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San Jacinto
Songs like
San Jacinto
by
Peter Gabriel
Based on a tempo of (+/- 10%) and a similar genre
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The The
Love Is Stronger Than Death
148 bpm • G min • 04:37 • -6db
38% Popularity • 48% Danceability • 67% Energy • 8% Liveness
72% Instrumentalness • 12% Positiveness
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Asia
Wildest Dreams
148 bpm • A# min • 05:11 • -8.2db
37% Popularity • 31% Danceability • 93% Energy • 30% Liveness
0% Instrumentalness • 35% Positiveness
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Peter Gabriel
San Jacinto
148 bpm • F min • 06:34 • -19.58db
35% Popularity • 61% Danceability • 30% Energy • 6% Liveness
10% Instrumentalness • 41% Positiveness
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Roger Hodgson
Along Came Mary
148 bpm • G Maj • 06:24 • -10db
42% Popularity • 40% Danceability • 45% Energy • 7% Liveness
0% Instrumentalness • 8% Positiveness
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Jethro Tull
Wond'ring Aloud
148 bpm • A# Maj • 01:53 • -16.61db
60% Popularity • 58% Danceability • 20% Energy • 59% Liveness
1% Instrumentalness • 67% Positiveness
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Frankie Goes To Hollywood
The World Is My Oyster (Including Well /...
147 bpm • C Maj • 01:58 • -28db
39% Popularity • 25% Danceability • 9% Energy • 12% Liveness
16% Instrumentalness • 4% Positiveness
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The The
Love Is Stronger Than Death
148 bpm • G min • 04:24 • -5.1db
14% Popularity • 47% Danceability • 69% Energy • 9% Liveness
65% Instrumentalness • 20% Positiveness
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Rush
Distant Early Warning
146 bpm • C Maj • 04:56 • -6.94db
48% Popularity • 50% Danceability • 88% Energy • 13% Liveness
0% Instrumentalness • 84% Positiveness
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Anthony Phillips
God If I Saw Her Now
146 bpm • C Maj • 04:14 • -16.95db
32% Popularity • 41% Danceability • 12% Energy • 10% Liveness
1% Instrumentalness • 7% Positiveness
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XTC
Sacrificial Bonfire - Remastered 2001
150 bpm • D Maj • 03:49 • -10.34db
25% Popularity • 58% Danceability • 50% Energy • 8% Liveness
0% Instrumentalness • 19% Positiveness
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Tears For Fears
The Hurting
146 bpm • F# Maj • 04:16 • -5.68db
44% Popularity • 59% Danceability • 88% Energy • 12% Liveness
24% Instrumentalness • 86% Positiveness
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Japan
Life Without Buildings
145 bpm • E Maj • 06:34 • -15.77db
12% Popularity • 68% Danceability • 39% Energy • 16% Liveness
78% Instrumentalness • 59% Positiveness
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Jethro Tull
Living in the Past - 2001 Remaster
151 bpm • F Maj • 03:22 • -11.02db
51% Popularity • 69% Danceability • 49% Energy • 12% Liveness
0% Instrumentalness • 96% Positiveness
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R.E.M.
Country Feedback
145 bpm • G Maj • 04:09 • -5.98db
43% Popularity • 27% Danceability • 57% Energy • 40% Liveness
5% Instrumentalness • 29% Positiveness
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Lindsey Buckingham
Street of Dreams
152 bpm • F min • 04:29 • -17.68db
14% Popularity • 26% Danceability • 9% Energy • 57% Liveness
0% Instrumentalness • 7% Positiveness
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Al Stewart
Life in Dark Water
144 bpm • D min • 05:49 • -16.41db
20% Popularity • 47% Danceability • 31% Energy • 16% Liveness
0% Instrumentalness • 23% Positiveness
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Anderson Bruford Wakeman Howe
Let's Pretend
144 bpm • E Maj • 02:56 • -20.51db
33% Popularity • 64% Danceability • 13% Energy • 17% Liveness
0% Instrumentalness • 42% Positiveness
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The Moody Blues
The Voice
152 bpm • C Maj • 05:16 • -8.12db
46% Popularity • 44% Danceability • 83% Energy • 13% Liveness
0% Instrumentalness • 58% Positiveness
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Tony Banks
You
143 bpm • C Maj • 06:29 • -8.31db
26% Popularity • 20% Danceability • 68% Energy • 14% Liveness
1% Instrumentalness • 12% Positiveness
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R.E.M.
Find The River
145 bpm • D Maj • 03:49 • -9db
58% Popularity • 42% Danceability • 44% Energy • 14% Liveness
0% Instrumentalness • 30% Positiveness
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Duran Duran
Drive By
144 bpm • B Maj • 05:34 • -11.49db
18% Popularity • 25% Danceability • 47% Energy • 30% Liveness
85% Instrumentalness • 6% Positiveness
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The Cars
Heartbeat City
143 bpm • A min • 04:30 • -14.93db
51% Popularity • 65% Danceability • 56% Energy • 7% Liveness
18% Instrumentalness • 88% Positiveness
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Propaganda
Dream Within A Dream
153 bpm • C Maj • 08:03 • -10db
33% Popularity • 58% Danceability • 63% Energy • 10% Liveness
76% Instrumentalness • 53% Positiveness
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Dire Straits
Ride Across The River
143 bpm • E min • 06:58 • -11.41db
45% Popularity • 56% Danceability • 36% Energy • 8% Liveness
18% Instrumentalness • 62% Positiveness
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Robert Plant
Another Tribe
153 bpm • B Maj • 03:14 • -7.5db
21% Popularity • 53% Danceability • 71% Energy • 26% Liveness
14% Instrumentalness • 92% Positiveness
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Thomas Dolby
White City
143 bpm • C Maj • 05:19 • -13.41db
20% Popularity • 54% Danceability • 91% Energy • 11% Liveness
0% Instrumentalness • 42% Positiveness
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Elvis Costello & The Attractions
Shipbuilding
143 bpm • G Maj • 04:52 • -14db
41% Popularity • 36% Danceability • 30% Energy • 15% Liveness
0% Instrumentalness • 17% Positiveness
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Roger Hodgson
For Every Man
143 bpm • C# Maj • 04:43 • -11.68db
41% Popularity • 33% Danceability • 35% Energy • 31% Liveness
0% Instrumentalness • 28% Positiveness
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Propaganda
Dream Within A Dream
153 bpm • G min • 09:08 • -9db
24% Popularity • 60% Danceability • 68% Energy • 15% Liveness
82% Instrumentalness • 64% Positiveness
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R.E.M.
You Are The Everything - Remastered
153 bpm • G Maj • 03:44 • -14.5db
43% Popularity • 30% Danceability • 35% Energy • 22% Liveness
0% Instrumentalness • 68% Positiveness
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Pete Townshend
Come To Mama
154 bpm • D Maj • 04:42 • -11.74db
18% Popularity • 44% Danceability • 86% Energy • 25% Liveness
83% Instrumentalness • 55% Positiveness
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Peter Gabriel
Mother Of Violence
154 bpm • E min • 03:26 • -19.45db
33% Popularity • 38% Danceability • 23% Energy • 11% Liveness
2% Instrumentalness • 39% Positiveness
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Jethro Tull
Slipstream
154 bpm • A# Maj • 01:11 • -17.04db
51% Popularity • 37% Danceability • 20% Energy • 64% Liveness
0% Instrumentalness • 67% Positiveness
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Thomas Dolby
Flying North
142 bpm • F# min • 03:53 • -11.15db
23% Popularity • 60% Danceability • 76% Energy • 55% Liveness
3% Instrumentalness • 57% Positiveness
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Elvis Costello
Veronica
154 bpm • C Maj • 03:09 • -7db
49% Popularity • 63% Danceability • 76% Energy • 36% Liveness
0% Instrumentalness • 74% Positiveness
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The Moody Blues
Deep
154 bpm • C Maj • 06:50 • -18db
21% Popularity • 49% Danceability • 52% Energy • 7% Liveness
4% Instrumentalness • 74% Positiveness
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Angelique Kidjo
Salala
154 bpm • A min • 03:24 • -7.32db
35% Popularity • 56% Danceability • 69% Energy • 43% Liveness
0% Instrumentalness • 64% Positiveness
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Emerson, Lake & Palmer
Lucky Man
154 bpm • G Maj • 04:37 • -15.62db
44% Popularity • 35% Danceability • 39% Energy • 5% Liveness
3% Instrumentalness • 48% Positiveness
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Tears For Fears
Bad Man's Song
142 bpm • C Maj • 08:32 • -7.11db
44% Popularity • 59% Danceability • 77% Energy • 17% Liveness
0% Instrumentalness • 58% Positiveness
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Thomas Dolby
Cloudburst at Shingle Street
142 bpm • G# Maj • 05:45 • -14.44db
17% Popularity • 41% Danceability • 61% Energy • 13% Liveness
2% Instrumentalness • 51% Positiveness
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Laurie Anderson
My Eyes
142 bpm • C# Maj • 05:31 • -15.64db
16% Popularity • 65% Danceability • 31% Energy • 8% Liveness
0% Instrumentalness • 37% Positiveness
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The Moody Blues
Your Wildest Dreams
141 bpm • G Maj • 04:51 • -16db
55% Popularity • 53% Danceability • 58% Energy • 28% Liveness
3% Instrumentalness • 65% Positiveness
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The Police
Spirits In The Material World
142 bpm • A min • 02:59 • -7.86db
63% Popularity • 83% Danceability • 66% Energy • 3% Liveness
2% Instrumentalness • 86% Positiveness
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Kate Bush
Joanni
155 bpm • E Maj • 04:56 • -15.36db
23% Popularity • 58% Danceability • 59% Energy • 9% Liveness
18% Instrumentalness • 70% Positiveness
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R.E.M.
E-Bow The Letter
155 bpm • D Maj • 05:24 • -8db
47% Popularity • 35% Danceability • 63% Energy • 8% Liveness
0% Instrumentalness • 31% Positiveness
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Al Stewart
Last Days of the Century
156 bpm • E min • 06:08 • -8.98db
10% Popularity • 59% Danceability • 88% Energy • 6% Liveness
15% Instrumentalness • 92% Positiveness
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Orchestral Manoeuvres In The Dark
The Native Daughters Of The Golden West
141 bpm • A Maj • 03:58 • -7.98db
22% Popularity • 52% Danceability • 61% Energy • 10% Liveness
62% Instrumentalness • 15% Positiveness
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Pretenders
Tradition of Love - 2007 Remaster
140 bpm • G Maj • 05:25 • -7.46db
11% Popularity • 47% Danceability • 84% Energy • 29% Liveness
0% Instrumentalness • 41% Positiveness
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Roger Hodgson
The Garden
140 bpm • F min • 02:15 • -12.01db
45% Popularity • 58% Danceability • 32% Energy • 13% Liveness
0% Instrumentalness • 32% Positiveness
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Peter Murphy
Huuvola
140 bpm • E min • 05:54 • -14.4db
15% Popularity • 54% Danceability • 42% Energy • 10% Liveness
40% Instrumentalness • 43% Positiveness
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The Call
The Woods
140 bpm • G Maj • 05:12 • -12.36db
13% Popularity • 45% Danceability • 50% Energy • 8% Liveness
28% Instrumentalness • 21% Positiveness
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Emerson, Lake & Palmer
Black Moon
157 bpm • B min • 06:59 • -12.62db
24% Popularity • 55% Danceability • 65% Energy • 8% Liveness
1% Instrumentalness • 40% Positiveness
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Rush
New World Man
158 bpm • D Maj • 03:42 • -10db
48% Popularity • 52% Danceability • 81% Energy • 9% Liveness
18% Instrumentalness • 86% Positiveness
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Pretenders
Show Me - 2007 Remaster
139 bpm • C Maj • 04:13 • -7db
37% Popularity • 55% Danceability • 90% Energy • 6% Liveness
7% Instrumentalness • 56% Positiveness
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Tony Banks
In The Dark
139 bpm • E Maj • 02:57 • -14.36db
26% Popularity • 26% Danceability • 13% Energy • 12% Liveness
82% Instrumentalness • 8% Positiveness
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The Waterboys
The Big Music - 2002 Remaster
138 bpm • A min • 04:46 • -5.23db
25% Popularity • 46% Danceability • 83% Energy • 9% Liveness
0% Instrumentalness • 49% Positiveness
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The Police
Driven To Tears
159 bpm • D Maj • 03:20 • -9.23db
57% Popularity • 62% Danceability • 52% Energy • 26% Liveness
10% Instrumentalness • 60% Positiveness
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Emerson, Lake & Palmer
Jerusalem (2014 - Remaster)
139 bpm • D min • 02:45 • -8.12db
36% Popularity • 22% Danceability • 51% Energy • 52% Liveness
0% Instrumentalness • 36% Positiveness
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Rush
Time Stand Still
138 bpm • E Maj • 05:08 • -7.83db
55% Popularity • 53% Danceability • 94% Energy • 33% Liveness
3% Instrumentalness • 61% Positiveness
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Peter Gabriel
The Drop
138 bpm • B Maj • 03:01 • -24.25db
23% Popularity • 44% Danceability • 1% Energy • 12% Liveness
11% Instrumentalness • 32% Positiveness
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Robert Plant
A Stolen Kiss
137 bpm • F Maj • 05:13 • -14.42db
21% Popularity • 29% Danceability • 17% Energy • 12% Liveness
13% Instrumentalness • 7% Positiveness
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Crosby, Stills, Nash & Young
Deja Vu
137 bpm • B min • 04:12 • -15.92db
48% Popularity • 45% Danceability • 27% Energy • 30% Liveness
22% Instrumentalness • 20% Positiveness
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The Police
Tea In The Sahara
138 bpm • C# min • 04:19 • -18.21db
49% Popularity • 56% Danceability • 24% Energy • 9% Liveness
0% Instrumentalness • 34% Positiveness
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Pete Townshend
The Sea Refuses No River
137 bpm • C Maj • 05:54 • -10.49db
22% Popularity • 63% Danceability • 56% Energy • 7% Liveness
0% Instrumentalness • 32% Positiveness
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Emerson, Lake & Palmer
Hoedown
137 bpm • G Maj • 03:47 • -11.51db
39% Popularity • 40% Danceability • 80% Energy • 17% Liveness
71% Instrumentalness • 88% Positiveness
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The Moody Blues
I Know You're Out There Somewhere
137 bpm • G Maj • 06:37 • -17.17db
44% Popularity • 61% Danceability • 50% Energy • 19% Liveness
0% Instrumentalness • 68% Positiveness
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Tom Petty and the Heartbreakers
Don't Come Around Here No More
161 bpm • A# Maj • 05:07 • -15.93db
58% Popularity • 50% Danceability • 54% Energy • 24% Liveness
1% Instrumentalness • 92% Positiveness
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Paul Simon
The Boy In the Bubble
136 bpm • D Maj • 03:59 • -7.85db
52% Popularity • 62% Danceability • 70% Energy • 14% Liveness
0% Instrumentalness • 56% Positiveness
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The Police
Synchronicity II
159 bpm • D Maj • 05:00 • -9db
58% Popularity • 41% Danceability • 85% Energy • 33% Liveness
0% Instrumentalness • 57% Positiveness
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Kate Bush
Flower Of The Mountain
136 bpm • A# Maj • 05:14 • -19.64db
24% Popularity • 52% Danceability • 27% Energy • 27% Liveness
53% Instrumentalness • 61% Positiveness
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XTC
This World Over - 2001 Remaster
136 bpm • A Maj • 05:37 • -9.91db
21% Popularity • 69% Danceability • 50% Energy • 24% Liveness
41% Instrumentalness • 72% Positiveness
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Pete Townshend
White City Fighting
136 bpm • A min • 04:41 • -10.55db
26% Popularity • 54% Danceability • 88% Energy • 17% Liveness
0% Instrumentalness • 35% Positiveness
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The Waterboys
Spirit - 2004 Remaster
136 bpm • G Maj • 01:48 • -10.56db
47% Popularity • 66% Danceability • 73% Energy • 15% Liveness
0% Instrumentalness • 54% Positiveness
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ABC
Beauty Stab
135 bpm • D Maj • 02:06 • -8.28db
29% Popularity • 51% Danceability • 73% Energy • 11% Liveness
97% Instrumentalness • 59% Positiveness
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The Police
Reggatta De Blanc
159 bpm • D Maj • 03:05 • -7.04db
49% Popularity • 35% Danceability • 91% Energy • 8% Liveness
2% Instrumentalness • 42% Positiveness
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Kate Bush
The Sensual World - 2018 Remaster
136 bpm • A# Maj • 03:57 • -14db
49% Popularity • 55% Danceability • 55% Energy • 28% Liveness
37% Instrumentalness • 78% Positiveness
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Supertramp
Fool's Overture
135 bpm • D# Maj • 10:52 • -10.48db
53% Popularity • 41% Danceability • 31% Energy • 7% Liveness
1% Instrumentalness • 7% Positiveness
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Pete Townshend
Slit Skirts
135 bpm • G Maj • 04:53 • -13db
37% Popularity • 52% Danceability • 66% Energy • 6% Liveness
0% Instrumentalness • 35% Positiveness
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The The
Bluer Than Midnight
135 bpm • E Maj • 03:43 • -9.53db
29% Popularity • 43% Danceability • 21% Energy • 10% Liveness
0% Instrumentalness • 14% Positiveness
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Jethro Tull
Really Don't Mind / See There a Son Is B...
162 bpm • A# Maj • 05:00 • -10.4db
42% Popularity • 43% Danceability • 44% Energy • 14% Liveness
0% Instrumentalness • 75% Positiveness
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The Police
O My God
135 bpm • E min • 04:02 • -9.48db
43% Popularity • 55% Danceability • 76% Energy • 16% Liveness
0% Instrumentalness • 89% Positiveness
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Ian Anderson
Looking for Eden
135 bpm • C min • 03:42 • -12.88db
13% Popularity • 69% Danceability • 54% Energy • 8% Liveness
0% Instrumentalness • 63% Positiveness
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Fine Young Cannibals
Funny How Love Is
135 bpm • E min • 03:29 • -6.31db
31% Popularity • 47% Danceability • 80% Energy • 39% Liveness
0% Instrumentalness • 86% Positiveness
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Big Blue Ball
Whole Thing
163 bpm • C Maj • 05:27 • -10.57db
20% Popularity • 53% Danceability • 68% Energy • 15% Liveness
1% Instrumentalness • 67% Positiveness
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Rupert Hine
Samsara
163 bpm • A# Maj • 05:06 • -14.5db
7% Popularity • 54% Danceability • 33% Energy • 11% Liveness
6% Instrumentalness • 32% Positiveness
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Tony Banks
Lucky Me
134 bpm • C# Maj • 04:27 • -9.25db
29% Popularity • 48% Danceability • 53% Energy • 8% Liveness
0% Instrumentalness • 6% Positiveness
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The Human League
Open Your Heart - 2002 Mix
133 bpm • C Maj • 03:56 • -6db
43% Popularity • 55% Danceability • 59% Energy • 42% Liveness
0% Instrumentalness • 56% Positiveness
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Rush
Subdivisions
133 bpm • B min • 05:34 • -9.27db
56% Popularity • 51% Danceability • 84% Energy • 12% Liveness
4% Instrumentalness • 46% Positiveness
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Jon & Vangelis
State Of Independence
165 bpm • F Maj • 07:56 • -13db
34% Popularity • 72% Danceability • 62% Energy • 39% Liveness
27% Instrumentalness • 80% Positiveness
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Big Blue Ball
Whole Thing - Edit
163 bpm • C Maj • 04:04 • -10.09db
18% Popularity • 52% Danceability • 69% Energy • 25% Liveness
0% Instrumentalness • 71% Positiveness
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Lindsey Buckingham
Play in the Rain - Continued
133 bpm • C Maj • 04:14 • -14.48db
12% Popularity • 69% Danceability • 51% Energy • 32% Liveness
86% Instrumentalness • 54% Positiveness
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Al Stewart
Broadway Hotel - 2001 Remaster
165 bpm • F# min • 03:58 • -12db
35% Popularity • 43% Danceability • 47% Energy • 35% Liveness
0% Instrumentalness • 63% Positiveness
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Supertramp
Even In The Quietest Moments
132 bpm • G Maj • 06:26 • -7.41db
54% Popularity • 43% Danceability • 60% Energy • 13% Liveness
0% Instrumentalness • 48% Positiveness
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Emerson, Lake & Palmer
From the Beginning (New Stereo Mix)
132 bpm • E min • 04:17 • -16.54db
47% Popularity • 60% Danceability • 20% Energy • 13% Liveness
3% Instrumentalness • 29% Positiveness
► Preview
Jon & Vangelis
State Of Independence - Single Version
165 bpm • F min • 04:22 • -13.12db
32% Popularity • 75% Danceability • 65% Energy • 35% Liveness
5% Instrumentalness • 87% Positiveness
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Thomas Dolby
Leipzig (2009 - Remaster)
132 bpm • G min • 03:52 • -9.49db
15% Popularity • 57% Danceability • 62% Energy • 42% Liveness
0% Instrumentalness • 53% Positiveness
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Peter Gabriel
Slowburn
132 bpm • D# Maj • 04:36 • -7.98db
27% Popularity • 35% Danceability • 67% Energy • 14% Liveness
0% Instrumentalness • 28% Positiveness
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XTC
War Dance - 2001 Remaster
132 bpm • G Maj • 03:22 • -7.06db
19% Popularity • 66% Danceability • 83% Energy • 42% Liveness
0% Instrumentalness • 86% Positiveness
► Preview
The Waterboys
Don't Bang the Drum - 2004 Remaster
132 bpm • E min • 06:46 • -8db
42% Popularity • 48% Danceability • 89% Energy • 8% Liveness
0% Instrumentalness • 16% Positiveness
► Preview
Emerson, Lake & Palmer
From the Beginning
132 bpm • E min • 04:16 • -18.22db
56% Popularity • 64% Danceability • 22% Energy • 12% Liveness
0% Instrumentalness • 38% Positiveness
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San Jacinto