Songs like Schubert: Ave Maria, D. 839 by Franz Schubert
Based on a tempo of (+/- 10%) and a similar genre
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Franz Schubert
Serenade (Ständchen, D. 957)
134 bpm • D Maj • 03:55 • -24.51db
10% Popularity • 29% Danceability • 5% Energy • 6% Liveness
96% Instrumentalness • 11% Positiveness
10% Popularity • 29% Danceability • 5% Energy • 6% Liveness
96% Instrumentalness • 11% Positiveness
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Péter Nagy
5 Lieder, Op. 49: No. 4. Wiegenlied (arr...
134 bpm • D# Maj • 02:15 • -33db
43% Popularity • 55% Danceability • 1% Energy • 12% Liveness
94% Instrumentalness • 28% Positiveness
43% Popularity • 55% Danceability • 1% Energy • 12% Liveness
94% Instrumentalness • 28% Positiveness
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Dmitri Shostakovich
The Gadfly Suite, Op. 97a: Romance
135 bpm • C# Maj • 04:16 • -15db
23% Popularity • 19% Danceability • 13% Energy • 13% Liveness
50% Instrumentalness • 4% Positiveness
23% Popularity • 19% Danceability • 13% Energy • 13% Liveness
50% Instrumentalness • 4% Positiveness
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Maria João Pires
Sonata No. 15 in C Major, I. Allegro
136 bpm • C Maj • 03:05 • -24db
35% Popularity • 31% Danceability • 12% Energy • 10% Liveness
95% Instrumentalness • 60% Positiveness
35% Popularity • 31% Danceability • 12% Energy • 10% Liveness
95% Instrumentalness • 60% Positiveness
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Johann Christian Bach
Sonata No. 5 in A Major, Op. 17, No. 5: ...
135 bpm • A Maj • 03:38 • -27.59db
40% Popularity • 24% Danceability • 11% Energy • 13% Liveness
90% Instrumentalness • 44% Positiveness
40% Popularity • 24% Danceability • 11% Energy • 13% Liveness
90% Instrumentalness • 44% Positiveness
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Antonín Dvořák
Lasst Mich Alein, Op. 82, B.157
136 bpm • B Maj • 04:18 • -26.55db
15% Popularity • 21% Danceability • 5% Energy • 10% Liveness
94% Instrumentalness • 4% Positiveness
15% Popularity • 21% Danceability • 5% Energy • 10% Liveness
94% Instrumentalness • 4% Positiveness
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Franz Schubert
Schubert: Ave Maria, D. 839
134 bpm • A# Maj • 05:41 • -27db
35% Popularity • 17% Danceability • 6% Energy • 9% Liveness
9% Instrumentalness • 4% Positiveness
35% Popularity • 17% Danceability • 6% Energy • 9% Liveness
9% Instrumentalness • 4% Positiveness
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Karoly Botvay
The 4 Seasons: Violin Concerto in G mino...
132 bpm • G min • 05:21 • -25.06db
40% Popularity • 31% Danceability • 9% Energy • 30% Liveness
3% Instrumentalness • 9% Positiveness
40% Popularity • 31% Danceability • 9% Energy • 30% Liveness
3% Instrumentalness • 9% Positiveness
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Vincenzo Bellini
Norma, Акт I, Сцена 1: "Casta Di...
136 bpm • E Maj • 04:40 • -24.53db
29% Popularity • 18% Danceability • 7% Energy • 12% Liveness
87% Instrumentalness • 5% Positiveness
29% Popularity • 18% Danceability • 7% Energy • 12% Liveness
87% Instrumentalness • 5% Positiveness
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Max Bruch
Kol Nidrei, Op. 47
136 bpm • D Maj • 08:16 • -21.76db
32% Popularity • 18% Danceability • 12% Energy • 30% Liveness
88% Instrumentalness • 6% Positiveness
32% Popularity • 18% Danceability • 12% Energy • 30% Liveness
88% Instrumentalness • 6% Positiveness
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Julie Berthollet
Ave Maria
132 bpm • C Maj • 02:26 • -15.3db
27% Popularity • 16% Danceability • 17% Energy • 14% Liveness
95% Instrumentalness • 18% Positiveness
27% Popularity • 16% Danceability • 17% Energy • 14% Liveness
95% Instrumentalness • 18% Positiveness
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Antonín Dvořák
Rusalka, Op. 114: Song to the Moon
137 bpm • F# Maj • 05:25 • -19db
33% Popularity • 20% Danceability • 13% Energy • 11% Liveness
89% Instrumentalness • 4% Positiveness
33% Popularity • 20% Danceability • 13% Energy • 11% Liveness
89% Instrumentalness • 4% Positiveness
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Edvard Grieg
Grieg: Peer Gynt, Op. 23, Act 4: No. 13,...
137 bpm • E Maj • 04:17 • -23db
36% Popularity • 15% Danceability • 3% Energy • 16% Liveness
94% Instrumentalness • 3% Positiveness
36% Popularity • 15% Danceability • 3% Energy • 16% Liveness
94% Instrumentalness • 3% Positiveness
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George Frideric Handel
Handel: Solomon, HWV 67, Act 3: Sinfonia...
131 bpm • A# Maj • 02:48 • -13.7db
28% Popularity • 54% Danceability • 47% Energy • 37% Liveness
77% Instrumentalness • 86% Positiveness
28% Popularity • 54% Danceability • 47% Energy • 37% Liveness
77% Instrumentalness • 86% Positiveness
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Arcangelo Corelli
Concerto Grosso In D Major, Op. 6, No. 1...
131 bpm • A Maj • 01:21 • -15db
58% Popularity • 41% Danceability • 25% Energy • 29% Liveness
89% Instrumentalness • 26% Positiveness
58% Popularity • 41% Danceability • 25% Energy • 29% Liveness
89% Instrumentalness • 26% Positiveness
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Christian Petzold
Minueto en Sol Mayor, BWV Anh. 114
131 bpm • F# Maj • 01:32 • -14.27db
26% Popularity • 52% Danceability • 25% Energy • 7% Liveness
68% Instrumentalness • 93% Positiveness
26% Popularity • 52% Danceability • 25% Energy • 7% Liveness
68% Instrumentalness • 93% Positiveness
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Alessandro Marcello
Oboe Concerto in D Minor: II. Adagio
131 bpm • D min • 04:14 • -25.18db
41% Popularity • 26% Danceability • 5% Energy • 8% Liveness
79% Instrumentalness • 6% Positiveness
41% Popularity • 26% Danceability • 5% Energy • 8% Liveness
79% Instrumentalness • 6% Positiveness
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Franz Liszt
Schwanengesang, D. 957: No. 4. Standchen...
137 bpm • D Maj • 05:31 • -28.04db
33% Popularity • 33% Danceability • 3% Energy • 7% Liveness
87% Instrumentalness • 4% Positiveness
33% Popularity • 33% Danceability • 3% Energy • 7% Liveness
87% Instrumentalness • 4% Positiveness
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Johann Sebastian Bach
Bach, JS / Orch Mahler: Orchestral Suite...
137 bpm • D Maj • 04:25 • -19.77db
13% Popularity • 16% Danceability • 13% Energy • 11% Liveness
32% Instrumentalness • 15% Positiveness
13% Popularity • 16% Danceability • 13% Energy • 11% Liveness
32% Instrumentalness • 15% Positiveness
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Joseph Haydn
Concerto pour Violoncelle et Orchestre e...
131 bpm • C Maj • 08:12 • -23.05db
44% Popularity • 20% Danceability • 7% Energy • 10% Liveness
74% Instrumentalness • 4% Positiveness
44% Popularity • 20% Danceability • 7% Energy • 10% Liveness
74% Instrumentalness • 4% Positiveness
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Franz Schubert
Schubert: Schwanengesang, D. 957: No. 4,...
131 bpm • C min • 04:27 • -28.93db
35% Popularity • 23% Danceability • 0% Energy • 12% Liveness
72% Instrumentalness • 5% Positiveness
35% Popularity • 23% Danceability • 0% Energy • 12% Liveness
72% Instrumentalness • 5% Positiveness
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Felix Mendelssohn
Piano Concerto No. 2 in D Minor, Op. 40,...
131 bpm • A# Maj • 07:44 • -30.09db
35% Popularity • 26% Danceability • 2% Energy • 7% Liveness
88% Instrumentalness • 4% Positiveness
35% Popularity • 26% Danceability • 2% Energy • 7% Liveness
88% Instrumentalness • 4% Positiveness
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Sulkhan Tsintsadze
6 Miniatures (Arr. T. Batiashvili for Vi...
131 bpm • A Maj • 02:32 • -27.51db
27% Popularity • 28% Danceability • 3% Energy • 8% Liveness
2% Instrumentalness • 26% Positiveness
27% Popularity • 28% Danceability • 3% Energy • 8% Liveness
2% Instrumentalness • 26% Positiveness
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Jean-Jacques Goldman
S'il suffisait d'aimer
137 bpm • A# Maj • 03:23 • -10.84db
19% Popularity • 23% Danceability • 26% Energy • 23% Liveness
2% Instrumentalness • 28% Positiveness
19% Popularity • 23% Danceability • 26% Energy • 23% Liveness
2% Instrumentalness • 28% Positiveness
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Giuseppe Verdi
La traviata / Act I: Prelude
131 bpm • B Maj • 03:33 • -35db
43% Popularity • 23% Danceability • 1% Energy • 56% Liveness
29% Instrumentalness • 4% Positiveness
43% Popularity • 23% Danceability • 1% Energy • 56% Liveness
29% Instrumentalness • 4% Positiveness
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Modest Mussorgsky
Pictures at an Exhibition: X. The Great ...
138 bpm • D# Maj • 05:34 • -16.75db
18% Popularity • 52% Danceability • 15% Energy • 10% Liveness
91% Instrumentalness • 13% Positiveness
18% Popularity • 52% Danceability • 15% Energy • 10% Liveness
91% Instrumentalness • 13% Positiveness
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Academy of St. Martin in the Fields
Les Quatres Saisons: Concerto En Fa Mine...
130 bpm • A# Maj • 02:21 • -18.06db
20% Popularity • 22% Danceability • 20% Energy • 10% Liveness
35% Instrumentalness • 9% Positiveness
20% Popularity • 22% Danceability • 20% Energy • 10% Liveness
35% Instrumentalness • 9% Positiveness
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Amilcare Ponchielli
La Gioconda / Act 3: Dance Of The Hours
138 bpm • E Maj • 01:26 • -30db
49% Popularity • 51% Danceability • 2% Energy • 29% Liveness
0% Instrumentalness • 25% Positiveness
49% Popularity • 51% Danceability • 2% Energy • 29% Liveness
0% Instrumentalness • 25% Positiveness
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Arcangelo Corelli
Concerto Grosso In D Major, Op. 6, No. 1...
129 bpm • D Maj • 01:13 • -16.72db
60% Popularity • 49% Danceability • 26% Energy • 40% Liveness
37% Instrumentalness • 50% Positiveness
60% Popularity • 49% Danceability • 26% Energy • 40% Liveness
37% Instrumentalness • 50% Positiveness
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Julie Berthollet
Rolls
139 bpm • B min • 02:26 • -14.68db
15% Popularity • 31% Danceability • 23% Energy • 10% Liveness
0% Instrumentalness • 31% Positiveness
15% Popularity • 31% Danceability • 23% Energy • 10% Liveness
0% Instrumentalness • 31% Positiveness
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Gioachino Rossini
La Gazza Ladra - La Urraca Ladrona Obert...
138 bpm • E Maj • 03:04 • -15.42db
35% Popularity • 37% Danceability • 15% Energy • 15% Liveness
91% Instrumentalness • 30% Positiveness
35% Popularity • 37% Danceability • 15% Energy • 15% Liveness
91% Instrumentalness • 30% Positiveness
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Edvard Grieg
Peer Gynt Suite No. 2, Op. 55: IV. Solve...
139 bpm • E min • 04:37 • -30db
30% Popularity • 40% Danceability • 1% Energy • 8% Liveness
88% Instrumentalness • 8% Positiveness
30% Popularity • 40% Danceability • 1% Energy • 8% Liveness
88% Instrumentalness • 8% Positiveness
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Zequinha De Abreu
Abreu / Arr. Suba: Tico-Tico no Fubá
129 bpm • G Maj • 01:56 • -17.37db
17% Popularity • 42% Danceability • 31% Energy • 13% Liveness
84% Instrumentalness • 76% Positiveness
17% Popularity • 42% Danceability • 31% Energy • 13% Liveness
84% Instrumentalness • 76% Positiveness
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Jean Sibelius
13 Pieces, Op. 76: No. 2. Etude
140 bpm • A min • 01:12 • -24db
58% Popularity • 33% Danceability • 23% Energy • 10% Liveness
90% Instrumentalness • 92% Positiveness
58% Popularity • 33% Danceability • 23% Energy • 10% Liveness
90% Instrumentalness • 92% Positiveness
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Franz Schubert
Schwanengesang, D. 957 (Arr. T. Thorpe f...
140 bpm • D Maj • 03:39 • -20.18db
19% Popularity • 32% Danceability • 2% Energy • 7% Liveness
89% Instrumentalness • 15% Positiveness
19% Popularity • 32% Danceability • 2% Energy • 7% Liveness
89% Instrumentalness • 15% Positiveness
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Anonymous
Bella Ciao (Arr. Gonet)
140 bpm • A min • 02:37 • -10.74db
15% Popularity • 41% Danceability • 42% Energy • 32% Liveness
76% Instrumentalness • 23% Positiveness
15% Popularity • 41% Danceability • 42% Energy • 32% Liveness
76% Instrumentalness • 23% Positiveness
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Fanny Mendelssohn
6 Melodies, Op. 4 - 6 melodies, Op. 5: A...
140 bpm • C# min • 01:33 • -30.89db
42% Popularity • 28% Danceability • 4% Energy • 11% Liveness
79% Instrumentalness • 5% Positiveness
42% Popularity • 28% Danceability • 4% Energy • 11% Liveness
79% Instrumentalness • 5% Positiveness
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Antonín Dvořák
Dvorák: Lasst mich allein
128 bpm • B Maj • 04:10 • -24.1db
12% Popularity • 24% Danceability • 5% Energy • 14% Liveness
94% Instrumentalness • 4% Positiveness
12% Popularity • 24% Danceability • 5% Energy • 14% Liveness
94% Instrumentalness • 4% Positiveness
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Luigi Boccherini
Boccherini: Cello Concerto No. 9 in B-Fl...
141 bpm • A# Maj • 06:08 • -16.83db
29% Popularity • 40% Danceability • 16% Energy • 7% Liveness
56% Instrumentalness • 48% Positiveness
29% Popularity • 40% Danceability • 16% Energy • 7% Liveness
56% Instrumentalness • 48% Positiveness
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Vincenzo Bellini
Norma, Act I, Scene 1: Air de Norma "Cas...
141 bpm • F Maj • 06:15 • -25db
18% Popularity • 23% Danceability • 3% Energy • 10% Liveness
59% Instrumentalness • 7% Positiveness
18% Popularity • 23% Danceability • 3% Energy • 10% Liveness
59% Instrumentalness • 7% Positiveness
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Lang Lang
6 Moments musicaux, Op. 94, D. 780: No. ...
128 bpm • F min • 02:02 • -23db
42% Popularity • 42% Danceability • 5% Energy • 9% Liveness
95% Instrumentalness • 13% Positiveness
42% Popularity • 42% Danceability • 5% Energy • 9% Liveness
95% Instrumentalness • 13% Positiveness
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Clara Schumann
3 Romances, Op. 11: No. 1, Andante
127 bpm • D# min • 03:02 • -29db
53% Popularity • 31% Danceability • 3% Energy • 10% Liveness
92% Instrumentalness • 5% Positiveness
53% Popularity • 31% Danceability • 3% Energy • 10% Liveness
92% Instrumentalness • 5% Positiveness
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Justin Hurwitz
La La Land (Medley) [Arr. Gonet]
127 bpm • D Maj • 04:33 • -11.39db
26% Popularity • 35% Danceability • 34% Energy • 16% Liveness
9% Instrumentalness • 36% Positiveness
26% Popularity • 35% Danceability • 34% Energy • 16% Liveness
9% Instrumentalness • 36% Positiveness
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Antonio Vivaldi
I. Allegro non moto
142 bpm • G min • 05:25 • -19.11db
28% Popularity • 31% Danceability • 13% Energy • 10% Liveness
2% Instrumentalness • 7% Positiveness
28% Popularity • 31% Danceability • 13% Energy • 10% Liveness
2% Instrumentalness • 7% Positiveness
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César Franck
Franck: Prélude, fugue et variation, Op...
127 bpm • B min • 04:21 • -34.47db
25% Popularity • 45% Danceability • 2% Energy • 8% Liveness
88% Instrumentalness • 34% Positiveness
25% Popularity • 45% Danceability • 2% Energy • 8% Liveness
88% Instrumentalness • 34% Positiveness
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Chris Grist
BACH - Suite for Solo Cello No. 1 in G M...
142 bpm • G Maj • 02:43 • -26db
28% Popularity • 29% Danceability • 3% Energy • 8% Liveness
82% Instrumentalness • 43% Positiveness
28% Popularity • 29% Danceability • 3% Energy • 8% Liveness
82% Instrumentalness • 43% Positiveness
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Edwards Stephen
Bach Prelude in C
142 bpm • C Maj • 02:03 • -24.63db
39% Popularity • 36% Danceability • 12% Energy • 11% Liveness
82% Instrumentalness • 31% Positiveness
39% Popularity • 36% Danceability • 12% Energy • 11% Liveness
82% Instrumentalness • 31% Positiveness
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Franz Schubert
Schubert / Arr. Parhamovsky for Violin a...
127 bpm • C Maj • 05:46 • -28.28db
13% Popularity • 20% Danceability • 5% Energy • 8% Liveness
84% Instrumentalness • 4% Positiveness
13% Popularity • 20% Danceability • 5% Energy • 8% Liveness
84% Instrumentalness • 4% Positiveness
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Manuel de Falla
El amor brujo: Ritual Fire Dance - Excer...
142 bpm • C Maj • 02:00 • -21.19db
19% Popularity • 34% Danceability • 10% Energy • 10% Liveness
65% Instrumentalness • 12% Positiveness
19% Popularity • 34% Danceability • 10% Energy • 10% Liveness
65% Instrumentalness • 12% Positiveness
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Niccolò Paganini
Paganini / Arr. Kreisler: Violin Concert...
142 bpm • B min • 05:16 • -16db
42% Popularity • 50% Danceability • 24% Energy • 17% Liveness
38% Instrumentalness • 59% Positiveness
42% Popularity • 50% Danceability • 24% Energy • 17% Liveness
38% Instrumentalness • 59% Positiveness
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Silverwood Quartet
Vivaldi: Winter From The Four Seasons 1....
142 bpm • F min • 03:36 • -12.96db
48% Popularity • 49% Danceability • 17% Energy • 14% Liveness
88% Instrumentalness • 13% Positiveness
48% Popularity • 49% Danceability • 17% Energy • 14% Liveness
88% Instrumentalness • 13% Positiveness
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Antonio Vivaldi
Vivaldi: The Four Seasons, Violin Concer...
142 bpm • A# Maj • 02:08 • -24.16db
33% Popularity • 23% Danceability • 11% Energy • 28% Liveness
0% Instrumentalness • 32% Positiveness
33% Popularity • 23% Danceability • 11% Energy • 28% Liveness
0% Instrumentalness • 32% Positiveness
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Luigi Boccherini
String Quintet in E Major, Op. 11 No. 5,...
126 bpm • A Maj • 03:29 • -30.98db
40% Popularity • 39% Danceability • 2% Energy • 11% Liveness
0% Instrumentalness • 35% Positiveness
40% Popularity • 39% Danceability • 2% Energy • 11% Liveness
0% Instrumentalness • 35% Positiveness
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Nicolaus Esterhazy Sinfonia
Symphony No. 7 in A major, Op. 92: II. A...
143 bpm • E min • 08:12 • -24db
39% Popularity • 22% Danceability • 2% Energy • 7% Liveness
74% Instrumentalness • 4% Positiveness
39% Popularity • 22% Danceability • 2% Energy • 7% Liveness
74% Instrumentalness • 4% Positiveness
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Wilhelm Müller
美しき水車小屋の娘 Op. 25, D. 7...
125 bpm • G Maj • 02:27 • -20.83db
3% Popularity • 42% Danceability • 8% Energy • 8% Liveness
0% Instrumentalness • 23% Positiveness
3% Popularity • 42% Danceability • 8% Energy • 8% Liveness
0% Instrumentalness • 23% Positiveness
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Fanny Mendelssohn
Schwanenlied
143 bpm • G min • 02:30 • -21.42db
48% Popularity • 24% Danceability • 11% Energy • 11% Liveness
94% Instrumentalness • 18% Positiveness
48% Popularity • 24% Danceability • 11% Energy • 11% Liveness
94% Instrumentalness • 18% Positiveness
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Karoly Botvay
Sinfonia for Strings in G major, RV 149:...
125 bpm • D Maj • 01:50 • -21db
58% Popularity • 44% Danceability • 23% Energy • 14% Liveness
97% Instrumentalness • 93% Positiveness
58% Popularity • 44% Danceability • 23% Energy • 14% Liveness
97% Instrumentalness • 93% Positiveness
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Franz Schubert
4 Impromptus, Op. 90, D.899: No. 4 in A ...
125 bpm • G# Maj • 08:17 • -27db
49% Popularity • 34% Danceability • 2% Energy • 13% Liveness
92% Instrumentalness • 4% Positiveness
49% Popularity • 34% Danceability • 2% Energy • 13% Liveness
92% Instrumentalness • 4% Positiveness
► Preview
Benjamin Frith
Nocturne No. 12 In G Major, H. 58d: Noct...
125 bpm • G Maj • 02:27 • -32db
51% Popularity • 34% Danceability • 1% Energy • 10% Liveness
82% Instrumentalness • 13% Positiveness
51% Popularity • 34% Danceability • 1% Energy • 10% Liveness
82% Instrumentalness • 13% Positiveness
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Carl Philipp Emanuel Bach
Solfeggio, H. 220
125 bpm • C min • 01:13 • -24.08db
65% Popularity • 31% Danceability • 21% Energy • 9% Liveness
93% Instrumentalness • 82% Positiveness
65% Popularity • 31% Danceability • 21% Energy • 9% Liveness
93% Instrumentalness • 82% Positiveness
► Preview
Joaquín Rodrigo
Rodrigo: Concierto de Aranjuez: II. Adag...
144 bpm • B min • 04:45 • -25.23db
31% Popularity • 29% Danceability • 3% Energy • 11% Liveness
93% Instrumentalness • 9% Positiveness
31% Popularity • 29% Danceability • 3% Energy • 11% Liveness
93% Instrumentalness • 9% Positiveness
► Preview
Edward Elgar
Elgar: Salut d'amour
144 bpm • E Maj • 02:42 • -26.47db
24% Popularity • 21% Danceability • 6% Energy • 8% Liveness
0% Instrumentalness • 11% Positiveness
24% Popularity • 21% Danceability • 6% Energy • 8% Liveness
0% Instrumentalness • 11% Positiveness
► Preview
Antonio Vivaldi
Concerto for 2 Mandolins, Strings and Co...
144 bpm • C# Maj • 03:50 • -21db
52% Popularity • 55% Danceability • 21% Energy • 9% Liveness
22% Instrumentalness • 79% Positiveness
52% Popularity • 55% Danceability • 21% Energy • 9% Liveness
22% Instrumentalness • 79% Positiveness
► Preview
Wilhelm Müller
美しき水車小屋の娘 Op. 25, D. 7...
124 bpm • G min • 01:44 • -14.98db
3% Popularity • 48% Danceability • 18% Energy • 10% Liveness
0% Instrumentalness • 36% Positiveness
3% Popularity • 48% Danceability • 18% Energy • 10% Liveness
0% Instrumentalness • 36% Positiveness
► Preview
Giacomo Puccini
Gianni Schicchi, SC 88: "O mio babbino c...
124 bpm • G# Maj • 02:49 • -24db
27% Popularity • 35% Danceability • 6% Energy • 8% Liveness
86% Instrumentalness • 11% Positiveness
27% Popularity • 35% Danceability • 6% Energy • 8% Liveness
86% Instrumentalness • 11% Positiveness
► Preview
Gioachino Rossini
Obertura De Guillermo Tell (Final)
145 bpm • E Maj • 03:42 • -10.91db
41% Popularity • 41% Danceability • 60% Energy • 13% Liveness
8% Instrumentalness • 53% Positiveness
41% Popularity • 41% Danceability • 60% Energy • 13% Liveness
8% Instrumentalness • 53% Positiveness
► Preview
Silverwood Quartet
Vivaldi: Winter From The Four Seasons 3....
145 bpm • F min • 03:37 • -14db
20% Popularity • 35% Danceability • 13% Energy • 9% Liveness
9% Instrumentalness • 38% Positiveness
20% Popularity • 35% Danceability • 13% Energy • 9% Liveness
9% Instrumentalness • 38% Positiveness
► Preview
Carl Philipp Emanuel Bach
Solfeggietto in C minor, Wq. 117/2
122 bpm • F min • 01:16 • -26.68db
56% Popularity • 34% Danceability • 20% Energy • 9% Liveness
92% Instrumentalness • 59% Positiveness
56% Popularity • 34% Danceability • 20% Energy • 9% Liveness
92% Instrumentalness • 59% Positiveness
► Preview
Antonio Vivaldi
Violin Concerto in D Major, RV 228: I. A...
123 bpm • D Maj • 02:46 • -20db
47% Popularity • 34% Danceability • 21% Energy • 15% Liveness
61% Instrumentalness • 33% Positiveness
47% Popularity • 34% Danceability • 21% Energy • 15% Liveness
61% Instrumentalness • 33% Positiveness
► Preview
Georges Bizet
Bizet / Arr. Guiraud: Carmen Suite No. 2...
122 bpm • D Maj • 02:06 • -28.76db
28% Popularity • 46% Danceability • 1% Energy • 10% Liveness
3% Instrumentalness • 38% Positiveness
28% Popularity • 46% Danceability • 1% Energy • 10% Liveness
3% Instrumentalness • 38% Positiveness
► Preview
Michel Polnareff
Lettre à France
122 bpm • G min • 03:26 • -13.56db
11% Popularity • 24% Danceability • 25% Energy • 10% Liveness
91% Instrumentalness • 13% Positiveness
11% Popularity • 24% Danceability • 25% Energy • 10% Liveness
91% Instrumentalness • 13% Positiveness
► Preview
Camerata Transylvanica
Thais: Thais, Act II: Meditation
121 bpm • E min • 04:43 • -23.22db
26% Popularity • 23% Danceability • 10% Energy • 17% Liveness
52% Instrumentalness • 6% Positiveness
26% Popularity • 23% Danceability • 10% Energy • 17% Liveness
52% Instrumentalness • 6% Positiveness
► Preview
Martin Bloch
Bach - Prelude No1
121 bpm • C Maj • 02:25 • -27.4db
48% Popularity • 34% Danceability • 9% Energy • 11% Liveness
86% Instrumentalness • 20% Positiveness
48% Popularity • 34% Danceability • 9% Energy • 11% Liveness
86% Instrumentalness • 20% Positiveness
► Preview
Franz Liszt
Mendelssohns Lieder, S. 547: Auf Flugeln...
149 bpm • G# Maj • 03:19 • -30.75db
52% Popularity • 30% Danceability • 1% Energy • 11% Liveness
94% Instrumentalness • 13% Positiveness
52% Popularity • 30% Danceability • 1% Energy • 11% Liveness
94% Instrumentalness • 13% Positiveness
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Antonio Vivaldi
Violin Concerto No. 3 in F Major, RV 293...
122 bpm • F Maj • 05:01 • -17db
46% Popularity • 46% Danceability • 16% Energy • 10% Liveness
26% Instrumentalness • 22% Positiveness
46% Popularity • 46% Danceability • 16% Energy • 10% Liveness
26% Instrumentalness • 22% Positiveness
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Enrique Granados
No. 1: Melódico
149 bpm • A Maj • 01:36 • -30.79db
46% Popularity • 36% Danceability • 2% Energy • 8% Liveness
88% Instrumentalness • 15% Positiveness
46% Popularity • 36% Danceability • 2% Energy • 8% Liveness
88% Instrumentalness • 15% Positiveness
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Nikolai Rimsky-Korsakov
Scheherazade: The Tale of the Kalendar P...
121 bpm • B min • 03:20 • -24.4db
58% Popularity • 24% Danceability • 6% Energy • 47% Liveness
60% Instrumentalness • 8% Positiveness
58% Popularity • 24% Danceability • 6% Energy • 47% Liveness
60% Instrumentalness • 8% Positiveness
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François Couperin
Couperin, F: Second livre de pièces de ...
150 bpm • A# Maj • 02:33 • -25db
26% Popularity • 18% Danceability • 15% Energy • 10% Liveness
87% Instrumentalness • 39% Positiveness
26% Popularity • 18% Danceability • 15% Energy • 10% Liveness
87% Instrumentalness • 39% Positiveness
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Lang Lang
Minuet No. 1 in G Major (Formerly Attrib...
119 bpm • G Maj • 01:44 • -27db
40% Popularity • 49% Danceability • 12% Energy • 11% Liveness
86% Instrumentalness • 78% Positiveness
40% Popularity • 49% Danceability • 12% Energy • 11% Liveness
86% Instrumentalness • 78% Positiveness
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Karoly Botvay
Sinfonia in C major, RV 112: I. Allegro
119 bpm • G Maj • 01:56 • -22db
58% Popularity • 43% Danceability • 16% Energy • 10% Liveness
90% Instrumentalness • 38% Positiveness
58% Popularity • 43% Danceability • 16% Energy • 10% Liveness
90% Instrumentalness • 38% Positiveness
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Antonio Vivaldi
Vivaldi: The Four Seasons, Violin Concer...
147 bpm • C Maj • 03:34 • -20db
46% Popularity • 47% Danceability • 13% Energy • 13% Liveness
53% Instrumentalness • 36% Positiveness
46% Popularity • 47% Danceability • 13% Energy • 13% Liveness
53% Instrumentalness • 36% Positiveness
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Julie Berthollet
Moonlight Sonata (Adagio sostenuto from ...
151 bpm • C# min • 04:30 • -18.6db
18% Popularity • 16% Danceability • 11% Energy • 10% Liveness
88% Instrumentalness • 7% Positiveness
18% Popularity • 16% Danceability • 11% Energy • 10% Liveness
88% Instrumentalness • 7% Positiveness
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George Frideric Handel
Handel: Suite No. 11 in D Minor, HWV 437...
119 bpm • D min • 02:57 • -28.68db
54% Popularity • 45% Danceability • 1% Energy • 6% Liveness
92% Instrumentalness • 18% Positiveness
54% Popularity • 45% Danceability • 1% Energy • 6% Liveness
92% Instrumentalness • 18% Positiveness
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Domenico Scarlatti
Keyboard Sonata in B-Flat Major, K.266/L...
151 bpm • A# Maj • 05:28 • -29.68db
27% Popularity • 24% Danceability • 5% Energy • 10% Liveness
88% Instrumentalness • 18% Positiveness
27% Popularity • 24% Danceability • 5% Energy • 10% Liveness
88% Instrumentalness • 18% Positiveness
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Traditional
Traditionnal / Orch Lehn: Les yeux noirs
119 bpm • D min • 03:05 • -18.32db
17% Popularity • 40% Danceability • 20% Energy • 8% Liveness
42% Instrumentalness • 45% Positiveness
17% Popularity • 40% Danceability • 20% Energy • 8% Liveness
42% Instrumentalness • 45% Positiveness
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Christian Desire Langlade
Concerto Pour Piano - Fa Mineur
118 bpm • D min • 03:00 • -17.68db
32% Popularity • 27% Danceability • 25% Energy • 23% Liveness
83% Instrumentalness • 21% Positiveness
32% Popularity • 27% Danceability • 25% Energy • 23% Liveness
83% Instrumentalness • 21% Positiveness
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Antonio Vivaldi
Mandolin Concerto in C Major, RV 425: II...
148 bpm • C Maj • 01:47 • -24.26db
45% Popularity • 37% Danceability • 37% Energy • 12% Liveness
90% Instrumentalness • 29% Positiveness
45% Popularity • 37% Danceability • 37% Energy • 12% Liveness
90% Instrumentalness • 29% Positiveness
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The Cello Quartet
Largo from "Winter" from "the Four Seaso...
153 bpm • D Maj • 01:56 • -15.78db
39% Popularity • 36% Danceability • 18% Energy • 13% Liveness
88% Instrumentalness • 59% Positiveness
39% Popularity • 36% Danceability • 18% Energy • 13% Liveness
88% Instrumentalness • 59% Positiveness
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George Frideric Handel
Solomon, HWV 67 / Act III: Sinfonia "The...
118 bpm • A Maj • 03:08 • -17.43db
47% Popularity • 61% Danceability • 32% Energy • 27% Liveness
93% Instrumentalness • 89% Positiveness
47% Popularity • 61% Danceability • 32% Energy • 27% Liveness
93% Instrumentalness • 89% Positiveness
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Ottorino Respighi
Gli uccelli (The Birds), P. 154: V. Il c...
117 bpm • A Maj • 04:22 • -20.39db
41% Popularity • 26% Danceability • 7% Energy • 33% Liveness
44% Instrumentalness • 14% Positiveness
41% Popularity • 26% Danceability • 7% Energy • 33% Liveness
44% Instrumentalness • 14% Positiveness
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Traditional
Scarborough Fair (Arr. Parkin for Cello ...
117 bpm • D Maj • 03:14 • -30.56db
52% Popularity • 31% Danceability • 3% Energy • 12% Liveness
90% Instrumentalness • 25% Positiveness
52% Popularity • 31% Danceability • 3% Energy • 12% Liveness
90% Instrumentalness • 25% Positiveness
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Bedřich Smetana
Má Vlast, JB1:112: 2. Vltava - Excerpt
116 bpm • C Maj • 03:49 • -18.2db
25% Popularity • 23% Danceability • 21% Energy • 10% Liveness
90% Instrumentalness • 15% Positiveness
25% Popularity • 23% Danceability • 21% Energy • 10% Liveness
90% Instrumentalness • 15% Positiveness
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Antonio Vivaldi
Vivaldi: L'estro armonico, Concerto pour...
121 bpm • A min • 03:09 • -14.38db
14% Popularity • 52% Danceability • 28% Energy • 36% Liveness
61% Instrumentalness • 60% Positiveness
14% Popularity • 52% Danceability • 28% Energy • 36% Liveness
61% Instrumentalness • 60% Positiveness
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Antonín Dvořák
4 Romantic Pieces, Op. 75, B. 150: I. Al...
115 bpm • A# Maj • 02:56 • -27.06db
36% Popularity • 21% Danceability • 6% Energy • 12% Liveness
91% Instrumentalness • 17% Positiveness
36% Popularity • 21% Danceability • 6% Energy • 12% Liveness
91% Instrumentalness • 17% Positiveness
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Franz Liszt
Liszt: 3 Liebesträume, S. 541: No. 3 in...
115 bpm • G# Maj • 05:03 • -27db
23% Popularity • 26% Danceability • 2% Energy • 9% Liveness
90% Instrumentalness • 5% Positiveness
23% Popularity • 26% Danceability • 2% Energy • 9% Liveness
90% Instrumentalness • 5% Positiveness
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Alexander Litvinovsky
Le grand cahier: I. La forêt et la rivi...
115 bpm • G Maj • 02:46 • -20.43db
36% Popularity • 21% Danceability • 9% Energy • 42% Liveness
63% Instrumentalness • 9% Positiveness
36% Popularity • 21% Danceability • 9% Energy • 42% Liveness
63% Instrumentalness • 9% Positiveness
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Niccolò Paganini
Paganini: Moto Perpetuo, Op. 11 No. 6
159 bpm • C Maj • 03:45 • -15.98db
27% Popularity • 38% Danceability • 41% Energy • 14% Liveness
96% Instrumentalness • 81% Positiveness
27% Popularity • 38% Danceability • 41% Energy • 14% Liveness
96% Instrumentalness • 81% Positiveness
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John Lunn
Downton Abbey (Arr. Gonet)
165 bpm • A min • 03:08 • -12.83db
14% Popularity • 26% Danceability • 27% Energy • 10% Liveness
76% Instrumentalness • 19% Positiveness
14% Popularity • 26% Danceability • 27% Energy • 10% Liveness
76% Instrumentalness • 19% Positiveness
