.04db
45% Popularity • 44% Danceability • 17% Energy • 11% Liveness
0% Instrumentalness • 32% Positiveness
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Gaelynn Lea
Someday We'll Linger in the Sun
108 bpm • G min • 04:36 • -8.76db
30% Popularity • 30% Danceability • 20% Energy • 14% Liveness
1% Instrumentalness • 6% Positiveness
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Damien Jurado
Birds Tricked into the Trees
114 bpm • A# Maj • 02:14 • -8.56db
23% Popularity • 66% Danceability • 61% Energy • 10% Liveness
0% Instrumentalness • 58% Positiveness
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Nadia Reid
Get The Devil Out
108 bpm • C# Maj • 03:59 • -12.18db
12% Popularity • 33% Danceability • 19% Energy • 14% Liveness
0% Instrumentalness • 20% Positiveness
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Nick Mulvey
In the Anthropocene
108 bpm • C# Maj • 06:41 • -13db
33% Popularity • 67% Danceability • 50% Energy • 33% Liveness
0% Instrumentalness • 42% Positiveness
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River Whyless
We All Deserve the Light
114 bpm • C Maj • 02:49 • -14.86db
27% Popularity • 27% Danceability • 28% Energy • 11% Liveness
10% Instrumentalness • 7% Positiveness
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Konradsen
Baby Hallelujah
114 bpm • G Maj • 02:48 • -16.17db
21% Popularity • 46% Danceability • 19% Energy • 18% Liveness
0% Instrumentalness • 20% Positiveness
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Emile Mosseri
Rock Fight (Demo)
114 bpm • C# Maj • 01:19 • -18.06db
20% Popularity • 50% Danceability • 15% Energy • 14% Liveness
86% Instrumentalness • 27% Positiveness
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Håkan Hellström
That's All Right (Håkan Hellström edit...
108 bpm • C# Maj • 01:55 • -13.21db
37% Popularity • 36% Danceability • 12% Energy • 24% Liveness
0% Instrumentalness • 50% Positiveness
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Adam Torres
Green Mountain Road
107 bpm • G# min • 05:34 • -13.48db
40% Popularity • 41% Danceability • 24% Energy • 14% Liveness
9% Instrumentalness • 16% Positiveness
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Dan Whitener
We Are Gonna Be Okay
107 bpm • G# Maj • 05:35 • -8.08db
26% Popularity • 44% Danceability • 25% Energy • 23% Liveness
0% Instrumentalness • 20% Positiveness
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Molly Sarlé
Human
107 bpm • C Maj • 03:54 • -8.76db
39% Popularity • 56% Danceability • 42% Energy • 10% Liveness
37% Instrumentalness • 72% Positiveness
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Westerman
Blue Comanche - Sketch
107 bpm • D# Maj • 02:58 • -14.55db
36% Popularity • 73% Danceability • 23% Energy • 23% Liveness
11% Instrumentalness • 41% Positiveness
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Belle and Sebastian
Sister Buddha (Intro)
107 bpm • G Maj • 03:04 • -16.63db
29% Popularity • 42% Danceability • 21% Energy • 15% Liveness
74% Instrumentalness • 22% Positiveness
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Sam Burton
I Can Go With You
115 bpm • E min • 03:36 • -8.7db
31% Popularity • 46% Danceability • 36% Energy • 9% Liveness
0% Instrumentalness • 21% Positiveness
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Future Islands
Thrill
115 bpm • G# Maj • 04:20 • -9db
45% Popularity • 58% Danceability • 50% Energy • 16% Liveness
1% Instrumentalness • 13% Positiveness
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Matt Costa
Last Love Song
115 bpm • D Maj • 02:03 • -17db
32% Popularity • 65% Danceability • 20% Energy • 12% Liveness
5% Instrumentalness • 35% Positiveness
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James Blake
Atmosphere
115 bpm • C Maj • 03:57 • -15.81db
41% Popularity • 53% Danceability • 22% Energy • 12% Liveness
44% Instrumentalness • 20% Positiveness
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Westerman
Blue Comanche
107 bpm • C min • 03:28 • -9.26db
39% Popularity • 74% Danceability • 32% Energy • 28% Liveness
33% Instrumentalness • 44% Positiveness
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Andrew Bird
Manifest
107 bpm • C min • 04:41 • -4.43db
25% Popularity • 56% Danceability • 68% Energy • 11% Liveness
0% Instrumentalness • 42% Positiveness
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Daniel Herskedal
Rainfall
107 bpm • A min • 03:37 • -17.65db
22% Popularity • 67% Danceability • 42% Energy • 10% Liveness
85% Instrumentalness • 51% Positiveness
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Gabriels
Loyalty
116 bpm • C min • 02:36 • -11.75db
36% Popularity • 40% Danceability • 11% Energy • 10% Liveness
0% Instrumentalness • 31% Positiveness
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Joan Shelley
Cycle
116 bpm • E Maj • 03:50 • -13.57db
29% Popularity • 40% Danceability • 21% Energy • 10% Liveness
41% Instrumentalness • 25% Positiveness
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Bill Callahan
Jim Cain
106 bpm • D Maj • 04:39 • -13.04db
51% Popularity • 70% Danceability • 30% Energy • 11% Liveness
78% Instrumentalness • 56% Positiveness
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Marja Mortensson
Dehtie baeleste - The Passing of Time
107 bpm • D min • 05:50 • -19.65db
8% Popularity • 16% Danceability • 16% Energy • 7% Liveness
64% Instrumentalness • 14% Positiveness
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Andrew Bird
Three White Horses
116 bpm • G Maj • 03:09 • -9.53db
32% Popularity • 44% Danceability • 40% Energy • 11% Liveness
0% Instrumentalness • 23% Positiveness
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Kaitlyn Aurelia Smith
Log In Your Fire
116 bpm • G Maj • 02:51 • -16.17db
39% Popularity • 51% Danceability • 38% Energy • 11% Liveness
56% Instrumentalness • 25% Positiveness
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Parker Ainsworth
Running For So Long (House A Home)
116 bpm • D# Maj • 04:33 • -17db
50% Popularity • 53% Danceability • 12% Energy • 10% Liveness
0% Instrumentalness • 31% Positiveness
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Phosphorescent
C'est La Vie No.2
116 bpm • C Maj • 03:25 • -10.51db
48% Popularity • 74% Danceability • 40% Energy • 8% Liveness
32% Instrumentalness • 67% Positiveness
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Damien Jurado
The Last Great Washington State
106 bpm • D# Maj • 06:19 • -12.1db
33% Popularity • 63% Danceability • 26% Energy • 8% Liveness
0% Instrumentalness • 46% Positiveness
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Marja Mortensson
Tjïelve - Billowing Waves
106 bpm • A# min • 04:49 • -16.35db
3% Popularity • 17% Danceability • 21% Energy • 10% Liveness
5% Instrumentalness • 15% Positiveness
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Gaelynn Lea
Moment of Bliss
117 bpm • C Maj • 05:07 • -13db
11% Popularity • 47% Danceability • 27% Energy • 11% Liveness
41% Instrumentalness • 20% Positiveness
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Reverend Baron
Waiting On You
105 bpm • C Maj • 04:38 • -17.11db
31% Popularity • 57% Danceability • 2% Energy • 11% Liveness
0% Instrumentalness • 16% Positiveness
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Jim James
Set It To Song
105 bpm • A# Maj • 04:08 • -14.69db
11% Popularity • 32% Danceability • 14% Energy • 25% Liveness
0% Instrumentalness • 9% Positiveness
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Rufus Wainwright
You Ain't Big
117 bpm • C# min • 02:35 • -10.29db
22% Popularity • 69% Danceability • 41% Energy • 10% Liveness
0% Instrumentalness • 75% Positiveness
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Bibio
Lovers Carvings - WXAXRXP Session
105 bpm • A Maj • 04:30 • -9db
42% Popularity • 49% Danceability • 32% Energy • 10% Liveness
0% Instrumentalness • 31% Positiveness
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Fionn Regan
Head Swim
105 bpm • E Maj • 02:54 • -14.59db
24% Popularity • 61% Danceability • 25% Energy • 15% Liveness
1% Instrumentalness • 39% Positiveness
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The Books
Cello Song Jose Gonzales
117 bpm • C# Maj • 03:54 • -12.8db
46% Popularity • 65% Danceability • 47% Energy • 10% Liveness
79% Instrumentalness • 49% Positiveness
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Devendra Banhart
Scenescof
105 bpm • D# Maj • 02:36 • -22.19db
32% Popularity • 55% Danceability • 10% Energy • 11% Liveness
91% Instrumentalness • 12% Positiveness
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Frazey Ford
Azad
105 bpm • G Maj • 03:03 • -9db
38% Popularity • 73% Danceability • 66% Energy • 6% Liveness
6% Instrumentalness • 35% Positiveness
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Buffy Sainte-Marie
Song Of The French Partisan
105 bpm • A min • 03:16 • -25.73db
20% Popularity • 41% Danceability • 3% Energy • 22% Liveness
0% Instrumentalness • 41% Positiveness
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Blake Mills
Wintersong
118 bpm • G min • 04:16 • -8.22db
42% Popularity • 47% Danceability • 76% Energy • 14% Liveness
5% Instrumentalness • 74% Positiveness
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Luke De-Sciscio
I'm A Dream Fighting Out Of A Man
118 bpm • E Maj • 02:46 • -10.64db
23% Popularity • 55% Danceability • 19% Energy • 11% Liveness
0% Instrumentalness • 29% Positiveness
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Love Is A Drag
Can't Help Lovin' Dat Man
118 bpm • G# Maj • 03:04 • -17.94db
13% Popularity • 42% Danceability • 10% Energy • 9% Liveness
10% Instrumentalness • 18% Positiveness
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Daniel Herskedal
Slow Eastbound Train
118 bpm • G min • 05:03 • -17.34db
14% Popularity • 36% Danceability • 29% Energy • 12% Liveness
92% Instrumentalness • 18% Positiveness
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Michael Nau
Rides Through The Morning
118 bpm • F# Maj • 04:14 • -9db
46% Popularity • 45% Danceability • 58% Energy • 13% Liveness
7% Instrumentalness • 51% Positiveness
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Joshua Burnside
Holllllogram
118 bpm • F Maj • 03:38 • -12db
38% Popularity • 68% Danceability • 20% Energy • 10% Liveness
0% Instrumentalness • 38% Positiveness
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Nick Mulvey
Moment Of Surrender
104 bpm • D Maj • 04:59 • -9.18db
48% Popularity • 61% Danceability • 66% Energy • 13% Liveness
1% Instrumentalness • 53% Positiveness
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The Brothers And Sisters
The Times They Are a Changing
104 bpm • F Maj • 02:45 • -6.85db
28% Popularity • 45% Danceability • 68% Energy • 13% Liveness
0% Instrumentalness • 70% Positiveness
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Bermuda Triangle
Till the End of Days
104 bpm • E Maj • 03:33 • -13.51db
34% Popularity • 62% Danceability • 10% Energy • 12% Liveness
0% Instrumentalness • 21% Positiveness
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Sharon Van Etten
Staring at a Mountain
104 bpm • A# Maj • 04:02 • -9.87db
19% Popularity • 42% Danceability • 29% Energy • 11% Liveness
11% Instrumentalness • 5% Positiveness
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Dan Reeder
A Place on the River
104 bpm • A# Maj • 02:14 • -10.29db
27% Popularity • 46% Danceability • 19% Energy • 11% Liveness
0% Instrumentalness • 5% Positiveness
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Sylvan Esso
Funeral Singers
104 bpm • G# Maj • 03:39 • -10.82db
52% Popularity • 80% Danceability • 43% Energy • 11% Liveness
0% Instrumentalness • 21% Positiveness
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Daniel Herskedal
Out Here
104 bpm • C min • 05:12 • -20.26db
26% Popularity • 63% Danceability • 19% Energy • 11% Liveness
64% Instrumentalness • 8% Positiveness
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Paul Winer
Next To The Track Blues
119 bpm • C Maj • 01:14 • -12.09db
18% Popularity • 60% Danceability • 29% Energy • 20% Liveness
20% Instrumentalness • 67% Positiveness
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Hamilton Leithauser
Here They Come
103 bpm • G Maj • 03:14 • -5.13db
35% Popularity • 61% Danceability • 72% Energy • 13% Liveness
0% Instrumentalness • 43% Positiveness
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The Tallest Man On Earth
Love Is All
103 bpm • D Maj • 04:55 • -10.39db
30% Popularity • 43% Danceability • 28% Energy • 11% Liveness
25% Instrumentalness • 32% Positiveness
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Ondara
Saying Goodbye
103 bpm • A Maj • 03:49 • -8db
45% Popularity • 63% Danceability • 52% Energy • 12% Liveness
0% Instrumentalness • 54% Positiveness
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Arthur Russell
This Is How We Walk On The Moon
103 bpm • F# min • 04:43 • -20.28db
41% Popularity • 82% Danceability • 16% Energy • 28% Liveness
0% Instrumentalness • 54% Positiveness
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Daniel Herskedal
VÃ¥kenatt
120 bpm • C Maj • 03:52 • -27.2db
31% Popularity • 29% Danceability • 2% Energy • 9% Liveness
87% Instrumentalness • 15% Positiveness
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Julia Holter
Gold Dust Woman
120 bpm • G Maj • 04:05 • -11.41db
29% Popularity • 44% Danceability • 16% Energy • 7% Liveness
0% Instrumentalness • 4% Positiveness
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This Is The Kit
Keep Going
120 bpm • E Maj • 06:39 • -14.33db
45% Popularity • 57% Danceability • 44% Energy • 11% Liveness
51% Instrumentalness • 57% Positiveness
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Helado Negro
Please Won't Please
120 bpm • B Maj • 03:03 • -12.3db
20% Popularity • 65% Danceability • 30% Energy • 25% Liveness
64% Instrumentalness • 22% Positiveness
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Lucius
Right Down The Line
120 bpm • C# min • 03:55 • -8.08db
46% Popularity • 80% Danceability • 35% Energy • 12% Liveness
0% Instrumentalness • 41% Positiveness
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Devendra Banhart
Franklin's Tower
120 bpm • D Maj • 09:00 • -18.28db
26% Popularity • 43% Danceability • 18% Energy • 10% Liveness
87% Instrumentalness • 4% Positiveness
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Daniel Herskedal
Slow Eastbound Boat
120 bpm • G# Maj • 05:13 • -19.84db
13% Popularity • 70% Danceability • 17% Energy • 11% Liveness
89% Instrumentalness • 60% Positiveness
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Hajk
Flowerdust
120 bpm • F Maj • 03:54 • -14.43db
25% Popularity • 74% Danceability • 28% Energy • 9% Liveness
9% Instrumentalness • 13% Positiveness
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San Francisco (Be Sure to Wear Flowers in Your Hai...