Songs like Say Yes To Heaven by Lana Del Rey
Based on a tempo of (+/- 10%) and a similar genre
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Lana Del Rey
Say Yes To Heaven
100 bpm • F# min • 03:29 • -11.58db
86% Popularity • 49% Danceability • 35% Energy • 11% Liveness
9% Instrumentalness • 17% Positiveness
86% Popularity • 49% Danceability • 35% Energy • 11% Liveness
9% Instrumentalness • 17% Positiveness
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Doja Cat
Paint The Town Red
100 bpm • D min • 03:50 • -7.68db
81% Popularity • 86% Danceability • 56% Energy • 11% Liveness
0% Instrumentalness • 73% Positiveness
81% Popularity • 86% Danceability • 56% Energy • 11% Liveness
0% Instrumentalness • 73% Positiveness
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Mitski
First Love/Late Spring
100 bpm • C Maj • 04:38 • -8.2db
79% Popularity • 44% Danceability • 54% Energy • 20% Liveness
1% Instrumentalness • 10% Positiveness
79% Popularity • 44% Danceability • 54% Energy • 20% Liveness
1% Instrumentalness • 10% Positiveness
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Ashe
Till Forever Falls Apart
100 bpm • D Maj • 03:42 • -6.94db
74% Popularity • 35% Danceability • 50% Energy • 7% Liveness
0% Instrumentalness • 30% Positiveness
74% Popularity • 35% Danceability • 50% Energy • 7% Liveness
0% Instrumentalness • 30% Positiveness
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SZA
Nobody Gets Me
100 bpm • G Maj • 03:00 • -8.29db
85% Popularity • 36% Danceability • 28% Energy • 18% Liveness
0% Instrumentalness • 28% Positiveness
85% Popularity • 36% Danceability • 28% Energy • 18% Liveness
0% Instrumentalness • 28% Positiveness
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Olivia Rodrigo
traitor
101 bpm • D# Maj • 03:49 • -7.89db
86% Popularity • 38% Danceability • 34% Energy • 12% Liveness
0% Instrumentalness • 8% Positiveness
86% Popularity • 38% Danceability • 34% Energy • 12% Liveness
0% Instrumentalness • 8% Positiveness
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Lana Del Rey
Lust For Life
100 bpm • C min • 04:24 • -8.64db
72% Popularity • 50% Danceability • 66% Energy • 36% Liveness
0% Instrumentalness • 26% Positiveness
72% Popularity • 50% Danceability • 66% Energy • 36% Liveness
0% Instrumentalness • 26% Positiveness
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The Weeknd
One Of The Girls - Sped Up
99 bpm • D min • 03:35 • -5.53db
68% Popularity • 57% Danceability • 68% Energy • 54% Liveness
0% Instrumentalness • 30% Positiveness
68% Popularity • 57% Danceability • 68% Energy • 54% Liveness
0% Instrumentalness • 30% Positiveness
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Montell Fish
love you more than me
99 bpm • E Maj • 02:21 • -28.94db
69% Popularity • 48% Danceability • 2% Energy • 11% Liveness
0% Instrumentalness • 33% Positiveness
69% Popularity • 48% Danceability • 2% Energy • 11% Liveness
0% Instrumentalness • 33% Positiveness
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Stephen Sanchez
Until I Found You - Em Beihold Version
101 bpm • A# Maj • 02:56 • -5.34db
86% Popularity • 55% Danceability • 55% Energy • 20% Liveness
0% Instrumentalness • 34% Positiveness
86% Popularity • 55% Danceability • 55% Energy • 20% Liveness
0% Instrumentalness • 34% Positiveness
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The Last Dinner Party
Nothing Matters
101 bpm • D Maj • 03:02 • -5.1db
77% Popularity • 59% Danceability • 78% Energy • 11% Liveness
0% Instrumentalness • 61% Positiveness
77% Popularity • 59% Danceability • 78% Energy • 11% Liveness
0% Instrumentalness • 61% Positiveness
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Labrinth
Never Felt So Alone
98 bpm • F Maj • 02:40 • -4.44db
76% Popularity • 44% Danceability • 41% Energy • 38% Liveness
0% Instrumentalness • 36% Positiveness
76% Popularity • 44% Danceability • 41% Energy • 38% Liveness
0% Instrumentalness • 36% Positiveness
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Taylor Swift
Nothing New (Taylor’s Version)
102 bpm • C Maj • 04:18 • -9.46db
74% Popularity • 61% Danceability • 38% Energy • 15% Liveness
0% Instrumentalness • 45% Positiveness
74% Popularity • 61% Danceability • 38% Energy • 15% Liveness
0% Instrumentalness • 45% Positiveness
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The Weeknd
Popular
99 bpm • C# Maj • 03:35 • -6.24db
85% Popularity • 85% Danceability • 67% Energy • 38% Liveness
0% Instrumentalness • 83% Positiveness
85% Popularity • 85% Danceability • 67% Energy • 38% Liveness
0% Instrumentalness • 83% Positiveness
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Tame Impala
One More Hour
102 bpm • E Maj • 07:12 • -8.63db
73% Popularity • 65% Danceability • 40% Energy • 15% Liveness
11% Instrumentalness • 32% Positiveness
73% Popularity • 65% Danceability • 40% Energy • 15% Liveness
11% Instrumentalness • 32% Positiveness
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Stephen Sanchez
Be More
98 bpm • D# Maj • 03:51 • -7.1db
64% Popularity • 23% Danceability • 42% Energy • 10% Liveness
0% Instrumentalness • 12% Positiveness
64% Popularity • 23% Danceability • 42% Energy • 10% Liveness
0% Instrumentalness • 12% Positiveness
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Ariana Grande
the boy is mine
98 bpm • G min • 02:53 • -5.82db
89% Popularity • 80% Danceability • 62% Energy • 7% Liveness
0% Instrumentalness • 44% Positiveness
89% Popularity • 80% Danceability • 62% Energy • 7% Liveness
0% Instrumentalness • 44% Positiveness
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Mitski
Francis Forever
102 bpm • D Maj • 02:29 • -9.17db
77% Popularity • 54% Danceability • 45% Energy • 12% Liveness
0% Instrumentalness • 32% Positiveness
77% Popularity • 54% Danceability • 45% Energy • 12% Liveness
0% Instrumentalness • 32% Positiveness
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Conan Gray
Heather
102 bpm • F Maj • 03:18 • -7.3db
87% Popularity • 36% Danceability • 42% Energy • 32% Liveness
0% Instrumentalness • 27% Positiveness
87% Popularity • 36% Danceability • 42% Energy • 32% Liveness
0% Instrumentalness • 27% Positiveness
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Metro Boomin
Creepin'
98 bpm • C# min • 03:41 • -6.01db
87% Popularity • 72% Danceability • 62% Energy • 8% Liveness
0% Instrumentalness • 17% Positiveness
87% Popularity • 72% Danceability • 62% Energy • 8% Liveness
0% Instrumentalness • 17% Positiveness
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Lana Del Rey
Margaret
102 bpm • A Maj • 05:39 • -13.24db
81% Popularity • 45% Danceability • 25% Energy • 6% Liveness
13% Instrumentalness • 22% Positiveness
81% Popularity • 45% Danceability • 25% Energy • 6% Liveness
13% Instrumentalness • 22% Positiveness
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Coldplay
Sparks
103 bpm • C# Maj • 03:47 • -10.51db
87% Popularity • 37% Danceability • 27% Energy • 10% Liveness
5% Instrumentalness • 16% Positiveness
87% Popularity • 37% Danceability • 27% Energy • 10% Liveness
5% Instrumentalness • 16% Positiveness
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The Weeknd
Dollhouse
97 bpm • G min • 03:59 • -8.93db
63% Popularity • 40% Danceability • 54% Energy • 35% Liveness
0% Instrumentalness • 4% Positiveness
63% Popularity • 40% Danceability • 54% Energy • 35% Liveness
0% Instrumentalness • 4% Positiveness
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Childish Gambino
Les
103 bpm • C# min • 05:17 • -7.04db
83% Popularity • 54% Danceability • 67% Energy • 24% Liveness
0% Instrumentalness • 12% Positiveness
83% Popularity • 54% Danceability • 67% Energy • 24% Liveness
0% Instrumentalness • 12% Positiveness
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Montell Fish
Talk 2 Me
103 bpm • B Maj • 02:19 • -16.38db
73% Popularity • 46% Danceability • 13% Energy • 56% Liveness
0% Instrumentalness • 18% Positiveness
73% Popularity • 46% Danceability • 13% Energy • 56% Liveness
0% Instrumentalness • 18% Positiveness
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Cigarettes After Sex
Nothing's Gonna Hurt You Baby
97 bpm • E Maj • 04:46 • -14.07db
75% Popularity • 51% Danceability • 33% Energy • 11% Liveness
15% Instrumentalness • 10% Positiveness
75% Popularity • 51% Danceability • 33% Energy • 11% Liveness
15% Instrumentalness • 10% Positiveness
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Isabel LaRosa
favorite
97 bpm • A# min • 02:13 • -5.33db
77% Popularity • 73% Danceability • 65% Energy • 9% Liveness
0% Instrumentalness • 62% Positiveness
77% Popularity • 73% Danceability • 65% Energy • 9% Liveness
0% Instrumentalness • 62% Positiveness
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Rio Romeo
Nothing's New
96 bpm • B Maj • 03:31 • -8.31db
83% Popularity • 42% Danceability • 39% Energy • 10% Liveness
0% Instrumentalness • 40% Positiveness
83% Popularity • 42% Danceability • 39% Energy • 10% Liveness
0% Instrumentalness • 40% Positiveness
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SYML
Where's My Love
104 bpm • C min • 03:22 • -10.11db
81% Popularity • 60% Danceability • 36% Energy • 11% Liveness
3% Instrumentalness • 37% Positiveness
81% Popularity • 60% Danceability • 36% Energy • 11% Liveness
3% Instrumentalness • 37% Positiveness
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The Smiths
Back to the Old House - 2011 Remaster
104 bpm • D Maj • 03:06 • -7.81db
79% Popularity • 63% Danceability • 49% Energy • 14% Liveness
0% Instrumentalness • 40% Positiveness
79% Popularity • 63% Danceability • 49% Energy • 14% Liveness
0% Instrumentalness • 40% Positiveness
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RAYE
Escapism.
96 bpm • D Maj • 04:32 • -5.36db
82% Popularity • 54% Danceability • 74% Energy • 9% Liveness
0% Instrumentalness • 25% Positiveness
82% Popularity • 54% Danceability • 74% Energy • 9% Liveness
0% Instrumentalness • 25% Positiveness
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Cigarettes After Sex
Sweet
97 bpm • F# Maj • 04:52 • -9.07db
82% Popularity • 45% Danceability • 51% Energy • 14% Liveness
77% Instrumentalness • 12% Positiveness
82% Popularity • 45% Danceability • 51% Energy • 14% Liveness
77% Instrumentalness • 12% Positiveness
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Melanie Martinez
EVIL
96 bpm • G# Maj • 04:06 • -4.91db
71% Popularity • 71% Danceability • 73% Energy • 9% Liveness
0% Instrumentalness • 74% Positiveness
71% Popularity • 71% Danceability • 73% Energy • 9% Liveness
0% Instrumentalness • 74% Positiveness
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The 1975
About You
96 bpm • D Maj • 05:26 • -7.39db
81% Popularity • 42% Danceability • 76% Energy • 6% Liveness
80% Instrumentalness • 46% Positiveness
81% Popularity • 42% Danceability • 76% Energy • 6% Liveness
80% Instrumentalness • 46% Positiveness
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SYML
Where's My Love - Acoustic
104 bpm • D# Maj • 03:59 • -11.32db
74% Popularity • 55% Danceability • 22% Energy • 11% Liveness
3% Instrumentalness • 22% Positiveness
74% Popularity • 55% Danceability • 22% Energy • 11% Liveness
3% Instrumentalness • 22% Positiveness
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Barrie-James
Riverside
96 bpm • G Maj • 03:27 • -15.35db
47% Popularity • 30% Danceability • 13% Energy • 9% Liveness
0% Instrumentalness • 5% Positiveness
47% Popularity • 30% Danceability • 13% Energy • 9% Liveness
0% Instrumentalness • 5% Positiveness
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Nessa Barrett
club heaven
96 bpm • B Maj • 02:11 • -6.21db
62% Popularity • 40% Danceability • 64% Energy • 8% Liveness
0% Instrumentalness • 37% Positiveness
62% Popularity • 40% Danceability • 64% Energy • 8% Liveness
0% Instrumentalness • 37% Positiveness
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Cigarettes After Sex
Touch
96 bpm • F# Maj • 04:52 • -9.4db
72% Popularity • 48% Danceability • 50% Energy • 10% Liveness
91% Instrumentalness • 37% Positiveness
72% Popularity • 48% Danceability • 50% Energy • 10% Liveness
91% Instrumentalness • 37% Positiveness
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salvia palth
i was all over her
105 bpm • G Maj • 02:41 • -12.77db
78% Popularity • 54% Danceability • 37% Energy • 11% Liveness
88% Instrumentalness • 5% Positiveness
78% Popularity • 54% Danceability • 37% Energy • 11% Liveness
88% Instrumentalness • 5% Positiveness
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bôa
Duvet - Sped Up Version
105 bpm • C# min • 03:02 • -9.14db
66% Popularity • 59% Danceability • 84% Energy • 10% Liveness
0% Instrumentalness • 65% Positiveness
66% Popularity • 59% Danceability • 84% Energy • 10% Liveness
0% Instrumentalness • 65% Positiveness
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Stephen Sanchez
Until I Found You - Piano Version
95 bpm • G Maj • 03:04 • -10.45db
67% Popularity • 60% Danceability • 15% Energy • 10% Liveness
0% Instrumentalness • 23% Positiveness
67% Popularity • 60% Danceability • 15% Energy • 10% Liveness
0% Instrumentalness • 23% Positiveness
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Dove Cameron
We Go Down Together
105 bpm • A min • 03:04 • -9.79db
65% Popularity • 49% Danceability • 35% Energy • 9% Liveness
0% Instrumentalness • 13% Positiveness
65% Popularity • 49% Danceability • 35% Energy • 9% Liveness
0% Instrumentalness • 13% Positiveness
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TV Girl
Not Allowed
105 bpm • C# Maj • 02:47 • -6.86db
86% Popularity • 67% Danceability • 90% Energy • 35% Liveness
0% Instrumentalness • 56% Positiveness
86% Popularity • 67% Danceability • 90% Energy • 35% Liveness
0% Instrumentalness • 56% Positiveness
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Selena Gomez
Single Soon
105 bpm • D Maj • 02:51 • -5.65db
80% Popularity • 61% Danceability • 57% Energy • 13% Liveness
0% Instrumentalness • 75% Positiveness
80% Popularity • 61% Danceability • 57% Energy • 13% Liveness
0% Instrumentalness • 75% Positiveness
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Clairo
Bags
105 bpm • C# Maj • 04:20 • -7.69db
78% Popularity • 74% Danceability • 55% Energy • 12% Liveness
38% Instrumentalness • 87% Positiveness
78% Popularity • 74% Danceability • 55% Energy • 12% Liveness
38% Instrumentalness • 87% Positiveness
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Benson Boone
Beautiful Things
105 bpm • A# Maj • 03:00 • -5.69db
59% Popularity • 47% Danceability • 47% Energy • 14% Liveness
0% Instrumentalness • 22% Positiveness
59% Popularity • 47% Danceability • 47% Energy • 14% Liveness
0% Instrumentalness • 22% Positiveness
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Cigarettes After Sex
Heavenly
105 bpm • G# Maj • 04:46 • -9.19db
78% Popularity • 54% Danceability • 44% Energy • 11% Liveness
69% Instrumentalness • 13% Positiveness
78% Popularity • 54% Danceability • 44% Energy • 11% Liveness
69% Instrumentalness • 13% Positiveness
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Madison Beer
Showed Me (How I Fell In Love With You)
95 bpm • C min • 03:15 • -8.5db
58% Popularity • 72% Danceability • 54% Energy • 9% Liveness
8% Instrumentalness • 68% Positiveness
58% Popularity • 72% Danceability • 54% Energy • 9% Liveness
8% Instrumentalness • 68% Positiveness
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TV Girl
Lovers Rock
105 bpm • F min • 03:33 • -5.34db
88% Popularity • 56% Danceability • 87% Energy • 10% Liveness
1% Instrumentalness • 57% Positiveness
88% Popularity • 56% Danceability • 87% Energy • 10% Liveness
1% Instrumentalness • 57% Positiveness
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Nessa Barrett
american jesus
95 bpm • A min • 02:48 • -7.38db
57% Popularity • 65% Danceability • 43% Energy • 23% Liveness
0% Instrumentalness • 43% Positiveness
57% Popularity • 65% Danceability • 43% Energy • 23% Liveness
0% Instrumentalness • 43% Positiveness
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Ari Abdul
BABYDOLL (Speed)
105 bpm • B Maj • 02:36 • -5.54db
75% Popularity • 55% Danceability • 58% Energy • 18% Liveness
20% Instrumentalness • 54% Positiveness
75% Popularity • 55% Danceability • 58% Energy • 18% Liveness
20% Instrumentalness • 54% Positiveness
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Daughter
Medicine
95 bpm • D# Maj • 04:18 • -12.2db
65% Popularity • 22% Danceability • 32% Energy • 60% Liveness
24% Instrumentalness • 19% Positiveness
65% Popularity • 22% Danceability • 32% Energy • 60% Liveness
24% Instrumentalness • 19% Positiveness
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JVKE
golden hour
94 bpm • E Maj • 03:29 • -4.8db
81% Popularity • 52% Danceability • 59% Energy • 25% Liveness
16% Instrumentalness • 15% Positiveness
81% Popularity • 52% Danceability • 59% Energy • 25% Liveness
16% Instrumentalness • 15% Positiveness
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Cigarettes After Sex
Apocalypse
94 bpm • F Maj • 04:50 • -9.01db
89% Popularity • 37% Danceability • 47% Energy • 11% Liveness
57% Instrumentalness • 18% Positiveness
89% Popularity • 37% Danceability • 47% Energy • 11% Liveness
57% Instrumentalness • 18% Positiveness
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Mitski
Washing Machine Heart
106 bpm • A Maj • 02:08 • -4.09db
83% Popularity • 61% Danceability • 82% Energy • 43% Liveness
51% Instrumentalness • 57% Positiveness
83% Popularity • 61% Danceability • 82% Energy • 43% Liveness
51% Instrumentalness • 57% Positiveness
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Alex G
Mary
106 bpm • E min • 03:17 • -9.56db
73% Popularity • 69% Danceability • 47% Energy • 11% Liveness
45% Instrumentalness • 40% Positiveness
73% Popularity • 69% Danceability • 47% Energy • 11% Liveness
45% Instrumentalness • 40% Positiveness
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Harry Styles
From the Dining Table
94 bpm • G# Maj • 03:31 • -16.29db
71% Popularity • 67% Danceability • 16% Energy • 11% Liveness
5% Instrumentalness • 20% Positiveness
71% Popularity • 67% Danceability • 16% Energy • 11% Liveness
5% Instrumentalness • 20% Positiveness
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The Neighbourhood
Softcore
94 bpm • A min • 03:26 • -5.51db
86% Popularity • 57% Danceability • 57% Energy • 29% Liveness
0% Instrumentalness • 37% Positiveness
86% Popularity • 57% Danceability • 57% Energy • 29% Liveness
0% Instrumentalness • 37% Positiveness
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Lana Del Rey
Cherry
94 bpm • G# min • 03:00 • -9.49db
73% Popularity • 45% Danceability • 53% Energy • 38% Liveness
0% Instrumentalness • 34% Positiveness
73% Popularity • 45% Danceability • 53% Energy • 38% Liveness
0% Instrumentalness • 34% Positiveness
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Current Joys
Fear
94 bpm • D Maj • 03:36 • -8.31db
71% Popularity • 72% Danceability • 45% Energy • 9% Liveness
43% Instrumentalness • 51% Positiveness
71% Popularity • 72% Danceability • 45% Energy • 9% Liveness
43% Instrumentalness • 51% Positiveness
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Cigarettes After Sex
K.
94 bpm • D# Maj • 05:20 • -10.26db
84% Popularity • 45% Danceability • 40% Energy • 14% Liveness
85% Instrumentalness • 33% Positiveness
84% Popularity • 45% Danceability • 40% Energy • 14% Liveness
85% Instrumentalness • 33% Positiveness
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Phoebe Bridgers
Motion Sickness
107 bpm • C# Maj • 03:49 • -9.02db
76% Popularity • 65% Danceability • 55% Energy • 8% Liveness
4% Instrumentalness • 62% Positiveness
76% Popularity • 65% Danceability • 55% Energy • 8% Liveness
4% Instrumentalness • 62% Positiveness
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Conan Gray
Alley Rose
107 bpm • G Maj • 03:28 • -4.55db
57% Popularity • 22% Danceability • 66% Energy • 11% Liveness
0% Instrumentalness • 28% Positiveness
57% Popularity • 22% Danceability • 66% Energy • 11% Liveness
0% Instrumentalness • 28% Positiveness
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bôa
Duvet
93 bpm • B min • 03:23 • -9.41db
83% Popularity • 58% Danceability • 89% Energy • 9% Liveness
0% Instrumentalness • 71% Positiveness
83% Popularity • 58% Danceability • 89% Energy • 9% Liveness
0% Instrumentalness • 71% Positiveness
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Lana Del Rey
Ride
94 bpm • C Maj • 04:49 • -5.52db
69% Popularity • 37% Danceability • 69% Energy • 38% Liveness
0% Instrumentalness • 19% Positiveness
69% Popularity • 37% Danceability • 69% Energy • 38% Liveness
0% Instrumentalness • 19% Positiveness
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boygenius
Cool About It
93 bpm • D Maj • 03:00 • -13.66db
74% Popularity • 56% Danceability • 20% Energy • 12% Liveness
0% Instrumentalness • 41% Positiveness
74% Popularity • 56% Danceability • 20% Energy • 12% Liveness
0% Instrumentalness • 41% Positiveness
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Olivia Rodrigo
so american
93 bpm • G# Maj • 02:49 • -1.88db
83% Popularity • 45% Danceability • 94% Energy • 70% Liveness
0% Instrumentalness • 57% Positiveness
83% Popularity • 45% Danceability • 94% Energy • 70% Liveness
0% Instrumentalness • 57% Positiveness
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Chase Atlantic
Friends
107 bpm • B min • 03:50 • -6.37db
81% Popularity • 33% Danceability • 61% Energy • 11% Liveness
0% Instrumentalness • 8% Positiveness
81% Popularity • 33% Danceability • 61% Energy • 11% Liveness
0% Instrumentalness • 8% Positiveness
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Troye Sivan
One Of Your Girls
93 bpm • B min • 03:01 • -7.85db
80% Popularity • 63% Danceability • 65% Energy • 22% Liveness
1% Instrumentalness • 80% Positiveness
80% Popularity • 63% Danceability • 65% Energy • 22% Liveness
1% Instrumentalness • 80% Positiveness
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Eyedress
Jealous
93 bpm • A min • 02:02 • -10.43db
84% Popularity • 47% Danceability • 92% Energy • 48% Liveness
85% Instrumentalness • 70% Positiveness
84% Popularity • 47% Danceability • 92% Energy • 48% Liveness
85% Instrumentalness • 70% Positiveness
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Mitski
Once More to See You
93 bpm • A Maj • 03:00 • -13.65db
70% Popularity • 54% Danceability • 41% Energy • 10% Liveness
1% Instrumentalness • 35% Positiveness
70% Popularity • 54% Danceability • 41% Energy • 10% Liveness
1% Instrumentalness • 35% Positiveness
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Lana Del Rey
Brooklyn Baby
108 bpm • C# Maj • 05:51 • -6.7db
81% Popularity • 40% Danceability • 66% Energy • 11% Liveness
0% Instrumentalness • 9% Positiveness
81% Popularity • 40% Danceability • 66% Energy • 11% Liveness
0% Instrumentalness • 9% Positiveness
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The Neighbourhood
Cry Baby
108 bpm • E min • 03:55 • -4.89db
75% Popularity • 58% Danceability • 66% Energy • 10% Liveness
0% Instrumentalness • 34% Positiveness
75% Popularity • 58% Danceability • 66% Energy • 10% Liveness
0% Instrumentalness • 34% Positiveness
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Labrinth
The Feels
108 bpm • E min • 03:17 • -4.92db
69% Popularity • 55% Danceability • 48% Energy • 10% Liveness
0% Instrumentalness • 15% Positiveness
69% Popularity • 55% Danceability • 48% Energy • 10% Liveness
0% Instrumentalness • 15% Positiveness
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Frank Ocean
White Ferrari
109 bpm • C Maj • 04:08 • -15.61db
80% Popularity • 50% Danceability • 10% Energy • 30% Liveness
0% Instrumentalness • 20% Positiveness
80% Popularity • 50% Danceability • 10% Energy • 30% Liveness
0% Instrumentalness • 20% Positiveness
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Arctic Monkeys
Why'd You Only Call Me When You're High?
92 bpm • D Maj • 02:41 • -6.48db
87% Popularity • 69% Danceability • 63% Energy • 10% Liveness
0% Instrumentalness • 80% Positiveness
87% Popularity • 69% Danceability • 63% Energy • 10% Liveness
0% Instrumentalness • 80% Positiveness
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Vancouver Sleep Clinic
Someone To Stay
109 bpm • C# Maj • 04:14 • -7.24db
75% Popularity • 44% Danceability • 47% Energy • 10% Liveness
0% Instrumentalness • 24% Positiveness
75% Popularity • 44% Danceability • 47% Energy • 10% Liveness
0% Instrumentalness • 24% Positiveness
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Lana Del Rey
The Blackest Day
108 bpm • D Maj • 06:05 • -8.01db
67% Popularity • 44% Danceability • 52% Energy • 8% Liveness
0% Instrumentalness • 16% Positiveness
67% Popularity • 44% Danceability • 52% Energy • 8% Liveness
0% Instrumentalness • 16% Positiveness
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The Weeknd
After Hours
109 bpm • F min • 06:01 • -6.1db
82% Popularity • 66% Danceability • 57% Energy • 12% Liveness
1% Instrumentalness • 14% Positiveness
82% Popularity • 66% Danceability • 57% Energy • 12% Liveness
1% Instrumentalness • 14% Positiveness
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Mac DeMarco
My Kind Of Woman
92 bpm • A Maj • 03:10 • -7.06db
59% Popularity • 50% Danceability • 77% Energy • 18% Liveness
62% Instrumentalness • 45% Positiveness
59% Popularity • 50% Danceability • 77% Energy • 18% Liveness
62% Instrumentalness • 45% Positiveness
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The Smiths
Please, Please, Please, Let Me Get What ...
92 bpm • D Maj • 01:52 • -9.58db
78% Popularity • 24% Danceability • 47% Energy • 16% Liveness
0% Instrumentalness • 45% Positiveness
78% Popularity • 24% Danceability • 47% Energy • 16% Liveness
0% Instrumentalness • 45% Positiveness
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Stephen Sanchez
Evangeline
109 bpm • D# Maj • 02:57 • -7.13db
70% Popularity • 46% Danceability • 57% Energy • 16% Liveness
0% Instrumentalness • 18% Positiveness
70% Popularity • 46% Danceability • 57% Energy • 16% Liveness
0% Instrumentalness • 18% Positiveness
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Reneé Rapp
Pretty Girls
110 bpm • A# Maj • 02:26 • -9.04db
75% Popularity • 64% Danceability • 52% Energy • 11% Liveness
0% Instrumentalness • 26% Positiveness
75% Popularity • 64% Danceability • 52% Energy • 11% Liveness
0% Instrumentalness • 26% Positiveness
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Lana Del Rey
Old Money
108 bpm • A# min • 04:31 • -12.48db
67% Popularity • 31% Danceability • 17% Energy • 15% Liveness
0% Instrumentalness • 15% Positiveness
67% Popularity • 31% Danceability • 17% Energy • 15% Liveness
0% Instrumentalness • 15% Positiveness
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Conan Gray
Wish You Were Sober
91 bpm • D Maj • 02:48 • -5.23db
73% Popularity • 70% Danceability • 73% Energy • 17% Liveness
0% Instrumentalness • 70% Positiveness
73% Popularity • 70% Danceability • 73% Energy • 17% Liveness
0% Instrumentalness • 70% Positiveness
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Adele
Love In The Dark
110 bpm • A min • 04:45 • -6.06db
80% Popularity • 33% Danceability • 34% Energy • 11% Liveness
0% Instrumentalness • 15% Positiveness
80% Popularity • 33% Danceability • 34% Energy • 11% Liveness
0% Instrumentalness • 15% Positiveness
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Taylor Swift
Snow On The Beach
110 bpm • F# min • 03:49 • -10.93db
77% Popularity • 66% Danceability • 40% Energy • 11% Liveness
0% Instrumentalness • 32% Positiveness
77% Popularity • 66% Danceability • 40% Energy • 11% Liveness
0% Instrumentalness • 32% Positiveness
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Gracie Abrams
I miss you, I’m sorry
110 bpm • G Maj • 02:47 • -6.41db
83% Popularity • 44% Danceability • 46% Energy • 12% Liveness
0% Instrumentalness • 15% Positiveness
83% Popularity • 44% Danceability • 46% Energy • 12% Liveness
0% Instrumentalness • 15% Positiveness
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Harry Styles
Falling
110 bpm • E Maj • 04:00 • -6.5db
83% Popularity • 57% Danceability • 27% Energy • 9% Liveness
0% Instrumentalness • 6% Positiveness
83% Popularity • 57% Danceability • 27% Energy • 9% Liveness
0% Instrumentalness • 6% Positiveness
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Lana Del Rey
Cinnamon Girl
92 bpm • F# min • 05:00 • -10.61db
83% Popularity • 29% Danceability • 34% Energy • 14% Liveness
41% Instrumentalness • 14% Positiveness
83% Popularity • 29% Danceability • 34% Energy • 14% Liveness
41% Instrumentalness • 14% Positiveness
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David Kushner
Miserable Man
110 bpm • A# Maj • 03:52 • -10.29db
70% Popularity • 63% Danceability • 35% Energy • 30% Liveness
0% Instrumentalness • 32% Positiveness
70% Popularity • 63% Danceability • 35% Energy • 30% Liveness
0% Instrumentalness • 32% Positiveness
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BØRNS
Past Lives
110 bpm • E Maj • 04:34 • -6.86db
70% Popularity • 74% Danceability • 68% Energy • 9% Liveness
0% Instrumentalness • 44% Positiveness
70% Popularity • 74% Danceability • 68% Energy • 9% Liveness
0% Instrumentalness • 44% Positiveness
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Taylor Swift
Snow On The Beach
110 bpm • A Maj • 04:16 • -13.48db
73% Popularity • 66% Danceability • 32% Energy • 12% Liveness
0% Instrumentalness • 19% Positiveness
73% Popularity • 66% Danceability • 32% Energy • 12% Liveness
0% Instrumentalness • 19% Positiveness
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Billie Eilish
Billie Bossa Nova
110 bpm • G min • 03:16 • -11.04db
78% Popularity • 90% Danceability • 39% Energy • 10% Liveness
3% Instrumentalness • 55% Positiveness
78% Popularity • 90% Danceability • 39% Energy • 10% Liveness
3% Instrumentalness • 55% Positiveness
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Nessa Barrett
girl in new york
110 bpm • G Maj • 02:57 • -5.83db
63% Popularity • 55% Danceability • 51% Energy • 31% Liveness
0% Instrumentalness • 27% Positiveness
63% Popularity • 55% Danceability • 51% Energy • 31% Liveness
0% Instrumentalness • 27% Positiveness
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Lana Del Rey
Pretty When You Cry
109 bpm • A# min • 03:54 • -6.55db
77% Popularity • 51% Danceability • 55% Energy • 22% Liveness
0% Instrumentalness • 20% Positiveness
77% Popularity • 51% Danceability • 55% Energy • 22% Liveness
0% Instrumentalness • 20% Positiveness
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Tate McRae
greedy
111 bpm • F# min • 02:11 • -3.18db
96% Popularity • 75% Danceability • 73% Energy • 11% Liveness
0% Instrumentalness • 84% Positiveness
96% Popularity • 75% Danceability • 73% Energy • 11% Liveness
0% Instrumentalness • 84% Positiveness
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The Weeknd
Stargirl Interlude
90 bpm • F min • 01:51 • -12.64db
85% Popularity • 72% Danceability • 47% Energy • 10% Liveness
9% Instrumentalness • 43% Positiveness
85% Popularity • 72% Danceability • 47% Energy • 10% Liveness
9% Instrumentalness • 43% Positiveness
