Songs like saw u in (another) dream by tyke james
Based on a tempo of (+/- 10%) and a similar genre
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Summer Salt
Hideaway
144 bpm • D Maj • 03:40 • -9.53db
26% Popularity • 62% Danceability • 39% Energy • 11% Liveness
84% Instrumentalness • 27% Positiveness
26% Popularity • 62% Danceability • 39% Energy • 11% Liveness
84% Instrumentalness • 27% Positiveness
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tyke james
saw u in (another) dream
144 bpm • G Maj • 03:27 • -9.28db
19% Popularity • 60% Danceability • 47% Energy • 15% Liveness
0% Instrumentalness • 44% Positiveness
19% Popularity • 60% Danceability • 47% Energy • 15% Liveness
0% Instrumentalness • 44% Positiveness
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The Brook & The Bluff
Say Goodbye
144 bpm • D Maj • 03:28 • -7.4db
35% Popularity • 50% Danceability • 48% Energy • 13% Liveness
0% Instrumentalness • 20% Positiveness
35% Popularity • 50% Danceability • 48% Energy • 13% Liveness
0% Instrumentalness • 20% Positiveness
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The Brazen Youth
Emma
144 bpm • D Maj • 03:49 • -11.52db
30% Popularity • 51% Danceability • 45% Energy • 8% Liveness
1% Instrumentalness • 27% Positiveness
30% Popularity • 51% Danceability • 45% Energy • 8% Liveness
1% Instrumentalness • 27% Positiveness
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Wilderado
The Window
144 bpm • A# Maj • 04:05 • -11.68db
31% Popularity • 56% Danceability • 16% Energy • 10% Liveness
0% Instrumentalness • 18% Positiveness
31% Popularity • 56% Danceability • 16% Energy • 10% Liveness
0% Instrumentalness • 18% Positiveness
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Cardinal Bloom
To Love Someone
144 bpm • D Maj • 05:12 • -10.35db
29% Popularity • 33% Danceability • 41% Energy • 11% Liveness
1% Instrumentalness • 26% Positiveness
29% Popularity • 33% Danceability • 41% Energy • 11% Liveness
1% Instrumentalness • 26% Positiveness
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Racoma
5am
145 bpm • C min • 04:14 • -17.17db
19% Popularity • 29% Danceability • 18% Energy • 7% Liveness
35% Instrumentalness • 12% Positiveness
19% Popularity • 29% Danceability • 18% Energy • 7% Liveness
35% Instrumentalness • 12% Positiveness
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Christian Sparacio
Suburban Movie Song
145 bpm • B Maj • 03:25 • -11.33db
24% Popularity • 58% Danceability • 54% Energy • 12% Liveness
0% Instrumentalness • 57% Positiveness
24% Popularity • 58% Danceability • 54% Energy • 12% Liveness
0% Instrumentalness • 57% Positiveness
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Cottonwood Firing Squad
witch camp
145 bpm • C# Maj • 01:54 • -10.16db
34% Popularity • 66% Danceability • 53% Energy • 10% Liveness
89% Instrumentalness • 76% Positiveness
34% Popularity • 66% Danceability • 53% Energy • 10% Liveness
89% Instrumentalness • 76% Positiveness
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Prince of Eden
Always
145 bpm • D Maj • 03:10 • -12.29db
19% Popularity • 46% Danceability • 54% Energy • 11% Liveness
45% Instrumentalness • 58% Positiveness
19% Popularity • 46% Danceability • 54% Energy • 11% Liveness
45% Instrumentalness • 58% Positiveness
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The Brook & The Bluff
I Could Never Draw
145 bpm • G# Maj • 03:05 • -10.77db
33% Popularity • 64% Danceability • 40% Energy • 11% Liveness
2% Instrumentalness • 24% Positiveness
33% Popularity • 64% Danceability • 40% Energy • 11% Liveness
2% Instrumentalness • 24% Positiveness
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With Andrea
God Knows
145 bpm • G# min • 03:35 • -8db
8% Popularity • 62% Danceability • 70% Energy • 8% Liveness
0% Instrumentalness • 56% Positiveness
8% Popularity • 62% Danceability • 70% Energy • 8% Liveness
0% Instrumentalness • 56% Positiveness
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Twin Suns
When You're Here
145 bpm • E Maj • 04:26 • -5.62db
31% Popularity • 52% Danceability • 89% Energy • 17% Liveness
20% Instrumentalness • 57% Positiveness
31% Popularity • 52% Danceability • 89% Energy • 17% Liveness
20% Instrumentalness • 57% Positiveness
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Ivers
Push
145 bpm • B Maj • 03:24 • -8db
30% Popularity • 64% Danceability • 54% Energy • 25% Liveness
5% Instrumentalness • 40% Positiveness
30% Popularity • 64% Danceability • 54% Energy • 25% Liveness
5% Instrumentalness • 40% Positiveness
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John-Robert
Friends
145 bpm • B Maj • 02:51 • -9.81db
19% Popularity • 68% Danceability • 53% Energy • 11% Liveness
0% Instrumentalness • 25% Positiveness
19% Popularity • 68% Danceability • 53% Energy • 11% Liveness
0% Instrumentalness • 25% Positiveness
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Gibontine
Big Hill
143 bpm • B Maj • 02:58 • -11.88db
12% Popularity • 43% Danceability • 42% Energy • 34% Liveness
0% Instrumentalness • 24% Positiveness
12% Popularity • 43% Danceability • 42% Energy • 34% Liveness
0% Instrumentalness • 24% Positiveness
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Richy Mitch & The Coal Miners
Stowaway
145 bpm • C Maj • 03:18 • -19.96db
29% Popularity • 42% Danceability • 13% Energy • 8% Liveness
0% Instrumentalness • 17% Positiveness
29% Popularity • 42% Danceability • 13% Energy • 8% Liveness
0% Instrumentalness • 17% Positiveness
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HARBOUR
Thoughts on Letting Go
145 bpm • B Maj • 02:00 • -9db
39% Popularity • 38% Danceability • 49% Energy • 35% Liveness
11% Instrumentalness • 24% Positiveness
39% Popularity • 38% Danceability • 49% Energy • 35% Liveness
11% Instrumentalness • 24% Positiveness
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Black Pool
Olive Juice
146 bpm • A Maj • 03:17 • -8.71db
28% Popularity • 74% Danceability • 36% Energy • 12% Liveness
0% Instrumentalness • 31% Positiveness
28% Popularity • 74% Danceability • 36% Energy • 12% Liveness
0% Instrumentalness • 31% Positiveness
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Duncan Fellows
Rosalyn (Whenever You Call)
146 bpm • G Maj • 04:22 • -9.55db
29% Popularity • 28% Danceability • 34% Energy • 10% Liveness
0% Instrumentalness • 6% Positiveness
29% Popularity • 28% Danceability • 34% Energy • 10% Liveness
0% Instrumentalness • 6% Positiveness
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Golden Boy
Mistaken for Granite
146 bpm • G Maj • 03:25 • -5.96db
25% Popularity • 63% Danceability • 56% Energy • 10% Liveness
0% Instrumentalness • 39% Positiveness
25% Popularity • 63% Danceability • 56% Energy • 10% Liveness
0% Instrumentalness • 39% Positiveness
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Cece Coakley
Perfect Strangers
142 bpm • A Maj • 03:07 • -12.38db
36% Popularity • 64% Danceability • 45% Energy • 18% Liveness
0% Instrumentalness • 72% Positiveness
36% Popularity • 64% Danceability • 45% Energy • 18% Liveness
0% Instrumentalness • 72% Positiveness
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tyke james
across the universe
142 bpm • G Maj • 04:10 • -12.38db
9% Popularity • 30% Danceability • 42% Energy • 12% Liveness
60% Instrumentalness • 16% Positiveness
9% Popularity • 30% Danceability • 42% Energy • 12% Liveness
60% Instrumentalness • 16% Positiveness
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Brotherkenzie
SONG FOR BUG
142 bpm • C Maj • 03:37 • -9.44db
20% Popularity • 61% Danceability • 32% Energy • 38% Liveness
6% Instrumentalness • 33% Positiveness
20% Popularity • 61% Danceability • 32% Energy • 38% Liveness
6% Instrumentalness • 33% Positiveness
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Gemma Laurence
Lavender
147 bpm • C# Maj • 03:36 • -7db
39% Popularity • 45% Danceability • 63% Energy • 9% Liveness
2% Instrumentalness • 55% Positiveness
39% Popularity • 45% Danceability • 63% Energy • 9% Liveness
2% Instrumentalness • 55% Positiveness
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Peter McPoland
Sally Forth
141 bpm • C Maj • 04:23 • -10.42db
36% Popularity • 40% Danceability • 25% Energy • 11% Liveness
0% Instrumentalness • 28% Positiveness
36% Popularity • 40% Danceability • 25% Energy • 11% Liveness
0% Instrumentalness • 28% Positiveness
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Bendigo Fletcher
Birding
147 bpm • F# min • 03:40 • -8.4db
32% Popularity • 46% Danceability • 45% Energy • 10% Liveness
0% Instrumentalness • 27% Positiveness
32% Popularity • 46% Danceability • 45% Energy • 10% Liveness
0% Instrumentalness • 27% Positiveness
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The Takes
River Stones
141 bpm • F Maj • 04:35 • -6.46db
35% Popularity • 33% Danceability • 67% Energy • 15% Liveness
1% Instrumentalness • 40% Positiveness
35% Popularity • 33% Danceability • 67% Energy • 15% Liveness
1% Instrumentalness • 40% Positiveness
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The Happy Return
Sweaters
141 bpm • C Maj • 02:57 • -4.68db
29% Popularity • 55% Danceability • 88% Energy • 5% Liveness
0% Instrumentalness • 82% Positiveness
29% Popularity • 55% Danceability • 88% Energy • 5% Liveness
0% Instrumentalness • 82% Positiveness
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Bird and Byron
Where'd All the Time Go
147 bpm • E Maj • 04:01 • -4db
46% Popularity • 50% Danceability • 65% Energy • 24% Liveness
0% Instrumentalness • 32% Positiveness
46% Popularity • 50% Danceability • 65% Energy • 24% Liveness
0% Instrumentalness • 32% Positiveness
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Hotel Fiction
I Like You Around
141 bpm • F# min • 04:10 • -5.45db
18% Popularity • 48% Danceability • 78% Energy • 68% Liveness
0% Instrumentalness • 63% Positiveness
18% Popularity • 48% Danceability • 78% Energy • 68% Liveness
0% Instrumentalness • 63% Positiveness
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Grady
Jersey
141 bpm • F Maj • 02:57 • -9.35db
23% Popularity • 55% Danceability • 53% Energy • 14% Liveness
0% Instrumentalness • 35% Positiveness
23% Popularity • 55% Danceability • 53% Energy • 14% Liveness
0% Instrumentalness • 35% Positiveness
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Racoma
Untitled
140 bpm • D# Maj • 02:06 • -6.42db
46% Popularity • 32% Danceability • 53% Energy • 10% Liveness
0% Instrumentalness • 7% Positiveness
46% Popularity • 32% Danceability • 53% Energy • 10% Liveness
0% Instrumentalness • 7% Positiveness
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Holden Miller
These Shadows
140 bpm • F Maj • 03:09 • -9.73db
22% Popularity • 61% Danceability • 46% Energy • 8% Liveness
0% Instrumentalness • 22% Positiveness
22% Popularity • 61% Danceability • 46% Energy • 8% Liveness
0% Instrumentalness • 22% Positiveness
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Cardinal Bloom
Love Will Find a Way
148 bpm • C Maj • 04:47 • -14.12db
16% Popularity • 50% Danceability • 16% Energy • 12% Liveness
1% Instrumentalness • 11% Positiveness
16% Popularity • 50% Danceability • 16% Energy • 12% Liveness
1% Instrumentalness • 11% Positiveness
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Ethan Regan
secrecy
140 bpm • C# Maj • 03:30 • -12.15db
44% Popularity • 64% Danceability • 34% Energy • 15% Liveness
0% Instrumentalness • 19% Positiveness
44% Popularity • 64% Danceability • 34% Energy • 15% Liveness
0% Instrumentalness • 19% Positiveness
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Fetch Tiger
Time Alone
140 bpm • D Maj • 03:46 • -7.54db
11% Popularity • 59% Danceability • 52% Energy • 5% Liveness
11% Instrumentalness • 57% Positiveness
11% Popularity • 59% Danceability • 52% Energy • 5% Liveness
11% Instrumentalness • 57% Positiveness
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Prince of Eden
Shadesandcolors
140 bpm • F# Maj • 03:51 • -11.36db
23% Popularity • 52% Danceability • 57% Energy • 8% Liveness
16% Instrumentalness • 27% Positiveness
23% Popularity • 52% Danceability • 57% Energy • 8% Liveness
16% Instrumentalness • 27% Positiveness
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Racoma
Valley
148 bpm • C Maj • 03:29 • -11.62db
36% Popularity • 49% Danceability • 42% Energy • 16% Liveness
35% Instrumentalness • 30% Positiveness
36% Popularity • 49% Danceability • 42% Energy • 16% Liveness
35% Instrumentalness • 30% Positiveness
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Daniel Nunnelee
Let It Out
140 bpm • C Maj • 02:33 • -8.67db
17% Popularity • 58% Danceability • 62% Energy • 82% Liveness
0% Instrumentalness • 27% Positiveness
17% Popularity • 58% Danceability • 62% Energy • 82% Liveness
0% Instrumentalness • 27% Positiveness
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Small Forward
Most of You
140 bpm • A Maj • 04:24 • -8.46db
43% Popularity • 57% Danceability • 37% Energy • 13% Liveness
0% Instrumentalness • 35% Positiveness
43% Popularity • 57% Danceability • 37% Energy • 13% Liveness
0% Instrumentalness • 35% Positiveness
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The Brummies
Cosmic Space Girl
140 bpm • D Maj • 02:55 • -5.99db
28% Popularity • 40% Danceability • 66% Energy • 10% Liveness
0% Instrumentalness • 38% Positiveness
28% Popularity • 40% Danceability • 66% Energy • 10% Liveness
0% Instrumentalness • 38% Positiveness
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Grady
a pixie haircut
140 bpm • D# Maj • 01:39 • -7.45db
27% Popularity • 67% Danceability • 54% Energy • 17% Liveness
0% Instrumentalness • 73% Positiveness
27% Popularity • 67% Danceability • 54% Energy • 17% Liveness
0% Instrumentalness • 73% Positiveness
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carwash
a big tree in a great green field
140 bpm • C# Maj • 01:04 • -18db
48% Popularity • 66% Danceability • 19% Energy • 10% Liveness
1% Instrumentalness • 67% Positiveness
48% Popularity • 66% Danceability • 19% Energy • 10% Liveness
1% Instrumentalness • 67% Positiveness
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Racoma
Fucked Up
140 bpm • D Maj • 03:19 • -8.21db
42% Popularity • 24% Danceability • 35% Energy • 37% Liveness
6% Instrumentalness • 16% Positiveness
42% Popularity • 24% Danceability • 35% Energy • 37% Liveness
6% Instrumentalness • 16% Positiveness
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Daniel Nunnelee
What'd You Expect
140 bpm • F# min • 02:46 • -4.96db
29% Popularity • 58% Danceability • 87% Energy • 32% Liveness
0% Instrumentalness • 43% Positiveness
29% Popularity • 58% Danceability • 87% Energy • 32% Liveness
0% Instrumentalness • 43% Positiveness
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Mt. Joy
Ruins
139 bpm • D# Maj • 03:34 • -9.88db
42% Popularity • 45% Danceability • 35% Energy • 10% Liveness
3% Instrumentalness • 42% Positiveness
42% Popularity • 45% Danceability • 35% Energy • 10% Liveness
3% Instrumentalness • 42% Positiveness
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The Brummies
Til It Happens Again
148 bpm • F Maj • 04:26 • -7.4db
20% Popularity • 58% Danceability • 57% Energy • 12% Liveness
0% Instrumentalness • 38% Positiveness
20% Popularity • 58% Danceability • 57% Energy • 12% Liveness
0% Instrumentalness • 38% Positiveness
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The Moss
Secretariat
139 bpm • A Maj • 02:41 • -9db
40% Popularity • 70% Danceability • 57% Energy • 11% Liveness
0% Instrumentalness • 83% Positiveness
40% Popularity • 70% Danceability • 57% Energy • 11% Liveness
0% Instrumentalness • 83% Positiveness
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Richy Mitch & The Coal Miners
Florissant
149 bpm • E Maj • 03:24 • -16.87db
39% Popularity • 59% Danceability • 25% Energy • 9% Liveness
0% Instrumentalness • 54% Positiveness
39% Popularity • 59% Danceability • 25% Energy • 9% Liveness
0% Instrumentalness • 54% Positiveness
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Adam Melchor
Best Problem
150 bpm • E Maj • 03:58 • -9.04db
27% Popularity • 32% Danceability • 41% Energy • 18% Liveness
72% Instrumentalness • 13% Positiveness
27% Popularity • 32% Danceability • 41% Energy • 18% Liveness
72% Instrumentalness • 13% Positiveness
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Daniel Nunnelee
Colorado (Stripped)
140 bpm • G Maj • 03:45 • -12db
17% Popularity • 49% Danceability • 26% Energy • 11% Liveness
0% Instrumentalness • 31% Positiveness
17% Popularity • 49% Danceability • 26% Energy • 11% Liveness
0% Instrumentalness • 31% Positiveness
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Del Water Gap
Chastain
150 bpm • F# Maj • 03:28 • -10.38db
46% Popularity • 59% Danceability • 38% Energy • 10% Liveness
0% Instrumentalness • 15% Positiveness
46% Popularity • 59% Danceability • 38% Energy • 10% Liveness
0% Instrumentalness • 15% Positiveness
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Palmer
PEOPLE FUEL
150 bpm • A# Maj • 02:53 • -7db
40% Popularity • 47% Danceability • 82% Energy • 12% Liveness
0% Instrumentalness • 43% Positiveness
40% Popularity • 47% Danceability • 82% Energy • 12% Liveness
0% Instrumentalness • 43% Positiveness
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The Moss
Storm Cloud Baby
139 bpm • G Maj • 03:17 • -9db
35% Popularity • 55% Danceability • 72% Energy • 16% Liveness
0% Instrumentalness • 68% Positiveness
35% Popularity • 55% Danceability • 72% Energy • 16% Liveness
0% Instrumentalness • 68% Positiveness
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The Brazen Youth
Spirit Finds Yours
138 bpm • E Maj • 03:21 • -9db
24% Popularity • 51% Danceability • 67% Energy • 47% Liveness
0% Instrumentalness • 21% Positiveness
24% Popularity • 51% Danceability • 67% Energy • 47% Liveness
0% Instrumentalness • 21% Positiveness
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Krooked Kings
Honestly
150 bpm • A Maj • 03:51 • -10.38db
19% Popularity • 68% Danceability • 66% Energy • 4% Liveness
0% Instrumentalness • 56% Positiveness
19% Popularity • 68% Danceability • 66% Energy • 4% Liveness
0% Instrumentalness • 56% Positiveness
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Daniel Nunnelee
Colorado (The First Time)
140 bpm • G Maj • 03:25 • -9.58db
35% Popularity • 45% Danceability • 35% Energy • 10% Liveness
1% Instrumentalness • 35% Positiveness
35% Popularity • 45% Danceability • 35% Energy • 10% Liveness
1% Instrumentalness • 35% Positiveness
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HAPPY LANDING
Good Dogs (Bonus Track)
138 bpm • E Maj • 02:39 • -10.73db
18% Popularity • 55% Danceability • 30% Energy • 9% Liveness
0% Instrumentalness • 54% Positiveness
18% Popularity • 55% Danceability • 30% Energy • 9% Liveness
0% Instrumentalness • 54% Positiveness
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Breakup Shoes
shower-beer
138 bpm • F# min • 02:51 • -10.71db
33% Popularity • 51% Danceability • 41% Energy • 10% Liveness
30% Instrumentalness • 12% Positiveness
33% Popularity • 51% Danceability • 41% Energy • 10% Liveness
30% Instrumentalness • 12% Positiveness
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The Garden Plot
Am I That Easy to Forget?
137 bpm • F Maj • 02:59 • -10.73db
21% Popularity • 60% Danceability • 72% Energy • 8% Liveness
0% Instrumentalness • 96% Positiveness
21% Popularity • 60% Danceability • 72% Energy • 8% Liveness
0% Instrumentalness • 96% Positiveness
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Pretty Jane & the Magazines
Shotgun Wedding
137 bpm • F Maj • 03:40 • -9db
33% Popularity • 58% Danceability • 59% Energy • 75% Liveness
0% Instrumentalness • 55% Positiveness
33% Popularity • 58% Danceability • 59% Energy • 75% Liveness
0% Instrumentalness • 55% Positiveness
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Lonesome Rhodes
One Day I'll Tell You I've Been Thinking...
137 bpm • C# Maj • 02:39 • -14.2db
19% Popularity • 74% Danceability • 31% Energy • 16% Liveness
15% Instrumentalness • 39% Positiveness
19% Popularity • 74% Danceability • 31% Energy • 16% Liveness
15% Instrumentalness • 39% Positiveness
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Emmett Mulrooney
Fool
137 bpm • B Maj • 03:11 • -9.21db
26% Popularity • 68% Danceability • 59% Energy • 16% Liveness
0% Instrumentalness • 58% Positiveness
26% Popularity • 68% Danceability • 59% Energy • 16% Liveness
0% Instrumentalness • 58% Positiveness
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Vista Kicks
Your Love Is All I Need
151 bpm • C# Maj • 05:48 • -11.05db
16% Popularity • 60% Danceability • 42% Energy • 11% Liveness
0% Instrumentalness • 72% Positiveness
16% Popularity • 60% Danceability • 42% Energy • 11% Liveness
0% Instrumentalness • 72% Positiveness
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John-Robert
Pelican
137 bpm • F# min • 02:37 • -7db
34% Popularity • 68% Danceability • 71% Energy • 22% Liveness
0% Instrumentalness • 67% Positiveness
34% Popularity • 68% Danceability • 71% Energy • 22% Liveness
0% Instrumentalness • 67% Positiveness
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Daniel Nunnelee
Fireworks (The Last Time)
152 bpm • F Maj • 03:22 • -11.22db
27% Popularity • 53% Danceability • 38% Energy • 10% Liveness
0% Instrumentalness • 33% Positiveness
27% Popularity • 53% Danceability • 38% Energy • 10% Liveness
0% Instrumentalness • 33% Positiveness
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Keyboard Dog
9/10
152 bpm • C Maj • 03:23 • -9.61db
32% Popularity • 62% Danceability • 54% Energy • 10% Liveness
0% Instrumentalness • 88% Positiveness
32% Popularity • 62% Danceability • 54% Energy • 10% Liveness
0% Instrumentalness • 88% Positiveness
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Function Space
Singing About Something Else
136 bpm • F# min • 02:21 • -9.03db
32% Popularity • 60% Danceability • 30% Energy • 14% Liveness
0% Instrumentalness • 34% Positiveness
32% Popularity • 60% Danceability • 30% Energy • 14% Liveness
0% Instrumentalness • 34% Positiveness
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Adam Melchor
Angel Numbers
152 bpm • D# Maj • 03:12 • -9db
30% Popularity • 60% Danceability • 58% Energy • 33% Liveness
2% Instrumentalness • 44% Positiveness
30% Popularity • 60% Danceability • 58% Energy • 33% Liveness
2% Instrumentalness • 44% Positiveness
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Charlie Burg
The Five-Month Song
136 bpm • A Maj • 03:02 • -16.53db
28% Popularity • 51% Danceability • 25% Energy • 58% Liveness
0% Instrumentalness • 36% Positiveness
28% Popularity • 51% Danceability • 25% Energy • 58% Liveness
0% Instrumentalness • 36% Positiveness
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Jacob Maul
Online Gf
152 bpm • B min • 02:34 • -10.29db
33% Popularity • 57% Danceability • 37% Energy • 12% Liveness
0% Instrumentalness • 52% Positiveness
33% Popularity • 57% Danceability • 37% Energy • 12% Liveness
0% Instrumentalness • 52% Positiveness
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tyke james
Abilene
136 bpm • G Maj • 03:40 • -10.73db
11% Popularity • 39% Danceability • 33% Energy • 9% Liveness
0% Instrumentalness • 11% Positiveness
11% Popularity • 39% Danceability • 33% Energy • 9% Liveness
0% Instrumentalness • 11% Positiveness
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Bedside Kites
Your Hand in Mine
153 bpm • G Maj • 03:44 • -11.73db
23% Popularity • 68% Danceability • 42% Energy • 10% Liveness
86% Instrumentalness • 79% Positiveness
23% Popularity • 68% Danceability • 42% Energy • 10% Liveness
86% Instrumentalness • 79% Positiveness
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Philip Brooks
wait till u get home
153 bpm • B Maj • 02:26 • -15.3db
41% Popularity • 45% Danceability • 17% Energy • 16% Liveness
0% Instrumentalness • 24% Positiveness
41% Popularity • 45% Danceability • 17% Energy • 16% Liveness
0% Instrumentalness • 24% Positiveness
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Krooked Kings
Dan's Basement
135 bpm • B Maj • 02:27 • -6.68db
30% Popularity • 62% Danceability • 65% Energy • 41% Liveness
0% Instrumentalness • 44% Positiveness
30% Popularity • 62% Danceability • 65% Energy • 41% Liveness
0% Instrumentalness • 44% Positiveness
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Drumming Bird
Ocoee
135 bpm • G Maj • 05:02 • -3.78db
22% Popularity • 37% Danceability • 85% Energy • 41% Liveness
25% Instrumentalness • 44% Positiveness
22% Popularity • 37% Danceability • 85% Energy • 41% Liveness
25% Instrumentalness • 44% Positiveness
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The Olson Brothers
Back To You
135 bpm • E Maj • 02:53 • -6.42db
15% Popularity • 60% Danceability • 85% Energy • 27% Liveness
0% Instrumentalness • 89% Positiveness
15% Popularity • 60% Danceability • 85% Energy • 27% Liveness
0% Instrumentalness • 89% Positiveness
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Wilby
Bad
135 bpm • G# Maj • 03:16 • -12.88db
31% Popularity • 77% Danceability • 45% Energy • 16% Liveness
1% Instrumentalness • 94% Positiveness
31% Popularity • 77% Danceability • 45% Energy • 16% Liveness
1% Instrumentalness • 94% Positiveness
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brodyn
15 Years
135 bpm • G Maj • 04:23 • -11.01db
11% Popularity • 55% Danceability • 50% Energy • 10% Liveness
4% Instrumentalness • 18% Positiveness
11% Popularity • 55% Danceability • 50% Energy • 10% Liveness
4% Instrumentalness • 18% Positiveness
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Del Water Gap
Don't Let Me
135 bpm • A min • 04:28 • -8.78db
32% Popularity • 51% Danceability • 44% Energy • 9% Liveness
0% Instrumentalness • 27% Positiveness
32% Popularity • 51% Danceability • 44% Energy • 9% Liveness
0% Instrumentalness • 27% Positiveness
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Ax and the Hatchetmen
Existential Crisis, Pt. 1
154 bpm • C# min • 04:15 • -4.15db
33% Popularity • 38% Danceability • 78% Energy • 36% Liveness
0% Instrumentalness • 48% Positiveness
33% Popularity • 38% Danceability • 78% Energy • 36% Liveness
0% Instrumentalness • 48% Positiveness
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WILLIS
Overthinker
154 bpm • C# min • 03:29 • -8.3db
40% Popularity • 56% Danceability • 53% Energy • 11% Liveness
27% Instrumentalness • 72% Positiveness
40% Popularity • 56% Danceability • 53% Energy • 11% Liveness
27% Instrumentalness • 72% Positiveness
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Cape Francis
Is It in Your Head
154 bpm • G Maj • 02:32 • -9.84db
26% Popularity • 59% Danceability • 65% Energy • 10% Liveness
65% Instrumentalness • 43% Positiveness
26% Popularity • 59% Danceability • 65% Energy • 10% Liveness
65% Instrumentalness • 43% Positiveness
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tyke james
Bones
135 bpm • D Maj • 03:34 • -6.41db
19% Popularity • 46% Danceability • 48% Energy • 9% Liveness
0% Instrumentalness • 16% Positiveness
19% Popularity • 46% Danceability • 48% Energy • 9% Liveness
0% Instrumentalness • 16% Positiveness
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Hall Johnson
Everything + All
154 bpm • G Maj • 03:34 • -10.23db
25% Popularity • 25% Danceability • 52% Energy • 12% Liveness
39% Instrumentalness • 39% Positiveness
25% Popularity • 25% Danceability • 52% Energy • 12% Liveness
39% Instrumentalness • 39% Positiveness
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The Brazen Youth
Cloud Parade
155 bpm • B Maj • 03:50 • -8.01db
30% Popularity • 38% Danceability • 53% Energy • 10% Liveness
0% Instrumentalness • 28% Positiveness
30% Popularity • 38% Danceability • 53% Energy • 10% Liveness
0% Instrumentalness • 28% Positiveness
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Porch Music
Canyon Road
134 bpm • C# min • 03:58 • -11.29db
24% Popularity • 56% Danceability • 53% Energy • 17% Liveness
92% Instrumentalness • 66% Positiveness
24% Popularity • 56% Danceability • 53% Energy • 17% Liveness
92% Instrumentalness • 66% Positiveness
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Sunhills
One More Time
134 bpm • C Maj • 03:23 • -4.58db
16% Popularity • 60% Danceability • 70% Energy • 10% Liveness
0% Instrumentalness • 28% Positiveness
16% Popularity • 60% Danceability • 70% Energy • 10% Liveness
0% Instrumentalness • 28% Positiveness
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The Irons
Goodbye Too Soon
155 bpm • G Maj • 04:38 • -10.55db
37% Popularity • 67% Danceability • 54% Energy • 31% Liveness
0% Instrumentalness • 60% Positiveness
37% Popularity • 67% Danceability • 54% Energy • 31% Liveness
0% Instrumentalness • 60% Positiveness
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Euan Blackman
HIGHHIGHHIGH
155 bpm • E Maj • 04:06 • -16.38db
13% Popularity • 64% Danceability • 49% Energy • 13% Liveness
40% Instrumentalness • 44% Positiveness
13% Popularity • 64% Danceability • 49% Energy • 13% Liveness
40% Instrumentalness • 44% Positiveness
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Philip Brooks
didn't you believe in me?
155 bpm • B min • 02:15 • -11.14db
46% Popularity • 51% Danceability • 52% Energy • 7% Liveness
46% Instrumentalness • 77% Positiveness
46% Popularity • 51% Danceability • 52% Energy • 7% Liveness
46% Instrumentalness • 77% Positiveness
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The Brazen Youth
If These Wild Winds Are Yours
134 bpm • F# Maj • 03:32 • -11.07db
21% Popularity • 55% Danceability • 44% Energy • 16% Liveness
14% Instrumentalness • 18% Positiveness
21% Popularity • 55% Danceability • 44% Energy • 16% Liveness
14% Instrumentalness • 18% Positiveness
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Rusty Clanton
I Hope It's You
134 bpm • B Maj • 03:57 • -8.96db
34% Popularity • 37% Danceability • 23% Energy • 17% Liveness
0% Instrumentalness • 16% Positiveness
34% Popularity • 37% Danceability • 23% Energy • 17% Liveness
0% Instrumentalness • 16% Positiveness
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Breakup Shoes
Breakup Shoes
156 bpm • F# Maj • 03:05 • -9db
44% Popularity • 44% Danceability • 44% Energy • 18% Liveness
1% Instrumentalness • 44% Positiveness
44% Popularity • 44% Danceability • 44% Energy • 18% Liveness
1% Instrumentalness • 44% Positiveness
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Ritt Momney
Sunny Boy
133 bpm • C Maj • 03:43 • -8db
40% Popularity • 72% Danceability • 61% Energy • 11% Liveness
23% Instrumentalness • 43% Positiveness
40% Popularity • 72% Danceability • 61% Energy • 11% Liveness
23% Instrumentalness • 43% Positiveness
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Christian Leave
Why Not?
133 bpm • A# Maj • 02:29 • -5.37db
43% Popularity • 46% Danceability • 53% Energy • 32% Liveness
0% Instrumentalness • 36% Positiveness
43% Popularity • 46% Danceability • 53% Energy • 32% Liveness
0% Instrumentalness • 36% Positiveness
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Julius Black
Electric Blue
156 bpm • F Maj • 03:06 • -13.15db
21% Popularity • 48% Danceability • 42% Energy • 31% Liveness
0% Instrumentalness • 40% Positiveness
21% Popularity • 48% Danceability • 42% Energy • 31% Liveness
0% Instrumentalness • 40% Positiveness
