Songs like Seethin by RVIVR
Based on a tempo of (+/- 10%) and a similar genre
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The Menzingers
Irish Goodbyes
183 bpm • B Maj • 02:19 • -5db
31% Popularity • 34% Danceability • 95% Energy • 9% Liveness
0% Instrumentalness • 38% Positiveness
31% Popularity • 34% Danceability • 95% Energy • 9% Liveness
0% Instrumentalness • 38% Positiveness
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RVIVR
Seethin
183 bpm • F Maj • 02:53 • -11.95db
11% Popularity • 27% Danceability • 71% Energy • 10% Liveness
0% Instrumentalness • 39% Positiveness
11% Popularity • 27% Danceability • 71% Energy • 10% Liveness
0% Instrumentalness • 39% Positiveness
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The Falcon
Unicorn Odyssey
182 bpm • C Maj • 02:39 • -6.22db
26% Popularity • 33% Danceability • 98% Energy • 9% Liveness
0% Instrumentalness • 52% Positiveness
26% Popularity • 33% Danceability • 98% Energy • 9% Liveness
0% Instrumentalness • 52% Positiveness
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Shit Present
Kick Me
184 bpm • B Maj • 02:46 • -4.37db
25% Popularity • 21% Danceability • 97% Energy • 33% Liveness
0% Instrumentalness • 64% Positiveness
25% Popularity • 21% Danceability • 97% Energy • 33% Liveness
0% Instrumentalness • 64% Positiveness
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Elway
Our Lady of the Thompson River
182 bpm • D Maj • 04:25 • -7.24db
11% Popularity • 48% Danceability • 73% Energy • 11% Liveness
5% Instrumentalness • 45% Positiveness
11% Popularity • 48% Danceability • 73% Energy • 11% Liveness
5% Instrumentalness • 45% Positiveness
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The Methadones
Mess We Made
185 bpm • E min • 03:15 • -4db
17% Popularity • 21% Danceability • 95% Energy • 14% Liveness
0% Instrumentalness • 26% Positiveness
17% Popularity • 21% Danceability • 95% Energy • 14% Liveness
0% Instrumentalness • 26% Positiveness
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The Riot Before
Words Written over Coffee
185 bpm • G Maj • 04:01 • -7.5db
28% Popularity • 41% Danceability • 72% Energy • 37% Liveness
0% Instrumentalness • 47% Positiveness
28% Popularity • 41% Danceability • 72% Energy • 37% Liveness
0% Instrumentalness • 47% Positiveness
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Chumped
Union Square
184 bpm • A Maj • 03:14 • -3.7db
12% Popularity • 28% Danceability • 95% Energy • 16% Liveness
3% Instrumentalness • 43% Positiveness
12% Popularity • 28% Danceability • 95% Energy • 16% Liveness
3% Instrumentalness • 43% Positiveness
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Dead To Me
Special Professional
181 bpm • B Maj • 02:22 • -6.42db
28% Popularity • 40% Danceability • 93% Energy • 38% Liveness
1% Instrumentalness • 77% Positiveness
28% Popularity • 40% Danceability • 93% Energy • 38% Liveness
1% Instrumentalness • 77% Positiveness
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Spraynard
Internet May Mays
181 bpm • D# Maj • 03:31 • -8.84db
8% Popularity • 38% Danceability • 88% Energy • 12% Liveness
1% Instrumentalness • 83% Positiveness
8% Popularity • 38% Danceability • 88% Energy • 12% Liveness
1% Instrumentalness • 83% Positiveness
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The Menzingers
The Obituaries
181 bpm • E Maj • 03:16 • -4db
43% Popularity • 45% Danceability • 71% Energy • 7% Liveness
4% Instrumentalness • 83% Positiveness
43% Popularity • 45% Danceability • 71% Energy • 7% Liveness
4% Instrumentalness • 83% Positiveness
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Elway
Lunatic Thirteens
181 bpm • C# min • 03:21 • -5.87db
13% Popularity • 49% Danceability • 86% Energy • 26% Liveness
10% Instrumentalness • 59% Positiveness
13% Popularity • 49% Danceability • 86% Energy • 26% Liveness
10% Instrumentalness • 59% Positiveness
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Dillinger Four
Doublewhiskeycokenoice
180 bpm • D Maj • 02:20 • -4.59db
34% Popularity • 21% Danceability • 96% Energy • 10% Liveness
0% Instrumentalness • 27% Positiveness
34% Popularity • 21% Danceability • 96% Energy • 10% Liveness
0% Instrumentalness • 27% Positiveness
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The Falcon
Building the Even More Perfect Asshole P...
185 bpm • A Maj • 02:36 • -7.35db
15% Popularity • 43% Danceability • 80% Energy • 9% Liveness
0% Instrumentalness • 59% Positiveness
15% Popularity • 43% Danceability • 80% Energy • 9% Liveness
0% Instrumentalness • 59% Positiveness
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PEARS
Never Now
186 bpm • G Maj • 02:06 • -5db
11% Popularity • 42% Danceability • 99% Energy • 9% Liveness
4% Instrumentalness • 51% Positiveness
11% Popularity • 42% Danceability • 99% Energy • 9% Liveness
4% Instrumentalness • 51% Positiveness
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Spraynard
Medicine
185 bpm • C# Maj • 02:28 • -2.85db
19% Popularity • 32% Danceability • 95% Energy • 11% Liveness
29% Instrumentalness • 58% Positiveness
19% Popularity • 32% Danceability • 95% Energy • 11% Liveness
29% Instrumentalness • 58% Positiveness
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The Holy Mess
Positive Noise
180 bpm • A# Maj • 02:09 • -3.72db
21% Popularity • 13% Danceability • 97% Energy • 30% Liveness
0% Instrumentalness • 39% Positiveness
21% Popularity • 13% Danceability • 97% Energy • 30% Liveness
0% Instrumentalness • 39% Positiveness
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Chumped
Something About Lemons
180 bpm • A Maj • 04:16 • -3.47db
28% Popularity • 17% Danceability • 94% Energy • 11% Liveness
2% Instrumentalness • 42% Positiveness
28% Popularity • 17% Danceability • 94% Energy • 11% Liveness
2% Instrumentalness • 42% Positiveness
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Elway
Third Coast Temple
180 bpm • B Maj • 01:51 • -5.48db
12% Popularity • 44% Danceability • 92% Energy • 10% Liveness
1% Instrumentalness • 81% Positiveness
12% Popularity • 44% Danceability • 92% Energy • 10% Liveness
1% Instrumentalness • 81% Positiveness
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Dead To Me
What's Wrong
186 bpm • C# Maj • 01:45 • -6.67db
22% Popularity • 29% Danceability • 90% Energy • 26% Liveness
0% Instrumentalness • 48% Positiveness
22% Popularity • 29% Danceability • 90% Energy • 26% Liveness
0% Instrumentalness • 48% Positiveness
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Dillinger Four
Minimum Wage Is a Gateway Drug
180 bpm • D Maj • 02:21 • -3.45db
26% Popularity • 36% Danceability • 97% Energy • 69% Liveness
50% Instrumentalness • 46% Positiveness
26% Popularity • 36% Danceability • 97% Energy • 69% Liveness
50% Instrumentalness • 46% Positiveness
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None More Black
Iron Mouth Act
187 bpm • E min • 02:27 • -6.77db
12% Popularity • 26% Danceability • 95% Energy • 14% Liveness
11% Instrumentalness • 24% Positiveness
12% Popularity • 26% Danceability • 95% Energy • 14% Liveness
11% Instrumentalness • 24% Positiveness
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Osker
Strangled
187 bpm • F# Maj • 02:58 • -4.91db
28% Popularity • 25% Danceability • 93% Energy • 8% Liveness
0% Instrumentalness • 54% Positiveness
28% Popularity • 25% Danceability • 93% Energy • 8% Liveness
0% Instrumentalness • 54% Positiveness
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Sincere Engineer
Ceramic Tile
187 bpm • F Maj • 02:06 • -6.96db
28% Popularity • 36% Danceability • 83% Energy • 11% Liveness
1% Instrumentalness • 58% Positiveness
28% Popularity • 36% Danceability • 83% Energy • 11% Liveness
1% Instrumentalness • 58% Positiveness
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Western Settings
Get It, Got It
187 bpm • A Maj • 01:49 • -7.21db
17% Popularity • 16% Danceability • 97% Energy • 34% Liveness
0% Instrumentalness • 69% Positiveness
17% Popularity • 16% Danceability • 97% Energy • 34% Liveness
0% Instrumentalness • 69% Positiveness
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Dead To Me
Don't Wanna
187 bpm • C# min • 02:36 • -6.7db
25% Popularity • 21% Danceability • 90% Energy • 14% Liveness
0% Instrumentalness • 52% Positiveness
25% Popularity • 21% Danceability • 90% Energy • 14% Liveness
0% Instrumentalness • 52% Positiveness
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Lifetime
Airport Monday Morning
179 bpm • B Maj • 02:34 • -3.32db
19% Popularity • 18% Danceability • 98% Energy • 37% Liveness
0% Instrumentalness • 49% Positiveness
19% Popularity • 18% Danceability • 98% Energy • 37% Liveness
0% Instrumentalness • 49% Positiveness
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None More Black
I'm Warning You With Peace & Love
179 bpm • E Maj • 03:01 • -6.2db
12% Popularity • 16% Danceability • 99% Energy • 30% Liveness
4% Instrumentalness • 14% Positiveness
12% Popularity • 16% Danceability • 99% Energy • 30% Liveness
4% Instrumentalness • 14% Positiveness
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The Loved Ones
Candy Cane
178 bpm • B Maj • 03:15 • -5.86db
15% Popularity • 31% Danceability • 84% Energy • 12% Liveness
0% Instrumentalness • 83% Positiveness
15% Popularity • 31% Danceability • 84% Energy • 12% Liveness
0% Instrumentalness • 83% Positiveness
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F.Y.P
Wherever the Creeps Go
178 bpm • F Maj • 01:54 • -6db
12% Popularity • 35% Danceability • 86% Energy • 68% Liveness
0% Instrumentalness • 74% Positiveness
12% Popularity • 35% Danceability • 86% Energy • 68% Liveness
0% Instrumentalness • 74% Positiveness
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Timeshares
Tail Light
178 bpm • B min • 02:21 • -3.68db
21% Popularity • 34% Danceability • 94% Energy • 34% Liveness
0% Instrumentalness • 55% Positiveness
21% Popularity • 34% Danceability • 94% Energy • 34% Liveness
0% Instrumentalness • 55% Positiveness
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Discount
Clap and Cough
179 bpm • D Maj • 01:45 • -5.89db
16% Popularity • 39% Danceability • 96% Energy • 10% Liveness
0% Instrumentalness • 59% Positiveness
16% Popularity • 39% Danceability • 96% Energy • 10% Liveness
0% Instrumentalness • 59% Positiveness
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Dillinger Four
Portrait Of The Artist As A Fucking Assh...
178 bpm • D Maj • 02:18 • -5.44db
23% Popularity • 22% Danceability • 93% Energy • 23% Liveness
0% Instrumentalness • 21% Positiveness
23% Popularity • 22% Danceability • 93% Energy • 23% Liveness
0% Instrumentalness • 21% Positiveness
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The Arrivals
I'm Sorry For Saying I'm Sorry
178 bpm • C Maj • 02:01 • -6.31db
13% Popularity • 25% Danceability • 82% Energy • 38% Liveness
0% Instrumentalness • 49% Positiveness
13% Popularity • 25% Danceability • 82% Energy • 38% Liveness
0% Instrumentalness • 49% Positiveness
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Pkew Pkew Pkew
Before We Go Out Drinking
178 bpm • G# Maj • 01:37 • -2.94db
28% Popularity • 20% Danceability • 94% Energy • 16% Liveness
0% Instrumentalness • 64% Positiveness
28% Popularity • 20% Danceability • 94% Energy • 16% Liveness
0% Instrumentalness • 64% Positiveness
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Toys That Kill
Bomb Sniffin' Dogs
177 bpm • D Maj • 01:26 • -0.92db
10% Popularity • 29% Danceability • 98% Energy • 54% Liveness
0% Instrumentalness • 31% Positiveness
10% Popularity • 29% Danceability • 98% Energy • 54% Liveness
0% Instrumentalness • 31% Positiveness
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Elway
Passing Days
189 bpm • A Maj • 04:32 • -7.35db
17% Popularity • 40% Danceability • 80% Energy • 18% Liveness
3% Instrumentalness • 39% Positiveness
17% Popularity • 40% Danceability • 80% Energy • 18% Liveness
3% Instrumentalness • 39% Positiveness
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Beach Slang
American Girls And French Kisses
177 bpm • G# Maj • 02:54 • -5.49db
19% Popularity • 13% Danceability • 91% Energy • 20% Liveness
1% Instrumentalness • 45% Positiveness
19% Popularity • 13% Danceability • 91% Energy • 20% Liveness
1% Instrumentalness • 45% Positiveness
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Dillinger Four
Maximum Piss & Vinegar
178 bpm • B Maj • 02:17 • -3.87db
28% Popularity • 30% Danceability • 94% Energy • 60% Liveness
0% Instrumentalness • 62% Positiveness
28% Popularity • 30% Danceability • 94% Energy • 60% Liveness
0% Instrumentalness • 62% Positiveness
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RVIVR
Resilient Bastard
190 bpm • A Maj • 02:29 • -11.67db
18% Popularity • 23% Danceability • 64% Energy • 64% Liveness
0% Instrumentalness • 54% Positiveness
18% Popularity • 23% Danceability • 64% Energy • 64% Liveness
0% Instrumentalness • 54% Positiveness
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Pkew Pkew Pkew
Mid 20's Skateboarder
190 bpm • C Maj • 02:07 • -3.47db
34% Popularity • 29% Danceability • 96% Energy • 76% Liveness
0% Instrumentalness • 28% Positiveness
34% Popularity • 29% Danceability • 96% Energy • 76% Liveness
0% Instrumentalness • 28% Positiveness
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Dead To Me
Arrhythmic Palpitations
190 bpm • B Maj • 01:54 • -5.87db
33% Popularity • 25% Danceability • 95% Energy • 30% Liveness
0% Instrumentalness • 35% Positiveness
33% Popularity • 25% Danceability • 95% Energy • 30% Liveness
0% Instrumentalness • 35% Positiveness
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Smoke Or Fire
Culture as Given
176 bpm • D Maj • 01:50 • -6.04db
11% Popularity • 25% Danceability • 97% Energy • 34% Liveness
0% Instrumentalness • 57% Positiveness
11% Popularity • 25% Danceability • 97% Energy • 34% Liveness
0% Instrumentalness • 57% Positiveness
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Direct Hit!
Getting What He Asked For
190 bpm • F# Maj • 03:02 • -3.16db
16% Popularity • 36% Danceability • 99% Energy • 27% Liveness
0% Instrumentalness • 56% Positiveness
16% Popularity • 36% Danceability • 99% Energy • 27% Liveness
0% Instrumentalness • 56% Positiveness
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The Copyrights
Kids of the Black Hole
190 bpm • C Maj • 02:34 • -7.03db
17% Popularity • 40% Danceability • 76% Energy • 14% Liveness
0% Instrumentalness • 68% Positiveness
17% Popularity • 40% Danceability • 76% Energy • 14% Liveness
0% Instrumentalness • 68% Positiveness
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Banner Pilot
Spanish Reds
190 bpm • E Maj • 03:28 • -2.98db
32% Popularity • 32% Danceability • 99% Energy • 18% Liveness
25% Instrumentalness • 52% Positiveness
32% Popularity • 32% Danceability • 99% Energy • 18% Liveness
25% Instrumentalness • 52% Positiveness
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Dillinger Four
!!Noble Stabbings!!
175 bpm • D Maj • 03:17 • -6db
24% Popularity • 17% Danceability • 96% Energy • 33% Liveness
0% Instrumentalness • 35% Positiveness
24% Popularity • 17% Danceability • 96% Energy • 33% Liveness
0% Instrumentalness • 35% Positiveness
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Against Me!
Impact
175 bpm • C Maj • 02:26 • -8.42db
17% Popularity • 47% Danceability • 96% Energy • 10% Liveness
0% Instrumentalness • 57% Positiveness
17% Popularity • 47% Danceability • 96% Energy • 10% Liveness
0% Instrumentalness • 57% Positiveness
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RVIVR
Can't stand It
174 bpm • B Maj • 02:56 • -8.65db
5% Popularity • 20% Danceability • 95% Energy • 41% Liveness
78% Instrumentalness • 26% Positiveness
5% Popularity • 20% Danceability • 95% Energy • 41% Liveness
78% Instrumentalness • 26% Positiveness
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Direct Hit!
Blood on Your Tongue
175 bpm • C# Maj • 02:18 • -5.11db
24% Popularity • 45% Danceability • 94% Energy • 13% Liveness
0% Instrumentalness • 72% Positiveness
24% Popularity • 45% Danceability • 94% Energy • 13% Liveness
0% Instrumentalness • 72% Positiveness
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The Copyrights
Heart of Glue
174 bpm • G Maj • 01:50 • -4.03db
29% Popularity • 32% Danceability • 82% Energy • 18% Liveness
0% Instrumentalness • 70% Positiveness
29% Popularity • 32% Danceability • 82% Energy • 18% Liveness
0% Instrumentalness • 70% Positiveness
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Banner Pilot
Division Street
175 bpm • E Maj • 05:04 • -4.41db
24% Popularity • 49% Danceability • 97% Energy • 11% Liveness
23% Instrumentalness • 52% Positiveness
24% Popularity • 49% Danceability • 97% Energy • 11% Liveness
23% Instrumentalness • 52% Positiveness
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Iron Chic
Cutesy Monster Man
174 bpm • C Maj • 03:56 • -6.62db
38% Popularity • 24% Danceability • 96% Energy • 39% Liveness
0% Instrumentalness • 33% Positiveness
38% Popularity • 24% Danceability • 96% Energy • 39% Liveness
0% Instrumentalness • 33% Positiveness
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Against Me!
T.S.R.
175 bpm • D Maj • 01:35 • -6.07db
33% Popularity • 32% Danceability • 76% Energy • 14% Liveness
0% Instrumentalness • 40% Positiveness
33% Popularity • 32% Danceability • 76% Energy • 14% Liveness
0% Instrumentalness • 40% Positiveness
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RVIVR
The Hunger Suite II. Bleed Out
174 bpm • E min • 01:25 • -5.94db
14% Popularity • 16% Danceability • 92% Energy • 52% Liveness
0% Instrumentalness • 36% Positiveness
14% Popularity • 16% Danceability • 92% Energy • 52% Liveness
0% Instrumentalness • 36% Positiveness
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Signals Midwest
Should Have Been A Painter
173 bpm • C# Maj • 02:40 • -5.11db
15% Popularity • 41% Danceability • 99% Energy • 7% Liveness
0% Instrumentalness • 37% Positiveness
15% Popularity • 41% Danceability • 99% Energy • 7% Liveness
0% Instrumentalness • 37% Positiveness
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Lemuria
Mechanical
173 bpm • G Maj • 02:44 • -4.99db
14% Popularity • 34% Danceability • 89% Energy • 27% Liveness
0% Instrumentalness • 46% Positiveness
14% Popularity • 34% Danceability • 89% Energy • 27% Liveness
0% Instrumentalness • 46% Positiveness
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The Copyrights
Halos
194 bpm • E Maj • 01:34 • -2.69db
21% Popularity • 41% Danceability • 99% Energy • 35% Liveness
0% Instrumentalness • 59% Positiveness
21% Popularity • 41% Danceability • 99% Energy • 35% Liveness
0% Instrumentalness • 59% Positiveness
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Direct Hit!
Back to the Tower
194 bpm • E Maj • 02:57 • -3.95db
17% Popularity • 34% Danceability • 98% Energy • 28% Liveness
0% Instrumentalness • 66% Positiveness
17% Popularity • 34% Danceability • 98% Energy • 28% Liveness
0% Instrumentalness • 66% Positiveness
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Against Me!
The Disco Before the Breakdown
173 bpm • C# min • 03:10 • -6.51db
28% Popularity • 25% Danceability • 70% Energy • 10% Liveness
30% Instrumentalness • 36% Positiveness
28% Popularity • 25% Danceability • 70% Energy • 10% Liveness
30% Instrumentalness • 36% Positiveness
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RVIVR
Real Mean
174 bpm • C Maj • 02:03 • -6.46db
23% Popularity • 25% Danceability • 91% Energy • 10% Liveness
0% Instrumentalness • 62% Positiveness
23% Popularity • 25% Danceability • 91% Energy • 10% Liveness
0% Instrumentalness • 62% Positiveness
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Osker
Animal
172 bpm • E min • 02:47 • -5.47db
16% Popularity • 18% Danceability • 97% Energy • 70% Liveness
47% Instrumentalness • 22% Positiveness
16% Popularity • 18% Danceability • 97% Energy • 70% Liveness
47% Instrumentalness • 22% Positiveness
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Pkew Pkew Pkew
The Prime Minister Of Defense
172 bpm • A Maj • 02:39 • -2.86db
10% Popularity • 26% Danceability • 97% Energy • 21% Liveness
8% Instrumentalness • 26% Positiveness
10% Popularity • 26% Danceability • 97% Energy • 21% Liveness
8% Instrumentalness • 26% Positiveness
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The Menzingers
I Was Born
172 bpm • A Maj • 02:44 • -3.97db
29% Popularity • 37% Danceability • 80% Energy • 10% Liveness
0% Instrumentalness • 55% Positiveness
29% Popularity • 37% Danceability • 80% Energy • 10% Liveness
0% Instrumentalness • 55% Positiveness
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Direct Hit!
Was It the Acid?
194 bpm • G# Maj • 02:31 • -3db
19% Popularity • 39% Danceability • 99% Energy • 6% Liveness
0% Instrumentalness • 87% Positiveness
19% Popularity • 39% Danceability • 99% Energy • 6% Liveness
0% Instrumentalness • 87% Positiveness
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Dillinger Four
Honey, I Shit In The Hot Tub
172 bpm • G Maj • 01:41 • -3.97db
31% Popularity • 17% Danceability • 95% Energy • 44% Liveness
8% Instrumentalness • 66% Positiveness
31% Popularity • 17% Danceability • 95% Energy • 44% Liveness
8% Instrumentalness • 66% Positiveness
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Dead To Me
Ran That Scam
171 bpm • B Maj • 02:39 • -7.49db
23% Popularity • 44% Danceability • 95% Energy • 11% Liveness
0% Instrumentalness • 81% Positiveness
23% Popularity • 44% Danceability • 95% Energy • 11% Liveness
0% Instrumentalness • 81% Positiveness
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The Copyrights
Part of the Landscape
196 bpm • D Maj • 02:32 • -2.71db
16% Popularity • 39% Danceability • 96% Energy • 40% Liveness
0% Instrumentalness • 76% Positiveness
16% Popularity • 39% Danceability • 96% Energy • 40% Liveness
0% Instrumentalness • 76% Positiveness
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Smoke Or Fire
Loving, Self-Loathing
196 bpm • A Maj • 01:55 • -6.34db
14% Popularity • 37% Danceability • 95% Energy • 27% Liveness
3% Instrumentalness • 60% Positiveness
14% Popularity • 37% Danceability • 95% Energy • 27% Liveness
3% Instrumentalness • 60% Positiveness
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The Menzingers
A Lesson In The Abuse Of Information Tec...
172 bpm • D Maj • 02:36 • -3.98db
31% Popularity • 38% Danceability • 97% Energy • 9% Liveness
0% Instrumentalness • 39% Positiveness
31% Popularity • 38% Danceability • 97% Energy • 9% Liveness
0% Instrumentalness • 39% Positiveness
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Beach Slang
Punk or Lust
171 bpm • G# Maj • 03:04 • -3.68db
13% Popularity • 14% Danceability • 92% Energy • 9% Liveness
3% Instrumentalness • 46% Positiveness
13% Popularity • 14% Danceability • 92% Energy • 9% Liveness
3% Instrumentalness • 46% Positiveness
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RVIVR
The Tide
196 bpm • G Maj • 03:42 • -2.39db
24% Popularity • 16% Danceability • 99% Energy • 52% Liveness
5% Instrumentalness • 53% Positiveness
24% Popularity • 16% Danceability • 99% Energy • 52% Liveness
5% Instrumentalness • 53% Positiveness
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Lemuria
Get Some Sleep
170 bpm • C# min • 01:44 • -4.03db
16% Popularity • 27% Danceability • 88% Energy • 27% Liveness
0% Instrumentalness • 71% Positiveness
16% Popularity • 27% Danceability • 88% Energy • 27% Liveness
0% Instrumentalness • 71% Positiveness
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Arms Aloft
I Want to Be Leaves
170 bpm • B Maj • 02:59 • -6db
9% Popularity • 35% Danceability • 94% Energy • 16% Liveness
0% Instrumentalness • 57% Positiveness
9% Popularity • 35% Danceability • 94% Energy • 16% Liveness
0% Instrumentalness • 57% Positiveness
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Smoke Or Fire
The Patty Hearst Syndrome
171 bpm • C Maj • 03:00 • -5.78db
23% Popularity • 24% Danceability • 85% Energy • 20% Liveness
0% Instrumentalness • 80% Positiveness
23% Popularity • 24% Danceability • 85% Energy • 20% Liveness
0% Instrumentalness • 80% Positiveness
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Signals Midwest
West Side Summer
170 bpm • C# Maj • 02:32 • -5.75db
19% Popularity • 47% Danceability • 94% Energy • 12% Liveness
0% Instrumentalness • 50% Positiveness
19% Popularity • 47% Danceability • 94% Energy • 12% Liveness
0% Instrumentalness • 50% Positiveness
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Pkew Pkew Pkew
Asshole Pandemic
170 bpm • B Maj • 02:34 • -3.23db
25% Popularity • 41% Danceability • 98% Energy • 35% Liveness
0% Instrumentalness • 52% Positiveness
25% Popularity • 41% Danceability • 98% Energy • 35% Liveness
0% Instrumentalness • 52% Positiveness
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Timeshares
Woke up in Grappler School
170 bpm • A Maj • 02:14 • -5db
9% Popularity • 40% Danceability • 97% Energy • 29% Liveness
0% Instrumentalness • 68% Positiveness
9% Popularity • 40% Danceability • 97% Energy • 29% Liveness
0% Instrumentalness • 68% Positiveness
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MakeWar
Ode
170 bpm • D Maj • 03:04 • -7db
20% Popularity • 50% Danceability • 85% Energy • 9% Liveness
0% Instrumentalness • 66% Positiveness
20% Popularity • 50% Danceability • 85% Energy • 9% Liveness
0% Instrumentalness • 66% Positiveness
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Hot Water Music
Trusty Chords
197 bpm • D Maj • 02:49 • -5db
46% Popularity • 30% Danceability • 97% Energy • 31% Liveness
0% Instrumentalness • 62% Positiveness
46% Popularity • 30% Danceability • 97% Energy • 31% Liveness
0% Instrumentalness • 62% Positiveness
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Smoke Or Fire
Integrity
170 bpm • G Maj • 02:15 • -4.6db
27% Popularity • 46% Danceability • 85% Energy • 7% Liveness
44% Instrumentalness • 74% Positiveness
27% Popularity • 46% Danceability • 85% Energy • 7% Liveness
44% Instrumentalness • 74% Positiveness
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Direct Hit!
Kingdom Come
170 bpm • D# min • 02:01 • -5.02db
18% Popularity • 48% Danceability • 93% Energy • 45% Liveness
0% Instrumentalness • 52% Positiveness
18% Popularity • 48% Danceability • 93% Energy • 45% Liveness
0% Instrumentalness • 52% Positiveness
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Banner Pilot
Modern Shakes
169 bpm • E Maj • 02:28 • -3.34db
32% Popularity • 41% Danceability • 99% Energy • 15% Liveness
85% Instrumentalness • 37% Positiveness
32% Popularity • 41% Danceability • 99% Energy • 15% Liveness
85% Instrumentalness • 37% Positiveness
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Shit Present
Anxious Type
169 bpm • E Maj • 02:47 • -3.23db
26% Popularity • 32% Danceability • 97% Energy • 43% Liveness
0% Instrumentalness • 40% Positiveness
26% Popularity • 32% Danceability • 97% Energy • 43% Liveness
0% Instrumentalness • 40% Positiveness
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Dillinger Four
Mosh For Jesus
198 bpm • B Maj • 02:13 • -3.86db
21% Popularity • 18% Danceability • 99% Energy • 37% Liveness
26% Instrumentalness • 45% Positiveness
21% Popularity • 18% Danceability • 99% Energy • 37% Liveness
26% Instrumentalness • 45% Positiveness
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Desaparecidos
Golden Parachutes
168 bpm • B Maj • 02:03 • -3.44db
19% Popularity • 24% Danceability • 90% Energy • 5% Liveness
0% Instrumentalness • 63% Positiveness
19% Popularity • 24% Danceability • 90% Energy • 5% Liveness
0% Instrumentalness • 63% Positiveness
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Smoke Or Fire
The Speakeasy
170 bpm • C Maj • 02:06 • -4.12db
12% Popularity • 46% Danceability • 96% Energy • 19% Liveness
5% Instrumentalness • 73% Positiveness
12% Popularity • 46% Danceability • 96% Energy • 19% Liveness
5% Instrumentalness • 73% Positiveness
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Captain We're Sinking
Montreal
169 bpm • D# min • 02:21 • -5.92db
36% Popularity • 32% Danceability • 88% Energy • 10% Liveness
0% Instrumentalness • 55% Positiveness
36% Popularity • 32% Danceability • 88% Energy • 10% Liveness
0% Instrumentalness • 55% Positiveness
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RVIVR
Big Lie
168 bpm • F Maj • 02:54 • -6.66db
17% Popularity • 18% Danceability • 96% Energy • 38% Liveness
0% Instrumentalness • 12% Positiveness
17% Popularity • 18% Danceability • 96% Energy • 38% Liveness
0% Instrumentalness • 12% Positiveness
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None More Black
Everyday Balloons
199 bpm • A Maj • 01:50 • -4.12db
26% Popularity • 31% Danceability • 97% Energy • 19% Liveness
0% Instrumentalness • 37% Positiveness
26% Popularity • 31% Danceability • 97% Energy • 19% Liveness
0% Instrumentalness • 37% Positiveness
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Dillinger Four
Parishiltonisametaphor
169 bpm • E Maj • 02:57 • -4db
17% Popularity • 24% Danceability • 96% Energy • 62% Liveness
0% Instrumentalness • 63% Positiveness
17% Popularity • 24% Danceability • 96% Energy • 62% Liveness
0% Instrumentalness • 63% Positiveness
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The Copyrights
Telescope
200 bpm • B Maj • 02:31 • -5.14db
16% Popularity • 30% Danceability • 88% Energy • 20% Liveness
0% Instrumentalness • 20% Positiveness
16% Popularity • 30% Danceability • 88% Energy • 20% Liveness
0% Instrumentalness • 20% Positiveness
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Dead To Me
Fear Is the New Bliss
168 bpm • A Maj • 03:38 • -4.28db
22% Popularity • 28% Danceability • 99% Energy • 36% Liveness
4% Instrumentalness • 16% Positiveness
22% Popularity • 28% Danceability • 99% Energy • 36% Liveness
4% Instrumentalness • 16% Positiveness
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Osker
Patience
167 bpm • F Maj • 01:16 • -8.4db
19% Popularity • 48% Danceability • 72% Energy • 33% Liveness
0% Instrumentalness • 84% Positiveness
19% Popularity • 48% Danceability • 72% Energy • 33% Liveness
0% Instrumentalness • 84% Positiveness
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The Riot Before
We Are Wild Stallions
167 bpm • D Maj • 03:24 • -7.37db
12% Popularity • 48% Danceability • 86% Energy • 35% Liveness
0% Instrumentalness • 59% Positiveness
12% Popularity • 48% Danceability • 86% Energy • 35% Liveness
0% Instrumentalness • 59% Positiveness
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Masked Intruder
I Don't Wanna Be Alone Tonight
201 bpm • A Maj • 01:42 • -4.78db
26% Popularity • 9% Danceability • 86% Energy • 14% Liveness
1% Instrumentalness • 35% Positiveness
26% Popularity • 9% Danceability • 86% Energy • 14% Liveness
1% Instrumentalness • 35% Positiveness
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Smoke Or Fire
Melatonin
167 bpm • D Maj • 02:10 • -5.83db
22% Popularity • 32% Danceability • 88% Energy • 32% Liveness
0% Instrumentalness • 77% Positiveness
22% Popularity • 32% Danceability • 88% Energy • 32% Liveness
0% Instrumentalness • 77% Positiveness
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Pkew Pkew Pkew
Stop Calling Us Chief
166 bpm • D Maj • 01:57 • -3.53db
17% Popularity • 36% Danceability • 96% Energy • 44% Liveness
0% Instrumentalness • 28% Positiveness
17% Popularity • 36% Danceability • 96% Energy • 44% Liveness
0% Instrumentalness • 28% Positiveness
