Songs like September Song (From the 1938 Musical Play "Knickerboker Holiday") by Jimmy Durante
Based on a tempo of (+/- 10%) and a similar genre
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The Ames Brothers
Cruising Down the River
98 bpm • D Maj • 02:40 • -14db
22% Popularity • 64% Danceability • 19% Energy • 14% Liveness
0% Instrumentalness • 69% Positiveness
22% Popularity • 64% Danceability • 19% Energy • 14% Liveness
0% Instrumentalness • 69% Positiveness
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Blossom Dearie
Someone To Watch Over Me
98 bpm • G Maj • 05:57 • -20.37db
37% Popularity • 48% Danceability • 5% Energy • 15% Liveness
0% Instrumentalness • 12% Positiveness
37% Popularity • 48% Danceability • 5% Energy • 15% Liveness
0% Instrumentalness • 12% Positiveness
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Judi Rolin
'Twas Brillig
98 bpm • C Maj • 02:18 • -10.14db
1% Popularity • 78% Danceability • 59% Energy • 7% Liveness
0% Instrumentalness • 66% Positiveness
1% Popularity • 78% Danceability • 59% Energy • 7% Liveness
0% Instrumentalness • 66% Positiveness
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Debbie Reynolds
City Lights
98 bpm • D Maj • 02:26 • -11.91db
27% Popularity • 34% Danceability • 37% Energy • 26% Liveness
0% Instrumentalness • 57% Positiveness
27% Popularity • 34% Danceability • 37% Energy • 26% Liveness
0% Instrumentalness • 57% Positiveness
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Eddie Fisher
Oh, My Papa!
98 bpm • A# Maj • 03:06 • -15.07db
30% Popularity • 43% Danceability • 11% Energy • 36% Liveness
0% Instrumentalness • 48% Positiveness
30% Popularity • 43% Danceability • 11% Energy • 36% Liveness
0% Instrumentalness • 48% Positiveness
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Jimmy Durante
September Song
98 bpm • G Maj • 03:09 • -10db
20% Popularity • 29% Danceability • 33% Energy • 30% Liveness
1% Instrumentalness • 12% Positiveness
20% Popularity • 29% Danceability • 33% Energy • 30% Liveness
1% Instrumentalness • 12% Positiveness
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The Ames Brothers
You, You, You
98 bpm • E Maj • 02:55 • -19.04db
18% Popularity • 35% Danceability • 10% Energy • 29% Liveness
2% Instrumentalness • 30% Positiveness
18% Popularity • 35% Danceability • 10% Energy • 29% Liveness
2% Instrumentalness • 30% Positiveness
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Betty Hutton
It Had To Be You
97 bpm • A# min • 03:11 • -14.99db
36% Popularity • 54% Danceability • 5% Energy • 8% Liveness
0% Instrumentalness • 32% Positiveness
36% Popularity • 54% Danceability • 5% Energy • 8% Liveness
0% Instrumentalness • 32% Positiveness
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Johnnie Ray
Just Walkin' in the Rain
97 bpm • F Maj • 02:37 • -17db
51% Popularity • 64% Danceability • 19% Energy • 7% Liveness
0% Instrumentalness • 69% Positiveness
51% Popularity • 64% Danceability • 19% Energy • 7% Liveness
0% Instrumentalness • 69% Positiveness
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Debbie Reynolds
Summer Romance
99 bpm • F# Maj • 02:13 • -12.51db
30% Popularity • 32% Danceability • 27% Energy • 38% Liveness
0% Instrumentalness • 41% Positiveness
30% Popularity • 32% Danceability • 27% Energy • 38% Liveness
0% Instrumentalness • 41% Positiveness
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Margaret Whiting
I Love You Because
97 bpm • F Maj • 02:07 • -11.48db
35% Popularity • 48% Danceability • 26% Energy • 13% Liveness
0% Instrumentalness • 59% Positiveness
35% Popularity • 48% Danceability • 26% Energy • 13% Liveness
0% Instrumentalness • 59% Positiveness
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Jimmy Durante
When Day Is Done
98 bpm • G Maj • 02:33 • -12.14db
22% Popularity • 31% Danceability • 21% Energy • 11% Liveness
0% Instrumentalness • 22% Positiveness
22% Popularity • 31% Danceability • 21% Energy • 11% Liveness
0% Instrumentalness • 22% Positiveness
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Teresa Brewer
(Put Another Nickel In) Music! Music! Mu...
99 bpm • D Maj • 02:40 • -14.39db
32% Popularity • 75% Danceability • 44% Energy • 15% Liveness
0% Instrumentalness • 92% Positiveness
32% Popularity • 75% Danceability • 44% Energy • 15% Liveness
0% Instrumentalness • 92% Positiveness
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The Ink Spots
My Prayer
99 bpm • C min • 03:13 • -15.93db
36% Popularity • 43% Danceability • 14% Energy • 12% Liveness
1% Instrumentalness • 26% Positiveness
36% Popularity • 43% Danceability • 14% Energy • 12% Liveness
1% Instrumentalness • 26% Positiveness
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Eddie Fisher
Oh My Papa
97 bpm • A# Maj • 03:04 • -1.33db
23% Popularity • 40% Danceability • 35% Energy • 35% Liveness
0% Instrumentalness • 52% Positiveness
23% Popularity • 40% Danceability • 35% Energy • 35% Liveness
0% Instrumentalness • 52% Positiveness
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Danny Kaye
Tongue Twisters
99 bpm • C Maj • 02:17 • -8.2db
20% Popularity • 65% Danceability • 49% Energy • 27% Liveness
0% Instrumentalness • 90% Positiveness
20% Popularity • 65% Danceability • 49% Energy • 27% Liveness
0% Instrumentalness • 90% Positiveness
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Kitty Kallen
If I Give My Heart to You - Single Versi...
100 bpm • G Maj • 02:46 • -15db
26% Popularity • 25% Danceability • 22% Energy • 19% Liveness
0% Instrumentalness • 40% Positiveness
26% Popularity • 25% Danceability • 22% Energy • 19% Liveness
0% Instrumentalness • 40% Positiveness
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Jimmy Durante
Somebody's Keeping Score
99 bpm • F Maj • 02:51 • -12.41db
10% Popularity • 70% Danceability • 52% Energy • 7% Liveness
0% Instrumentalness • 77% Positiveness
10% Popularity • 70% Danceability • 52% Energy • 7% Liveness
0% Instrumentalness • 77% Positiveness
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Fats Waller
Until the Real Thing Comes Along
99 bpm • G min • 03:22 • -14.33db
36% Popularity • 68% Danceability • 21% Energy • 17% Liveness
14% Instrumentalness • 49% Positiveness
36% Popularity • 68% Danceability • 21% Energy • 17% Liveness
14% Instrumentalness • 49% Positiveness
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Della Reese
It's Magic
96 bpm • D# Maj • 02:22 • -8db
33% Popularity • 46% Danceability • 58% Energy • 9% Liveness
0% Instrumentalness • 48% Positiveness
33% Popularity • 46% Danceability • 58% Energy • 9% Liveness
0% Instrumentalness • 48% Positiveness
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Alice Faye
You'll Never Know / No Love, No Nothin -...
96 bpm • F Maj • 03:33 • -15db
18% Popularity • 29% Danceability • 20% Energy • 17% Liveness
0% Instrumentalness • 19% Positiveness
18% Popularity • 29% Danceability • 20% Energy • 17% Liveness
0% Instrumentalness • 19% Positiveness
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Jackie Gleason & His Orchestra
Melancholy Serenade
96 bpm • C# min • 03:15 • -11db
26% Popularity • 16% Danceability • 36% Energy • 25% Liveness
86% Instrumentalness • 11% Positiveness
26% Popularity • 16% Danceability • 36% Energy • 25% Liveness
86% Instrumentalness • 11% Positiveness
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Morris Stoloff
Moonglow / Theme From "Picnic"
100 bpm • F Maj • 02:47 • -15.13db
19% Popularity • 50% Danceability • 26% Energy • 13% Liveness
2% Instrumentalness • 47% Positiveness
19% Popularity • 50% Danceability • 26% Energy • 13% Liveness
2% Instrumentalness • 47% Positiveness
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Jimmy Durante
The Glory of Love
97 bpm • F Maj • 02:49 • -12db
48% Popularity • 49% Danceability • 26% Energy • 8% Liveness
0% Instrumentalness • 52% Positiveness
48% Popularity • 49% Danceability • 26% Energy • 8% Liveness
0% Instrumentalness • 52% Positiveness
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Ethel Merman
You Say The Nicest Things
100 bpm • G# Maj • 02:31 • -8.24db
5% Popularity • 77% Danceability • 45% Energy • 11% Liveness
0% Instrumentalness • 64% Positiveness
5% Popularity • 77% Danceability • 45% Energy • 11% Liveness
0% Instrumentalness • 64% Positiveness
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Kevin Spacey
The Lady Is a Tramp
100 bpm • C min • 01:20 • -17.91db
11% Popularity • 72% Danceability • 20% Energy • 13% Liveness
0% Instrumentalness • 57% Positiveness
11% Popularity • 72% Danceability • 20% Energy • 13% Liveness
0% Instrumentalness • 57% Positiveness
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The Righteous Brothers
Old Man River
96 bpm • C Maj • 02:59 • -21db
31% Popularity • 34% Danceability • 4% Energy • 14% Liveness
0% Instrumentalness • 27% Positiveness
31% Popularity • 34% Danceability • 4% Energy • 14% Liveness
0% Instrumentalness • 27% Positiveness
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Ed Ames
My Cup Runneth Over
101 bpm • G Maj • 02:44 • -9.63db
34% Popularity • 34% Danceability • 36% Energy • 7% Liveness
0% Instrumentalness • 36% Positiveness
34% Popularity • 34% Danceability • 36% Energy • 7% Liveness
0% Instrumentalness • 36% Positiveness
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Dick Haymes
It Might as Well Be Spring
96 bpm • D# Maj • 03:08 • -17.44db
27% Popularity • 30% Danceability • 19% Energy • 16% Liveness
89% Instrumentalness • 21% Positiveness
27% Popularity • 30% Danceability • 19% Energy • 16% Liveness
89% Instrumentalness • 21% Positiveness
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Jimmy Durante
In the Other Fellow's Yard
100 bpm • E Maj • 02:28 • -12.5db
25% Popularity • 34% Danceability • 25% Energy • 34% Liveness
0% Instrumentalness • 41% Positiveness
25% Popularity • 34% Danceability • 25% Energy • 34% Liveness
0% Instrumentalness • 41% Positiveness
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Helen O'Connell
Green Eyes
101 bpm • G# Maj • 02:38 • -18db
31% Popularity • 57% Danceability • 23% Energy • 7% Liveness
0% Instrumentalness • 67% Positiveness
31% Popularity • 57% Danceability • 23% Energy • 7% Liveness
0% Instrumentalness • 67% Positiveness
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Fats Waller
I Can't Give You Anything but Love
95 bpm • F min • 02:56 • -23.1db
32% Popularity • 65% Danceability • 5% Energy • 14% Liveness
0% Instrumentalness • 43% Positiveness
32% Popularity • 65% Danceability • 5% Energy • 14% Liveness
0% Instrumentalness • 43% Positiveness
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Fred Astaire
They Can't Take That Away From Me
101 bpm • C# Maj • 02:30 • -13.63db
32% Popularity • 65% Danceability • 16% Energy • 11% Liveness
0% Instrumentalness • 42% Positiveness
32% Popularity • 65% Danceability • 16% Energy • 11% Liveness
0% Instrumentalness • 42% Positiveness
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Ed Ames
My Cup Runneth Over
101 bpm • G Maj • 02:44 • -11db
21% Popularity • 33% Danceability • 34% Energy • 9% Liveness
0% Instrumentalness • 33% Positiveness
21% Popularity • 33% Danceability • 34% Energy • 9% Liveness
0% Instrumentalness • 33% Positiveness
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The Cast
The Five Pennies
95 bpm • D Maj • 02:18 • -12.43db
33% Popularity • 27% Danceability • 24% Energy • 17% Liveness
0% Instrumentalness • 25% Positiveness
33% Popularity • 27% Danceability • 24% Energy • 17% Liveness
0% Instrumentalness • 25% Positiveness
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Jimmy Durante
My Wish
100 bpm • C Maj • 02:27 • -11.98db
22% Popularity • 30% Danceability • 29% Energy • 12% Liveness
0% Instrumentalness • 31% Positiveness
22% Popularity • 30% Danceability • 29% Energy • 12% Liveness
0% Instrumentalness • 31% Positiveness
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Bobby Goldsboro
Little Green Apples
95 bpm • E min • 03:13 • -14.52db
48% Popularity • 45% Danceability • 33% Energy • 18% Liveness
0% Instrumentalness • 57% Positiveness
48% Popularity • 45% Danceability • 33% Energy • 18% Liveness
0% Instrumentalness • 57% Positiveness
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Acker Bilk
Stranger on the Shore
95 bpm • A# Maj • 02:55 • -12.2db
16% Popularity • 33% Danceability • 35% Energy • 12% Liveness
74% Instrumentalness • 28% Positiveness
16% Popularity • 33% Danceability • 35% Energy • 12% Liveness
74% Instrumentalness • 28% Positiveness
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Buddy Greco
Mr. Lonely
95 bpm • F Maj • 02:24 • -16.42db
23% Popularity • 44% Danceability • 31% Energy • 21% Liveness
1% Instrumentalness • 56% Positiveness
23% Popularity • 44% Danceability • 31% Energy • 21% Liveness
1% Instrumentalness • 56% Positiveness
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Joni James
There Goes My Heart
95 bpm • F# Maj • 02:33 • -8db
23% Popularity • 34% Danceability • 46% Energy • 15% Liveness
0% Instrumentalness • 39% Positiveness
23% Popularity • 34% Danceability • 46% Energy • 15% Liveness
0% Instrumentalness • 39% Positiveness
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Al Bowlly
The Very Thought of You
95 bpm • F min • 03:33 • -22db
44% Popularity • 38% Danceability • 3% Energy • 12% Liveness
87% Instrumentalness • 36% Positiveness
44% Popularity • 38% Danceability • 3% Energy • 12% Liveness
87% Instrumentalness • 36% Positiveness
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Petula Clark
Suddenly There's a Valley
102 bpm • G# Maj • 02:38 • -12.67db
26% Popularity • 28% Danceability • 20% Energy • 15% Liveness
0% Instrumentalness • 22% Positiveness
26% Popularity • 28% Danceability • 20% Energy • 15% Liveness
0% Instrumentalness • 22% Positiveness
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Jimmy Durante
By The Light Of The Silvery Moon
94 bpm • C Maj • 02:11 • -18.88db
7% Popularity • 72% Danceability • 23% Energy • 15% Liveness
2% Instrumentalness • 57% Positiveness
7% Popularity • 72% Danceability • 23% Energy • 15% Liveness
2% Instrumentalness • 57% Positiveness
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Ruby Murray
You Are My First Love
94 bpm • C# Maj • 02:23 • -11.86db
17% Popularity • 32% Danceability • 18% Energy • 12% Liveness
0% Instrumentalness • 14% Positiveness
17% Popularity • 32% Danceability • 18% Energy • 12% Liveness
0% Instrumentalness • 14% Positiveness
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Tommy Dorsey
Once In a While
102 bpm • D Maj • 02:39 • -12.31db
30% Popularity • 34% Danceability • 16% Energy • 9% Liveness
16% Instrumentalness • 22% Positiveness
30% Popularity • 34% Danceability • 16% Energy • 9% Liveness
16% Instrumentalness • 22% Positiveness
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Sammy Davis Jr.
What Kind of Fool Am I
94 bpm • B min • 03:24 • -9db
34% Popularity • 23% Danceability • 31% Energy • 38% Liveness
0% Instrumentalness • 16% Positiveness
34% Popularity • 23% Danceability • 31% Energy • 38% Liveness
0% Instrumentalness • 16% Positiveness
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Guy Mitchell
My Heart Cries For You
102 bpm • G# Maj • 02:46 • -14db
21% Popularity • 44% Danceability • 14% Energy • 25% Liveness
0% Instrumentalness • 30% Positiveness
21% Popularity • 44% Danceability • 14% Energy • 25% Liveness
0% Instrumentalness • 30% Positiveness
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The Ames Brothers
You, You, You
93 bpm • E Maj • 02:55 • -11db
28% Popularity • 30% Danceability • 17% Energy • 34% Liveness
0% Instrumentalness • 24% Positiveness
28% Popularity • 30% Danceability • 17% Energy • 34% Liveness
0% Instrumentalness • 24% Positiveness
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Pat Boone
April Love
93 bpm • G# Maj • 02:43 • -17.86db
45% Popularity • 32% Danceability • 13% Energy • 8% Liveness
3% Instrumentalness • 39% Positiveness
45% Popularity • 32% Danceability • 13% Energy • 8% Liveness
3% Instrumentalness • 39% Positiveness
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Malcolm Vaughan
If You Were the Only Girl in the World a...
103 bpm • F min • 02:25 • -21.55db
19% Popularity • 32% Danceability • 4% Energy • 12% Liveness
0% Instrumentalness • 20% Positiveness
19% Popularity • 32% Danceability • 4% Energy • 12% Liveness
0% Instrumentalness • 20% Positiveness
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The Lettermen
The Way You Look Tonight
103 bpm • E Maj • 02:21 • -10.57db
39% Popularity • 18% Danceability • 33% Energy • 9% Liveness
0% Instrumentalness • 15% Positiveness
39% Popularity • 18% Danceability • 33% Energy • 9% Liveness
0% Instrumentalness • 15% Positiveness
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Jimmy Durante
In the Garden
93 bpm • G# Maj • 02:39 • -14.27db
11% Popularity • 36% Danceability • 19% Energy • 16% Liveness
0% Instrumentalness • 28% Positiveness
11% Popularity • 36% Danceability • 19% Energy • 16% Liveness
0% Instrumentalness • 28% Positiveness
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Kay Starr
Rock and Roll Waltz
103 bpm • F Maj • 02:58 • -7.72db
26% Popularity • 54% Danceability • 37% Energy • 26% Liveness
0% Instrumentalness • 76% Positiveness
26% Popularity • 54% Danceability • 37% Energy • 26% Liveness
0% Instrumentalness • 76% Positiveness
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Al Martino
Painted, Tainted Rose - Remastered
104 bpm • G Maj • 02:47 • -13db
30% Popularity • 35% Danceability • 31% Energy • 33% Liveness
0% Instrumentalness • 40% Positiveness
30% Popularity • 35% Danceability • 31% Energy • 33% Liveness
0% Instrumentalness • 40% Positiveness
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Tommy Dorsey
I'm Gettin' Sentimental Over You
104 bpm • A Maj • 03:37 • -16.84db
32% Popularity • 51% Danceability • 11% Energy • 11% Liveness
93% Instrumentalness • 15% Positiveness
32% Popularity • 51% Danceability • 11% Energy • 11% Liveness
93% Instrumentalness • 15% Positiveness
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Steve Tyrell
Give Me the Simple Life
92 bpm • C min • 02:55 • -8.94db
41% Popularity • 54% Danceability • 29% Energy • 13% Liveness
0% Instrumentalness • 28% Positiveness
41% Popularity • 54% Danceability • 29% Energy • 13% Liveness
0% Instrumentalness • 28% Positiveness
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Jane Morgan
Yesterday
92 bpm • G Maj • 02:23 • -12.53db
18% Popularity • 25% Danceability • 27% Energy • 21% Liveness
0% Instrumentalness • 23% Positiveness
18% Popularity • 25% Danceability • 27% Energy • 21% Liveness
0% Instrumentalness • 23% Positiveness
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Joni James
Is It Any Wonder
92 bpm • A# Maj • 02:35 • -13.24db
16% Popularity • 31% Danceability • 10% Energy • 25% Liveness
0% Instrumentalness • 26% Positiveness
16% Popularity • 31% Danceability • 10% Energy • 25% Liveness
0% Instrumentalness • 26% Positiveness
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Billy Eckstine
Everything I Have Is Yours
104 bpm • C Maj • 03:13 • -11.84db
9% Popularity • 28% Danceability • 24% Energy • 30% Liveness
0% Instrumentalness • 18% Positiveness
9% Popularity • 28% Danceability • 24% Energy • 30% Liveness
0% Instrumentalness • 18% Positiveness
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Della Reese
Don't Know You - Digitally Mastered 1988
92 bpm • D# Maj • 02:33 • -12.02db
23% Popularity • 20% Danceability • 38% Energy • 12% Liveness
0% Instrumentalness • 37% Positiveness
23% Popularity • 20% Danceability • 38% Energy • 12% Liveness
0% Instrumentalness • 37% Positiveness
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Danny Kaye
Ballin' The Jack
92 bpm • G Maj • 02:21 • -8.25db
9% Popularity • 62% Danceability • 29% Energy • 11% Liveness
17% Instrumentalness • 37% Positiveness
9% Popularity • 62% Danceability • 29% Energy • 11% Liveness
17% Instrumentalness • 37% Positiveness
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Jimmy Durante
Once to Every Heart
105 bpm • F# Maj • 02:55 • -11.31db
22% Popularity • 34% Danceability • 20% Energy • 10% Liveness
0% Instrumentalness • 13% Positiveness
22% Popularity • 34% Danceability • 20% Energy • 10% Liveness
0% Instrumentalness • 13% Positiveness
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Jane Morgan
With Open Arms
104 bpm • F Maj • 02:17 • -12db
27% Popularity • 60% Danceability • 24% Energy • 10% Liveness
0% Instrumentalness • 40% Positiveness
27% Popularity • 60% Danceability • 24% Energy • 10% Liveness
0% Instrumentalness • 40% Positiveness
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The Cast
Goodnight, Sleep Tight
105 bpm • E Maj • 01:41 • -19.38db
26% Popularity • 43% Danceability • 4% Energy • 10% Liveness
0% Instrumentalness • 21% Positiveness
26% Popularity • 43% Danceability • 4% Energy • 10% Liveness
0% Instrumentalness • 21% Positiveness
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Billy Eckstine
Kiss Of Fire
105 bpm • D min • 02:32 • -11.48db
32% Popularity • 59% Danceability • 32% Energy • 39% Liveness
0% Instrumentalness • 90% Positiveness
32% Popularity • 59% Danceability • 32% Energy • 39% Liveness
0% Instrumentalness • 90% Positiveness
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Eddie Fisher
Anytime
105 bpm • C# Maj • 02:36 • -4.26db
36% Popularity • 61% Danceability • 24% Energy • 12% Liveness
0% Instrumentalness • 47% Positiveness
36% Popularity • 61% Danceability • 24% Energy • 12% Liveness
0% Instrumentalness • 47% Positiveness
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Jeri Southern
Weren't We Fools
91 bpm • C Maj • 02:49 • -12.57db
33% Popularity • 25% Danceability • 14% Energy • 27% Liveness
0% Instrumentalness • 11% Positiveness
33% Popularity • 25% Danceability • 14% Energy • 27% Liveness
0% Instrumentalness • 11% Positiveness
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Sue Raney
Heart And Soul
105 bpm • G min • 02:58 • -10db
23% Popularity • 50% Danceability • 32% Energy • 21% Liveness
0% Instrumentalness • 46% Positiveness
23% Popularity • 50% Danceability • 32% Energy • 21% Liveness
0% Instrumentalness • 46% Positiveness
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Jane Morgan
A Lover's Concerto
92 bpm • D Maj • 02:49 • -11.46db
33% Popularity • 25% Danceability • 31% Energy • 22% Liveness
0% Instrumentalness • 52% Positiveness
33% Popularity • 25% Danceability • 31% Energy • 22% Liveness
0% Instrumentalness • 52% Positiveness
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Buddy Holly
Raining In My Heart
105 bpm • G Maj • 02:47 • -19.92db
46% Popularity • 67% Danceability • 11% Energy • 12% Liveness
0% Instrumentalness • 60% Positiveness
46% Popularity • 67% Danceability • 11% Energy • 12% Liveness
0% Instrumentalness • 60% Positiveness
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Nat King Cole Trio
Who Do You Know In Heaven (That Made You...
91 bpm • D Maj • 02:38 • -16.77db
45% Popularity • 56% Danceability • 10% Energy • 26% Liveness
0% Instrumentalness • 36% Positiveness
45% Popularity • 56% Danceability • 10% Energy • 26% Liveness
0% Instrumentalness • 36% Positiveness
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Artie Shaw
Moonglow
106 bpm • A# Maj • 03:33 • -18.84db
49% Popularity • 53% Danceability • 11% Energy • 28% Liveness
44% Instrumentalness • 39% Positiveness
49% Popularity • 53% Danceability • 11% Energy • 28% Liveness
44% Instrumentalness • 39% Positiveness
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Al Martino
Always Together
106 bpm • G# Maj • 02:38 • -12.98db
33% Popularity • 28% Danceability • 27% Energy • 24% Liveness
0% Instrumentalness • 36% Positiveness
33% Popularity • 28% Danceability • 27% Energy • 24% Liveness
0% Instrumentalness • 36% Positiveness
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Jimmy Durante
Ida, Sweet As Apple Cider
106 bpm • G Maj • 02:37 • -21.13db
5% Popularity • 80% Danceability • 18% Energy • 20% Liveness
4% Instrumentalness • 75% Positiveness
5% Popularity • 80% Danceability • 18% Energy • 20% Liveness
4% Instrumentalness • 75% Positiveness
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Dick Haymes
Where or When
91 bpm • D Maj • 02:08 • -11.94db
20% Popularity • 23% Danceability • 32% Energy • 10% Liveness
79% Instrumentalness • 28% Positiveness
20% Popularity • 23% Danceability • 32% Energy • 10% Liveness
79% Instrumentalness • 28% Positiveness
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MGM Studio Orchestra
I Remember It Well
90 bpm • D# Maj • 02:22 • -19.58db
12% Popularity • 45% Danceability • 5% Energy • 13% Liveness
0% Instrumentalness • 29% Positiveness
12% Popularity • 45% Danceability • 5% Energy • 13% Liveness
0% Instrumentalness • 29% Positiveness
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Glenn Yarbrough
I'll Catch the Sun
106 bpm • A# Maj • 02:28 • -18.78db
17% Popularity • 27% Danceability • 12% Energy • 7% Liveness
0% Instrumentalness • 21% Positiveness
17% Popularity • 27% Danceability • 12% Energy • 7% Liveness
0% Instrumentalness • 21% Positiveness
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Patsy Cline
The Wayward Wind
106 bpm • G# Maj • 03:21 • -20.26db
37% Popularity • 41% Danceability • 11% Energy • 12% Liveness
0% Instrumentalness • 39% Positiveness
37% Popularity • 41% Danceability • 11% Energy • 12% Liveness
0% Instrumentalness • 39% Positiveness
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Guy Lombardo
Bell Bottom Trousers
106 bpm • A# Maj • 02:33 • -12.67db
19% Popularity • 88% Danceability • 23% Energy • 17% Liveness
0% Instrumentalness • 96% Positiveness
19% Popularity • 88% Danceability • 23% Energy • 17% Liveness
0% Instrumentalness • 96% Positiveness
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Jimmy Durante
I'll Be Seeing You
90 bpm • E min • 03:12 • -14db
42% Popularity • 38% Danceability • 18% Energy • 10% Liveness
0% Instrumentalness • 18% Positiveness
42% Popularity • 38% Danceability • 18% Energy • 10% Liveness
0% Instrumentalness • 18% Positiveness
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Jimmy Dorsey
Maria Elena
90 bpm • D min • 03:03 • -15.94db
23% Popularity • 29% Danceability • 10% Energy • 25% Liveness
1% Instrumentalness • 15% Positiveness
23% Popularity • 29% Danceability • 10% Energy • 25% Liveness
1% Instrumentalness • 15% Positiveness
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Jeanette MacDonald
Indian Love Call
90 bpm • F Maj • 03:34 • -15.77db
12% Popularity • 24% Danceability • 22% Energy • 10% Liveness
4% Instrumentalness • 17% Positiveness
12% Popularity • 24% Danceability • 22% Energy • 10% Liveness
4% Instrumentalness • 17% Positiveness
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The McGuire Sisters
Picnic
90 bpm • G# Maj • 02:46 • -10.08db
23% Popularity • 35% Danceability • 24% Energy • 14% Liveness
0% Instrumentalness • 30% Positiveness
23% Popularity • 35% Danceability • 24% Energy • 14% Liveness
0% Instrumentalness • 30% Positiveness
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The Andrews Sisters
(I'll Be With You In) Apple Blossom Time...
90 bpm • G# Maj • 02:58 • -11db
30% Popularity • 64% Danceability • 22% Energy • 9% Liveness
0% Instrumentalness • 17% Positiveness
30% Popularity • 64% Danceability • 22% Energy • 9% Liveness
0% Instrumentalness • 17% Positiveness
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Danny Kaye
I'll Take You Dreaming
90 bpm • C Maj • 03:03 • -19db
28% Popularity • 21% Danceability • 11% Energy • 12% Liveness
12% Instrumentalness • 15% Positiveness
28% Popularity • 21% Danceability • 11% Energy • 12% Liveness
12% Instrumentalness • 15% Positiveness
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Jimmy Durante
Smile
107 bpm • F Maj • 02:57 • -12db
38% Popularity • 42% Danceability • 38% Energy • 41% Liveness
0% Instrumentalness • 36% Positiveness
38% Popularity • 42% Danceability • 38% Energy • 41% Liveness
0% Instrumentalness • 36% Positiveness
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Kim Novak
My Funny Valentine - Single
89 bpm • F min • 02:01 • -19.83db
10% Popularity • 25% Danceability • 5% Energy • 19% Liveness
0% Instrumentalness • 19% Positiveness
10% Popularity • 25% Danceability • 5% Energy • 19% Liveness
0% Instrumentalness • 19% Positiveness
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Pearl Bailey
Bill Bailey, Won't You Please Come Home?
107 bpm • C# Maj • 02:30 • -9.06db
25% Popularity • 67% Danceability • 59% Energy • 61% Liveness
0% Instrumentalness • 88% Positiveness
25% Popularity • 67% Danceability • 59% Energy • 61% Liveness
0% Instrumentalness • 88% Positiveness
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Jeri Southern
Which?
108 bpm • D Maj • 02:41 • -10.54db
23% Popularity • 50% Danceability • 21% Energy • 32% Liveness
0% Instrumentalness • 68% Positiveness
23% Popularity • 50% Danceability • 21% Energy • 32% Liveness
0% Instrumentalness • 68% Positiveness
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Tommy Dorsey
On the Sunny Side of the Street
108 bpm • D# Maj • 03:27 • -14.18db
33% Popularity • 65% Danceability • 10% Energy • 5% Liveness
0% Instrumentalness • 57% Positiveness
33% Popularity • 65% Danceability • 10% Energy • 5% Liveness
0% Instrumentalness • 57% Positiveness
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Pat Boone
April Love
89 bpm • G# Maj • 02:28 • -9.81db
22% Popularity • 29% Danceability • 40% Energy • 11% Liveness
1% Instrumentalness • 41% Positiveness
22% Popularity • 29% Danceability • 40% Energy • 11% Liveness
1% Instrumentalness • 41% Positiveness
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Jimmy Durante
When the Circus Leaves Town
89 bpm • A# Maj • 02:48 • -8.66db
8% Popularity • 48% Danceability • 49% Energy • 31% Liveness
0% Instrumentalness • 55% Positiveness
8% Popularity • 48% Danceability • 49% Energy • 31% Liveness
0% Instrumentalness • 55% Positiveness
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Artie Shaw
Where Or When
108 bpm • D min • 03:17 • -8.57db
35% Popularity • 49% Danceability • 27% Energy • 25% Liveness
1% Instrumentalness • 33% Positiveness
35% Popularity • 49% Danceability • 27% Energy • 25% Liveness
1% Instrumentalness • 33% Positiveness
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Ethel Merman
If You Catch A Little Cold (I'll Sneeze ...
108 bpm • G# Maj • 03:14 • -10.87db
4% Popularity • 74% Danceability • 26% Energy • 13% Liveness
0% Instrumentalness • 72% Positiveness
4% Popularity • 74% Danceability • 26% Energy • 13% Liveness
0% Instrumentalness • 72% Positiveness
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Al Martino
I Love You Because
89 bpm • G# Maj • 02:43 • -12.75db
41% Popularity • 29% Danceability • 20% Energy • 22% Liveness
0% Instrumentalness • 23% Positiveness
41% Popularity • 29% Danceability • 20% Energy • 22% Liveness
0% Instrumentalness • 23% Positiveness
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The Four Lads
No Not Much
88 bpm • G# Maj • 03:16 • -11db
26% Popularity • 31% Danceability • 29% Energy • 8% Liveness
0% Instrumentalness • 24% Positiveness
26% Popularity • 31% Danceability • 29% Energy • 8% Liveness
0% Instrumentalness • 24% Positiveness
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Eddie Fisher
Outside of Heaven
88 bpm • F Maj • 02:38 • -8.59db
34% Popularity • 33% Danceability • 23% Energy • 25% Liveness
0% Instrumentalness • 18% Positiveness
34% Popularity • 33% Danceability • 23% Energy • 25% Liveness
0% Instrumentalness • 18% Positiveness
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Vikki Carr
It Must Be Him
109 bpm • E Maj • 02:51 • -10.03db
43% Popularity • 50% Danceability • 47% Energy • 67% Liveness
0% Instrumentalness • 72% Positiveness
43% Popularity • 50% Danceability • 47% Energy • 67% Liveness
0% Instrumentalness • 72% Positiveness
