Songs like September Song by Jihye Lee
Based on a tempo of (+/- 10%) and a similar genre
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SURAN
λμ μΈλ‘μμ΄ λ λΆλ₯Ό λ
116 bpm β’ C Maj β’ 04:14 β’ -6.38db
13% Popularity β’ 56% Danceability β’ 47% Energy β’ 16% Liveness
0% Instrumentalness β’ 24% Positiveness
13% Popularity β’ 56% Danceability β’ 47% Energy β’ 16% Liveness
0% Instrumentalness β’ 24% Positiveness
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Jihye Lee
September Song
116 bpm β’ A# Maj β’ 04:50 β’ -10.85db
0% Popularity β’ 44% Danceability β’ 15% Energy β’ 9% Liveness
0% Instrumentalness β’ 18% Positiveness
0% Popularity β’ 44% Danceability β’ 15% Energy β’ 9% Liveness
0% Instrumentalness β’ 18% Positiveness
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LA POEM
La Tempesta
116 bpm β’ A min β’ 03:44 β’ -8.19db
12% Popularity β’ 34% Danceability β’ 44% Energy β’ 40% Liveness
0% Instrumentalness β’ 8% Positiveness
12% Popularity β’ 34% Danceability β’ 44% Energy β’ 40% Liveness
0% Instrumentalness β’ 8% Positiveness
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Jiyoung Seo
The World of Men
117 bpm β’ B min β’ 04:26 β’ -3.79db
7% Popularity β’ 44% Danceability β’ 82% Energy β’ 35% Liveness
0% Instrumentalness β’ 16% Positiveness
7% Popularity β’ 44% Danceability β’ 82% Energy β’ 35% Liveness
0% Instrumentalness β’ 16% Positiveness
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Saein
Mother and daughter
115 bpm β’ F Maj β’ 03:37 β’ -7.7db
10% Popularity β’ 41% Danceability β’ 26% Energy β’ 12% Liveness
0% Instrumentalness β’ 17% Positiveness
10% Popularity β’ 41% Danceability β’ 26% Energy β’ 12% Liveness
0% Instrumentalness β’ 17% Positiveness
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PattyCake
The Princess Academy: Whistle A Happy So...
115 bpm β’ F# Maj β’ 02:11 β’ -10db
8% Popularity β’ 67% Danceability β’ 41% Energy β’ 27% Liveness
0% Instrumentalness β’ 51% Positiveness
8% Popularity β’ 67% Danceability β’ 41% Energy β’ 27% Liveness
0% Instrumentalness β’ 51% Positiveness
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Im Tae Kyung
μ¬λνλ©΄ μλ‘λ₯Ό μ μ μμ΄
115 bpm β’ D Maj β’ 04:08 β’ -10.2db
12% Popularity β’ 31% Danceability β’ 22% Energy β’ 6% Liveness
0% Instrumentalness β’ 8% Positiveness
12% Popularity β’ 31% Danceability β’ 22% Energy β’ 6% Liveness
0% Instrumentalness β’ 8% Positiveness
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Jihye Lee
Arirang
117 bpm β’ G Maj β’ 04:57 β’ -17.47db
0% Popularity β’ 55% Danceability β’ 13% Energy β’ 7% Liveness
0% Instrumentalness β’ 17% Positiveness
0% Popularity β’ 55% Danceability β’ 13% Energy β’ 7% Liveness
0% Instrumentalness β’ 17% Positiveness
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Kyounga Min
Speechless (Part 1)
118 bpm β’ G min β’ 01:17 β’ -11db
10% Popularity β’ 44% Danceability β’ 19% Energy β’ 10% Liveness
0% Instrumentalness β’ 21% Positiveness
10% Popularity β’ 44% Danceability β’ 19% Energy β’ 10% Liveness
0% Instrumentalness β’ 21% Positiveness
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KIM HOJOONG
λ§κ° (prod. μ μ§ν)
118 bpm β’ D# Maj β’ 04:11 β’ -7.11db
18% Popularity β’ 40% Danceability β’ 30% Energy β’ 9% Liveness
0% Instrumentalness β’ 29% Positiveness
18% Popularity β’ 40% Danceability β’ 30% Energy β’ 9% Liveness
0% Instrumentalness β’ 29% Positiveness
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015B
In an empty street
118 bpm β’ G min β’ 05:06 β’ -11.04db
16% Popularity β’ 43% Danceability β’ 46% Energy β’ 20% Liveness
0% Instrumentalness β’ 22% Positiveness
16% Popularity β’ 43% Danceability β’ 46% Energy β’ 20% Liveness
0% Instrumentalness β’ 22% Positiveness
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The Pro Kids Holiday Vocal Troupe
Never Fall in Love with an Elf
113 bpm β’ A min β’ 02:54 β’ -8.03db
10% Popularity β’ 57% Danceability β’ 45% Energy β’ 9% Liveness
0% Instrumentalness β’ 47% Positiveness
10% Popularity β’ 57% Danceability β’ 45% Energy β’ 9% Liveness
0% Instrumentalness β’ 47% Positiveness
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David DQ Lee
Demain n'existe pas
120 bpm β’ F# min β’ 06:15 β’ -3.67db
8% Popularity β’ 28% Danceability β’ 60% Energy β’ 12% Liveness
0% Instrumentalness β’ 10% Positiveness
8% Popularity β’ 28% Danceability β’ 60% Energy β’ 12% Liveness
0% Instrumentalness β’ 10% Positiveness
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Jihye Lee
God
115 bpm β’ C Maj β’ 02:15 β’ -8.46db
1% Popularity β’ 43% Danceability β’ 30% Energy β’ 16% Liveness
0% Instrumentalness β’ 28% Positiveness
1% Popularity β’ 43% Danceability β’ 30% Energy β’ 16% Liveness
0% Instrumentalness β’ 28% Positiveness
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TIKITIK
미리 ν΄κ°
113 bpm β’ F# min β’ 01:44 β’ -6.62db
10% Popularity β’ 65% Danceability β’ 74% Energy β’ 33% Liveness
0% Instrumentalness β’ 87% Positiveness
10% Popularity β’ 65% Danceability β’ 74% Energy β’ 33% Liveness
0% Instrumentalness β’ 87% Positiveness
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YOARI
Walking along
112 bpm β’ B Maj β’ 03:41 β’ -5.46db
0% Popularity β’ 47% Danceability β’ 38% Energy β’ 12% Liveness
0% Instrumentalness β’ 14% Positiveness
0% Popularity β’ 47% Danceability β’ 38% Energy β’ 12% Liveness
0% Instrumentalness β’ 14% Positiveness
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μμμ
νΌμκ° μλ λ
120 bpm β’ A# Maj β’ 03:28 β’ -3.91db
25% Popularity β’ 62% Danceability β’ 73% Energy β’ 29% Liveness
0% Instrumentalness β’ 68% Positiveness
25% Popularity β’ 62% Danceability β’ 73% Energy β’ 29% Liveness
0% Instrumentalness β’ 68% Positiveness
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Ko Woorim
Trains and pine trees
120 bpm β’ A# Maj β’ 03:59 β’ -7.09db
22% Popularity β’ 75% Danceability β’ 53% Energy β’ 9% Liveness
0% Instrumentalness β’ 44% Positiveness
22% Popularity β’ 75% Danceability β’ 53% Energy β’ 9% Liveness
0% Instrumentalness β’ 44% Positiveness
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λ λ
Only one(μνΌ&μ€νΌλ¬)
120 bpm β’ B Maj β’ 03:23 β’ -7db
12% Popularity β’ 73% Danceability β’ 55% Energy β’ 7% Liveness
0% Instrumentalness β’ 72% Positiveness
12% Popularity β’ 73% Danceability β’ 55% Energy β’ 7% Liveness
0% Instrumentalness β’ 72% Positiveness
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Jihye Lee
Diamond Sutra Reader
118 bpm β’ A# min β’ 04:44 β’ -10.93db
0% Popularity β’ 48% Danceability β’ 19% Energy β’ 12% Liveness
0% Instrumentalness β’ 36% Positiveness
0% Popularity β’ 48% Danceability β’ 19% Energy β’ 12% Liveness
0% Instrumentalness β’ 36% Positiveness
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HANYE
Song of Destiny
112 bpm β’ F# min β’ 05:28 β’ -6.91db
9% Popularity β’ 52% Danceability β’ 32% Energy β’ 11% Liveness
0% Instrumentalness β’ 21% Positiveness
9% Popularity β’ 52% Danceability β’ 32% Energy β’ 11% Liveness
0% Instrumentalness β’ 21% Positiveness
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Jeong Dong Won
Hey Friend
112 bpm β’ G Maj β’ 02:49 β’ -2.49db
22% Popularity β’ 76% Danceability β’ 73% Energy β’ 46% Liveness
0% Instrumentalness β’ 85% Positiveness
22% Popularity β’ 76% Danceability β’ 73% Energy β’ 46% Liveness
0% Instrumentalness β’ 85% Positiveness
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Ahn Ye Eun
Hide away
120 bpm β’ C# Maj β’ 04:08 β’ -5.25db
11% Popularity β’ 74% Danceability β’ 44% Energy β’ 11% Liveness
0% Instrumentalness β’ 55% Positiveness
11% Popularity β’ 74% Danceability β’ 44% Energy β’ 11% Liveness
0% Instrumentalness β’ 55% Positiveness
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CHOI SUNG EUN
μμ
120 bpm β’ B Maj β’ 04:08 β’ -14.1db
22% Popularity β’ 49% Danceability β’ 8% Energy β’ 53% Liveness
0% Instrumentalness β’ 15% Positiveness
22% Popularity β’ 49% Danceability β’ 8% Energy β’ 53% Liveness
0% Instrumentalness β’ 15% Positiveness
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λλͺ½λμΈ
μ μλ€μ λλ
112 bpm β’ G Maj β’ 01:52 β’ -9.09db
16% Popularity β’ 66% Danceability β’ 19% Energy β’ 11% Liveness
6% Instrumentalness β’ 27% Positiveness
16% Popularity β’ 66% Danceability β’ 19% Energy β’ 11% Liveness
6% Instrumentalness β’ 27% Positiveness
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Jihye Lee
Ricordi
112 bpm β’ C# Maj β’ 07:04 β’ -11.19db
0% Popularity β’ 47% Danceability β’ 35% Energy β’ 13% Liveness
17% Instrumentalness β’ 12% Positiveness
0% Popularity β’ 47% Danceability β’ 35% Energy β’ 13% Liveness
17% Instrumentalness β’ 12% Positiveness
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Lee Seung Chul
Never Ending Story
112 bpm β’ F Maj β’ 04:59 β’ -8.15db
26% Popularity β’ 29% Danceability β’ 66% Energy β’ 88% Liveness
0% Instrumentalness β’ 23% Positiveness
26% Popularity β’ 29% Danceability β’ 66% Energy β’ 88% Liveness
0% Instrumentalness β’ 23% Positiveness
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μνκ²½
λͺ¨μ°¨λ₯΄νΈλ₯Ό μ°ΎμλΌ
111 bpm β’ A Maj β’ 03:10 β’ -5.09db
8% Popularity β’ 67% Danceability β’ 65% Energy β’ 56% Liveness
0% Instrumentalness β’ 85% Positiveness
8% Popularity β’ 67% Danceability β’ 65% Energy β’ 56% Liveness
0% Instrumentalness β’ 85% Positiveness
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Ahn Ye Eun
λ΄μ΄ μ¨λ€λ©΄ Drama Version
112 bpm β’ A min β’ 03:31 β’ -3.31db
22% Popularity β’ 61% Danceability β’ 74% Energy β’ 16% Liveness
0% Instrumentalness β’ 51% Positiveness
22% Popularity β’ 61% Danceability β’ 74% Energy β’ 16% Liveness
0% Instrumentalness β’ 51% Positiveness
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Andrew Lloyd Webber
The Phantom Of The Opera - 2009 Korean C...
121 bpm β’ D min β’ 04:20 β’ -4.98db
11% Popularity β’ 47% Danceability β’ 71% Energy β’ 32% Liveness
3% Instrumentalness β’ 44% Positiveness
11% Popularity β’ 47% Danceability β’ 71% Energy β’ 32% Liveness
3% Instrumentalness β’ 44% Positiveness
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λλͺ½λμΈ
Trouble Maker
112 bpm β’ A Maj β’ 01:49 β’ -5.53db
9% Popularity β’ 47% Danceability β’ 74% Energy β’ 10% Liveness
81% Instrumentalness β’ 32% Positiveness
9% Popularity β’ 47% Danceability β’ 74% Energy β’ 10% Liveness
81% Instrumentalness β’ 32% Positiveness
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Jihye Lee
Conversation - Zen for Jazz
121 bpm β’ A# min β’ 04:23 β’ -21.65db
0% Popularity β’ 44% Danceability β’ 13% Energy β’ 4% Liveness
8% Instrumentalness β’ 12% Positiveness
0% Popularity β’ 44% Danceability β’ 13% Energy β’ 4% Liveness
8% Instrumentalness β’ 12% Positiveness
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μ΅λ―Όμ²
μμ¬λ μΉλ¦¬μμ κ²
111 bpm β’ C# Maj β’ 02:31 β’ -6.88db
10% Popularity β’ 54% Danceability β’ 73% Energy β’ 8% Liveness
0% Instrumentalness β’ 59% Positiveness
10% Popularity β’ 54% Danceability β’ 73% Energy β’ 8% Liveness
0% Instrumentalness β’ 59% Positiveness
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Jungwoo
Feeling Only You
121 bpm β’ D Maj β’ 03:50 β’ -4db
30% Popularity β’ 65% Danceability β’ 83% Energy β’ 13% Liveness
0% Instrumentalness β’ 64% Positiveness
30% Popularity β’ 65% Danceability β’ 83% Energy β’ 13% Liveness
0% Instrumentalness β’ 64% Positiveness
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Ragnhild Hanssen
Stille I Stallen
111 bpm β’ D Maj β’ 03:21 β’ -16db
10% Popularity β’ 39% Danceability β’ 6% Energy β’ 27% Liveness
0% Instrumentalness β’ 33% Positiveness
10% Popularity β’ 39% Danceability β’ 6% Energy β’ 27% Liveness
0% Instrumentalness β’ 33% Positiveness
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LEE SUHYUN
The Veiled Path
122 bpm β’ C Maj β’ 04:34 β’ -8.14db
25% Popularity β’ 40% Danceability β’ 21% Energy β’ 11% Liveness
0% Instrumentalness β’ 18% Positiveness
25% Popularity β’ 40% Danceability β’ 21% Energy β’ 11% Liveness
0% Instrumentalness β’ 18% Positiveness
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George Stiles
Never Land
122 bpm β’ D# Maj β’ 03:59 β’ -6.18db
10% Popularity β’ 41% Danceability β’ 46% Energy β’ 10% Liveness
0% Instrumentalness β’ 46% Positiveness
10% Popularity β’ 41% Danceability β’ 46% Energy β’ 10% Liveness
0% Instrumentalness β’ 46% Positiveness
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Jihye Lee
Sea Lady
122 bpm β’ F# min β’ 04:33 β’ -17.4db
0% Popularity β’ 36% Danceability β’ 6% Energy β’ 10% Liveness
0% Instrumentalness β’ 6% Positiveness
0% Popularity β’ 36% Danceability β’ 6% Energy β’ 10% Liveness
0% Instrumentalness β’ 6% Positiveness
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WE KID
From Now On
111 bpm β’ C Maj β’ 03:46 β’ -3.56db
3% Popularity β’ 64% Danceability β’ 61% Energy β’ 10% Liveness
0% Instrumentalness β’ 69% Positiveness
3% Popularity β’ 64% Danceability β’ 61% Energy β’ 10% Liveness
0% Instrumentalness β’ 69% Positiveness
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JooHyun Oak
μμν μλͺ
- μ₯μ£Όν Version
122 bpm β’ C# Maj β’ 04:14 β’ -7.12db
24% Popularity β’ 28% Danceability β’ 47% Energy β’ 69% Liveness
0% Instrumentalness β’ 11% Positiveness
24% Popularity β’ 28% Danceability β’ 47% Energy β’ 69% Liveness
0% Instrumentalness β’ 11% Positiveness
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Jaebeom Shin
A Whole New World
122 bpm β’ C Maj β’ 02:55 β’ -7db
17% Popularity β’ 35% Danceability β’ 42% Energy β’ 12% Liveness
0% Instrumentalness β’ 14% Positiveness
17% Popularity β’ 35% Danceability β’ 42% Energy β’ 12% Liveness
0% Instrumentalness β’ 14% Positiveness
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Kai
What Could It Have Been
110 bpm β’ D min β’ 02:29 β’ -8.59db
2% Popularity β’ 30% Danceability β’ 33% Energy β’ 13% Liveness
0% Instrumentalness β’ 17% Positiveness
2% Popularity β’ 30% Danceability β’ 33% Energy β’ 13% Liveness
0% Instrumentalness β’ 17% Positiveness
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The Charlottetown Festival
Humble Pie
110 bpm β’ C Maj β’ 02:09 β’ -15.08db
7% Popularity β’ 53% Danceability β’ 26% Energy β’ 6% Liveness
0% Instrumentalness β’ 66% Positiveness
7% Popularity β’ 53% Danceability β’ 26% Energy β’ 6% Liveness
0% Instrumentalness β’ 66% Positiveness
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Jihye Lee
Let's Fall in Love
122 bpm β’ A# Maj β’ 02:18 β’ -11.04db
0% Popularity β’ 46% Danceability β’ 21% Energy β’ 12% Liveness
0% Instrumentalness β’ 10% Positiveness
0% Popularity β’ 46% Danceability β’ 21% Energy β’ 12% Liveness
0% Instrumentalness β’ 10% Positiveness
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Kim Yuna
λΉλ°μ μ μ
110 bpm β’ G min β’ 03:29 β’ -7.02db
8% Popularity β’ 55% Danceability β’ 37% Energy β’ 16% Liveness
0% Instrumentalness β’ 50% Positiveness
8% Popularity β’ 55% Danceability β’ 37% Energy β’ 16% Liveness
0% Instrumentalness β’ 50% Positiveness
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Ahn Ye Eun
Octopus' Dream
123 bpm β’ G Maj β’ 04:30 β’ -5.88db
14% Popularity β’ 94% Danceability β’ 38% Energy β’ 6% Liveness
0% Instrumentalness β’ 40% Positiveness
14% Popularity β’ 94% Danceability β’ 38% Energy β’ 6% Liveness
0% Instrumentalness β’ 40% Positiveness
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Hye Na Park
Show Yourself
123 bpm β’ F# Maj β’ 04:20 β’ -8.22db
29% Popularity β’ 32% Danceability β’ 35% Energy β’ 7% Liveness
0% Instrumentalness β’ 17% Positiveness
29% Popularity β’ 32% Danceability β’ 35% Energy β’ 7% Liveness
0% Instrumentalness β’ 17% Positiveness
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Um Ki Joon
As Long As It's Not Immoderate
110 bpm β’ C min β’ 02:48 β’ -9.26db
3% Popularity β’ 50% Danceability β’ 33% Energy β’ 10% Liveness
0% Instrumentalness β’ 15% Positiveness
3% Popularity β’ 50% Danceability β’ 33% Energy β’ 10% Liveness
0% Instrumentalness β’ 15% Positiveness
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Kim Sung Rak
Itoβ²s Ambition
109 bpm β’ G# min β’ 01:10 β’ -6.86db
8% Popularity β’ 44% Danceability β’ 72% Energy β’ 10% Liveness
0% Instrumentalness β’ 64% Positiveness
8% Popularity β’ 44% Danceability β’ 72% Energy β’ 10% Liveness
0% Instrumentalness β’ 64% Positiveness
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SE7EN
Die Schatten Werden Laenger
109 bpm β’ F min β’ 04:10 β’ -4.69db
10% Popularity β’ 35% Danceability β’ 64% Energy β’ 15% Liveness
0% Instrumentalness β’ 12% Positiveness
10% Popularity β’ 35% Danceability β’ 64% Energy β’ 15% Liveness
0% Instrumentalness β’ 12% Positiveness
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μλμ
Love Poem
124 bpm β’ F Maj β’ 05:02 β’ -6.06db
15% Popularity β’ 38% Danceability β’ 30% Energy β’ 12% Liveness
0% Instrumentalness β’ 20% Positiveness
15% Popularity β’ 38% Danceability β’ 30% Energy β’ 12% Liveness
0% Instrumentalness β’ 20% Positiveness
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MeloMance
Festival
124 bpm β’ E min β’ 04:33 β’ -4.97db
24% Popularity β’ 60% Danceability β’ 53% Energy β’ 11% Liveness
0% Instrumentalness β’ 28% Positiveness
24% Popularity β’ 60% Danceability β’ 53% Energy β’ 11% Liveness
0% Instrumentalness β’ 28% Positiveness
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μκΈ°μ€
μ¬λμ΄ μ§μ€ν λ
124 bpm β’ A Maj β’ 03:12 β’ -6.08db
10% Popularity β’ 32% Danceability β’ 60% Energy β’ 21% Liveness
0% Instrumentalness β’ 28% Positiveness
10% Popularity β’ 32% Danceability β’ 60% Energy β’ 21% Liveness
0% Instrumentalness β’ 28% Positiveness
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Lucia
Narrow road
124 bpm β’ E Maj β’ 04:03 β’ -9.98db
19% Popularity β’ 46% Danceability β’ 26% Energy β’ 10% Liveness
0% Instrumentalness β’ 38% Positiveness
19% Popularity β’ 46% Danceability β’ 26% Energy β’ 10% Liveness
0% Instrumentalness β’ 38% Positiveness
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Jang Yoon-Jeong
μ κ°ν
108 bpm β’ D# min β’ 04:09 β’ -8.51db
14% Popularity β’ 40% Danceability β’ 54% Energy β’ 9% Liveness
0% Instrumentalness β’ 42% Positiveness
14% Popularity β’ 40% Danceability β’ 54% Energy β’ 9% Liveness
0% Instrumentalness β’ 42% Positiveness
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You Chae Hoon
μ²μ μμ΄(Bon Voyage)
108 bpm β’ E Maj β’ 06:25 β’ -4.43db
7% Popularity β’ 35% Danceability β’ 69% Energy β’ 33% Liveness
0% Instrumentalness β’ 22% Positiveness
7% Popularity β’ 35% Danceability β’ 69% Energy β’ 33% Liveness
0% Instrumentalness β’ 22% Positiveness
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Lee Mujin
The dreams
108 bpm β’ C Maj β’ 04:02 β’ -5.25db
9% Popularity β’ 59% Danceability β’ 44% Energy β’ 15% Liveness
0% Instrumentalness β’ 34% Positiveness
9% Popularity β’ 59% Danceability β’ 44% Energy β’ 15% Liveness
0% Instrumentalness β’ 34% Positiveness
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Jihye Lee
Goblin Bee - Poem By Emily Dickinson
108 bpm β’ B min β’ 05:11 β’ -14.09db
0% Popularity β’ 37% Danceability β’ 13% Energy β’ 8% Liveness
0% Instrumentalness β’ 8% Positiveness
0% Popularity β’ 37% Danceability β’ 13% Energy β’ 8% Liveness
0% Instrumentalness β’ 8% Positiveness
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TOMTOMI
νκ΅μ λΉλΈ 100λͺ
μ μμΈλ€
125 bpm β’ A min β’ 03:59 β’ -5.12db
15% Popularity β’ 85% Danceability β’ 80% Energy β’ 62% Liveness
0% Instrumentalness β’ 75% Positiveness
15% Popularity β’ 85% Danceability β’ 80% Energy β’ 62% Liveness
0% Instrumentalness β’ 75% Positiveness
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Younha
μμ μμ‘κ³ (μ곑κ°μ μ½λ¦¬μ...
108 bpm β’ G# Maj β’ 04:28 β’ -4.92db
12% Popularity β’ 43% Danceability β’ 78% Energy β’ 76% Liveness
0% Instrumentalness β’ 34% Positiveness
12% Popularity β’ 43% Danceability β’ 78% Energy β’ 76% Liveness
0% Instrumentalness β’ 34% Positiveness
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Hong Kwang Ho
Pretty
125 bpm β’ G Maj β’ 04:11 β’ -12.18db
12% Popularity β’ 36% Danceability β’ 17% Energy β’ 17% Liveness
2% Instrumentalness β’ 26% Positiveness
12% Popularity β’ 36% Danceability β’ 17% Energy β’ 17% Liveness
2% Instrumentalness β’ 26% Positiveness
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Cho Eun Young
Peach Flower
125 bpm β’ C Maj β’ 03:43 β’ -11.34db
10% Popularity β’ 28% Danceability β’ 26% Energy β’ 14% Liveness
0% Instrumentalness β’ 15% Positiveness
10% Popularity β’ 28% Danceability β’ 26% Energy β’ 14% Liveness
0% Instrumentalness β’ 15% Positiveness
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Emmy Woodward
That Could Be Me
126 bpm β’ A Maj β’ 01:41 β’ -10.45db
7% Popularity β’ 36% Danceability β’ 17% Energy β’ 9% Liveness
0% Instrumentalness β’ 32% Positiveness
7% Popularity β’ 36% Danceability β’ 17% Energy β’ 9% Liveness
0% Instrumentalness β’ 32% Positiveness
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Jihye Lee
Mermaid
107 bpm β’ C Maj β’ 05:40 β’ -10.58db
0% Popularity β’ 50% Danceability β’ 26% Energy β’ 17% Liveness
0% Instrumentalness β’ 22% Positiveness
0% Popularity β’ 50% Danceability β’ 26% Energy β’ 17% Liveness
0% Instrumentalness β’ 22% Positiveness
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Everland
EVERLAND THEME SONG (CLOSE YOUR EYES AND...
126 bpm β’ B Maj β’ 03:38 β’ -4.27db
9% Popularity β’ 57% Danceability β’ 77% Energy β’ 14% Liveness
0% Instrumentalness β’ 53% Positiveness
9% Popularity β’ 57% Danceability β’ 77% Energy β’ 14% Liveness
0% Instrumentalness β’ 53% Positiveness
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HONGJA
μμ¬ν
107 bpm β’ C min β’ 02:45 β’ -7db
17% Popularity β’ 46% Danceability β’ 40% Energy β’ 15% Liveness
0% Instrumentalness β’ 24% Positiveness
17% Popularity β’ 46% Danceability β’ 40% Energy β’ 15% Liveness
0% Instrumentalness β’ 24% Positiveness
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JooHyun Oak
What It Means To Live
107 bpm β’ E min β’ 04:24 β’ -4.53db
9% Popularity β’ 40% Danceability β’ 58% Energy β’ 7% Liveness
0% Instrumentalness β’ 13% Positiveness
9% Popularity β’ 40% Danceability β’ 58% Energy β’ 7% Liveness
0% Instrumentalness β’ 13% Positiveness
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Im Tae Kyung
Something More
126 bpm β’ D Maj β’ 04:15 β’ -6.5db
10% Popularity β’ 34% Danceability β’ 40% Energy β’ 9% Liveness
0% Instrumentalness β’ 10% Positiveness
10% Popularity β’ 34% Danceability β’ 40% Energy β’ 9% Liveness
0% Instrumentalness β’ 10% Positiveness
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Kyounga Min
Speechless (Part 2)
126 bpm β’ G min β’ 02:24 β’ -7.63db
12% Popularity β’ 54% Danceability β’ 53% Energy β’ 7% Liveness
0% Instrumentalness β’ 20% Positiveness
12% Popularity β’ 54% Danceability β’ 53% Energy β’ 7% Liveness
0% Instrumentalness β’ 20% Positiveness
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Baek Ji Young
무μλ‘
127 bpm β’ D min β’ 03:21 β’ -11.28db
14% Popularity β’ 43% Danceability β’ 22% Energy β’ 15% Liveness
0% Instrumentalness β’ 18% Positiveness
14% Popularity β’ 43% Danceability β’ 22% Energy β’ 15% Liveness
0% Instrumentalness β’ 18% Positiveness
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Benj Pasek
Everywhere That You Are
126 bpm β’ D# Maj β’ 03:14 β’ -9.2db
8% Popularity β’ 37% Danceability β’ 24% Energy β’ 7% Liveness
0% Instrumentalness β’ 26% Positiveness
8% Popularity β’ 37% Danceability β’ 24% Energy β’ 7% Liveness
0% Instrumentalness β’ 26% Positiveness
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HONGJA
콩κΉμ§
107 bpm β’ F# Maj β’ 03:21 β’ -2db
15% Popularity β’ 61% Danceability β’ 90% Energy β’ 14% Liveness
0% Instrumentalness β’ 90% Positiveness
15% Popularity β’ 61% Danceability β’ 90% Energy β’ 14% Liveness
0% Instrumentalness β’ 90% Positiveness
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Joonsang Yu
The Only Future
126 bpm β’ G# min β’ 03:35 β’ -6.12db
14% Popularity β’ 46% Danceability β’ 61% Energy β’ 36% Liveness
2% Instrumentalness β’ 50% Positiveness
14% Popularity β’ 46% Danceability β’ 61% Energy β’ 36% Liveness
2% Instrumentalness β’ 50% Positiveness
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Gaston Litaize
PrΓ©lude et fugue: II. Fugue
127 bpm β’ E Maj β’ 03:26 β’ -22.89db
0% Popularity β’ 41% Danceability β’ 16% Energy β’ 10% Liveness
91% Instrumentalness β’ 34% Positiveness
0% Popularity β’ 41% Danceability β’ 16% Energy β’ 10% Liveness
91% Instrumentalness β’ 34% Positiveness
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ALi
Wound
127 bpm β’ G min β’ 04:01 β’ -7.14db
25% Popularity β’ 39% Danceability β’ 26% Energy β’ 11% Liveness
0% Instrumentalness β’ 33% Positiveness
25% Popularity β’ 39% Danceability β’ 26% Energy β’ 11% Liveness
0% Instrumentalness β’ 33% Positiveness
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Park Boram
Will Be Fine (2022)
127 bpm β’ E Maj β’ 04:17 β’ -4.43db
20% Popularity β’ 44% Danceability β’ 51% Energy β’ 12% Liveness
0% Instrumentalness β’ 25% Positiveness
20% Popularity β’ 44% Danceability β’ 51% Energy β’ 12% Liveness
0% Instrumentalness β’ 25% Positiveness
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λ λΌμλͺ¨λ₯΄
λ΄ μμ μλ¦λ€μ΄
127 bpm β’ B Maj β’ 05:38 β’ -6.37db
10% Popularity β’ 30% Danceability β’ 35% Energy β’ 13% Liveness
0% Instrumentalness β’ 10% Positiveness
10% Popularity β’ 30% Danceability β’ 35% Energy β’ 13% Liveness
0% Instrumentalness β’ 10% Positiveness
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Hong Kwang Ho
The Confrontation
106 bpm β’ E min β’ 03:32 β’ -6.25db
14% Popularity β’ 39% Danceability β’ 62% Energy β’ 18% Liveness
0% Instrumentalness β’ 23% Positiveness
14% Popularity β’ 39% Danceability β’ 62% Energy β’ 18% Liveness
0% Instrumentalness β’ 23% Positiveness
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TIKITIK
27, 28, 29
127 bpm β’ E Maj β’ 02:08 β’ -5.66db
9% Popularity β’ 73% Danceability β’ 61% Energy β’ 5% Liveness
0% Instrumentalness β’ 65% Positiveness
9% Popularity β’ 73% Danceability β’ 61% Energy β’ 5% Liveness
0% Instrumentalness β’ 65% Positiveness
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Chehwan
λ§λ²μμ±(λν΄λμ)
127 bpm β’ G Maj β’ 04:25 β’ -7.35db
9% Popularity β’ 37% Danceability β’ 19% Energy β’ 48% Liveness
0% Instrumentalness β’ 16% Positiveness
9% Popularity β’ 37% Danceability β’ 19% Energy β’ 48% Liveness
0% Instrumentalness β’ 16% Positiveness
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XIA
Dorian Gray
106 bpm β’ F Maj β’ 05:34 β’ -7.91db
8% Popularity β’ 28% Danceability β’ 33% Energy β’ 7% Liveness
0% Instrumentalness β’ 12% Positiveness
8% Popularity β’ 28% Danceability β’ 33% Energy β’ 7% Liveness
0% Instrumentalness β’ 12% Positiveness
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Young-Zoo Jeong
Boo-Joke-Han Jeom
105 bpm β’ A Maj β’ 03:02 β’ -7.28db
22% Popularity β’ 56% Danceability β’ 52% Energy β’ 12% Liveness
0% Instrumentalness β’ 76% Positiveness
22% Popularity β’ 56% Danceability β’ 52% Energy β’ 12% Liveness
0% Instrumentalness β’ 76% Positiveness
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μ μ±λ‘
μΈμ λ κ·Έλ κ³μ - μ μ±λ‘, μ₯...
128 bpm β’ F min β’ 04:53 β’ -6.71db
12% Popularity β’ 33% Danceability β’ 50% Energy β’ 11% Liveness
0% Instrumentalness β’ 16% Positiveness
12% Popularity β’ 33% Danceability β’ 50% Energy β’ 11% Liveness
0% Instrumentalness β’ 16% Positiveness
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Andrew Lloyd Webber
In Sleep He Sang To Me - 2009 Korean Cas...
105 bpm β’ D min β’ 01:22 β’ -8.87db
7% Popularity β’ 30% Danceability β’ 28% Energy β’ 10% Liveness
10% Instrumentalness β’ 3% Positiveness
7% Popularity β’ 30% Danceability β’ 28% Energy β’ 10% Liveness
10% Instrumentalness β’ 3% Positiveness
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Song Sohee
Miryang Arirang: A Precious Flower
105 bpm β’ B min β’ 05:00 β’ -3.33db
17% Popularity β’ 31% Danceability β’ 74% Energy β’ 12% Liveness
0% Instrumentalness β’ 33% Positiveness
17% Popularity β’ 31% Danceability β’ 74% Energy β’ 12% Liveness
0% Instrumentalness β’ 33% Positiveness
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Jang Minho
Read and Ignored (Prod. Young Tak)
128 bpm β’ G# min β’ 02:48 β’ -3.3db
12% Popularity β’ 77% Danceability β’ 94% Energy β’ 73% Liveness
0% Instrumentalness β’ 94% Positiveness
12% Popularity β’ 77% Danceability β’ 94% Energy β’ 73% Liveness
0% Instrumentalness β’ 94% Positiveness
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Kim Yuna
Cat Song
128 bpm β’ G min β’ 03:02 β’ -7.9db
7% Popularity β’ 78% Danceability β’ 29% Energy β’ 24% Liveness
0% Instrumentalness β’ 82% Positiveness
7% Popularity β’ 78% Danceability β’ 29% Energy β’ 24% Liveness
0% Instrumentalness β’ 82% Positiveness
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Ex
Take good care of me
105 bpm β’ A min β’ 03:16 β’ -4db
25% Popularity β’ 80% Danceability β’ 80% Energy β’ 22% Liveness
0% Instrumentalness β’ 87% Positiveness
25% Popularity β’ 80% Danceability β’ 80% Energy β’ 22% Liveness
0% Instrumentalness β’ 87% Positiveness
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Paul Kim
White
105 bpm β’ D Maj β’ 03:56 β’ -4.45db
35% Popularity β’ 59% Danceability β’ 78% Energy β’ 8% Liveness
0% Instrumentalness β’ 43% Positiveness
35% Popularity β’ 59% Danceability β’ 78% Energy β’ 8% Liveness
0% Instrumentalness β’ 43% Positiveness
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Seoyoon Moon
Un Poco Loco
128 bpm β’ G Maj β’ 01:52 β’ -7.31db
13% Popularity β’ 58% Danceability β’ 51% Energy β’ 19% Liveness
0% Instrumentalness β’ 66% Positiveness
13% Popularity β’ 58% Danceability β’ 51% Energy β’ 19% Liveness
0% Instrumentalness β’ 66% Positiveness
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Joo Won
λ΄κ° λ§μΌ - μμ¨ Version
128 bpm β’ C Maj β’ 01:39 β’ -10.89db
8% Popularity β’ 70% Danceability β’ 20% Energy β’ 12% Liveness
0% Instrumentalness β’ 38% Positiveness
8% Popularity β’ 70% Danceability β’ 20% Energy β’ 12% Liveness
0% Instrumentalness β’ 38% Positiveness
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Kai
We are
105 bpm β’ A# Maj β’ 02:23 β’ -9.12db
8% Popularity β’ 42% Danceability β’ 32% Energy β’ 9% Liveness
0% Instrumentalness β’ 19% Positiveness
8% Popularity β’ 42% Danceability β’ 32% Energy β’ 9% Liveness
0% Instrumentalness β’ 19% Positiveness
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XIA
Another Me
105 bpm β’ G min β’ 04:35 β’ -4.95db
9% Popularity β’ 38% Danceability β’ 85% Energy β’ 8% Liveness
0% Instrumentalness β’ 28% Positiveness
9% Popularity β’ 38% Danceability β’ 85% Energy β’ 8% Liveness
0% Instrumentalness β’ 28% Positiveness
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Jihye Lee
You Stepped Out of a Dream
105 bpm β’ A# Maj β’ 03:19 β’ -12.67db
0% Popularity β’ 61% Danceability β’ 32% Energy β’ 6% Liveness
0% Instrumentalness β’ 37% Positiveness
0% Popularity β’ 61% Danceability β’ 32% Energy β’ 6% Liveness
0% Instrumentalness β’ 37% Positiveness
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YooA
βλ‘μΌ ν¬ λ λ¬Έ!β (λ·νλ¦μ€ ...
129 bpm β’ D Maj β’ 02:13 β’ -5.29db
17% Popularity β’ 39% Danceability β’ 47% Energy β’ 22% Liveness
0% Instrumentalness β’ 12% Positiveness
17% Popularity β’ 39% Danceability β’ 47% Energy β’ 22% Liveness
0% Instrumentalness β’ 12% Positiveness
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μκΈ°μ€
κ·Έ λ λΉμ κΈ°μ΅ν΄
105 bpm β’ D min β’ 03:14 β’ -7.66db
12% Popularity β’ 27% Danceability β’ 53% Energy β’ 15% Liveness
0% Instrumentalness β’ 23% Positiveness
12% Popularity β’ 27% Danceability β’ 53% Energy β’ 15% Liveness
0% Instrumentalness β’ 23% Positiveness
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Seo Young Eun
μ°λ€λ 건 λ€ κ·Έλ°κ² μλκ² λ
104 bpm β’ G# Maj β’ 04:08 β’ -5.74db
16% Popularity β’ 79% Danceability β’ 54% Energy β’ 8% Liveness
0% Instrumentalness β’ 91% Positiveness
16% Popularity β’ 79% Danceability β’ 54% Energy β’ 8% Liveness
0% Instrumentalness β’ 91% Positiveness
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Yoo Yeon Seok
As If I'm Struck By Lightning
105 bpm β’ A# Maj β’ 02:20 β’ -8.49db
5% Popularity β’ 34% Danceability β’ 33% Energy β’ 18% Liveness
0% Instrumentalness β’ 35% Positiveness
5% Popularity β’ 34% Danceability β’ 33% Energy β’ 18% Liveness
0% Instrumentalness β’ 35% Positiveness
