Songs like Schwimmen lernt man im See by Manuela
Based on a tempo of (+/- 10%) and a similar genre
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Manuela
Schwimmen lernt man im See
142 bpm • F Maj • 02:16 • -9.45db
23% Popularity • 56% Danceability • 57% Energy • 8% Liveness
0% Instrumentalness • 90% Positiveness
23% Popularity • 56% Danceability • 57% Energy • 8% Liveness
0% Instrumentalness • 90% Positiveness
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Marcelo e Manuela
Me Escolheu
142 bpm • E Maj • 04:10 • -8.01db
0% Popularity • 57% Danceability • 65% Energy • 38% Liveness
0% Instrumentalness • 64% Positiveness
0% Popularity • 57% Danceability • 65% Energy • 38% Liveness
0% Instrumentalness • 64% Positiveness
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Auner Alpenspektakel
I want to break free
143 bpm • F Maj • 02:31 • -6.11db
0% Popularity • 55% Danceability • 69% Energy • 14% Liveness
0% Instrumentalness • 74% Positiveness
0% Popularity • 55% Danceability • 69% Energy • 14% Liveness
0% Instrumentalness • 74% Positiveness
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Katja Ebstein
Was hat sie, das ich nicht habe
140 bpm • G# Maj • 02:56 • -3.42db
10% Popularity • 66% Danceability • 90% Energy • 21% Liveness
0% Instrumentalness • 94% Positiveness
10% Popularity • 66% Danceability • 90% Energy • 21% Liveness
0% Instrumentalness • 94% Positiveness
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Christian Anders
Verliebt in den Lehrer
140 bpm • G Maj • 02:56 • -12.11db
37% Popularity • 65% Danceability • 66% Energy • 6% Liveness
0% Instrumentalness • 97% Positiveness
37% Popularity • 65% Danceability • 66% Energy • 6% Liveness
0% Instrumentalness • 97% Positiveness
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Michael Holm
Nur ein Kuss, Maddalena
140 bpm • G# Maj • 03:13 • -12db
19% Popularity • 68% Danceability • 60% Energy • 3% Liveness
0% Instrumentalness • 96% Positiveness
19% Popularity • 68% Danceability • 60% Energy • 3% Liveness
0% Instrumentalness • 96% Positiveness
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Manuela
Take It Easy
140 bpm • G Maj • 02:28 • -6.75db
2% Popularity • 54% Danceability • 85% Energy • 5% Liveness
0% Instrumentalness • 76% Positiveness
2% Popularity • 54% Danceability • 85% Energy • 5% Liveness
0% Instrumentalness • 76% Positiveness
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Jürgen Marcus
Nur Du - El Condor Pasa
139 bpm • F Maj • 03:24 • -7.08db
15% Popularity • 38% Danceability • 35% Energy • 20% Liveness
0% Instrumentalness • 22% Positiveness
15% Popularity • 38% Danceability • 35% Energy • 20% Liveness
0% Instrumentalness • 22% Positiveness
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RGT
Bow 2 My Violin
139 bpm • D Maj • 03:42 • -12.45db
0% Popularity • 79% Danceability • 26% Energy • 7% Liveness
0% Instrumentalness • 60% Positiveness
0% Popularity • 79% Danceability • 26% Energy • 7% Liveness
0% Instrumentalness • 60% Positiveness
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Sonnalm Echo
Freunde der Berge
139 bpm • A# Maj • 02:22 • -7.13db
3% Popularity • 57% Danceability • 74% Energy • 31% Liveness
0% Instrumentalness • 87% Positiveness
3% Popularity • 57% Danceability • 74% Energy • 31% Liveness
0% Instrumentalness • 87% Positiveness
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Wencke Myhre
Flower-Power-Kleid
138 bpm • D Maj • 02:29 • -7.94db
26% Popularity • 65% Danceability • 69% Energy • 26% Liveness
0% Instrumentalness • 97% Positiveness
26% Popularity • 65% Danceability • 69% Energy • 26% Liveness
0% Instrumentalness • 97% Positiveness
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Michael Holm
Alle Wünsche kann man nicht erfüllen
139 bpm • C Maj • 02:19 • -10.21db
15% Popularity • 25% Danceability • 66% Energy • 67% Liveness
0% Instrumentalness • 86% Positiveness
15% Popularity • 25% Danceability • 66% Energy • 67% Liveness
0% Instrumentalness • 86% Positiveness
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Manuela
Was hast du gemacht
139 bpm • G Maj • 02:38 • -5.17db
0% Popularity • 64% Danceability • 89% Energy • 8% Liveness
0% Instrumentalness • 80% Positiveness
0% Popularity • 64% Danceability • 89% Energy • 8% Liveness
0% Instrumentalness • 80% Positiveness
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Oswald Sattler
Und manchmal weinst du sicher ein paar T...
138 bpm • F# Maj • 03:53 • -3db
26% Popularity • 66% Danceability • 72% Energy • 51% Liveness
0% Instrumentalness • 69% Positiveness
26% Popularity • 66% Danceability • 72% Energy • 51% Liveness
0% Instrumentalness • 69% Positiveness
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Ruth Brandin
Kann mir gar nicht imponieren
137 bpm • C Maj • 02:49 • -5.56db
9% Popularity • 50% Danceability • 72% Energy • 6% Liveness
0% Instrumentalness • 88% Positiveness
9% Popularity • 50% Danceability • 72% Energy • 6% Liveness
0% Instrumentalness • 88% Positiveness
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Nina & Mike
Das Lied Der Liebe
136 bpm • F Maj • 03:11 • -10.98db
17% Popularity • 55% Danceability • 57% Energy • 13% Liveness
0% Instrumentalness • 97% Positiveness
17% Popularity • 55% Danceability • 57% Energy • 13% Liveness
0% Instrumentalness • 97% Positiveness
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Katja Ebstein
Der Stern von Mykonos
148 bpm • G Maj • 03:02 • -7.83db
40% Popularity • 47% Danceability • 46% Energy • 11% Liveness
0% Instrumentalness • 60% Positiveness
40% Popularity • 47% Danceability • 46% Energy • 11% Liveness
0% Instrumentalness • 60% Positiveness
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Bata Illic
Candida
135 bpm • B Maj • 03:10 • -8.57db
33% Popularity • 67% Danceability • 62% Energy • 72% Liveness
0% Instrumentalness • 94% Positiveness
33% Popularity • 67% Danceability • 62% Energy • 72% Liveness
0% Instrumentalness • 94% Positiveness
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Manuela
ICH GEH' NOCH ZUR SCHULE
145 bpm • A# Maj • 02:31 • -9.3db
21% Popularity • 48% Danceability • 65% Energy • 14% Liveness
0% Instrumentalness • 86% Positiveness
21% Popularity • 48% Danceability • 65% Energy • 14% Liveness
0% Instrumentalness • 86% Positiveness
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Jürgen Marcus
Schmetterlinge können nicht weinen
134 bpm • D Maj • 03:46 • -4db
28% Popularity • 56% Danceability • 68% Energy • 24% Liveness
0% Instrumentalness • 54% Positiveness
28% Popularity • 56% Danceability • 68% Energy • 24% Liveness
0% Instrumentalness • 54% Positiveness
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Gaby Baginsky
Männer (versteh'n nur was sie woll'n)
150 bpm • C# Maj • 03:01 • -4.28db
24% Popularity • 59% Danceability • 88% Energy • 24% Liveness
0% Instrumentalness • 92% Positiveness
24% Popularity • 59% Danceability • 88% Energy • 24% Liveness
0% Instrumentalness • 92% Positiveness
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Nina & Mike
Fahrende Musikanten
136 bpm • G Maj • 04:00 • -11db
40% Popularity • 59% Danceability • 65% Energy • 19% Liveness
0% Instrumentalness • 94% Positiveness
40% Popularity • 59% Danceability • 65% Energy • 19% Liveness
0% Instrumentalness • 94% Positiveness
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Katja Ebstein
Abschied ist ein bisschen wie sterben
136 bpm • F Maj • 04:07 • -10.79db
32% Popularity • 53% Danceability • 45% Energy • 10% Liveness
0% Instrumentalness • 39% Positiveness
32% Popularity • 53% Danceability • 45% Energy • 10% Liveness
0% Instrumentalness • 39% Positiveness
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Michael Holm
Mendocino
134 bpm • F Maj • 02:33 • -10.28db
46% Popularity • 62% Danceability • 47% Energy • 8% Liveness
0% Instrumentalness • 97% Positiveness
46% Popularity • 62% Danceability • 47% Energy • 8% Liveness
0% Instrumentalness • 97% Positiveness
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Manuela
Dumme sterben niemals aus
147 bpm • D Maj • 02:11 • -6.9db
4% Popularity • 49% Danceability • 59% Energy • 2% Liveness
0% Instrumentalness • 76% Positiveness
4% Popularity • 49% Danceability • 59% Energy • 2% Liveness
0% Instrumentalness • 76% Positiveness
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Jürgen Marcus
Ein Festival der Liebe
134 bpm • A Maj • 04:02 • -5db
41% Popularity • 62% Danceability • 75% Energy • 5% Liveness
0% Instrumentalness • 82% Positiveness
41% Popularity • 62% Danceability • 75% Energy • 5% Liveness
0% Instrumentalness • 82% Positiveness
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Conny Froboess
Diana
151 bpm • G min • 02:12 • -9.54db
30% Popularity • 39% Danceability • 48% Energy • 49% Liveness
0% Instrumentalness • 76% Positiveness
30% Popularity • 39% Danceability • 48% Energy • 49% Liveness
0% Instrumentalness • 76% Positiveness
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Erik Silvester
Wenn die Trommel ruft
133 bpm • E Maj • 03:22 • -9db
13% Popularity • 62% Danceability • 77% Energy • 21% Liveness
0% Instrumentalness • 95% Positiveness
13% Popularity • 62% Danceability • 77% Energy • 21% Liveness
0% Instrumentalness • 95% Positiveness
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Fernando Express
Mit dem Albatros nach Süden
133 bpm • D# Maj • 03:54 • -12db
27% Popularity • 58% Danceability • 76% Energy • 34% Liveness
0% Instrumentalness • 86% Positiveness
27% Popularity • 58% Danceability • 76% Energy • 34% Liveness
0% Instrumentalness • 86% Positiveness
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Michael Holm
Wie der Sonnenschein (Shalala oh oh)
133 bpm • C# min • 02:55 • -10db
30% Popularity • 70% Danceability • 46% Energy • 47% Liveness
0% Instrumentalness • 97% Positiveness
30% Popularity • 70% Danceability • 46% Energy • 47% Liveness
0% Instrumentalness • 97% Positiveness
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Manuela
Monsieur Dupont
136 bpm • D Maj • 02:50 • -8db
24% Popularity • 64% Danceability • 57% Energy • 34% Liveness
0% Instrumentalness • 56% Positiveness
24% Popularity • 64% Danceability • 57% Energy • 34% Liveness
0% Instrumentalness • 56% Positiveness
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Chris Roberts
Wann liegen wir uns wieder in den Armen,...
133 bpm • G Maj • 04:07 • -9db
18% Popularity • 63% Danceability • 66% Energy • 26% Liveness
0% Instrumentalness • 90% Positiveness
18% Popularity • 63% Danceability • 66% Energy • 26% Liveness
0% Instrumentalness • 90% Positiveness
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Nina & Mike
Paloma Blanca
133 bpm • A Maj • 03:24 • -10db
42% Popularity • 60% Danceability • 83% Energy • 20% Liveness
1% Instrumentalness • 96% Positiveness
42% Popularity • 60% Danceability • 83% Energy • 20% Liveness
1% Instrumentalness • 96% Positiveness
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Graham Bonney
Wähle 3 3 3
132 bpm • F Maj • 02:09 • -10db
22% Popularity • 78% Danceability • 60% Energy • 21% Liveness
0% Instrumentalness • 96% Positiveness
22% Popularity • 78% Danceability • 60% Energy • 21% Liveness
0% Instrumentalness • 96% Positiveness
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Phil & John
Du oder Keine
132 bpm • G Maj • 03:05 • -10.73db
10% Popularity • 56% Danceability • 60% Energy • 4% Liveness
0% Instrumentalness • 92% Positiveness
10% Popularity • 56% Danceability • 60% Energy • 4% Liveness
0% Instrumentalness • 92% Positiveness
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Gaby Baginsky
Diebe kommen am Abend - Remastered 2006
132 bpm • E Maj • 03:08 • -6db
29% Popularity • 62% Danceability • 79% Energy • 24% Liveness
0% Instrumentalness • 86% Positiveness
29% Popularity • 62% Danceability • 79% Energy • 24% Liveness
0% Instrumentalness • 86% Positiveness
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Manuela
Küsse unter'm Regenbogen
136 bpm • C Maj • 02:53 • -6.52db
18% Popularity • 46% Danceability • 71% Energy • 27% Liveness
0% Instrumentalness • 77% Positiveness
18% Popularity • 46% Danceability • 71% Energy • 27% Liveness
0% Instrumentalness • 77% Positiveness
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Jürgen Marcus
Komm mit auf die Sonnenseite des Lebens
132 bpm • D Maj • 03:47 • -6db
10% Popularity • 62% Danceability • 64% Energy • 13% Liveness
0% Instrumentalness • 65% Positiveness
10% Popularity • 62% Danceability • 64% Energy • 13% Liveness
0% Instrumentalness • 65% Positiveness
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Nina & Mike
La Paloma Blanca
132 bpm • D Maj • 02:40 • -2.59db
18% Popularity • 58% Danceability • 90% Energy • 17% Liveness
0% Instrumentalness • 73% Positiveness
18% Popularity • 58% Danceability • 90% Energy • 17% Liveness
0% Instrumentalness • 73% Positiveness
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Peter Hinnen
Auf meiner Ranch bin ich König
131 bpm • G# Maj • 02:30 • -7db
15% Popularity • 49% Danceability • 69% Energy • 12% Liveness
0% Instrumentalness • 64% Positiveness
15% Popularity • 49% Danceability • 69% Energy • 12% Liveness
0% Instrumentalness • 64% Positiveness
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Monika Herz
Charly, ade
131 bpm • C Maj • 03:27 • -12.15db
12% Popularity • 44% Danceability • 43% Energy • 18% Liveness
0% Instrumentalness • 42% Positiveness
12% Popularity • 44% Danceability • 43% Energy • 18% Liveness
0% Instrumentalness • 42% Positiveness
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Paolo
Bim Bum Bam siamo qui tutti e tre
131 bpm • A# Maj • 03:48 • -3.47db
3% Popularity • 67% Danceability • 94% Energy • 7% Liveness
0% Instrumentalness • 96% Positiveness
3% Popularity • 67% Danceability • 94% Energy • 7% Liveness
0% Instrumentalness • 96% Positiveness
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Manuela
KÃœSSE UNTERM REGENBOGEN*
136 bpm • C Maj • 02:57 • -7db
17% Popularity • 50% Danceability • 70% Energy • 10% Liveness
0% Instrumentalness • 70% Positiveness
17% Popularity • 50% Danceability • 70% Energy • 10% Liveness
0% Instrumentalness • 70% Positiveness
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Chris Roberts
Du, sag einfach du
131 bpm • G Maj • 03:03 • -9db
12% Popularity • 76% Danceability • 67% Energy • 46% Liveness
0% Instrumentalness • 92% Positiveness
12% Popularity • 76% Danceability • 67% Energy • 46% Liveness
0% Instrumentalness • 92% Positiveness
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Nina & Mike
Kinder Der Sonne
132 bpm • A Maj • 03:16 • -10db
24% Popularity • 56% Danceability • 64% Energy • 11% Liveness
0% Instrumentalness • 87% Positiveness
24% Popularity • 56% Danceability • 64% Energy • 11% Liveness
0% Instrumentalness • 87% Positiveness
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Gerd Michaelis Chor
Blau ist die Nacht
131 bpm • F Maj • 03:04 • -5.11db
11% Popularity • 37% Danceability • 81% Energy • 7% Liveness
0% Instrumentalness • 65% Positiveness
11% Popularity • 37% Danceability • 81% Energy • 7% Liveness
0% Instrumentalness • 65% Positiveness
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Dorthe
Ich werde hundert Jahre alt
130 bpm • G# Maj • 02:36 • -9.78db
11% Popularity • 53% Danceability • 58% Energy • 75% Liveness
0% Instrumentalness • 96% Positiveness
11% Popularity • 53% Danceability • 58% Energy • 75% Liveness
0% Instrumentalness • 96% Positiveness
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Erik Silvester
Ich Kenn Ein Girl Am Zuckerhut - 2006 Re...
130 bpm • A# Maj • 02:57 • -8db
14% Popularity • 70% Danceability • 64% Energy • 16% Liveness
0% Instrumentalness • 92% Positiveness
14% Popularity • 70% Danceability • 64% Energy • 16% Liveness
0% Instrumentalness • 92% Positiveness
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Manuela
MONSIEUR DUPONT
135 bpm • D Maj • 02:53 • -10.5db
4% Popularity • 65% Danceability • 51% Energy • 33% Liveness
0% Instrumentalness • 75% Positiveness
4% Popularity • 65% Danceability • 51% Energy • 33% Liveness
0% Instrumentalness • 75% Positiveness
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Marcelo e Manuela
Não Quero Errar
130 bpm • C# Maj • 03:47 • -8.99db
0% Popularity • 49% Danceability • 43% Energy • 12% Liveness
0% Instrumentalness • 24% Positiveness
0% Popularity • 49% Danceability • 43% Energy • 12% Liveness
0% Instrumentalness • 24% Positiveness
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Nina & Mike
Rund Um Die Welt (Geht Das Lied Der Lieb...
130 bpm • A Maj • 04:04 • -11.26db
25% Popularity • 67% Danceability • 68% Energy • 8% Liveness
0% Instrumentalness • 95% Positiveness
25% Popularity • 67% Danceability • 68% Energy • 8% Liveness
0% Instrumentalness • 95% Positiveness
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Peggy March
Costa Brava
130 bpm • D Maj • 02:48 • -7.47db
15% Popularity • 55% Danceability • 67% Energy • 21% Liveness
0% Instrumentalness • 80% Positiveness
15% Popularity • 55% Danceability • 67% Energy • 21% Liveness
0% Instrumentalness • 80% Positiveness
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Peter Alexander
Ich weiß, was dir fehlt
130 bpm • F Maj • 02:46 • -6.05db
15% Popularity • 70% Danceability • 75% Energy • 33% Liveness
0% Instrumentalness • 96% Positiveness
15% Popularity • 70% Danceability • 75% Energy • 33% Liveness
0% Instrumentalness • 96% Positiveness
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Dorthe
Junger Mann mit roten Rosen
155 bpm • F# min • 02:29 • -11.11db
14% Popularity • 32% Danceability • 41% Energy • 19% Liveness
0% Instrumentalness • 75% Positiveness
14% Popularity • 32% Danceability • 41% Energy • 19% Liveness
0% Instrumentalness • 75% Positiveness
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Manuela
HELICOPTER U.S. NAVY 66
134 bpm • F# Maj • 02:45 • -12.84db
7% Popularity • 63% Danceability • 46% Energy • 42% Liveness
0% Instrumentalness • 96% Positiveness
7% Popularity • 63% Danceability • 46% Energy • 42% Liveness
0% Instrumentalness • 96% Positiveness
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Graham Bonney
Du bist viel zu schön
130 bpm • F Maj • 02:57 • -9.49db
8% Popularity • 70% Danceability • 58% Energy • 5% Liveness
0% Instrumentalness • 94% Positiveness
8% Popularity • 70% Danceability • 58% Energy • 5% Liveness
0% Instrumentalness • 94% Positiveness
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Diana Silvas
Auf dem Mond, da blühen keine Rosen
156 bpm • C Maj • 03:45 • -11.6db
9% Popularity • 41% Danceability • 37% Energy • 11% Liveness
0% Instrumentalness • 71% Positiveness
9% Popularity • 41% Danceability • 37% Energy • 11% Liveness
0% Instrumentalness • 71% Positiveness
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Conny Froboess
Skip-Du-Bi-Du - 2005 Digital Remaster
129 bpm • C Maj • 02:03 • -8db
28% Popularity • 58% Danceability • 59% Energy • 34% Liveness
0% Instrumentalness • 83% Positiveness
28% Popularity • 58% Danceability • 59% Energy • 34% Liveness
0% Instrumentalness • 83% Positiveness
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Peggy March
Fly Away Pretty Flamingo
129 bpm • A# Maj • 03:25 • -8db
30% Popularity • 60% Danceability • 69% Energy • 9% Liveness
0% Instrumentalness • 78% Positiveness
30% Popularity • 60% Danceability • 69% Energy • 9% Liveness
0% Instrumentalness • 78% Positiveness
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Drafi Deutscher
Wenn man liebt
156 bpm • F Maj • 03:56 • -6.64db
24% Popularity • 40% Danceability • 67% Energy • 12% Liveness
0% Instrumentalness • 11% Positiveness
24% Popularity • 40% Danceability • 67% Energy • 12% Liveness
0% Instrumentalness • 11% Positiveness
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Manuela
Karawane aus Abadan
134 bpm • F Maj • 02:44 • -6.65db
2% Popularity • 51% Danceability • 47% Energy • 10% Liveness
0% Instrumentalness • 69% Positiveness
2% Popularity • 51% Danceability • 47% Energy • 10% Liveness
0% Instrumentalness • 69% Positiveness
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Peter Hinnen
Siebentausend Rinder
129 bpm • F Maj • 02:07 • -7db
20% Popularity • 56% Danceability • 76% Energy • 29% Liveness
0% Instrumentalness • 96% Positiveness
20% Popularity • 56% Danceability • 76% Energy • 29% Liveness
0% Instrumentalness • 96% Positiveness
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Ulla Norden
Verliebt In Den Eigenen Mann
129 bpm • A Maj • 03:36 • -9.31db
12% Popularity • 59% Danceability • 75% Energy • 12% Liveness
0% Instrumentalness • 74% Positiveness
12% Popularity • 59% Danceability • 75% Energy • 12% Liveness
0% Instrumentalness • 74% Positiveness
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Dorthe
Er war Student in Heidelberg
129 bpm • C Maj • 04:08 • -8db
13% Popularity • 66% Danceability • 55% Energy • 5% Liveness
0% Instrumentalness • 90% Positiveness
13% Popularity • 66% Danceability • 55% Energy • 5% Liveness
0% Instrumentalness • 90% Positiveness
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Ulli Martin
Schön war die Zeit in Ohio
128 bpm • F Maj • 02:46 • -11.58db
19% Popularity • 52% Danceability • 40% Energy • 26% Liveness
0% Instrumentalness • 64% Positiveness
19% Popularity • 52% Danceability • 40% Energy • 26% Liveness
0% Instrumentalness • 64% Positiveness
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Brunner & Brunner
Sehnsucht in mir
128 bpm • A Maj • 03:00 • -9.68db
34% Popularity • 62% Danceability • 68% Energy • 17% Liveness
9% Instrumentalness • 88% Positiveness
34% Popularity • 62% Danceability • 68% Energy • 17% Liveness
9% Instrumentalness • 88% Positiveness
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Manuela
LOVE AND KISSES*
151 bpm • F# Maj • 03:07 • -9.77db
3% Popularity • 40% Danceability • 61% Energy • 19% Liveness
0% Instrumentalness • 43% Positiveness
3% Popularity • 40% Danceability • 61% Energy • 19% Liveness
0% Instrumentalness • 43% Positiveness
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Michael Holm
Ein verrückter Tag
128 bpm • G Maj • 03:13 • -8.3db
26% Popularity • 61% Danceability • 73% Energy • 26% Liveness
0% Instrumentalness • 95% Positiveness
26% Popularity • 61% Danceability • 73% Energy • 26% Liveness
0% Instrumentalness • 95% Positiveness
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Gaby Baginsky
Es kann mit 40 wie mit 20 sein
128 bpm • G# Maj • 03:29 • -5.28db
25% Popularity • 70% Danceability • 88% Energy • 23% Liveness
0% Instrumentalness • 97% Positiveness
25% Popularity • 70% Danceability • 88% Energy • 23% Liveness
0% Instrumentalness • 97% Positiveness
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Dorthe
Tobago-Helloh
128 bpm • B min • 03:21 • -10.51db
18% Popularity • 57% Danceability • 74% Energy • 56% Liveness
0% Instrumentalness • 94% Positiveness
18% Popularity • 57% Danceability • 74% Energy • 56% Liveness
0% Instrumentalness • 94% Positiveness
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Andrea T Mendoza
Today Tonight - Radio Mix
128 bpm • D Maj • 03:29 • -2.73db
1% Popularity • 70% Danceability • 88% Energy • 20% Liveness
0% Instrumentalness • 47% Positiveness
1% Popularity • 70% Danceability • 88% Energy • 20% Liveness
0% Instrumentalness • 47% Positiveness
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Nina & Mike
Was Wird Sein in Sieben Jahren
128 bpm • A# Maj • 03:54 • -10.03db
31% Popularity • 57% Danceability • 81% Energy • 11% Liveness
0% Instrumentalness • 60% Positiveness
31% Popularity • 57% Danceability • 81% Energy • 11% Liveness
0% Instrumentalness • 60% Positiveness
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Manuela
Lord Leicester aus Manchester
134 bpm • D Maj • 02:13 • -8db
21% Popularity • 68% Danceability • 49% Energy • 18% Liveness
0% Instrumentalness • 84% Positiveness
21% Popularity • 68% Danceability • 49% Energy • 18% Liveness
0% Instrumentalness • 84% Positiveness
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Wencke Myhre
Reden ist Silber - Küssen ist Gold
128 bpm • D Maj • 02:31 • -6db
5% Popularity • 67% Danceability • 82% Energy • 14% Liveness
0% Instrumentalness • 96% Positiveness
5% Popularity • 67% Danceability • 82% Energy • 14% Liveness
0% Instrumentalness • 96% Positiveness
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Robin Tune
You & I - Radio Mix
128 bpm • F# min • 03:15 • -5.49db
1% Popularity • 63% Danceability • 57% Energy • 10% Liveness
0% Instrumentalness • 27% Positiveness
1% Popularity • 63% Danceability • 57% Energy • 10% Liveness
0% Instrumentalness • 27% Positiveness
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Astrid Harzbecker
Grüßt mir die Inseln des Südens
128 bpm • B Maj • 02:52 • -7.91db
24% Popularity • 60% Danceability • 72% Energy • 7% Liveness
0% Instrumentalness • 76% Positiveness
24% Popularity • 60% Danceability • 72% Energy • 7% Liveness
0% Instrumentalness • 76% Positiveness
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Andrea T Mendoza
Today Tonight - Original Mix
128 bpm • E min • 05:11 • -3.03db
0% Popularity • 74% Danceability • 90% Energy • 6% Liveness
0% Instrumentalness • 29% Positiveness
0% Popularity • 74% Danceability • 90% Energy • 6% Liveness
0% Instrumentalness • 29% Positiveness
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Geschwister Hofmann
Die Insel Romantica
128 bpm • C Maj • 03:46 • -3.18db
23% Popularity • 62% Danceability • 74% Energy • 18% Liveness
0% Instrumentalness • 60% Positiveness
23% Popularity • 62% Danceability • 74% Energy • 18% Liveness
0% Instrumentalness • 60% Positiveness
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Manuela
LORD LEICESTER AUS MANCHESTER *
133 bpm • D Maj • 02:14 • -12.16db
3% Popularity • 71% Danceability • 37% Energy • 18% Liveness
0% Instrumentalness • 81% Positiveness
3% Popularity • 71% Danceability • 37% Energy • 18% Liveness
0% Instrumentalness • 81% Positiveness
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Nicole
Wenn die Blumen weinen könnten
127 bpm • D# Maj • 03:27 • -9.76db
24% Popularity • 61% Danceability • 63% Energy • 48% Liveness
0% Instrumentalness • 50% Positiveness
24% Popularity • 61% Danceability • 63% Energy • 48% Liveness
0% Instrumentalness • 50% Positiveness
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Sandra Mo
Hätt' ich nochmal die Wahl
127 bpm • G Maj • 02:41 • -4.03db
11% Popularity • 61% Danceability • 82% Energy • 9% Liveness
0% Instrumentalness • 90% Positiveness
11% Popularity • 61% Danceability • 82% Energy • 9% Liveness
0% Instrumentalness • 90% Positiveness
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Gitte Hænning
Ich will 'nen Cowboy als Mann
128 bpm • F Maj • 02:45 • -9.12db
22% Popularity • 67% Danceability • 63% Energy • 26% Liveness
0% Instrumentalness • 92% Positiveness
22% Popularity • 67% Danceability • 63% Energy • 26% Liveness
0% Instrumentalness • 92% Positiveness
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Frank Schöbel
Zwei schöne Jahre
127 bpm • D Maj • 04:20 • -11db
19% Popularity • 56% Danceability • 59% Energy • 33% Liveness
0% Instrumentalness • 83% Positiveness
19% Popularity • 56% Danceability • 59% Energy • 33% Liveness
0% Instrumentalness • 83% Positiveness
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Lena Valaitis
Und das Leben wird weitergeh'n
127 bpm • D Maj • 02:16 • -14.98db
14% Popularity • 68% Danceability • 40% Energy • 10% Liveness
0% Instrumentalness • 90% Positiveness
14% Popularity • 68% Danceability • 40% Energy • 10% Liveness
0% Instrumentalness • 90% Positiveness
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Manuela
Love And Kisses
152 bpm • F# Maj • 03:04 • -4.77db
5% Popularity • 36% Danceability • 76% Energy • 21% Liveness
0% Instrumentalness • 60% Positiveness
5% Popularity • 36% Danceability • 76% Energy • 21% Liveness
0% Instrumentalness • 60% Positiveness
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Astrid Harzbecker
Der Wind von Mykonos
127 bpm • F# Maj • 03:06 • -5.9db
26% Popularity • 67% Danceability • 85% Energy • 15% Liveness
0% Instrumentalness • 82% Positiveness
26% Popularity • 67% Danceability • 85% Energy • 15% Liveness
0% Instrumentalness • 82% Positiveness
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Renate und Werner Leismann
Gaucho Mexicano
127 bpm • C Maj • 02:42 • -5db
19% Popularity • 49% Danceability • 74% Energy • 57% Liveness
0% Instrumentalness • 67% Positiveness
19% Popularity • 49% Danceability • 74% Energy • 57% Liveness
0% Instrumentalness • 67% Positiveness
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Graham Bonney
Rosemary & Company
127 bpm • D# Maj • 03:15 • -9.34db
8% Popularity • 61% Danceability • 57% Energy • 16% Liveness
0% Instrumentalness • 94% Positiveness
8% Popularity • 61% Danceability • 57% Energy • 16% Liveness
0% Instrumentalness • 94% Positiveness
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Gerhard Wendland
Tanze mit mir in den Morgen (Mitternacht...
127 bpm • G# Maj • 02:50 • -7.93db
27% Popularity • 55% Danceability • 42% Energy • 29% Liveness
0% Instrumentalness • 61% Positiveness
27% Popularity • 55% Danceability • 42% Energy • 29% Liveness
0% Instrumentalness • 61% Positiveness
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Fernando Express
Das Märchen der weißen Lagune
127 bpm • G Maj • 04:30 • -9.8db
26% Popularity • 60% Danceability • 65% Energy • 7% Liveness
0% Instrumentalness • 81% Positiveness
26% Popularity • 60% Danceability • 65% Energy • 7% Liveness
0% Instrumentalness • 81% Positiveness
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Manuela
Diana
152 bpm • G min • 02:15 • -8.16db
3% Popularity • 36% Danceability • 62% Energy • 28% Liveness
0% Instrumentalness • 83% Positiveness
3% Popularity • 36% Danceability • 62% Energy • 28% Liveness
0% Instrumentalness • 83% Positiveness
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Brunner & Brunner
Weil dein Herz dich verrät
126 bpm • D# Maj • 03:04 • -11db
35% Popularity • 70% Danceability • 83% Energy • 8% Liveness
0% Instrumentalness • 96% Positiveness
35% Popularity • 70% Danceability • 83% Energy • 8% Liveness
0% Instrumentalness • 96% Positiveness
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Wencke Myhre
Er steht im Tor
126 bpm • A Maj • 02:59 • -6.01db
32% Popularity • 70% Danceability • 66% Energy • 5% Liveness
0% Instrumentalness • 97% Positiveness
32% Popularity • 70% Danceability • 66% Energy • 5% Liveness
0% Instrumentalness • 97% Positiveness
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Vicky Leandros
Bunter Luftballon
126 bpm • G Maj • 02:58 • -6.69db
20% Popularity • 39% Danceability • 55% Energy • 36% Liveness
0% Instrumentalness • 60% Positiveness
20% Popularity • 39% Danceability • 55% Energy • 36% Liveness
0% Instrumentalness • 60% Positiveness
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Gaby Baginsky
Wer hat dir das Küssen beigebracht
126 bpm • C# Maj • 03:33 • -5.15db
32% Popularity • 62% Danceability • 86% Energy • 24% Liveness
0% Instrumentalness • 87% Positiveness
32% Popularity • 62% Danceability • 86% Energy • 24% Liveness
0% Instrumentalness • 87% Positiveness
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Bernd Clüver
Das mit Dir könnte geh'n
126 bpm • D Maj • 03:06 • -7.47db
32% Popularity • 85% Danceability • 85% Energy • 33% Liveness
0% Instrumentalness • 90% Positiveness
32% Popularity • 85% Danceability • 85% Energy • 33% Liveness
0% Instrumentalness • 90% Positiveness
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Manuela
HEY BOY, LASS DOCH DEN WHISKY ( DON'T TR...
153 bpm • A# Maj • 02:20 • -8.93db
2% Popularity • 38% Danceability • 69% Energy • 17% Liveness
0% Instrumentalness • 88% Positiveness
2% Popularity • 38% Danceability • 69% Energy • 17% Liveness
0% Instrumentalness • 88% Positiveness
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Nina & Mike
Aloha-Oe, Bis Wir Uns Wiederseh'n
126 bpm • A Maj • 03:46 • -11.48db
33% Popularity • 58% Danceability • 86% Energy • 23% Liveness
0% Instrumentalness • 93% Positiveness
33% Popularity • 58% Danceability • 86% Energy • 23% Liveness
0% Instrumentalness • 93% Positiveness
