Songs like Saturday Eleven by Steve Davidson
Based on a tempo of (+/- 10%) and a similar genre
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Gene Loves Jezebel
World Gone Crazy
120 bpm • G Maj • 04:09 • -8.15db
12% Popularity • 64% Danceability • 70% Energy • 64% Liveness
0% Instrumentalness • 67% Positiveness
12% Popularity • 64% Danceability • 70% Energy • 64% Liveness
0% Instrumentalness • 67% Positiveness
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Scott O'Hara
Zeroes and Ones
120 bpm • C Maj • 03:55 • -7.08db
18% Popularity • 68% Danceability • 63% Energy • 20% Liveness
0% Instrumentalness • 67% Positiveness
18% Popularity • 68% Danceability • 63% Energy • 20% Liveness
0% Instrumentalness • 67% Positiveness
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rurii
sakuma
120 bpm • A min • 01:40 • -6.75db
9% Popularity • 57% Danceability • 91% Energy • 15% Liveness
96% Instrumentalness • 92% Positiveness
9% Popularity • 57% Danceability • 91% Energy • 15% Liveness
96% Instrumentalness • 92% Positiveness
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JME
What I Want
120 bpm • E min • 04:42 • -16.79db
8% Popularity • 59% Danceability • 30% Energy • 13% Liveness
5% Instrumentalness • 32% Positiveness
8% Popularity • 59% Danceability • 30% Energy • 13% Liveness
5% Instrumentalness • 32% Positiveness
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Martin D. Jr.
Not This Time
120 bpm • D min • 03:49 • -9.97db
16% Popularity • 84% Danceability • 57% Energy • 17% Liveness
0% Instrumentalness • 78% Positiveness
16% Popularity • 84% Danceability • 57% Energy • 17% Liveness
0% Instrumentalness • 78% Positiveness
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Chilled Blues
Slow Blues
120 bpm • G Maj • 02:28 • -13db
31% Popularity • 81% Danceability • 25% Energy • 10% Liveness
56% Instrumentalness • 40% Positiveness
31% Popularity • 81% Danceability • 25% Energy • 10% Liveness
56% Instrumentalness • 40% Positiveness
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The Shuttered Palace
2.5c For Greta
120 bpm • E min • 03:12 • -6.08db
26% Popularity • 65% Danceability • 82% Energy • 13% Liveness
7% Instrumentalness • 40% Positiveness
26% Popularity • 65% Danceability • 82% Energy • 13% Liveness
7% Instrumentalness • 40% Positiveness
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Victor Gann
Sisters
120 bpm • G Maj • 02:52 • -10.8db
8% Popularity • 73% Danceability • 38% Energy • 8% Liveness
74% Instrumentalness • 71% Positiveness
8% Popularity • 73% Danceability • 38% Energy • 8% Liveness
74% Instrumentalness • 71% Positiveness
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Glimshire
Running Down The Road
120 bpm • D min • 02:17 • -4.3db
14% Popularity • 69% Danceability • 95% Energy • 13% Liveness
99% Instrumentalness • 83% Positiveness
14% Popularity • 69% Danceability • 95% Energy • 13% Liveness
99% Instrumentalness • 83% Positiveness
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rurii
funnky
120 bpm • A min • 01:40 • -6.79db
11% Popularity • 56% Danceability • 92% Energy • 41% Liveness
90% Instrumentalness • 81% Positiveness
11% Popularity • 56% Danceability • 92% Energy • 41% Liveness
90% Instrumentalness • 81% Positiveness
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DJ Chemo
For Mom
120 bpm • E min • 05:25 • -10db
8% Popularity • 59% Danceability • 37% Energy • 26% Liveness
61% Instrumentalness • 17% Positiveness
8% Popularity • 59% Danceability • 37% Energy • 26% Liveness
61% Instrumentalness • 17% Positiveness
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Jeff Slate
Letter from Paris (Showed Me the Way)
120 bpm • C Maj • 04:44 • -3.35db
15% Popularity • 55% Danceability • 84% Energy • 10% Liveness
0% Instrumentalness • 43% Positiveness
15% Popularity • 55% Danceability • 84% Energy • 10% Liveness
0% Instrumentalness • 43% Positiveness
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Luigi Gargiulo
The Cat Mao
120 bpm • D Maj • 01:54 • -7.66db
21% Popularity • 65% Danceability • 63% Energy • 46% Liveness
4% Instrumentalness • 86% Positiveness
21% Popularity • 65% Danceability • 63% Energy • 46% Liveness
4% Instrumentalness • 86% Positiveness
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Glen D. Giles
Save Me
120 bpm • G Maj • 02:54 • -10.87db
8% Popularity • 45% Danceability • 69% Energy • 38% Liveness
0% Instrumentalness • 48% Positiveness
8% Popularity • 45% Danceability • 69% Energy • 38% Liveness
0% Instrumentalness • 48% Positiveness
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Glimshire
Gratification
120 bpm • A Maj • 02:17 • -6.68db
14% Popularity • 59% Danceability • 75% Energy • 14% Liveness
96% Instrumentalness • 74% Positiveness
14% Popularity • 59% Danceability • 75% Energy • 14% Liveness
96% Instrumentalness • 74% Positiveness
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Higgs Boson and the Strange Charm
Venturi
120 bpm • A min • 03:47 • -11db
13% Popularity • 55% Danceability • 58% Energy • 4% Liveness
10% Instrumentalness • 91% Positiveness
13% Popularity • 55% Danceability • 58% Energy • 4% Liveness
10% Instrumentalness • 91% Positiveness
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Sousan Nick
in space
120 bpm • F Maj • 01:16 • -10.27db
19% Popularity • 82% Danceability • 69% Energy • 11% Liveness
82% Instrumentalness • 39% Positiveness
19% Popularity • 82% Danceability • 69% Energy • 11% Liveness
82% Instrumentalness • 39% Positiveness
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Sidney Sletten
Crusin'
120 bpm • C Maj • 03:23 • -21.22db
19% Popularity • 52% Danceability • 56% Energy • 70% Liveness
1% Instrumentalness • 54% Positiveness
19% Popularity • 52% Danceability • 56% Energy • 70% Liveness
1% Instrumentalness • 54% Positiveness
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Visual Arts Club
Beavis & Butt Head
120 bpm • E min • 02:06 • -5db
9% Popularity • 70% Danceability • 85% Energy • 30% Liveness
92% Instrumentalness • 91% Positiveness
9% Popularity • 70% Danceability • 85% Energy • 30% Liveness
92% Instrumentalness • 91% Positiveness
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Mika Luoto
Wall 3
120 bpm • D min • 04:18 • -11.8db
12% Popularity • 64% Danceability • 59% Energy • 10% Liveness
80% Instrumentalness • 88% Positiveness
12% Popularity • 64% Danceability • 59% Energy • 10% Liveness
80% Instrumentalness • 88% Positiveness
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Glimshire
Anticipation
120 bpm • D min • 02:17 • -8.06db
13% Popularity • 54% Danceability • 72% Energy • 28% Liveness
92% Instrumentalness • 46% Positiveness
13% Popularity • 54% Danceability • 72% Energy • 28% Liveness
92% Instrumentalness • 46% Positiveness
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Steve Davidson
Saturday Eleven
120 bpm • F Maj • 01:54 • -9.75db
0% Popularity • 68% Danceability • 81% Energy • 10% Liveness
84% Instrumentalness • 96% Positiveness
0% Popularity • 68% Danceability • 81% Energy • 10% Liveness
84% Instrumentalness • 96% Positiveness
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Sugar Gliders
Revolution Girl
120 bpm • C# Maj • 04:20 • -11.22db
2% Popularity • 59% Danceability • 48% Energy • 10% Liveness
0% Instrumentalness • 52% Positiveness
2% Popularity • 59% Danceability • 48% Energy • 10% Liveness
0% Instrumentalness • 52% Positiveness
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Between August and December
Glimmering Coals
120 bpm • E min • 00:58 • -12.07db
13% Popularity • 60% Danceability • 51% Energy • 27% Liveness
26% Instrumentalness • 97% Positiveness
13% Popularity • 60% Danceability • 51% Energy • 27% Liveness
26% Instrumentalness • 97% Positiveness
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The Padley Blues Band
Hang On Soldier
120 bpm • A# Maj • 01:45 • -9.82db
27% Popularity • 49% Danceability • 52% Energy • 16% Liveness
92% Instrumentalness • 58% Positiveness
27% Popularity • 49% Danceability • 52% Energy • 16% Liveness
92% Instrumentalness • 58% Positiveness
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Steve Howe
The Glider
120 bpm • G Maj • 01:39 • -8.59db
10% Popularity • 50% Danceability • 66% Energy • 11% Liveness
88% Instrumentalness • 42% Positiveness
10% Popularity • 50% Danceability • 66% Energy • 11% Liveness
88% Instrumentalness • 42% Positiveness
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Glimshire
Turn It Around
120 bpm • F Maj • 01:39 • -5db
15% Popularity • 72% Danceability • 86% Energy • 8% Liveness
98% Instrumentalness • 96% Positiveness
15% Popularity • 72% Danceability • 86% Energy • 8% Liveness
98% Instrumentalness • 96% Positiveness
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Alessandro Batazzi
Overture
120 bpm • B Maj • 03:47 • -4.98db
9% Popularity • 56% Danceability • 62% Energy • 9% Liveness
46% Instrumentalness • 38% Positiveness
9% Popularity • 56% Danceability • 62% Energy • 9% Liveness
46% Instrumentalness • 38% Positiveness
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Sean Findlay
Have You Ever?
120 bpm • G Maj • 03:01 • -4.82db
31% Popularity • 69% Danceability • 71% Energy • 66% Liveness
0% Instrumentalness • 82% Positiveness
31% Popularity • 69% Danceability • 71% Energy • 66% Liveness
0% Instrumentalness • 82% Positiveness
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suke
held
120 bpm • D Maj • 01:31 • -8.64db
8% Popularity • 58% Danceability • 70% Energy • 19% Liveness
77% Instrumentalness • 28% Positiveness
8% Popularity • 58% Danceability • 70% Energy • 19% Liveness
77% Instrumentalness • 28% Positiveness
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Electric Light Orchestra
Auntie - Ma-Ma-Ma Belle Take 1
120 bpm • D Maj • 01:19 • -13.06db
9% Popularity • 64% Danceability • 39% Energy • 11% Liveness
49% Instrumentalness • 76% Positiveness
9% Popularity • 64% Danceability • 39% Energy • 11% Liveness
49% Instrumentalness • 76% Positiveness
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The Wilderness
Because The Night
120 bpm • B min • 03:32 • -8.76db
9% Popularity • 64% Danceability • 79% Energy • 7% Liveness
86% Instrumentalness • 49% Positiveness
9% Popularity • 64% Danceability • 79% Energy • 7% Liveness
86% Instrumentalness • 49% Positiveness
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Glimshire
She Satisfies Me
120 bpm • D min • 02:16 • -7.23db
14% Popularity • 63% Danceability • 86% Energy • 13% Liveness
79% Instrumentalness • 91% Positiveness
14% Popularity • 63% Danceability • 86% Energy • 13% Liveness
79% Instrumentalness • 91% Positiveness
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Robert Walker
The News Blues
120 bpm • G Maj • 03:20 • -12.45db
10% Popularity • 64% Danceability • 65% Energy • 58% Liveness
0% Instrumentalness • 68% Positiveness
10% Popularity • 64% Danceability • 65% Energy • 58% Liveness
0% Instrumentalness • 68% Positiveness
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Rick Grimes and The Walkers
Saturday Night Special
120 bpm • B min • 05:01 • -9db
11% Popularity • 66% Danceability • 62% Energy • 6% Liveness
0% Instrumentalness • 60% Positiveness
11% Popularity • 66% Danceability • 62% Energy • 6% Liveness
0% Instrumentalness • 60% Positiveness
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Divididos
Enciende Mi Fuego
120 bpm • D Maj • 03:44 • -7.71db
28% Popularity • 63% Danceability • 78% Energy • 13% Liveness
8% Instrumentalness • 78% Positiveness
28% Popularity • 63% Danceability • 78% Energy • 13% Liveness
8% Instrumentalness • 78% Positiveness
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U2
Dancing Barefoot
119 bpm • D# min • 04:45 • -6.51db
39% Popularity • 64% Danceability • 83% Energy • 4% Liveness
3% Instrumentalness • 78% Positiveness
39% Popularity • 64% Danceability • 83% Energy • 4% Liveness
3% Instrumentalness • 78% Positiveness
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Steve Miller Band
Bizzy's Blue Tango
119 bpm • F# min • 04:40 • -7.87db
9% Popularity • 83% Danceability • 65% Energy • 17% Liveness
68% Instrumentalness • 86% Positiveness
9% Popularity • 83% Danceability • 65% Energy • 17% Liveness
68% Instrumentalness • 86% Positiveness
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Les Rita Mitsouko
Entrée
121 bpm • F# min • 01:26 • -5.96db
10% Popularity • 59% Danceability • 82% Energy • 19% Liveness
91% Instrumentalness • 68% Positiveness
10% Popularity • 59% Danceability • 82% Energy • 19% Liveness
91% Instrumentalness • 68% Positiveness
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Julian Lennon
I Don't Wanna Know
119 bpm • C Maj • 04:06 • -7db
28% Popularity • 69% Danceability • 76% Energy • 34% Liveness
0% Instrumentalness • 53% Positiveness
28% Popularity • 69% Danceability • 76% Energy • 34% Liveness
0% Instrumentalness • 53% Positiveness
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Throwing Muses
Graffiti
119 bpm • G Maj • 02:37 • -16.95db
19% Popularity • 73% Danceability • 45% Energy • 14% Liveness
14% Instrumentalness • 95% Positiveness
19% Popularity • 73% Danceability • 45% Energy • 14% Liveness
14% Instrumentalness • 95% Positiveness
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Neil Young
Broken Circle (Over and Over)
119 bpm • G Maj • 09:05 • -13.13db
37% Popularity • 42% Danceability • 46% Energy • 12% Liveness
75% Instrumentalness • 37% Positiveness
37% Popularity • 42% Danceability • 46% Energy • 12% Liveness
75% Instrumentalness • 37% Positiveness
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Jefferson Airplane
Ice Age
119 bpm • B Maj • 04:16 • -12.31db
7% Popularity • 64% Danceability • 57% Energy • 15% Liveness
3% Instrumentalness • 72% Positiveness
7% Popularity • 64% Danceability • 57% Energy • 15% Liveness
3% Instrumentalness • 72% Positiveness
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Patricia Ochien
Loneline
119 bpm • E min • 03:02 • -10.87db
23% Popularity • 69% Danceability • 71% Energy • 9% Liveness
2% Instrumentalness • 87% Positiveness
23% Popularity • 69% Danceability • 71% Energy • 9% Liveness
2% Instrumentalness • 87% Positiveness
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Jimmy Page
Emerald Eyes
121 bpm • A min • 03:21 • -13.42db
25% Popularity • 71% Danceability • 40% Energy • 12% Liveness
86% Instrumentalness • 28% Positiveness
25% Popularity • 71% Danceability • 40% Energy • 12% Liveness
86% Instrumentalness • 28% Positiveness
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Manic Street Preachers
Bored Out Of My Mind
121 bpm • D Maj • 02:55 • -7.28db
9% Popularity • 67% Danceability • 59% Energy • 15% Liveness
0% Instrumentalness • 27% Positiveness
9% Popularity • 67% Danceability • 59% Energy • 15% Liveness
0% Instrumentalness • 27% Positiveness
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Foo Fighters
Life Of Illusion
122 bpm • D Maj • 03:39 • -5.42db
33% Popularity • 59% Danceability • 98% Energy • 7% Liveness
16% Instrumentalness • 94% Positiveness
33% Popularity • 59% Danceability • 98% Energy • 7% Liveness
16% Instrumentalness • 94% Positiveness
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SLD
Friend Of A Friend
121 bpm • D Maj • 03:34 • -5.72db
11% Popularity • 54% Danceability • 94% Energy • 34% Liveness
1% Instrumentalness • 35% Positiveness
11% Popularity • 54% Danceability • 94% Energy • 34% Liveness
1% Instrumentalness • 35% Positiveness
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Tim Timebomb
Bad Luck
118 bpm • E min • 04:29 • -4.87db
12% Popularity • 73% Danceability • 68% Energy • 16% Liveness
0% Instrumentalness • 28% Positiveness
12% Popularity • 73% Danceability • 68% Energy • 16% Liveness
0% Instrumentalness • 28% Positiveness
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Eric Clapton
She Rides
122 bpm • D Maj • 05:08 • -10.61db
19% Popularity • 35% Danceability • 79% Energy • 22% Liveness
3% Instrumentalness • 62% Positiveness
19% Popularity • 35% Danceability • 79% Energy • 22% Liveness
3% Instrumentalness • 62% Positiveness
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Rheostatics
P.I.N.
118 bpm • C Maj • 03:38 • -11.23db
13% Popularity • 63% Danceability • 57% Energy • 11% Liveness
6% Instrumentalness • 44% Positiveness
13% Popularity • 63% Danceability • 57% Energy • 11% Liveness
6% Instrumentalness • 44% Positiveness
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Matt Costa
Jamie and Cab Mini Ramp
118 bpm • D Maj • 03:10 • -18.19db
11% Popularity • 68% Danceability • 48% Energy • 12% Liveness
88% Instrumentalness • 65% Positiveness
11% Popularity • 68% Danceability • 48% Energy • 12% Liveness
88% Instrumentalness • 65% Positiveness
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Glimshire
My Bad Attitude
122 bpm • B min • 02:14 • -8.47db
15% Popularity • 62% Danceability • 72% Energy • 23% Liveness
94% Instrumentalness • 53% Positiveness
15% Popularity • 62% Danceability • 72% Energy • 23% Liveness
94% Instrumentalness • 53% Positiveness
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Pholhas
Forget Him
122 bpm • D Maj • 03:20 • -6.78db
17% Popularity • 58% Danceability • 53% Energy • 8% Liveness
0% Instrumentalness • 41% Positiveness
17% Popularity • 58% Danceability • 53% Energy • 8% Liveness
0% Instrumentalness • 41% Positiveness
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Spiritual hymns
Hosanna
118 bpm • G Maj • 01:41 • -14.02db
8% Popularity • 58% Danceability • 49% Energy • 11% Liveness
98% Instrumentalness • 84% Positiveness
8% Popularity • 58% Danceability • 49% Energy • 11% Liveness
98% Instrumentalness • 84% Positiveness
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Sonic Youth
Peace Attack
122 bpm • C Maj • 06:10 • -8.32db
27% Popularity • 48% Danceability • 73% Energy • 25% Liveness
66% Instrumentalness • 15% Positiveness
27% Popularity • 48% Danceability • 73% Energy • 25% Liveness
66% Instrumentalness • 15% Positiveness
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Blondie
Union City Blue - Instrumental
123 bpm • E Maj • 02:50 • -13.1db
12% Popularity • 46% Danceability • 80% Energy • 5% Liveness
75% Instrumentalness • 62% Positiveness
12% Popularity • 46% Danceability • 80% Energy • 5% Liveness
75% Instrumentalness • 62% Positiveness
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Blakdyak
Tugtog Tayo
123 bpm • B min • 03:38 • -8.02db
19% Popularity • 73% Danceability • 74% Energy • 4% Liveness
0% Instrumentalness • 76% Positiveness
19% Popularity • 73% Danceability • 74% Energy • 4% Liveness
0% Instrumentalness • 76% Positiveness
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Louie Zong
Hey, That's My Horse!
123 bpm • G Maj • 01:12 • -16.35db
10% Popularity • 64% Danceability • 22% Energy • 32% Liveness
84% Instrumentalness • 63% Positiveness
10% Popularity • 64% Danceability • 22% Energy • 32% Liveness
84% Instrumentalness • 63% Positiveness
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The Bottle Rockets
Give Me Room
117 bpm • G min • 03:41 • -5.83db
10% Popularity • 72% Danceability • 70% Energy • 22% Liveness
7% Instrumentalness • 96% Positiveness
10% Popularity • 72% Danceability • 70% Energy • 22% Liveness
7% Instrumentalness • 96% Positiveness
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Chandra Fleig
Dollar Bill
123 bpm • D Maj • 01:39 • -12.98db
35% Popularity • 64% Danceability • 53% Energy • 33% Liveness
95% Instrumentalness • 79% Positiveness
35% Popularity • 64% Danceability • 53% Energy • 33% Liveness
95% Instrumentalness • 79% Positiveness
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Glimshire
Down By The Stream
117 bpm • C Maj • 02:21 • -7.14db
14% Popularity • 70% Danceability • 77% Energy • 12% Liveness
77% Instrumentalness • 71% Positiveness
14% Popularity • 70% Danceability • 77% Energy • 12% Liveness
77% Instrumentalness • 71% Positiveness
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Jenny James
You Ain't Gonna Catch Me
123 bpm • C Maj • 02:58 • -10.35db
20% Popularity • 74% Danceability • 56% Energy • 8% Liveness
0% Instrumentalness • 76% Positiveness
20% Popularity • 74% Danceability • 56% Energy • 8% Liveness
0% Instrumentalness • 76% Positiveness
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Dylan&Brian
Walken
117 bpm • G Maj • 03:11 • -15.67db
14% Popularity • 55% Danceability • 33% Energy • 17% Liveness
80% Instrumentalness • 27% Positiveness
14% Popularity • 55% Danceability • 33% Energy • 17% Liveness
80% Instrumentalness • 27% Positiveness
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Jordan Trotter
Car on a Hill
117 bpm • D Maj • 04:07 • -6.14db
9% Popularity • 61% Danceability • 66% Energy • 18% Liveness
0% Instrumentalness • 40% Positiveness
9% Popularity • 61% Danceability • 66% Energy • 18% Liveness
0% Instrumentalness • 40% Positiveness
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Lemon Towers
Respectful Reverie
117 bpm • G Maj • 02:15 • -20.76db
10% Popularity • 50% Danceability • 32% Energy • 12% Liveness
68% Instrumentalness • 42% Positiveness
10% Popularity • 50% Danceability • 32% Energy • 12% Liveness
68% Instrumentalness • 42% Positiveness
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Brant Bjork
The Feelin'
117 bpm • G Maj • 04:37 • -13.81db
7% Popularity • 70% Danceability • 30% Energy • 9% Liveness
48% Instrumentalness • 42% Positiveness
7% Popularity • 70% Danceability • 30% Energy • 9% Liveness
48% Instrumentalness • 42% Positiveness
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Glimshire
A Glimmer of Hope
117 bpm • E Maj • 02:21 • -6.57db
13% Popularity • 57% Danceability • 72% Energy • 16% Liveness
75% Instrumentalness • 77% Positiveness
13% Popularity • 57% Danceability • 72% Energy • 16% Liveness
75% Instrumentalness • 77% Positiveness
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The Jet Blacks
Apache
123 bpm • A min • 03:16 • -17.56db
17% Popularity • 64% Danceability • 36% Energy • 9% Liveness
60% Instrumentalness • 51% Positiveness
17% Popularity • 64% Danceability • 36% Energy • 9% Liveness
60% Instrumentalness • 51% Positiveness
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Perry Malachi
Dan's Grassland
123 bpm • G min • 03:17 • -15.81db
34% Popularity • 58% Danceability • 46% Energy • 22% Liveness
15% Instrumentalness • 81% Positiveness
34% Popularity • 58% Danceability • 46% Energy • 22% Liveness
15% Instrumentalness • 81% Positiveness
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Joe Jackson
Peter Gunn
117 bpm • A Maj • 04:12 • -5.34db
11% Popularity • 63% Danceability • 74% Energy • 9% Liveness
1% Instrumentalness • 61% Positiveness
11% Popularity • 63% Danceability • 74% Energy • 9% Liveness
1% Instrumentalness • 61% Positiveness
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The Cruel Sea
Three Legged Dog
123 bpm • E min • 02:53 • -10.69db
21% Popularity • 63% Danceability • 50% Energy • 10% Liveness
16% Instrumentalness • 75% Positiveness
21% Popularity • 63% Danceability • 50% Energy • 10% Liveness
16% Instrumentalness • 75% Positiveness
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Widespread Panic
Blue Indian
117 bpm • D Maj • 07:47 • -9.83db
14% Popularity • 38% Danceability • 53% Energy • 61% Liveness
22% Instrumentalness • 49% Positiveness
14% Popularity • 38% Danceability • 53% Energy • 61% Liveness
22% Instrumentalness • 49% Positiveness
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Richard Thompson
For The Sake Of Mary
116 bpm • G Maj • 04:19 • -11.57db
13% Popularity • 75% Danceability • 56% Energy • 7% Liveness
15% Instrumentalness • 84% Positiveness
13% Popularity • 75% Danceability • 56% Energy • 7% Liveness
15% Instrumentalness • 84% Positiveness
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Benedict Attlee
Is That You
124 bpm • D Maj • 03:27 • -12.2db
27% Popularity • 60% Danceability • 54% Energy • 23% Liveness
0% Instrumentalness • 69% Positiveness
27% Popularity • 60% Danceability • 54% Energy • 23% Liveness
0% Instrumentalness • 69% Positiveness
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Brown And Garrett
Greed
124 bpm • D Maj • 06:23 • -9.93db
20% Popularity • 70% Danceability • 68% Energy • 32% Liveness
0% Instrumentalness • 81% Positiveness
20% Popularity • 70% Danceability • 68% Energy • 32% Liveness
0% Instrumentalness • 81% Positiveness
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王侠
这都不重要 - 伴奏版
124 bpm • C Maj • 03:42 • -11.87db
12% Popularity • 58% Danceability • 53% Energy • 10% Liveness
77% Instrumentalness • 20% Positiveness
12% Popularity • 58% Danceability • 53% Energy • 10% Liveness
77% Instrumentalness • 20% Positiveness
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Stephen L Ward
Premunition LiveZ Flaming Tears
124 bpm • G Maj • 02:41 • -12.79db
12% Popularity • 69% Danceability • 36% Energy • 51% Liveness
84% Instrumentalness • 65% Positiveness
12% Popularity • 69% Danceability • 36% Energy • 51% Liveness
84% Instrumentalness • 65% Positiveness
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Luigi Gargiulo
Normality
124 bpm • A Maj • 02:22 • -8.94db
13% Popularity • 61% Danceability • 80% Energy • 9% Liveness
6% Instrumentalness • 77% Positiveness
13% Popularity • 61% Danceability • 80% Energy • 9% Liveness
6% Instrumentalness • 77% Positiveness
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LovingCounty
Fools
124 bpm • G Maj • 06:33 • -7.09db
10% Popularity • 30% Danceability • 64% Energy • 18% Liveness
0% Instrumentalness • 25% Positiveness
10% Popularity • 30% Danceability • 64% Energy • 18% Liveness
0% Instrumentalness • 25% Positiveness
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Rick Moore
Yours and Mine
124 bpm • E Maj • 04:33 • -6.86db
10% Popularity • 59% Danceability • 63% Energy • 13% Liveness
0% Instrumentalness • 26% Positiveness
10% Popularity • 59% Danceability • 63% Energy • 13% Liveness
0% Instrumentalness • 26% Positiveness
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Mercury Rev
Hudson Line
124 bpm • C Maj • 02:54 • -4.9db
25% Popularity • 55% Danceability • 88% Energy • 6% Liveness
0% Instrumentalness • 70% Positiveness
25% Popularity • 55% Danceability • 88% Energy • 6% Liveness
0% Instrumentalness • 70% Positiveness
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Vladimír Mišík
Koukni Na Tu Fotku
124 bpm • F Maj • 02:32 • -12.68db
12% Popularity • 74% Danceability • 52% Energy • 10% Liveness
5% Instrumentalness • 78% Positiveness
12% Popularity • 74% Danceability • 52% Energy • 10% Liveness
5% Instrumentalness • 78% Positiveness
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John Paul Jones
Grind
116 bpm • B min • 05:22 • -9.28db
20% Popularity • 61% Danceability • 85% Energy • 17% Liveness
63% Instrumentalness • 37% Positiveness
20% Popularity • 61% Danceability • 85% Energy • 17% Liveness
63% Instrumentalness • 37% Positiveness
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Phideaux
The Doctrine Of Eternal Ice - Part Two
116 bpm • D min • 08:08 • -6.27db
16% Popularity • 32% Danceability • 48% Energy • 11% Liveness
18% Instrumentalness • 32% Positiveness
16% Popularity • 32% Danceability • 48% Energy • 11% Liveness
18% Instrumentalness • 32% Positiveness
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Maye Lalo
The Caroline
115 bpm • C Maj • 03:23 • -10.45db
24% Popularity • 66% Danceability • 62% Energy • 16% Liveness
33% Instrumentalness • 79% Positiveness
24% Popularity • 66% Danceability • 62% Energy • 16% Liveness
33% Instrumentalness • 79% Positiveness
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adams traktor
You Found a Way
125 bpm • A min • 03:34 • -6.5db
17% Popularity • 59% Danceability • 85% Energy • 16% Liveness
0% Instrumentalness • 60% Positiveness
17% Popularity • 59% Danceability • 85% Energy • 16% Liveness
0% Instrumentalness • 60% Positiveness
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Carsten Bohn
Perry Rhodan, Pt. 1
125 bpm • B Maj • 02:48 • -10.44db
12% Popularity • 60% Danceability • 56% Energy • 18% Liveness
93% Instrumentalness • 68% Positiveness
12% Popularity • 60% Danceability • 56% Energy • 18% Liveness
93% Instrumentalness • 68% Positiveness
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Built To Spill
Traces
125 bpm • E min • 04:42 • -5.55db
7% Popularity • 54% Danceability • 82% Energy • 9% Liveness
35% Instrumentalness • 72% Positiveness
7% Popularity • 54% Danceability • 82% Energy • 9% Liveness
35% Instrumentalness • 72% Positiveness
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Sub Rosa
Widow's Daughter
125 bpm • A min • 04:23 • -8.73db
10% Popularity • 46% Danceability • 32% Energy • 11% Liveness
1% Instrumentalness • 16% Positiveness
10% Popularity • 46% Danceability • 32% Energy • 11% Liveness
1% Instrumentalness • 16% Positiveness
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Tany Kros'Band
Every Little Thing
125 bpm • D Maj • 02:10 • -7.59db
17% Popularity • 84% Danceability • 51% Energy • 12% Liveness
52% Instrumentalness • 90% Positiveness
17% Popularity • 84% Danceability • 51% Energy • 12% Liveness
52% Instrumentalness • 90% Positiveness
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Pixel Perfect
Free Bird
115 bpm • G Maj • 03:18 • -5.52db
5% Popularity • 28% Danceability • 76% Energy • 37% Liveness
0% Instrumentalness • 56% Positiveness
5% Popularity • 28% Danceability • 76% Energy • 37% Liveness
0% Instrumentalness • 56% Positiveness
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Glimshire
Be Satisfied
125 bpm • A Maj • 02:11 • -4.18db
13% Popularity • 60% Danceability • 78% Energy • 34% Liveness
87% Instrumentalness • 68% Positiveness
13% Popularity • 60% Danceability • 78% Energy • 34% Liveness
87% Instrumentalness • 68% Positiveness
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MIK's Reaction
The Book Of Truths
125 bpm • B min • 05:01 • -23.83db
27% Popularity • 64% Danceability • 32% Energy • 37% Liveness
1% Instrumentalness • 30% Positiveness
27% Popularity • 64% Danceability • 32% Energy • 37% Liveness
1% Instrumentalness • 30% Positiveness
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Manic Street Preachers
This Is Yesterday - Remastered
115 bpm • G Maj • 03:58 • -8db
27% Popularity • 60% Danceability • 78% Energy • 11% Liveness
0% Instrumentalness • 34% Positiveness
27% Popularity • 60% Danceability • 78% Energy • 11% Liveness
0% Instrumentalness • 34% Positiveness
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The Padley Blues Band
Fifty Watts
115 bpm • A Maj • 02:23 • -3.08db
27% Popularity • 71% Danceability • 93% Energy • 14% Liveness
69% Instrumentalness • 80% Positiveness
27% Popularity • 71% Danceability • 93% Energy • 14% Liveness
69% Instrumentalness • 80% Positiveness
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Benedict Attlee
High
125 bpm • B Maj • 03:52 • -11.02db
27% Popularity • 54% Danceability • 54% Energy • 12% Liveness
1% Instrumentalness • 22% Positiveness
27% Popularity • 54% Danceability • 54% Energy • 12% Liveness
1% Instrumentalness • 22% Positiveness
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Pathrose
Something Just Like This (Live)
115 bpm • E min • 02:21 • -9.28db
26% Popularity • 63% Danceability • 74% Energy • 29% Liveness
70% Instrumentalness • 64% Positiveness
26% Popularity • 63% Danceability • 74% Energy • 29% Liveness
70% Instrumentalness • 64% Positiveness
