Songs like Se Van Los Mios by Omar Sosa
Based on a tempo of (+/- 10%) and a similar genre
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NES
Ahlam
102 bpm • D min • 04:47 • -10.04db
32% Popularity • 57% Danceability • 31% Energy • 10% Liveness
0% Instrumentalness • 57% Positiveness
32% Popularity • 57% Danceability • 31% Energy • 10% Liveness
0% Instrumentalness • 57% Positiveness
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Renaud Garcia-Fons
Les rues vagabondes
102 bpm • D min • 04:17 • -7.84db
28% Popularity • 59% Danceability • 39% Energy • 9% Liveness
75% Instrumentalness • 41% Positiveness
28% Popularity • 59% Danceability • 39% Energy • 9% Liveness
75% Instrumentalness • 41% Positiveness
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Aldo Romano
Annobon
102 bpm • A Maj • 03:47 • -17.97db
32% Popularity • 48% Danceability • 19% Energy • 15% Liveness
80% Instrumentalness • 14% Positiveness
32% Popularity • 48% Danceability • 19% Energy • 15% Liveness
80% Instrumentalness • 14% Positiveness
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Daniele di Bonaventura
Trilly
102 bpm • G Maj • 08:02 • -20.25db
10% Popularity • 36% Danceability • 8% Energy • 8% Liveness
24% Instrumentalness • 8% Positiveness
10% Popularity • 36% Danceability • 8% Energy • 8% Liveness
24% Instrumentalness • 8% Positiveness
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Seckou Keita
N'doké
102 bpm • B Maj • 05:50 • -17db
28% Popularity • 38% Danceability • 13% Energy • 12% Liveness
92% Instrumentalness • 16% Positiveness
28% Popularity • 38% Danceability • 13% Energy • 12% Liveness
92% Instrumentalness • 16% Positiveness
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Manu Katché
Springtime Dancing
102 bpm • D min • 04:10 • -13.81db
28% Popularity • 44% Danceability • 25% Energy • 5% Liveness
14% Instrumentalness • 15% Positiveness
28% Popularity • 44% Danceability • 25% Energy • 5% Liveness
14% Instrumentalness • 15% Positiveness
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Trygve Seim
Responsorium
102 bpm • C# Maj • 04:08 • -24db
14% Popularity • 19% Danceability • 1% Energy • 10% Liveness
82% Instrumentalness • 7% Positiveness
14% Popularity • 19% Danceability • 1% Energy • 10% Liveness
82% Instrumentalness • 7% Positiveness
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Airelle Besson
Infinité
101 bpm • C Maj • 04:40 • -12.07db
20% Popularity • 46% Danceability • 28% Energy • 12% Liveness
90% Instrumentalness • 21% Positiveness
20% Popularity • 46% Danceability • 28% Energy • 12% Liveness
90% Instrumentalness • 21% Positiveness
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Nicolas Parent trio
Joy
101 bpm • B min • 05:23 • -17.86db
16% Popularity • 58% Danceability • 32% Energy • 8% Liveness
92% Instrumentalness • 30% Positiveness
16% Popularity • 58% Danceability • 32% Energy • 8% Liveness
92% Instrumentalness • 30% Positiveness
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Tord Gustavsen Trio
Deep As Love
101 bpm • A min • 05:54 • -26.23db
39% Popularity • 57% Danceability • 3% Energy • 16% Liveness
79% Instrumentalness • 11% Positiveness
39% Popularity • 57% Danceability • 3% Energy • 16% Liveness
79% Instrumentalness • 11% Positiveness
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Oregon
Dolomiti Dance
103 bpm • B min • 06:10 • -13db
20% Popularity • 52% Danceability • 39% Energy • 21% Liveness
90% Instrumentalness • 59% Positiveness
20% Popularity • 52% Danceability • 39% Energy • 21% Liveness
90% Instrumentalness • 59% Positiveness
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Omar Sosa
Oasis
101 bpm • C Maj • 03:13 • -22.5db
6% Popularity • 51% Danceability • 2% Energy • 8% Liveness
95% Instrumentalness • 9% Positiveness
6% Popularity • 51% Danceability • 2% Energy • 8% Liveness
95% Instrumentalness • 9% Positiveness
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Myriam Alter
It Coul Be There
101 bpm • G# min • 04:46 • -14.93db
10% Popularity • 52% Danceability • 33% Energy • 11% Liveness
6% Instrumentalness • 49% Positiveness
10% Popularity • 52% Danceability • 33% Energy • 11% Liveness
6% Instrumentalness • 49% Positiveness
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Abdullah Ibrahim
District Six
103 bpm • A# min • 01:51 • -17.03db
22% Popularity • 70% Danceability • 40% Energy • 10% Liveness
75% Instrumentalness • 45% Positiveness
22% Popularity • 70% Danceability • 40% Energy • 10% Liveness
75% Instrumentalness • 45% Positiveness
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Alboran Trio
Balkan Air
103 bpm • G min • 05:46 • -17.27db
19% Popularity • 58% Danceability • 46% Energy • 11% Liveness
86% Instrumentalness • 14% Positiveness
19% Popularity • 58% Danceability • 46% Energy • 11% Liveness
86% Instrumentalness • 14% Positiveness
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Anouar Brahem
Stopover At Djibouti
103 bpm • A# Maj • 06:34 • -21db
34% Popularity • 44% Danceability • 22% Energy • 11% Liveness
93% Instrumentalness • 72% Positiveness
34% Popularity • 44% Danceability • 22% Energy • 11% Liveness
93% Instrumentalness • 72% Positiveness
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Aldo Romano
Favela
101 bpm • E min • 02:19 • -19.14db
45% Popularity • 38% Danceability • 17% Energy • 11% Liveness
93% Instrumentalness • 21% Positiveness
45% Popularity • 38% Danceability • 17% Energy • 11% Liveness
93% Instrumentalness • 21% Positiveness
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Omar Sosa
Muévete In D
101 bpm • D Maj • 04:40 • -20.67db
3% Popularity • 31% Danceability • 19% Energy • 9% Liveness
88% Instrumentalness • 50% Positiveness
3% Popularity • 31% Danceability • 19% Energy • 9% Liveness
88% Instrumentalness • 50% Positiveness
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Lionel Loueke
Gbê
101 bpm • C Maj • 03:48 • -19.26db
30% Popularity • 65% Danceability • 30% Energy • 13% Liveness
84% Instrumentalness • 83% Positiveness
30% Popularity • 65% Danceability • 30% Energy • 13% Liveness
84% Instrumentalness • 83% Positiveness
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Abdullah Ibrahim
The Balance
103 bpm • F min • 03:04 • -19.19db
39% Popularity • 50% Danceability • 9% Energy • 11% Liveness
65% Instrumentalness • 35% Positiveness
39% Popularity • 50% Danceability • 9% Energy • 11% Liveness
65% Instrumentalness • 35% Positiveness
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Sylvain Rifflet
Le murmure
103 bpm • F min • 05:36 • -11.97db
14% Popularity • 47% Danceability • 43% Energy • 11% Liveness
50% Instrumentalness • 30% Positiveness
14% Popularity • 47% Danceability • 43% Energy • 11% Liveness
50% Instrumentalness • 30% Positiveness
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Anouar Brahem
Dance With Waves
101 bpm • C Maj • 03:56 • -21db
38% Popularity • 50% Danceability • 14% Energy • 14% Liveness
92% Instrumentalness • 24% Positiveness
38% Popularity • 50% Danceability • 14% Energy • 14% Liveness
92% Instrumentalness • 24% Positiveness
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Trio Chermirani
La marelle
103 bpm • G Maj • 03:17 • -11.58db
10% Popularity • 52% Danceability • 31% Energy • 7% Liveness
82% Instrumentalness • 47% Positiveness
10% Popularity • 52% Danceability • 31% Energy • 7% Liveness
82% Instrumentalness • 47% Positiveness
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Omar Sosa
Fatiliku
103 bpm • C Maj • 05:37 • -14.96db
23% Popularity • 68% Danceability • 36% Energy • 17% Liveness
64% Instrumentalness • 76% Positiveness
23% Popularity • 68% Danceability • 36% Energy • 17% Liveness
64% Instrumentalness • 76% Positiveness
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Tamar Halperin
Children's Song No. 6
103 bpm • B min • 02:40 • -20.97db
20% Popularity • 34% Danceability • 9% Energy • 8% Liveness
95% Instrumentalness • 34% Positiveness
20% Popularity • 34% Danceability • 9% Energy • 8% Liveness
95% Instrumentalness • 34% Positiveness
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Dhafer Youssef
Bal d’âme
103 bpm • E min • 04:19 • -25.14db
30% Popularity • 44% Danceability • 5% Energy • 8% Liveness
92% Instrumentalness • 14% Positiveness
30% Popularity • 44% Danceability • 5% Energy • 8% Liveness
92% Instrumentalness • 14% Positiveness
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Charles Lloyd
La Llorona
100 bpm • A min • 06:00 • -12.03db
29% Popularity • 43% Danceability • 24% Energy • 9% Liveness
73% Instrumentalness • 7% Positiveness
29% Popularity • 43% Danceability • 24% Energy • 9% Liveness
73% Instrumentalness • 7% Positiveness
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Oaktown Irawo
El Momento
104 bpm • C# Maj • 05:16 • -10.03db
1% Popularity • 58% Danceability • 72% Energy • 6% Liveness
66% Instrumentalness • 75% Positiveness
1% Popularity • 58% Danceability • 72% Energy • 6% Liveness
66% Instrumentalness • 75% Positiveness
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Tord Gustavsen Trio
Graceful Touch
104 bpm • D min • 03:50 • -27.12db
42% Popularity • 58% Danceability • 2% Energy • 9% Liveness
84% Instrumentalness • 14% Positiveness
42% Popularity • 58% Danceability • 2% Energy • 9% Liveness
84% Instrumentalness • 14% Positiveness
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Omar Sosa
Tsiaro Tsara
100 bpm • D Maj • 04:07 • -14.15db
10% Popularity • 66% Danceability • 74% Energy • 12% Liveness
73% Instrumentalness • 10% Positiveness
10% Popularity • 66% Danceability • 74% Energy • 12% Liveness
73% Instrumentalness • 10% Positiveness
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Airelle Besson
Es ist vollbracht
100 bpm • B min • 05:17 • -13.17db
18% Popularity • 57% Danceability • 26% Energy • 10% Liveness
92% Instrumentalness • 30% Positiveness
18% Popularity • 57% Danceability • 26% Energy • 10% Liveness
92% Instrumentalness • 30% Positiveness
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Oded Tzur
The Dream
100 bpm • C# Maj • 05:25 • -18.8db
16% Popularity • 40% Danceability • 36% Energy • 10% Liveness
95% Instrumentalness • 83% Positiveness
16% Popularity • 40% Danceability • 36% Energy • 10% Liveness
95% Instrumentalness • 83% Positiveness
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Jakob Bro
Heroines - Variation
104 bpm • D# Maj • 02:33 • -32.03db
38% Popularity • 50% Danceability • 1% Energy • 11% Liveness
96% Instrumentalness • 32% Positiveness
38% Popularity • 50% Danceability • 1% Energy • 11% Liveness
96% Instrumentalness • 32% Positiveness
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Ballaké Sissoko
"Ma-Ma" FC
104 bpm • A# Maj • 05:11 • -15.08db
27% Popularity • 58% Danceability • 26% Energy • 17% Liveness
84% Instrumentalness • 36% Positiveness
27% Popularity • 58% Danceability • 26% Energy • 17% Liveness
84% Instrumentalness • 36% Positiveness
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Roberto Fonseca
La llamada
100 bpm • C min • 04:35 • -15.4db
30% Popularity • 62% Danceability • 34% Energy • 13% Liveness
65% Instrumentalness • 45% Positiveness
30% Popularity • 62% Danceability • 34% Energy • 13% Liveness
65% Instrumentalness • 45% Positiveness
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Omar Sosa
Alma
100 bpm • D Maj • 05:48 • -13db
21% Popularity • 38% Danceability • 18% Energy • 10% Liveness
20% Instrumentalness • 26% Positiveness
21% Popularity • 38% Danceability • 18% Energy • 10% Liveness
20% Instrumentalness • 26% Positiveness
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Tord Gustavsen
The Way You Play My Heart
100 bpm • B Maj • 03:01 • -23.49db
36% Popularity • 54% Danceability • 6% Energy • 11% Liveness
90% Instrumentalness • 5% Positiveness
36% Popularity • 54% Danceability • 6% Energy • 11% Liveness
90% Instrumentalness • 5% Positiveness
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Ali Farka Touré
Monsieur le Maire de Niafunké
100 bpm • F Maj • 03:58 • -13.53db
42% Popularity • 59% Danceability • 43% Energy • 12% Liveness
90% Instrumentalness • 38% Positiveness
42% Popularity • 59% Danceability • 43% Energy • 12% Liveness
90% Instrumentalness • 38% Positiveness
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Makiko Hirabayashi
Surely
100 bpm • C# Maj • 04:14 • -14.12db
23% Popularity • 60% Danceability • 32% Energy • 6% Liveness
94% Instrumentalness • 76% Positiveness
23% Popularity • 60% Danceability • 32% Energy • 6% Liveness
94% Instrumentalness • 76% Positiveness
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Marcin Wasilewski Trio
Cinema Paradiso
99 bpm • B Maj • 08:30 • -27.58db
22% Popularity • 29% Danceability • 3% Energy • 10% Liveness
87% Instrumentalness • 5% Positiveness
22% Popularity • 29% Danceability • 3% Energy • 10% Liveness
87% Instrumentalness • 5% Positiveness
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Yonathan Avishai
Lya
105 bpm • C Maj • 04:29 • -22db
29% Popularity • 62% Danceability • 13% Energy • 9% Liveness
86% Instrumentalness • 68% Positiveness
29% Popularity • 62% Danceability • 13% Energy • 9% Liveness
86% Instrumentalness • 68% Positiveness
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Omar Sosa
Antes De Ir Va Esto
104 bpm • A min • 09:15 • -14.42db
0% Popularity • 48% Danceability • 37% Energy • 8% Liveness
80% Instrumentalness • 24% Positiveness
0% Popularity • 48% Danceability • 37% Energy • 8% Liveness
80% Instrumentalness • 24% Positiveness
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Tord Gustavsen
The Source Of Now
104 bpm • C Maj • 04:19 • -24.32db
20% Popularity • 49% Danceability • 3% Energy • 11% Liveness
0% Instrumentalness • 4% Positiveness
20% Popularity • 49% Danceability • 3% Energy • 11% Liveness
0% Instrumentalness • 4% Positiveness
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Constantinople
Denkilo
99 bpm • F min • 05:23 • -17.61db
31% Popularity • 52% Danceability • 51% Energy • 6% Liveness
64% Instrumentalness • 74% Positiveness
31% Popularity • 52% Danceability • 51% Energy • 6% Liveness
64% Instrumentalness • 74% Positiveness
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Hadouk Trio
Parasol blanc, pt. 1
105 bpm • A min • 02:47 • -13.85db
29% Popularity • 46% Danceability • 13% Energy • 10% Liveness
88% Instrumentalness • 25% Positiveness
29% Popularity • 46% Danceability • 13% Energy • 10% Liveness
88% Instrumentalness • 25% Positiveness
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Sophie Alour
Fleurette égyptienne
99 bpm • C min • 04:12 • -22.88db
11% Popularity • 62% Danceability • 2% Energy • 10% Liveness
88% Instrumentalness • 33% Positiveness
11% Popularity • 62% Danceability • 2% Energy • 10% Liveness
88% Instrumentalness • 33% Positiveness
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Roswell Rudd
All Through The Night
99 bpm • C Maj • 02:21 • -19.51db
13% Popularity • 60% Danceability • 7% Energy • 11% Liveness
92% Instrumentalness • 27% Positiveness
13% Popularity • 60% Danceability • 7% Energy • 11% Liveness
92% Instrumentalness • 27% Positiveness
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Omar Sosa
Zululand
100 bpm • G Maj • 03:01 • -23.89db
15% Popularity • 36% Danceability • 19% Energy • 8% Liveness
70% Instrumentalness • 41% Positiveness
15% Popularity • 36% Danceability • 19% Energy • 8% Liveness
70% Instrumentalness • 41% Positiveness
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Los Manolos
Strangers in the Night
105 bpm • B min • 04:40 • -9.38db
5% Popularity • 67% Danceability • 76% Energy • 9% Liveness
0% Instrumentalness • 77% Positiveness
5% Popularity • 67% Danceability • 76% Energy • 9% Liveness
0% Instrumentalness • 77% Positiveness
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Seckou Keita
The Path From Gabou
105 bpm • D# min • 04:36 • -19.12db
34% Popularity • 35% Danceability • 14% Energy • 10% Liveness
86% Instrumentalness • 30% Positiveness
34% Popularity • 35% Danceability • 14% Energy • 10% Liveness
86% Instrumentalness • 30% Positiveness
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Ballaké Sissoko
Wo Yé N'Gnougobine
99 bpm • A min • 05:51 • -23.24db
24% Popularity • 36% Danceability • 15% Energy • 10% Liveness
85% Instrumentalness • 37% Positiveness
24% Popularity • 36% Danceability • 15% Energy • 10% Liveness
85% Instrumentalness • 37% Positiveness
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Grégory Privat
Ki Tan
99 bpm • A# Maj • 04:03 • -15.54db
10% Popularity • 45% Danceability • 37% Energy • 11% Liveness
92% Instrumentalness • 5% Positiveness
10% Popularity • 45% Danceability • 37% Energy • 11% Liveness
92% Instrumentalness • 5% Positiveness
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Jean-Louis Matinier
Après la pluie
105 bpm • B min • 03:37 • -15.48db
21% Popularity • 32% Danceability • 21% Energy • 38% Liveness
79% Instrumentalness • 4% Positiveness
21% Popularity • 32% Danceability • 21% Energy • 38% Liveness
79% Instrumentalness • 4% Positiveness
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Omar Sosa
Black Dream
99 bpm • D min • 05:23 • -18.77db
15% Popularity • 58% Danceability • 12% Energy • 6% Liveness
20% Instrumentalness • 25% Positiveness
15% Popularity • 58% Danceability • 12% Energy • 6% Liveness
20% Instrumentalness • 25% Positiveness
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Abdullah Ibrahim
Dreamtime
99 bpm • A# min • 04:05 • -19.5db
31% Popularity • 49% Danceability • 15% Energy • 22% Liveness
93% Instrumentalness • 7% Positiveness
31% Popularity • 49% Danceability • 15% Energy • 22% Liveness
93% Instrumentalness • 7% Positiveness
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Hadouk Trio
Centaurea
106 bpm • A# Maj • 05:05 • -15.09db
16% Popularity • 42% Danceability • 33% Energy • 12% Liveness
83% Instrumentalness • 48% Positiveness
16% Popularity • 42% Danceability • 33% Energy • 12% Liveness
83% Instrumentalness • 48% Positiveness
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Lionel Loueke
Vivi
98 bpm • F Maj • 03:18 • -23.94db
10% Popularity • 69% Danceability • 8% Energy • 10% Liveness
38% Instrumentalness • 21% Positiveness
10% Popularity • 69% Danceability • 8% Energy • 10% Liveness
38% Instrumentalness • 21% Positiveness
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Trygve Seim
Gloria, Improvisation
98 bpm • F Maj • 01:51 • -11.03db
32% Popularity • 36% Danceability • 24% Energy • 41% Liveness
69% Instrumentalness • 45% Positiveness
32% Popularity • 36% Danceability • 24% Energy • 41% Liveness
69% Instrumentalness • 45% Positiveness
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Henri Texier
Entre chien et loup
106 bpm • A# min • 02:33 • -12.14db
18% Popularity • 65% Danceability • 33% Energy • 10% Liveness
87% Instrumentalness • 72% Positiveness
18% Popularity • 65% Danceability • 33% Energy • 10% Liveness
87% Instrumentalness • 72% Positiveness
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Omar Sosa
A Seiva da Gameleira Branca
98 bpm • G Maj • 05:06 • -21.72db
18% Popularity • 61% Danceability • 8% Energy • 28% Liveness
76% Instrumentalness • 21% Positiveness
18% Popularity • 61% Danceability • 8% Energy • 28% Liveness
76% Instrumentalness • 21% Positiveness
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Toufic Farroukh
Villes invisibles
98 bpm • F min • 05:57 • -11db
31% Popularity • 68% Danceability • 39% Energy • 12% Liveness
92% Instrumentalness • 45% Positiveness
31% Popularity • 68% Danceability • 39% Energy • 12% Liveness
92% Instrumentalness • 45% Positiveness
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Matthieu Saglio
Metit
106 bpm • G Maj • 05:04 • -12.16db
13% Popularity • 64% Danceability • 33% Energy • 11% Liveness
0% Instrumentalness • 33% Positiveness
13% Popularity • 64% Danceability • 33% Energy • 11% Liveness
0% Instrumentalness • 33% Positiveness
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Oaktown Irawo
I Will Always Remember You
106 bpm • G# Maj • 04:33 • -9.11db
2% Popularity • 65% Danceability • 68% Energy • 5% Liveness
4% Instrumentalness • 88% Positiveness
2% Popularity • 65% Danceability • 68% Energy • 5% Liveness
4% Instrumentalness • 88% Positiveness
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Sylvain Rifflet
Na (de Casteldoza)
106 bpm • D# min • 03:15 • -16.89db
34% Popularity • 46% Danceability • 16% Energy • 11% Liveness
94% Instrumentalness • 33% Positiveness
34% Popularity • 46% Danceability • 16% Energy • 11% Liveness
94% Instrumentalness • 33% Positiveness
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Matthew Halsall
Song for Charlie - Special Edition
97 bpm • D Maj • 07:05 • -15db
28% Popularity • 46% Danceability • 8% Energy • 11% Liveness
85% Instrumentalness • 12% Positiveness
28% Popularity • 46% Danceability • 8% Energy • 11% Liveness
85% Instrumentalness • 12% Positiveness
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Omar Sosa
Oni Yalorde
107 bpm • C Maj • 03:53 • -18.88db
28% Popularity • 67% Danceability • 20% Energy • 15% Liveness
79% Instrumentalness • 27% Positiveness
28% Popularity • 67% Danceability • 20% Energy • 15% Liveness
79% Instrumentalness • 27% Positiveness
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Macha Gharibian
La Douceur
107 bpm • E min • 05:07 • -27db
21% Popularity • 44% Danceability • 11% Energy • 13% Liveness
91% Instrumentalness • 17% Positiveness
21% Popularity • 44% Danceability • 11% Energy • 13% Liveness
91% Instrumentalness • 17% Positiveness
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Constantinople
Fleuve - Fleuve Saint Louis
97 bpm • D min • 04:59 • -11db
33% Popularity • 39% Danceability • 56% Energy • 10% Liveness
94% Instrumentalness • 54% Positiveness
33% Popularity • 39% Danceability • 56% Energy • 10% Liveness
94% Instrumentalness • 54% Positiveness
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Jakob Bro
Lyskaster
97 bpm • C Maj • 05:04 • -24db
27% Popularity • 39% Danceability • 5% Energy • 7% Liveness
93% Instrumentalness • 20% Positiveness
27% Popularity • 39% Danceability • 5% Energy • 7% Liveness
93% Instrumentalness • 20% Positiveness
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Ballaké Sissoko
Maimouna
97 bpm • F Maj • 03:34 • -20.54db
31% Popularity • 54% Danceability • 7% Energy • 8% Liveness
92% Instrumentalness • 53% Positiveness
31% Popularity • 54% Danceability • 7% Energy • 8% Liveness
92% Instrumentalness • 53% Positiveness
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Steve Shehan
High Jazz
108 bpm • G min • 03:23 • -13.94db
36% Popularity • 43% Danceability • 34% Energy • 16% Liveness
88% Instrumentalness • 38% Positiveness
36% Popularity • 43% Danceability • 34% Energy • 16% Liveness
88% Instrumentalness • 38% Positiveness
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Michel Portal
Euskal Kantua
108 bpm • B Maj • 04:14 • -21.77db
26% Popularity • 32% Danceability • 2% Energy • 10% Liveness
75% Instrumentalness • 12% Positiveness
26% Popularity • 32% Danceability • 2% Energy • 10% Liveness
75% Instrumentalness • 12% Positiveness
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Karim Baggili
Down Town - Instrumentale
96 bpm • G min • 04:57 • -13db
28% Popularity • 66% Danceability • 58% Energy • 10% Liveness
80% Instrumentalness • 68% Positiveness
28% Popularity • 66% Danceability • 58% Energy • 10% Liveness
80% Instrumentalness • 68% Positiveness
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Henri Texier
Annobon
108 bpm • E min • 05:02 • -13.46db
36% Popularity • 64% Danceability • 22% Energy • 11% Liveness
64% Instrumentalness • 25% Positiveness
36% Popularity • 64% Danceability • 22% Energy • 11% Liveness
64% Instrumentalness • 25% Positiveness
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Arild Andersen
Backé
96 bpm • A min • 05:46 • -24.9db
24% Popularity • 73% Danceability • 15% Energy • 11% Liveness
92% Instrumentalness • 51% Positiveness
24% Popularity • 73% Danceability • 15% Energy • 11% Liveness
92% Instrumentalness • 51% Positiveness
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Myriam Alter
Was It There
108 bpm • G# Maj • 04:40 • -16db
16% Popularity • 54% Danceability • 40% Energy • 23% Liveness
92% Instrumentalness • 12% Positiveness
16% Popularity • 54% Danceability • 40% Energy • 23% Liveness
92% Instrumentalness • 12% Positiveness
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Johnathan Blake
Abiyoyo
96 bpm • F Maj • 03:24 • -24db
41% Popularity • 66% Danceability • 8% Energy • 11% Liveness
96% Instrumentalness • 31% Positiveness
41% Popularity • 66% Danceability • 8% Energy • 11% Liveness
96% Instrumentalness • 31% Positiveness
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Dhafer Youssef
Sevdah (To Jon Hassell)
108 bpm • D min • 08:00 • -11.7db
13% Popularity • 43% Danceability • 28% Energy • 11% Liveness
66% Instrumentalness • 10% Positiveness
13% Popularity • 43% Danceability • 28% Energy • 11% Liveness
66% Instrumentalness • 10% Positiveness
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Hadouk Trio
Bille en tête
96 bpm • C Maj • 05:05 • -10.99db
11% Popularity • 44% Danceability • 52% Energy • 14% Liveness
78% Instrumentalness • 60% Positiveness
11% Popularity • 44% Danceability • 52% Energy • 14% Liveness
78% Instrumentalness • 60% Positiveness
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Carla Bley
Útviklingssang
108 bpm • D Maj • 07:55 • -20db
32% Popularity • 41% Danceability • 3% Energy • 8% Liveness
87% Instrumentalness • 4% Positiveness
32% Popularity • 41% Danceability • 3% Energy • 8% Liveness
87% Instrumentalness • 4% Positiveness
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Toumani Diabaté
Lampedusa
96 bpm • F Maj • 04:26 • -16.86db
33% Popularity • 66% Danceability • 15% Energy • 9% Liveness
83% Instrumentalness • 13% Positiveness
33% Popularity • 66% Danceability • 15% Energy • 9% Liveness
83% Instrumentalness • 13% Positiveness
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Myriam Alter
Catch Me There
108 bpm • C# Maj • 03:56 • -15.65db
12% Popularity • 45% Danceability • 23% Energy • 10% Liveness
20% Instrumentalness • 25% Positiveness
12% Popularity • 45% Danceability • 23% Energy • 10% Liveness
20% Instrumentalness • 25% Positiveness
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Kham Meslien
The Alarm
96 bpm • A# min • 04:34 • -20.25db
23% Popularity • 66% Danceability • 13% Energy • 11% Liveness
93% Instrumentalness • 20% Positiveness
23% Popularity • 66% Danceability • 13% Energy • 11% Liveness
93% Instrumentalness • 20% Positiveness
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Airelle Besson
Candy Parties
96 bpm • G Maj • 03:24 • -13.37db
20% Popularity • 82% Danceability • 56% Energy • 25% Liveness
74% Instrumentalness • 76% Positiveness
20% Popularity • 82% Danceability • 56% Energy • 25% Liveness
74% Instrumentalness • 76% Positiveness
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Renaud Garcia-Fons
Sahneh mountains
96 bpm • D min • 02:44 • -17.69db
34% Popularity • 38% Danceability • 16% Energy • 11% Liveness
95% Instrumentalness • 14% Positiveness
34% Popularity • 38% Danceability • 16% Energy • 11% Liveness
95% Instrumentalness • 14% Positiveness
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Henri Texier
Viso di donna
109 bpm • E min • 03:39 • -15db
31% Popularity • 66% Danceability • 23% Energy • 10% Liveness
92% Instrumentalness • 26% Positiveness
31% Popularity • 66% Danceability • 23% Energy • 10% Liveness
92% Instrumentalness • 26% Positiveness
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Tingvall Trio
Beat
108 bpm • B min • 03:52 • -19db
45% Popularity • 57% Danceability • 18% Energy • 11% Liveness
82% Instrumentalness • 24% Positiveness
45% Popularity • 57% Danceability • 18% Energy • 11% Liveness
82% Instrumentalness • 24% Positiveness
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Omer Klein
Azure
109 bpm • D Maj • 04:38 • -27.81db
16% Popularity • 45% Danceability • 5% Energy • 10% Liveness
93% Instrumentalness • 7% Positiveness
16% Popularity • 45% Danceability • 5% Energy • 10% Liveness
93% Instrumentalness • 7% Positiveness
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Trio Chermirani
Alou soroma
96 bpm • F Maj • 04:37 • -9.26db
12% Popularity • 60% Danceability • 54% Energy • 8% Liveness
91% Instrumentalness • 84% Positiveness
12% Popularity • 60% Danceability • 54% Energy • 8% Liveness
91% Instrumentalness • 84% Positiveness
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Dominic Miller
Bicycle
96 bpm • A# min • 03:51 • -19.22db
34% Popularity • 45% Danceability • 32% Energy • 10% Liveness
67% Instrumentalness • 31% Positiveness
34% Popularity • 45% Danceability • 32% Energy • 10% Liveness
67% Instrumentalness • 31% Positiveness
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NES
Priere
96 bpm • D min • 03:59 • -16.33db
13% Popularity • 52% Danceability • 2% Energy • 9% Liveness
1% Instrumentalness • 25% Positiveness
13% Popularity • 52% Danceability • 2% Energy • 9% Liveness
1% Instrumentalness • 25% Positiveness
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Omar Sosa
Mining-Nah
109 bpm • C Maj • 04:10 • -17.95db
18% Popularity • 58% Danceability • 20% Energy • 14% Liveness
53% Instrumentalness • 69% Positiveness
18% Popularity • 58% Danceability • 20% Energy • 14% Liveness
53% Instrumentalness • 69% Positiveness
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Bungaro
Dal destino infortunato
109 bpm • D min • 03:16 • -14.53db
4% Popularity • 66% Danceability • 25% Energy • 11% Liveness
0% Instrumentalness • 35% Positiveness
4% Popularity • 66% Danceability • 25% Energy • 11% Liveness
0% Instrumentalness • 35% Positiveness
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Manu Katché
Senses
109 bpm • A min • 04:13 • -18.2db
31% Popularity • 50% Danceability • 17% Energy • 10% Liveness
82% Instrumentalness • 8% Positiveness
31% Popularity • 50% Danceability • 17% Energy • 10% Liveness
82% Instrumentalness • 8% Positiveness
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Tord Gustavsen Quartet
The Gift
109 bpm • A# min • 06:20 • -29db
33% Popularity • 55% Danceability • 3% Energy • 27% Liveness
37% Instrumentalness • 5% Positiveness
33% Popularity • 55% Danceability • 3% Energy • 27% Liveness
37% Instrumentalness • 5% Positiveness
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Anne Paceo
Patience
109 bpm • A min • 01:39 • -18.49db
19% Popularity • 36% Danceability • 5% Energy • 7% Liveness
17% Instrumentalness • 51% Positiveness
19% Popularity • 36% Danceability • 5% Energy • 7% Liveness
17% Instrumentalness • 51% Positiveness
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Yilian Cañizares
Mapucha
109 bpm • C Maj • 05:55 • -9.97db
12% Popularity • 46% Danceability • 59% Energy • 12% Liveness
0% Instrumentalness • 67% Positiveness
12% Popularity • 46% Danceability • 59% Energy • 12% Liveness
0% Instrumentalness • 67% Positiveness
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Omar Sosa
Nuevo Manto
109 bpm • A min • 09:11 • -9.13db
0% Popularity • 52% Danceability • 62% Energy • 97% Liveness
75% Instrumentalness • 38% Positiveness
0% Popularity • 52% Danceability • 62% Energy • 97% Liveness
75% Instrumentalness • 38% Positiveness