Songs like Sarah - K-Pax (Original Motion Picture Soundtrack) by Edward Shearmur
Based on a tempo of (+/- 10%) and a similar genre
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Edward Shearmur
Sarah - K-Pax
60 bpm • B min • 03:03 • -23.1db
16% Popularity • 7% Danceability • 7% Energy • 11% Liveness
83% Instrumentalness • 4% Positiveness
16% Popularity • 7% Danceability • 7% Energy • 11% Liveness
83% Instrumentalness • 4% Positiveness
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Lorne Balfe
Prayer
61 bpm • F min • 02:07 • -23.83db
16% Popularity • 19% Danceability • 6% Energy • 8% Liveness
95% Instrumentalness • 3% Positiveness
16% Popularity • 19% Danceability • 6% Energy • 8% Liveness
95% Instrumentalness • 3% Positiveness
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Patrick Doyle
Seretse and Ruth
59 bpm • C# min • 04:07 • -16.2db
10% Popularity • 6% Danceability • 24% Energy • 22% Liveness
80% Instrumentalness • 3% Positiveness
10% Popularity • 6% Danceability • 24% Energy • 22% Liveness
80% Instrumentalness • 3% Positiveness
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Steven Price
Aningaaq
59 bpm • F Maj • 05:08 • -31.15db
37% Popularity • 6% Danceability • 5% Energy • 48% Liveness
98% Instrumentalness • 4% Positiveness
37% Popularity • 6% Danceability • 5% Energy • 48% Liveness
98% Instrumentalness • 4% Positiveness
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Lesley Barber
Night Falls at Brangwyn Hall
59 bpm • G min • 02:12 • -12.69db
8% Popularity • 7% Danceability • 31% Energy • 11% Liveness
89% Instrumentalness • 4% Positiveness
8% Popularity • 7% Danceability • 31% Energy • 11% Liveness
89% Instrumentalness • 4% Positiveness
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John Ottman
You're Not One of Them
61 bpm • A min • 02:20 • -22.37db
28% Popularity • 10% Danceability • 11% Energy • 11% Liveness
94% Instrumentalness • 4% Positiveness
28% Popularity • 10% Danceability • 11% Energy • 11% Liveness
94% Instrumentalness • 4% Positiveness
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Craig Armstrong
Della's Theme
61 bpm • A Maj • 04:44 • -12.95db
8% Popularity • 6% Danceability • 24% Energy • 11% Liveness
97% Instrumentalness • 4% Positiveness
8% Popularity • 6% Danceability • 24% Energy • 11% Liveness
97% Instrumentalness • 4% Positiveness
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Cliff Martinez
Maybe You're My Puppet
61 bpm • C Maj • 03:50 • -25.18db
23% Popularity • 8% Danceability • 7% Energy • 21% Liveness
64% Instrumentalness • 4% Positiveness
23% Popularity • 8% Danceability • 7% Energy • 21% Liveness
64% Instrumentalness • 4% Positiveness
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Mychael Danna
Leaving India
61 bpm • G Maj • 01:20 • -27.55db
40% Popularity • 9% Danceability • 4% Energy • 12% Liveness
98% Instrumentalness • 4% Positiveness
40% Popularity • 9% Danceability • 4% Energy • 12% Liveness
98% Instrumentalness • 4% Positiveness
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Rhian Sheehan
Mother
62 bpm • F Maj • 01:18 • -30.74db
43% Popularity • 18% Danceability • 0% Energy • 9% Liveness
91% Instrumentalness • 4% Positiveness
43% Popularity • 18% Danceability • 0% Energy • 9% Liveness
91% Instrumentalness • 4% Positiveness
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Edward Shearmur
Ray Keeps The Baby
62 bpm • C min • 01:54 • -20.4db
4% Popularity • 10% Danceability • 4% Energy • 8% Liveness
97% Instrumentalness • 7% Positiveness
4% Popularity • 10% Danceability • 4% Energy • 8% Liveness
97% Instrumentalness • 7% Positiveness
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Greg Edmonson
The Funeral
62 bpm • D min • 02:36 • -19.21db
23% Popularity • 20% Danceability • 4% Energy • 7% Liveness
88% Instrumentalness • 4% Positiveness
23% Popularity • 20% Danceability • 4% Energy • 7% Liveness
88% Instrumentalness • 4% Positiveness
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Craig Armstrong
Dawn in Dayton
61 bpm • G Maj • 01:26 • -15.08db
11% Popularity • 20% Danceability • 26% Energy • 10% Liveness
90% Instrumentalness • 3% Positiveness
11% Popularity • 20% Danceability • 26% Energy • 10% Liveness
90% Instrumentalness • 3% Positiveness
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David Newman
Funeral / Rebuilding Serenity
63 bpm • C Maj • 02:01 • -22.95db
25% Popularity • 13% Danceability • 12% Energy • 13% Liveness
98% Instrumentalness • 6% Positiveness
25% Popularity • 13% Danceability • 12% Energy • 13% Liveness
98% Instrumentalness • 6% Positiveness
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Mychael Danna
Always Was
62 bpm • F Maj • 02:54 • -28.39db
15% Popularity • 10% Danceability • 3% Energy • 9% Liveness
98% Instrumentalness • 3% Positiveness
15% Popularity • 10% Danceability • 3% Energy • 9% Liveness
98% Instrumentalness • 3% Positiveness
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Tyler Bates
Goodbye My Love
63 bpm • D min • 03:21 • -16.16db
38% Popularity • 22% Danceability • 15% Energy • 10% Liveness
64% Instrumentalness • 3% Positiveness
38% Popularity • 22% Danceability • 15% Energy • 10% Liveness
64% Instrumentalness • 3% Positiveness
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Edward Shearmur
Powell's Return - K-Pax
63 bpm • D Maj • 01:11 • -24.71db
18% Popularity • 49% Danceability • 1% Energy • 13% Liveness
96% Instrumentalness • 33% Positiveness
18% Popularity • 49% Danceability • 1% Energy • 13% Liveness
96% Instrumentalness • 33% Positiveness
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Mark Snow
Otium
63 bpm • C# Maj • 01:43 • -30.04db
17% Popularity • 26% Danceability • 1% Energy • 10% Liveness
78% Instrumentalness • 10% Positiveness
17% Popularity • 26% Danceability • 1% Energy • 10% Liveness
78% Instrumentalness • 10% Positiveness
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Clint Mansell
The Nursery
64 bpm • C Maj • 03:45 • -22.36db
22% Popularity • 21% Danceability • 7% Energy • 13% Liveness
88% Instrumentalness • 4% Positiveness
22% Popularity • 21% Danceability • 7% Energy • 13% Liveness
88% Instrumentalness • 4% Positiveness
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Daniel Pemberton
All These Worlds
64 bpm • D min • 04:06 • -19.75db
17% Popularity • 6% Danceability • 10% Energy • 26% Liveness
90% Instrumentalness • 4% Positiveness
17% Popularity • 6% Danceability • 10% Energy • 26% Liveness
90% Instrumentalness • 4% Positiveness
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Mychael Danna
Tsimtsum
63 bpm • F# min • 02:49 • -20.38db
51% Popularity • 17% Danceability • 13% Energy • 10% Liveness
96% Instrumentalness • 3% Positiveness
51% Popularity • 17% Danceability • 13% Energy • 10% Liveness
96% Instrumentalness • 3% Positiveness
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David Hirschfelder
Baby Steps, James
64 bpm • C Maj • 01:38 • -20.3db
22% Popularity • 18% Danceability • 13% Energy • 11% Liveness
85% Instrumentalness • 5% Positiveness
22% Popularity • 18% Danceability • 13% Energy • 11% Liveness
85% Instrumentalness • 5% Positiveness
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Edward Shearmur
Bluebird - K-Pax
64 bpm • G# min • 03:52 • -22.28db
35% Popularity • 18% Danceability • 4% Energy • 8% Liveness
75% Instrumentalness • 5% Positiveness
35% Popularity • 18% Danceability • 4% Energy • 8% Liveness
75% Instrumentalness • 5% Positiveness
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David Arnold
Vesper
64 bpm • A min • 01:44 • -23.64db
51% Popularity • 24% Danceability • 5% Energy • 7% Liveness
91% Instrumentalness • 7% Positiveness
51% Popularity • 24% Danceability • 5% Energy • 7% Liveness
91% Instrumentalness • 7% Positiveness
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Paul Hepker
She's Beautiful
64 bpm • C# Maj • 01:16 • -24.71db
24% Popularity • 18% Danceability • 8% Energy • 10% Liveness
95% Instrumentalness • 6% Positiveness
24% Popularity • 18% Danceability • 8% Energy • 10% Liveness
95% Instrumentalness • 6% Positiveness
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Marc Streitenfeld
Weyland
64 bpm • C Maj • 02:04 • -28.64db
38% Popularity • 29% Danceability • 5% Energy • 11% Liveness
87% Instrumentalness • 3% Positiveness
38% Popularity • 29% Danceability • 5% Energy • 11% Liveness
87% Instrumentalness • 3% Positiveness
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Howard Shore
London 1998
65 bpm • D min • 01:41 • -25.88db
43% Popularity • 7% Danceability • 3% Energy • 11% Liveness
98% Instrumentalness • 4% Positiveness
43% Popularity • 7% Danceability • 3% Energy • 11% Liveness
98% Instrumentalness • 4% Positiveness
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Marcelo Zarvos
The Author
65 bpm • F Maj • 01:01 • -39.16db
30% Popularity • 20% Danceability • 0% Energy • 7% Liveness
98% Instrumentalness • 11% Positiveness
30% Popularity • 20% Danceability • 0% Energy • 7% Liveness
98% Instrumentalness • 11% Positiveness
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Edward Shearmur
Coda - K-Pax
64 bpm • D Maj • 03:20 • -26.42db
20% Popularity • 14% Danceability • 2% Energy • 12% Liveness
86% Instrumentalness • 6% Positiveness
20% Popularity • 14% Danceability • 2% Energy • 12% Liveness
86% Instrumentalness • 6% Positiveness
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Nick Glennie-Smith
Photo Montage
55 bpm • C min • 02:31 • -15.81db
28% Popularity • 17% Danceability • 28% Energy • 37% Liveness
91% Instrumentalness • 3% Positiveness
28% Popularity • 17% Danceability • 28% Energy • 37% Liveness
91% Instrumentalness • 3% Positiveness
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Harald Kloser
I Was Not Brave
55 bpm • G min • 01:47 • -28.4db
33% Popularity • 17% Danceability • 8% Energy • 8% Liveness
99% Instrumentalness • 4% Positiveness
33% Popularity • 17% Danceability • 8% Energy • 8% Liveness
99% Instrumentalness • 4% Positiveness
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Mychael Danna
Far From What They Were
65 bpm • A min • 01:07 • -34.04db
19% Popularity • 20% Danceability • 0% Energy • 7% Liveness
94% Instrumentalness • 3% Positiveness
19% Popularity • 20% Danceability • 0% Energy • 7% Liveness
94% Instrumentalness • 3% Positiveness
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Angelo Badalamenti
Massage Fantasy
65 bpm • A# min • 02:24 • -20.31db
7% Popularity • 23% Danceability • 5% Energy • 11% Liveness
96% Instrumentalness • 4% Positiveness
7% Popularity • 23% Danceability • 5% Energy • 11% Liveness
96% Instrumentalness • 4% Positiveness
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Thomas Wander
The Only Family I Got
55 bpm • D min • 01:01 • -35.69db
44% Popularity • 22% Danceability • 1% Energy • 7% Liveness
95% Instrumentalness • 7% Positiveness
44% Popularity • 22% Danceability • 1% Energy • 7% Liveness
95% Instrumentalness • 7% Positiveness
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Edward Shearmur
Karen's Letter
65 bpm • G Maj • 04:26 • -20.52db
12% Popularity • 14% Danceability • 2% Energy • 9% Liveness
85% Instrumentalness • 6% Positiveness
12% Popularity • 14% Danceability • 2% Energy • 9% Liveness
85% Instrumentalness • 6% Positiveness
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Ryan Amon
Elysium
66 bpm • A min • 03:45 • -15.86db
40% Popularity • 16% Danceability • 20% Energy • 9% Liveness
90% Instrumentalness • 4% Positiveness
40% Popularity • 16% Danceability • 20% Energy • 9% Liveness
90% Instrumentalness • 4% Positiveness
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Max Richter
Event Horizon
55 bpm • C min • 06:13 • -20.41db
31% Popularity • 6% Danceability • 13% Energy • 10% Liveness
96% Instrumentalness • 3% Positiveness
31% Popularity • 6% Danceability • 13% Energy • 10% Liveness
96% Instrumentalness • 3% Positiveness
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John Powell
New Memories
55 bpm • C# min • 02:48 • -32.19db
27% Popularity • 11% Danceability • 1% Energy • 13% Liveness
96% Instrumentalness • 4% Positiveness
27% Popularity • 11% Danceability • 1% Energy • 13% Liveness
96% Instrumentalness • 4% Positiveness
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Roque Baños
Camilla's Theme (Roque Baños Plays)
66 bpm • C# min • 01:59 • -26.16db
28% Popularity • 34% Danceability • 1% Energy • 11% Liveness
90% Instrumentalness • 5% Positiveness
28% Popularity • 34% Danceability • 1% Energy • 11% Liveness
90% Instrumentalness • 5% Positiveness
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Clint Mansell
First Snow
66 bpm • A min • 03:08 • -18db
34% Popularity • 20% Danceability • 17% Energy • 9% Liveness
92% Instrumentalness • 6% Positiveness
34% Popularity • 20% Danceability • 17% Energy • 9% Liveness
92% Instrumentalness • 6% Positiveness
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Edward Shearmur
Elizabeth
65 bpm • D min • 04:19 • -26.88db
3% Popularity • 10% Danceability • 2% Energy • 6% Liveness
77% Instrumentalness • 4% Positiveness
3% Popularity • 10% Danceability • 2% Energy • 6% Liveness
77% Instrumentalness • 4% Positiveness
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Brad Fiedel
Desert Suite - Remastered 2017
66 bpm • A Maj • 03:27 • -25.63db
29% Popularity • 15% Danceability • 1% Energy • 12% Liveness
96% Instrumentalness • 3% Positiveness
29% Popularity • 15% Danceability • 1% Energy • 12% Liveness
96% Instrumentalness • 3% Positiveness
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Atli Örvarsson
Esca's Freedom
66 bpm • E min • 01:42 • -25.06db
31% Popularity • 20% Danceability • 5% Energy • 9% Liveness
95% Instrumentalness • 4% Positiveness
31% Popularity • 20% Danceability • 5% Energy • 9% Liveness
95% Instrumentalness • 4% Positiveness
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George Fenton
The Disappearing Sea Ice
66 bpm • A min • 03:43 • -21.7db
8% Popularity • 8% Danceability • 6% Energy • 32% Liveness
86% Instrumentalness • 4% Positiveness
8% Popularity • 8% Danceability • 6% Energy • 32% Liveness
86% Instrumentalness • 4% Positiveness
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Roque Baños
Separations
67 bpm • F min • 04:29 • -33.38db
23% Popularity • 14% Danceability • 1% Energy • 8% Liveness
78% Instrumentalness • 4% Positiveness
23% Popularity • 14% Danceability • 1% Energy • 8% Liveness
78% Instrumentalness • 4% Positiveness
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David Arnold
Who I Want to Be
67 bpm • A min • 02:42 • -20db
39% Popularity • 21% Danceability • 20% Energy • 13% Liveness
92% Instrumentalness • 4% Positiveness
39% Popularity • 21% Danceability • 20% Energy • 13% Liveness
92% Instrumentalness • 4% Positiveness
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Edward Shearmur
Hoodoo Woman
66 bpm • C min • 02:45 • -18.21db
7% Popularity • 9% Danceability • 14% Energy • 11% Liveness
86% Instrumentalness • 3% Positiveness
7% Popularity • 9% Danceability • 14% Energy • 11% Liveness
86% Instrumentalness • 3% Positiveness
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Ilan Eshkeri
Assano Seppuku
67 bpm • A min • 02:41 • -18.91db
49% Popularity • 19% Danceability • 24% Energy • 9% Liveness
92% Instrumentalness • 4% Positiveness
49% Popularity • 19% Danceability • 24% Energy • 9% Liveness
92% Instrumentalness • 4% Positiveness
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Max Richter
Before the Ending of the Day
67 bpm • A# min • 01:18 • -22.86db
17% Popularity • 13% Danceability • 8% Energy • 8% Liveness
95% Instrumentalness • 3% Positiveness
17% Popularity • 13% Danceability • 8% Energy • 8% Liveness
95% Instrumentalness • 3% Positiveness
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Graeme Revell
Believe In Angels
67 bpm • D# Maj • 03:31 • -25db
22% Popularity • 13% Danceability • 8% Energy • 18% Liveness
89% Instrumentalness • 4% Positiveness
22% Popularity • 13% Danceability • 8% Energy • 18% Liveness
89% Instrumentalness • 4% Positiveness
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Dennis McCarthy
The Nexus / A Christmas Hug
67 bpm • G# Maj • 07:07 • -27.42db
14% Popularity • 6% Danceability • 6% Energy • 9% Liveness
98% Instrumentalness • 3% Positiveness
14% Popularity • 6% Danceability • 6% Energy • 9% Liveness
98% Instrumentalness • 3% Positiveness
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Peter Gregson
Marie-Claire's Toys
67 bpm • B min • 01:10 • -41.15db
31% Popularity • 25% Danceability • 0% Energy • 8% Liveness
93% Instrumentalness • 29% Positiveness
31% Popularity • 25% Danceability • 0% Energy • 8% Liveness
93% Instrumentalness • 29% Positiveness
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Edward Shearmur
The Letter Is Found
66 bpm • A min • 02:08 • -23.85db
2% Popularity • 31% Danceability • 1% Energy • 6% Liveness
31% Instrumentalness • 12% Positiveness
2% Popularity • 31% Danceability • 1% Energy • 6% Liveness
31% Instrumentalness • 12% Positiveness
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Shigeru Umebayashi
Leo's Theme
67 bpm • A# Maj • 02:36 • -14.45db
15% Popularity • 16% Danceability • 13% Energy • 6% Liveness
95% Instrumentalness • 4% Positiveness
15% Popularity • 16% Danceability • 13% Energy • 6% Liveness
95% Instrumentalness • 4% Positiveness
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Harald Kloser
Lead Them
53 bpm • C min • 02:27 • -16.64db
25% Popularity • 10% Danceability • 17% Energy • 11% Liveness
94% Instrumentalness • 3% Positiveness
25% Popularity • 10% Danceability • 17% Energy • 11% Liveness
94% Instrumentalness • 3% Positiveness
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Craig Armstrong
The Burnt Orange Heresy Theme
68 bpm • C min • 02:48 • -21.34db
10% Popularity • 10% Danceability • 6% Energy • 12% Liveness
88% Instrumentalness • 4% Positiveness
10% Popularity • 10% Danceability • 6% Energy • 12% Liveness
88% Instrumentalness • 4% Positiveness
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Christian Henson
Open Seas
68 bpm • G Maj • 01:33 • -16.28db
28% Popularity • 28% Danceability • 16% Energy • 9% Liveness
88% Instrumentalness • 4% Positiveness
28% Popularity • 28% Danceability • 16% Energy • 9% Liveness
88% Instrumentalness • 4% Positiveness
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George Fenton
The Journey of the Sun
68 bpm • F Maj • 03:24 • -21.41db
23% Popularity • 14% Danceability • 10% Energy • 8% Liveness
89% Instrumentalness • 3% Positiveness
23% Popularity • 14% Danceability • 10% Energy • 8% Liveness
89% Instrumentalness • 3% Positiveness
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Howard Shore
Spotlight
68 bpm • G Maj • 01:03 • -25.07db
44% Popularity • 25% Danceability • 4% Energy • 11% Liveness
94% Instrumentalness • 8% Positiveness
44% Popularity • 25% Danceability • 4% Energy • 11% Liveness
94% Instrumentalness • 8% Positiveness
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Jeff Russo
The Long Road Home (Paint Cans)
68 bpm • D min • 02:15 • -22.46db
18% Popularity • 12% Danceability • 15% Energy • 10% Liveness
96% Instrumentalness • 6% Positiveness
18% Popularity • 12% Danceability • 15% Energy • 10% Liveness
96% Instrumentalness • 6% Positiveness
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Cliff Martinez
Death Shall Have No Dominion
68 bpm • A# Maj • 02:09 • -15db
24% Popularity • 6% Danceability • 23% Energy • 10% Liveness
88% Instrumentalness • 3% Positiveness
24% Popularity • 6% Danceability • 23% Energy • 10% Liveness
88% Instrumentalness • 3% Positiveness
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Éric Serra
Lakta Ligunai
68 bpm • C# Maj • 04:13 • -18.22db
17% Popularity • 14% Danceability • 26% Energy • 11% Liveness
91% Instrumentalness • 3% Positiveness
17% Popularity • 14% Danceability • 26% Energy • 11% Liveness
91% Instrumentalness • 3% Positiveness
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Christopher Young
Runaway Jury
68 bpm • F min • 05:37 • -20.82db
21% Popularity • 8% Danceability • 8% Energy • 8% Liveness
94% Instrumentalness • 4% Positiveness
21% Popularity • 8% Danceability • 8% Energy • 8% Liveness
94% Instrumentalness • 4% Positiveness
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William Ross
Lonely Roscuro
68 bpm • A min • 01:15 • -36db
54% Popularity • 21% Danceability • 1% Energy • 8% Liveness
77% Instrumentalness • 4% Positiveness
54% Popularity • 21% Danceability • 1% Energy • 8% Liveness
77% Instrumentalness • 4% Positiveness
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Rachel LaFond
Apparition - Remembrance
68 bpm • G min • 04:13 • -15.85db
7% Popularity • 28% Danceability • 11% Energy • 12% Liveness
65% Instrumentalness • 5% Positiveness
7% Popularity • 28% Danceability • 11% Energy • 12% Liveness
65% Instrumentalness • 5% Positiveness
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Ben Salisbury
Ava
68 bpm • F# Maj • 02:22 • -36.53db
42% Popularity • 20% Danceability • 1% Energy • 9% Liveness
84% Instrumentalness • 3% Positiveness
42% Popularity • 20% Danceability • 1% Energy • 9% Liveness
84% Instrumentalness • 3% Positiveness
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Mark Snow
The Surgery (X-Files: I Want To Believe ...
68 bpm • A min • 02:14 • -20.48db
18% Popularity • 20% Danceability • 17% Energy • 10% Liveness
96% Instrumentalness • 4% Positiveness
18% Popularity • 20% Danceability • 17% Energy • 10% Liveness
96% Instrumentalness • 4% Positiveness
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Edward Shearmur
Calling Sky Captain
68 bpm • F Maj • 03:24 • -9.22db
6% Popularity • 16% Danceability • 70% Energy • 29% Liveness
77% Instrumentalness • 8% Positiveness
6% Popularity • 16% Danceability • 70% Energy • 29% Liveness
77% Instrumentalness • 8% Positiveness
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Angelo Milli
Inez
69 bpm • G# min • 02:08 • -28.24db
16% Popularity • 15% Danceability • 3% Energy • 9% Liveness
86% Instrumentalness • 4% Positiveness
16% Popularity • 15% Danceability • 3% Energy • 9% Liveness
86% Instrumentalness • 4% Positiveness
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Chris Roe
Circling In
68 bpm • G min • 02:21 • -26.01db
19% Popularity • 8% Danceability • 6% Energy • 5% Liveness
94% Instrumentalness • 5% Positiveness
19% Popularity • 8% Danceability • 6% Energy • 5% Liveness
94% Instrumentalness • 5% Positiveness
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Guy Farley
Drawing
69 bpm • G min • 02:34 • -29.44db
33% Popularity • 9% Danceability • 2% Energy • 8% Liveness
97% Instrumentalness • 3% Positiveness
33% Popularity • 9% Danceability • 2% Energy • 8% Liveness
97% Instrumentalness • 3% Positiveness
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Kyle Eastwood and Michael Stevens
Letters Montage
69 bpm • D min • 03:18 • -26.43db
13% Popularity • 27% Danceability • 2% Energy • 9% Liveness
96% Instrumentalness • 4% Positiveness
13% Popularity • 27% Danceability • 2% Energy • 9% Liveness
96% Instrumentalness • 4% Positiveness
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Marc Streitenfeld
Life
69 bpm • E Maj • 02:30 • -20.33db
46% Popularity • 11% Danceability • 12% Energy • 10% Liveness
92% Instrumentalness • 3% Positiveness
46% Popularity • 11% Danceability • 12% Energy • 10% Liveness
92% Instrumentalness • 3% Positiveness
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Edward Shearmur
Flight To Nepal
53 bpm • D min • 04:36 • -19.58db
2% Popularity • 16% Danceability • 6% Energy • 11% Liveness
64% Instrumentalness • 4% Positiveness
2% Popularity • 16% Danceability • 6% Energy • 11% Liveness
64% Instrumentalness • 4% Positiveness
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Roque Baños
Homecoming
69 bpm • F Maj • 07:32 • -21.31db
18% Popularity • 15% Danceability • 7% Energy • 10% Liveness
74% Instrumentalness • 3% Positiveness
18% Popularity • 15% Danceability • 7% Energy • 10% Liveness
74% Instrumentalness • 3% Positiveness
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Nathan Johnson
Everything Comes Around
52 bpm • D# Maj • 02:38 • -16.62db
41% Popularity • 22% Danceability • 19% Energy • 15% Liveness
86% Instrumentalness • 4% Positiveness
41% Popularity • 22% Danceability • 19% Energy • 15% Liveness
86% Instrumentalness • 4% Positiveness
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Guy Farley
Photos
52 bpm • A min • 01:43 • -32.54db
35% Popularity • 26% Danceability • 1% Energy • 7% Liveness
98% Instrumentalness • 7% Positiveness
35% Popularity • 26% Danceability • 1% Energy • 7% Liveness
98% Instrumentalness • 7% Positiveness
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Charlie Mole
L'addition
69 bpm • C min • 02:00 • -20.65db
14% Popularity • 26% Danceability • 7% Energy • 18% Liveness
92% Instrumentalness • 7% Positiveness
14% Popularity • 26% Danceability • 7% Energy • 18% Liveness
92% Instrumentalness • 7% Positiveness
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Samuel Sim
When I'm Gone
69 bpm • C min • 02:32 • -21.85db
15% Popularity • 16% Danceability • 4% Energy • 12% Liveness
90% Instrumentalness • 4% Positiveness
15% Popularity • 16% Danceability • 4% Energy • 12% Liveness
90% Instrumentalness • 4% Positiveness
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Ilan Eshkeri
Fate of the Ninth
69 bpm • A# min • 02:03 • -20.47db
31% Popularity • 17% Danceability • 9% Energy • 10% Liveness
80% Instrumentalness • 3% Positiveness
31% Popularity • 17% Danceability • 9% Energy • 10% Liveness
80% Instrumentalness • 3% Positiveness
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Don Davis
Trinity Definitely
69 bpm • A# min • 04:15 • -27.13db
17% Popularity • 13% Danceability • 8% Energy • 38% Liveness
86% Instrumentalness • 3% Positiveness
17% Popularity • 13% Danceability • 8% Energy • 38% Liveness
86% Instrumentalness • 3% Positiveness
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Stephen J. Anderson
Stevens Solitude
69 bpm • C Maj • 05:36 • -42.17db
9% Popularity • 22% Danceability • 0% Energy • 9% Liveness
97% Instrumentalness • 4% Positiveness
9% Popularity • 22% Danceability • 0% Energy • 9% Liveness
97% Instrumentalness • 4% Positiveness
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Clint Mansell
Memories (Someone We'll Never Know)
69 bpm • A min • 04:52 • -23.74db
29% Popularity • 12% Danceability • 3% Energy • 10% Liveness
75% Instrumentalness • 6% Positiveness
29% Popularity • 12% Danceability • 3% Energy • 10% Liveness
75% Instrumentalness • 6% Positiveness
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Éric Serra
Koolen
69 bpm • B min • 00:55 • -30.36db
39% Popularity • 17% Danceability • 2% Energy • 11% Liveness
97% Instrumentalness • 5% Positiveness
39% Popularity • 17% Danceability • 2% Energy • 11% Liveness
97% Instrumentalness • 5% Positiveness
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David Buckley
Papillon
70 bpm • F# min • 02:08 • -19.14db
17% Popularity • 21% Danceability • 8% Energy • 6% Liveness
98% Instrumentalness • 3% Positiveness
17% Popularity • 21% Danceability • 8% Energy • 6% Liveness
98% Instrumentalness • 3% Positiveness
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Mark Mancina
Looking At You
70 bpm • A Maj • 04:29 • -18db
11% Popularity • 15% Danceability • 8% Energy • 10% Liveness
80% Instrumentalness • 4% Positiveness
11% Popularity • 15% Danceability • 8% Energy • 10% Liveness
80% Instrumentalness • 4% Positiveness
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Paul Leonard-Morgan
Van Loon
70 bpm • A min • 02:29 • -26.79db
25% Popularity • 38% Danceability • 13% Energy • 8% Liveness
90% Instrumentalness • 3% Positiveness
25% Popularity • 38% Danceability • 13% Energy • 8% Liveness
90% Instrumentalness • 3% Positiveness
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Jeff Beal
Claire And Adam
70 bpm • C min • 03:04 • -26.54db
25% Popularity • 7% Danceability • 10% Energy • 8% Liveness
91% Instrumentalness • 4% Positiveness
25% Popularity • 7% Danceability • 10% Energy • 8% Liveness
91% Instrumentalness • 4% Positiveness
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Steven Price
Airlock
70 bpm • F Maj • 01:57 • -36.84db
32% Popularity • 20% Danceability • 2% Energy • 8% Liveness
95% Instrumentalness • 4% Positiveness
32% Popularity • 20% Danceability • 2% Energy • 8% Liveness
95% Instrumentalness • 4% Positiveness
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Marc Streitenfeld
Into the Fray
70 bpm • C Maj • 01:49 • -26.53db
40% Popularity • 27% Danceability • 4% Energy • 22% Liveness
86% Instrumentalness • 6% Positiveness
40% Popularity • 27% Danceability • 4% Energy • 22% Liveness
86% Instrumentalness • 6% Positiveness
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Lisa Gerrard & Marcello De Francisci
Let the Rest Go
70 bpm • E min • 04:51 • -19.06db
15% Popularity • 26% Danceability • 7% Energy • 10% Liveness
92% Instrumentalness • 4% Positiveness
15% Popularity • 26% Danceability • 7% Energy • 10% Liveness
92% Instrumentalness • 4% Positiveness
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Rachel Portman
Love Is Divine
70 bpm • D min • 01:21 • -12db
11% Popularity • 20% Danceability • 18% Energy • 13% Liveness
91% Instrumentalness • 4% Positiveness
11% Popularity • 20% Danceability • 18% Energy • 13% Liveness
91% Instrumentalness • 4% Positiveness
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Trent Reznor and Atticus Ross
What Have We Done to Each Other?
70 bpm • G# Maj • 02:30 • -26.97db
36% Popularity • 25% Danceability • 4% Energy • 12% Liveness
94% Instrumentalness • 3% Positiveness
36% Popularity • 25% Danceability • 4% Energy • 12% Liveness
94% Instrumentalness • 3% Positiveness
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Alberto Iglesias
I Need a General
70 bpm • B Maj • 03:21 • -15.31db
10% Popularity • 15% Danceability • 17% Energy • 10% Liveness
86% Instrumentalness • 3% Positiveness
10% Popularity • 15% Danceability • 17% Energy • 10% Liveness
86% Instrumentalness • 3% Positiveness
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George Fenton
Lost in the Storm
70 bpm • A min • 01:11 • -17.41db
36% Popularity • 15% Danceability • 14% Energy • 6% Liveness
93% Instrumentalness • 3% Positiveness
36% Popularity • 15% Danceability • 14% Energy • 6% Liveness
93% Instrumentalness • 3% Positiveness
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Laurent Eyquem
The World Turned Upside Down - Pt. 2
71 bpm • A# Maj • 02:20 • -23db
23% Popularity • 22% Danceability • 5% Energy • 12% Liveness
95% Instrumentalness • 15% Positiveness
23% Popularity • 22% Danceability • 5% Energy • 12% Liveness
95% Instrumentalness • 15% Positiveness
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Explosions In The Sky
A Storm Is Coming
71 bpm • C# Maj • 02:07 • -24.91db
24% Popularity • 19% Danceability • 15% Energy • 8% Liveness
94% Instrumentalness • 5% Positiveness
24% Popularity • 19% Danceability • 15% Energy • 8% Liveness
94% Instrumentalness • 5% Positiveness
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Edward Shearmur
Nora Takes A Turn
71 bpm • E min • 01:51 • -29.76db
2% Popularity • 38% Danceability • 1% Energy • 11% Liveness
92% Instrumentalness • 13% Positiveness
2% Popularity • 38% Danceability • 1% Energy • 11% Liveness
92% Instrumentalness • 13% Positiveness
