Songs like Sepian Bounce by Jay McShann & His Orchestra
Based on a tempo of (+/- 10%) and a similar genre
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Johnny Long & His Orchestra
This Way Out
185 bpm • A# Maj • 02:28 • -8db
9% Popularity • 59% Danceability • 48% Energy • 6% Liveness
33% Instrumentalness • 90% Positiveness
9% Popularity • 59% Danceability • 48% Energy • 6% Liveness
33% Instrumentalness • 90% Positiveness
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Victoria Spivey
Good Cabbage
185 bpm • G Maj • 03:09 • -16.44db
1% Popularity • 67% Danceability • 18% Energy • 10% Liveness
0% Instrumentalness • 97% Positiveness
1% Popularity • 67% Danceability • 18% Energy • 10% Liveness
0% Instrumentalness • 97% Positiveness
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Jimmy Coe
Fast Blues
184 bpm • F min • 02:31 • -13.47db
9% Popularity • 55% Danceability • 32% Energy • 11% Liveness
76% Instrumentalness • 82% Positiveness
9% Popularity • 55% Danceability • 32% Energy • 11% Liveness
76% Instrumentalness • 82% Positiveness
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Harlem Hamfats
Let's Get Drunk And Truck
186 bpm • F min • 02:56 • -11.61db
8% Popularity • 67% Danceability • 46% Energy • 7% Liveness
54% Instrumentalness • 86% Positiveness
8% Popularity • 67% Danceability • 46% Energy • 7% Liveness
54% Instrumentalness • 86% Positiveness
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Ed Polcer & The Eddie Condon All-Stars
In a Shanty in Old Shanty Town
186 bpm • C Maj • 08:09 • -10.78db
10% Popularity • 45% Danceability • 52% Energy • 80% Liveness
1% Instrumentalness • 76% Positiveness
10% Popularity • 45% Danceability • 52% Energy • 80% Liveness
1% Instrumentalness • 76% Positiveness
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Wilbur De Paris
Bouqets
187 bpm • C# Maj • 04:39 • -15.59db
11% Popularity • 55% Danceability • 21% Energy • 8% Liveness
1% Instrumentalness • 80% Positiveness
11% Popularity • 55% Danceability • 21% Energy • 8% Liveness
1% Instrumentalness • 80% Positiveness
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Larry Clinton
Shades of Hades
183 bpm • G# Maj • 02:43 • -16.06db
15% Popularity • 58% Danceability • 22% Energy • 18% Liveness
94% Instrumentalness • 95% Positiveness
15% Popularity • 58% Danceability • 22% Energy • 18% Liveness
94% Instrumentalness • 95% Positiveness
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Sharkey Bonano
While We Danced at Mardi Gras
186 bpm • C Maj • 04:45 • -9.46db
10% Popularity • 47% Danceability • 47% Energy • 12% Liveness
3% Instrumentalness • 92% Positiveness
10% Popularity • 47% Danceability • 47% Energy • 12% Liveness
3% Instrumentalness • 92% Positiveness
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Roy Eldridge
Sam, Sam The Vegetable Man
183 bpm • F Maj • 01:03 • -11.52db
20% Popularity • 58% Danceability • 50% Energy • 25% Liveness
4% Instrumentalness • 72% Positiveness
20% Popularity • 58% Danceability • 50% Energy • 25% Liveness
4% Instrumentalness • 72% Positiveness
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Lil Armstrong
You Shall Reap What You Sow
182 bpm • G Maj • 03:03 • -2db
6% Popularity • 70% Danceability • 65% Energy • 16% Liveness
2% Instrumentalness • 78% Positiveness
6% Popularity • 70% Danceability • 65% Energy • 16% Liveness
2% Instrumentalness • 78% Positiveness
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Woody Herman & His Orchestra
Dallas Blues
183 bpm • C# Maj • 02:58 • -11.31db
17% Popularity • 60% Danceability • 42% Energy • 35% Liveness
0% Instrumentalness • 70% Positiveness
17% Popularity • 60% Danceability • 42% Energy • 35% Liveness
0% Instrumentalness • 70% Positiveness
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Bobby Hackett And His Orchestra
When a Woman Loves a Man
188 bpm • D# Maj • 02:27 • -10.38db
12% Popularity • 54% Danceability • 56% Energy • 31% Liveness
35% Instrumentalness • 96% Positiveness
12% Popularity • 54% Danceability • 56% Energy • 31% Liveness
35% Instrumentalness • 96% Positiveness
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Aime Barelli
Ils sont zazous
188 bpm • F Maj • 02:55 • -10.13db
9% Popularity • 46% Danceability • 57% Energy • 36% Liveness
85% Instrumentalness • 92% Positiveness
9% Popularity • 46% Danceability • 57% Energy • 36% Liveness
85% Instrumentalness • 92% Positiveness
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Dixieland Band
Jazz Me Blues
188 bpm • G min • 03:02 • -15.4db
3% Popularity • 47% Danceability • 35% Energy • 27% Liveness
91% Instrumentalness • 92% Positiveness
3% Popularity • 47% Danceability • 35% Energy • 27% Liveness
91% Instrumentalness • 92% Positiveness
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Paul Barbarin & His New Orleans Jazz Band
Bugle Boy March
189 bpm • A# Maj • 05:15 • -11db
9% Popularity • 41% Danceability • 55% Energy • 10% Liveness
63% Instrumentalness • 90% Positiveness
9% Popularity • 41% Danceability • 55% Energy • 10% Liveness
63% Instrumentalness • 90% Positiveness
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Ben Pollack & His Orchestra
Peckin'
181 bpm • F min • 03:28 • -10db
14% Popularity • 53% Danceability • 42% Energy • 5% Liveness
93% Instrumentalness • 86% Positiveness
14% Popularity • 53% Danceability • 42% Energy • 5% Liveness
93% Instrumentalness • 86% Positiveness
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Andy Kirk & His Twelve Clouds Of Joy
Mess-a-Stomp
189 bpm • F# Maj • 02:40 • -6db
19% Popularity • 64% Danceability • 66% Energy • 11% Liveness
95% Instrumentalness • 76% Positiveness
19% Popularity • 64% Danceability • 66% Energy • 11% Liveness
95% Instrumentalness • 76% Positiveness
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Jimmy Yancey
Yancey's Bugle Call (Take 1)
181 bpm • D# Maj • 02:42 • -18db
7% Popularity • 53% Danceability • 17% Energy • 12% Liveness
91% Instrumentalness • 93% Positiveness
7% Popularity • 53% Danceability • 17% Energy • 12% Liveness
91% Instrumentalness • 93% Positiveness
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Wilbur De Paris
Milneberg Joys
181 bpm • C# Maj • 07:16 • -10db
7% Popularity • 57% Danceability • 48% Energy • 6% Liveness
3% Instrumentalness • 93% Positiveness
7% Popularity • 57% Danceability • 48% Energy • 6% Liveness
3% Instrumentalness • 93% Positiveness
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Eddie Condon
Balling The Jack
189 bpm • C min • 02:13 • -19db
19% Popularity • 60% Danceability • 44% Energy • 31% Liveness
92% Instrumentalness • 90% Positiveness
19% Popularity • 60% Danceability • 44% Energy • 31% Liveness
92% Instrumentalness • 90% Positiveness
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Bob Crosby & The Bob Cats
A Precious Memory
190 bpm • D# Maj • 02:30 • -11.49db
18% Popularity • 55% Danceability • 36% Energy • 6% Liveness
26% Instrumentalness • 96% Positiveness
18% Popularity • 55% Danceability • 36% Energy • 6% Liveness
26% Instrumentalness • 96% Positiveness
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Marco Bianchi Vibes 4tet
Swingin'Up
180 bpm • C Maj • 02:13 • -7.52db
21% Popularity • 66% Danceability • 53% Energy • 12% Liveness
12% Instrumentalness • 57% Positiveness
21% Popularity • 66% Danceability • 53% Energy • 12% Liveness
12% Instrumentalness • 57% Positiveness
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Jay McShann & His Orchestra
The Jumpin' Blues
180 bpm • C Maj • 03:05 • -19.41db
4% Popularity • 57% Danceability • 30% Energy • 7% Liveness
0% Instrumentalness • 60% Positiveness
4% Popularity • 57% Danceability • 30% Energy • 7% Liveness
0% Instrumentalness • 60% Positiveness
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Bea Wain
The One Rose (That's Left In My Heart)
180 bpm • G# Maj • 02:43 • -22.57db
9% Popularity • 58% Danceability • 14% Energy • 23% Liveness
2% Instrumentalness • 64% Positiveness
9% Popularity • 58% Danceability • 14% Energy • 23% Liveness
2% Instrumentalness • 64% Positiveness
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Don Redman
Hot and Anxious (06-30-32)
191 bpm • A# Maj • 02:45 • -12.39db
6% Popularity • 64% Danceability • 53% Energy • 12% Liveness
0% Instrumentalness • 85% Positiveness
6% Popularity • 64% Danceability • 53% Energy • 12% Liveness
0% Instrumentalness • 85% Positiveness
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Lil Armstrong
Let's Get Happy Together
179 bpm • G Maj • 02:59 • -4.17db
4% Popularity • 64% Danceability • 64% Energy • 29% Liveness
0% Instrumentalness • 86% Positiveness
4% Popularity • 64% Danceability • 64% Energy • 29% Liveness
0% Instrumentalness • 86% Positiveness
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Glen Gray & The Casa Loma Orchestra
What's the Matter with Me
179 bpm • D# Maj • 02:28 • -10db
11% Popularity • 52% Danceability • 38% Energy • 8% Liveness
3% Instrumentalness • 85% Positiveness
11% Popularity • 52% Danceability • 38% Energy • 8% Liveness
3% Instrumentalness • 85% Positiveness
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Raymond Scott
At An Arabian House Party - 1939 Alterna...
179 bpm • G min • 03:36 • -11.44db
8% Popularity • 45% Danceability • 50% Energy • 35% Liveness
70% Instrumentalness • 56% Positiveness
8% Popularity • 45% Danceability • 50% Energy • 35% Liveness
70% Instrumentalness • 56% Positiveness
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Jay McShann & His Orchestra
Sepian Bounce
179 bpm • D# Maj • 03:12 • -18.12db
0% Popularity • 46% Danceability • 31% Energy • 60% Liveness
1% Instrumentalness • 76% Positiveness
0% Popularity • 46% Danceability • 31% Energy • 60% Liveness
1% Instrumentalness • 76% Positiveness
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Bennie Moten's Kansas City Orchestra
South 2
178 bpm • D# Maj • 02:35 • -11db
16% Popularity • 64% Danceability • 44% Energy • 3% Liveness
83% Instrumentalness • 96% Positiveness
16% Popularity • 64% Danceability • 44% Energy • 3% Liveness
83% Instrumentalness • 96% Positiveness
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Johnny Hodges & His Orchestra
The Jeep is Jumping
178 bpm • A# Maj • 02:47 • -13.37db
14% Popularity • 59% Danceability • 37% Energy • 32% Liveness
78% Instrumentalness • 91% Positiveness
14% Popularity • 59% Danceability • 37% Energy • 32% Liveness
78% Instrumentalness • 91% Positiveness
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Eddie Condon
Madame Dynamite
177 bpm • G# Maj • 03:00 • -10.66db
18% Popularity • 60% Danceability • 41% Energy • 8% Liveness
78% Instrumentalness • 78% Positiveness
18% Popularity • 60% Danceability • 41% Energy • 8% Liveness
78% Instrumentalness • 78% Positiveness
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Wingy Manone
Rhythm on the River
177 bpm • F Maj • 02:58 • -9.47db
18% Popularity • 61% Danceability • 43% Energy • 8% Liveness
9% Instrumentalness • 91% Positiveness
18% Popularity • 61% Danceability • 43% Energy • 8% Liveness
9% Instrumentalness • 91% Positiveness
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Keely Smith
Oh Babe
177 bpm • F Maj • 03:09 • -16.48db
13% Popularity • 42% Danceability • 17% Energy • 15% Liveness
87% Instrumentalness • 88% Positiveness
13% Popularity • 42% Danceability • 17% Energy • 15% Liveness
87% Instrumentalness • 88% Positiveness
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Jay McShann & His Orchestra
The Jumpin' Blues
178 bpm • A min • 03:05 • -15.34db
0% Popularity • 55% Danceability • 42% Energy • 12% Liveness
0% Instrumentalness • 49% Positiveness
0% Popularity • 55% Danceability • 42% Energy • 12% Liveness
0% Instrumentalness • 49% Positiveness
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The Modern Jazz Quartet
Bags' Groove
177 bpm • C min • 03:02 • -6.8db
9% Popularity • 59% Danceability • 27% Energy • 21% Liveness
22% Instrumentalness • 72% Positiveness
9% Popularity • 59% Danceability • 27% Energy • 21% Liveness
22% Instrumentalness • 72% Positiveness
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Johnny Hodges & His Orchestra
Jeep Is Jumpin'
177 bpm • A# Maj • 02:46 • -13.32db
30% Popularity • 60% Danceability • 36% Energy • 38% Liveness
86% Instrumentalness • 92% Positiveness
30% Popularity • 60% Danceability • 36% Energy • 38% Liveness
86% Instrumentalness • 92% Positiveness
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Wilbur De Paris
Flow Gently, Sweet Afton
177 bpm • A# Maj • 04:48 • -10.79db
11% Popularity • 66% Danceability • 35% Energy • 17% Liveness
0% Instrumentalness • 93% Positiveness
11% Popularity • 66% Danceability • 35% Energy • 17% Liveness
0% Instrumentalness • 93% Positiveness
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Eddie Condon
Eccentric
177 bpm • C Maj • 03:27 • -14.48db
12% Popularity • 54% Danceability • 32% Energy • 51% Liveness
87% Instrumentalness • 96% Positiveness
12% Popularity • 54% Danceability • 32% Energy • 51% Liveness
87% Instrumentalness • 96% Positiveness
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George Girard
Roses of Picardy
176 bpm • A# Maj • 02:59 • -7.36db
8% Popularity • 47% Danceability • 56% Energy • 13% Liveness
52% Instrumentalness • 90% Positiveness
8% Popularity • 47% Danceability • 56% Energy • 13% Liveness
52% Instrumentalness • 90% Positiveness
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Jay McShann & His Orchestra
Sepian Bounce
177 bpm • A# Maj • 03:13 • -18.38db
0% Popularity • 45% Danceability • 32% Energy • 65% Liveness
3% Instrumentalness • 70% Positiveness
0% Popularity • 45% Danceability • 32% Energy • 65% Liveness
3% Instrumentalness • 70% Positiveness
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Will Bradley & His Orchestra
Dark Eyes
176 bpm • E min • 02:30 • -11db
10% Popularity • 55% Danceability • 44% Energy • 3% Liveness
13% Instrumentalness • 88% Positiveness
10% Popularity • 55% Danceability • 44% Energy • 3% Liveness
13% Instrumentalness • 88% Positiveness
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Wingy Manone
Alexander'S Ragtime Band
175 bpm • G min • 02:18 • -13.98db
20% Popularity • 64% Danceability • 40% Energy • 6% Liveness
75% Instrumentalness • 88% Positiveness
20% Popularity • 64% Danceability • 40% Energy • 6% Liveness
75% Instrumentalness • 88% Positiveness
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Joe Liggins
Going Back To New Orleans
175 bpm • A min • 02:55 • -8.64db
14% Popularity • 63% Danceability • 46% Energy • 12% Liveness
0% Instrumentalness • 83% Positiveness
14% Popularity • 63% Danceability • 46% Energy • 12% Liveness
0% Instrumentalness • 83% Positiveness
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The Big Aces
Cherry
175 bpm • C min • 03:12 • -10.38db
9% Popularity • 54% Danceability • 33% Energy • 14% Liveness
16% Instrumentalness • 60% Positiveness
9% Popularity • 54% Danceability • 33% Energy • 14% Liveness
16% Instrumentalness • 60% Positiveness
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Mezz Mezzrow Swing Band
Swingin' for Mezz (Careless Love)
196 bpm • F Maj • 03:10 • -10.44db
7% Popularity • 57% Danceability • 30% Energy • 20% Liveness
93% Instrumentalness • 92% Positiveness
7% Popularity • 57% Danceability • 30% Energy • 20% Liveness
93% Instrumentalness • 92% Positiveness
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Raymond Scott
Surrey With the Fringe on Top - 1944 Voc...
174 bpm • E min • 03:27 • -11.23db
8% Popularity • 60% Danceability • 40% Energy • 53% Liveness
89% Instrumentalness • 74% Positiveness
8% Popularity • 60% Danceability • 40% Energy • 53% Liveness
89% Instrumentalness • 74% Positiveness
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Will Bradley & His Orchestra
Bugles in the Sky
197 bpm • C min • 02:02 • -10db
13% Popularity • 58% Danceability • 39% Energy • 22% Liveness
95% Instrumentalness • 96% Positiveness
13% Popularity • 58% Danceability • 39% Energy • 22% Liveness
95% Instrumentalness • 96% Positiveness
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Edgar Hayes
Queen Isabella (10-11-37)
173 bpm • D Maj • 03:07 • -13.09db
6% Popularity • 66% Danceability • 37% Energy • 8% Liveness
96% Instrumentalness • 73% Positiveness
6% Popularity • 66% Danceability • 37% Energy • 8% Liveness
96% Instrumentalness • 73% Positiveness
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The Cats & The Fiddle
Thursday Evening Swing
173 bpm • D min • 02:28 • -11.99db
12% Popularity • 67% Danceability • 34% Energy • 16% Liveness
0% Instrumentalness • 71% Positiveness
12% Popularity • 67% Danceability • 34% Energy • 16% Liveness
0% Instrumentalness • 71% Positiveness
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Stockholm Swing All Stars
Shirley Steps Out
173 bpm • G# Maj • 02:41 • -14.48db
8% Popularity • 57% Danceability • 16% Energy • 10% Liveness
60% Instrumentalness • 46% Positiveness
8% Popularity • 57% Danceability • 16% Energy • 10% Liveness
60% Instrumentalness • 46% Positiveness
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Candy Jacket Jazz Band
Rise and Shine
173 bpm • D# Maj • 03:17 • -11.82db
10% Popularity • 50% Danceability • 42% Energy • 10% Liveness
21% Instrumentalness • 93% Positiveness
10% Popularity • 50% Danceability • 42% Energy • 10% Liveness
21% Instrumentalness • 93% Positiveness
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Hudson Delange Orchestra
The Maid's Night Off
172 bpm • A# min • 02:53 • -13.12db
12% Popularity • 44% Danceability • 34% Energy • 29% Liveness
87% Instrumentalness • 77% Positiveness
12% Popularity • 44% Danceability • 34% Energy • 29% Liveness
87% Instrumentalness • 77% Positiveness
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Jay McShann & His Orchestra
Swingmatism
173 bpm • F min • 02:41 • -18.12db
0% Popularity • 54% Danceability • 18% Energy • 21% Liveness
13% Instrumentalness • 69% Positiveness
0% Popularity • 54% Danceability • 18% Energy • 21% Liveness
13% Instrumentalness • 69% Positiveness
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Walter Donaldson
My Blue Heaven
172 bpm • G# Maj • 02:52 • -4.4db
16% Popularity • 54% Danceability • 71% Energy • 7% Liveness
1% Instrumentalness • 87% Positiveness
16% Popularity • 54% Danceability • 71% Energy • 7% Liveness
1% Instrumentalness • 87% Positiveness
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Johnny Hodges & His Orchestra
Castle Rock
171 bpm • G# Maj • 02:49 • -12.39db
42% Popularity • 72% Danceability • 32% Energy • 10% Liveness
86% Instrumentalness • 63% Positiveness
42% Popularity • 72% Danceability • 32% Energy • 10% Liveness
86% Instrumentalness • 63% Positiveness
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Marco Bianchi Vibes 4tet
Dancer Mouse
200 bpm • G Maj • 02:24 • -7.4db
19% Popularity • 46% Danceability • 58% Energy • 21% Liveness
67% Instrumentalness • 46% Positiveness
19% Popularity • 46% Danceability • 58% Energy • 21% Liveness
67% Instrumentalness • 46% Positiveness
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Bennie Moten
Moten Swing
201 bpm • G min • 03:22 • -10.05db
17% Popularity • 58% Danceability • 49% Energy • 16% Liveness
87% Instrumentalness • 77% Positiveness
17% Popularity • 58% Danceability • 49% Energy • 16% Liveness
87% Instrumentalness • 77% Positiveness
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Swing Shouters
Bottom's Up
201 bpm • A# min • 02:38 • -12.79db
17% Popularity • 63% Danceability • 51% Energy • 10% Liveness
90% Instrumentalness • 95% Positiveness
17% Popularity • 63% Danceability • 51% Energy • 10% Liveness
90% Instrumentalness • 95% Positiveness
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Jay McShann & His Orchestra
Swingmatism
171 bpm • F min • 02:42 • -19.52db
0% Popularity • 55% Danceability • 18% Energy • 30% Liveness
26% Instrumentalness • 77% Positiveness
0% Popularity • 55% Danceability • 18% Energy • 30% Liveness
26% Instrumentalness • 77% Positiveness
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Larry Clinton
Chris and His Gang
170 bpm • D# Maj • 02:41 • -10.59db
12% Popularity • 50% Danceability • 30% Energy • 16% Liveness
0% Instrumentalness • 72% Positiveness
12% Popularity • 50% Danceability • 30% Energy • 16% Liveness
0% Instrumentalness • 72% Positiveness
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Stockholm Swing All Stars
I Owe You Buster
201 bpm • F# Maj • 02:30 • -8.38db
9% Popularity • 49% Danceability • 52% Energy • 5% Liveness
8% Instrumentalness • 72% Positiveness
9% Popularity • 49% Danceability • 52% Energy • 5% Liveness
8% Instrumentalness • 72% Positiveness
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Tuba Skinny
Oh Red
201 bpm • C# Maj • 03:30 • -5.12db
10% Popularity • 37% Danceability • 66% Energy • 13% Liveness
10% Instrumentalness • 92% Positiveness
10% Popularity • 37% Danceability • 66% Energy • 13% Liveness
10% Instrumentalness • 92% Positiveness
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Topsy Chapman and The Pro's
Just a Little While to Stay Here
201 bpm • G# Maj • 04:40 • -12.45db
8% Popularity • 53% Danceability • 43% Energy • 11% Liveness
0% Instrumentalness • 85% Positiveness
8% Popularity • 53% Danceability • 43% Energy • 11% Liveness
0% Instrumentalness • 85% Positiveness
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Papa Bue's Viking Jazzband
Bill Bailey, Won't You Please Come Home
202 bpm • D# Maj • 03:28 • -13.14db
10% Popularity • 48% Danceability • 52% Energy • 18% Liveness
0% Instrumentalness • 86% Positiveness
10% Popularity • 48% Danceability • 52% Energy • 18% Liveness
0% Instrumentalness • 86% Positiveness
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Jay McShann & His Orchestra
Say Foreward, I'll March
170 bpm • D Maj • 03:11 • -18.51db
0% Popularity • 49% Danceability • 22% Energy • 12% Liveness
38% Instrumentalness • 56% Positiveness
0% Popularity • 49% Danceability • 22% Energy • 12% Liveness
38% Instrumentalness • 56% Positiveness
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Don Redman
Swingin' With The Fat man (05-28-37)
202 bpm • G# Maj • 02:55 • -12.01db
11% Popularity • 47% Danceability • 68% Energy • 13% Liveness
91% Instrumentalness • 90% Positiveness
11% Popularity • 47% Danceability • 68% Energy • 13% Liveness
91% Instrumentalness • 90% Positiveness
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Bud Freeman
Tia Juana
202 bpm • G Maj • 02:41 • -7.89db
15% Popularity • 46% Danceability • 62% Energy • 15% Liveness
6% Instrumentalness • 94% Positiveness
15% Popularity • 46% Danceability • 62% Energy • 15% Liveness
6% Instrumentalness • 94% Positiveness
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Luis Russell
Saratoga Drag
202 bpm • G min • 03:07 • -9.45db
13% Popularity • 64% Danceability • 53% Energy • 20% Liveness
95% Instrumentalness • 97% Positiveness
13% Popularity • 64% Danceability • 53% Energy • 20% Liveness
95% Instrumentalness • 97% Positiveness
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Bobby Gordon
Woo-Hoo
203 bpm • D min • 03:31 • -7.54db
10% Popularity • 48% Danceability • 54% Energy • 8% Liveness
52% Instrumentalness • 88% Positiveness
10% Popularity • 48% Danceability • 54% Energy • 8% Liveness
52% Instrumentalness • 88% Positiveness
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The Merry Macs
Johnson Rag
168 bpm • G min • 02:40 • -10.06db
18% Popularity • 69% Danceability • 40% Energy • 23% Liveness
0% Instrumentalness • 63% Positiveness
18% Popularity • 69% Danceability • 40% Energy • 23% Liveness
0% Instrumentalness • 63% Positiveness
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Jay McShann & His Orchestra
Say Forward, I'll March
170 bpm • D Maj • 03:14 • -16.37db
0% Popularity • 44% Danceability • 24% Energy • 14% Liveness
86% Instrumentalness • 59% Positiveness
0% Popularity • 44% Danceability • 24% Energy • 14% Liveness
86% Instrumentalness • 59% Positiveness
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Papa Celestin
Old Time Religion
204 bpm • E Maj • 03:19 • -10.21db
9% Popularity • 45% Danceability • 62% Energy • 65% Liveness
0% Instrumentalness • 88% Positiveness
9% Popularity • 45% Danceability • 62% Energy • 65% Liveness
0% Instrumentalness • 88% Positiveness
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Bix Beiderbecke and His Gang
Ol' Man River
168 bpm • D# Maj • 03:05 • -11.75db
8% Popularity • 55% Danceability • 33% Energy • 26% Liveness
91% Instrumentalness • 86% Positiveness
8% Popularity • 55% Danceability • 33% Energy • 26% Liveness
91% Instrumentalness • 86% Positiveness
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Harry James Orchestra
Sharp as a Tack
167 bpm • D# Maj • 01:54 • -14.65db
6% Popularity • 54% Danceability • 38% Energy • 7% Liveness
65% Instrumentalness • 94% Positiveness
6% Popularity • 54% Danceability • 38% Energy • 7% Liveness
65% Instrumentalness • 94% Positiveness
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Lily Wilde and her Jumpin' Jubilee Orchestra
Onion
167 bpm • G min • 04:32 • -10.43db
10% Popularity • 48% Danceability • 53% Energy • 12% Liveness
0% Instrumentalness • 88% Positiveness
10% Popularity • 48% Danceability • 53% Energy • 12% Liveness
0% Instrumentalness • 88% Positiveness
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Jay McShann
Geronimo
205 bpm • F min • 02:26 • -13.78db
11% Popularity • 48% Danceability • 43% Energy • 12% Liveness
93% Instrumentalness • 82% Positiveness
11% Popularity • 48% Danceability • 43% Energy • 12% Liveness
93% Instrumentalness • 82% Positiveness
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Jay McShann & His Orchestra
Moten Swing Take Two
202 bpm • G# Maj • 02:49 • -16.89db
0% Popularity • 42% Danceability • 39% Energy • 44% Liveness
91% Instrumentalness • 74% Positiveness
0% Popularity • 42% Danceability • 39% Energy • 44% Liveness
91% Instrumentalness • 74% Positiveness
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Calvin Boze and His All Stars
Safronia B
167 bpm • G# Maj • 02:23 • -11db
8% Popularity • 55% Danceability • 43% Energy • 34% Liveness
10% Instrumentalness • 83% Positiveness
8% Popularity • 55% Danceability • 43% Energy • 34% Liveness
10% Instrumentalness • 83% Positiveness
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Lucky Millinder
Who Threw the Whiskey in the Well
167 bpm • A# Maj • 03:00 • -9.43db
19% Popularity • 59% Danceability • 49% Energy • 22% Liveness
3% Instrumentalness • 58% Positiveness
19% Popularity • 59% Danceability • 49% Energy • 22% Liveness
3% Instrumentalness • 58% Positiveness
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Aimé Barelli & son Orchestre
Riviera
205 bpm • D# Maj • 02:48 • -12.97db
8% Popularity • 49% Danceability • 56% Energy • 17% Liveness
68% Instrumentalness • 65% Positiveness
8% Popularity • 49% Danceability • 56% Energy • 17% Liveness
68% Instrumentalness • 65% Positiveness
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Umlaut Big Band
Mary's Idea
166 bpm • A# min • 03:51 • -10.98db
9% Popularity • 57% Danceability • 29% Energy • 12% Liveness
57% Instrumentalness • 75% Positiveness
9% Popularity • 57% Danceability • 29% Energy • 12% Liveness
57% Instrumentalness • 75% Positiveness
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Claude Luter and His Orchestra
Stratford Hunch
207 bpm • F min • 03:06 • -8.38db
8% Popularity • 46% Danceability • 83% Energy • 22% Liveness
82% Instrumentalness • 80% Positiveness
8% Popularity • 46% Danceability • 83% Energy • 22% Liveness
82% Instrumentalness • 80% Positiveness
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Jay McShann & His Orchestra
One O'Clock Jump
204 bpm • A# min • 01:31 • -4.62db
0% Popularity • 25% Danceability • 89% Energy • 45% Liveness
58% Instrumentalness • 74% Positiveness
0% Popularity • 25% Danceability • 89% Energy • 45% Liveness
58% Instrumentalness • 74% Positiveness
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Albert Ammons
Boogie Woogie Prayer, Pt 1
166 bpm • F Maj • 02:20 • -13.99db
8% Popularity • 56% Danceability • 47% Energy • 17% Liveness
90% Instrumentalness • 98% Positiveness
8% Popularity • 56% Danceability • 47% Energy • 17% Liveness
90% Instrumentalness • 98% Positiveness
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Lester Lanin
Mountain Greenery
207 bpm • D min • 01:24 • -12.92db
19% Popularity • 63% Danceability • 33% Energy • 32% Liveness
0% Instrumentalness • 98% Positiveness
19% Popularity • 63% Danceability • 33% Energy • 32% Liveness
0% Instrumentalness • 98% Positiveness
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Bobby Gordon
There Ain'T No Sweet Man
165 bpm • F Maj • 03:04 • -16.59db
12% Popularity • 60% Danceability • 18% Energy • 4% Liveness
60% Instrumentalness • 83% Positiveness
12% Popularity • 60% Danceability • 18% Energy • 4% Liveness
60% Instrumentalness • 83% Positiveness
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The Big 18
Ton O'Rock Bump
165 bpm • G# Maj • 05:29 • -12.45db
10% Popularity • 50% Danceability • 44% Energy • 14% Liveness
1% Instrumentalness • 70% Positiveness
10% Popularity • 50% Danceability • 44% Energy • 14% Liveness
1% Instrumentalness • 70% Positiveness
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The Jonah Jones Quartet
Baubles, Bangles and Beads
164 bpm • G# Maj • 02:13 • -10db
18% Popularity • 64% Danceability • 48% Energy • 11% Liveness
15% Instrumentalness • 86% Positiveness
18% Popularity • 64% Danceability • 48% Energy • 11% Liveness
15% Instrumentalness • 86% Positiveness
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Jay McShann & His Orchestra
Moten Swing
204 bpm • G# Maj • 02:48 • -7.53db
0% Popularity • 42% Danceability • 75% Energy • 21% Liveness
84% Instrumentalness • 72% Positiveness
0% Popularity • 42% Danceability • 75% Energy • 21% Liveness
84% Instrumentalness • 72% Positiveness
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Original Dixieland Jazz Band
Barnyard Blues
163 bpm • D# Maj • 02:36 • -10.82db
11% Popularity • 46% Danceability • 48% Energy • 13% Liveness
94% Instrumentalness • 95% Positiveness
11% Popularity • 46% Danceability • 48% Energy • 13% Liveness
94% Instrumentalness • 95% Positiveness
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Buddy Johnson
It's the Gold
163 bpm • G# Maj • 03:00 • -8.07db
11% Popularity • 72% Danceability • 39% Energy • 14% Liveness
0% Instrumentalness • 67% Positiveness
11% Popularity • 72% Danceability • 39% Energy • 14% Liveness
0% Instrumentalness • 67% Positiveness
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Chris Barber
Can't Afford to Do It
163 bpm • G min • 02:28 • -12.43db
9% Popularity • 60% Danceability • 33% Energy • 6% Liveness
56% Instrumentalness • 76% Positiveness
9% Popularity • 60% Danceability • 33% Energy • 6% Liveness
56% Instrumentalness • 76% Positiveness
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Art Tatum
Murder at the Vanities: Cocktails for Tw...
163 bpm • C Maj • 02:39 • -17.19db
9% Popularity • 46% Danceability • 19% Energy • 14% Liveness
89% Instrumentalness • 46% Positiveness
9% Popularity • 46% Danceability • 19% Energy • 14% Liveness
89% Instrumentalness • 46% Positiveness
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Wingy Manone
Sister Kate
163 bpm • A# Maj • 02:48 • -8.36db
14% Popularity • 58% Danceability • 48% Energy • 31% Liveness
0% Instrumentalness • 84% Positiveness
14% Popularity • 58% Danceability • 48% Energy • 31% Liveness
0% Instrumentalness • 84% Positiveness
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Jay McShann & His Orchestra
The Jumpin' Blues
204 bpm • A# Maj • 03:57 • -5.75db
0% Popularity • 40% Danceability • 77% Energy • 60% Liveness
93% Instrumentalness • 49% Positiveness
0% Popularity • 40% Danceability • 77% Energy • 60% Liveness
93% Instrumentalness • 49% Positiveness
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Mills Blue Rhythm Band
There's Rhythm in Harlem
211 bpm • A# Maj • 03:11 • -8.96db
9% Popularity • 57% Danceability • 44% Energy • 6% Liveness
94% Instrumentalness • 80% Positiveness
9% Popularity • 57% Danceability • 44% Energy • 6% Liveness
94% Instrumentalness • 80% Positiveness
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Eddie Condon
I'll Build a Stairway to Paradise
162 bpm • C Maj • 02:51 • -11db
13% Popularity • 51% Danceability • 43% Energy • 32% Liveness
22% Instrumentalness • 90% Positiveness
13% Popularity • 51% Danceability • 43% Energy • 32% Liveness
22% Instrumentalness • 90% Positiveness
