Songs like Scars by Lukas Graham
Based on a tempo of (+/- 10%) and a similar genre
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Alex Aiono
Be Alright Forever
100 bpm • B Maj • 03:02 • -4.57db
30% Popularity • 67% Danceability • 78% Energy • 11% Liveness
0% Instrumentalness • 47% Positiveness
30% Popularity • 67% Danceability • 78% Energy • 11% Liveness
0% Instrumentalness • 47% Positiveness
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Vigiland
Already Let You Go‬‬‬
100 bpm • D# Maj • 03:28 • -8db
32% Popularity • 83% Danceability • 62% Energy • 10% Liveness
0% Instrumentalness • 48% Positiveness
32% Popularity • 83% Danceability • 62% Energy • 10% Liveness
0% Instrumentalness • 48% Positiveness
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Ina Wroldsen
Haloes - Acoustic
100 bpm • D# Maj • 03:02 • -6.1db
31% Popularity • 80% Danceability • 38% Energy • 11% Liveness
0% Instrumentalness • 56% Positiveness
31% Popularity • 80% Danceability • 38% Energy • 11% Liveness
0% Instrumentalness • 56% Positiveness
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James TW
Butterflies
100 bpm • C min • 03:17 • -7.3db
48% Popularity • 71% Danceability • 66% Energy • 10% Liveness
0% Instrumentalness • 51% Positiveness
48% Popularity • 71% Danceability • 66% Energy • 10% Liveness
0% Instrumentalness • 51% Positiveness
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Alexander Oscar
Complicated
100 bpm • C# min • 03:06 • -4db
35% Popularity • 71% Danceability • 69% Energy • 7% Liveness
0% Instrumentalness • 54% Positiveness
35% Popularity • 71% Danceability • 69% Energy • 7% Liveness
0% Instrumentalness • 54% Positiveness
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Kygo
Hurting
100 bpm • E Maj • 03:06 • -9.63db
43% Popularity • 66% Danceability • 43% Energy • 9% Liveness
0% Instrumentalness • 29% Positiveness
43% Popularity • 66% Danceability • 43% Energy • 9% Liveness
0% Instrumentalness • 29% Positiveness
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Niall Horan
No Judgement
100 bpm • C# min • 02:56 • -3.84db
58% Popularity • 72% Danceability • 73% Energy • 6% Liveness
0% Instrumentalness • 96% Positiveness
58% Popularity • 72% Danceability • 73% Energy • 6% Liveness
0% Instrumentalness • 96% Positiveness
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Clara Mae
Unmiss You - Stripped
100 bpm • G Maj • 03:40 • -9.96db
27% Popularity • 50% Danceability • 22% Energy • 6% Liveness
0% Instrumentalness • 18% Positiveness
27% Popularity • 50% Danceability • 22% Energy • 6% Liveness
0% Instrumentalness • 18% Positiveness
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Lukas Graham
Scars
100 bpm • E min • 02:51 • -6.39db
37% Popularity • 59% Danceability • 41% Energy • 12% Liveness
0% Instrumentalness • 19% Positiveness
37% Popularity • 59% Danceability • 41% Energy • 12% Liveness
0% Instrumentalness • 19% Positiveness
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Duncan Laurence
Someone Else
100 bpm • B min • 03:04 • -9.43db
40% Popularity • 59% Danceability • 53% Energy • 11% Liveness
0% Instrumentalness • 46% Positiveness
40% Popularity • 59% Danceability • 53% Energy • 11% Liveness
0% Instrumentalness • 46% Positiveness
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Gavin Haley
The Way I Am
100 bpm • G Maj • 02:58 • -8.27db
47% Popularity • 53% Danceability • 50% Energy • 11% Liveness
0% Instrumentalness • 14% Positiveness
47% Popularity • 53% Danceability • 50% Energy • 11% Liveness
0% Instrumentalness • 14% Positiveness
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Ellen Krauss
On The Bus
99 bpm • F Maj • 02:46 • -6.85db
42% Popularity • 67% Danceability • 61% Energy • 11% Liveness
0% Instrumentalness • 84% Positiveness
42% Popularity • 67% Danceability • 61% Energy • 11% Liveness
0% Instrumentalness • 84% Positiveness
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Hjalmer
Verden I Farver
101 bpm • G Maj • 02:36 • -5.84db
33% Popularity • 73% Danceability • 59% Energy • 13% Liveness
0% Instrumentalness • 63% Positiveness
33% Popularity • 73% Danceability • 59% Energy • 13% Liveness
0% Instrumentalness • 63% Positiveness
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Clara Mae
Call Your Girlfriend
99 bpm • F# Maj • 03:14 • -13.44db
43% Popularity • 64% Danceability • 8% Energy • 11% Liveness
0% Instrumentalness • 21% Positiveness
43% Popularity • 64% Danceability • 8% Energy • 11% Liveness
0% Instrumentalness • 21% Positiveness
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Lukas Graham
You're Not the Only One (Redemption Song...
99 bpm • A Maj • 03:03 • -7.49db
41% Popularity • 65% Danceability • 42% Energy • 11% Liveness
0% Instrumentalness • 37% Positiveness
41% Popularity • 65% Danceability • 42% Energy • 11% Liveness
0% Instrumentalness • 37% Positiveness
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Tom Walker
Now You're Gone
102 bpm • A min • 03:32 • -8db
47% Popularity • 64% Danceability • 72% Energy • 15% Liveness
0% Instrumentalness • 23% Positiveness
47% Popularity • 64% Danceability • 72% Energy • 15% Liveness
0% Instrumentalness • 23% Positiveness
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Robin Stjernberg
Under Water
102 bpm • C# Maj • 03:18 • -5db
22% Popularity • 42% Danceability • 73% Energy • 9% Liveness
0% Instrumentalness • 39% Positiveness
22% Popularity • 42% Danceability • 73% Energy • 9% Liveness
0% Instrumentalness • 39% Positiveness
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Carpark North
Moments
102 bpm • A# Maj • 03:35 • -7db
26% Popularity • 76% Danceability • 62% Energy • 7% Liveness
0% Instrumentalness • 79% Positiveness
26% Popularity • 76% Danceability • 62% Energy • 7% Liveness
0% Instrumentalness • 79% Positiveness
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Sandro Cavazza
Used To
102 bpm • A# Maj • 02:54 • -8.16db
43% Popularity • 66% Danceability • 45% Energy • 9% Liveness
0% Instrumentalness • 39% Positiveness
43% Popularity • 66% Danceability • 45% Energy • 9% Liveness
0% Instrumentalness • 39% Positiveness
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FOOL
Kids
102 bpm • G min • 03:45 • -6.49db
23% Popularity • 79% Danceability • 69% Energy • 10% Liveness
0% Instrumentalness • 53% Positiveness
23% Popularity • 79% Danceability • 69% Energy • 10% Liveness
0% Instrumentalness • 53% Positiveness
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Lukas Graham
Better Than Yourself (Criminal Mind, Pt....
100 bpm • F# min • 04:18 • -5.85db
25% Popularity • 70% Danceability • 54% Energy • 70% Liveness
0% Instrumentalness • 38% Positiveness
25% Popularity • 70% Danceability • 54% Energy • 70% Liveness
0% Instrumentalness • 38% Positiveness
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Branco
No Evil
102 bpm • F min • 03:00 • -7.81db
36% Popularity • 78% Danceability • 58% Energy • 9% Liveness
0% Instrumentalness • 72% Positiveness
36% Popularity • 78% Danceability • 58% Energy • 9% Liveness
0% Instrumentalness • 72% Positiveness
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Jesper Jenset
Bad Vibrations
98 bpm • G# min • 03:19 • -8.99db
37% Popularity • 77% Danceability • 59% Energy • 14% Liveness
0% Instrumentalness • 76% Positiveness
37% Popularity • 77% Danceability • 59% Energy • 14% Liveness
0% Instrumentalness • 76% Positiveness
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NOAH
Undskyld
98 bpm • F# min • 03:17 • -5.52db
27% Popularity • 67% Danceability • 63% Energy • 16% Liveness
0% Instrumentalness • 38% Positiveness
27% Popularity • 67% Danceability • 63% Energy • 16% Liveness
0% Instrumentalness • 38% Positiveness
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Future Animals
Crazy Love
98 bpm • A# Maj • 03:31 • -4db
38% Popularity • 78% Danceability • 60% Energy • 30% Liveness
0% Instrumentalness • 56% Positiveness
38% Popularity • 78% Danceability • 60% Energy • 30% Liveness
0% Instrumentalness • 56% Positiveness
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Selena Gomez
Lose You To Love Me
103 bpm • E Maj • 03:26 • -8.99db
80% Popularity • 49% Danceability • 34% Energy • 21% Liveness
0% Instrumentalness • 10% Positiveness
80% Popularity • 49% Danceability • 34% Energy • 21% Liveness
0% Instrumentalness • 10% Positiveness
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Mads Langer
I Was Just Thinking
103 bpm • F# Maj • 03:42 • -11db
27% Popularity • 39% Danceability • 23% Energy • 45% Liveness
0% Instrumentalness • 16% Positiveness
27% Popularity • 39% Danceability • 23% Energy • 45% Liveness
0% Instrumentalness • 16% Positiveness
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Eyelar
Daddy’s Girl
97 bpm • D Maj • 03:11 • -6.62db
27% Popularity • 75% Danceability • 41% Energy • 8% Liveness
0% Instrumentalness • 48% Positiveness
27% Popularity • 75% Danceability • 41% Energy • 8% Liveness
0% Instrumentalness • 48% Positiveness
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Saint clara
Girl Like You
103 bpm • B min • 02:54 • -5.61db
41% Popularity • 88% Danceability • 50% Energy • 13% Liveness
0% Instrumentalness • 54% Positiveness
41% Popularity • 88% Danceability • 50% Energy • 13% Liveness
0% Instrumentalness • 54% Positiveness
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Tom Walker
Now You're Gone - Radio Edit
102 bpm • E min • 02:53 • -7.77db
37% Popularity • 74% Danceability • 68% Energy • 16% Liveness
0% Instrumentalness • 33% Positiveness
37% Popularity • 74% Danceability • 68% Energy • 16% Liveness
0% Instrumentalness • 33% Positiveness
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NOAH
Ensom Forevigt
103 bpm • B Maj • 03:17 • -3.5db
30% Popularity • 75% Danceability • 78% Energy • 5% Liveness
0% Instrumentalness • 90% Positiveness
30% Popularity • 75% Danceability • 78% Energy • 5% Liveness
0% Instrumentalness • 90% Positiveness
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Ina Wroldsen
Haloes
103 bpm • D# Maj • 02:51 • -4.05db
37% Popularity • 70% Danceability • 72% Energy • 18% Liveness
0% Instrumentalness • 33% Positiveness
37% Popularity • 70% Danceability • 72% Energy • 18% Liveness
0% Instrumentalness • 33% Positiveness
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Cash Cash
Too Late
97 bpm • D Maj • 03:13 • -2db
33% Popularity • 55% Danceability • 74% Energy • 11% Liveness
0% Instrumentalness • 60% Positiveness
33% Popularity • 55% Danceability • 74% Energy • 11% Liveness
0% Instrumentalness • 60% Positiveness
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Hugo Helmig
Don't Wait Up
97 bpm • G min • 03:24 • -6db
25% Popularity • 72% Danceability • 72% Energy • 4% Liveness
0% Instrumentalness • 58% Positiveness
25% Popularity • 72% Danceability • 72% Energy • 4% Liveness
0% Instrumentalness • 58% Positiveness
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Saint clara
Nobody's Lover
103 bpm • C min • 03:32 • -5db
35% Popularity • 80% Danceability • 64% Energy • 40% Liveness
0% Instrumentalness • 55% Positiveness
35% Popularity • 80% Danceability • 64% Energy • 40% Liveness
0% Instrumentalness • 55% Positiveness
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ZAYN
Good Years
97 bpm • D Maj • 03:00 • -5.98db
57% Popularity • 64% Danceability • 41% Energy • 14% Liveness
0% Instrumentalness • 16% Positiveness
57% Popularity • 64% Danceability • 41% Energy • 14% Liveness
0% Instrumentalness • 16% Positiveness
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Brandon Beal
Golden
97 bpm • F min • 03:24 • -5.42db
49% Popularity • 70% Danceability • 68% Energy • 44% Liveness
0% Instrumentalness • 32% Positiveness
49% Popularity • 70% Danceability • 68% Energy • 44% Liveness
0% Instrumentalness • 32% Positiveness
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Julia Michaels
Give It To You
97 bpm • A Maj • 02:15 • -7.1db
38% Popularity • 36% Danceability • 61% Energy • 16% Liveness
0% Instrumentalness • 50% Positiveness
38% Popularity • 36% Danceability • 61% Energy • 16% Liveness
0% Instrumentalness • 50% Positiveness
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Tom Walker
Now You're Gone - Acoustic
97 bpm • A min • 03:01 • -11.26db
37% Popularity • 60% Danceability • 22% Energy • 8% Liveness
0% Instrumentalness • 33% Positiveness
37% Popularity • 60% Danceability • 22% Energy • 8% Liveness
0% Instrumentalness • 33% Positiveness
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FELIX SANDMAN
SOMETHING RIGHT
104 bpm • B Maj • 02:05 • -6.3db
26% Popularity • 93% Danceability • 39% Energy • 5% Liveness
0% Instrumentalness • 86% Positiveness
26% Popularity • 93% Danceability • 39% Energy • 5% Liveness
0% Instrumentalness • 86% Positiveness
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Stephen Puth
Crying My Eyes Out
104 bpm • G# Maj • 02:56 • -6.38db
42% Popularity • 75% Danceability • 53% Energy • 13% Liveness
0% Instrumentalness • 72% Positiveness
42% Popularity • 75% Danceability • 53% Energy • 13% Liveness
0% Instrumentalness • 72% Positiveness
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alex instoy
Damn Close
96 bpm • G# Maj • 03:14 • -11db
29% Popularity • 52% Danceability • 30% Energy • 37% Liveness
0% Instrumentalness • 54% Positiveness
29% Popularity • 52% Danceability • 30% Energy • 37% Liveness
0% Instrumentalness • 54% Positiveness
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Billy Lockett
Hard Act To Follow
104 bpm • G Maj • 03:14 • -11.05db
40% Popularity • 44% Danceability • 34% Energy • 13% Liveness
0% Instrumentalness • 38% Positiveness
40% Popularity • 44% Danceability • 34% Energy • 13% Liveness
0% Instrumentalness • 38% Positiveness
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Alok
Don't Cry For Me - Acoustic
104 bpm • C# min • 02:38 • -7.48db
24% Popularity • 68% Danceability • 44% Energy • 17% Liveness
0% Instrumentalness • 40% Positiveness
24% Popularity • 68% Danceability • 44% Energy • 17% Liveness
0% Instrumentalness • 40% Positiveness
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Lukas Graham
Promise
96 bpm • F# min • 03:14 • -5.02db
35% Popularity • 77% Danceability • 51% Energy • 14% Liveness
0% Instrumentalness • 69% Positiveness
35% Popularity • 77% Danceability • 51% Energy • 14% Liveness
0% Instrumentalness • 69% Positiveness
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Daniel Schulz
Turn Back Time
96 bpm • G Maj • 03:43 • -6.53db
57% Popularity • 68% Danceability • 35% Energy • 26% Liveness
0% Instrumentalness • 22% Positiveness
57% Popularity • 68% Danceability • 35% Energy • 26% Liveness
0% Instrumentalness • 22% Positiveness
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Anna Clendening
Boys Like You
96 bpm • D Maj • 03:07 • -8.82db
51% Popularity • 66% Danceability • 61% Energy • 16% Liveness
0% Instrumentalness • 54% Positiveness
51% Popularity • 66% Danceability • 61% Energy • 16% Liveness
0% Instrumentalness • 54% Positiveness
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Lennon Stella
Golf On TV JP Saxe
105 bpm • F Maj • 03:12 • -8.38db
43% Popularity • 56% Danceability • 55% Energy • 25% Liveness
0% Instrumentalness • 16% Positiveness
43% Popularity • 56% Danceability • 55% Energy • 25% Liveness
0% Instrumentalness • 16% Positiveness
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Dean Lewis
7 Minutes
105 bpm • A# Maj • 03:31 • -6.48db
61% Popularity • 61% Danceability • 74% Energy • 15% Liveness
0% Instrumentalness • 71% Positiveness
61% Popularity • 61% Danceability • 74% Energy • 15% Liveness
0% Instrumentalness • 71% Positiveness
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FELIX SANDMAN
BOYS WITH EMOTIONS
105 bpm • B min • 02:44 • -7.73db
29% Popularity • 86% Danceability • 65% Energy • 42% Liveness
0% Instrumentalness • 55% Positiveness
29% Popularity • 86% Danceability • 65% Energy • 42% Liveness
0% Instrumentalness • 55% Positiveness
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Lukas Graham
Love Someone - Piano Demo
96 bpm • A min • 03:43 • -9.26db
35% Popularity • 49% Danceability • 26% Energy • 11% Liveness
0% Instrumentalness • 34% Positiveness
35% Popularity • 49% Danceability • 26% Energy • 11% Liveness
0% Instrumentalness • 34% Positiveness
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Drew Sycamore
Take It Back
105 bpm • D# min • 03:00 • -6db
26% Popularity • 80% Danceability • 58% Energy • 8% Liveness
0% Instrumentalness • 55% Positiveness
26% Popularity • 80% Danceability • 58% Energy • 8% Liveness
0% Instrumentalness • 55% Positiveness
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Ulrikke
What Would You Do for Love?
105 bpm • G# min • 02:56 • -11.7db
20% Popularity • 65% Danceability • 42% Energy • 12% Liveness
0% Instrumentalness • 68% Positiveness
20% Popularity • 65% Danceability • 42% Energy • 12% Liveness
0% Instrumentalness • 68% Positiveness
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shy martin
Make Us Never Happen
105 bpm • A# min • 02:51 • -8.54db
46% Popularity • 61% Danceability • 49% Energy • 16% Liveness
0% Instrumentalness • 33% Positiveness
46% Popularity • 61% Danceability • 49% Energy • 16% Liveness
0% Instrumentalness • 33% Positiveness
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Chris Kläfford
Lost Someone
95 bpm • D Maj • 03:45 • -7.22db
32% Popularity • 39% Danceability • 68% Energy • 8% Liveness
0% Instrumentalness • 42% Positiveness
32% Popularity • 39% Danceability • 68% Energy • 8% Liveness
0% Instrumentalness • 42% Positiveness
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Justin Jesso
Getting Closer - Acoustic
95 bpm • D# Maj • 03:31 • -8db
25% Popularity • 67% Danceability • 36% Energy • 11% Liveness
0% Instrumentalness • 44% Positiveness
25% Popularity • 67% Danceability • 36% Energy • 11% Liveness
0% Instrumentalness • 44% Positiveness
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Saint clara
What They Say
95 bpm • A Maj • 03:04 • -7.79db
34% Popularity • 75% Danceability • 59% Energy • 11% Liveness
0% Instrumentalness • 64% Positiveness
34% Popularity • 75% Danceability • 59% Energy • 11% Liveness
0% Instrumentalness • 64% Positiveness
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Brandon Beal
Highs And Lows
95 bpm • G Maj • 03:17 • -5.17db
15% Popularity • 75% Danceability • 70% Energy • 9% Liveness
0% Instrumentalness • 36% Positiveness
15% Popularity • 75% Danceability • 70% Energy • 9% Liveness
0% Instrumentalness • 36% Positiveness
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MOODY
the breakup.
95 bpm • A# Maj • 04:31 • -14db
21% Popularity • 33% Danceability • 34% Energy • 9% Liveness
0% Instrumentalness • 11% Positiveness
21% Popularity • 33% Danceability • 34% Energy • 9% Liveness
0% Instrumentalness • 11% Positiveness
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Nea
TG4M - Spotify Studios Recording
95 bpm • F Maj • 02:23 • -8db
21% Popularity • 76% Danceability • 55% Energy • 8% Liveness
0% Instrumentalness • 58% Positiveness
21% Popularity • 76% Danceability • 55% Energy • 8% Liveness
0% Instrumentalness • 58% Positiveness
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HEDEGAARD
Stay Or Go - Chill Mix
95 bpm • G Maj • 03:08 • -9.13db
14% Popularity • 64% Danceability • 40% Energy • 9% Liveness
0% Instrumentalness • 25% Positiveness
14% Popularity • 64% Danceability • 40% Energy • 9% Liveness
0% Instrumentalness • 25% Positiveness
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FELIX SANDMAN
MISS YOU LIKE CRAZY
95 bpm • F# Maj • 03:00 • -8.24db
34% Popularity • 54% Danceability • 51% Energy • 11% Liveness
0% Instrumentalness • 28% Positiveness
34% Popularity • 54% Danceability • 51% Energy • 11% Liveness
0% Instrumentalness • 28% Positiveness
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Chinook
Let It Hurt
95 bpm • E min • 03:25 • -9db
19% Popularity • 34% Danceability • 40% Energy • 13% Liveness
0% Instrumentalness • 21% Positiveness
19% Popularity • 34% Danceability • 40% Energy • 13% Liveness
0% Instrumentalness • 21% Positiveness
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Ellie Goulding
Sixteen - Acoustic
106 bpm • F min • 03:09 • -6.54db
34% Popularity • 82% Danceability • 17% Energy • 11% Liveness
0% Instrumentalness • 40% Positiveness
34% Popularity • 82% Danceability • 17% Energy • 11% Liveness
0% Instrumentalness • 40% Positiveness
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Dean Lewis
Stay Awake
106 bpm • B min • 03:05 • -7.12db
60% Popularity • 72% Danceability • 83% Energy • 9% Liveness
0% Instrumentalness • 58% Positiveness
60% Popularity • 72% Danceability • 83% Energy • 9% Liveness
0% Instrumentalness • 58% Positiveness
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Lukas Graham
Wish You Were Here
106 bpm • G# Maj • 02:55 • -5.55db
47% Popularity • 65% Danceability • 64% Energy • 14% Liveness
0% Instrumentalness • 13% Positiveness
47% Popularity • 65% Danceability • 64% Energy • 14% Liveness
0% Instrumentalness • 13% Positiveness
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Naughty Boy
Undo - Acoustic
106 bpm • B min • 03:26 • -7.91db
27% Popularity • 68% Danceability • 32% Energy • 10% Liveness
0% Instrumentalness • 37% Positiveness
27% Popularity • 68% Danceability • 32% Energy • 10% Liveness
0% Instrumentalness • 37% Positiveness
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Ed Sheeran
South of the Border - Acoustic
94 bpm • A min • 03:14 • -4db
46% Popularity • 74% Danceability • 69% Energy • 10% Liveness
0% Instrumentalness • 96% Positiveness
46% Popularity • 74% Danceability • 69% Energy • 10% Liveness
0% Instrumentalness • 96% Positiveness
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Saint clara
Good To You
94 bpm • G Maj • 03:26 • -7.11db
24% Popularity • 74% Danceability • 51% Energy • 9% Liveness
0% Instrumentalness • 49% Positiveness
24% Popularity • 74% Danceability • 51% Energy • 9% Liveness
0% Instrumentalness • 49% Positiveness
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Sam Fischer
People I Don't Know
94 bpm • B min • 02:05 • -9db
29% Popularity • 86% Danceability • 34% Energy • 9% Liveness
0% Instrumentalness • 67% Positiveness
29% Popularity • 86% Danceability • 34% Energy • 9% Liveness
0% Instrumentalness • 67% Positiveness
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![Be Kind (with Halsey) [Stripped] cover art](https://i.scdn.co/image/ab67616d00001e022b9a27db61fb82fa32f34968)
Marshmello
Be Kind [Stripped]
94 bpm • E Maj • 02:53 • -10.48db
45% Popularity • 57% Danceability • 38% Energy • 9% Liveness
0% Instrumentalness • 53% Positiveness
45% Popularity • 57% Danceability • 38% Energy • 9% Liveness
0% Instrumentalness • 53% Positiveness
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Lukas Graham
Off to See the World
107 bpm • A# min • 03:04 • -5.39db
42% Popularity • 88% Danceability • 76% Energy • 26% Liveness
0% Instrumentalness • 69% Positiveness
42% Popularity • 88% Danceability • 76% Energy • 26% Liveness
0% Instrumentalness • 69% Positiveness
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Maximillian
If You Wanna
107 bpm • C Maj • 03:08 • -7.14db
19% Popularity • 81% Danceability • 54% Energy • 8% Liveness
0% Instrumentalness • 50% Positiveness
19% Popularity • 81% Danceability • 54% Energy • 8% Liveness
0% Instrumentalness • 50% Positiveness
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Elina
Here With Me
93 bpm • G Maj • 03:16 • -10.42db
47% Popularity • 43% Danceability • 27% Energy • 8% Liveness
0% Instrumentalness • 26% Positiveness
47% Popularity • 43% Danceability • 27% Energy • 8% Liveness
0% Instrumentalness • 26% Positiveness
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HRVY
ME BECAUSE OF YOU
93 bpm • A# Maj • 03:35 • -6.56db
44% Popularity • 60% Danceability • 75% Energy • 19% Liveness
0% Instrumentalness • 19% Positiveness
44% Popularity • 60% Danceability • 75% Energy • 19% Liveness
0% Instrumentalness • 19% Positiveness
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Justin Jesso
If You're Meant To Come Back
93 bpm • E Maj • 02:59 • -9.85db
38% Popularity • 54% Danceability • 34% Energy • 7% Liveness
0% Instrumentalness • 17% Positiveness
38% Popularity • 54% Danceability • 34% Energy • 7% Liveness
0% Instrumentalness • 17% Positiveness
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Ellie Goulding
Flux
93 bpm • C Maj • 03:50 • -6.5db
34% Popularity • 52% Danceability • 42% Energy • 14% Liveness
0% Instrumentalness • 36% Positiveness
34% Popularity • 52% Danceability • 42% Energy • 14% Liveness
0% Instrumentalness • 36% Positiveness
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Tom Walker
Better Half of Me
108 bpm • D# Maj • 03:15 • -4.7db
54% Popularity • 59% Danceability • 45% Energy • 28% Liveness
0% Instrumentalness • 44% Positiveness
54% Popularity • 59% Danceability • 45% Energy • 28% Liveness
0% Instrumentalness • 44% Positiveness
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Mike Posner
Weaponry
108 bpm • C# min • 03:12 • -6.45db
37% Popularity • 63% Danceability • 48% Energy • 19% Liveness
0% Instrumentalness • 19% Positiveness
37% Popularity • 63% Danceability • 48% Energy • 19% Liveness
0% Instrumentalness • 19% Positiveness
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Saint clara
Thank Me Later
108 bpm • A min • 03:13 • -5.52db
23% Popularity • 73% Danceability • 66% Energy • 7% Liveness
0% Instrumentalness • 65% Positiveness
23% Popularity • 73% Danceability • 66% Energy • 7% Liveness
0% Instrumentalness • 65% Positiveness
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Alan Walker
Heading Home
108 bpm • A# Maj • 03:07 • -4.51db
49% Popularity • 73% Danceability • 77% Energy • 7% Liveness
0% Instrumentalness • 10% Positiveness
49% Popularity • 73% Danceability • 77% Energy • 7% Liveness
0% Instrumentalness • 10% Positiveness
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Alma Agger
The Last Dance (Cover) - X Factor Denmar...
108 bpm • D Maj • 03:11 • -6.19db
14% Popularity • 56% Danceability • 75% Energy • 12% Liveness
0% Instrumentalness • 20% Positiveness
14% Popularity • 56% Danceability • 75% Energy • 12% Liveness
0% Instrumentalness • 20% Positiveness
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Sam Fischer
For Now
108 bpm • C# Maj • 03:31 • -11.11db
40% Popularity • 73% Danceability • 23% Energy • 30% Liveness
0% Instrumentalness • 41% Positiveness
40% Popularity • 73% Danceability • 23% Energy • 30% Liveness
0% Instrumentalness • 41% Positiveness
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Alex Vargas
The Killing Kind
93 bpm • G Maj • 03:51 • -8.33db
29% Popularity • 42% Danceability • 43% Energy • 35% Liveness
0% Instrumentalness • 23% Positiveness
29% Popularity • 42% Danceability • 43% Energy • 35% Liveness
0% Instrumentalness • 23% Positiveness
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Saveus
Ready To Die
92 bpm • E Maj • 03:29 • -5.63db
46% Popularity • 40% Danceability • 66% Energy • 10% Liveness
0% Instrumentalness • 42% Positiveness
46% Popularity • 40% Danceability • 66% Energy • 10% Liveness
0% Instrumentalness • 42% Positiveness
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Clinton Kane
hopeless
108 bpm • G Maj • 03:19 • -6.11db
47% Popularity • 46% Danceability • 58% Energy • 13% Liveness
0% Instrumentalness • 35% Positiveness
47% Popularity • 46% Danceability • 58% Energy • 13% Liveness
0% Instrumentalness • 35% Positiveness
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Sabina Ddumba
Forgotten Ones
92 bpm • F Maj • 02:41 • -8db
16% Popularity • 78% Danceability • 62% Energy • 6% Liveness
0% Instrumentalness • 63% Positiveness
16% Popularity • 78% Danceability • 62% Energy • 6% Liveness
0% Instrumentalness • 63% Positiveness
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Elina
Free
92 bpm • A# Maj • 03:19 • -13db
45% Popularity • 63% Danceability • 21% Energy • 20% Liveness
0% Instrumentalness • 18% Positiveness
45% Popularity • 63% Danceability • 21% Energy • 20% Liveness
0% Instrumentalness • 18% Positiveness
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Matt Simons
Dust
92 bpm • C# Maj • 03:18 • -10db
41% Popularity • 66% Danceability • 59% Energy • 9% Liveness
0% Instrumentalness • 57% Positiveness
41% Popularity • 66% Danceability • 59% Energy • 9% Liveness
0% Instrumentalness • 57% Positiveness
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Mr. Probz
Praying To A God
109 bpm • D# Maj • 03:40 • -17db
40% Popularity • 59% Danceability • 20% Energy • 10% Liveness
0% Instrumentalness • 8% Positiveness
40% Popularity • 59% Danceability • 20% Energy • 10% Liveness
0% Instrumentalness • 8% Positiveness
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AJ Mitchell
I Don't Want You Back
110 bpm • F Maj • 03:44 • -6.49db
53% Popularity • 61% Danceability • 35% Energy • 10% Liveness
0% Instrumentalness • 25% Positiveness
53% Popularity • 61% Danceability • 35% Energy • 10% Liveness
0% Instrumentalness • 25% Positiveness
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HAYES
Now Or Never
110 bpm • C Maj • 03:19 • -8.39db
20% Popularity • 52% Danceability • 46% Energy • 13% Liveness
0% Instrumentalness • 36% Positiveness
20% Popularity • 52% Danceability • 46% Energy • 13% Liveness
0% Instrumentalness • 36% Positiveness
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Faustix
Crying In The Sun
91 bpm • B min • 03:15 • -4.88db
42% Popularity • 68% Danceability • 79% Energy • 12% Liveness
0% Instrumentalness • 65% Positiveness
42% Popularity • 68% Danceability • 79% Energy • 12% Liveness
0% Instrumentalness • 65% Positiveness
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James Blunt
I Told You
91 bpm • A Maj • 02:31 • -8.19db
44% Popularity • 67% Danceability • 58% Energy • 14% Liveness
0% Instrumentalness • 82% Positiveness
44% Popularity • 67% Danceability • 58% Energy • 14% Liveness
0% Instrumentalness • 82% Positiveness
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Sody
Reason To Stay
110 bpm • C Maj • 03:08 • -7.31db
40% Popularity • 49% Danceability • 35% Energy • 12% Liveness
0% Instrumentalness • 28% Positiveness
40% Popularity • 49% Danceability • 35% Energy • 12% Liveness
0% Instrumentalness • 28% Positiveness
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James Smith
Say You'll Stay
91 bpm • D min • 03:30 • -8.14db
37% Popularity • 51% Danceability • 64% Energy • 11% Liveness
0% Instrumentalness • 66% Positiveness
37% Popularity • 51% Danceability • 64% Energy • 11% Liveness
0% Instrumentalness • 66% Positiveness
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Stephen Puth
Half Gone
91 bpm • C Maj • 03:12 • -5db
31% Popularity • 63% Danceability • 56% Energy • 6% Liveness
0% Instrumentalness • 49% Positiveness
31% Popularity • 63% Danceability • 56% Energy • 6% Liveness
0% Instrumentalness • 49% Positiveness
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Alexander Oscar
Bad Intentions
110 bpm • F# Maj • 03:03 • -3.46db
27% Popularity • 75% Danceability • 73% Energy • 11% Liveness
0% Instrumentalness • 53% Positiveness
27% Popularity • 75% Danceability • 73% Energy • 11% Liveness
0% Instrumentalness • 53% Positiveness