Songs like Sarkai Lo Khatiya Jada Lage by Arvind Akela Kallu Ji
Based on a tempo of (+/- 10%) and a similar genre
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Pawan Singh
Godi Me Leke
128 bpm • F# min • 03:36 • -1.59db
66% Popularity • 72% Danceability • 98% Energy • 46% Liveness
0% Instrumentalness • 94% Positiveness
66% Popularity • 72% Danceability • 98% Energy • 46% Liveness
0% Instrumentalness • 94% Positiveness
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Pramod Premi Yadav
Jhulufiya Ae Balam
128 bpm • D Maj • 03:41 • -1db
55% Popularity • 68% Danceability • 99% Energy • 64% Liveness
0% Instrumentalness • 76% Positiveness
55% Popularity • 68% Danceability • 99% Energy • 64% Liveness
0% Instrumentalness • 76% Positiveness
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Arvind Akela Kallu Ji
Kajal Laga Ke Na Pagal Kara
128 bpm • G# Maj • 03:11 • -4.38db
13% Popularity • 70% Danceability • 90% Energy • 32% Liveness
0% Instrumentalness • 90% Positiveness
13% Popularity • 70% Danceability • 90% Energy • 32% Liveness
0% Instrumentalness • 90% Positiveness
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Gunjan Singh
Ee Hayi Nawada Jila Ge
128 bpm • D Maj • 03:26 • -0.42db
28% Popularity • 63% Danceability • 99% Energy • 21% Liveness
0% Instrumentalness • 66% Positiveness
28% Popularity • 63% Danceability • 99% Energy • 21% Liveness
0% Instrumentalness • 66% Positiveness
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Sanoj Rajbhar
Coolar Lagwa Di Raja Ji
128 bpm • C# Maj • 03:35 • -3db
43% Popularity • 75% Danceability • 94% Energy • 41% Liveness
0% Instrumentalness • 95% Positiveness
43% Popularity • 75% Danceability • 94% Energy • 41% Liveness
0% Instrumentalness • 95% Positiveness
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Chandan Chanchal
Devara Dhodhi Chatna Ba
128 bpm • B min • 03:39 • -2.44db
31% Popularity • 75% Danceability • 99% Energy • 64% Liveness
0% Instrumentalness • 72% Positiveness
31% Popularity • 75% Danceability • 99% Energy • 64% Liveness
0% Instrumentalness • 72% Positiveness
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Pawan Singh
Tikuliya Ae Raja
128 bpm • F# min • 03:24 • -1.49db
62% Popularity • 71% Danceability • 100% Energy • 33% Liveness
0% Instrumentalness • 67% Positiveness
62% Popularity • 71% Danceability • 100% Energy • 33% Liveness
0% Instrumentalness • 67% Positiveness
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Indu Sonali
Kamar Hilela Ho Kamar Hilela
128 bpm • C# Maj • 04:16 • -4.16db
48% Popularity • 74% Danceability • 97% Energy • 11% Liveness
0% Instrumentalness • 94% Positiveness
48% Popularity • 74% Danceability • 97% Energy • 11% Liveness
0% Instrumentalness • 94% Positiveness
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Arvind Akela Kallu
Tu Meri Tala Chabhi
128 bpm • C min • 03:49 • -0.59db
27% Popularity • 75% Danceability • 94% Energy • 37% Liveness
0% Instrumentalness • 84% Positiveness
27% Popularity • 75% Danceability • 94% Energy • 37% Liveness
0% Instrumentalness • 84% Positiveness
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Khesari Lal Yadav
Lagelu Jahar
128 bpm • G# min • 03:37 • -4.21db
64% Popularity • 64% Danceability • 93% Energy • 58% Liveness
0% Instrumentalness • 80% Positiveness
64% Popularity • 64% Danceability • 93% Energy • 58% Liveness
0% Instrumentalness • 80% Positiveness
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Samar Singh
Kamariya Ko Touch Karne Na Dungi
128 bpm • F# min • 03:06 • -2.87db
56% Popularity • 73% Danceability • 94% Energy • 7% Liveness
0% Instrumentalness • 96% Positiveness
56% Popularity • 73% Danceability • 94% Energy • 7% Liveness
0% Instrumentalness • 96% Positiveness
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Masoom Sharma
Jap Naam Bhole Ka
128 bpm • G# min • 03:28 • -3.09db
47% Popularity • 76% Danceability • 91% Energy • 4% Liveness
0% Instrumentalness • 45% Positiveness
47% Popularity • 76% Danceability • 91% Energy • 4% Liveness
0% Instrumentalness • 45% Positiveness
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Pramod Premi Yadav
Padhai Chalata
128 bpm • F Maj • 03:24 • -1.96db
42% Popularity • 62% Danceability • 99% Energy • 36% Liveness
0% Instrumentalness • 72% Positiveness
42% Popularity • 62% Danceability • 99% Energy • 36% Liveness
0% Instrumentalness • 72% Positiveness
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Indu Sonali
Meri Jawani Hai Made in Bihar
128 bpm • F# min • 03:18 • -4db
41% Popularity • 76% Danceability • 96% Energy • 25% Liveness
0% Instrumentalness • 86% Positiveness
41% Popularity • 76% Danceability • 96% Energy • 25% Liveness
0% Instrumentalness • 86% Positiveness
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Bullet Raja
Aaj Bhar Dheel Da Dhori Jan Chhil Da
128 bpm • C min • 04:05 • -1.58db
50% Popularity • 72% Danceability • 95% Energy • 6% Liveness
0% Instrumentalness • 57% Positiveness
50% Popularity • 72% Danceability • 95% Energy • 6% Liveness
0% Instrumentalness • 57% Positiveness
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Vijay Chauhan
Patabe Ki Na ???
127 bpm • C# Maj • 03:03 • -1.54db
37% Popularity • 70% Danceability • 98% Energy • 37% Liveness
0% Instrumentalness • 72% Positiveness
37% Popularity • 70% Danceability • 98% Energy • 37% Liveness
0% Instrumentalness • 72% Positiveness
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Raju Punjabi
Thada Bhartar
127 bpm • C# Maj • 03:14 • -4.81db
54% Popularity • 83% Danceability • 84% Energy • 30% Liveness
0% Instrumentalness • 92% Positiveness
54% Popularity • 83% Danceability • 84% Energy • 30% Liveness
0% Instrumentalness • 92% Positiveness
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Akshara Singh
Falanwa Ke Beta Sapanwa Me Aata Hai
130 bpm • F min • 03:21 • -3.79db
44% Popularity • 81% Danceability • 78% Energy • 14% Liveness
0% Instrumentalness • 80% Positiveness
44% Popularity • 81% Danceability • 78% Energy • 14% Liveness
0% Instrumentalness • 80% Positiveness
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Parmod Premi Yadav
Heat Kare Vala Heater Hiya
130 bpm • B Maj • 03:36 • -1.52db
35% Popularity • 67% Danceability • 91% Energy • 10% Liveness
0% Instrumentalness • 64% Positiveness
35% Popularity • 67% Danceability • 91% Energy • 10% Liveness
0% Instrumentalness • 64% Positiveness
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Priyanka Singh Chauhan
Kala Gamachhiya
130 bpm • D Maj • 03:44 • -0.68db
40% Popularity • 62% Danceability • 97% Energy • 63% Liveness
0% Instrumentalness • 93% Positiveness
40% Popularity • 62% Danceability • 97% Energy • 63% Liveness
0% Instrumentalness • 93% Positiveness
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Gyanendra Sardhana
Mood Garam
126 bpm • F# min • 04:45 • -0.55db
49% Popularity • 70% Danceability • 95% Energy • 46% Liveness
0% Instrumentalness • 78% Positiveness
49% Popularity • 70% Danceability • 95% Energy • 46% Liveness
0% Instrumentalness • 78% Positiveness
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Rakesh Mishra
Raja Bhaile Jawan Hum Laike Nu Bani
126 bpm • C# min • 03:46 • -2.19db
22% Popularity • 69% Danceability • 97% Energy • 21% Liveness
0% Instrumentalness • 76% Positiveness
22% Popularity • 69% Danceability • 97% Energy • 21% Liveness
0% Instrumentalness • 76% Positiveness
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Deepak Raj Yadav
Hamar Piyaba Chalave Diesel Gadiya
130 bpm • A# Maj • 03:32 • -4.82db
49% Popularity • 72% Danceability • 96% Energy • 74% Liveness
0% Instrumentalness • 85% Positiveness
49% Popularity • 72% Danceability • 96% Energy • 74% Liveness
0% Instrumentalness • 85% Positiveness
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Bullet Raja
Dugo Chooma Deda Jaan
130 bpm • D min • 03:49 • -1.82db
30% Popularity • 70% Danceability • 98% Energy • 9% Liveness
0% Instrumentalness • 77% Positiveness
30% Popularity • 70% Danceability • 98% Energy • 9% Liveness
0% Instrumentalness • 77% Positiveness
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Khesari Lal Yadav
Sutaal Tani Kora Mein
130 bpm • A# min • 03:26 • -2.32db
56% Popularity • 61% Danceability • 99% Energy • 10% Liveness
0% Instrumentalness • 88% Positiveness
56% Popularity • 61% Danceability • 99% Energy • 10% Liveness
0% Instrumentalness • 88% Positiveness
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Masoom Sharma
Gandaas Hori Se
126 bpm • A min • 04:25 • -4.05db
39% Popularity • 83% Danceability • 86% Energy • 19% Liveness
0% Instrumentalness • 78% Positiveness
39% Popularity • 83% Danceability • 86% Energy • 19% Liveness
0% Instrumentalness • 78% Positiveness
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B Praak
Zohrajabeen
130 bpm • F# min • 03:54 • -3.73db
55% Popularity • 67% Danceability • 76% Energy • 13% Liveness
0% Instrumentalness • 64% Positiveness
55% Popularity • 67% Danceability • 76% Energy • 13% Liveness
0% Instrumentalness • 64% Positiveness
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Akshara Singh
Idhar Aane Ka Nahi
130 bpm • C# Maj • 02:32 • -1.01db
35% Popularity • 83% Danceability • 91% Energy • 11% Liveness
0% Instrumentalness • 84% Positiveness
35% Popularity • 83% Danceability • 91% Energy • 11% Liveness
0% Instrumentalness • 84% Positiveness
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Vijay Chauhan
Bideswa Ae Raja
130 bpm • B Maj • 03:59 • -0.69db
32% Popularity • 67% Danceability • 95% Energy • 20% Liveness
0% Instrumentalness • 68% Positiveness
32% Popularity • 67% Danceability • 95% Energy • 20% Liveness
0% Instrumentalness • 68% Positiveness
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Tuntun Yadav
Rakhle Ba Nachaniya
126 bpm • D Maj • 04:34 • -3.52db
63% Popularity • 64% Danceability • 99% Energy • 20% Liveness
0% Instrumentalness • 85% Positiveness
63% Popularity • 64% Danceability • 99% Energy • 20% Liveness
0% Instrumentalness • 85% Positiveness
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Ankush Raja
Dhak Dhak Karata Karej
126 bpm • C min • 04:30 • -3db
43% Popularity • 67% Danceability • 98% Energy • 23% Liveness
0% Instrumentalness • 75% Positiveness
43% Popularity • 67% Danceability • 98% Energy • 23% Liveness
0% Instrumentalness • 75% Positiveness
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Kalpana
Dilwa Mangele Gamcha Bichayike
130 bpm • D min • 05:31 • -10.47db
47% Popularity • 75% Danceability • 68% Energy • 39% Liveness
0% Instrumentalness • 79% Positiveness
47% Popularity • 75% Danceability • 68% Energy • 39% Liveness
0% Instrumentalness • 79% Positiveness
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Pawan Singh
Mehraru Milal Gaay
130 bpm • B Maj • 03:17 • -1.06db
64% Popularity • 72% Danceability • 97% Energy • 6% Liveness
0% Instrumentalness • 77% Positiveness
64% Popularity • 72% Danceability • 97% Energy • 6% Liveness
0% Instrumentalness • 77% Positiveness
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Arvind Akela Kallu Ji
Desi Saiyyan Ji
130 bpm • F# Maj • 03:20 • -1.88db
29% Popularity • 90% Danceability • 93% Energy • 15% Liveness
0% Instrumentalness • 96% Positiveness
29% Popularity • 90% Danceability • 93% Energy • 15% Liveness
0% Instrumentalness • 96% Positiveness
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Rani Rangili
Lilan Singare
130 bpm • B min • 06:52 • -4.72db
27% Popularity • 69% Danceability • 100% Energy • 34% Liveness
9% Instrumentalness • 54% Positiveness
27% Popularity • 69% Danceability • 100% Energy • 34% Liveness
9% Instrumentalness • 54% Positiveness
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Tuntun Yadav
E Nachaniya
130 bpm • B min • 03:34 • -1.65db
47% Popularity • 61% Danceability • 99% Energy • 34% Liveness
0% Instrumentalness • 78% Positiveness
47% Popularity • 61% Danceability • 99% Energy • 34% Liveness
0% Instrumentalness • 78% Positiveness
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Narender Bhagana
Villain Rhn De
130 bpm • A min • 06:08 • -2.63db
52% Popularity • 80% Danceability • 96% Energy • 31% Liveness
0% Instrumentalness • 72% Positiveness
52% Popularity • 80% Danceability • 96% Energy • 31% Liveness
0% Instrumentalness • 72% Positiveness
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Awadhesh Premi Yadav
Dilwa le gail piyarki farak wali
130 bpm • B min • 04:37 • -1db
34% Popularity • 72% Danceability • 99% Energy • 16% Liveness
0% Instrumentalness • 73% Positiveness
34% Popularity • 72% Danceability • 99% Energy • 16% Liveness
0% Instrumentalness • 73% Positiveness
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Ankush Raja
Chala Garda Kabare
126 bpm • A# min • 02:53 • -1.28db
54% Popularity • 71% Danceability • 98% Energy • 31% Liveness
0% Instrumentalness • 68% Positiveness
54% Popularity • 71% Danceability • 98% Energy • 31% Liveness
0% Instrumentalness • 68% Positiveness
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Golu Gold
Marela Hepar
130 bpm • C# Maj • 04:05 • -1db
20% Popularity • 63% Danceability • 99% Energy • 42% Liveness
0% Instrumentalness • 66% Positiveness
20% Popularity • 63% Danceability • 99% Energy • 42% Liveness
0% Instrumentalness • 66% Positiveness
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Monu Singh
Babuaan
126 bpm • C min • 03:24 • -2db
50% Popularity • 73% Danceability • 98% Energy • 9% Liveness
0% Instrumentalness • 88% Positiveness
50% Popularity • 73% Danceability • 98% Energy • 9% Liveness
0% Instrumentalness • 88% Positiveness
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Tuntun Yadav
Russian Batwa Denge Rashan Me
130 bpm • C# Maj • 03:24 • -0.56db
47% Popularity • 72% Danceability • 97% Energy • 30% Liveness
0% Instrumentalness • 75% Positiveness
47% Popularity • 72% Danceability • 97% Energy • 30% Liveness
0% Instrumentalness • 75% Positiveness
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Sunny Pandey
Dhodhi Dudh Ke Katori
126 bpm • C# Maj • 03:10 • -2.66db
45% Popularity • 77% Danceability • 90% Energy • 23% Liveness
0% Instrumentalness • 84% Positiveness
45% Popularity • 77% Danceability • 90% Energy • 23% Liveness
0% Instrumentalness • 84% Positiveness
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Monu Albela
Panditain
126 bpm • C# Maj • 04:27 • -2db
21% Popularity • 74% Danceability • 94% Energy • 22% Liveness
0% Instrumentalness • 71% Positiveness
21% Popularity • 74% Danceability • 94% Energy • 22% Liveness
0% Instrumentalness • 71% Positiveness
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Masoom Sharma
Olha Mein Patola
130 bpm • D min • 03:15 • -5.79db
54% Popularity • 83% Danceability • 87% Energy • 38% Liveness
0% Instrumentalness • 77% Positiveness
54% Popularity • 83% Danceability • 87% Energy • 38% Liveness
0% Instrumentalness • 77% Positiveness
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Ankush Raja
Nathuniya Ke Daali
130 bpm • E min • 04:16 • -2db
44% Popularity • 71% Danceability • 99% Energy • 12% Liveness
0% Instrumentalness • 71% Positiveness
44% Popularity • 71% Danceability • 99% Energy • 12% Liveness
0% Instrumentalness • 71% Positiveness
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Monu Singh
Babuaan
126 bpm • A# Maj • 03:08 • -1db
34% Popularity • 74% Danceability • 99% Energy • 39% Liveness
0% Instrumentalness • 96% Positiveness
34% Popularity • 74% Danceability • 99% Energy • 39% Liveness
0% Instrumentalness • 96% Positiveness
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Arvind Akela Kallu Ji
Devar Pa Rahab Holi Me
130 bpm • G# Maj • 04:12 • -3.33db
55% Popularity • 61% Danceability • 98% Energy • 87% Liveness
0% Instrumentalness • 59% Positiveness
55% Popularity • 61% Danceability • 98% Energy • 87% Liveness
0% Instrumentalness • 59% Positiveness
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Pawan Singh
Ka Lebu Ho...?
126 bpm • C Maj • 02:51 • -1.66db
60% Popularity • 76% Danceability • 98% Energy • 38% Liveness
0% Instrumentalness • 82% Positiveness
60% Popularity • 76% Danceability • 98% Energy • 38% Liveness
0% Instrumentalness • 82% Positiveness
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Shilpi Raj
Nadi Biche Naiya Dole
126 bpm • A min • 03:54 • -1.91db
58% Popularity • 64% Danceability • 97% Energy • 32% Liveness
0% Instrumentalness • 75% Positiveness
58% Popularity • 64% Danceability • 97% Energy • 32% Liveness
0% Instrumentalness • 75% Positiveness
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Samar Singh
Kaiili Ropaniya Nihur Nihur
130 bpm • A min • 03:26 • -2.9db
55% Popularity • 67% Danceability • 97% Energy • 30% Liveness
0% Instrumentalness • 74% Positiveness
55% Popularity • 67% Danceability • 97% Energy • 30% Liveness
0% Instrumentalness • 74% Positiveness
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Durga Jasraj
Choudhary
130 bpm • G# Maj • 05:46 • -3.25db
33% Popularity • 69% Danceability • 97% Energy • 5% Liveness
0% Instrumentalness • 68% Positiveness
33% Popularity • 69% Danceability • 97% Energy • 5% Liveness
0% Instrumentalness • 68% Positiveness
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Dhannjay Shivay
Chali Samiyana Me Aaj Tohre Chalte Goli
126 bpm • A# min • 03:27 • -4.84db
37% Popularity • 71% Danceability • 89% Energy • 35% Liveness
0% Instrumentalness • 74% Positiveness
37% Popularity • 71% Danceability • 89% Energy • 35% Liveness
0% Instrumentalness • 74% Positiveness
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Arvind Akela Kallu Ji
Lela Nenuaa Aa-Aa-Aa
130 bpm • A min • 03:46 • -2.57db
40% Popularity • 73% Danceability • 99% Energy • 87% Liveness
0% Instrumentalness • 70% Positiveness
40% Popularity • 73% Danceability • 99% Energy • 87% Liveness
0% Instrumentalness • 70% Positiveness
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Shivani Singh
Najare Me Kajare Ban Ke
130 bpm • F Maj • 03:30 • -2.4db
60% Popularity • 67% Danceability • 99% Energy • 38% Liveness
0% Instrumentalness • 81% Positiveness
60% Popularity • 67% Danceability • 99% Energy • 38% Liveness
0% Instrumentalness • 81% Positiveness
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Toni Garg
Gurjar Ka Kharcha, Pt. 1
130 bpm • B min • 03:26 • -0.77db
51% Popularity • 73% Danceability • 97% Energy • 34% Liveness
0% Instrumentalness • 82% Positiveness
51% Popularity • 73% Danceability • 97% Energy • 34% Liveness
0% Instrumentalness • 82% Positiveness
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Pramod Premi Yadav
Dumka Ke Jhumka Mashhur
130 bpm • C# Maj • 03:40 • -1.1db
42% Popularity • 63% Danceability • 98% Energy • 27% Liveness
0% Instrumentalness • 91% Positiveness
42% Popularity • 63% Danceability • 98% Energy • 27% Liveness
0% Instrumentalness • 91% Positiveness
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Monu Singh
Mafiya Majanuwa
126 bpm • A# Maj • 03:18 • -2db
55% Popularity • 73% Danceability • 99% Energy • 42% Liveness
0% Instrumentalness • 94% Positiveness
55% Popularity • 73% Danceability • 99% Energy • 42% Liveness
0% Instrumentalness • 94% Positiveness
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Narender Bhagana
Bap to Bap Rahega
130 bpm • C min • 02:44 • -4.1db
52% Popularity • 82% Danceability • 87% Energy • 12% Liveness
0% Instrumentalness • 61% Positiveness
52% Popularity • 82% Danceability • 87% Energy • 12% Liveness
0% Instrumentalness • 61% Positiveness
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Arvind Akela Kallu Ji
De Da Mohabbat Ke Loan
130 bpm • A# min • 03:00 • -2.73db
17% Popularity • 54% Danceability • 98% Energy • 35% Liveness
0% Instrumentalness • 87% Positiveness
17% Popularity • 54% Danceability • 98% Energy • 35% Liveness
0% Instrumentalness • 87% Positiveness
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Chandan Chanchal
Dhodhi Satarangi Kaile Ba
125 bpm • G min • 03:48 • -0.13db
39% Popularity • 70% Danceability • 98% Energy • 34% Liveness
0% Instrumentalness • 90% Positiveness
39% Popularity • 70% Danceability • 98% Energy • 34% Liveness
0% Instrumentalness • 90% Positiveness
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Tuntun Yadav
Nachaniya Ke Number
125 bpm • G Maj • 03:04 • -1.35db
51% Popularity • 70% Danceability • 99% Energy • 10% Liveness
0% Instrumentalness • 80% Positiveness
51% Popularity • 70% Danceability • 99% Energy • 10% Liveness
0% Instrumentalness • 80% Positiveness
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Mukesh Foji
Suthri Si Chhori
125 bpm • C# min • 03:46 • -4.06db
49% Popularity • 87% Danceability • 84% Energy • 12% Liveness
0% Instrumentalness • 52% Positiveness
49% Popularity • 87% Danceability • 84% Energy • 12% Liveness
0% Instrumentalness • 52% Positiveness
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Pramod Premi Yadav
Jhakora Mare Jhulani
125 bpm • A# min • 03:14 • -1.78db
48% Popularity • 72% Danceability • 99% Energy • 43% Liveness
0% Instrumentalness • 93% Positiveness
48% Popularity • 72% Danceability • 99% Energy • 43% Liveness
0% Instrumentalness • 93% Positiveness
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Ranjeet Singh
Patna Se Chalata Dawaiya
125 bpm • G Maj • 03:57 • -2.84db
10% Popularity • 63% Danceability • 99% Energy • 6% Liveness
0% Instrumentalness • 68% Positiveness
10% Popularity • 63% Danceability • 99% Energy • 6% Liveness
0% Instrumentalness • 68% Positiveness
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Neelkamal Singh
Garmi Badhal Bate Kurti Me
125 bpm • G min • 02:39 • 0.26db
60% Popularity • 74% Danceability • 98% Energy • 27% Liveness
0% Instrumentalness • 88% Positiveness
60% Popularity • 74% Danceability • 98% Energy • 27% Liveness
0% Instrumentalness • 88% Positiveness
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Chandan Chanchal
Dhodhi Kunwa Kaile Ba
125 bpm • G min • 03:48 • 0.28db
62% Popularity • 70% Danceability • 98% Energy • 31% Liveness
0% Instrumentalness • 85% Positiveness
62% Popularity • 70% Danceability • 98% Energy • 31% Liveness
0% Instrumentalness • 85% Positiveness
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Gunjan Singh
Babuaan Idhar Hai
125 bpm • A# min • 03:41 • -0.93db
49% Popularity • 71% Danceability • 98% Energy • 12% Liveness
0% Instrumentalness • 80% Positiveness
49% Popularity • 71% Danceability • 98% Energy • 12% Liveness
0% Instrumentalness • 80% Positiveness
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Chhotu Sikari
Tu Jan Hau Tahare La Mudar Ho Jai
125 bpm • D Maj • 02:53 • -5.76db
47% Popularity • 76% Danceability • 82% Energy • 38% Liveness
0% Instrumentalness • 58% Positiveness
47% Popularity • 76% Danceability • 82% Energy • 38% Liveness
0% Instrumentalness • 58% Positiveness
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Pramod Premi Yadav
Class Me Jhakash Badu
125 bpm • C# Maj • 03:31 • -1.27db
45% Popularity • 63% Danceability • 94% Energy • 28% Liveness
0% Instrumentalness • 89% Positiveness
45% Popularity • 63% Danceability • 94% Energy • 28% Liveness
0% Instrumentalness • 89% Positiveness
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Golu Gold
Duno Baloon Dhuk Dhuk Kare
125 bpm • A# min • 03:18 • 0.2db
33% Popularity • 76% Danceability • 100% Energy • 38% Liveness
0% Instrumentalness • 90% Positiveness
33% Popularity • 76% Danceability • 100% Energy • 38% Liveness
0% Instrumentalness • 90% Positiveness
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Arvind Akela Kallu Ji
Bandookk
125 bpm • G Maj • 03:08 • -3.67db
52% Popularity • 75% Danceability • 97% Energy • 34% Liveness
0% Instrumentalness • 82% Positiveness
52% Popularity • 75% Danceability • 97% Energy • 34% Liveness
0% Instrumentalness • 82% Positiveness
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Chandan Chanchal
Dhodi Ke Kamjori
125 bpm • G min • 03:40 • -0.4db
37% Popularity • 69% Danceability • 98% Energy • 34% Liveness
0% Instrumentalness • 84% Positiveness
37% Popularity • 69% Danceability • 98% Energy • 34% Liveness
0% Instrumentalness • 84% Positiveness
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Shivani Singh
Marad Ha Matha Ke Darad
125 bpm • F# min • 03:06 • -2.7db
52% Popularity • 79% Danceability • 96% Energy • 23% Liveness
0% Instrumentalness • 91% Positiveness
52% Popularity • 79% Danceability • 96% Energy • 23% Liveness
0% Instrumentalness • 91% Positiveness
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Awadhesh Premi Yadav
Tohar Dunu Indicator
125 bpm • C# Maj • 03:25 • -0.32db
42% Popularity • 86% Danceability • 98% Energy • 10% Liveness
0% Instrumentalness • 82% Positiveness
42% Popularity • 86% Danceability • 98% Energy • 10% Liveness
0% Instrumentalness • 82% Positiveness
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Pramod Premi Yadav
Pise Li Masalwa
125 bpm • D Maj • 03:56 • -1.59db
39% Popularity • 67% Danceability • 96% Energy • 80% Liveness
0% Instrumentalness • 60% Positiveness
39% Popularity • 67% Danceability • 96% Energy • 80% Liveness
0% Instrumentalness • 60% Positiveness
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Ashu Twinkle
Balam
125 bpm • F# min • 04:16 • -2.47db
49% Popularity • 77% Danceability • 88% Energy • 5% Liveness
0% Instrumentalness • 77% Positiveness
49% Popularity • 77% Danceability • 88% Energy • 5% Liveness
0% Instrumentalness • 77% Positiveness
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Ranjeet Singh
Jawan Kadi Jija Ji
125 bpm • C Maj • 02:50 • -1.55db
34% Popularity • 72% Danceability • 99% Energy • 29% Liveness
0% Instrumentalness • 91% Positiveness
34% Popularity • 72% Danceability • 99% Energy • 29% Liveness
0% Instrumentalness • 91% Positiveness
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Chandan Chanchal
Dhodi Ke Aashiq
125 bpm • G min • 02:54 • -1.19db
58% Popularity • 71% Danceability • 95% Energy • 37% Liveness
0% Instrumentalness • 81% Positiveness
58% Popularity • 71% Danceability • 95% Energy • 37% Liveness
0% Instrumentalness • 81% Positiveness
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Shivani Singh
Bhatar Milal Bhola
125 bpm • G min • 03:52 • -2.97db
50% Popularity • 79% Danceability • 96% Energy • 15% Liveness
0% Instrumentalness • 88% Positiveness
50% Popularity • 79% Danceability • 96% Energy • 15% Liveness
0% Instrumentalness • 88% Positiveness
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Gopal Gurjar
Tu Chij Lajawab
125 bpm • F# min • 03:42 • -4.02db
47% Popularity • 90% Danceability • 98% Energy • 34% Liveness
0% Instrumentalness • 84% Positiveness
47% Popularity • 90% Danceability • 98% Energy • 34% Liveness
0% Instrumentalness • 84% Positiveness
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Vijay Chauhan
Jagle Nu Jagle Hola
125 bpm • C Maj • 03:57 • -4.75db
29% Popularity • 71% Danceability • 85% Energy • 19% Liveness
0% Instrumentalness • 84% Positiveness
29% Popularity • 71% Danceability • 85% Energy • 19% Liveness
0% Instrumentalness • 84% Positiveness
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Khesari Lal Yadav
Bihar Me Hoi
125 bpm • A min • 03:18 • 0.45db
56% Popularity • 62% Danceability • 98% Energy • 36% Liveness
0% Instrumentalness • 70% Positiveness
56% Popularity • 62% Danceability • 98% Energy • 36% Liveness
0% Instrumentalness • 70% Positiveness
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Ankush Raja
Jawani Teri Kis Kaam Ki
125 bpm • A# min • 03:35 • -1.43db
33% Popularity • 76% Danceability • 85% Energy • 9% Liveness
0% Instrumentalness • 72% Positiveness
33% Popularity • 76% Danceability • 85% Energy • 9% Liveness
0% Instrumentalness • 72% Positiveness
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Chandan Chanchal
Dewara Dhodhi Chatana Ba
125 bpm • A min • 03:41 • -4.02db
22% Popularity • 73% Danceability • 93% Energy • 70% Liveness
0% Instrumentalness • 95% Positiveness
22% Popularity • 73% Danceability • 93% Energy • 70% Liveness
0% Instrumentalness • 95% Positiveness
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Ram Mehar Mehla
Teri Sec 15 Me Kothi
125 bpm • A# min • 02:29 • -4.95db
33% Popularity • 80% Danceability • 97% Energy • 9% Liveness
0% Instrumentalness • 86% Positiveness
33% Popularity • 80% Danceability • 97% Energy • 9% Liveness
0% Instrumentalness • 86% Positiveness
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Shivani Singh
Fas Jayib Dosara Se
125 bpm • F# min • 03:04 • -1.28db
48% Popularity • 72% Danceability • 99% Energy • 36% Liveness
0% Instrumentalness • 89% Positiveness
48% Popularity • 72% Danceability • 99% Energy • 36% Liveness
0% Instrumentalness • 89% Positiveness
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Awadhesh Premi
Billi Me Killi Lagake Hilaila Raja Ji
132 bpm • A min • 05:46 • -2.41db
31% Popularity • 79% Danceability • 97% Energy • 40% Liveness
0% Instrumentalness • 81% Positiveness
31% Popularity • 79% Danceability • 97% Energy • 40% Liveness
0% Instrumentalness • 81% Positiveness
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Pawan Singh
Hathiyar
132 bpm • A min • 03:07 • 0.04db
61% Popularity • 66% Danceability • 99% Energy • 36% Liveness
0% Instrumentalness • 55% Positiveness
61% Popularity • 66% Danceability • 99% Energy • 36% Liveness
0% Instrumentalness • 55% Positiveness
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Gagan Haryanvi
Saint
132 bpm • C Maj • 03:05 • -2.21db
53% Popularity • 78% Danceability • 95% Energy • 8% Liveness
0% Instrumentalness • 76% Positiveness
53% Popularity • 78% Danceability • 95% Energy • 8% Liveness
0% Instrumentalness • 76% Positiveness
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Chandan Chanchal
Gahir Aapan Dhoriya
125 bpm • C# Maj • 02:33 • -2.57db
48% Popularity • 75% Danceability • 95% Energy • 51% Liveness
0% Instrumentalness • 89% Positiveness
48% Popularity • 75% Danceability • 95% Energy • 51% Liveness
0% Instrumentalness • 89% Positiveness
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Arvind Akela Kallu Ji
Meri Jaan
132 bpm • G min • 04:04 • -5.08db
26% Popularity • 63% Danceability • 92% Energy • 33% Liveness
0% Instrumentalness • 59% Positiveness
26% Popularity • 63% Danceability • 92% Energy • 33% Liveness
0% Instrumentalness • 59% Positiveness
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Appi Prarthi
Dewra Dhodhi Chatna Ba - Bhojpuri
124 bpm • G# min • 03:52 • -4.12db
34% Popularity • 47% Danceability • 97% Energy • 46% Liveness
0% Instrumentalness • 84% Positiveness
34% Popularity • 47% Danceability • 97% Energy • 46% Liveness
0% Instrumentalness • 84% Positiveness
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Bhanwar Khatana
Chhod Mohe Mat Jaiyo
124 bpm • G# Maj • 07:00 • -1.96db
38% Popularity • 81% Danceability • 96% Energy • 9% Liveness
0% Instrumentalness • 77% Positiveness
38% Popularity • 81% Danceability • 96% Energy • 9% Liveness
0% Instrumentalness • 77% Positiveness
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Pawan Singh
Raja Ji
132 bpm • F# min • 03:01 • -1.38db
68% Popularity • 70% Danceability • 98% Energy • 15% Liveness
0% Instrumentalness • 78% Positiveness
68% Popularity • 70% Danceability • 98% Energy • 15% Liveness
0% Instrumentalness • 78% Positiveness
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Awadhesh Premi
Bhatar Jb Salensar Chhuyabe
132 bpm • A Maj • 04:47 • -1.76db
35% Popularity • 72% Danceability • 98% Energy • 34% Liveness
0% Instrumentalness • 88% Positiveness
35% Popularity • 72% Danceability • 98% Energy • 34% Liveness
0% Instrumentalness • 88% Positiveness
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Akshara Singh
Bas Yehi Khati Aara Jaane
132 bpm • C# Maj • 03:06 • 0.84db
38% Popularity • 78% Danceability • 99% Energy • 7% Liveness
0% Instrumentalness • 91% Positiveness
38% Popularity • 78% Danceability • 99% Energy • 7% Liveness
0% Instrumentalness • 91% Positiveness
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Arvind Akela Kallu Ji
Kaise Laika Bhail
132 bpm • C# Maj • 02:45 • -0.92db
32% Popularity • 70% Danceability • 98% Energy • 58% Liveness
0% Instrumentalness • 88% Positiveness
32% Popularity • 70% Danceability • 98% Energy • 58% Liveness
0% Instrumentalness • 88% Positiveness
