Songs like Sceptic Heart by Black Red Gold
Based on a tempo of (+/- 10%) and a similar genre
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Alice Boman
This Is Where It Ends
134 bpm • A# Maj • 03:53 • -13db
26% Popularity • 28% Danceability • 14% Energy • 11% Liveness
18% Instrumentalness • 7% Positiveness
26% Popularity • 28% Danceability • 14% Energy • 11% Liveness
18% Instrumentalness • 7% Positiveness
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Black Red Gold
Sceptic Heart
134 bpm • A# min • 02:50 • -10.39db
30% Popularity • 62% Danceability • 37% Energy • 12% Liveness
0% Instrumentalness • 33% Positiveness
30% Popularity • 62% Danceability • 37% Energy • 12% Liveness
0% Instrumentalness • 33% Positiveness
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Beds and Beats
Sleepwalking
134 bpm • A min • 03:08 • -9db
24% Popularity • 46% Danceability • 73% Energy • 41% Liveness
3% Instrumentalness • 15% Positiveness
24% Popularity • 46% Danceability • 73% Energy • 41% Liveness
3% Instrumentalness • 15% Positiveness
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Filip Rudan
He's Not The One
134 bpm • A Maj • 02:55 • -7.49db
24% Popularity • 55% Danceability • 41% Energy • 12% Liveness
0% Instrumentalness • 34% Positiveness
24% Popularity • 55% Danceability • 41% Energy • 12% Liveness
0% Instrumentalness • 34% Positiveness
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Gem Club
Spirit & Decline
134 bpm • B Maj • 04:16 • -13.44db
28% Popularity • 22% Danceability • 17% Energy • 11% Liveness
37% Instrumentalness • 5% Positiveness
28% Popularity • 22% Danceability • 17% Energy • 11% Liveness
37% Instrumentalness • 5% Positiveness
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Wolf Larsen
If I Be Wrong
134 bpm • A# Maj • 07:18 • -9.83db
50% Popularity • 33% Danceability • 25% Energy • 12% Liveness
2% Instrumentalness • 20% Positiveness
50% Popularity • 33% Danceability • 25% Energy • 12% Liveness
2% Instrumentalness • 20% Positiveness
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Nine One One
Be Careful What You Wish For
134 bpm • A# min • 03:41 • -9.18db
25% Popularity • 47% Danceability • 51% Energy • 9% Liveness
0% Instrumentalness • 24% Positiveness
25% Popularity • 47% Danceability • 51% Energy • 9% Liveness
0% Instrumentalness • 24% Positiveness
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Black Red Gold
Diamonds In Her Eyes
134 bpm • G# Maj • 02:49 • -6.65db
0% Popularity • 45% Danceability • 82% Energy • 30% Liveness
4% Instrumentalness • 40% Positiveness
0% Popularity • 45% Danceability • 82% Energy • 30% Liveness
4% Instrumentalness • 40% Positiveness
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BURNS
Elevate Me
135 bpm • A# min • 02:41 • -9.31db
37% Popularity • 63% Danceability • 41% Energy • 12% Liveness
0% Instrumentalness • 37% Positiveness
37% Popularity • 63% Danceability • 41% Energy • 12% Liveness
0% Instrumentalness • 37% Positiveness
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Youth Novels
Woman - Hannes Kretzer Remix
135 bpm • B min • 03:48 • -11.32db
21% Popularity • 64% Danceability • 65% Energy • 14% Liveness
85% Instrumentalness • 20% Positiveness
21% Popularity • 64% Danceability • 65% Energy • 14% Liveness
85% Instrumentalness • 20% Positiveness
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TRVSTFALL
Sing Louder
135 bpm • A Maj • 03:47 • -9.09db
26% Popularity • 55% Danceability • 52% Energy • 9% Liveness
0% Instrumentalness • 18% Positiveness
26% Popularity • 55% Danceability • 52% Energy • 9% Liveness
0% Instrumentalness • 18% Positiveness
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Mathias Rehfeldt
One Day - Film Edit
133 bpm • C Maj • 03:57 • -10.52db
12% Popularity • 62% Danceability • 51% Energy • 10% Liveness
34% Instrumentalness • 19% Positiveness
12% Popularity • 62% Danceability • 51% Energy • 10% Liveness
34% Instrumentalness • 19% Positiveness
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David Philips
In Focus - Banda Sonora Original De La P...
135 bpm • D Maj • 04:08 • -16db
21% Popularity • 60% Danceability • 22% Energy • 11% Liveness
1% Instrumentalness • 19% Positiveness
21% Popularity • 60% Danceability • 22% Energy • 11% Liveness
1% Instrumentalness • 19% Positiveness
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Black Red Gold
Done Believing
133 bpm • F min • 03:34 • -3.76db
1% Popularity • 50% Danceability • 90% Energy • 38% Liveness
0% Instrumentalness • 43% Positiveness
1% Popularity • 50% Danceability • 90% Energy • 38% Liveness
0% Instrumentalness • 43% Positiveness
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Cari Cari
Do Not Go Gentle Into That Good Night
135 bpm • E Maj • 03:50 • -10.11db
26% Popularity • 40% Danceability • 19% Energy • 12% Liveness
1% Instrumentalness • 12% Positiveness
26% Popularity • 40% Danceability • 19% Energy • 12% Liveness
1% Instrumentalness • 12% Positiveness
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Freddie Dickson
Got a Little Soul
136 bpm • F# Maj • 02:44 • -11.42db
2% Popularity • 40% Danceability • 28% Energy • 10% Liveness
0% Instrumentalness • 9% Positiveness
2% Popularity • 40% Danceability • 28% Energy • 10% Liveness
0% Instrumentalness • 9% Positiveness
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Kerry Hart
I Know A Gun - Ariza Mix
136 bpm • B Maj • 03:07 • -10db
24% Popularity • 60% Danceability • 41% Energy • 11% Liveness
0% Instrumentalness • 33% Positiveness
24% Popularity • 60% Danceability • 41% Energy • 11% Liveness
0% Instrumentalness • 33% Positiveness
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Mathias Rehfeldt
One Day - Radio Edit
133 bpm • D min • 03:23 • -9.8db
23% Popularity • 59% Danceability • 57% Energy • 15% Liveness
21% Instrumentalness • 12% Positiveness
23% Popularity • 59% Danceability • 57% Energy • 15% Liveness
21% Instrumentalness • 12% Positiveness
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Quentin Travade
Play with Me
136 bpm • A min • 02:52 • -8.06db
17% Popularity • 31% Danceability • 57% Energy • 12% Liveness
0% Instrumentalness • 15% Positiveness
17% Popularity • 31% Danceability • 57% Energy • 12% Liveness
0% Instrumentalness • 15% Positiveness
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Black Red Gold
Mmh
135 bpm • C# min • 02:54 • -7.82db
0% Popularity • 43% Danceability • 68% Energy • 15% Liveness
27% Instrumentalness • 28% Positiveness
0% Popularity • 43% Danceability • 68% Energy • 15% Liveness
27% Instrumentalness • 28% Positiveness
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SYML
Running Low
136 bpm • C Maj • 04:06 • -10.39db
37% Popularity • 34% Danceability • 31% Energy • 11% Liveness
0% Instrumentalness • 16% Positiveness
37% Popularity • 34% Danceability • 31% Energy • 11% Liveness
0% Instrumentalness • 16% Positiveness
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Vance Westlake
This Is My Empire
136 bpm • G min • 02:52 • -13db
17% Popularity • 44% Danceability • 38% Energy • 6% Liveness
6% Instrumentalness • 4% Positiveness
17% Popularity • 44% Danceability • 38% Energy • 6% Liveness
6% Instrumentalness • 4% Positiveness
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The Prams
Two Waves
132 bpm • B min • 03:44 • -11db
26% Popularity • 91% Danceability • 36% Energy • 10% Liveness
21% Instrumentalness • 19% Positiveness
26% Popularity • 91% Danceability • 36% Energy • 10% Liveness
21% Instrumentalness • 19% Positiveness
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Lennon Stella
Thank You
136 bpm • B Maj • 03:36 • -9.77db
53% Popularity • 49% Danceability • 11% Energy • 11% Liveness
0% Instrumentalness • 14% Positiveness
53% Popularity • 49% Danceability • 11% Energy • 11% Liveness
0% Instrumentalness • 14% Positiveness
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Beò
Give You Life
132 bpm • B Maj • 02:47 • -12.27db
23% Popularity • 66% Danceability • 47% Energy • 11% Liveness
0% Instrumentalness • 13% Positiveness
23% Popularity • 66% Danceability • 47% Energy • 11% Liveness
0% Instrumentalness • 13% Positiveness
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Black Red Gold
Time Changes You
132 bpm • F# min • 03:45 • -11.76db
18% Popularity • 60% Danceability • 61% Energy • 10% Liveness
0% Instrumentalness • 41% Positiveness
18% Popularity • 60% Danceability • 61% Energy • 10% Liveness
0% Instrumentalness • 41% Positiveness
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Dresage
Three Little Birds
132 bpm • G Maj • 02:28 • -17.21db
34% Popularity • 39% Danceability • 5% Energy • 8% Liveness
0% Instrumentalness • 24% Positiveness
34% Popularity • 39% Danceability • 5% Energy • 8% Liveness
0% Instrumentalness • 24% Positiveness
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Oskura
Everything Now
136 bpm • D Maj • 03:04 • -6.58db
26% Popularity • 43% Danceability • 85% Energy • 9% Liveness
0% Instrumentalness • 4% Positiveness
26% Popularity • 43% Danceability • 85% Energy • 9% Liveness
0% Instrumentalness • 4% Positiveness
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The Prams
Two Waves
132 bpm • B min • 03:30 • -8.9db
17% Popularity • 68% Danceability • 51% Energy • 14% Liveness
0% Instrumentalness • 24% Positiveness
17% Popularity • 68% Danceability • 51% Energy • 14% Liveness
0% Instrumentalness • 24% Positiveness
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Nine One One
Burn Me Down
132 bpm • F# min • 03:12 • -8.95db
23% Popularity • 64% Danceability • 48% Energy • 25% Liveness
1% Instrumentalness • 75% Positiveness
23% Popularity • 64% Danceability • 48% Energy • 25% Liveness
1% Instrumentalness • 75% Positiveness
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Casey Gibson
Lift You Up
132 bpm • G# Maj • 03:43 • -10.85db
23% Popularity • 59% Danceability • 25% Energy • 9% Liveness
0% Instrumentalness • 14% Positiveness
23% Popularity • 59% Danceability • 25% Energy • 9% Liveness
0% Instrumentalness • 14% Positiveness
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Peter Groenwald
We Carry On
136 bpm • D# Maj • 03:28 • -12.59db
18% Popularity • 25% Danceability • 16% Energy • 10% Liveness
2% Instrumentalness • 15% Positiveness
18% Popularity • 25% Danceability • 16% Energy • 10% Liveness
2% Instrumentalness • 15% Positiveness
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Freddie Dickson
Slip of the Heart
132 bpm • G Maj • 04:50 • -10.28db
3% Popularity • 38% Danceability • 30% Energy • 8% Liveness
0% Instrumentalness • 13% Positiveness
3% Popularity • 38% Danceability • 30% Energy • 8% Liveness
0% Instrumentalness • 13% Positiveness
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Bleeding Fingers
Losing You
132 bpm • C Maj • 02:44 • -13.68db
25% Popularity • 56% Danceability • 28% Energy • 12% Liveness
0% Instrumentalness • 15% Positiveness
25% Popularity • 56% Danceability • 28% Energy • 12% Liveness
0% Instrumentalness • 15% Positiveness
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Jon Dix
Killing Time
136 bpm • D Maj • 03:21 • -12db
7% Popularity • 46% Danceability • 68% Energy • 11% Liveness
74% Instrumentalness • 18% Positiveness
7% Popularity • 46% Danceability • 68% Energy • 11% Liveness
74% Instrumentalness • 18% Positiveness
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Emily Rowed
Human
137 bpm • E min • 03:20 • -11.5db
25% Popularity • 54% Danceability • 23% Energy • 8% Liveness
0% Instrumentalness • 17% Positiveness
25% Popularity • 54% Danceability • 23% Energy • 8% Liveness
0% Instrumentalness • 17% Positiveness
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DANIEL SAINT BLACK
Stone Cold Floor
137 bpm • G min • 03:45 • -8.06db
22% Popularity • 32% Danceability • 48% Energy • 11% Liveness
0% Instrumentalness • 22% Positiveness
22% Popularity • 32% Danceability • 48% Energy • 11% Liveness
0% Instrumentalness • 22% Positiveness
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Hummingbird Hotel
Only Love (Seaside Wounds Remix)
137 bpm • C Maj • 03:16 • -10.19db
25% Popularity • 63% Danceability • 52% Energy • 11% Liveness
16% Instrumentalness • 33% Positiveness
25% Popularity • 63% Danceability • 52% Energy • 11% Liveness
16% Instrumentalness • 33% Positiveness
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Robin Loxley
Coming Back
131 bpm • A min • 03:33 • -14.12db
33% Popularity • 41% Danceability • 40% Energy • 10% Liveness
88% Instrumentalness • 8% Positiveness
33% Popularity • 41% Danceability • 40% Energy • 10% Liveness
88% Instrumentalness • 8% Positiveness
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Aron Wright
You & Me (The Wildfire)
131 bpm • D Maj • 04:02 • -14.74db
41% Popularity • 51% Danceability • 24% Energy • 10% Liveness
7% Instrumentalness • 6% Positiveness
41% Popularity • 51% Danceability • 24% Energy • 10% Liveness
7% Instrumentalness • 6% Positiveness
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AG
No Expectations
138 bpm • A Maj • 04:47 • -14db
33% Popularity • 22% Danceability • 20% Energy • 8% Liveness
0% Instrumentalness • 13% Positiveness
33% Popularity • 22% Danceability • 20% Energy • 8% Liveness
0% Instrumentalness • 13% Positiveness
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We Are The West
Tonight's Tonight
138 bpm • G Maj • 04:52 • -21.29db
14% Popularity • 44% Danceability • 17% Energy • 13% Liveness
6% Instrumentalness • 44% Positiveness
14% Popularity • 44% Danceability • 17% Energy • 13% Liveness
6% Instrumentalness • 44% Positiveness
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DANIEL SAINT BLACK
Let It Hurt
131 bpm • B Maj • 03:44 • -9db
35% Popularity • 30% Danceability • 24% Energy • 8% Liveness
0% Instrumentalness • 13% Positiveness
35% Popularity • 30% Danceability • 24% Energy • 8% Liveness
0% Instrumentalness • 13% Positiveness
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The Talbott Brothers
Wired
138 bpm • D Maj • 04:05 • -14.75db
19% Popularity • 46% Danceability • 29% Energy • 11% Liveness
0% Instrumentalness • 16% Positiveness
19% Popularity • 46% Danceability • 29% Energy • 11% Liveness
0% Instrumentalness • 16% Positiveness
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Felix Räuber
Après Minuit
138 bpm • A min • 03:19 • -8.65db
29% Popularity • 40% Danceability • 38% Energy • 19% Liveness
0% Instrumentalness • 15% Positiveness
29% Popularity • 40% Danceability • 38% Energy • 19% Liveness
0% Instrumentalness • 15% Positiveness
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After Marianne
Marianne
130 bpm • C Maj • 05:33 • -11db
11% Popularity • 37% Danceability • 38% Energy • 9% Liveness
6% Instrumentalness • 7% Positiveness
11% Popularity • 37% Danceability • 38% Energy • 9% Liveness
6% Instrumentalness • 7% Positiveness
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Jai Freedom Lewis,Kevin Skaggs
Whispers
138 bpm • A# min • 03:23 • -8db
15% Popularity • 75% Danceability • 67% Energy • 22% Liveness
5% Instrumentalness • 72% Positiveness
15% Popularity • 75% Danceability • 67% Energy • 22% Liveness
5% Instrumentalness • 72% Positiveness
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Katie Garfield
Nothing Left to Say
130 bpm • G# min • 03:10 • -14.89db
41% Popularity • 49% Danceability • 23% Energy • 9% Liveness
1% Instrumentalness • 10% Positiveness
41% Popularity • 49% Danceability • 23% Energy • 9% Liveness
1% Instrumentalness • 10% Positiveness
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Roland Bingaman
I Know Better
138 bpm • D min • 03:27 • -10.94db
13% Popularity • 52% Danceability • 74% Energy • 12% Liveness
0% Instrumentalness • 21% Positiveness
13% Popularity • 52% Danceability • 74% Energy • 12% Liveness
0% Instrumentalness • 21% Positiveness
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Oscar Lesage
She wanted to be moon
130 bpm • D# Maj • 02:29 • -16.81db
30% Popularity • 61% Danceability • 13% Energy • 26% Liveness
0% Instrumentalness • 23% Positiveness
30% Popularity • 61% Danceability • 13% Energy • 26% Liveness
0% Instrumentalness • 23% Positiveness
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Black Red Gold
Running
138 bpm • F Maj • 02:38 • -9.07db
1% Popularity • 70% Danceability • 72% Energy • 8% Liveness
3% Instrumentalness • 37% Positiveness
1% Popularity • 70% Danceability • 72% Energy • 8% Liveness
3% Instrumentalness • 37% Positiveness
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Willow Robinson
Weight of the World
130 bpm • F# min • 03:59 • -6db
18% Popularity • 56% Danceability • 84% Energy • 13% Liveness
0% Instrumentalness • 12% Positiveness
18% Popularity • 56% Danceability • 84% Energy • 13% Liveness
0% Instrumentalness • 12% Positiveness
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Memory Spells
Can't Hold Me Down
130 bpm • A min • 04:07 • -8.82db
25% Popularity • 73% Danceability • 46% Energy • 10% Liveness
26% Instrumentalness • 21% Positiveness
25% Popularity • 73% Danceability • 46% Energy • 10% Liveness
26% Instrumentalness • 21% Positiveness
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Erez Koskas
No Miraré Hacia Atrás - Wedding Song
130 bpm • A# Maj • 03:22 • -13.52db
11% Popularity • 46% Danceability • 18% Energy • 11% Liveness
0% Instrumentalness • 12% Positiveness
11% Popularity • 46% Danceability • 18% Energy • 11% Liveness
0% Instrumentalness • 12% Positiveness
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Tommy Docherty
Never Again
138 bpm • E Maj • 02:15 • -11.95db
37% Popularity • 52% Danceability • 35% Energy • 11% Liveness
2% Instrumentalness • 12% Positiveness
37% Popularity • 52% Danceability • 35% Energy • 11% Liveness
2% Instrumentalness • 12% Positiveness
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Jon Bryant
I Shall Not Fear
130 bpm • B min • 03:29 • -12db
37% Popularity • 47% Danceability • 21% Energy • 10% Liveness
0% Instrumentalness • 29% Positiveness
37% Popularity • 47% Danceability • 21% Energy • 10% Liveness
0% Instrumentalness • 29% Positiveness
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EMO
On It
139 bpm • E min • 02:54 • -13.65db
45% Popularity • 50% Danceability • 25% Energy • 11% Liveness
8% Instrumentalness • 10% Positiveness
45% Popularity • 50% Danceability • 25% Energy • 11% Liveness
8% Instrumentalness • 10% Positiveness
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SATV Music
Where Did You Sleep Last Night
129 bpm • G# Maj • 02:24 • -14.24db
16% Popularity • 27% Danceability • 29% Energy • 9% Liveness
48% Instrumentalness • 5% Positiveness
16% Popularity • 27% Danceability • 29% Energy • 9% Liveness
48% Instrumentalness • 5% Positiveness
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Sofia Lafuente
Here Again
140 bpm • G# min • 03:50 • -11.35db
15% Popularity • 41% Danceability • 38% Energy • 10% Liveness
0% Instrumentalness • 17% Positiveness
15% Popularity • 41% Danceability • 38% Energy • 10% Liveness
0% Instrumentalness • 17% Positiveness
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Candace Coles
Make it Home
139 bpm • F# min • 04:25 • -5.19db
12% Popularity • 44% Danceability • 47% Energy • 11% Liveness
0% Instrumentalness • 33% Positiveness
12% Popularity • 44% Danceability • 47% Energy • 11% Liveness
0% Instrumentalness • 33% Positiveness
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Margot Todd
I'm Not Ready To Say Goodbye
140 bpm • F Maj • 03:14 • -15db
26% Popularity • 33% Danceability • 8% Energy • 10% Liveness
0% Instrumentalness • 12% Positiveness
26% Popularity • 33% Danceability • 8% Energy • 10% Liveness
0% Instrumentalness • 12% Positiveness
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Joseph The Spouse
Messiah Moon - This Is Us
129 bpm • A# Maj • 04:51 • -8.91db
17% Popularity • 42% Danceability • 17% Energy • 9% Liveness
0% Instrumentalness • 16% Positiveness
17% Popularity • 42% Danceability • 17% Energy • 9% Liveness
0% Instrumentalness • 16% Positiveness
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We Are The West
Cauliflower Ears
129 bpm • F Maj • 05:27 • -20db
14% Popularity • 50% Danceability • 9% Energy • 11% Liveness
6% Instrumentalness • 26% Positiveness
14% Popularity • 50% Danceability • 9% Energy • 11% Liveness
6% Instrumentalness • 26% Positiveness
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David O'Dowda
Stretch My Bones
140 bpm • C min • 03:36 • -21.91db
18% Popularity • 56% Danceability • 8% Energy • 12% Liveness
28% Instrumentalness • 10% Positiveness
18% Popularity • 56% Danceability • 8% Energy • 12% Liveness
28% Instrumentalness • 10% Positiveness
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Sarah Jaffe
LAY LOW (TAKE CARE)
140 bpm • C min • 03:24 • -12.31db
28% Popularity • 57% Danceability • 38% Energy • 9% Liveness
0% Instrumentalness • 59% Positiveness
28% Popularity • 57% Danceability • 38% Energy • 9% Liveness
0% Instrumentalness • 59% Positiveness
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Dead People
Stay Dead
140 bpm • G min • 02:59 • -9db
21% Popularity • 47% Danceability • 44% Energy • 57% Liveness
0% Instrumentalness • 10% Positiveness
21% Popularity • 47% Danceability • 44% Energy • 57% Liveness
0% Instrumentalness • 10% Positiveness
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Dave Meegan
To the Ocean
140 bpm • C Maj • 03:32 • -7db
14% Popularity • 57% Danceability • 48% Energy • 22% Liveness
0% Instrumentalness • 35% Positiveness
14% Popularity • 57% Danceability • 48% Energy • 22% Liveness
0% Instrumentalness • 35% Positiveness
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Ruby Amanfu
All This Love
140 bpm • A Maj • 03:05 • -5db
22% Popularity • 51% Danceability • 66% Energy • 8% Liveness
0% Instrumentalness • 44% Positiveness
22% Popularity • 51% Danceability • 66% Energy • 8% Liveness
0% Instrumentalness • 44% Positiveness
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Freddie Dickson
The End
140 bpm • G Maj • 03:24 • -10.39db
5% Popularity • 60% Danceability • 50% Energy • 7% Liveness
0% Instrumentalness • 22% Positiveness
5% Popularity • 60% Danceability • 50% Energy • 7% Liveness
0% Instrumentalness • 22% Positiveness
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The Defenders
All I Want is You
140 bpm • D Maj • 03:17 • -9db
20% Popularity • 35% Danceability • 48% Energy • 13% Liveness
0% Instrumentalness • 38% Positiveness
20% Popularity • 35% Danceability • 48% Energy • 13% Liveness
0% Instrumentalness • 38% Positiveness
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Cavendish Music
Darker Days
140 bpm • A min • 02:50 • -9db
38% Popularity • 31% Danceability • 46% Energy • 12% Liveness
0% Instrumentalness • 7% Positiveness
38% Popularity • 31% Danceability • 46% Energy • 12% Liveness
0% Instrumentalness • 7% Positiveness
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Lily Kershaw
Wish
140 bpm • D Maj • 04:20 • -11db
13% Popularity • 45% Danceability • 46% Energy • 6% Liveness
5% Instrumentalness • 17% Positiveness
13% Popularity • 45% Danceability • 46% Energy • 6% Liveness
5% Instrumentalness • 17% Positiveness
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Sara Phillips
The Way You Move
140 bpm • D min • 03:23 • -10.62db
29% Popularity • 57% Danceability • 37% Energy • 10% Liveness
0% Instrumentalness • 42% Positiveness
29% Popularity • 57% Danceability • 37% Energy • 10% Liveness
0% Instrumentalness • 42% Positiveness
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EMO
Don't Mess With My Mind
140 bpm • B min • 03:17 • -9.85db
50% Popularity • 66% Danceability • 38% Energy • 10% Liveness
19% Instrumentalness • 10% Positiveness
50% Popularity • 66% Danceability • 38% Energy • 10% Liveness
19% Instrumentalness • 10% Positiveness
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The Fake Arts
Devil's Inside
140 bpm • G# Maj • 04:02 • -10.68db
21% Popularity • 47% Danceability • 52% Energy • 19% Liveness
0% Instrumentalness • 39% Positiveness
21% Popularity • 47% Danceability • 52% Energy • 19% Liveness
0% Instrumentalness • 39% Positiveness
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Extrasensor
We're All The Same
140 bpm • F# min • 02:58 • -12db
12% Popularity • 55% Danceability • 35% Energy • 9% Liveness
43% Instrumentalness • 45% Positiveness
12% Popularity • 55% Danceability • 35% Energy • 9% Liveness
43% Instrumentalness • 45% Positiveness
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Aaron Espe
Take You Home
140 bpm • G Maj • 03:59 • -14db
25% Popularity • 43% Danceability • 44% Energy • 12% Liveness
35% Instrumentalness • 34% Positiveness
25% Popularity • 43% Danceability • 44% Energy • 12% Liveness
35% Instrumentalness • 34% Positiveness
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Tauese Tofa
Burn It Down
140 bpm • A min • 03:49 • -6.52db
18% Popularity • 59% Danceability • 52% Energy • 6% Liveness
0% Instrumentalness • 28% Positiveness
18% Popularity • 59% Danceability • 52% Energy • 6% Liveness
0% Instrumentalness • 28% Positiveness
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GAITS
Wherever You Go
140 bpm • B Maj • 04:03 • -8db
27% Popularity • 52% Danceability • 63% Energy • 11% Liveness
4% Instrumentalness • 23% Positiveness
27% Popularity • 52% Danceability • 63% Energy • 11% Liveness
4% Instrumentalness • 23% Positiveness
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Audrey Morgan
Birds
140 bpm • A Maj • 04:35 • -8db
20% Popularity • 45% Danceability • 31% Energy • 9% Liveness
0% Instrumentalness • 9% Positiveness
20% Popularity • 45% Danceability • 31% Energy • 9% Liveness
0% Instrumentalness • 9% Positiveness
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Sarah Jaffe
Swelling
140 bpm • A# Maj • 04:13 • -14.69db
31% Popularity • 30% Danceability • 14% Energy • 11% Liveness
13% Instrumentalness • 11% Positiveness
31% Popularity • 30% Danceability • 14% Energy • 11% Liveness
13% Instrumentalness • 11% Positiveness
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Black Red Gold
Cut Me Down
140 bpm • F min • 03:13 • -7.46db
3% Popularity • 68% Danceability • 72% Energy • 14% Liveness
0% Instrumentalness • 50% Positiveness
3% Popularity • 68% Danceability • 72% Energy • 14% Liveness
0% Instrumentalness • 50% Positiveness
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Kat Koan
Time Alone
128 bpm • D min • 03:18 • -7.32db
20% Popularity • 65% Danceability • 42% Energy • 12% Liveness
58% Instrumentalness • 18% Positiveness
20% Popularity • 65% Danceability • 42% Energy • 12% Liveness
58% Instrumentalness • 18% Positiveness
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Lee Richardson
Cut for My Condition
128 bpm • G min • 03:43 • -8.1db
25% Popularity • 41% Danceability • 58% Energy • 9% Liveness
0% Instrumentalness • 56% Positiveness
25% Popularity • 41% Danceability • 58% Energy • 9% Liveness
0% Instrumentalness • 56% Positiveness
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ALMA CORA
This Breakdown
140 bpm • G min • 05:06 • -11.93db
28% Popularity • 46% Danceability • 36% Energy • 10% Liveness
12% Instrumentalness • 34% Positiveness
28% Popularity • 46% Danceability • 36% Energy • 10% Liveness
12% Instrumentalness • 34% Positiveness
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Lana McDonagh
Last Goodbye
140 bpm • E min • 02:36 • -12db
19% Popularity • 62% Danceability • 41% Energy • 10% Liveness
0% Instrumentalness • 10% Positiveness
19% Popularity • 62% Danceability • 41% Energy • 10% Liveness
0% Instrumentalness • 10% Positiveness
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Gran Bel Fisher
The Resistance
128 bpm • F# Maj • 03:30 • -8.4db
11% Popularity • 68% Danceability • 37% Energy • 13% Liveness
3% Instrumentalness • 7% Positiveness
11% Popularity • 68% Danceability • 37% Energy • 13% Liveness
3% Instrumentalness • 7% Positiveness
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Black Red Gold
Sticks And Stones
128 bpm • G Maj • 03:04 • -7.32db
5% Popularity • 66% Danceability • 60% Energy • 17% Liveness
0% Instrumentalness • 17% Positiveness
5% Popularity • 66% Danceability • 60% Energy • 17% Liveness
0% Instrumentalness • 17% Positiveness
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Ed Skrein
Feel The Change
128 bpm • G Maj • 02:49 • -10.4db
25% Popularity • 61% Danceability • 53% Energy • 12% Liveness
69% Instrumentalness • 7% Positiveness
25% Popularity • 61% Danceability • 53% Energy • 12% Liveness
69% Instrumentalness • 7% Positiveness
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Landlord
(still) Changing
128 bpm • G Maj • 04:22 • -6.6db
14% Popularity • 53% Danceability • 49% Energy • 8% Liveness
1% Instrumentalness • 9% Positiveness
14% Popularity • 53% Danceability • 49% Energy • 8% Liveness
1% Instrumentalness • 9% Positiveness
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Tony Brundo
I'll Find You in the Dark
128 bpm • G min • 04:14 • -10.76db
45% Popularity • 35% Danceability • 23% Energy • 8% Liveness
0% Instrumentalness • 6% Positiveness
45% Popularity • 35% Danceability • 23% Energy • 8% Liveness
0% Instrumentalness • 6% Positiveness
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Daniel Wilson
Near Me
128 bpm • A# Maj • 03:49 • -11.22db
26% Popularity • 68% Danceability • 14% Energy • 19% Liveness
0% Instrumentalness • 31% Positiveness
26% Popularity • 68% Danceability • 14% Energy • 19% Liveness
0% Instrumentalness • 31% Positiveness
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MJ Cole
Waking Up
128 bpm • B min • 03:44 • -11.1db
50% Popularity • 48% Danceability • 21% Energy • 9% Liveness
0% Instrumentalness • 26% Positiveness
50% Popularity • 48% Danceability • 21% Energy • 9% Liveness
0% Instrumentalness • 26% Positiveness
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Marc Ferrari
Break The Dam
128 bpm • E min • 03:09 • -11.35db
16% Popularity • 56% Danceability • 34% Energy • 15% Liveness
0% Instrumentalness • 15% Positiveness
16% Popularity • 56% Danceability • 34% Energy • 15% Liveness
0% Instrumentalness • 15% Positiveness
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Jaqui Lin
The Innocent
141 bpm • D# min • 02:31 • -14.55db
7% Popularity • 43% Danceability • 27% Energy • 10% Liveness
7% Instrumentalness • 25% Positiveness
7% Popularity • 43% Danceability • 27% Energy • 10% Liveness
7% Instrumentalness • 25% Positiveness
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Black Red Gold
I Wish
127 bpm • G# Maj • 03:00 • -8.71db
4% Popularity • 46% Danceability • 59% Energy • 8% Liveness
41% Instrumentalness • 27% Positiveness
4% Popularity • 46% Danceability • 59% Energy • 8% Liveness
41% Instrumentalness • 27% Positiveness
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Røyale
Kingdom
141 bpm • F min • 03:11 • -9.09db
18% Popularity • 28% Danceability • 58% Energy • 21% Liveness
62% Instrumentalness • 19% Positiveness
18% Popularity • 28% Danceability • 58% Energy • 21% Liveness
62% Instrumentalness • 19% Positiveness
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Leah Nobel
Wound
127 bpm • C Maj • 03:42 • -10.1db
23% Popularity • 36% Danceability • 17% Energy • 10% Liveness
0% Instrumentalness • 12% Positiveness
23% Popularity • 36% Danceability • 17% Energy • 10% Liveness
0% Instrumentalness • 12% Positiveness
