Songs like September by James Arthur
Based on a tempo of (+/- 10%) and a similar genre
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James Arthur
September
103 bpm • A Maj • 03:40 • -6.06db
54% Popularity • 64% Danceability • 55% Energy • 9% Liveness
0% Instrumentalness • 42% Positiveness
54% Popularity • 64% Danceability • 55% Energy • 9% Liveness
0% Instrumentalness • 42% Positiveness
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Lauv
Feelings
103 bpm • A Maj • 03:09 • -8.91db
66% Popularity • 70% Danceability • 39% Energy • 8% Liveness
0% Instrumentalness • 24% Positiveness
66% Popularity • 70% Danceability • 39% Energy • 8% Liveness
0% Instrumentalness • 24% Positiveness
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benny blanco
You
103 bpm • B Maj • 02:49 • -6.42db
53% Popularity • 67% Danceability • 57% Energy • 11% Liveness
0% Instrumentalness • 27% Positiveness
53% Popularity • 67% Danceability • 57% Energy • 11% Liveness
0% Instrumentalness • 27% Positiveness
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Marshmello
OK Not To Be OK
103 bpm • C# min • 02:39 • -5.03db
64% Popularity • 74% Danceability • 84% Energy • 7% Liveness
0% Instrumentalness • 26% Positiveness
64% Popularity • 74% Danceability • 84% Energy • 7% Liveness
0% Instrumentalness • 26% Positiveness
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Selena Gomez
Lose You To Love Me
103 bpm • E Maj • 03:26 • -8.99db
80% Popularity • 49% Danceability • 34% Energy • 21% Liveness
0% Instrumentalness • 10% Positiveness
80% Popularity • 49% Danceability • 34% Energy • 21% Liveness
0% Instrumentalness • 10% Positiveness
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Ashley Kutcher
Strangers
103 bpm • C min • 02:27 • -6.1db
44% Popularity • 42% Danceability • 57% Energy • 28% Liveness
0% Instrumentalness • 44% Positiveness
44% Popularity • 42% Danceability • 57% Energy • 28% Liveness
0% Instrumentalness • 44% Positiveness
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Dean Lewis
Falling Up
104 bpm • D Maj • 03:26 • -3.59db
54% Popularity • 65% Danceability • 76% Energy • 10% Liveness
0% Instrumentalness • 48% Positiveness
54% Popularity • 65% Danceability • 76% Energy • 10% Liveness
0% Instrumentalness • 48% Positiveness
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Camylio
sometimes
103 bpm • C# Maj • 02:36 • -8.73db
53% Popularity • 55% Danceability • 45% Energy • 12% Liveness
0% Instrumentalness • 32% Positiveness
53% Popularity • 55% Danceability • 45% Energy • 12% Liveness
0% Instrumentalness • 32% Positiveness
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Sasha Alex Sloan
Lie
104 bpm • G# Maj • 03:29 • -7db
45% Popularity • 72% Danceability • 50% Energy • 13% Liveness
0% Instrumentalness • 27% Positiveness
45% Popularity • 72% Danceability • 50% Energy • 13% Liveness
0% Instrumentalness • 27% Positiveness
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Dan + Shay
Glad You Exist
104 bpm • B Maj • 02:24 • -8.04db
61% Popularity • 74% Danceability • 50% Energy • 12% Liveness
0% Instrumentalness • 69% Positiveness
61% Popularity • 74% Danceability • 50% Energy • 12% Liveness
0% Instrumentalness • 69% Positiveness
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Clean Bandit
Higher
104 bpm • C# min • 03:23 • -5.18db
54% Popularity • 72% Danceability • 74% Energy • 14% Liveness
0% Instrumentalness • 54% Positiveness
54% Popularity • 72% Danceability • 74% Energy • 14% Liveness
0% Instrumentalness • 54% Positiveness
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Sam Smith
Diamonds
104 bpm • A# min • 03:33 • -6.77db
66% Popularity • 64% Danceability • 67% Energy • 11% Liveness
0% Instrumentalness • 53% Positiveness
66% Popularity • 64% Danceability • 67% Energy • 11% Liveness
0% Instrumentalness • 53% Positiveness
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James Arthur
Naked
102 bpm • F# Maj • 03:53 • -6.79db
70% Popularity • 52% Danceability • 61% Energy • 6% Liveness
0% Instrumentalness • 29% Positiveness
70% Popularity • 52% Danceability • 61% Energy • 6% Liveness
0% Instrumentalness • 29% Positiveness
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Lewis Capaldi
Forget Me
102 bpm • C# min • 03:23 • -3.77db
77% Popularity • 66% Danceability • 76% Energy • 34% Liveness
0% Instrumentalness • 70% Positiveness
77% Popularity • 66% Danceability • 76% Energy • 34% Liveness
0% Instrumentalness • 70% Positiveness
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Cheat Codes
Lean On Me
102 bpm • A Maj • 02:29 • -5.8db
53% Popularity • 69% Danceability • 74% Energy • 5% Liveness
0% Instrumentalness • 45% Positiveness
53% Popularity • 69% Danceability • 74% Energy • 5% Liveness
0% Instrumentalness • 45% Positiveness
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Clinton Kane
14
105 bpm • D Maj • 02:20 • -6db
50% Popularity • 61% Danceability • 63% Energy • 12% Liveness
0% Instrumentalness • 70% Positiveness
50% Popularity • 61% Danceability • 63% Energy • 12% Liveness
0% Instrumentalness • 70% Positiveness
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Benson Boone
Let Me Go
105 bpm • G Maj • 02:39 • -6db
66% Popularity • 50% Danceability • 32% Energy • 11% Liveness
0% Instrumentalness • 19% Positiveness
66% Popularity • 50% Danceability • 32% Energy • 11% Liveness
0% Instrumentalness • 19% Positiveness
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Rudimental
Sun Comes Up - Acoustic
101 bpm • A# Maj • 04:15 • -4.63db
43% Popularity • 48% Danceability • 53% Energy • 29% Liveness
0% Instrumentalness • 54% Positiveness
43% Popularity • 48% Danceability • 53% Energy • 29% Liveness
0% Instrumentalness • 54% Positiveness
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Mark Ambor
The Long Way
105 bpm • E Maj • 02:15 • -3.86db
52% Popularity • 68% Danceability • 82% Energy • 12% Liveness
0% Instrumentalness • 80% Positiveness
52% Popularity • 68% Danceability • 82% Energy • 12% Liveness
0% Instrumentalness • 80% Positiveness
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Lewis Capaldi
Grace
104 bpm • E Maj • 03:05 • -5.85db
71% Popularity • 72% Danceability • 56% Energy • 16% Liveness
0% Instrumentalness • 49% Positiveness
71% Popularity • 72% Danceability • 56% Energy • 16% Liveness
0% Instrumentalness • 49% Positiveness
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James Arthur
Emily - Jonasu Remix
105 bpm • D# Maj • 03:33 • -4.6db
26% Popularity • 60% Danceability • 86% Energy • 7% Liveness
0% Instrumentalness • 61% Positiveness
26% Popularity • 60% Danceability • 86% Energy • 7% Liveness
0% Instrumentalness • 61% Positiveness
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Dean Lewis
7 Minutes
105 bpm • A# Maj • 03:31 • -6.48db
61% Popularity • 61% Danceability • 74% Energy • 15% Liveness
0% Instrumentalness • 71% Positiveness
61% Popularity • 61% Danceability • 74% Energy • 15% Liveness
0% Instrumentalness • 71% Positiveness
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Rachel Grae
Outsider
105 bpm • G# Maj • 02:56 • -6.9db
62% Popularity • 43% Danceability • 24% Energy • 25% Liveness
0% Instrumentalness • 16% Positiveness
62% Popularity • 43% Danceability • 24% Energy • 25% Liveness
0% Instrumentalness • 16% Positiveness
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Brent Morgan
Kiss the Girl
105 bpm • B Maj • 02:10 • -13.15db
62% Popularity • 68% Danceability • 24% Energy • 12% Liveness
0% Instrumentalness • 30% Positiveness
62% Popularity • 68% Danceability • 24% Energy • 12% Liveness
0% Instrumentalness • 30% Positiveness
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Tate McRae
slower
105 bpm • C# min • 03:07 • -8.08db
59% Popularity • 59% Danceability • 37% Energy • 34% Liveness
0% Instrumentalness • 19% Positiveness
59% Popularity • 59% Danceability • 37% Energy • 34% Liveness
0% Instrumentalness • 19% Positiveness
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James Smith
My Oh My
101 bpm • A# min • 02:39 • -7db
54% Popularity • 52% Danceability • 49% Energy • 11% Liveness
0% Instrumentalness • 35% Positiveness
54% Popularity • 52% Danceability • 49% Energy • 11% Liveness
0% Instrumentalness • 35% Positiveness
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James Arthur
September - Acoustic
101 bpm • A Maj • 03:41 • -6.07db
40% Popularity • 55% Danceability • 46% Energy • 14% Liveness
0% Instrumentalness • 60% Positiveness
40% Popularity • 55% Danceability • 46% Energy • 14% Liveness
0% Instrumentalness • 60% Positiveness
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Olivia Rodrigo
traitor
101 bpm • D# Maj • 03:49 • -7.89db
86% Popularity • 38% Danceability • 34% Energy • 12% Liveness
0% Instrumentalness • 8% Positiveness
86% Popularity • 38% Danceability • 34% Energy • 12% Liveness
0% Instrumentalness • 8% Positiveness
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Why Don't We
Love Back
106 bpm • E Maj • 03:05 • -6.85db
57% Popularity • 61% Danceability • 74% Energy • 18% Liveness
0% Instrumentalness • 70% Positiveness
57% Popularity • 61% Danceability • 74% Energy • 18% Liveness
0% Instrumentalness • 70% Positiveness
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Clinton Kane
CHICKEN TENDIES
100 bpm • G Maj • 03:16 • -6db
60% Popularity • 57% Danceability • 70% Energy • 8% Liveness
0% Instrumentalness • 55% Positiveness
60% Popularity • 57% Danceability • 70% Energy • 8% Liveness
0% Instrumentalness • 55% Positiveness
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Tate McRae
that way
105 bpm • C Maj • 02:55 • -11.02db
77% Popularity • 45% Danceability • 38% Energy • 39% Liveness
0% Instrumentalness • 33% Positiveness
77% Popularity • 45% Danceability • 38% Energy • 39% Liveness
0% Instrumentalness • 33% Positiveness
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Rudimental
Sun Comes Up
106 bpm • A# Maj • 03:52 • -5.28db
48% Popularity • 62% Danceability • 86% Energy • 17% Liveness
0% Instrumentalness • 23% Positiveness
48% Popularity • 62% Danceability • 86% Energy • 17% Liveness
0% Instrumentalness • 23% Positiveness
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Dean Lewis
Stay Awake
106 bpm • B min • 03:05 • -7.12db
60% Popularity • 72% Danceability • 83% Energy • 9% Liveness
0% Instrumentalness • 58% Positiveness
60% Popularity • 72% Danceability • 83% Energy • 9% Liveness
0% Instrumentalness • 58% Positiveness
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Kygo
Woke Up in Love
106 bpm • D Maj • 03:36 • -6db
62% Popularity • 65% Danceability • 59% Energy • 9% Liveness
0% Instrumentalness • 18% Positiveness
62% Popularity • 65% Danceability • 59% Energy • 9% Liveness
0% Instrumentalness • 18% Positiveness
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Forest Blakk
Give You Love
100 bpm • A# Maj • 02:53 • -7.88db
44% Popularity • 67% Danceability • 48% Energy • 7% Liveness
0% Instrumentalness • 28% Positiveness
44% Popularity • 67% Danceability • 48% Energy • 7% Liveness
0% Instrumentalness • 28% Positiveness
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One Direction
Perfect
100 bpm • D Maj • 03:50 • -5.23db
78% Popularity • 65% Danceability • 82% Energy • 12% Liveness
0% Instrumentalness • 40% Positiveness
78% Popularity • 65% Danceability • 82% Energy • 12% Liveness
0% Instrumentalness • 40% Positiveness
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Ashe
Till Forever Falls Apart
100 bpm • D Maj • 03:42 • -6.94db
74% Popularity • 35% Danceability • 50% Energy • 7% Liveness
0% Instrumentalness • 30% Positiveness
74% Popularity • 35% Danceability • 50% Energy • 7% Liveness
0% Instrumentalness • 30% Positiveness
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Caleb Hearn
Best Part of Me
100 bpm • C Maj • 02:19 • -9db
53% Popularity • 37% Danceability • 23% Energy • 11% Liveness
0% Instrumentalness • 22% Positiveness
53% Popularity • 37% Danceability • 23% Energy • 11% Liveness
0% Instrumentalness • 22% Positiveness
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Zach Hood
Flashbacks
100 bpm • B Maj • 03:03 • -7.38db
59% Popularity • 55% Danceability • 45% Energy • 7% Liveness
0% Instrumentalness • 49% Positiveness
59% Popularity • 55% Danceability • 45% Energy • 7% Liveness
0% Instrumentalness • 49% Positiveness
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Tom Grennan
Little Bit of Love
107 bpm • C# min • 03:46 • -4.48db
67% Popularity • 69% Danceability • 71% Energy • 10% Liveness
0% Instrumentalness • 62% Positiveness
67% Popularity • 69% Danceability • 71% Energy • 10% Liveness
0% Instrumentalness • 62% Positiveness
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Hailee Steinfeld
I Love You's
107 bpm • G# Maj • 03:36 • -5db
57% Popularity • 68% Danceability • 78% Energy • 21% Liveness
0% Instrumentalness • 32% Positiveness
57% Popularity • 68% Danceability • 78% Energy • 21% Liveness
0% Instrumentalness • 32% Positiveness
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Tate McRae
chaotic
107 bpm • F Maj • 02:55 • -6.99db
69% Popularity • 66% Danceability • 37% Energy • 10% Liveness
0% Instrumentalness • 35% Positiveness
69% Popularity • 66% Danceability • 37% Energy • 10% Liveness
0% Instrumentalness • 35% Positiveness
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Lewis Capaldi
Hold Me While You Wait
107 bpm • B Maj • 03:25 • -5.51db
78% Popularity • 69% Danceability • 53% Energy • 10% Liveness
0% Instrumentalness • 16% Positiveness
78% Popularity • 69% Danceability • 53% Energy • 10% Liveness
0% Instrumentalness • 16% Positiveness
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Caleb Hearn
Always Be 2.0
106 bpm • C Maj • 02:45 • -10.95db
58% Popularity • 48% Danceability • 20% Energy • 11% Liveness
0% Instrumentalness • 20% Positiveness
58% Popularity • 48% Danceability • 20% Energy • 11% Liveness
0% Instrumentalness • 20% Positiveness
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Maroon 5
Beautiful Mistakes
99 bpm • A# Maj • 03:47 • -5.48db
77% Popularity • 71% Danceability • 68% Energy • 15% Liveness
0% Instrumentalness • 72% Positiveness
77% Popularity • 71% Danceability • 68% Energy • 15% Liveness
0% Instrumentalness • 72% Positiveness
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Jamie Miller
Last Call
107 bpm • D Maj • 02:31 • -3.86db
49% Popularity • 64% Danceability • 53% Energy • 33% Liveness
0% Instrumentalness • 27% Positiveness
49% Popularity • 64% Danceability • 53% Energy • 33% Liveness
0% Instrumentalness • 27% Positiveness
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Sadie Jean
Locksmith
99 bpm • C# Maj • 02:44 • -10.73db
75% Popularity • 57% Danceability • 35% Energy • 11% Liveness
0% Instrumentalness • 37% Positiveness
75% Popularity • 57% Danceability • 35% Energy • 11% Liveness
0% Instrumentalness • 37% Positiveness
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Tom Walker
Better Half of Me
108 bpm • D# Maj • 03:15 • -4.7db
54% Popularity • 59% Danceability • 45% Energy • 28% Liveness
0% Instrumentalness • 44% Positiveness
54% Popularity • 59% Danceability • 45% Energy • 28% Liveness
0% Instrumentalness • 44% Positiveness
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Lewis Capaldi
Wish You The Best
108 bpm • D# Maj • 03:30 • -3.59db
80% Popularity • 68% Danceability • 46% Energy • 10% Liveness
0% Instrumentalness • 47% Positiveness
80% Popularity • 68% Danceability • 46% Energy • 10% Liveness
0% Instrumentalness • 47% Positiveness
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John K
if we never met
108 bpm • G# Maj • 02:25 • -7.06db
59% Popularity • 96% Danceability • 38% Energy • 13% Liveness
0% Instrumentalness • 33% Positiveness
59% Popularity • 96% Danceability • 38% Energy • 13% Liveness
0% Instrumentalness • 33% Positiveness
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James Arthur
Can I Be Him
108 bpm • B Maj • 04:06 • -6.16db
79% Popularity • 70% Danceability • 54% Energy • 9% Liveness
0% Instrumentalness • 48% Positiveness
79% Popularity • 70% Danceability • 54% Energy • 9% Liveness
0% Instrumentalness • 48% Positiveness
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Charlie Puth
That's Hilarious
108 bpm • F# Maj • 02:24 • -6db
68% Popularity • 71% Danceability • 44% Energy • 11% Liveness
0% Instrumentalness • 55% Positiveness
68% Popularity • 71% Danceability • 44% Energy • 11% Liveness
0% Instrumentalness • 55% Positiveness
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Kygo
Undeniable
108 bpm • F# Maj • 03:00 • -7db
52% Popularity • 68% Danceability • 51% Energy • 16% Liveness
0% Instrumentalness • 37% Positiveness
52% Popularity • 68% Danceability • 51% Energy • 16% Liveness
0% Instrumentalness • 37% Positiveness
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Julia Michaels
17
98 bpm • E Maj • 03:02 • -6.87db
52% Popularity • 77% Danceability • 47% Energy • 11% Liveness
0% Instrumentalness • 40% Positiveness
52% Popularity • 77% Danceability • 47% Energy • 11% Liveness
0% Instrumentalness • 40% Positiveness
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Niall Horan
Still
98 bpm • D# Maj • 04:11 • -6.2db
63% Popularity • 42% Danceability • 45% Energy • 11% Liveness
0% Instrumentalness • 29% Positiveness
63% Popularity • 42% Danceability • 45% Energy • 11% Liveness
0% Instrumentalness • 29% Positiveness
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Clinton Kane
hopeless
108 bpm • G Maj • 03:19 • -6.11db
47% Popularity • 46% Danceability • 58% Energy • 13% Liveness
0% Instrumentalness • 35% Positiveness
47% Popularity • 46% Danceability • 58% Energy • 13% Liveness
0% Instrumentalness • 35% Positiveness
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Anson Seabra
Welcome to Wonderland
97 bpm • E Maj • 03:19 • -10.91db
68% Popularity • 70% Danceability • 18% Energy • 10% Liveness
0% Instrumentalness • 35% Positiveness
68% Popularity • 70% Danceability • 18% Energy • 10% Liveness
0% Instrumentalness • 35% Positiveness
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Mark Ambor
Hair Toss, Arms Crossed
109 bpm • F# Maj • 02:37 • -6.15db
56% Popularity • 72% Danceability • 49% Energy • 8% Liveness
0% Instrumentalness • 61% Positiveness
56% Popularity • 72% Danceability • 49% Energy • 8% Liveness
0% Instrumentalness • 61% Positiveness
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Ali Gatie
Perfect
110 bpm • D# Maj • 02:48 • -10db
40% Popularity • 40% Danceability • 30% Energy • 11% Liveness
0% Instrumentalness • 36% Positiveness
40% Popularity • 40% Danceability • 30% Energy • 11% Liveness
0% Instrumentalness • 36% Positiveness
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Martin Jensen
Nobody
97 bpm • F# min • 03:31 • -5.3db
57% Popularity • 67% Danceability • 69% Energy • 18% Liveness
0% Instrumentalness • 52% Positiveness
57% Popularity • 67% Danceability • 69% Energy • 18% Liveness
0% Instrumentalness • 52% Positiveness
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James Arthur
Safe Inside - Acoustic
110 bpm • G# Maj • 03:52 • -9db
45% Popularity • 39% Danceability • 30% Energy • 11% Liveness
0% Instrumentalness • 30% Positiveness
45% Popularity • 39% Danceability • 30% Energy • 11% Liveness
0% Instrumentalness • 30% Positiveness
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Clinton Kane
forget about us
109 bpm • E Maj • 03:04 • -7.09db
48% Popularity • 53% Danceability • 43% Energy • 10% Liveness
0% Instrumentalness • 55% Positiveness
48% Popularity • 53% Danceability • 43% Energy • 10% Liveness
0% Instrumentalness • 55% Positiveness
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AJ Mitchell
I Don't Want You Back
110 bpm • F Maj • 03:44 • -6.49db
53% Popularity • 61% Danceability • 35% Energy • 10% Liveness
0% Instrumentalness • 25% Positiveness
53% Popularity • 61% Danceability • 35% Energy • 10% Liveness
0% Instrumentalness • 25% Positiveness
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Adele
Love In The Dark
110 bpm • A min • 04:45 • -6.06db
80% Popularity • 33% Danceability • 34% Energy • 11% Liveness
0% Instrumentalness • 15% Positiveness
80% Popularity • 33% Danceability • 34% Energy • 11% Liveness
0% Instrumentalness • 15% Positiveness
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elijah woods
fingers crossed
110 bpm • F Maj • 02:43 • -7.45db
66% Popularity • 66% Danceability • 48% Energy • 15% Liveness
0% Instrumentalness • 20% Positiveness
66% Popularity • 66% Danceability • 48% Energy • 15% Liveness
0% Instrumentalness • 20% Positiveness
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Michael Schulte
Falling Apart
110 bpm • G min • 03:18 • -9.36db
73% Popularity • 54% Danceability • 33% Energy • 17% Liveness
0% Instrumentalness • 26% Positiveness
73% Popularity • 54% Danceability • 33% Energy • 17% Liveness
0% Instrumentalness • 26% Positiveness
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Gracie Abrams
I miss you, I’m sorry
110 bpm • G Maj • 02:47 • -6.41db
83% Popularity • 44% Danceability • 46% Energy • 12% Liveness
0% Instrumentalness • 15% Positiveness
83% Popularity • 44% Danceability • 46% Energy • 12% Liveness
0% Instrumentalness • 15% Positiveness
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Jessie Murph
Pray
97 bpm • G# Maj • 02:26 • -7.75db
71% Popularity • 59% Danceability • 39% Energy • 10% Liveness
0% Instrumentalness • 21% Positiveness
71% Popularity • 59% Danceability • 39% Energy • 10% Liveness
0% Instrumentalness • 21% Positiveness
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Lewis Capaldi
Someone You Loved
110 bpm • C# Maj • 03:02 • -5.68db
89% Popularity • 50% Danceability • 40% Energy • 10% Liveness
0% Instrumentalness • 45% Positiveness
89% Popularity • 50% Danceability • 40% Energy • 10% Liveness
0% Instrumentalness • 45% Positiveness
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Jonah Kagen
Moon
110 bpm • C# min • 03:40 • -8.81db
52% Popularity • 59% Danceability • 52% Energy • 49% Liveness
0% Instrumentalness • 38% Positiveness
52% Popularity • 59% Danceability • 52% Energy • 49% Liveness
0% Instrumentalness • 38% Positiveness
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Duncan Laurence
Stars
97 bpm • F# min • 02:52 • -11.35db
46% Popularity • 54% Danceability • 33% Energy • 9% Liveness
0% Instrumentalness • 34% Positiveness
46% Popularity • 54% Danceability • 33% Energy • 9% Liveness
0% Instrumentalness • 34% Positiveness
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Zach Hood
Isabelle
110 bpm • A# Maj • 02:15 • -4.4db
60% Popularity • 68% Danceability • 72% Energy • 10% Liveness
0% Instrumentalness • 63% Positiveness
60% Popularity • 68% Danceability • 72% Energy • 10% Liveness
0% Instrumentalness • 63% Positiveness
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Harry Styles
Falling
110 bpm • E Maj • 04:00 • -6.5db
83% Popularity • 57% Danceability • 27% Energy • 9% Liveness
0% Instrumentalness • 6% Positiveness
83% Popularity • 57% Danceability • 27% Energy • 9% Liveness
0% Instrumentalness • 6% Positiveness
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Astrid S
I Do
110 bpm • A# Maj • 02:35 • -9.4db
50% Popularity • 67% Danceability • 52% Energy • 12% Liveness
0% Instrumentalness • 22% Positiveness
50% Popularity • 67% Danceability • 52% Energy • 12% Liveness
0% Instrumentalness • 22% Positiveness
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David Kushner
Miserable Man
110 bpm • A# Maj • 03:52 • -10.29db
70% Popularity • 63% Danceability • 35% Energy • 30% Liveness
0% Instrumentalness • 32% Positiveness
70% Popularity • 63% Danceability • 35% Energy • 30% Liveness
0% Instrumentalness • 32% Positiveness
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One Direction
Little Things
110 bpm • G Maj • 03:39 • -11.86db
73% Popularity • 71% Danceability • 22% Energy • 18% Liveness
0% Instrumentalness • 53% Positiveness
73% Popularity • 71% Danceability • 22% Energy • 18% Liveness
0% Instrumentalness • 53% Positiveness
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Matt Hansen
WHERE YOU BELONG
96 bpm • A min • 02:56 • -5.48db
67% Popularity • 56% Danceability • 49% Energy • 11% Liveness
0% Instrumentalness • 13% Positiveness
67% Popularity • 56% Danceability • 49% Energy • 11% Liveness
0% Instrumentalness • 13% Positiveness
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LANY
ex i never had
96 bpm • A# Maj • 03:21 • -7.07db
62% Popularity • 65% Danceability • 39% Energy • 11% Liveness
0% Instrumentalness • 63% Positiveness
62% Popularity • 65% Danceability • 39% Energy • 11% Liveness
0% Instrumentalness • 63% Positiveness
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Ali Gatie
It's You
96 bpm • B min • 03:32 • -6.97db
77% Popularity • 73% Danceability • 46% Energy • 19% Liveness
0% Instrumentalness • 40% Positiveness
77% Popularity • 73% Danceability • 46% Energy • 19% Liveness
0% Instrumentalness • 40% Positiveness
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Niall Horan
Put A Little Love On Me
96 bpm • A# Maj • 03:44 • -4.91db
69% Popularity • 59% Danceability • 47% Energy • 10% Liveness
0% Instrumentalness • 26% Positiveness
69% Popularity • 59% Danceability • 47% Energy • 10% Liveness
0% Instrumentalness • 26% Positiveness
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Astrid S
Pretty
96 bpm • A Maj • 02:55 • -6.3db
51% Popularity • 63% Danceability • 83% Energy • 9% Liveness
0% Instrumentalness • 33% Positiveness
51% Popularity • 63% Danceability • 83% Energy • 9% Liveness
0% Instrumentalness • 33% Positiveness
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Benson Boone
NIGHTS LIKE THESE
96 bpm • G min • 02:52 • -6.02db
72% Popularity • 67% Danceability • 59% Energy • 11% Liveness
0% Instrumentalness • 46% Positiveness
72% Popularity • 67% Danceability • 59% Energy • 11% Liveness
0% Instrumentalness • 46% Positiveness
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Dean Lewis
Looks Like Me
111 bpm • B Maj • 03:10 • -5db
65% Popularity • 77% Danceability • 72% Energy • 16% Liveness
0% Instrumentalness • 46% Positiveness
65% Popularity • 77% Danceability • 72% Energy • 16% Liveness
0% Instrumentalness • 46% Positiveness
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Halsey
You should be sad
111 bpm • D Maj • 03:25 • -6.35db
71% Popularity • 59% Danceability • 58% Energy • 11% Liveness
0% Instrumentalness • 32% Positiveness
71% Popularity • 59% Danceability • 58% Energy • 11% Liveness
0% Instrumentalness • 32% Positiveness
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KiD RAiN
Accidentally in Love
111 bpm • E Maj • 02:08 • -11.98db
48% Popularity • 67% Danceability • 40% Energy • 25% Liveness
0% Instrumentalness • 89% Positiveness
48% Popularity • 67% Danceability • 40% Energy • 25% Liveness
0% Instrumentalness • 89% Positiveness
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Lewis Capaldi
Bruises
111 bpm • E Maj • 03:40 • -7.83db
81% Popularity • 74% Danceability • 31% Energy • 19% Liveness
0% Instrumentalness • 36% Positiveness
81% Popularity • 74% Danceability • 31% Energy • 19% Liveness
0% Instrumentalness • 36% Positiveness
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Scott Quinn
Holding on to Letting Go
95 bpm • B min • 02:45 • -9.38db
52% Popularity • 46% Danceability • 41% Energy • 16% Liveness
0% Instrumentalness • 30% Positiveness
52% Popularity • 46% Danceability • 41% Energy • 16% Liveness
0% Instrumentalness • 30% Positiveness
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Christian Leave
Please Notice
111 bpm • D Maj • 01:56 • -8.45db
65% Popularity • 55% Danceability • 27% Energy • 11% Liveness
0% Instrumentalness • 20% Positiveness
65% Popularity • 55% Danceability • 27% Energy • 11% Liveness
0% Instrumentalness • 20% Positiveness
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Kelsea Ballerini
I Quit Drinking
95 bpm • C# Maj • 02:51 • -7db
70% Popularity • 61% Danceability • 42% Energy • 18% Liveness
0% Instrumentalness • 39% Positiveness
70% Popularity • 61% Danceability • 42% Energy • 18% Liveness
0% Instrumentalness • 39% Positiveness
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Ed Sheeran
2step
95 bpm • E min • 02:33 • -5.59db
66% Popularity • 76% Danceability • 66% Energy • 12% Liveness
0% Instrumentalness • 63% Positiveness
66% Popularity • 76% Danceability • 66% Energy • 12% Liveness
0% Instrumentalness • 63% Positiveness
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Sasha Alex Sloan
Is It Just Me?
95 bpm • D Maj • 02:34 • -10.84db
60% Popularity • 68% Danceability • 36% Energy • 36% Liveness
0% Instrumentalness • 20% Positiveness
60% Popularity • 68% Danceability • 36% Energy • 36% Liveness
0% Instrumentalness • 20% Positiveness
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Calum Scott
If You Ever Change Your Mind
95 bpm • C# min • 03:25 • -2.85db
48% Popularity • 66% Danceability • 72% Energy • 10% Liveness
0% Instrumentalness • 36% Positiveness
48% Popularity • 66% Danceability • 72% Energy • 10% Liveness
0% Instrumentalness • 36% Positiveness
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Niall Horan
This Town
112 bpm • A Maj • 03:52 • -8.47db
81% Popularity • 68% Danceability • 40% Energy • 12% Liveness
0% Instrumentalness • 20% Positiveness
81% Popularity • 68% Danceability • 40% Energy • 12% Liveness
0% Instrumentalness • 20% Positiveness
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Lewis Capaldi
Before You Go
112 bpm • D# Maj • 03:35 • -4.86db
84% Popularity • 46% Danceability • 57% Energy • 9% Liveness
0% Instrumentalness • 18% Positiveness
84% Popularity • 46% Danceability • 57% Energy • 9% Liveness
0% Instrumentalness • 18% Positiveness
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Matt Hansen
something to remember
112 bpm • C# Maj • 02:42 • -6.9db
79% Popularity • 66% Danceability • 72% Energy • 12% Liveness
0% Instrumentalness • 49% Positiveness
79% Popularity • 66% Danceability • 72% Energy • 12% Liveness
0% Instrumentalness • 49% Positiveness
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Ruel
GROWING UP IS _____
113 bpm • C Maj • 03:53 • -6db
57% Popularity • 67% Danceability • 72% Energy • 23% Liveness
0% Instrumentalness • 49% Positiveness
57% Popularity • 67% Danceability • 72% Energy • 23% Liveness
0% Instrumentalness • 49% Positiveness
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LANY
dancing in the kitchen
94 bpm • B Maj • 03:28 • -8db
59% Popularity • 65% Danceability • 74% Energy • 8% Liveness
0% Instrumentalness • 28% Positiveness
59% Popularity • 65% Danceability • 74% Energy • 8% Liveness
0% Instrumentalness • 28% Positiveness
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Andy Grammer
Don't Give Up On Me
113 bpm • C min • 03:16 • -5.45db
58% Popularity • 64% Danceability • 54% Energy • 11% Liveness
0% Instrumentalness • 7% Positiveness
58% Popularity • 64% Danceability • 54% Energy • 11% Liveness
0% Instrumentalness • 7% Positiveness
