Songs like Scribbled Notes by Johannes Bornlöf
Based on a tempo of (+/- 10%) and a similar genre
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Charles Bolt
For A Lifetime
176 bpm • D Maj • 03:44 • -26.42db
34% Popularity • 54% Danceability • 3% Energy • 11% Liveness
95% Instrumentalness • 16% Positiveness
34% Popularity • 54% Danceability • 3% Energy • 11% Liveness
95% Instrumentalness • 16% Positiveness
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Johannes Bornlöf
Scribbled Notes
176 bpm • D min • 02:33 • -23.12db
27% Popularity • 18% Danceability • 4% Energy • 11% Liveness
98% Instrumentalness • 28% Positiveness
27% Popularity • 18% Danceability • 4% Energy • 11% Liveness
98% Instrumentalness • 28% Positiveness
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Maurizio Lucchetti
Lost Paradise
175 bpm • C min • 04:55 • -19.6db
37% Popularity • 17% Danceability • 26% Energy • 9% Liveness
88% Instrumentalness • 7% Positiveness
37% Popularity • 17% Danceability • 26% Energy • 9% Liveness
88% Instrumentalness • 7% Positiveness
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Kerry Muzzey
Every Picture Tells a Story
177 bpm • G min • 05:16 • -14.71db
27% Popularity • 10% Danceability • 22% Energy • 11% Liveness
86% Instrumentalness • 4% Positiveness
27% Popularity • 10% Danceability • 22% Energy • 11% Liveness
86% Instrumentalness • 4% Positiveness
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Jonny Southard
Dance of the Spirituals
175 bpm • G min • 02:48 • -22db
44% Popularity • 29% Danceability • 10% Energy • 10% Liveness
94% Instrumentalness • 34% Positiveness
44% Popularity • 29% Danceability • 10% Energy • 10% Liveness
94% Instrumentalness • 34% Positiveness
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Javi Lobe
Lost Time - Strings Version
175 bpm • D min • 02:21 • -13.99db
36% Popularity • 11% Danceability • 24% Energy • 16% Liveness
91% Instrumentalness • 35% Positiveness
36% Popularity • 11% Danceability • 24% Energy • 16% Liveness
91% Instrumentalness • 35% Positiveness
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Khyaam Haque
A Long Life, Hidden Away
177 bpm • C# Maj • 01:21 • -22.84db
38% Popularity • 56% Danceability • 13% Energy • 10% Liveness
96% Instrumentalness • 26% Positiveness
38% Popularity • 56% Danceability • 13% Energy • 10% Liveness
96% Instrumentalness • 26% Positiveness
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Johannes Bornlöf
What We Do To Forget
176 bpm • F min • 02:13 • -23.05db
14% Popularity • 8% Danceability • 15% Energy • 7% Liveness
77% Instrumentalness • 4% Positiveness
14% Popularity • 8% Danceability • 15% Energy • 7% Liveness
77% Instrumentalness • 4% Positiveness
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Biba Dupont
Valse pour le premier jour du printemps
177 bpm • C min • 03:26 • -14db
27% Popularity • 30% Danceability • 10% Energy • 12% Liveness
93% Instrumentalness • 17% Positiveness
27% Popularity • 30% Danceability • 10% Energy • 12% Liveness
93% Instrumentalness • 17% Positiveness
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Oskar Schuster
Damascus - Solo Piano
177 bpm • A min • 01:59 • -17.23db
44% Popularity • 26% Danceability • 29% Energy • 9% Liveness
89% Instrumentalness • 19% Positiveness
44% Popularity • 26% Danceability • 29% Energy • 9% Liveness
89% Instrumentalness • 19% Positiveness
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David Celeste
The Wind in Her Hair
175 bpm • D min • 01:55 • -28db
43% Popularity • 17% Danceability • 7% Energy • 21% Liveness
92% Instrumentalness • 9% Positiveness
43% Popularity • 17% Danceability • 7% Energy • 21% Liveness
92% Instrumentalness • 9% Positiveness
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Michael Nyman
The Heart Asks Pleasure First
177 bpm • A min • 03:16 • -22.17db
14% Popularity • 30% Danceability • 18% Energy • 11% Liveness
78% Instrumentalness • 38% Positiveness
14% Popularity • 30% Danceability • 18% Energy • 11% Liveness
78% Instrumentalness • 38% Positiveness
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Ludovico Einaudi
Seven Days Walking / Day 2: The Path Of ...
174 bpm • D min • 08:35 • -13db
20% Popularity • 21% Danceability • 26% Energy • 11% Liveness
94% Instrumentalness • 4% Positiveness
20% Popularity • 21% Danceability • 26% Energy • 11% Liveness
94% Instrumentalness • 4% Positiveness
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Arden Forest
Kobicha
178 bpm • A# min • 02:39 • -20.78db
28% Popularity • 33% Danceability • 2% Energy • 11% Liveness
89% Instrumentalness • 26% Positiveness
28% Popularity • 33% Danceability • 2% Energy • 11% Liveness
89% Instrumentalness • 26% Positiveness
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Matt Stewart-Evans
Waltz For Dreamers
174 bpm • C# Maj • 02:41 • -28.35db
44% Popularity • 18% Danceability • 5% Energy • 8% Liveness
95% Instrumentalness • 8% Positiveness
44% Popularity • 18% Danceability • 5% Energy • 8% Liveness
95% Instrumentalness • 8% Positiveness
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Niall Byrne
Somewhere
174 bpm • G Maj • 03:02 • -39db
24% Popularity • 28% Danceability • 2% Energy • 9% Liveness
84% Instrumentalness • 25% Positiveness
24% Popularity • 28% Danceability • 2% Energy • 9% Liveness
84% Instrumentalness • 25% Positiveness
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Snow in April
Aurora
178 bpm • F# min • 01:59 • -21db
48% Popularity • 37% Danceability • 5% Energy • 10% Liveness
94% Instrumentalness • 52% Positiveness
48% Popularity • 37% Danceability • 5% Energy • 10% Liveness
94% Instrumentalness • 52% Positiveness
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Philip Daniel
Unwanted Tears
179 bpm • B Maj • 04:02 • -19.16db
21% Popularity • 24% Danceability • 26% Energy • 22% Liveness
90% Instrumentalness • 13% Positiveness
21% Popularity • 24% Danceability • 26% Energy • 22% Liveness
90% Instrumentalness • 13% Positiveness
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Johannes Bornlöf
This Creed
173 bpm • G# min • 02:21 • -14.09db
23% Popularity • 8% Danceability • 38% Energy • 10% Liveness
95% Instrumentalness • 3% Positiveness
23% Popularity • 8% Danceability • 38% Energy • 10% Liveness
95% Instrumentalness • 3% Positiveness
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Jordane Tumarinson
Necessary Things
172 bpm • C min • 03:52 • -21db
42% Popularity • 27% Danceability • 5% Energy • 13% Liveness
88% Instrumentalness • 4% Positiveness
42% Popularity • 27% Danceability • 5% Energy • 13% Liveness
88% Instrumentalness • 4% Positiveness
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Randy Oppenheim
Autumn in Bruges
172 bpm • A min • 02:01 • -25db
39% Popularity • 28% Danceability • 3% Energy • 11% Liveness
94% Instrumentalness • 44% Positiveness
39% Popularity • 28% Danceability • 3% Energy • 11% Liveness
94% Instrumentalness • 44% Positiveness
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Omar Raafat
In a Dream
180 bpm • D# Maj • 03:23 • -13.91db
31% Popularity • 14% Danceability • 24% Energy • 12% Liveness
94% Instrumentalness • 23% Positiveness
31% Popularity • 14% Danceability • 24% Energy • 12% Liveness
94% Instrumentalness • 23% Positiveness
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Alberto Giurioli
Nightfall
180 bpm • D min • 05:32 • -16.85db
33% Popularity • 28% Danceability • 28% Energy • 14% Liveness
94% Instrumentalness • 6% Positiveness
33% Popularity • 28% Danceability • 28% Energy • 14% Liveness
94% Instrumentalness • 6% Positiveness
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Philip Daniel
Re: Unwanted Tears
179 bpm • B Maj • 04:01 • -14.61db
29% Popularity • 14% Danceability • 32% Energy • 18% Liveness
90% Instrumentalness • 16% Positiveness
29% Popularity • 14% Danceability • 32% Energy • 18% Liveness
90% Instrumentalness • 16% Positiveness
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Steven Gutheinz
Before the Lens (Solo Piano)
180 bpm • D# Maj • 02:36 • -18db
39% Popularity • 53% Danceability • 16% Energy • 12% Liveness
91% Instrumentalness • 26% Positiveness
39% Popularity • 53% Danceability • 16% Energy • 12% Liveness
91% Instrumentalness • 26% Positiveness
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Roberto Attanasio
Behind Those Eyes
180 bpm • B Maj • 03:16 • -18db
30% Popularity • 28% Danceability • 7% Energy • 9% Liveness
82% Instrumentalness • 12% Positiveness
30% Popularity • 28% Danceability • 7% Energy • 9% Liveness
82% Instrumentalness • 12% Positiveness
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Jackson Mullane
Angels of Krasnodar
172 bpm • A# Maj • 03:29 • -15.08db
15% Popularity • 21% Danceability • 18% Energy • 12% Liveness
82% Instrumentalness • 8% Positiveness
15% Popularity • 21% Danceability • 18% Energy • 12% Liveness
82% Instrumentalness • 8% Positiveness
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Arden Forest
Monastral
181 bpm • G# min • 02:03 • -25.35db
37% Popularity • 26% Danceability • 6% Energy • 11% Liveness
88% Instrumentalness • 23% Positiveness
37% Popularity • 26% Danceability • 6% Energy • 11% Liveness
88% Instrumentalness • 23% Positiveness
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Biba Dupont
Silhouette
181 bpm • F# Maj • 02:23 • -26.09db
33% Popularity • 38% Danceability • 2% Energy • 12% Liveness
96% Instrumentalness • 16% Positiveness
33% Popularity • 38% Danceability • 2% Energy • 12% Liveness
96% Instrumentalness • 16% Positiveness
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Amity Fall
First Snow
181 bpm • G min • 02:10 • -25db
48% Popularity • 35% Danceability • 2% Energy • 10% Liveness
90% Instrumentalness • 34% Positiveness
48% Popularity • 35% Danceability • 2% Energy • 10% Liveness
90% Instrumentalness • 34% Positiveness
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Luke Woodapple
Empathy in C Minor
182 bpm • C min • 03:13 • -26.35db
28% Popularity • 28% Danceability • 4% Energy • 14% Liveness
95% Instrumentalness • 6% Positiveness
28% Popularity • 28% Danceability • 4% Energy • 14% Liveness
95% Instrumentalness • 6% Positiveness
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Jef Martens
I Will Walk You Home
182 bpm • C# Maj • 02:10 • -28.36db
36% Popularity • 26% Danceability • 8% Energy • 10% Liveness
88% Instrumentalness • 7% Positiveness
36% Popularity • 26% Danceability • 8% Energy • 10% Liveness
88% Instrumentalness • 7% Positiveness
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Austin Farwell
The Walk We Go
170 bpm • C Maj • 02:21 • -23db
48% Popularity • 35% Danceability • 24% Energy • 11% Liveness
94% Instrumentalness • 16% Positiveness
48% Popularity • 35% Danceability • 24% Energy • 11% Liveness
94% Instrumentalness • 16% Positiveness
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Edvard Kravchuk
Rising in the Sun
182 bpm • C Maj • 02:26 • -26.84db
49% Popularity • 16% Danceability • 5% Energy • 11% Liveness
90% Instrumentalness • 22% Positiveness
49% Popularity • 16% Danceability • 5% Energy • 11% Liveness
90% Instrumentalness • 22% Positiveness
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Mélanie Laurant
Début
170 bpm • C Maj • 03:02 • -30.95db
8% Popularity • 25% Danceability • 2% Energy • 8% Liveness
92% Instrumentalness • 25% Positiveness
8% Popularity • 25% Danceability • 2% Energy • 8% Liveness
92% Instrumentalness • 25% Positiveness
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Patrick Hamilton
Winged Melancholy
169 bpm • E min • 02:19 • -27.76db
39% Popularity • 31% Danceability • 1% Energy • 11% Liveness
95% Instrumentalness • 22% Positiveness
39% Popularity • 31% Danceability • 1% Energy • 11% Liveness
95% Instrumentalness • 22% Positiveness
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Jonny Southard
Who You Are
168 bpm • A min • 04:28 • -22db
29% Popularity • 29% Danceability • 7% Energy • 12% Liveness
93% Instrumentalness • 16% Positiveness
29% Popularity • 29% Danceability • 7% Energy • 12% Liveness
93% Instrumentalness • 16% Positiveness
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Johannes Bornlöf
Monograph
184 bpm • F min • 02:27 • -23.42db
27% Popularity • 14% Danceability • 11% Energy • 12% Liveness
86% Instrumentalness • 7% Positiveness
27% Popularity • 14% Danceability • 11% Energy • 12% Liveness
86% Instrumentalness • 7% Positiveness
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Ola Claësson
Eurytmi
168 bpm • D# Maj • 02:39 • -26.76db
34% Popularity • 30% Danceability • 4% Energy • 11% Liveness
94% Instrumentalness • 8% Positiveness
34% Popularity • 30% Danceability • 4% Energy • 11% Liveness
94% Instrumentalness • 8% Positiveness
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Solar Sleeper
Motifs in F# Major - Reimagined
168 bpm • F# Maj • 05:31 • -22.01db
39% Popularity • 21% Danceability • 8% Energy • 8% Liveness
95% Instrumentalness • 6% Positiveness
39% Popularity • 21% Danceability • 8% Energy • 8% Liveness
95% Instrumentalness • 6% Positiveness
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Brian Crain
Song for Sienna
185 bpm • G Maj • 03:44 • -26.66db
2% Popularity • 26% Danceability • 7% Energy • 8% Liveness
93% Instrumentalness • 31% Positiveness
2% Popularity • 26% Danceability • 7% Energy • 8% Liveness
93% Instrumentalness • 31% Positiveness
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Snow in April
Magnolia
167 bpm • G min • 02:28 • -21.98db
41% Popularity • 33% Danceability • 2% Energy • 10% Liveness
92% Instrumentalness • 28% Positiveness
41% Popularity • 33% Danceability • 2% Energy • 10% Liveness
92% Instrumentalness • 28% Positiveness
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De Maynes
A Walk to Paradise
166 bpm • C min • 03:32 • -30.21db
35% Popularity • 25% Danceability • 1% Energy • 12% Liveness
89% Instrumentalness • 4% Positiveness
35% Popularity • 25% Danceability • 1% Energy • 12% Liveness
89% Instrumentalness • 4% Positiveness
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Johannes Bornlöf
Nocturnal Waltz
166 bpm • C# min • 02:08 • -18.94db
56% Popularity • 18% Danceability • 11% Energy • 11% Liveness
92% Instrumentalness • 7% Positiveness
56% Popularity • 18% Danceability • 11% Energy • 11% Liveness
92% Instrumentalness • 7% Positiveness
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Rand Aldo
Nine Times around the Heart
164 bpm • G# Maj • 02:57 • -20.66db
30% Popularity • 33% Danceability • 8% Energy • 11% Liveness
64% Instrumentalness • 10% Positiveness
30% Popularity • 33% Danceability • 8% Energy • 11% Liveness
64% Instrumentalness • 10% Positiveness
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Karin Reverdi
Maestro Del Design
190 bpm • A min • 03:31 • -18.11db
22% Popularity • 28% Danceability • 30% Energy • 11% Liveness
88% Instrumentalness • 30% Positiveness
22% Popularity • 28% Danceability • 30% Energy • 11% Liveness
88% Instrumentalness • 30% Positiveness
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Carl Faber
Emerald
161 bpm • C min • 02:42 • -24.41db
27% Popularity • 16% Danceability • 15% Energy • 10% Liveness
91% Instrumentalness • 35% Positiveness
27% Popularity • 16% Danceability • 15% Energy • 10% Liveness
91% Instrumentalness • 35% Positiveness
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Charles Bolt
The Dreamer
161 bpm • C min • 02:58 • -18.9db
34% Popularity • 24% Danceability • 4% Energy • 8% Liveness
92% Instrumentalness • 5% Positiveness
34% Popularity • 24% Danceability • 4% Energy • 8% Liveness
92% Instrumentalness • 5% Positiveness
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Franco Robert
Luna's Ascent
193 bpm • F min • 03:22 • -22.41db
33% Popularity • 39% Danceability • 8% Energy • 12% Liveness
95% Instrumentalness • 13% Positiveness
33% Popularity • 39% Danceability • 8% Energy • 12% Liveness
95% Instrumentalness • 13% Positiveness
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Johannes Bornlöf
Serene
165 bpm • B min • 01:57 • -19.2db
28% Popularity • 30% Danceability • 4% Energy • 8% Liveness
90% Instrumentalness • 9% Positiveness
28% Popularity • 30% Danceability • 4% Energy • 8% Liveness
90% Instrumentalness • 9% Positiveness
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Akira Kosemura
Minerva
160 bpm • A Maj • 01:09 • -8.2db
47% Popularity • 22% Danceability • 38% Energy • 12% Liveness
51% Instrumentalness • 23% Positiveness
47% Popularity • 22% Danceability • 38% Energy • 12% Liveness
51% Instrumentalness • 23% Positiveness
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Howard Harper-Barnes
Refined Enlightenment
160 bpm • G min • 02:23 • -16.29db
35% Popularity • 63% Danceability • 29% Energy • 14% Liveness
94% Instrumentalness • 57% Positiveness
35% Popularity • 63% Danceability • 29% Energy • 14% Liveness
94% Instrumentalness • 57% Positiveness
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Adam Daudrich
Swells
159 bpm • C min • 02:45 • -28.13db
37% Popularity • 30% Danceability • 6% Energy • 11% Liveness
88% Instrumentalness • 22% Positiveness
37% Popularity • 30% Danceability • 6% Energy • 11% Liveness
88% Instrumentalness • 22% Positiveness
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Franz Gordon
Memories of Sardinia
196 bpm • G Maj • 03:35 • -18.09db
29% Popularity • 23% Danceability • 5% Energy • 11% Liveness
91% Instrumentalness • 13% Positiveness
29% Popularity • 23% Danceability • 5% Energy • 11% Liveness
91% Instrumentalness • 13% Positiveness
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Carlos Rafael Rivera
First Day At School
156 bpm • D min • 01:12 • -24db
52% Popularity • 32% Danceability • 15% Energy • 19% Liveness
64% Instrumentalness • 30% Positiveness
52% Popularity • 32% Danceability • 15% Energy • 19% Liveness
64% Instrumentalness • 30% Positiveness
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Johannes Bornlöf
Out of Darkness
165 bpm • E min • 03:31 • -22.01db
20% Popularity • 21% Danceability • 12% Energy • 11% Liveness
90% Instrumentalness • 9% Positiveness
20% Popularity • 21% Danceability • 12% Energy • 11% Liveness
90% Instrumentalness • 9% Positiveness
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Piano Novel
Scintillations
156 bpm • B min • 02:44 • -22.92db
29% Popularity • 40% Danceability • 10% Energy • 11% Liveness
91% Instrumentalness • 21% Positiveness
29% Popularity • 40% Danceability • 10% Energy • 11% Liveness
91% Instrumentalness • 21% Positiveness
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Lenovie
Problématique
200 bpm • A Maj • 01:43 • -21.28db
34% Popularity • 40% Danceability • 4% Energy • 11% Liveness
92% Instrumentalness • 56% Positiveness
34% Popularity • 40% Danceability • 4% Energy • 11% Liveness
92% Instrumentalness • 56% Positiveness
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Howard Harper-Barnes
Progressive Progress
155 bpm • C# Maj • 02:30 • -14.61db
38% Popularity • 60% Danceability • 37% Energy • 11% Liveness
96% Instrumentalness • 41% Positiveness
38% Popularity • 60% Danceability • 37% Energy • 11% Liveness
96% Instrumentalness • 41% Positiveness
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Ever So Blue
Cessura
153 bpm • A Maj • 03:05 • -28.38db
47% Popularity • 37% Danceability • 10% Energy • 8% Liveness
80% Instrumentalness • 34% Positiveness
47% Popularity • 37% Danceability • 10% Energy • 8% Liveness
80% Instrumentalness • 34% Positiveness
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Alexandre Desplat
The Danish Girl
152 bpm • G min • 02:09 • -28.98db
22% Popularity • 26% Danceability • 7% Energy • 16% Liveness
95% Instrumentalness • 21% Positiveness
22% Popularity • 26% Danceability • 7% Energy • 16% Liveness
95% Instrumentalness • 21% Positiveness
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Johannes Bornlöf
So Others May Live
160 bpm • E min • 03:24 • -16.23db
17% Popularity • 35% Danceability • 13% Energy • 11% Liveness
93% Instrumentalness • 14% Positiveness
17% Popularity • 35% Danceability • 13% Energy • 11% Liveness
93% Instrumentalness • 14% Positiveness
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Jef Martens
Morning Walk
153 bpm • B Maj • 01:28 • -17.61db
40% Popularity • 39% Danceability • 41% Energy • 11% Liveness
96% Instrumentalness • 37% Positiveness
40% Popularity • 39% Danceability • 41% Energy • 11% Liveness
96% Instrumentalness • 37% Positiveness
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Ossie Woods
Windmills
152 bpm • C min • 03:10 • -27.69db
36% Popularity • 29% Danceability • 9% Energy • 11% Liveness
85% Instrumentalness • 17% Positiveness
36% Popularity • 29% Danceability • 9% Energy • 11% Liveness
85% Instrumentalness • 17% Positiveness
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Charles Bolt
Hush Now
152 bpm • D min • 01:49 • -21.68db
36% Popularity • 46% Danceability • 8% Energy • 10% Liveness
97% Instrumentalness • 33% Positiveness
36% Popularity • 46% Danceability • 8% Energy • 10% Liveness
97% Instrumentalness • 33% Positiveness
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Olivia Belli
Beside The Spring
151 bpm • F Maj • 02:57 • -27.26db
35% Popularity • 38% Danceability • 2% Energy • 12% Liveness
94% Instrumentalness • 8% Positiveness
35% Popularity • 38% Danceability • 2% Energy • 12% Liveness
94% Instrumentalness • 8% Positiveness
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Comet Blue
Sand Between Our Fingers
205 bpm • D# min • 02:48 • -26.59db
37% Popularity • 22% Danceability • 4% Energy • 9% Liveness
94% Instrumentalness • 10% Positiveness
37% Popularity • 22% Danceability • 4% Energy • 9% Liveness
94% Instrumentalness • 10% Positiveness
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Johannes Bornlöf
Rainshower
159 bpm • D min • 03:27 • -24.22db
0% Popularity • 23% Danceability • 10% Energy • 12% Liveness
92% Instrumentalness • 15% Positiveness
0% Popularity • 23% Danceability • 10% Energy • 12% Liveness
92% Instrumentalness • 15% Positiveness
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Philip Glass
Tales from the Loop
150 bpm • B min • 02:55 • -26.97db
44% Popularity • 42% Danceability • 6% Energy • 9% Liveness
82% Instrumentalness • 6% Positiveness
44% Popularity • 42% Danceability • 6% Energy • 9% Liveness
82% Instrumentalness • 6% Positiveness
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Johann Beethoven
Truman Sleeps
207 bpm • F min • 02:01 • -20.83db
38% Popularity • 25% Danceability • 3% Energy • 11% Liveness
88% Instrumentalness • 15% Positiveness
38% Popularity • 25% Danceability • 3% Energy • 11% Liveness
88% Instrumentalness • 15% Positiveness
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Gabriel Yared
Separate Lives
150 bpm • C min • 01:29 • -19db
50% Popularity • 19% Danceability • 18% Energy • 12% Liveness
84% Instrumentalness • 4% Positiveness
50% Popularity • 19% Danceability • 18% Energy • 12% Liveness
84% Instrumentalness • 4% Positiveness
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Olivia Belli
Ambro
151 bpm • G Maj • 02:45 • -32.17db
34% Popularity • 35% Danceability • 5% Energy • 9% Liveness
82% Instrumentalness • 14% Positiveness
34% Popularity • 35% Danceability • 5% Energy • 9% Liveness
82% Instrumentalness • 14% Positiveness
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Norman Dück
Morning Dew
209 bpm • D Maj • 02:09 • -26.57db
18% Popularity • 30% Danceability • 3% Energy • 10% Liveness
87% Instrumentalness • 17% Positiveness
18% Popularity • 30% Danceability • 3% Energy • 10% Liveness
87% Instrumentalness • 17% Positiveness
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Johannes Bornlöf
Friend Or Foe
156 bpm • C Maj • 02:03 • -23.14db
26% Popularity • 29% Danceability • 8% Energy • 9% Liveness
82% Instrumentalness • 30% Positiveness
26% Popularity • 29% Danceability • 8% Energy • 9% Liveness
82% Instrumentalness • 30% Positiveness
