Songs like See Me Through by Eric Lindell
Based on a tempo of (+/- 10%) and a similar genre
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North Mississippi Allstars
Set Sail part I
88 bpm • F Maj • 04:57 • -12.93db
0% Popularity • 80% Danceability • 27% Energy • 10% Liveness
0% Instrumentalness • 64% Positiveness
0% Popularity • 80% Danceability • 27% Energy • 10% Liveness
0% Instrumentalness • 64% Positiveness
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Josh Farrow
I'll Be Your Fool
88 bpm • F Maj • 03:35 • -10db
39% Popularity • 71% Danceability • 50% Energy • 14% Liveness
0% Instrumentalness • 79% Positiveness
39% Popularity • 71% Danceability • 50% Energy • 14% Liveness
0% Instrumentalness • 79% Positiveness
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Delbert McClinton
Middle of Nowhere
88 bpm • C Maj • 03:18 • -6.72db
32% Popularity • 80% Danceability • 40% Energy • 9% Liveness
0% Instrumentalness • 75% Positiveness
32% Popularity • 80% Danceability • 40% Energy • 9% Liveness
0% Instrumentalness • 75% Positiveness
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Mike Andersen
No Time to Slow Down
88 bpm • C Maj • 03:28 • -8.16db
37% Popularity • 77% Danceability • 54% Energy • 9% Liveness
0% Instrumentalness • 76% Positiveness
37% Popularity • 77% Danceability • 54% Energy • 9% Liveness
0% Instrumentalness • 76% Positiveness
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Jeffrey Foucault
Train to Jackson
88 bpm • A Maj • 04:17 • -9.82db
32% Popularity • 60% Danceability • 49% Energy • 11% Liveness
0% Instrumentalness • 55% Positiveness
32% Popularity • 60% Danceability • 49% Energy • 11% Liveness
0% Instrumentalness • 55% Positiveness
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Eric Lindell
See Me Through
88 bpm • C Maj • 03:24 • -9.04db
39% Popularity • 78% Danceability • 38% Energy • 11% Liveness
0% Instrumentalness • 54% Positiveness
39% Popularity • 78% Danceability • 38% Energy • 11% Liveness
0% Instrumentalness • 54% Positiveness
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Donavon Frankenreiter
Fool
88 bpm • C# min • 06:01 • -10.56db
19% Popularity • 74% Danceability • 40% Energy • 8% Liveness
28% Instrumentalness • 38% Positiveness
19% Popularity • 74% Danceability • 40% Energy • 8% Liveness
28% Instrumentalness • 38% Positiveness
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Robert Cray
I Guess I'll Never Know
88 bpm • B min • 04:39 • -8.05db
22% Popularity • 77% Danceability • 52% Energy • 11% Liveness
0% Instrumentalness • 58% Positiveness
22% Popularity • 77% Danceability • 52% Energy • 11% Liveness
0% Instrumentalness • 58% Positiveness
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Lloyd Spiegel
Tangled Brew
87 bpm • G# min • 03:57 • -9.16db
30% Popularity • 64% Danceability • 52% Energy • 12% Liveness
6% Instrumentalness • 79% Positiveness
30% Popularity • 64% Danceability • 52% Energy • 12% Liveness
6% Instrumentalness • 79% Positiveness
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Trigger Hippy
Rise Up Singing
89 bpm • F Maj • 05:03 • -4.63db
35% Popularity • 31% Danceability • 66% Energy • 12% Liveness
0% Instrumentalness • 53% Positiveness
35% Popularity • 31% Danceability • 66% Energy • 12% Liveness
0% Instrumentalness • 53% Positiveness
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Paul Thorn
I Have A Good Day
87 bpm • F Maj • 03:14 • -9.67db
23% Popularity • 67% Danceability • 40% Energy • 30% Liveness
0% Instrumentalness • 66% Positiveness
23% Popularity • 67% Danceability • 40% Energy • 30% Liveness
0% Instrumentalness • 66% Positiveness
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Eric Lindell
Pat West
89 bpm • B Maj • 03:04 • -6.93db
36% Popularity • 74% Danceability • 57% Energy • 5% Liveness
0% Instrumentalness • 56% Positiveness
36% Popularity • 74% Danceability • 57% Energy • 5% Liveness
0% Instrumentalness • 56% Positiveness
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Ronnie Baker Brooks
Doing Too Much
89 bpm • A Maj • 04:18 • -7db
32% Popularity • 75% Danceability • 65% Energy • 14% Liveness
16% Instrumentalness • 87% Positiveness
32% Popularity • 75% Danceability • 65% Energy • 14% Liveness
16% Instrumentalness • 87% Positiveness
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Forest Sun
Loveseat - Animal Liberation Orchestra
90 bpm • D Maj • 03:20 • -7.84db
48% Popularity • 78% Danceability • 66% Energy • 13% Liveness
0% Instrumentalness • 82% Positiveness
48% Popularity • 78% Danceability • 66% Energy • 13% Liveness
0% Instrumentalness • 82% Positiveness
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Rodney Crowell
East Houston Blues
89 bpm • E min • 03:37 • -8.52db
0% Popularity • 72% Danceability • 53% Energy • 26% Liveness
0% Instrumentalness • 57% Positiveness
0% Popularity • 72% Danceability • 53% Energy • 26% Liveness
0% Instrumentalness • 57% Positiveness
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Levon Helm
Deep Elem Blues
90 bpm • D Maj • 07:11 • -7.17db
30% Popularity • 53% Danceability • 81% Energy • 95% Liveness
1% Instrumentalness • 75% Positiveness
30% Popularity • 53% Danceability • 81% Energy • 95% Liveness
1% Instrumentalness • 75% Positiveness
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Amy Helm
Rescue Me
90 bpm • A# Maj • 04:07 • -8.16db
22% Popularity • 64% Danceability • 60% Energy • 10% Liveness
0% Instrumentalness • 84% Positiveness
22% Popularity • 64% Danceability • 60% Energy • 10% Liveness
0% Instrumentalness • 84% Positiveness
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North Mississippi Allstars
Out on the Road
90 bpm • B min • 02:18 • -5.75db
0% Popularity • 80% Danceability • 85% Energy • 11% Liveness
0% Instrumentalness • 78% Positiveness
0% Popularity • 80% Danceability • 85% Energy • 11% Liveness
0% Instrumentalness • 78% Positiveness
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Eric Lindell
It's My Pleasure
90 bpm • G Maj • 04:29 • -4.94db
33% Popularity • 62% Danceability • 82% Energy • 7% Liveness
0% Instrumentalness • 78% Positiveness
33% Popularity • 62% Danceability • 82% Energy • 7% Liveness
0% Instrumentalness • 78% Positiveness
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Lyle Lovett
My Baby Don't Tolerate
90 bpm • F Maj • 03:42 • -7.92db
26% Popularity • 62% Danceability • 48% Energy • 12% Liveness
0% Instrumentalness • 68% Positiveness
26% Popularity • 62% Danceability • 48% Energy • 12% Liveness
0% Instrumentalness • 68% Positiveness
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Robert Bradley
Bellybone
90 bpm • B Maj • 04:26 • -8db
16% Popularity • 57% Danceability • 79% Energy • 10% Liveness
0% Instrumentalness • 76% Positiveness
16% Popularity • 57% Danceability • 79% Energy • 10% Liveness
0% Instrumentalness • 76% Positiveness
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Bonnie Raitt
Million Miles
86 bpm • C# Maj • 06:21 • -9db
24% Popularity • 57% Danceability • 39% Energy • 12% Liveness
1% Instrumentalness • 64% Positiveness
24% Popularity • 57% Danceability • 39% Energy • 12% Liveness
1% Instrumentalness • 64% Positiveness
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Delbert McClinton
Down into Mexico
86 bpm • F# Maj • 04:35 • -8.66db
3% Popularity • 52% Danceability • 76% Energy • 6% Liveness
23% Instrumentalness • 48% Positiveness
3% Popularity • 52% Danceability • 76% Energy • 6% Liveness
23% Instrumentalness • 48% Positiveness
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Seth Walker
Trouble (Don't Want No)
91 bpm • D min • 03:48 • -10.61db
18% Popularity • 79% Danceability • 37% Energy • 9% Liveness
4% Instrumentalness • 39% Positiveness
18% Popularity • 79% Danceability • 37% Energy • 9% Liveness
4% Instrumentalness • 39% Positiveness
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Eric Lindell
Casanova
90 bpm • C Maj • 02:51 • -5.39db
37% Popularity • 65% Danceability • 84% Energy • 35% Liveness
0% Instrumentalness • 88% Positiveness
37% Popularity • 65% Danceability • 84% Energy • 35% Liveness
0% Instrumentalness • 88% Positiveness
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North Mississippi Allstars
What You Gonna Do?
91 bpm • C# Maj • 03:21 • -6.2db
0% Popularity • 74% Danceability • 65% Energy • 21% Liveness
0% Instrumentalness • 74% Positiveness
0% Popularity • 74% Danceability • 65% Energy • 21% Liveness
0% Instrumentalness • 74% Positiveness
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Shinyribs
Sweeter Than the Scars
91 bpm • F Maj • 05:05 • -7.83db
27% Popularity • 69% Danceability • 60% Energy • 75% Liveness
0% Instrumentalness • 74% Positiveness
27% Popularity • 69% Danceability • 60% Energy • 75% Liveness
0% Instrumentalness • 74% Positiveness
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Bonnie Raitt
Gypsy In Me
91 bpm • A# min • 04:09 • -5.89db
30% Popularity • 57% Danceability • 85% Energy • 7% Liveness
0% Instrumentalness • 63% Positiveness
30% Popularity • 57% Danceability • 85% Energy • 7% Liveness
0% Instrumentalness • 63% Positiveness
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Luke Winslow-King
On My Way
85 bpm • G Maj • 03:42 • -7.16db
28% Popularity • 56% Danceability • 60% Energy • 9% Liveness
0% Instrumentalness • 19% Positiveness
28% Popularity • 56% Danceability • 60% Energy • 9% Liveness
0% Instrumentalness • 19% Positiveness
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Curtis Salgado
I Know A Good Thing
91 bpm • C Maj • 03:11 • -6db
39% Popularity • 75% Danceability • 62% Energy • 9% Liveness
0% Instrumentalness • 85% Positiveness
39% Popularity • 75% Danceability • 62% Energy • 9% Liveness
0% Instrumentalness • 85% Positiveness
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Eric Lindell
Revolution
85 bpm • C Maj • 02:35 • -5.27db
47% Popularity • 64% Danceability • 68% Energy • 5% Liveness
0% Instrumentalness • 63% Positiveness
47% Popularity • 64% Danceability • 68% Energy • 5% Liveness
0% Instrumentalness • 63% Positiveness
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Anderson East
Find 'Em, Fool 'Em and Forget 'Em
92 bpm • A# min • 02:34 • -6db
28% Popularity • 57% Danceability • 89% Energy • 22% Liveness
0% Instrumentalness • 71% Positiveness
28% Popularity • 57% Danceability • 89% Energy • 22% Liveness
0% Instrumentalness • 71% Positiveness
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Jesse Roper
Make It All Work Out
92 bpm • C# Maj • 03:05 • -7.38db
44% Popularity • 69% Danceability • 47% Energy • 11% Liveness
5% Instrumentalness • 24% Positiveness
44% Popularity • 69% Danceability • 47% Energy • 11% Liveness
5% Instrumentalness • 24% Positiveness
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Randall Bramblett
I Just Don't Have The Time
85 bpm • F min • 03:56 • -8.04db
0% Popularity • 73% Danceability • 52% Energy • 30% Liveness
0% Instrumentalness • 73% Positiveness
0% Popularity • 73% Danceability • 52% Energy • 30% Liveness
0% Instrumentalness • 73% Positiveness
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Grace Potter
I'd Rather Go Blind
84 bpm • A Maj • 05:04 • -7.02db
16% Popularity • 55% Danceability • 48% Energy • 56% Liveness
0% Instrumentalness • 42% Positiveness
16% Popularity • 55% Danceability • 48% Energy • 56% Liveness
0% Instrumentalness • 42% Positiveness
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Mark Selby
I'm The Lucky One
84 bpm • E Maj • 04:35 • -8db
20% Popularity • 67% Danceability • 57% Energy • 25% Liveness
0% Instrumentalness • 52% Positiveness
20% Popularity • 67% Danceability • 57% Energy • 25% Liveness
0% Instrumentalness • 52% Positiveness
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Eric Lindell
Two Bit Town
91 bpm • G Maj • 03:42 • -4.53db
21% Popularity • 66% Danceability • 90% Energy • 21% Liveness
0% Instrumentalness • 66% Positiveness
21% Popularity • 66% Danceability • 90% Energy • 21% Liveness
0% Instrumentalness • 66% Positiveness
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Ray LaMontagne
Three More Days
84 bpm • A# Maj • 03:36 • -8.36db
52% Popularity • 56% Danceability • 68% Energy • 5% Liveness
0% Instrumentalness • 90% Positiveness
52% Popularity • 56% Danceability • 68% Energy • 5% Liveness
0% Instrumentalness • 90% Positiveness
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Luke Winslow-King
Act Like You Love Me
93 bpm • B min • 03:14 • -6.42db
32% Popularity • 69% Danceability • 74% Energy • 59% Liveness
0% Instrumentalness • 74% Positiveness
32% Popularity • 69% Danceability • 74% Energy • 59% Liveness
0% Instrumentalness • 74% Positiveness
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Hadden Sayers
Back to the Blues
83 bpm • F min • 05:31 • -12db
20% Popularity • 73% Danceability • 44% Energy • 13% Liveness
0% Instrumentalness • 63% Positiveness
20% Popularity • 73% Danceability • 44% Energy • 13% Liveness
0% Instrumentalness • 63% Positiveness
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Indigenous
Want You To Say
93 bpm • F# Maj • 03:51 • -5.9db
13% Popularity • 63% Danceability • 78% Energy • 8% Liveness
5% Instrumentalness • 86% Positiveness
13% Popularity • 63% Danceability • 78% Energy • 8% Liveness
5% Instrumentalness • 86% Positiveness
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North Mississippi Allstars
Mean Old World
93 bpm • A Maj • 06:32 • -7.15db
0% Popularity • 67% Danceability • 69% Energy • 11% Liveness
18% Instrumentalness • 67% Positiveness
0% Popularity • 67% Danceability • 69% Energy • 11% Liveness
18% Instrumentalness • 67% Positiveness
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Sonny Landreth
Bound By The Blues
93 bpm • G Maj • 03:07 • -7.85db
32% Popularity • 65% Danceability • 70% Energy • 35% Liveness
0% Instrumentalness • 80% Positiveness
32% Popularity • 65% Danceability • 70% Energy • 35% Liveness
0% Instrumentalness • 80% Positiveness
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Randall Bramblett
Garbage Man
93 bpm • D Maj • 04:58 • -5.62db
0% Popularity • 76% Danceability • 80% Energy • 3% Liveness
0% Instrumentalness • 90% Positiveness
0% Popularity • 76% Danceability • 80% Energy • 3% Liveness
0% Instrumentalness • 90% Positiveness
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Luke Winslow-King
Slow Sunday June
83 bpm • D Maj • 02:29 • -8.79db
39% Popularity • 49% Danceability • 66% Energy • 10% Liveness
1% Instrumentalness • 38% Positiveness
39% Popularity • 49% Danceability • 66% Energy • 10% Liveness
1% Instrumentalness • 38% Positiveness
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Doyle Bramhall
That's How Strong My Love Is
83 bpm • A# Maj • 04:16 • -4.79db
16% Popularity • 56% Danceability • 58% Energy • 15% Liveness
0% Instrumentalness • 52% Positiveness
16% Popularity • 56% Danceability • 58% Energy • 15% Liveness
0% Instrumentalness • 52% Positiveness
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The Marcus King Band
Autumn Rains
83 bpm • D Maj • 04:01 • -9db
47% Popularity • 42% Danceability • 74% Energy • 18% Liveness
0% Instrumentalness • 52% Positiveness
47% Popularity • 42% Danceability • 74% Energy • 18% Liveness
0% Instrumentalness • 52% Positiveness
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The Wood Brothers
Snake Eyes
93 bpm • A Maj • 03:31 • -5.34db
24% Popularity • 57% Danceability • 88% Energy • 33% Liveness
0% Instrumentalness • 65% Positiveness
24% Popularity • 57% Danceability • 88% Energy • 33% Liveness
0% Instrumentalness • 65% Positiveness
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Owen Campbell
I'm On Fire
83 bpm • F# Maj • 03:55 • -9.76db
26% Popularity • 65% Danceability • 49% Energy • 11% Liveness
0% Instrumentalness • 68% Positiveness
26% Popularity • 65% Danceability • 49% Energy • 11% Liveness
0% Instrumentalness • 68% Positiveness
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Grace Potter & The Nocturnals
Low Road
83 bpm • A# Maj • 04:38 • -6.28db
30% Popularity • 67% Danceability • 51% Energy • 10% Liveness
0% Instrumentalness • 64% Positiveness
30% Popularity • 67% Danceability • 51% Energy • 10% Liveness
0% Instrumentalness • 64% Positiveness
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Eric Lindell
Lady Jane
93 bpm • F Maj • 03:15 • -3.3db
16% Popularity • 42% Danceability • 79% Energy • 8% Liveness
0% Instrumentalness • 49% Positiveness
16% Popularity • 42% Danceability • 79% Energy • 8% Liveness
0% Instrumentalness • 49% Positiveness
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Damon Fowler
I Hope It's Gonna Rain
83 bpm • A min • 04:43 • -8.01db
15% Popularity • 48% Danceability • 70% Energy • 16% Liveness
37% Instrumentalness • 53% Positiveness
15% Popularity • 48% Danceability • 70% Energy • 16% Liveness
37% Instrumentalness • 53% Positiveness
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Cris Jacobs
The Devil Or Jesse James
94 bpm • B min • 05:27 • -6.51db
20% Popularity • 54% Danceability • 76% Energy • 11% Liveness
0% Instrumentalness • 39% Positiveness
20% Popularity • 54% Danceability • 76% Energy • 11% Liveness
0% Instrumentalness • 39% Positiveness
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Bonnie Raitt
Unintended Consequence Of Love
94 bpm • B min • 04:49 • -5.51db
25% Popularity • 71% Danceability • 56% Energy • 4% Liveness
0% Instrumentalness • 84% Positiveness
25% Popularity • 71% Danceability • 56% Energy • 4% Liveness
0% Instrumentalness • 84% Positiveness
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Trampled Under Foot
Goodbye
83 bpm • G Maj • 06:05 • -8db
10% Popularity • 30% Danceability • 31% Energy • 11% Liveness
0% Instrumentalness • 15% Positiveness
10% Popularity • 30% Danceability • 31% Energy • 11% Liveness
0% Instrumentalness • 15% Positiveness
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Seth Walker
Another Day
94 bpm • G Maj • 03:56 • -9.18db
20% Popularity • 76% Danceability • 54% Energy • 12% Liveness
0% Instrumentalness • 70% Positiveness
20% Popularity • 76% Danceability • 54% Energy • 12% Liveness
0% Instrumentalness • 70% Positiveness
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Marc Broussard
Love And Happiness
94 bpm • C# min • 04:38 • -10db
51% Popularity • 88% Danceability • 47% Energy • 7% Liveness
0% Instrumentalness • 90% Positiveness
51% Popularity • 88% Danceability • 47% Energy • 7% Liveness
0% Instrumentalness • 90% Positiveness
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Eric Lindell
Sad But True
95 bpm • C Maj • 03:05 • -5.26db
16% Popularity • 46% Danceability • 72% Energy • 15% Liveness
0% Instrumentalness • 29% Positiveness
16% Popularity • 46% Danceability • 72% Energy • 15% Liveness
0% Instrumentalness • 29% Positiveness
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Samantha Fish
Jim Lee Blues Pt. 1
95 bpm • A Maj • 03:53 • -7.75db
27% Popularity • 79% Danceability • 64% Energy • 16% Liveness
0% Instrumentalness • 65% Positiveness
27% Popularity • 79% Danceability • 64% Energy • 16% Liveness
0% Instrumentalness • 65% Positiveness
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Smooth Hound Smith
Get Low
95 bpm • C# min • 05:14 • -7.21db
31% Popularity • 66% Danceability • 60% Energy • 11% Liveness
2% Instrumentalness • 37% Positiveness
31% Popularity • 66% Danceability • 60% Energy • 11% Liveness
2% Instrumentalness • 37% Positiveness
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Indigenous
Should I Stay - Acoustic
82 bpm • F# Maj • 04:03 • -6.09db
12% Popularity • 59% Danceability • 56% Energy • 11% Liveness
30% Instrumentalness • 56% Positiveness
12% Popularity • 59% Danceability • 56% Energy • 11% Liveness
30% Instrumentalness • 56% Positiveness
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Robert Randolph & The Family Band
Soul Refreshing
82 bpm • F# min • 03:41 • -7.25db
30% Popularity • 42% Danceability • 70% Energy • 10% Liveness
3% Instrumentalness • 72% Positiveness
30% Popularity • 42% Danceability • 70% Energy • 10% Liveness
3% Instrumentalness • 72% Positiveness
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Marc Broussard
Weight Of The World
95 bpm • A Maj • 03:24 • -5.07db
26% Popularity • 78% Danceability • 61% Energy • 16% Liveness
0% Instrumentalness • 62% Positiveness
26% Popularity • 78% Danceability • 61% Energy • 16% Liveness
0% Instrumentalness • 62% Positiveness
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Eric Lindell
Appaloosa
95 bpm • G# min • 03:33 • -5.25db
32% Popularity • 65% Danceability • 79% Energy • 7% Liveness
0% Instrumentalness • 86% Positiveness
32% Popularity • 65% Danceability • 79% Energy • 7% Liveness
0% Instrumentalness • 86% Positiveness
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Nicki Bluhm and the Gramblers
Mr. Saturday Night
82 bpm • D Maj • 04:11 • -7db
15% Popularity • 61% Danceability • 75% Energy • 11% Liveness
0% Instrumentalness • 81% Positiveness
15% Popularity • 61% Danceability • 75% Energy • 11% Liveness
0% Instrumentalness • 81% Positiveness
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Danielle Nicole
Hot Spell
95 bpm • B Maj • 04:08 • -7.44db
32% Popularity • 86% Danceability • 44% Energy • 13% Liveness
0% Instrumentalness • 63% Positiveness
32% Popularity • 86% Danceability • 44% Energy • 13% Liveness
0% Instrumentalness • 63% Positiveness
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Grayson Capps
Lorraine's Song
81 bpm • E Maj • 04:06 • -10db
20% Popularity • 66% Danceability • 50% Energy • 34% Liveness
1% Instrumentalness • 39% Positiveness
20% Popularity • 66% Danceability • 50% Energy • 34% Liveness
1% Instrumentalness • 39% Positiveness
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Christone "Kingfish" Ingram
Listen
95 bpm • E Maj • 05:29 • -7.76db
36% Popularity • 62% Danceability • 59% Energy • 14% Liveness
0% Instrumentalness • 61% Positiveness
36% Popularity • 62% Danceability • 59% Energy • 14% Liveness
0% Instrumentalness • 61% Positiveness
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The Marcus King Band
Homesick
81 bpm • A Maj • 06:24 • -8db
51% Popularity • 51% Danceability • 70% Energy • 9% Liveness
0% Instrumentalness • 85% Positiveness
51% Popularity • 51% Danceability • 70% Energy • 9% Liveness
0% Instrumentalness • 85% Positiveness
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Randall Bramblett
God Was in the Water
81 bpm • D Maj • 05:43 • -7.83db
1% Popularity • 68% Danceability • 60% Energy • 11% Liveness
2% Instrumentalness • 45% Positiveness
1% Popularity • 68% Danceability • 60% Energy • 11% Liveness
2% Instrumentalness • 45% Positiveness
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Delbert McClinton
Blues As Blues Can Get
96 bpm • E min • 04:05 • -11.2db
22% Popularity • 62% Danceability • 34% Energy • 10% Liveness
0% Instrumentalness • 23% Positiveness
22% Popularity • 62% Danceability • 34% Energy • 10% Liveness
0% Instrumentalness • 23% Positiveness
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Southern Avenue
We've Got The Music
96 bpm • B Maj • 01:54 • -4.37db
35% Popularity • 80% Danceability • 76% Energy • 4% Liveness
0% Instrumentalness • 92% Positiveness
35% Popularity • 80% Danceability • 76% Energy • 4% Liveness
0% Instrumentalness • 92% Positiveness
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Eric Lindell
Claudette
96 bpm • B Maj • 02:43 • -6.25db
24% Popularity • 70% Danceability • 47% Energy • 7% Liveness
0% Instrumentalness • 65% Positiveness
24% Popularity • 70% Danceability • 47% Energy • 7% Liveness
0% Instrumentalness • 65% Positiveness
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Marcus King
Young Man’s Dream
96 bpm • D Maj • 03:08 • -11.03db
41% Popularity • 46% Danceability • 25% Energy • 26% Liveness
0% Instrumentalness • 38% Positiveness
41% Popularity • 46% Danceability • 25% Energy • 26% Liveness
0% Instrumentalness • 38% Positiveness
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Ray Bonneville
So Long Blues
96 bpm • C# Maj • 03:56 • -12.57db
19% Popularity • 69% Danceability • 35% Energy • 23% Liveness
0% Instrumentalness • 73% Positiveness
19% Popularity • 69% Danceability • 35% Energy • 23% Liveness
0% Instrumentalness • 73% Positiveness
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Eliot Bronson
Comin' for Ya North Georgia Blues
80 bpm • A Maj • 03:33 • -7.54db
25% Popularity • 43% Danceability • 69% Energy • 34% Liveness
0% Instrumentalness • 72% Positiveness
25% Popularity • 43% Danceability • 69% Energy • 34% Liveness
0% Instrumentalness • 72% Positiveness
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Garrett Lebeau
When Love Was New
80 bpm • G Maj • 04:19 • -11.74db
10% Popularity • 83% Danceability • 39% Energy • 10% Liveness
0% Instrumentalness • 62% Positiveness
10% Popularity • 83% Danceability • 39% Energy • 10% Liveness
0% Instrumentalness • 62% Positiveness
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The Marcus King Band
Goodbye Carolina - Extended Version
80 bpm • C Maj • 06:15 • -7.67db
50% Popularity • 40% Danceability • 62% Energy • 7% Liveness
0% Instrumentalness • 34% Positiveness
50% Popularity • 40% Danceability • 62% Energy • 7% Liveness
0% Instrumentalness • 34% Positiveness
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Eric Lindell
Give It Time
81 bpm • G Maj • 04:28 • -4db
41% Popularity • 61% Danceability • 76% Energy • 33% Liveness
0% Instrumentalness • 71% Positiveness
41% Popularity • 61% Danceability • 76% Energy • 33% Liveness
0% Instrumentalness • 71% Positiveness
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Randall Bramblett
Dead In The Water
80 bpm • E min • 04:23 • -7.45db
1% Popularity • 62% Danceability • 78% Energy • 20% Liveness
2% Instrumentalness • 77% Positiveness
1% Popularity • 62% Danceability • 78% Energy • 20% Liveness
2% Instrumentalness • 77% Positiveness
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Buddy Guy
Ain't No Sunshine
80 bpm • E min • 03:24 • -8.55db
50% Popularity • 67% Danceability • 42% Energy • 11% Liveness
1% Instrumentalness • 44% Positiveness
50% Popularity • 67% Danceability • 42% Energy • 11% Liveness
1% Instrumentalness • 44% Positiveness
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Devon Allman
Stop Draggin My Heart Around
97 bpm • E min • 04:46 • -3.9db
6% Popularity • 49% Danceability • 81% Energy • 6% Liveness
0% Instrumentalness • 55% Positiveness
6% Popularity • 49% Danceability • 81% Energy • 6% Liveness
0% Instrumentalness • 55% Positiveness
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Paul Thorn
This Is a Real Goodbye
97 bpm • C Maj • 03:46 • -5.7db
14% Popularity • 70% Danceability • 64% Energy • 12% Liveness
4% Instrumentalness • 91% Positiveness
14% Popularity • 70% Danceability • 64% Energy • 12% Liveness
4% Instrumentalness • 91% Positiveness
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Mingo Fishtrap
Things Ain't What They Was
97 bpm • C Maj • 04:02 • -8db
34% Popularity • 66% Danceability • 58% Energy • 53% Liveness
0% Instrumentalness • 74% Positiveness
34% Popularity • 66% Danceability • 58% Energy • 53% Liveness
0% Instrumentalness • 74% Positiveness
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Eric Lindell
All Alone
97 bpm • B Maj • 04:28 • -4.73db
31% Popularity • 51% Danceability • 51% Energy • 14% Liveness
17% Instrumentalness • 60% Positiveness
31% Popularity • 51% Danceability • 51% Energy • 14% Liveness
17% Instrumentalness • 60% Positiveness
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Hadden Sayers
Something Wrong in the World
97 bpm • F# min • 03:23 • -7db
29% Popularity • 84% Danceability • 45% Energy • 9% Liveness
0% Instrumentalness • 76% Positiveness
29% Popularity • 84% Danceability • 45% Energy • 9% Liveness
0% Instrumentalness • 76% Positiveness
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Nathaniel Rateliff & The Night Sweats
I’d Be Waiting
97 bpm • E Maj • 03:40 • -12.71db
38% Popularity • 64% Danceability • 23% Energy • 12% Liveness
0% Instrumentalness • 31% Positiveness
38% Popularity • 64% Danceability • 23% Energy • 12% Liveness
0% Instrumentalness • 31% Positiveness
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Indigenous
Should I Stay
80 bpm • F# Maj • 04:12 • -4.41db
24% Popularity • 55% Danceability • 59% Energy • 12% Liveness
1% Instrumentalness • 38% Positiveness
24% Popularity • 55% Danceability • 59% Energy • 12% Liveness
1% Instrumentalness • 38% Positiveness
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Forest Sun
Knowing How It Ends
97 bpm • G# Maj • 02:53 • -8.09db
33% Popularity • 61% Danceability • 50% Energy • 21% Liveness
0% Instrumentalness • 49% Positiveness
33% Popularity • 61% Danceability • 50% Energy • 21% Liveness
0% Instrumentalness • 49% Positiveness
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The Fabulous Thunderbirds
(I Know) I'm Losing You
97 bpm • G Maj • 04:25 • -9db
29% Popularity • 66% Danceability • 65% Energy • 10% Liveness
0% Instrumentalness • 68% Positiveness
29% Popularity • 66% Danceability • 65% Energy • 10% Liveness
0% Instrumentalness • 68% Positiveness
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Eric Lindell
If Love Can't Find A Way
97 bpm • A Maj • 03:09 • -4.07db
33% Popularity • 50% Danceability • 77% Energy • 9% Liveness
0% Instrumentalness • 61% Positiveness
33% Popularity • 50% Danceability • 77% Energy • 9% Liveness
0% Instrumentalness • 61% Positiveness
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Delbert McClinton & Glen Clark
Just When I Need You the Most
97 bpm • F Maj • 03:19 • -12.67db
3% Popularity • 54% Danceability • 22% Energy • 22% Liveness
0% Instrumentalness • 19% Positiveness
3% Popularity • 54% Danceability • 22% Energy • 22% Liveness
0% Instrumentalness • 19% Positiveness
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Vintage Trouble
Gracefully
79 bpm • G Maj • 03:38 • -7.55db
13% Popularity • 56% Danceability • 35% Energy • 10% Liveness
0% Instrumentalness • 37% Positiveness
13% Popularity • 56% Danceability • 35% Energy • 10% Liveness
0% Instrumentalness • 37% Positiveness
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Southern Avenue
80 Miles From Memphis
98 bpm • A Maj • 03:52 • -4.23db
25% Popularity • 55% Danceability • 86% Energy • 8% Liveness
0% Instrumentalness • 81% Positiveness
25% Popularity • 55% Danceability • 86% Energy • 8% Liveness
0% Instrumentalness • 81% Positiveness
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Seth Walker
Lately I've Let Things Slide
98 bpm • A# Maj • 02:57 • -10.12db
21% Popularity • 68% Danceability • 35% Energy • 12% Liveness
0% Instrumentalness • 54% Positiveness
21% Popularity • 68% Danceability • 35% Energy • 12% Liveness
0% Instrumentalness • 54% Positiveness
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Indigenous
Rest Of My Days
98 bpm • C# Maj • 04:32 • -6.73db
18% Popularity • 68% Danceability • 78% Energy • 13% Liveness
3% Instrumentalness • 67% Positiveness
18% Popularity • 68% Danceability • 78% Energy • 13% Liveness
3% Instrumentalness • 67% Positiveness
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Eric Lindell
Lay Back Down
79 bpm • G Maj • 04:34 • -4db
42% Popularity • 52% Danceability • 84% Energy • 32% Liveness
0% Instrumentalness • 52% Positiveness
42% Popularity • 52% Danceability • 84% Energy • 32% Liveness
0% Instrumentalness • 52% Positiveness
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William Bell
People Want To Go Home
98 bpm • F Maj • 02:58 • -9.05db
18% Popularity • 79% Danceability • 46% Energy • 10% Liveness
0% Instrumentalness • 95% Positiveness
18% Popularity • 79% Danceability • 46% Energy • 10% Liveness
0% Instrumentalness • 95% Positiveness
