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Semi-Simple Variations
Songs like
Semi-Simple Variations
by
Milton Babbitt
Based on a tempo of (+/- 10%) and a similar genre
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Karlheinz Stockhausen
Tierkreis, Work No. 41 1/2: No. 7. Leo
111 bpm • E Maj • 01:58 • -25db
15% Popularity • 57% Danceability • 3% Energy • 9% Liveness
87% Instrumentalness • 30% Positiveness
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Zoltán Kodály
Duo for Violin and Cello, Op. 7: I. Alle...
111 bpm • G Maj • 07:57 • -18.1db
8% Popularity • 31% Danceability • 14% Energy • 12% Liveness
72% Instrumentalness • 19% Positiveness
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Milton Babbitt
Semi-Simple Variations
111 bpm • E Maj • 01:15 • -28.82db
12% Popularity • 40% Danceability • 3% Energy • 12% Liveness
90% Instrumentalness • 31% Positiveness
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György Ligeti
Ligeti: Hamburg Concerto: VI. Capriccio
111 bpm • F Maj • 01:09 • -20db
7% Popularity • 35% Danceability • 12% Energy • 10% Liveness
80% Instrumentalness • 7% Positiveness
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John Adams
Girls of the Golden West: Lola Montez Do...
111 bpm • G Maj • 05:52 • -20.15db
19% Popularity • 42% Danceability • 17% Energy • 11% Liveness
80% Instrumentalness • 7% Positiveness
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Meredith Monk
Totentanz
111 bpm • G# Maj • 03:07 • -21.67db
11% Popularity • 50% Danceability • 14% Energy • 12% Liveness
93% Instrumentalness • 28% Positiveness
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Dmitri Shostakovich
24 Preludes and Fugues, Op. 87: Fugue No...
112 bpm • A min • 01:33 • -19.84db
13% Popularity • 56% Danceability • 24% Energy • 5% Liveness
90% Instrumentalness • 72% Positiveness
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Igor Stravinsky
Agon: Double Pas de quatre
112 bpm • D Maj • 01:23 • -21db
9% Popularity • 56% Danceability • 12% Energy • 13% Liveness
90% Instrumentalness • 26% Positiveness
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Krzysztof Penderecki
Symphony No. 3: Andante con noto
110 bpm • C Maj • 03:34 • -29db
14% Popularity • 16% Danceability • 0% Energy • 9% Liveness
74% Instrumentalness • 3% Positiveness
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BĂ©la BartĂłk
String Quartet No. 4, BB 95: I. Allegro
112 bpm • G Maj • 06:16 • -18.8db
12% Popularity • 42% Danceability • 10% Energy • 32% Liveness
83% Instrumentalness • 18% Positiveness
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Olivier Messiaen
4 Etudes de rythme: Mode de valeurs et d...
112 bpm • E Maj • 04:07 • -27db
11% Popularity • 60% Danceability • 2% Energy • 18% Liveness
16% Instrumentalness • 9% Positiveness
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John Cage
Two Pieces For Piano (1935): II Quite fa...
110 bpm • G# Maj • 01:21 • -30db
10% Popularity • 29% Danceability • 13% Energy • 11% Liveness
94% Instrumentalness • 77% Positiveness
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Arnold Schoenberg
Schoenberg: 3 Piano Pieces, Op. 11: No. ...
112 bpm • A# min • 02:25 • -26db
12% Popularity • 42% Danceability • 7% Energy • 25% Liveness
95% Instrumentalness • 14% Positiveness
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Fernande Decruck
Saxophone Sonata in C-Sharp Major: I. Tr...
112 bpm • E Maj • 04:09 • -22.24db
9% Popularity • 26% Danceability • 5% Energy • 14% Liveness
70% Instrumentalness • 13% Positiveness
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Milton Babbitt
Accompanied Recitative
110 bpm • B Maj • 01:59 • -12.7db
0% Popularity • 57% Danceability • 17% Energy • 8% Liveness
88% Instrumentalness • 35% Positiveness
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Igor Stravinsky
Concerto For Piano And Wind Instruments:...
112 bpm • A min • 07:13 • -22db
8% Popularity • 49% Danceability • 17% Energy • 7% Liveness
89% Instrumentalness • 24% Positiveness
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Olivier Messiaen
Turangalîla Symphonie: 9. Turangalîla ...
112 bpm • A# Maj • 04:27 • -32db
7% Popularity • 36% Danceability • 12% Energy • 10% Liveness
0% Instrumentalness • 8% Positiveness
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Toru Takemitsu
Saegirarenai kyusoku (Uninterrupted Rest...
112 bpm • A# Maj • 01:55 • -30db
16% Popularity • 61% Danceability • 1% Energy • 8% Liveness
69% Instrumentalness • 8% Positiveness
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Valentin Silvestrov
Cantata No. 4: No. 2, Pastoral
113 bpm • G Maj • 02:10 • -40.88db
21% Popularity • 17% Danceability • 0% Energy • 7% Liveness
88% Instrumentalness • 4% Positiveness
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Claude Debussy
Sonata For Flute, Viola And Harp, L. 137...
113 bpm • F Maj • 07:07 • -26.5db
15% Popularity • 27% Danceability • 3% Energy • 11% Liveness
69% Instrumentalness • 4% Positiveness
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Milton Babbitt
Mehr "DU" for Mezzo Soprano, Viola and P...
113 bpm • G# min • 01:44 • -24.65db
0% Popularity • 42% Danceability • 3% Energy • 11% Liveness
0% Instrumentalness • 7% Positiveness
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Ludwig van Beethoven
Sonata No. 1 In F Minor, Op. 2 No. 1 - I...
109 bpm • F min • 05:48 • -22.08db
3% Popularity • 39% Danceability • 12% Energy • 8% Liveness
91% Instrumentalness • 31% Positiveness
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György Ligeti
Ligeti: Hamburg Concerto: III. Aria, Aks...
114 bpm • C Maj • 01:05 • -23.59db
12% Popularity • 38% Danceability • 9% Energy • 14% Liveness
93% Instrumentalness • 55% Positiveness
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Morton Feldman
Jackson Pollock (1950-51) for two Cellos...
109 bpm • D# Maj • 00:57 • -39.9db
10% Popularity • 30% Danceability • 0% Energy • 7% Liveness
0% Instrumentalness • 12% Positiveness
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Arnold Schoenberg
5 KlavierstĂĽcke, Op. 23: No. 5, Walzer
108 bpm • D Maj • 02:54 • -23.61db
8% Popularity • 46% Danceability • 7% Energy • 13% Liveness
88% Instrumentalness • 18% Positiveness
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Alexander Scriabin
Vers la flamme, Op. 72: Allegro moderato...
108 bpm • C min • 05:43 • -17.38db
11% Popularity • 35% Danceability • 25% Energy • 10% Liveness
90% Instrumentalness • 3% Positiveness
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Milton Babbitt
Beaten Paths
113 bpm • B min • 04:38 • -22.51db
0% Popularity • 56% Danceability • 0% Energy • 9% Liveness
22% Instrumentalness • 20% Positiveness
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Maurice Ravel
Ravel: Violin Sonata No. 2 in G Major, M...
114 bpm • F min • 04:59 • -22.66db
11% Popularity • 44% Danceability • 7% Energy • 7% Liveness
4% Instrumentalness • 13% Positiveness
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Robert Schumann
Davidsbündlertänze, Op. 6: VI. Ballade...
108 bpm • G min • 01:40 • -26.53db
0% Popularity • 41% Danceability • 18% Energy • 11% Liveness
82% Instrumentalness • 10% Positiveness
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Philip Glass
Concerto for Saxophone - Quartet: Moveve...
108 bpm • C# Maj • 06:22 • -22db
20% Popularity • 29% Danceability • 7% Energy • 11% Liveness
93% Instrumentalness • 8% Positiveness
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Radamés Gnattali
Preludio amolecado
114 bpm • C Maj • 01:52 • -25.37db
8% Popularity • 35% Danceability • 10% Energy • 12% Liveness
93% Instrumentalness • 46% Positiveness
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Claude Debussy
String Quartet in G Minor, Op. 10, L. 85...
108 bpm • C min • 03:49 • -18.55db
13% Popularity • 51% Danceability • 19% Energy • 15% Liveness
69% Instrumentalness • 60% Positiveness
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Milton Babbitt
Homily
109 bpm • F Maj • 03:45 • -26.8db
0% Popularity • 52% Danceability • 3% Energy • 9% Liveness
92% Instrumentalness • 4% Positiveness
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Ludwig van Beethoven
Sonata In A-flat Major, Op. 110 - Modera...
114 bpm • G# Maj • 06:35 • -24.33db
1% Popularity • 38% Danceability • 5% Energy • 9% Liveness
87% Instrumentalness • 10% Positiveness
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Iannis Xenakis
6 Chansons: No. 1. Ca sent le musc… (I...
108 bpm • A min • 01:07 • -29.64db
22% Popularity • 35% Danceability • 8% Energy • 8% Liveness
88% Instrumentalness • 20% Positiveness
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Steve Reich
City Life: II. Pile Driver / Alarms
108 bpm • A min • 03:53 • -14.14db
8% Popularity • 28% Danceability • 23% Energy • 44% Liveness
76% Instrumentalness • 3% Positiveness
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Robert Schumann
Davidsbündlertänze, Op. 6: XII. Mit Hu...
115 bpm • E min • 00:41 • -29.35db
0% Popularity • 47% Danceability • 5% Energy • 14% Liveness
77% Instrumentalness • 91% Positiveness
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Roger Sessions
Concerto for Piano and Orchestra: III. A...
107 bpm • F# Maj • 04:15 • -22.57db
0% Popularity • 41% Danceability • 15% Energy • 12% Liveness
71% Instrumentalness • 29% Positiveness
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Terry Riley
Cadenza on the Night Plain: Captain Jack...
115 bpm • C# Maj • 01:44 • -31db
29% Popularity • 53% Danceability • 7% Energy • 11% Liveness
85% Instrumentalness • 89% Positiveness
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Maurice Ravel
Ravel: Violin Sonata No. 2 in G Major, M...
115 bpm • G# Maj • 05:30 • -18.08db
8% Popularity • 46% Danceability • 14% Energy • 18% Liveness
10% Instrumentalness • 14% Positiveness
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Arnold Schoenberg
String Quartet No. 2, Op. 10: II. Sehr r...
115 bpm • C Maj • 07:17 • -22.86db
7% Popularity • 36% Danceability • 7% Energy • 29% Liveness
1% Instrumentalness • 6% Positiveness
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Andrew Norman
The Companion Guide To Rome: II Benedett...
115 bpm • G Maj • 01:39 • -16.16db
8% Popularity • 38% Danceability • 17% Energy • 23% Liveness
88% Instrumentalness • 22% Positiveness
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John Cage
Music of Changes: I
115 bpm • A# min • 04:10 • -20db
10% Popularity • 73% Danceability • 3% Energy • 8% Liveness
30% Instrumentalness • 27% Positiveness
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Olivier Messiaen
Quatuor pour la fin du Temps: VI. Danse ...
107 bpm • C# Maj • 06:03 • -14db
16% Popularity • 43% Danceability • 22% Energy • 23% Liveness
88% Instrumentalness • 16% Positiveness
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Dmitri Shostakovich
String Quartet No. 6 in G Major, Op. 101...
107 bpm • D Maj • 07:21 • -20.41db
12% Popularity • 39% Danceability • 8% Energy • 10% Liveness
50% Instrumentalness • 9% Positiveness
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George Crumb
Black Angels: II. Absence
115 bpm • G min • 05:25 • -23.13db
9% Popularity • 29% Danceability • 5% Energy • 8% Liveness
34% Instrumentalness • 4% Positiveness
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Iannis Xenakis
6 Chansons: No. 6. Soustra, dance
107 bpm • A# Maj • 01:24 • -18db
9% Popularity • 28% Danceability • 28% Energy • 33% Liveness
86% Instrumentalness • 69% Positiveness
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Ludwig van Beethoven
Sonata No. 1 In F Minor, Op. 2 No. 1 - I...
116 bpm • F min • 07:04 • -20.74db
1% Popularity • 44% Danceability • 15% Energy • 10% Liveness
87% Instrumentalness • 36% Positiveness
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Milton Babbitt
My Ends Are My Beginnings: II. —
116 bpm • F Maj • 05:17 • -26.85db
0% Popularity • 47% Danceability • 0% Energy • 16% Liveness
0% Instrumentalness • 25% Positiveness
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Maurice Ravel
Ravel: Sonata for Violin and Cello, M. 7...
116 bpm • A min • 05:03 • -20.68db
8% Popularity • 33% Danceability • 5% Energy • 19% Liveness
48% Instrumentalness • 31% Positiveness
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Krzysztof Meyer
Krzysztof Meyer: Sonata No.4, Op.22: IV....
106 bpm • C Maj • 03:58 • -21.03db
12% Popularity • 54% Danceability • 4% Energy • 9% Liveness
90% Instrumentalness • 34% Positiveness
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Igor Stravinsky
The Rite of Spring (1913 Version): Adora...
106 bpm • G# min • 03:17 • -19.37db
18% Popularity • 44% Danceability • 30% Energy • 61% Liveness
84% Instrumentalness • 30% Positiveness
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Charles Ives
Central Park in the Dark - Live
106 bpm • A# min • 07:10 • -21.26db
8% Popularity • 15% Danceability • 4% Energy • 9% Liveness
66% Instrumentalness • 10% Positiveness
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György Ligeti
Premier livre. Étude 1, Désordre
106 bpm • G# min • 02:39 • -17db
8% Popularity • 34% Danceability • 46% Energy • 30% Liveness
93% Instrumentalness • 46% Positiveness
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Milton Babbitt
Accompanied Recitative
116 bpm • A Maj • 01:47 • -24.95db
0% Popularity • 53% Danceability • 2% Energy • 14% Liveness
89% Instrumentalness • 24% Positiveness
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Francis Poulenc
Concerto for 2 Pianos and Orchestra in D...
116 bpm • B min • 05:24 • -20db
10% Popularity • 48% Danceability • 17% Energy • 9% Liveness
80% Instrumentalness • 17% Positiveness
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Henri Dutilleux
Dutilleux: Piano Sonata: I. Allegro con ...
106 bpm • C# Maj • 07:39 • -22.31db
7% Popularity • 36% Danceability • 16% Energy • 8% Liveness
90% Instrumentalness • 7% Positiveness
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Igor Stravinsky
Octet for Wind Instruments : III. Finale
116 bpm • A min • 03:42 • -21db
8% Popularity • 54% Danceability • 8% Energy • 11% Liveness
94% Instrumentalness • 37% Positiveness
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Unsuk Chin
Piano Concerto: Movement I
106 bpm • A Maj • 04:07 • -15.96db
8% Popularity • 31% Danceability • 45% Energy • 21% Liveness
50% Instrumentalness • 28% Positiveness
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John Cage
Metamorphosis: II
106 bpm • G min • 02:40 • -23.4db
9% Popularity • 40% Danceability • 15% Energy • 9% Liveness
88% Instrumentalness • 17% Positiveness
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Milton Babbitt
Ensembles for Synthesizer
116 bpm • B Maj • 10:41 • -17.09db
0% Popularity • 52% Danceability • 33% Energy • 29% Liveness
0% Instrumentalness • 33% Positiveness
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Arnold Schoenberg
Piano Concerto, Op. 42: I. Andante
116 bpm • D Maj • 04:52 • -19.17db
8% Popularity • 36% Danceability • 21% Energy • 34% Liveness
91% Instrumentalness • 12% Positiveness
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Julian Scriabin
Prelude in C Major, Op. 2: II. Prelude i...
117 bpm • B Maj • 01:15 • -28db
37% Popularity • 34% Danceability • 1% Energy • 8% Liveness
78% Instrumentalness • 22% Positiveness
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Edgard Varèse
Ionisation
116 bpm • A Maj • 05:21 • -18.74db
16% Popularity • 44% Danceability • 60% Energy • 12% Liveness
58% Instrumentalness • 4% Positiveness
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Vincent Persichetti
Concerto for Piano and Orchestra: II. An...
105 bpm • F Maj • 08:07 • -33.04db
0% Popularity • 23% Danceability • 0% Energy • 7% Liveness
44% Instrumentalness • 4% Positiveness
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John Cage
The Seasons: 1. Prelude I
116 bpm • C Maj • 02:01 • -39.33db
15% Popularity • 64% Danceability • 0% Energy • 10% Liveness
31% Instrumentalness • 50% Positiveness
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Ludwig van Beethoven
Sonata In B-flat Major, Op. 22 - Adagio ...
105 bpm • D# Maj • 07:17 • -29.13db
0% Popularity • 41% Danceability • 1% Energy • 9% Liveness
91% Instrumentalness • 6% Positiveness
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Arnold Schoenberg
Suite for Piano, Op. 25: I. Präludium
105 bpm • A# Maj • 00:54 • -21db
24% Popularity • 34% Danceability • 22% Energy • 19% Liveness
86% Instrumentalness • 38% Positiveness
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Rolf Wallin
Whirld: I. Nigredo
105 bpm • G Maj • 05:59 • -25.75db
10% Popularity • 32% Danceability • 13% Energy • 10% Liveness
51% Instrumentalness • 7% Positiveness
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Thomas Adès
Märchentänze (Orchestral Version): III...
117 bpm • F# min • 02:07 • -22db
24% Popularity • 35% Danceability • 5% Energy • 6% Liveness
62% Instrumentalness • 45% Positiveness
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Anton Webern
Passacaglia for Large Orchestra, Op. 1
105 bpm • A# min • 10:09 • -19.23db
1% Popularity • 15% Danceability • 15% Energy • 13% Liveness
83% Instrumentalness • 4% Positiveness
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Alexander Scriabin
Piano Sonata No. 9, Op. 68 "Black Mass"
105 bpm • C# Maj • 09:06 • -22.78db
0% Popularity • 35% Danceability • 7% Energy • 12% Liveness
93% Instrumentalness • 3% Positiveness
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Arvo Pärt
Lamentate: Stridendo
105 bpm • C# min • 01:31 • -16.83db
7% Popularity • 31% Danceability • 24% Energy • 25% Liveness
68% Instrumentalness • 14% Positiveness
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Einojuhani Rautavaara
Piano Concerto No. 1, Op. 45: II. Andant...
104 bpm • C# Maj • 08:01 • -27db
11% Popularity • 25% Danceability • 2% Energy • 18% Liveness
17% Instrumentalness • 3% Positiveness
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Maurice Ravel
Ravel: Miroirs, M. 43: I. Noctuelles
104 bpm • F min • 04:52 • -27.36db
11% Popularity • 33% Danceability • 5% Energy • 9% Liveness
93% Instrumentalness • 6% Positiveness
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Steve Reich
Octet (Eight Lines): Eight Lines
104 bpm • B Maj • 03:32 • -14.88db
8% Popularity • 66% Danceability • 46% Energy • 42% Liveness
4% Instrumentalness • 97% Positiveness
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Pierre Boulez
Piano Sonata No. 2: I. ExtrĂŞmement rapi...
104 bpm • G min • 06:04 • -17.46db
4% Popularity • 46% Danceability • 21% Energy • 13% Liveness
88% Instrumentalness • 38% Positiveness
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Alexander Scriabin
Piano Sonata No. 2 in G-Sharp Minor, Op....
104 bpm • G# min • 03:43 • -23.76db
0% Popularity • 29% Danceability • 12% Energy • 10% Liveness
88% Instrumentalness • 12% Positiveness
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Charles Ives
Set of 5 Take-offs: Song Without (Good) ...
104 bpm • C Maj • 04:05 • -36db
19% Popularity • 44% Danceability • 0% Energy • 6% Liveness
73% Instrumentalness • 17% Positiveness
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Olivier Messiaen
4 Etudes de rythme: Ile de feu II (Isle ...
103 bpm • E Maj • 04:13 • -20.29db
7% Popularity • 41% Danceability • 18% Energy • 8% Liveness
90% Instrumentalness • 27% Positiveness
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Maurice Ravel
Violin Sonata in G Major, M 77: 2. Blues...
119 bpm • D Maj • 05:13 • -21db
8% Popularity • 47% Danceability • 10% Energy • 8% Liveness
63% Instrumentalness • 8% Positiveness
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Kaija Saariaho
7 Papillons: No. 3. —
103 bpm • D Maj • 01:32 • -29.17db
21% Popularity • 30% Danceability • 9% Energy • 8% Liveness
8% Instrumentalness • 4% Positiveness
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Aaron Copland
Night Thoughts (Homage to Ives) (1972)
103 bpm • C min • 07:49 • -24db
7% Popularity • 63% Danceability • 0% Energy • 9% Liveness
93% Instrumentalness • 5% Positiveness
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Arnold Schoenberg
Schoenberg: 3 Piano Pieces, Op. 11: No. ...
103 bpm • G# Maj • 04:00 • -32db
16% Popularity • 39% Danceability • 1% Energy • 9% Liveness
87% Instrumentalness • 9% Positiveness
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Milton Babbitt
Swan Song No. 1
120 bpm • G Maj • 11:00 • -13.88db
0% Popularity • 45% Danceability • 13% Energy • 24% Liveness
47% Instrumentalness • 10% Positiveness
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Olivier Messiaen
Quartet for the End of Time
103 bpm • F# Maj • 02:39 • -24db
12% Popularity • 37% Danceability • 12% Energy • 10% Liveness
84% Instrumentalness • 10% Positiveness
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George Crumb
Black Angels: I. Departure
120 bpm • A# min • 05:37 • -17.43db
14% Popularity • 41% Danceability • 22% Energy • 26% Liveness
7% Instrumentalness • 16% Positiveness
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Claude Debussy
String Quartet in G Minor, Op. 10: I. An...
121 bpm • D min • 06:25 • -22db
3% Popularity • 28% Danceability • 11% Energy • 26% Liveness
77% Instrumentalness • 12% Positiveness
► Preview
Leoš Janáček
String Quartet No. 1 'after Tolstoy's 'T...
102 bpm • E Maj • 04:00 • -22.76db
8% Popularity • 28% Danceability • 10% Energy • 29% Liveness
71% Instrumentalness • 13% Positiveness
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Ruth Crawford Seeger
String Quartet, "1931": IV. Allegro poss...
102 bpm • D min • 02:13 • -26db
7% Popularity • 42% Danceability • 7% Energy • 12% Liveness
32% Instrumentalness • 42% Positiveness
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Milton Babbitt
Reflections
102 bpm • C# Maj • 10:22 • -21.52db
1% Popularity • 49% Danceability • 13% Energy • 18% Liveness
0% Instrumentalness • 12% Positiveness
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Olivier Messiaen
4 Etudes de rythme: Ile de feu I (Isle o...
120 bpm • E Maj • 01:59 • -23db
12% Popularity • 57% Danceability • 18% Energy • 9% Liveness
89% Instrumentalness • 18% Positiveness
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William Bolcom
3 Ghost Rags: No. 2. The Poltergeist
102 bpm • D# min • 03:54 • -19.95db
9% Popularity • 52% Danceability • 18% Energy • 17% Liveness
88% Instrumentalness • 36% Positiveness
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Robert Schumann
Davidsbündlertänze, Op. 6: IV. Ungedul...
121 bpm • F# Maj • 00:46 • -25.76db
0% Popularity • 27% Danceability • 19% Energy • 11% Liveness
85% Instrumentalness • 17% Positiveness
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Guillermo Lago
Ciudades: III. Addis Abeba
101 bpm • G Maj • 03:38 • -13.91db
11% Popularity • 56% Danceability • 39% Energy • 9% Liveness
92% Instrumentalness • 14% Positiveness
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Francis Thorne
Piano Concerto No. 3: I. Allegro spirito...
102 bpm • D Maj • 09:25 • -25.18db
0% Popularity • 28% Danceability • 8% Energy • 9% Liveness
60% Instrumentalness • 5% Positiveness
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Milton Babbitt
Tableaux
102 bpm • C# Maj • 09:35 • -26.23db
1% Popularity • 47% Danceability • 9% Energy • 23% Liveness
46% Instrumentalness • 13% Positiveness
► Preview
Olivier Messiaen
Turangalîla Symphonie: 5. Joie du sang ...
121 bpm • D# min • 06:41 • -18.55db
12% Popularity • 34% Danceability • 46% Energy • 17% Liveness
3% Instrumentalness • 22% Positiveness
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John Taverner
In Nomine-Instrumentation colorée I (20...
122 bpm • D min • 02:09 • -35db
13% Popularity • 17% Danceability • 1% Energy • 8% Liveness
22% Instrumentalness • 9% Positiveness
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Iannis Xenakis
6 Chansons: No. 3. Une perdrix descendai...
101 bpm • F# min • 01:29 • -29.39db
11% Popularity • 33% Danceability • 4% Energy • 10% Liveness
87% Instrumentalness • 16% Positiveness
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Semi-Simple Variations