Songs like See You Again by Ahmir
Based on a tempo of (+/- 10%) and a similar genre
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Jordyn Taylor
Strong
91 bpm • G# min • 03:27 • -4db
28% Popularity • 74% Danceability • 69% Energy • 8% Liveness
0% Instrumentalness • 42% Positiveness
28% Popularity • 74% Danceability • 69% Energy • 8% Liveness
0% Instrumentalness • 42% Positiveness
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Jay Sean
Guns N Roses
91 bpm • G# Maj • 03:33 • -6.01db
28% Popularity • 54% Danceability • 70% Energy • 16% Liveness
0% Instrumentalness • 29% Positiveness
28% Popularity • 54% Danceability • 70% Energy • 16% Liveness
0% Instrumentalness • 29% Positiveness
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Curtis Fields
Opposites Attract
91 bpm • C# Maj • 03:32 • -9db
14% Popularity • 61% Danceability • 50% Energy • 10% Liveness
0% Instrumentalness • 14% Positiveness
14% Popularity • 61% Danceability • 50% Energy • 10% Liveness
0% Instrumentalness • 14% Positiveness
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Ahmir
See You Again
91 bpm • G Maj • 02:52 • -13.17db
10% Popularity • 39% Danceability • 32% Energy • 16% Liveness
0% Instrumentalness • 14% Positiveness
10% Popularity • 39% Danceability • 32% Energy • 16% Liveness
0% Instrumentalness • 14% Positiveness
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Bobby Tinsley
You
91 bpm • E Maj • 04:39 • -6.49db
24% Popularity • 64% Danceability • 57% Energy • 8% Liveness
0% Instrumentalness • 48% Positiveness
24% Popularity • 64% Danceability • 57% Energy • 8% Liveness
0% Instrumentalness • 48% Positiveness
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Khel Pangilinan
Marry me
90 bpm • G# Maj • 01:57 • -10.9db
46% Popularity • 60% Danceability • 29% Energy • 11% Liveness
0% Instrumentalness • 10% Positiveness
46% Popularity • 60% Danceability • 29% Energy • 11% Liveness
0% Instrumentalness • 10% Positiveness
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Mario
I Choose You
90 bpm • A Maj • 04:23 • -5.19db
58% Popularity • 67% Danceability • 63% Energy • 8% Liveness
0% Instrumentalness • 71% Positiveness
58% Popularity • 67% Danceability • 63% Energy • 8% Liveness
0% Instrumentalness • 71% Positiveness
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Zane Jayson Johns
Say You Won't Let Go - Acoustic Version
90 bpm • A# Maj • 03:23 • -6.83db
27% Popularity • 46% Danceability • 32% Energy • 11% Liveness
0% Instrumentalness • 57% Positiveness
27% Popularity • 46% Danceability • 32% Energy • 11% Liveness
0% Instrumentalness • 57% Positiveness
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Alex Aiono
Ocean Love
90 bpm • C# min • 03:40 • -9.62db
18% Popularity • 60% Danceability • 56% Energy • 36% Liveness
0% Instrumentalness • 40% Positiveness
18% Popularity • 60% Danceability • 56% Energy • 36% Liveness
0% Instrumentalness • 40% Positiveness
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Keiko
If I Were A Boy
90 bpm • F# Maj • 04:12 • -12db
23% Popularity • 56% Danceability • 46% Energy • 23% Liveness
1% Instrumentalness • 45% Positiveness
23% Popularity • 56% Danceability • 46% Energy • 23% Liveness
1% Instrumentalness • 45% Positiveness
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Elliott Yamin
In Love with You Forever
92 bpm • E min • 04:19 • -7.36db
13% Popularity • 64% Danceability • 71% Energy • 3% Liveness
0% Instrumentalness • 80% Positiveness
13% Popularity • 64% Danceability • 71% Energy • 3% Liveness
0% Instrumentalness • 80% Positiveness
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Marcos Hernandez
Empty
90 bpm • A# Maj • 03:54 • -8.32db
9% Popularity • 67% Danceability • 45% Energy • 5% Liveness
0% Instrumentalness • 38% Positiveness
9% Popularity • 67% Danceability • 45% Energy • 5% Liveness
0% Instrumentalness • 38% Positiveness
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Fifth Harmony
Better Together - Acoustic
90 bpm • A# Maj • 03:16 • -3db
24% Popularity • 74% Danceability • 62% Energy • 28% Liveness
0% Instrumentalness • 94% Positiveness
24% Popularity • 74% Danceability • 62% Energy • 28% Liveness
0% Instrumentalness • 94% Positiveness
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Jessie J
Get Away
90 bpm • C# Maj • 03:50 • -7.37db
36% Popularity • 65% Danceability • 31% Energy • 10% Liveness
0% Instrumentalness • 33% Positiveness
36% Popularity • 65% Danceability • 31% Energy • 10% Liveness
0% Instrumentalness • 33% Positiveness
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George Nozuka
Last Time
90 bpm • C min • 04:05 • -6.01db
25% Popularity • 71% Danceability • 68% Energy • 11% Liveness
0% Instrumentalness • 75% Positiveness
25% Popularity • 71% Danceability • 68% Energy • 11% Liveness
0% Instrumentalness • 75% Positiveness
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Justin Bieber
Home To Mama
90 bpm • D Maj • 03:23 • -11.12db
49% Popularity • 72% Danceability • 30% Energy • 12% Liveness
0% Instrumentalness • 49% Positiveness
49% Popularity • 72% Danceability • 30% Energy • 12% Liveness
0% Instrumentalness • 49% Positiveness
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Elliott Yamin
You Are the One
90 bpm • B min • 04:17 • -6.91db
12% Popularity • 53% Danceability • 58% Energy • 10% Liveness
0% Instrumentalness • 32% Positiveness
12% Popularity • 53% Danceability • 58% Energy • 10% Liveness
0% Instrumentalness • 32% Positiveness
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Will Gittens
If There Was a Way
90 bpm • F Maj • 03:27 • -9.7db
14% Popularity • 58% Danceability • 43% Energy • 10% Liveness
0% Instrumentalness • 16% Positiveness
14% Popularity • 58% Danceability • 43% Energy • 10% Liveness
0% Instrumentalness • 16% Positiveness
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Reynard Silva
I Hide
90 bpm • F Maj • 04:14 • -5.44db
24% Popularity • 63% Danceability • 46% Energy • 11% Liveness
0% Instrumentalness • 57% Positiveness
24% Popularity • 63% Danceability • 46% Energy • 11% Liveness
0% Instrumentalness • 57% Positiveness
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OMI
Me 4 U
90 bpm • B Maj • 03:10 • -6db
26% Popularity • 66% Danceability • 62% Energy • 21% Liveness
0% Instrumentalness • 66% Positiveness
26% Popularity • 66% Danceability • 62% Energy • 21% Liveness
0% Instrumentalness • 66% Positiveness
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Zalman Krause
What Was It All for?
90 bpm • A Maj • 04:21 • -9.47db
8% Popularity • 64% Danceability • 56% Energy • 9% Liveness
0% Instrumentalness • 33% Positiveness
8% Popularity • 64% Danceability • 56% Energy • 9% Liveness
0% Instrumentalness • 33% Positiveness
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Austin Mahone
Not Far
90 bpm • G Maj • 04:56 • -10.12db
19% Popularity • 56% Danceability • 40% Energy • 11% Liveness
0% Instrumentalness • 7% Positiveness
19% Popularity • 56% Danceability • 40% Energy • 11% Liveness
0% Instrumentalness • 7% Positiveness
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Leona Lewis
Thunder - Acoustic
92 bpm • D Maj • 03:17 • -4.88db
17% Popularity • 75% Danceability • 36% Energy • 11% Liveness
0% Instrumentalness • 29% Positiveness
17% Popularity • 75% Danceability • 36% Energy • 11% Liveness
0% Instrumentalness • 29% Positiveness
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Latif
Yes
90 bpm • C Maj • 03:39 • -8db
19% Popularity • 70% Danceability • 76% Energy • 21% Liveness
0% Instrumentalness • 48% Positiveness
19% Popularity • 70% Danceability • 76% Energy • 21% Liveness
0% Instrumentalness • 48% Positiveness
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Keith Martin
Because Of You (Remix)
90 bpm • C# Maj • 04:07 • -4.04db
26% Popularity • 63% Danceability • 71% Energy • 15% Liveness
0% Instrumentalness • 14% Positiveness
26% Popularity • 63% Danceability • 71% Energy • 15% Liveness
0% Instrumentalness • 14% Positiveness
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JM De Guzman
Out Of My League
90 bpm • C Maj • 03:32 • -16.25db
24% Popularity • 62% Danceability • 15% Energy • 13% Liveness
0% Instrumentalness • 48% Positiveness
24% Popularity • 62% Danceability • 15% Energy • 13% Liveness
0% Instrumentalness • 48% Positiveness
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b4-4
Endlessly
92 bpm • A Maj • 03:41 • -11db
33% Popularity • 39% Danceability • 34% Energy • 33% Liveness
0% Instrumentalness • 43% Positiveness
33% Popularity • 39% Danceability • 34% Energy • 33% Liveness
0% Instrumentalness • 43% Positiveness
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Matt Beilis
Perfect for Me
93 bpm • A# Maj • 03:50 • -6.22db
22% Popularity • 65% Danceability • 54% Energy • 12% Liveness
0% Instrumentalness • 52% Positiveness
22% Popularity • 65% Danceability • 54% Energy • 12% Liveness
0% Instrumentalness • 52% Positiveness
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Atozzio
I Quit
93 bpm • D Maj • 03:46 • -6.59db
23% Popularity • 66% Danceability • 51% Energy • 11% Liveness
0% Instrumentalness • 68% Positiveness
23% Popularity • 66% Danceability • 51% Energy • 11% Liveness
0% Instrumentalness • 68% Positiveness
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Matt Franco
I Like Me Better
89 bpm • A Maj • 02:51 • -7.8db
8% Popularity • 52% Danceability • 42% Energy • 37% Liveness
0% Instrumentalness • 66% Positiveness
8% Popularity • 52% Danceability • 42% Energy • 37% Liveness
0% Instrumentalness • 66% Positiveness
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Rayvon Owen
Air
93 bpm • G# Maj • 03:53 • -6db
16% Popularity • 58% Danceability • 68% Energy • 19% Liveness
0% Instrumentalness • 37% Positiveness
16% Popularity • 58% Danceability • 68% Energy • 19% Liveness
0% Instrumentalness • 37% Positiveness
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Caleb Santos
You Are Mine
89 bpm • D Maj • 03:52 • -3.36db
17% Popularity • 56% Danceability • 76% Energy • 23% Liveness
0% Instrumentalness • 43% Positiveness
17% Popularity • 56% Danceability • 76% Energy • 23% Liveness
0% Instrumentalness • 43% Positiveness
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Ahmir
Airplanes / I Made It Traphik
93 bpm • D Maj • 02:56 • -4.71db
16% Popularity • 63% Danceability • 82% Energy • 15% Liveness
0% Instrumentalness • 34% Positiveness
16% Popularity • 63% Danceability • 82% Energy • 15% Liveness
0% Instrumentalness • 34% Positiveness
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Jason Dy
Nothing Like Pag-ibig
93 bpm • A Maj • 03:34 • -8.44db
8% Popularity • 65% Danceability • 57% Energy • 40% Liveness
0% Instrumentalness • 63% Positiveness
8% Popularity • 65% Danceability • 57% Energy • 40% Liveness
0% Instrumentalness • 63% Positiveness
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James Graham
VIRAL
89 bpm • E Maj • 03:01 • -11db
25% Popularity • 65% Danceability • 46% Energy • 18% Liveness
0% Instrumentalness • 70% Positiveness
25% Popularity • 65% Danceability • 46% Energy • 18% Liveness
0% Instrumentalness • 70% Positiveness
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Jake Miller
Parade - Acoustic
88 bpm • F# Maj • 03:33 • -8.47db
18% Popularity • 68% Danceability • 56% Energy • 14% Liveness
0% Instrumentalness • 58% Positiveness
18% Popularity • 68% Danceability • 56% Energy • 14% Liveness
0% Instrumentalness • 58% Positiveness
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Jessica Sanchez
This Love
88 bpm • G# Maj • 03:16 • -3.81db
25% Popularity • 52% Danceability • 66% Energy • 10% Liveness
0% Instrumentalness • 56% Positiveness
25% Popularity • 52% Danceability • 66% Energy • 10% Liveness
0% Instrumentalness • 56% Positiveness
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Jamillions
Natural Disasters
88 bpm • D Maj • 03:35 • -6.38db
13% Popularity • 51% Danceability • 48% Energy • 18% Liveness
0% Instrumentalness • 32% Positiveness
13% Popularity • 51% Danceability • 48% Energy • 18% Liveness
0% Instrumentalness • 32% Positiveness
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Natalie
Where Are You
94 bpm • B Maj • 04:03 • -7.81db
46% Popularity • 69% Danceability • 44% Energy • 9% Liveness
0% Instrumentalness • 59% Positiveness
46% Popularity • 69% Danceability • 44% Energy • 9% Liveness
0% Instrumentalness • 59% Positiveness
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Jason Dy
2 Have U
94 bpm • C# min • 04:01 • -9db
8% Popularity • 58% Danceability • 56% Energy • 14% Liveness
0% Instrumentalness • 30% Positiveness
8% Popularity • 58% Danceability • 56% Energy • 14% Liveness
0% Instrumentalness • 30% Positiveness
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Devotion
So Wonderful
94 bpm • A Maj • 04:19 • -6.26db
26% Popularity • 66% Danceability • 52% Energy • 11% Liveness
0% Instrumentalness • 54% Positiveness
26% Popularity • 66% Danceability • 52% Energy • 11% Liveness
0% Instrumentalness • 54% Positiveness
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Reynard Silva
Best I'll Never Have
94 bpm • C# Maj • 05:06 • -10.36db
9% Popularity • 68% Danceability • 36% Energy • 32% Liveness
0% Instrumentalness • 34% Positiveness
9% Popularity • 68% Danceability • 36% Energy • 32% Liveness
0% Instrumentalness • 34% Positiveness
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Von Sway
Fall Back
94 bpm • C# min • 03:50 • -7db
13% Popularity • 73% Danceability • 66% Energy • 23% Liveness
0% Instrumentalness • 57% Positiveness
13% Popularity • 73% Danceability • 66% Energy • 23% Liveness
0% Instrumentalness • 57% Positiveness
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Tippy Dos Santos
Open Ended (Acoustic Version)
94 bpm • F Maj • 02:52 • -5db
9% Popularity • 53% Danceability • 48% Energy • 13% Liveness
0% Instrumentalness • 87% Positiveness
9% Popularity • 53% Danceability • 48% Energy • 13% Liveness
0% Instrumentalness • 87% Positiveness
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J. Roman
Where Are You?
94 bpm • C Maj • 03:43 • -12db
17% Popularity • 72% Danceability • 35% Energy • 8% Liveness
0% Instrumentalness • 49% Positiveness
17% Popularity • 72% Danceability • 35% Energy • 8% Liveness
0% Instrumentalness • 49% Positiveness
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Mia Rose
Don't Judge Me
88 bpm • A Maj • 04:04 • -9.68db
11% Popularity • 66% Danceability • 44% Energy • 12% Liveness
0% Instrumentalness • 41% Positiveness
11% Popularity • 66% Danceability • 44% Energy • 12% Liveness
0% Instrumentalness • 41% Positiveness
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Rayvon Owen
Sweatshirt
88 bpm • D Maj • 03:46 • -5.04db
12% Popularity • 67% Danceability • 82% Energy • 7% Liveness
0% Instrumentalness • 71% Positiveness
12% Popularity • 67% Danceability • 82% Energy • 7% Liveness
0% Instrumentalness • 71% Positiveness
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Matt Palmer
Hold Onto My Hand
88 bpm • D Maj • 03:56 • -4db
21% Popularity • 66% Danceability • 81% Energy • 8% Liveness
0% Instrumentalness • 63% Positiveness
21% Popularity • 66% Danceability • 81% Energy • 8% Liveness
0% Instrumentalness • 63% Positiveness
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Ahmir
Halo
88 bpm • A Maj • 03:29 • -10.85db
13% Popularity • 31% Danceability • 44% Energy • 9% Liveness
0% Instrumentalness • 23% Positiveness
13% Popularity • 31% Danceability • 44% Energy • 9% Liveness
0% Instrumentalness • 23% Positiveness
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Zalman Krause
Will You Be Mine?
95 bpm • D# Maj • 02:19 • -11.36db
27% Popularity • 58% Danceability • 25% Energy • 14% Liveness
0% Instrumentalness • 63% Positiveness
27% Popularity • 58% Danceability • 25% Energy • 14% Liveness
0% Instrumentalness • 63% Positiveness
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Maddi Jane
Breakeven
95 bpm • D# Maj • 03:25 • -7db
42% Popularity • 48% Danceability • 40% Energy • 14% Liveness
0% Instrumentalness • 45% Positiveness
42% Popularity • 48% Danceability • 40% Energy • 14% Liveness
0% Instrumentalness • 45% Positiveness
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JM De Guzman
Carried Away
95 bpm • G# Maj • 03:12 • -4.3db
21% Popularity • 60% Danceability • 60% Energy • 23% Liveness
0% Instrumentalness • 61% Positiveness
21% Popularity • 60% Danceability • 60% Energy • 23% Liveness
0% Instrumentalness • 61% Positiveness
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Alex Gonzaga
Goodbye Kiss
95 bpm • G Maj • 03:51 • -6.42db
8% Popularity • 78% Danceability • 69% Energy • 14% Liveness
0% Instrumentalness • 63% Positiveness
8% Popularity • 78% Danceability • 69% Energy • 14% Liveness
0% Instrumentalness • 63% Positiveness
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Mudia Festking
Imela - Piano Version
95 bpm • C Maj • 01:16 • -7.73db
27% Popularity • 71% Danceability • 33% Energy • 11% Liveness
0% Instrumentalness • 72% Positiveness
27% Popularity • 71% Danceability • 33% Energy • 11% Liveness
0% Instrumentalness • 72% Positiveness
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Ahmir
Come Back
95 bpm • G# Maj • 03:38 • -11.66db
25% Popularity • 39% Danceability • 44% Energy • 11% Liveness
0% Instrumentalness • 28% Positiveness
25% Popularity • 39% Danceability • 44% Energy • 11% Liveness
0% Instrumentalness • 28% Positiveness
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Matt Palmer
Come Back To Me
87 bpm • G Maj • 03:35 • -7db
23% Popularity • 38% Danceability • 81% Energy • 13% Liveness
0% Instrumentalness • 60% Positiveness
23% Popularity • 38% Danceability • 81% Energy • 13% Liveness
0% Instrumentalness • 60% Positiveness
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Andrea Faustini
Back to the Sea
87 bpm • C# Maj • 03:26 • -8.34db
12% Popularity • 69% Danceability • 34% Energy • 11% Liveness
0% Instrumentalness • 60% Positiveness
12% Popularity • 69% Danceability • 34% Energy • 11% Liveness
0% Instrumentalness • 60% Positiveness
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Darren Espanto
Chandelier
87 bpm • C# Maj • 03:41 • -4db
25% Popularity • 49% Danceability • 81% Energy • 33% Liveness
0% Instrumentalness • 58% Positiveness
25% Popularity • 49% Danceability • 81% Energy • 33% Liveness
0% Instrumentalness • 58% Positiveness
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Reynard Silva
No One Else
87 bpm • B Maj • 03:37 • -6.11db
18% Popularity • 62% Danceability • 85% Energy • 14% Liveness
0% Instrumentalness • 55% Positiveness
18% Popularity • 62% Danceability • 85% Energy • 14% Liveness
0% Instrumentalness • 55% Positiveness
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Legaci
Ready For Love (Candlelight Version)
87 bpm • G# Maj • 03:14 • -6.73db
9% Popularity • 47% Danceability • 49% Energy • 7% Liveness
0% Instrumentalness • 39% Positiveness
9% Popularity • 47% Danceability • 49% Energy • 7% Liveness
0% Instrumentalness • 39% Positiveness
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George Nozuka
Do You Remember
87 bpm • C# Maj • 03:10 • -7db
11% Popularity • 60% Danceability • 50% Energy • 10% Liveness
0% Instrumentalness • 32% Positiveness
11% Popularity • 60% Danceability • 50% Energy • 10% Liveness
0% Instrumentalness • 32% Positiveness
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Marcos Hernandez
Will Never Know
96 bpm • E Maj • 04:09 • -8db
13% Popularity • 78% Danceability • 39% Energy • 29% Liveness
0% Instrumentalness • 66% Positiveness
13% Popularity • 78% Danceability • 39% Energy • 29% Liveness
0% Instrumentalness • 66% Positiveness
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Bobby Tinsley
Say Goodbye
86 bpm • G# Maj • 04:33 • -16.77db
19% Popularity • 55% Danceability • 28% Energy • 27% Liveness
0% Instrumentalness • 36% Positiveness
19% Popularity • 55% Danceability • 28% Energy • 27% Liveness
0% Instrumentalness • 36% Positiveness
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Isac Elliot
What About Me
96 bpm • A Maj • 03:14 • -5db
20% Popularity • 82% Danceability • 54% Energy • 9% Liveness
0% Instrumentalness • 60% Positiveness
20% Popularity • 82% Danceability • 54% Energy • 9% Liveness
0% Instrumentalness • 60% Positiveness
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Leroy Sanchez
A Whole New World
96 bpm • A# Maj • 04:00 • -12.17db
47% Popularity • 32% Danceability • 24% Energy • 14% Liveness
0% Instrumentalness • 39% Positiveness
47% Popularity • 32% Danceability • 24% Energy • 14% Liveness
0% Instrumentalness • 39% Positiveness
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Jermaine Paul
Butterfly Kisses
85 bpm • B Maj • 04:35 • -7db
20% Popularity • 49% Danceability • 44% Energy • 18% Liveness
0% Instrumentalness • 24% Positiveness
20% Popularity • 49% Danceability • 44% Energy • 18% Liveness
0% Instrumentalness • 24% Positiveness
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Nick Merico
I Wont Let You Go
97 bpm • G Maj • 04:23 • -11.66db
13% Popularity • 58% Danceability • 37% Energy • 47% Liveness
0% Instrumentalness • 37% Positiveness
13% Popularity • 58% Danceability • 37% Energy • 47% Liveness
0% Instrumentalness • 37% Positiveness
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The Madison Letter
Stay With Me / Me and My Broken Heart
86 bpm • B Maj • 02:47 • -10db
34% Popularity • 71% Danceability • 53% Energy • 19% Liveness
0% Instrumentalness • 34% Positiveness
34% Popularity • 71% Danceability • 53% Energy • 19% Liveness
0% Instrumentalness • 34% Positiveness
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Adriana Vitale
Stay With Me (by Sam Smith) Cover
85 bpm • C Maj • 02:55 • -6.11db
9% Popularity • 55% Danceability • 28% Energy • 11% Liveness
0% Instrumentalness • 9% Positiveness
9% Popularity • 55% Danceability • 28% Energy • 11% Liveness
0% Instrumentalness • 9% Positiveness
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Bobby Tinsley
Addicted
85 bpm • E min • 04:30 • -10.87db
17% Popularity • 65% Danceability • 40% Energy • 34% Liveness
0% Instrumentalness • 41% Positiveness
17% Popularity • 65% Danceability • 40% Energy • 34% Liveness
0% Instrumentalness • 41% Positiveness
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Tori Kelly
Mr. Music (Acapella)
85 bpm • A Maj • 03:33 • -10.01db
8% Popularity • 72% Danceability • 28% Energy • 9% Liveness
0% Instrumentalness • 63% Positiveness
8% Popularity • 72% Danceability • 28% Energy • 9% Liveness
0% Instrumentalness • 63% Positiveness
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Joey Stamper
Stay With Me Mash-Up
85 bpm • C Maj • 03:11 • -6.34db
13% Popularity • 29% Danceability • 38% Energy • 16% Liveness
0% Instrumentalness • 35% Positiveness
13% Popularity • 29% Danceability • 38% Energy • 16% Liveness
0% Instrumentalness • 35% Positiveness
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Straalen
Be Mine Tonight - Radio Edit
85 bpm • A# Maj • 03:37 • -6.14db
30% Popularity • 74% Danceability • 38% Energy • 11% Liveness
0% Instrumentalness • 42% Positiveness
30% Popularity • 74% Danceability • 38% Energy • 11% Liveness
0% Instrumentalness • 42% Positiveness
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IBU
Dying Inside To Hold You
98 bpm • A Maj • 04:01 • -9.6db
20% Popularity • 62% Danceability • 49% Energy • 13% Liveness
0% Instrumentalness • 45% Positiveness
20% Popularity • 62% Danceability • 49% Energy • 13% Liveness
0% Instrumentalness • 45% Positiveness
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Kay B
Cheater's Dilemma
98 bpm • G Maj • 04:00 • -5.47db
32% Popularity • 73% Danceability • 66% Energy • 41% Liveness
0% Instrumentalness • 44% Positiveness
32% Popularity • 73% Danceability • 66% Energy • 41% Liveness
0% Instrumentalness • 44% Positiveness
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Bobby Tinsley
U Moved On
85 bpm • G# Maj • 04:30 • -12.02db
13% Popularity • 51% Danceability • 32% Energy • 11% Liveness
0% Instrumentalness • 29% Positiveness
13% Popularity • 51% Danceability • 32% Energy • 11% Liveness
0% Instrumentalness • 29% Positiveness
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Olly Murs
Perfect - Live from Spotify London
98 bpm • C Maj • 04:10 • -9.71db
14% Popularity • 67% Danceability • 39% Energy • 63% Liveness
0% Instrumentalness • 44% Positiveness
14% Popularity • 67% Danceability • 39% Energy • 63% Liveness
0% Instrumentalness • 44% Positiveness
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Zalman Krause
Will You Be Mine?
98 bpm • D# Maj • 03:00 • -22.58db
22% Popularity • 52% Danceability • 5% Energy • 7% Liveness
0% Instrumentalness • 49% Positiveness
22% Popularity • 52% Danceability • 5% Energy • 7% Liveness
0% Instrumentalness • 49% Positiveness
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Elise Estrada
One Last Time
84 bpm • C min • 03:31 • -7.24db
12% Popularity • 70% Danceability • 59% Energy • 9% Liveness
0% Instrumentalness • 58% Positiveness
12% Popularity • 70% Danceability • 59% Energy • 9% Liveness
0% Instrumentalness • 58% Positiveness
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Claude Kelly
Forever
84 bpm • B Maj • 04:18 • -7.12db
36% Popularity • 62% Danceability • 50% Energy • 26% Liveness
0% Instrumentalness • 43% Positiveness
36% Popularity • 62% Danceability • 50% Energy • 26% Liveness
0% Instrumentalness • 43% Positiveness
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Michael Pangilinan
Dance with My Father
84 bpm • A Maj • 03:53 • -9.72db
44% Popularity • 50% Danceability • 37% Energy • 12% Liveness
0% Instrumentalness • 13% Positiveness
44% Popularity • 50% Danceability • 37% Energy • 12% Liveness
0% Instrumentalness • 13% Positiveness
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Harrison Craig
Beneath Your Beautiful
84 bpm • D Maj • 04:31 • -5.89db
27% Popularity • 50% Danceability • 54% Energy • 13% Liveness
0% Instrumentalness • 14% Positiveness
27% Popularity • 50% Danceability • 54% Energy • 13% Liveness
0% Instrumentalness • 14% Positiveness
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Helenamaria
Love the Way You Lie
84 bpm • G min • 03:05 • -8.87db
16% Popularity • 40% Danceability • 29% Energy • 20% Liveness
0% Instrumentalness • 40% Positiveness
16% Popularity • 40% Danceability • 29% Energy • 20% Liveness
0% Instrumentalness • 40% Positiveness
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Morissette
Something I Need - Morissette Version
99 bpm • G Maj • 04:05 • -5.92db
32% Popularity • 69% Danceability • 58% Energy • 16% Liveness
0% Instrumentalness • 28% Positiveness
32% Popularity • 69% Danceability • 58% Energy • 16% Liveness
0% Instrumentalness • 28% Positiveness
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Jess Moskaluke
White Horse
99 bpm • C Maj • 02:56 • -9.11db
16% Popularity • 48% Danceability • 26% Energy • 13% Liveness
0% Instrumentalness • 37% Positiveness
16% Popularity • 48% Danceability • 26% Energy • 13% Liveness
0% Instrumentalness • 37% Positiveness
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Tori Kelly
Dear No One - Bonus Track
84 bpm • F# Maj • 03:19 • -6.79db
26% Popularity • 59% Danceability • 52% Energy • 9% Liveness
0% Instrumentalness • 54% Positiveness
26% Popularity • 59% Danceability • 52% Energy • 9% Liveness
0% Instrumentalness • 54% Positiveness
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Rachel Talbott
Life Is Worth Living
84 bpm • B Maj • 03:42 • -8db
18% Popularity • 42% Danceability • 30% Energy • 9% Liveness
0% Instrumentalness • 55% Positiveness
18% Popularity • 42% Danceability • 30% Energy • 9% Liveness
0% Instrumentalness • 55% Positiveness
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Maddie Wilson
Stand By You/One Call Away
83 bpm • E Maj • 03:16 • -13.43db
10% Popularity • 54% Danceability • 13% Energy • 10% Liveness
0% Instrumentalness • 28% Positiveness
10% Popularity • 54% Danceability • 13% Energy • 10% Liveness
0% Instrumentalness • 28% Positiveness
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Jake Quickenden
Loved Me Before
83 bpm • A Maj • 03:21 • -3.36db
11% Popularity • 57% Danceability • 83% Energy • 36% Liveness
0% Instrumentalness • 57% Positiveness
11% Popularity • 57% Danceability • 83% Energy • 36% Liveness
0% Instrumentalness • 57% Positiveness
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All-4-One
If Your Heart’s Not In It
83 bpm • C Maj • 04:02 • -7db
38% Popularity • 58% Danceability • 52% Energy • 8% Liveness
0% Instrumentalness • 43% Positiveness
38% Popularity • 58% Danceability • 52% Energy • 8% Liveness
0% Instrumentalness • 43% Positiveness
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Josh Franklin
She's the One
83 bpm • A# Maj • 03:26 • -11db
11% Popularity • 58% Danceability • 28% Energy • 14% Liveness
0% Instrumentalness • 52% Positiveness
11% Popularity • 58% Danceability • 28% Energy • 14% Liveness
0% Instrumentalness • 52% Positiveness
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Darren Espanto
7 Minutes - Acoustic
83 bpm • A# Maj • 03:51 • -9.16db
7% Popularity • 36% Danceability • 46% Energy • 11% Liveness
0% Instrumentalness • 52% Positiveness
7% Popularity • 36% Danceability • 46% Energy • 11% Liveness
0% Instrumentalness • 52% Positiveness
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Yo Preston
Love Yourself Vs. Fuck Yourself - Love Y...
100 bpm • E Maj • 03:44 • -8db
44% Popularity • 82% Danceability • 39% Energy • 37% Liveness
0% Instrumentalness • 70% Positiveness
44% Popularity • 82% Danceability • 39% Energy • 37% Liveness
0% Instrumentalness • 70% Positiveness
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Thyro
Profession
100 bpm • G# Maj • 03:28 • -3.26db
16% Popularity • 72% Danceability • 81% Energy • 14% Liveness
0% Instrumentalness • 74% Positiveness
16% Popularity • 72% Danceability • 81% Energy • 14% Liveness
0% Instrumentalness • 74% Positiveness
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Jed Madela
That's the Way It Is
100 bpm • C Maj • 03:31 • -4.57db
9% Popularity • 61% Danceability • 84% Energy • 19% Liveness
0% Instrumentalness • 80% Positiveness
9% Popularity • 61% Danceability • 84% Energy • 19% Liveness
0% Instrumentalness • 80% Positiveness
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Martin Kember
The Last Song
100 bpm • F# Maj • 03:42 • -3.98db
12% Popularity • 72% Danceability • 71% Energy • 56% Liveness
0% Instrumentalness • 62% Positiveness
12% Popularity • 72% Danceability • 71% Energy • 56% Liveness
0% Instrumentalness • 62% Positiveness
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Mario Vazquez
Everytime I...
100 bpm • C# Maj • 04:01 • -7db
27% Popularity • 77% Danceability • 64% Energy • 9% Liveness
0% Instrumentalness • 62% Positiveness
27% Popularity • 77% Danceability • 64% Energy • 9% Liveness
0% Instrumentalness • 62% Positiveness
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Ahmir
Sorry / Love Yourself
100 bpm • D# Maj • 03:51 • -5.03db
15% Popularity • 52% Danceability • 62% Energy • 11% Liveness
0% Instrumentalness • 66% Positiveness
15% Popularity • 52% Danceability • 62% Energy • 11% Liveness
0% Instrumentalness • 66% Positiveness
