Songs like Sehnsucht, D. 123: Was zieht mir das Herz so? by Franz Schubert
Based on a tempo of (+/- 10%) and a similar genre
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Franz Schubert
Piano Sonata No. 21 in B-Flat Major, D. ...
132 bpm • G# Maj • 03:44 • -30.76db
26% Popularity • 33% Danceability • 4% Energy • 12% Liveness
93% Instrumentalness • 18% Positiveness
26% Popularity • 33% Danceability • 4% Energy • 12% Liveness
93% Instrumentalness • 18% Positiveness
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Muzio Clementi
Keyboard Sonatina In F Major, Op. 36, No...
132 bpm • A# Maj • 01:30 • -28.05db
51% Popularity • 40% Danceability • 7% Energy • 16% Liveness
90% Instrumentalness • 59% Positiveness
51% Popularity • 40% Danceability • 7% Energy • 16% Liveness
90% Instrumentalness • 59% Positiveness
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Antonín Dvořák
Slavonic Dances, Op. 72, B. 145: No. 2 i...
132 bpm • C Maj • 02:01 • -25db
57% Popularity • 34% Danceability • 5% Energy • 11% Liveness
87% Instrumentalness • 5% Positiveness
57% Popularity • 34% Danceability • 5% Energy • 11% Liveness
87% Instrumentalness • 5% Positiveness
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Frédéric Chopin
Nocturne No. 6 in G Minor, Op. 15 No. 3
132 bpm • D min • 03:56 • -25.61db
51% Popularity • 45% Danceability • 2% Energy • 20% Liveness
93% Instrumentalness • 11% Positiveness
51% Popularity • 45% Danceability • 2% Energy • 20% Liveness
93% Instrumentalness • 11% Positiveness
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Franz Liszt
Mephisto Waltz No. 1, S. 514
132 bpm • E Maj • 11:02 • -20.16db
45% Popularity • 36% Danceability • 15% Energy • 8% Liveness
90% Instrumentalness • 4% Positiveness
45% Popularity • 36% Danceability • 15% Energy • 8% Liveness
90% Instrumentalness • 4% Positiveness
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Gottfried Heinrich Stölzel
Bist du bei mir (Formerly Attrib. J.S. B...
133 bpm • D# Maj • 03:29 • -30db
31% Popularity • 51% Danceability • 1% Energy • 9% Liveness
92% Instrumentalness • 20% Positiveness
31% Popularity • 51% Danceability • 1% Energy • 9% Liveness
92% Instrumentalness • 20% Positiveness
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Joseph Haydn
Concerto pour Violoncelle et Orchestre e...
131 bpm • C Maj • 08:12 • -23.05db
45% Popularity • 20% Danceability • 7% Energy • 10% Liveness
74% Instrumentalness • 4% Positiveness
45% Popularity • 20% Danceability • 7% Energy • 10% Liveness
74% Instrumentalness • 4% Positiveness
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Johann Christian Bach
Viola Concerto in C Minor: II. Adagio mo...
133 bpm • G# Maj • 05:05 • -19.1db
24% Popularity • 18% Danceability • 15% Energy • 10% Liveness
86% Instrumentalness • 6% Positiveness
24% Popularity • 18% Danceability • 15% Energy • 10% Liveness
86% Instrumentalness • 6% Positiveness
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Henry Purcell
Abdelazar Suite, Z. 570: VI. Air
131 bpm • G min • 01:08 • -19db
58% Popularity • 54% Danceability • 21% Energy • 24% Liveness
94% Instrumentalness • 72% Positiveness
58% Popularity • 54% Danceability • 21% Energy • 24% Liveness
94% Instrumentalness • 72% Positiveness
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Camille Saint-Saëns
Cello Concerto No. 1 in A Minor, Op. 33:...
131 bpm • F Maj • 05:13 • -20db
35% Popularity • 29% Danceability • 16% Energy • 9% Liveness
92% Instrumentalness • 14% Positiveness
35% Popularity • 29% Danceability • 16% Energy • 9% Liveness
92% Instrumentalness • 14% Positiveness
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Janos Sebestyen
Concerto In The Italian Style, BWV 971, ...
131 bpm • D min • 05:04 • -24db
42% Popularity • 38% Danceability • 9% Energy • 7% Liveness
89% Instrumentalness • 19% Positiveness
42% Popularity • 38% Danceability • 9% Energy • 7% Liveness
89% Instrumentalness • 19% Positiveness
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Franz Schubert
Alfonso und Estrella, D. 732: Overture, ...
134 bpm • A Maj • 05:46 • -18.51db
27% Popularity • 32% Danceability • 15% Energy • 6% Liveness
83% Instrumentalness • 16% Positiveness
27% Popularity • 32% Danceability • 15% Energy • 6% Liveness
83% Instrumentalness • 16% Positiveness
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Carl Maria von Weber
7 Variations on the Air Vien qua, Dorina...
134 bpm • C Maj • 01:17 • -34db
58% Popularity • 22% Danceability • 1% Energy • 7% Liveness
80% Instrumentalness • 22% Positiveness
58% Popularity • 22% Danceability • 1% Energy • 7% Liveness
80% Instrumentalness • 22% Positiveness
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Sergei Prokofiev
Piano Concerto No. 3 in C, Op. 26: 1. An...
133 bpm • A min • 09:24 • -16db
44% Popularity • 35% Danceability • 25% Energy • 8% Liveness
86% Instrumentalness • 10% Positiveness
44% Popularity • 35% Danceability • 25% Energy • 8% Liveness
86% Instrumentalness • 10% Positiveness
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Jean-Philippe Rameau
Les Boréades, RCT 31, Acte IV, Scène I...
130 bpm • C# Maj • 07:01 • -19db
36% Popularity • 16% Danceability • 14% Energy • 16% Liveness
19% Instrumentalness • 4% Positiveness
36% Popularity • 16% Danceability • 14% Energy • 16% Liveness
19% Instrumentalness • 4% Positiveness
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Robert Schumann
Kinderszenen, Op. 15: No. 7 in F Major, ...
130 bpm • F Maj • 03:06 • -30.17db
60% Popularity • 50% Danceability • 1% Energy • 7% Liveness
95% Instrumentalness • 31% Positiveness
60% Popularity • 50% Danceability • 1% Energy • 7% Liveness
95% Instrumentalness • 31% Positiveness
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Domenico Scarlatti
Sonata in D Minor, K. 32
130 bpm • D min • 02:43 • -30db
41% Popularity • 56% Danceability • 1% Energy • 9% Liveness
93% Instrumentalness • 30% Positiveness
41% Popularity • 56% Danceability • 1% Energy • 9% Liveness
93% Instrumentalness • 30% Positiveness
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Lang Lang
24 Préludes, Op. 28: No. 15 in D Flat M...
134 bpm • C# Maj • 06:34 • -22db
27% Popularity • 42% Danceability • 3% Energy • 9% Liveness
90% Instrumentalness • 6% Positiveness
27% Popularity • 42% Danceability • 3% Energy • 9% Liveness
90% Instrumentalness • 6% Positiveness
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Cologne Chamber Orchestra
Concerto For 4 Violins in B Minor, Op. 3...
129 bpm • F# min • 02:08 • -20.34db
52% Popularity • 44% Danceability • 8% Energy • 20% Liveness
0% Instrumentalness • 10% Positiveness
52% Popularity • 44% Danceability • 8% Energy • 20% Liveness
0% Instrumentalness • 10% Positiveness
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Daniel Barenboim
Bach, JS : Well-Tempered Clavier Book 1 ...
129 bpm • D min • 01:46 • -28.77db
56% Popularity • 25% Danceability • 6% Energy • 9% Liveness
89% Instrumentalness • 17% Positiveness
56% Popularity • 25% Danceability • 6% Energy • 9% Liveness
89% Instrumentalness • 17% Positiveness
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Arcangelo Corelli
Concerto Grosso In D Major, Op. 6, No. 1...
129 bpm • D Maj • 01:13 • -16.72db
60% Popularity • 49% Danceability • 26% Energy • 40% Liveness
37% Instrumentalness • 50% Positiveness
60% Popularity • 49% Danceability • 26% Energy • 40% Liveness
37% Instrumentalness • 50% Positiveness
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Robert Schumann
Kinderszenen, Op. 15: 7. Träumerei
130 bpm • F Maj • 02:55 • -42.24db
55% Popularity • 41% Danceability • 0% Energy • 6% Liveness
90% Instrumentalness • 32% Positiveness
55% Popularity • 41% Danceability • 0% Energy • 6% Liveness
90% Instrumentalness • 32% Positiveness
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Carl Philipp Emanuel Bach
Rondo in D Minor, Wq. 61/4, H. 290
135 bpm • A# Maj • 04:05 • -22db
46% Popularity • 38% Danceability • 9% Energy • 13% Liveness
87% Instrumentalness • 41% Positiveness
46% Popularity • 38% Danceability • 9% Energy • 13% Liveness
87% Instrumentalness • 41% Positiveness
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Johann Christian Bach
Sonata No. 5 in A Major, Op. 17, No. 5: ...
135 bpm • A Maj • 03:38 • -27.59db
40% Popularity • 24% Danceability • 11% Energy • 13% Liveness
90% Instrumentalness • 44% Positiveness
40% Popularity • 24% Danceability • 11% Energy • 13% Liveness
90% Instrumentalness • 44% Positiveness
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Felix Mendelssohn
A Midsummer Night's Dream, Op. 61: Scher...
129 bpm • C min • 04:40 • -25db
37% Popularity • 41% Danceability • 16% Energy • 14% Liveness
91% Instrumentalness • 76% Positiveness
37% Popularity • 41% Danceability • 16% Energy • 14% Liveness
91% Instrumentalness • 76% Positiveness
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Janos Sebestyen
Prelude In G Minor, BWV 930 : Praeambulu...
129 bpm • G min • 01:27 • -24.02db
59% Popularity • 32% Danceability • 24% Energy • 16% Liveness
90% Instrumentalness • 60% Positiveness
59% Popularity • 32% Danceability • 24% Energy • 16% Liveness
90% Instrumentalness • 60% Positiveness
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Pyotr Ilyich Tchaikovsky
Souvenir de Florence, Op. 70
136 bpm • D min • 06:53 • -14.93db
20% Popularity • 42% Danceability • 27% Energy • 7% Liveness
57% Instrumentalness • 36% Positiveness
20% Popularity • 42% Danceability • 27% Energy • 7% Liveness
57% Instrumentalness • 36% Positiveness
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Robert Schumann
Kinderszenen, Op. 15: 7. Träumerei
135 bpm • F Maj • 02:30 • -35.8db
52% Popularity • 40% Danceability • 2% Energy • 9% Liveness
92% Instrumentalness • 28% Positiveness
52% Popularity • 40% Danceability • 2% Energy • 9% Liveness
92% Instrumentalness • 28% Positiveness
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Ignaz Friedman
Orfeo ed Euridice, Act II: Dance of the ...
128 bpm • D min • 04:11 • -34db
53% Popularity • 38% Danceability • 0% Energy • 7% Liveness
90% Instrumentalness • 6% Positiveness
53% Popularity • 38% Danceability • 0% Energy • 7% Liveness
90% Instrumentalness • 6% Positiveness
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Lang Lang
6 Moments musicaux, Op. 94, D. 780: No. ...
128 bpm • F min • 02:02 • -23db
42% Popularity • 42% Danceability • 5% Energy • 9% Liveness
95% Instrumentalness • 13% Positiveness
42% Popularity • 42% Danceability • 5% Energy • 9% Liveness
95% Instrumentalness • 13% Positiveness
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Franz Liszt
Berceuse, S. 174
136 bpm • C# Maj • 09:36 • -30db
34% Popularity • 30% Danceability • 4% Energy • 8% Liveness
92% Instrumentalness • 4% Positiveness
34% Popularity • 30% Danceability • 4% Energy • 8% Liveness
92% Instrumentalness • 4% Positiveness
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Clara Schumann
3 Romances, Op. 11: No. 1, Andante
127 bpm • D# min • 03:02 • -29db
54% Popularity • 31% Danceability • 3% Energy • 10% Liveness
92% Instrumentalness • 5% Positiveness
54% Popularity • 31% Danceability • 3% Energy • 10% Liveness
92% Instrumentalness • 5% Positiveness
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César Franck
Franck: Prélude, fugue et variation, Op...
127 bpm • B min • 04:21 • -34.47db
26% Popularity • 45% Danceability • 2% Energy • 8% Liveness
88% Instrumentalness • 34% Positiveness
26% Popularity • 45% Danceability • 2% Energy • 8% Liveness
88% Instrumentalness • 34% Positiveness
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Robert Schumann
Schumann: Davidsbündlertänze, Op. 6, H...
135 bpm • D# Maj • 02:02 • -36db
47% Popularity • 29% Danceability • 0% Energy • 12% Liveness
97% Instrumentalness • 5% Positiveness
47% Popularity • 29% Danceability • 0% Energy • 12% Liveness
97% Instrumentalness • 5% Positiveness
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Jean Sibelius
Sibelius: 13 Pieces, Op. 76: No. 2, Étu...
127 bpm • A min • 01:14 • -27db
44% Popularity • 41% Danceability • 8% Energy • 11% Liveness
88% Instrumentalness • 88% Positiveness
44% Popularity • 41% Danceability • 8% Energy • 11% Liveness
88% Instrumentalness • 88% Positiveness
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Alexander Scriabin
2 Pieces for the Left Hand, Op. 9: No. 1...
127 bpm • F# min • 02:11 • -29db
46% Popularity • 36% Danceability • 1% Energy • 7% Liveness
96% Instrumentalness • 5% Positiveness
46% Popularity • 36% Danceability • 1% Energy • 7% Liveness
96% Instrumentalness • 5% Positiveness
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Antonín Dvořák
Symphony No. 9 in E minor, Op. 95 "From ...
127 bpm • E min • 07:52 • -16.82db
36% Popularity • 32% Danceability • 14% Energy • 9% Liveness
78% Instrumentalness • 20% Positiveness
36% Popularity • 32% Danceability • 14% Energy • 9% Liveness
78% Instrumentalness • 20% Positiveness
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Dmitri Shostakovich
Tahiti Trot, Op. 16 (orchestral transcri...
138 bpm • G# Maj • 04:09 • -23.16db
48% Popularity • 29% Danceability • 10% Energy • 28% Liveness
86% Instrumentalness • 19% Positiveness
48% Popularity • 29% Danceability • 10% Energy • 28% Liveness
86% Instrumentalness • 19% Positiveness
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Felix Mendelssohn
Lieder ohne Worte, Op. 19, No. 1
138 bpm • E Maj • 03:14 • -34db
47% Popularity • 22% Danceability • 1% Energy • 8% Liveness
90% Instrumentalness • 10% Positiveness
47% Popularity • 22% Danceability • 1% Energy • 8% Liveness
90% Instrumentalness • 10% Positiveness
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Robert Schumann
Kinderszenen, Op. 15: 1. Von fremden Lä...
128 bpm • G Maj • 01:53 • -41.93db
60% Popularity • 28% Danceability • 0% Energy • 6% Liveness
91% Instrumentalness • 32% Positiveness
60% Popularity • 28% Danceability • 0% Energy • 6% Liveness
91% Instrumentalness • 32% Positiveness
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Joseph Haydn
Haydn: Cello Concerto No. 2 in D Major, ...
139 bpm • D Maj • 04:50 • -15.87db
34% Popularity • 37% Danceability • 17% Energy • 11% Liveness
66% Instrumentalness • 56% Positiveness
34% Popularity • 37% Danceability • 17% Energy • 11% Liveness
66% Instrumentalness • 56% Positiveness
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Maurice Ravel
Ravel: Pavane pour une infante défunte,...
126 bpm • E min • 05:46 • -27db
60% Popularity • 49% Danceability • 2% Energy • 10% Liveness
93% Instrumentalness • 9% Positiveness
60% Popularity • 49% Danceability • 2% Energy • 10% Liveness
93% Instrumentalness • 9% Positiveness
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Janos Sebestyen
Prelude In C Major, BWV 924 : Praeambulu...
139 bpm • C Maj • 01:07 • -26db
62% Popularity • 27% Danceability • 22% Energy • 12% Liveness
85% Instrumentalness • 60% Positiveness
62% Popularity • 27% Danceability • 22% Energy • 12% Liveness
85% Instrumentalness • 60% Positiveness
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Sergei Rachmaninoff
6 Moments musicaux, Op. 16: No. 4, Prest...
126 bpm • E min • 03:09 • -21db
31% Popularity • 26% Danceability • 19% Energy • 10% Liveness
86% Instrumentalness • 7% Positiveness
31% Popularity • 26% Danceability • 19% Energy • 10% Liveness
86% Instrumentalness • 7% Positiveness
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Fanny Mendelssohn
Notturno in G Minor
125 bpm • G min • 04:40 • -27db
33% Popularity • 40% Danceability • 5% Energy • 7% Liveness
87% Instrumentalness • 7% Positiveness
33% Popularity • 40% Danceability • 5% Energy • 7% Liveness
87% Instrumentalness • 7% Positiveness
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Wilhelm Müller
美しき水車小屋の娘 Op. 25, D. 7...
125 bpm • G Maj • 02:27 • -20.83db
3% Popularity • 42% Danceability • 8% Energy • 8% Liveness
0% Instrumentalness • 23% Positiveness
3% Popularity • 42% Danceability • 8% Energy • 8% Liveness
0% Instrumentalness • 23% Positiveness
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Ottorino Respighi
Antiche Danze Ed Arie Per Liuto (Ancient...
125 bpm • D Maj • 02:47 • -23db
43% Popularity • 51% Danceability • 12% Energy • 12% Liveness
84% Instrumentalness • 35% Positiveness
43% Popularity • 51% Danceability • 12% Energy • 12% Liveness
84% Instrumentalness • 35% Positiveness
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Frédéric Chopin
Nocturne No. 19 In E Minor, Op. 72 No. 1
139 bpm • B Maj • 03:35 • -30.29db
43% Popularity • 26% Danceability • 1% Energy • 9% Liveness
82% Instrumentalness • 6% Positiveness
43% Popularity • 26% Danceability • 1% Energy • 9% Liveness
82% Instrumentalness • 6% Positiveness
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Franz Schubert
Nacht und Traume, D. 827
139 bpm • F# Maj • 03:39 • -29db
29% Popularity • 23% Danceability • 5% Energy • 9% Liveness
5% Instrumentalness • 4% Positiveness
29% Popularity • 23% Danceability • 5% Energy • 9% Liveness
5% Instrumentalness • 4% Positiveness
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Domenico Scarlatti
Sonata in G Major, KK. 455
139 bpm • G Maj • 01:44 • -30db
42% Popularity • 40% Danceability • 15% Energy • 10% Liveness
88% Instrumentalness • 70% Positiveness
42% Popularity • 40% Danceability • 15% Energy • 10% Liveness
88% Instrumentalness • 70% Positiveness
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Janos Sebestyen
Prelude In D Major, BWV 925 : Prelude In...
139 bpm • D Maj • 01:08 • -22db
60% Popularity • 32% Danceability • 26% Energy • 12% Liveness
92% Instrumentalness • 82% Positiveness
60% Popularity • 32% Danceability • 26% Energy • 12% Liveness
92% Instrumentalness • 82% Positiveness
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Benjamin Frith
Nocturne No. 12 In G Major, H. 58d: Noct...
125 bpm • G Maj • 02:27 • -32db
52% Popularity • 34% Danceability • 1% Energy • 10% Liveness
82% Instrumentalness • 13% Positiveness
52% Popularity • 34% Danceability • 1% Energy • 10% Liveness
82% Instrumentalness • 13% Positiveness
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Antonín Dvořák
Gypsy Melodies, Op. 55, B. 104: IV. Song...
125 bpm • D Maj • 02:31 • -25.5db
43% Popularity • 24% Danceability • 5% Energy • 13% Liveness
82% Instrumentalness • 6% Positiveness
43% Popularity • 24% Danceability • 5% Energy • 13% Liveness
82% Instrumentalness • 6% Positiveness
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Joseph Haydn
Haydn: Symphony No. 94 in G Major, Hob. ...
140 bpm • G Maj • 04:01 • -16.26db
33% Popularity • 44% Danceability • 24% Energy • 15% Liveness
94% Instrumentalness • 50% Positiveness
33% Popularity • 44% Danceability • 24% Energy • 15% Liveness
94% Instrumentalness • 50% Positiveness
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Franz Schubert
4 Impromptus, Op. 90, D.899: No. 4 in A ...
125 bpm • G# Maj • 08:17 • -27db
50% Popularity • 34% Danceability • 2% Energy • 13% Liveness
92% Instrumentalness • 4% Positiveness
50% Popularity • 34% Danceability • 2% Energy • 13% Liveness
92% Instrumentalness • 4% Positiveness
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Jean Sibelius
13 Pieces, Op. 76: No. 2. Etude
140 bpm • A min • 01:12 • -24db
58% Popularity • 33% Danceability • 23% Energy • 10% Liveness
90% Instrumentalness • 92% Positiveness
58% Popularity • 33% Danceability • 23% Energy • 10% Liveness
90% Instrumentalness • 92% Positiveness
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Janos Sebestyen
Prelude In F Major, BWV 928 : Prelude In...
140 bpm • F Maj • 01:26 • -23.98db
57% Popularity • 37% Danceability • 25% Energy • 12% Liveness
93% Instrumentalness • 74% Positiveness
57% Popularity • 37% Danceability • 25% Energy • 12% Liveness
93% Instrumentalness • 74% Positiveness
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Fanny Mendelssohn
6 Melodies, Op. 4 - 6 melodies, Op. 5: A...
140 bpm • C# min • 01:33 • -30.89db
43% Popularity • 28% Danceability • 4% Energy • 11% Liveness
79% Instrumentalness • 5% Positiveness
43% Popularity • 28% Danceability • 4% Energy • 11% Liveness
79% Instrumentalness • 5% Positiveness
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Robert Schumann
Kinderszenen, Op. 15: 12. Kind im Einsch...
123 bpm • E min • 02:23 • -40db
48% Popularity • 40% Danceability • 0% Energy • 7% Liveness
96% Instrumentalness • 10% Positiveness
48% Popularity • 40% Danceability • 0% Energy • 7% Liveness
96% Instrumentalness • 10% Positiveness
► Preview
Joseph Haydn
Haydn: Cello Concerto No. 1 in C Major, ...
124 bpm • F Maj • 08:31 • -23.81db
30% Popularity • 21% Danceability • 8% Energy • 11% Liveness
89% Instrumentalness • 9% Positiveness
30% Popularity • 21% Danceability • 8% Energy • 11% Liveness
89% Instrumentalness • 9% Positiveness
► Preview
Wilhelm Müller
美しき水車小屋の娘 Op. 25, D. 7...
124 bpm • G min • 01:44 • -14.98db
3% Popularity • 48% Danceability • 18% Energy • 10% Liveness
0% Instrumentalness • 36% Positiveness
3% Popularity • 48% Danceability • 18% Energy • 10% Liveness
0% Instrumentalness • 36% Positiveness
► Preview
Ludwig van Beethoven
Piano Sonata No. 17 in D Minor, Op. 31, ...
123 bpm • G min • 06:15 • -23db
42% Popularity • 28% Danceability • 9% Energy • 8% Liveness
89% Instrumentalness • 22% Positiveness
42% Popularity • 28% Danceability • 9% Energy • 8% Liveness
89% Instrumentalness • 22% Positiveness
► Preview
Carl Maria von Weber
Variations on a Theme from the Opera Sil...
123 bpm • A# Maj • 01:10 • -17.02db
48% Popularity • 41% Danceability • 31% Energy • 10% Liveness
96% Instrumentalness • 72% Positiveness
48% Popularity • 41% Danceability • 31% Energy • 10% Liveness
96% Instrumentalness • 72% Positiveness
► Preview
Johannes Brahms
21 Hungarian Dances, WoO 1: Hungarian Da...
142 bpm • G min • 02:55 • -18.66db
48% Popularity • 26% Danceability • 24% Energy • 35% Liveness
93% Instrumentalness • 47% Positiveness
48% Popularity • 26% Danceability • 24% Energy • 35% Liveness
93% Instrumentalness • 47% Positiveness
► Preview
Gabriel Fauré
« Dolly », 6 pièces pour piano à 4 m...
142 bpm • E Maj • 02:33 • -32.97db
43% Popularity • 44% Danceability • 1% Energy • 10% Liveness
92% Instrumentalness • 27% Positiveness
43% Popularity • 44% Danceability • 1% Energy • 10% Liveness
92% Instrumentalness • 27% Positiveness
► Preview
Carl Philipp Emanuel Bach
Solfeggietto in C minor, Wq. 117/2
122 bpm • F min • 01:16 • -26.68db
56% Popularity • 34% Danceability • 20% Energy • 9% Liveness
92% Instrumentalness • 59% Positiveness
56% Popularity • 34% Danceability • 20% Energy • 9% Liveness
92% Instrumentalness • 59% Positiveness
► Preview
Francis Poulenc
Cello Sonata, FP 143: Cavatine: Tres cal...
122 bpm • A# min • 06:22 • -25db
37% Popularity • 22% Danceability • 2% Energy • 14% Liveness
87% Instrumentalness • 4% Positiveness
37% Popularity • 22% Danceability • 2% Energy • 14% Liveness
87% Instrumentalness • 4% Positiveness
► Preview
Ludwig van Beethoven
Eroica Dance (Arr. for Piano from Sympho...
143 bpm • D# Maj • 01:25 • -21.95db
42% Popularity • 35% Danceability • 18% Energy • 17% Liveness
90% Instrumentalness • 42% Positiveness
42% Popularity • 35% Danceability • 18% Energy • 17% Liveness
90% Instrumentalness • 42% Positiveness
► Preview
Fanny Mendelssohn
Schwanenlied
143 bpm • G min • 02:30 • -21.42db
49% Popularity • 24% Danceability • 11% Energy • 11% Liveness
94% Instrumentalness • 18% Positiveness
49% Popularity • 24% Danceability • 11% Energy • 11% Liveness
94% Instrumentalness • 18% Positiveness
► Preview
Carl Maria von Weber
7 Variations on an original theme, Op. 9...
121 bpm • F Maj • 00:57 • -35db
59% Popularity • 36% Danceability • 2% Energy • 10% Liveness
96% Instrumentalness • 38% Positiveness
59% Popularity • 36% Danceability • 2% Energy • 10% Liveness
96% Instrumentalness • 38% Positiveness
► Preview
Georg Philipp Telemann
Viola Concerto in G Major, TWV 51:G9: I....
144 bpm • G Maj • 03:44 • -21.35db
45% Popularity • 20% Danceability • 10% Energy • 40% Liveness
73% Instrumentalness • 11% Positiveness
45% Popularity • 20% Danceability • 10% Energy • 40% Liveness
73% Instrumentalness • 11% Positiveness
► Preview
Carl Philipp Emanuel Bach
Bach, CPE: Solfegietto in C Minor, Wq. 1...
143 bpm • F min • 01:04 • -28.06db
51% Popularity • 21% Danceability • 14% Energy • 15% Liveness
90% Instrumentalness • 56% Positiveness
51% Popularity • 21% Danceability • 14% Energy • 15% Liveness
90% Instrumentalness • 56% Positiveness
► Preview
Bedřich Smetana
6 Album Leaves, Op. 2, JB 1:51: No. 3 in...
144 bpm • G Maj • 01:14 • -25db
51% Popularity • 24% Danceability • 15% Energy • 13% Liveness
86% Instrumentalness • 36% Positiveness
51% Popularity • 24% Danceability • 15% Energy • 13% Liveness
86% Instrumentalness • 36% Positiveness
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Domenico Scarlatti
Keyboard Sonata in C Major, Kk. 159
120 bpm • C Maj • 02:23 • -27db
52% Popularity • 57% Danceability • 20% Energy • 10% Liveness
82% Instrumentalness • 71% Positiveness
52% Popularity • 57% Danceability • 20% Energy • 10% Liveness
82% Instrumentalness • 71% Positiveness
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Franz Schubert
Mass No. 6 in E-Flat Major, D. 950: Sanc...
146 bpm • D# Maj • 01:59 • -15db
30% Popularity • 24% Danceability • 14% Energy • 9% Liveness
44% Instrumentalness • 4% Positiveness
30% Popularity • 24% Danceability • 14% Energy • 9% Liveness
44% Instrumentalness • 4% Positiveness
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Arcangelo Corelli
Concerto grosso No. 1 in D Major, Op. 6:...
146 bpm • C# Maj • 02:24 • -14db
50% Popularity • 29% Danceability • 19% Energy • 10% Liveness
21% Instrumentalness • 25% Positiveness
50% Popularity • 29% Danceability • 19% Energy • 10% Liveness
21% Instrumentalness • 25% Positiveness
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Carl Maria von Weber
Divertimento No. 6 in G Major, Op. 38: D...
119 bpm • G Maj • 01:12 • -27db
49% Popularity • 46% Danceability • 2% Energy • 13% Liveness
86% Instrumentalness • 26% Positiveness
49% Popularity • 46% Danceability • 2% Energy • 13% Liveness
86% Instrumentalness • 26% Positiveness
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George Frideric Handel
Handel: Suite No. 11 in D Minor, HWV 437...
119 bpm • D min • 02:57 • -28.68db
55% Popularity • 45% Danceability • 1% Energy • 6% Liveness
92% Instrumentalness • 18% Positiveness
55% Popularity • 45% Danceability • 1% Energy • 6% Liveness
92% Instrumentalness • 18% Positiveness
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Robert Schumann
Spanish Romance, Op. 74: The Smuggler (T...
147 bpm • G min • 02:00 • -26db
38% Popularity • 30% Danceability • 13% Energy • 11% Liveness
93% Instrumentalness • 59% Positiveness
38% Popularity • 30% Danceability • 13% Energy • 11% Liveness
93% Instrumentalness • 59% Positiveness
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Tomaso Albinoni
Sonata a 5 in G Minor, Op. 2, No. 6: I. ...
147 bpm • C min • 01:15 • -18db
55% Popularity • 28% Danceability • 8% Energy • 27% Liveness
5% Instrumentalness • 20% Positiveness
55% Popularity • 28% Danceability • 8% Energy • 27% Liveness
5% Instrumentalness • 20% Positiveness
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Ludwig van Beethoven
Violin Sonata No. 5 in F Major, Op. 24 "...
147 bpm • F Maj • 09:40 • -21db
39% Popularity • 36% Danceability • 6% Energy • 6% Liveness
19% Instrumentalness • 20% Positiveness
39% Popularity • 36% Danceability • 6% Energy • 6% Liveness
19% Instrumentalness • 20% Positiveness
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Vladimir Horowitz
Carmen Variations
148 bpm • E Maj • 03:33 • -20db
42% Popularity • 36% Danceability • 24% Energy • 10% Liveness
92% Instrumentalness • 24% Positiveness
42% Popularity • 36% Danceability • 24% Energy • 10% Liveness
92% Instrumentalness • 24% Positiveness
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Jean-Philippe Rameau
Tambourin
148 bpm • E min • 00:56 • -22.81db
41% Popularity • 36% Danceability • 32% Energy • 12% Liveness
93% Instrumentalness • 51% Positiveness
41% Popularity • 36% Danceability • 32% Energy • 12% Liveness
93% Instrumentalness • 51% Positiveness
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Hector Berlioz
Symphonie fantastique, Op. 14: Marche au...
148 bpm • A# Maj • 07:11 • -17.76db
43% Popularity • 35% Danceability • 21% Energy • 8% Liveness
92% Instrumentalness • 33% Positiveness
43% Popularity • 35% Danceability • 21% Energy • 8% Liveness
92% Instrumentalness • 33% Positiveness
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Fanny Mendelssohn
Schluss
118 bpm • C Maj • 02:15 • -34db
50% Popularity • 27% Danceability • 3% Energy • 6% Liveness
86% Instrumentalness • 28% Positiveness
50% Popularity • 27% Danceability • 3% Energy • 6% Liveness
86% Instrumentalness • 28% Positiveness
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Domenico Scarlatti
Keyboard Sonata in D Minor, K.9/L.413/P....
118 bpm • F Maj • 03:18 • -25.07db
44% Popularity • 47% Danceability • 13% Energy • 7% Liveness
92% Instrumentalness • 76% Positiveness
44% Popularity • 47% Danceability • 13% Energy • 7% Liveness
92% Instrumentalness • 76% Positiveness
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Antonio Vivaldi
Concerto For 4 Violins In D Major, Op. 3...
117 bpm • D Maj • 03:01 • -16db
47% Popularity • 56% Danceability • 34% Energy • 14% Liveness
7% Instrumentalness • 67% Positiveness
47% Popularity • 56% Danceability • 34% Energy • 14% Liveness
7% Instrumentalness • 67% Positiveness
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Franz Liszt
Mendelssohns Lieder, S. 547: Auf Flugeln...
149 bpm • G# Maj • 03:19 • -30.75db
52% Popularity • 30% Danceability • 1% Energy • 11% Liveness
94% Instrumentalness • 13% Positiveness
52% Popularity • 30% Danceability • 1% Energy • 11% Liveness
94% Instrumentalness • 13% Positiveness
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Arcangelo Corelli
Sonata in D Major, No. 1: III. Allegro
117 bpm • G# Maj • 01:05 • -15.54db
59% Popularity • 41% Danceability • 36% Energy • 11% Liveness
7% Instrumentalness • 44% Positiveness
59% Popularity • 41% Danceability • 36% Energy • 11% Liveness
7% Instrumentalness • 44% Positiveness
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Ottorino Respighi
Gli uccelli (The Birds), P. 154: V. Il c...
117 bpm • A Maj • 04:22 • -20.39db
42% Popularity • 26% Danceability • 7% Energy • 33% Liveness
44% Instrumentalness • 14% Positiveness
42% Popularity • 26% Danceability • 7% Energy • 33% Liveness
44% Instrumentalness • 14% Positiveness
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Johann Wolfgang von Goethe
Schubert: Heidenröslein
117 bpm • E Maj • 01:58 • -26db
7% Popularity • 42% Danceability • 4% Energy • 10% Liveness
0% Instrumentalness • 26% Positiveness
7% Popularity • 42% Danceability • 4% Energy • 10% Liveness
0% Instrumentalness • 26% Positiveness
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Henry Purcell
King Arthur, Z. 628, "The British Worthy...
114 bpm • C# min • 01:25 • -24.82db
48% Popularity • 36% Danceability • 1% Energy • 17% Liveness
44% Instrumentalness • 22% Positiveness
48% Popularity • 36% Danceability • 1% Energy • 17% Liveness
44% Instrumentalness • 22% Positiveness
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Antonio Vivaldi
Concerto for Strings in A Minor, RV 161:...
115 bpm • A min • 01:38 • -15db
56% Popularity • 51% Danceability • 36% Energy • 14% Liveness
96% Instrumentalness • 67% Positiveness
56% Popularity • 51% Danceability • 36% Energy • 14% Liveness
96% Instrumentalness • 67% Positiveness
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Edvard Grieg
Piano Concerto in A Minor, Op. 16: III. ...
115 bpm • F Maj • 10:21 • -16db
27% Popularity • 38% Danceability • 22% Energy • 11% Liveness
88% Instrumentalness • 5% Positiveness
27% Popularity • 38% Danceability • 22% Energy • 11% Liveness
88% Instrumentalness • 5% Positiveness
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Pyotr Ilyich Tchaikovsky
Souvenir d'un lieu cher, Op. 42: 1. Medi...
114 bpm • A# Maj • 09:49 • -24.06db
30% Popularity • 24% Danceability • 8% Energy • 14% Liveness
1% Instrumentalness • 4% Positiveness
30% Popularity • 24% Danceability • 8% Energy • 14% Liveness
1% Instrumentalness • 4% Positiveness
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Hector Berlioz
Symphonie fantastique, Op. 14, H 48: II....
113 bpm • A Maj • 06:36 • -26db
35% Popularity • 27% Danceability • 5% Energy • 14% Liveness
76% Instrumentalness • 14% Positiveness
35% Popularity • 27% Danceability • 5% Energy • 14% Liveness
76% Instrumentalness • 14% Positiveness
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Max Bruch
Bruch: Violin Concerto No. 1 in G Minor,...
113 bpm • D# Maj • 08:09 • -18.67db
38% Popularity • 24% Danceability • 14% Energy • 12% Liveness
16% Instrumentalness • 11% Positiveness
38% Popularity • 24% Danceability • 14% Energy • 12% Liveness
16% Instrumentalness • 11% Positiveness
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Robert Schumann
Kinderszenen, Op. 15: 4. Bittendes Kind
113 bpm • D Maj • 00:59 • -38db
57% Popularity • 40% Danceability • 0% Energy • 11% Liveness
78% Instrumentalness • 36% Positiveness
57% Popularity • 40% Danceability • 0% Energy • 11% Liveness
78% Instrumentalness • 36% Positiveness
